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You searched for subject:(woodcut). Showing records 1 – 28 of 28 total matches.

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Texas A&M University

1. Musha, Elona. Translating 2D German expressionist woodcut artwork into 3D.

Degree: 2006, Texas A&M University

 This thesis involves the study of four woodcuts from the twentieth century German Expressionist movement. The study of these woodcuts inspires and informs the translation… (more)

Subjects/Keywords: expressionist; woodcut

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APA (6th Edition):

Musha, E. (2006). Translating 2D German expressionist woodcut artwork into 3D. (Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/4230

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Musha, Elona. “Translating 2D German expressionist woodcut artwork into 3D.” 2006. Thesis, Texas A&M University. Accessed November 22, 2019. http://hdl.handle.net/1969.1/4230.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Musha, Elona. “Translating 2D German expressionist woodcut artwork into 3D.” 2006. Web. 22 Nov 2019.

Vancouver:

Musha E. Translating 2D German expressionist woodcut artwork into 3D. [Internet] [Thesis]. Texas A&M University; 2006. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/1969.1/4230.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Musha E. Translating 2D German expressionist woodcut artwork into 3D. [Thesis]. Texas A&M University; 2006. Available from: http://hdl.handle.net/1969.1/4230

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

2. Banerjee, Debangana. Inscapes of unrequited belonging.

Degree: MFA, Fine Arts, 2010, Louisiana State University

 This thesis is about my journey through life—memories of the past, experiences of the present and premonitions of the future—and how that journey, through its… (more)

Subjects/Keywords: inscape; nature; woodcut; printmaking

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APA (6th Edition):

Banerjee, D. (2010). Inscapes of unrequited belonging. (Masters Thesis). Louisiana State University. Retrieved from etd-05252010-141807 ; https://digitalcommons.lsu.edu/gradschool_theses/1538

Chicago Manual of Style (16th Edition):

Banerjee, Debangana. “Inscapes of unrequited belonging.” 2010. Masters Thesis, Louisiana State University. Accessed November 22, 2019. etd-05252010-141807 ; https://digitalcommons.lsu.edu/gradschool_theses/1538.

MLA Handbook (7th Edition):

Banerjee, Debangana. “Inscapes of unrequited belonging.” 2010. Web. 22 Nov 2019.

Vancouver:

Banerjee D. Inscapes of unrequited belonging. [Internet] [Masters thesis]. Louisiana State University; 2010. [cited 2019 Nov 22]. Available from: etd-05252010-141807 ; https://digitalcommons.lsu.edu/gradschool_theses/1538.

Council of Science Editors:

Banerjee D. Inscapes of unrequited belonging. [Masters Thesis]. Louisiana State University; 2010. Available from: etd-05252010-141807 ; https://digitalcommons.lsu.edu/gradschool_theses/1538

3. Thornton, Rachel. To Dance Beyond Yourself: Ernst Ludwig Kirchner's Woodcut Prints of Mary Wigman.

Degree: 2016, American University

Ernst Ludwig Kirchner’s legacy as a founding member of Die Brücke (The Bridge), and one of the leading figures of German Expressionism, has made his… (more)

Subjects/Keywords: Dance; Expressionism; Kirchner; Surrealism; Wigman; Woodcut

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APA (6th Edition):

Thornton, R. (2016). To Dance Beyond Yourself: Ernst Ludwig Kirchner's Woodcut Prints of Mary Wigman. (Masters Thesis). American University. Retrieved from http://hdl.handle.net/1961/auislandora:68553

Chicago Manual of Style (16th Edition):

Thornton, Rachel. “To Dance Beyond Yourself: Ernst Ludwig Kirchner's Woodcut Prints of Mary Wigman.” 2016. Masters Thesis, American University. Accessed November 22, 2019. http://hdl.handle.net/1961/auislandora:68553.

MLA Handbook (7th Edition):

Thornton, Rachel. “To Dance Beyond Yourself: Ernst Ludwig Kirchner's Woodcut Prints of Mary Wigman.” 2016. Web. 22 Nov 2019.

Vancouver:

Thornton R. To Dance Beyond Yourself: Ernst Ludwig Kirchner's Woodcut Prints of Mary Wigman. [Internet] [Masters thesis]. American University; 2016. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/1961/auislandora:68553.

Council of Science Editors:

Thornton R. To Dance Beyond Yourself: Ernst Ludwig Kirchner's Woodcut Prints of Mary Wigman. [Masters Thesis]. American University; 2016. Available from: http://hdl.handle.net/1961/auislandora:68553


Freie Universität Berlin

4. Wöldicke, Evelyn. Chiaroscuro woodcuts in the 18th-Century.

Degree: 2014, Freie Universität Berlin

 At the beginning of the 18th century, chiaroscuro woodcut is an outmoded technique. It revives in 1720 due to a network of European experts and… (more)

Subjects/Keywords: Chiaroscuro woodcut; Anton Maria Zanetti; John Baptist Jackson; Elisha Kirkall; Arthur Pond; Recueil Crozat; colour woodcut; 700 Künste und Unterhaltung

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APA (6th Edition):

Wöldicke, E. (2014). Chiaroscuro woodcuts in the 18th-Century. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-13310

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wöldicke, Evelyn. “Chiaroscuro woodcuts in the 18th-Century.” 2014. Thesis, Freie Universität Berlin. Accessed November 22, 2019. http://dx.doi.org/10.17169/refubium-13310.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wöldicke, Evelyn. “Chiaroscuro woodcuts in the 18th-Century.” 2014. Web. 22 Nov 2019.

Vancouver:

Wöldicke E. Chiaroscuro woodcuts in the 18th-Century. [Internet] [Thesis]. Freie Universität Berlin; 2014. [cited 2019 Nov 22]. Available from: http://dx.doi.org/10.17169/refubium-13310.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wöldicke E. Chiaroscuro woodcuts in the 18th-Century. [Thesis]. Freie Universität Berlin; 2014. Available from: http://dx.doi.org/10.17169/refubium-13310

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Lopez, Fabrício de Jesus Barrio. A madeira e a luz - ateliê Santos.

Degree: Mestrado, Poéticas Visuais, 2009, University of São Paulo

Os dois volumes que integram esta dissertação compreendem a produção visual realizada entre 2003 - 2008, e a implantação de um ateliê no centro histórico… (more)

Subjects/Keywords: arts workshop; Ateliê; color; Cor; grand scale; Grande formato; woodcut; Xilogravura

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APA (6th Edition):

Lopez, F. d. J. B. (2009). A madeira e a luz - ateliê Santos. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27159/tde-12072009-191550/ ;

Chicago Manual of Style (16th Edition):

Lopez, Fabrício de Jesus Barrio. “A madeira e a luz - ateliê Santos.” 2009. Masters Thesis, University of São Paulo. Accessed November 22, 2019. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-12072009-191550/ ;.

MLA Handbook (7th Edition):

Lopez, Fabrício de Jesus Barrio. “A madeira e a luz - ateliê Santos.” 2009. Web. 22 Nov 2019.

Vancouver:

Lopez FdJB. A madeira e a luz - ateliê Santos. [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2019 Nov 22]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-12072009-191550/ ;.

Council of Science Editors:

Lopez FdJB. A madeira e a luz - ateliê Santos. [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-12072009-191550/ ;


Louisiana State University

6. Burns, Danielle. Up like weeds.

Degree: MFA, Fine Arts, 2009, Louisiana State University

  A child playing with matches is forgivable. Kids are curious. They want to explore adult activities through play. Does it stay innocent when that… (more)

Subjects/Keywords: disavowal; storytelling; rural; memory; printmaking; reductive woodcut; intaglio; silkscreen; childhood; innocence

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APA (6th Edition):

Burns, D. (2009). Up like weeds. (Masters Thesis). Louisiana State University. Retrieved from etd-06062012-225125 ; https://digitalcommons.lsu.edu/gradschool_theses/1033

Chicago Manual of Style (16th Edition):

Burns, Danielle. “Up like weeds.” 2009. Masters Thesis, Louisiana State University. Accessed November 22, 2019. etd-06062012-225125 ; https://digitalcommons.lsu.edu/gradschool_theses/1033.

MLA Handbook (7th Edition):

Burns, Danielle. “Up like weeds.” 2009. Web. 22 Nov 2019.

Vancouver:

Burns D. Up like weeds. [Internet] [Masters thesis]. Louisiana State University; 2009. [cited 2019 Nov 22]. Available from: etd-06062012-225125 ; https://digitalcommons.lsu.edu/gradschool_theses/1033.

Council of Science Editors:

Burns D. Up like weeds. [Masters Thesis]. Louisiana State University; 2009. Available from: etd-06062012-225125 ; https://digitalcommons.lsu.edu/gradschool_theses/1033

7. Snowden, Jimmy. Poteus.

Degree: MFA, Art, 2018, Stephen F. Austin State University

  ABSTRACT Proteus is an exhibition that consists of seven sculptures, three woodcut prints, and an installation comprised of steel and ceramics. The seven sculptures… (more)

Subjects/Keywords: sculpture; Art; Proteus; Ceramics; Woodcut; Prints; Fine Arts

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APA (6th Edition):

Snowden, J. (2018). Poteus. (Masters Thesis). Stephen F. Austin State University. Retrieved from https://scholarworks.sfasu.edu/etds/151

Chicago Manual of Style (16th Edition):

Snowden, Jimmy. “Poteus.” 2018. Masters Thesis, Stephen F. Austin State University. Accessed November 22, 2019. https://scholarworks.sfasu.edu/etds/151.

MLA Handbook (7th Edition):

Snowden, Jimmy. “Poteus.” 2018. Web. 22 Nov 2019.

Vancouver:

Snowden J. Poteus. [Internet] [Masters thesis]. Stephen F. Austin State University; 2018. [cited 2019 Nov 22]. Available from: https://scholarworks.sfasu.edu/etds/151.

Council of Science Editors:

Snowden J. Poteus. [Masters Thesis]. Stephen F. Austin State University; 2018. Available from: https://scholarworks.sfasu.edu/etds/151


Rochester Institute of Technology

8. Croom, Catherine. Color Woodcuts & Ancient Greek Poetry.

Degree: School of Art (CIAS), 1968, Rochester Institute of Technology

Not included. Advisors/Committee Members: Wells.

Subjects/Keywords: Drawings; Poems; Prints; Sketches; Woodcut

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APA (6th Edition):

Croom, C. (1968). Color Woodcuts & Ancient Greek Poetry. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/3658

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Croom, Catherine. “Color Woodcuts & Ancient Greek Poetry.” 1968. Thesis, Rochester Institute of Technology. Accessed November 22, 2019. https://scholarworks.rit.edu/theses/3658.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Croom, Catherine. “Color Woodcuts & Ancient Greek Poetry.” 1968. Web. 22 Nov 2019.

Vancouver:

Croom C. Color Woodcuts & Ancient Greek Poetry. [Internet] [Thesis]. Rochester Institute of Technology; 1968. [cited 2019 Nov 22]. Available from: https://scholarworks.rit.edu/theses/3658.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Croom C. Color Woodcuts & Ancient Greek Poetry. [Thesis]. Rochester Institute of Technology; 1968. Available from: https://scholarworks.rit.edu/theses/3658

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

9. Church, Sophie Oriana. The Maker's Knowledge: Production and Analysis of Ugo da Carpi's David Slaying Goliath .

Degree: 2019, University of Arizona

 This study explores the technique and materials used in the making of the University of Arizona Museum of Art's sixteenth-century chiaroscuro woodcut print David Slaying… (more)

Subjects/Keywords: Art conservation; chiaroscuro woodcut; David; Goliath; Printmaking; Ugo da Carpi

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APA (6th Edition):

Church, S. O. (2019). The Maker's Knowledge: Production and Analysis of Ugo da Carpi's David Slaying Goliath . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/632561

Chicago Manual of Style (16th Edition):

Church, Sophie Oriana. “The Maker's Knowledge: Production and Analysis of Ugo da Carpi's David Slaying Goliath .” 2019. Masters Thesis, University of Arizona. Accessed November 22, 2019. http://hdl.handle.net/10150/632561.

MLA Handbook (7th Edition):

Church, Sophie Oriana. “The Maker's Knowledge: Production and Analysis of Ugo da Carpi's David Slaying Goliath .” 2019. Web. 22 Nov 2019.

Vancouver:

Church SO. The Maker's Knowledge: Production and Analysis of Ugo da Carpi's David Slaying Goliath . [Internet] [Masters thesis]. University of Arizona; 2019. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10150/632561.

Council of Science Editors:

Church SO. The Maker's Knowledge: Production and Analysis of Ugo da Carpi's David Slaying Goliath . [Masters Thesis]. University of Arizona; 2019. Available from: http://hdl.handle.net/10150/632561


University of Saskatchewan

10. Roach, Donald Charles. Slag.

Degree: 2010, University of Saskatchewan

 The need and longing to connect to another is a fundamental desire of the human heart, enforcing a sense of movement toward social and personal… (more)

Subjects/Keywords: Nova Scotia; acrylic painting; printmaking; woodcut; oil painting; painting; New Waterford; coal; slag; coal mining

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APA (6th Edition):

Roach, D. C. (2010). Slag. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-10272010-015702

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roach, Donald Charles. “Slag.” 2010. Thesis, University of Saskatchewan. Accessed November 22, 2019. http://hdl.handle.net/10388/etd-10272010-015702.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roach, Donald Charles. “Slag.” 2010. Web. 22 Nov 2019.

Vancouver:

Roach DC. Slag. [Internet] [Thesis]. University of Saskatchewan; 2010. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10388/etd-10272010-015702.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roach DC. Slag. [Thesis]. University of Saskatchewan; 2010. Available from: http://hdl.handle.net/10388/etd-10272010-015702

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Waterloo

11. Jakacki, Diane. "Covetous to parley with so sweet a frontis-peece": Illustration in Early Modern English Play-Texts.

Degree: 2010, University of Waterloo

 This dissertation studies visual artifacts associated with early modern theatre and book culture, and through them examines acts of communication in the marketplace. These artifacts,… (more)

Subjects/Keywords: Renaissance; drama; print culture; illustration; visual rhetoric; theatre; engraving; woodcut; title page; early modern

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APA (6th Edition):

Jakacki, D. (2010). "Covetous to parley with so sweet a frontis-peece": Illustration in Early Modern English Play-Texts. (Thesis). University of Waterloo. Retrieved from http://hdl.handle.net/10012/5518

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jakacki, Diane. “"Covetous to parley with so sweet a frontis-peece": Illustration in Early Modern English Play-Texts.” 2010. Thesis, University of Waterloo. Accessed November 22, 2019. http://hdl.handle.net/10012/5518.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jakacki, Diane. “"Covetous to parley with so sweet a frontis-peece": Illustration in Early Modern English Play-Texts.” 2010. Web. 22 Nov 2019.

Vancouver:

Jakacki D. "Covetous to parley with so sweet a frontis-peece": Illustration in Early Modern English Play-Texts. [Internet] [Thesis]. University of Waterloo; 2010. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10012/5518.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jakacki D. "Covetous to parley with so sweet a frontis-peece": Illustration in Early Modern English Play-Texts. [Thesis]. University of Waterloo; 2010. Available from: http://hdl.handle.net/10012/5518

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Colorado State University

12. Grossett, Laura. Collecting my thoughts.

Degree: MA, Art, 2007, Colorado State University

 This work is based upon the accumulation and slippage of memory in relation to loss. Through shifting line work and the layering of printed semi-transparent… (more)

Subjects/Keywords: nature; woodcut; relief print; collection; memory

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APA (6th Edition):

Grossett, L. (2007). Collecting my thoughts. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/70021

Chicago Manual of Style (16th Edition):

Grossett, Laura. “Collecting my thoughts.” 2007. Masters Thesis, Colorado State University. Accessed November 22, 2019. http://hdl.handle.net/10217/70021.

MLA Handbook (7th Edition):

Grossett, Laura. “Collecting my thoughts.” 2007. Web. 22 Nov 2019.

Vancouver:

Grossett L. Collecting my thoughts. [Internet] [Masters thesis]. Colorado State University; 2007. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10217/70021.

Council of Science Editors:

Grossett L. Collecting my thoughts. [Masters Thesis]. Colorado State University; 2007. Available from: http://hdl.handle.net/10217/70021

13. Dégardin, Samuel. Les Romans en images sans paroles de Frans Masereel : The novels in pictures without words by Frans Masereel.

Degree: Docteur es, Histoire de l'art, 2018, Lille 3

En 1918, Frans Masereel fait paraître à compte d’auteur 25 Images de la passion d’un homme. Si l’on trouve dès ce premier roman en images… (more)

Subjects/Keywords: Frans Masereel; Roman en images; Gravure sur bois; Frans Masereel; Novels in pictures; Woodcut

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APA (6th Edition):

Dégardin, S. (2018). Les Romans en images sans paroles de Frans Masereel : The novels in pictures without words by Frans Masereel. (Doctoral Dissertation). Lille 3. Retrieved from http://www.theses.fr/2018LIL3H028

Chicago Manual of Style (16th Edition):

Dégardin, Samuel. “Les Romans en images sans paroles de Frans Masereel : The novels in pictures without words by Frans Masereel.” 2018. Doctoral Dissertation, Lille 3. Accessed November 22, 2019. http://www.theses.fr/2018LIL3H028.

MLA Handbook (7th Edition):

Dégardin, Samuel. “Les Romans en images sans paroles de Frans Masereel : The novels in pictures without words by Frans Masereel.” 2018. Web. 22 Nov 2019.

Vancouver:

Dégardin S. Les Romans en images sans paroles de Frans Masereel : The novels in pictures without words by Frans Masereel. [Internet] [Doctoral dissertation]. Lille 3; 2018. [cited 2019 Nov 22]. Available from: http://www.theses.fr/2018LIL3H028.

Council of Science Editors:

Dégardin S. Les Romans en images sans paroles de Frans Masereel : The novels in pictures without words by Frans Masereel. [Doctoral Dissertation]. Lille 3; 2018. Available from: http://www.theses.fr/2018LIL3H028

14. Korošec, Danica. Matrica in odtis v lesorezu.

Degree: 2017, Univerza v Mariboru

V magistrski nalogi z naslovom Matrica in odtis v lesorezu sem besedilo razčlenila na tri dele. V prvem delu sem s teoretičnega vidika raziskala in… (more)

Subjects/Keywords: Lesorez; visoki tisk; zgodovina lesoreza; tehnike lesoreza; furnir; masiven les; matrica; odtis; tiskovna površina.; Woodcut; letterpress; history of woodcut; woodcut techniques; veneer; solid wood; matrix; print; printing surface.; info:eu-repo/classification/udc/761.1(043.2)

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APA (6th Edition):

Korošec, D. (2017). Matrica in odtis v lesorezu. (Masters Thesis). Univerza v Mariboru. Retrieved from https://dk.um.si/IzpisGradiva.php?id=68584 ; https://dk.um.si/Dokument.php?id=119062&dn= ; https://plus.si.cobiss.net/opac7/bib/23468040?lang=sl

Chicago Manual of Style (16th Edition):

Korošec, Danica. “Matrica in odtis v lesorezu.” 2017. Masters Thesis, Univerza v Mariboru. Accessed November 22, 2019. https://dk.um.si/IzpisGradiva.php?id=68584 ; https://dk.um.si/Dokument.php?id=119062&dn= ; https://plus.si.cobiss.net/opac7/bib/23468040?lang=sl.

MLA Handbook (7th Edition):

Korošec, Danica. “Matrica in odtis v lesorezu.” 2017. Web. 22 Nov 2019.

Vancouver:

Korošec D. Matrica in odtis v lesorezu. [Internet] [Masters thesis]. Univerza v Mariboru; 2017. [cited 2019 Nov 22]. Available from: https://dk.um.si/IzpisGradiva.php?id=68584 ; https://dk.um.si/Dokument.php?id=119062&dn= ; https://plus.si.cobiss.net/opac7/bib/23468040?lang=sl.

Council of Science Editors:

Korošec D. Matrica in odtis v lesorezu. [Masters Thesis]. Univerza v Mariboru; 2017. Available from: https://dk.um.si/IzpisGradiva.php?id=68584 ; https://dk.um.si/Dokument.php?id=119062&dn= ; https://plus.si.cobiss.net/opac7/bib/23468040?lang=sl

15. Holst, Lise Marie. Felix Vallotton’s <i>Intimites</i>: “Le Cauchemar d’un Erudit”.

Degree: MA, Art, 1980, Oberlin College Masters Theses

  At the beginning of the last decade of the nineteenth century, amidst lively experimentation in the graphic arts, there emerged in Paris an artist… (more)

Subjects/Keywords: Art History; Vallotton; wood block; woodcut; artist; print

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APA (6th Edition):

Holst, L. M. (1980). Felix Vallotton’s <i>Intimites</i>: “Le Cauchemar d’un Erudit”. (Masters Thesis). Oberlin College Masters Theses. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=obgrad1332868582

Chicago Manual of Style (16th Edition):

Holst, Lise Marie. “Felix Vallotton’s <i>Intimites</i>: “Le Cauchemar d’un Erudit”.” 1980. Masters Thesis, Oberlin College Masters Theses. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=obgrad1332868582.

MLA Handbook (7th Edition):

Holst, Lise Marie. “Felix Vallotton’s <i>Intimites</i>: “Le Cauchemar d’un Erudit”.” 1980. Web. 22 Nov 2019.

Vancouver:

Holst LM. Felix Vallotton’s <i>Intimites</i>: “Le Cauchemar d’un Erudit”. [Internet] [Masters thesis]. Oberlin College Masters Theses; 1980. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=obgrad1332868582.

Council of Science Editors:

Holst LM. Felix Vallotton’s <i>Intimites</i>: “Le Cauchemar d’un Erudit”. [Masters Thesis]. Oberlin College Masters Theses; 1980. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=obgrad1332868582


Louisiana State University

16. Miller, Molly Elizabeth. Echoes and artifacts.

Degree: MFA, Fine Arts, 2014, Louisiana State University

 Architecture has many different contexts and meanings, but regardless of time and place, buildings act as a physical container of memory. This body of work… (more)

Subjects/Keywords: printmaking; installation; relief; fiber; fabric; sewing; embroidery; large format; print; woodcut; artist books; architecture; memory; altered prints; book arts; drawing

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APA (6th Edition):

Miller, M. E. (2014). Echoes and artifacts. (Masters Thesis). Louisiana State University. Retrieved from etd-04072014-175943 ; https://digitalcommons.lsu.edu/gradschool_theses/569

Chicago Manual of Style (16th Edition):

Miller, Molly Elizabeth. “Echoes and artifacts.” 2014. Masters Thesis, Louisiana State University. Accessed November 22, 2019. etd-04072014-175943 ; https://digitalcommons.lsu.edu/gradschool_theses/569.

MLA Handbook (7th Edition):

Miller, Molly Elizabeth. “Echoes and artifacts.” 2014. Web. 22 Nov 2019.

Vancouver:

Miller ME. Echoes and artifacts. [Internet] [Masters thesis]. Louisiana State University; 2014. [cited 2019 Nov 22]. Available from: etd-04072014-175943 ; https://digitalcommons.lsu.edu/gradschool_theses/569.

Council of Science Editors:

Miller ME. Echoes and artifacts. [Masters Thesis]. Louisiana State University; 2014. Available from: etd-04072014-175943 ; https://digitalcommons.lsu.edu/gradschool_theses/569


Pontifical Catholic University of Rio de Janeiro

17. VALESCA QUADRIO VEIGA DA SILVA. [en] TRANSFIGURED MATTER: THE EXPRESSIVE EXPERIMENTATION OF OSWALDO GOELDI.

Degree: 2018, Pontifical Catholic University of Rio de Janeiro

[pt] Por meio da construção singular de um rigoroso processo técnico-artesanal, as xilogravuras de Oswaldo Goeldi adquiriram potência expressiva autônoma em sua totalidade, desde a… (more)

Subjects/Keywords: [pt] ARTE; [en] ART; [pt] ARTE MODERNA; [en] MODERN ART; [pt] XILOGRAVURA; [en] WOODCUT; [pt] EXPRESSIONISMO; [en] EXPRESSIONISM; [pt] OSWALDO GOELDI; [en] OSWALDO GOELDI

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APA (6th Edition):

SILVA, V. Q. V. D. (2018). [en] TRANSFIGURED MATTER: THE EXPRESSIVE EXPERIMENTATION OF OSWALDO GOELDI. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=32651

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

SILVA, VALESCA QUADRIO VEIGA DA. “[en] TRANSFIGURED MATTER: THE EXPRESSIVE EXPERIMENTATION OF OSWALDO GOELDI.” 2018. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed November 22, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=32651.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

SILVA, VALESCA QUADRIO VEIGA DA. “[en] TRANSFIGURED MATTER: THE EXPRESSIVE EXPERIMENTATION OF OSWALDO GOELDI.” 2018. Web. 22 Nov 2019.

Vancouver:

SILVA VQVD. [en] TRANSFIGURED MATTER: THE EXPRESSIVE EXPERIMENTATION OF OSWALDO GOELDI. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. [cited 2019 Nov 22]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=32651.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

SILVA VQVD. [en] TRANSFIGURED MATTER: THE EXPRESSIVE EXPERIMENTATION OF OSWALDO GOELDI. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=32651

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

18. Sanders, Hannah March Campbell. Trials & tributaries: myth and disaster in southern Louisiana.

Degree: MFA, Fine Arts, 2011, Louisiana State University

  Trials and Tributaries examines recent disasters occurring in southern Louisiana, interpreted through the Greek myths The Twelve Labors of Herakles. Mankind’s false sense of… (more)

Subjects/Keywords: southern Louisiana; Mississippi River; disaster; mythology; Greek mythology; Louisiana; hybrid; printmaking; relief; woodcut; Herakles; pelican; black bear; oil spill; hurricane; education funding; budget cuts

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APA (6th Edition):

Sanders, H. M. C. (2011). Trials & tributaries: myth and disaster in southern Louisiana. (Masters Thesis). Louisiana State University. Retrieved from etd-05202011-154316 ; https://digitalcommons.lsu.edu/gradschool_theses/2404

Chicago Manual of Style (16th Edition):

Sanders, Hannah March Campbell. “Trials & tributaries: myth and disaster in southern Louisiana.” 2011. Masters Thesis, Louisiana State University. Accessed November 22, 2019. etd-05202011-154316 ; https://digitalcommons.lsu.edu/gradschool_theses/2404.

MLA Handbook (7th Edition):

Sanders, Hannah March Campbell. “Trials & tributaries: myth and disaster in southern Louisiana.” 2011. Web. 22 Nov 2019.

Vancouver:

Sanders HMC. Trials & tributaries: myth and disaster in southern Louisiana. [Internet] [Masters thesis]. Louisiana State University; 2011. [cited 2019 Nov 22]. Available from: etd-05202011-154316 ; https://digitalcommons.lsu.edu/gradschool_theses/2404.

Council of Science Editors:

Sanders HMC. Trials & tributaries: myth and disaster in southern Louisiana. [Masters Thesis]. Louisiana State University; 2011. Available from: etd-05202011-154316 ; https://digitalcommons.lsu.edu/gradschool_theses/2404


Montana Tech

19. Malsch, Carmen. Currents of Time and Universe.

Degree: MFA, 2014, Montana Tech

 Malsch, Carmen, M.F.A., Summer 2014. Fine Art Currents of Time and Universe Chairperson: Professor James Bailey Abstract Currents of Time and Universe explores personal awareness… (more)

Subjects/Keywords: dimension; intaglio; luminosity; contrast; duality; timeline; acceleration; possibility; woodcut; quantum; expansionist; inner and outer space; distance; time; travel; recognition; relativity; potential; physics

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APA (6th Edition):

Malsch, C. (2014). Currents of Time and Universe. (Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/4326

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Malsch, Carmen. “Currents of Time and Universe.” 2014. Thesis, Montana Tech. Accessed November 22, 2019. https://scholarworks.umt.edu/etd/4326.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Malsch, Carmen. “Currents of Time and Universe.” 2014. Web. 22 Nov 2019.

Vancouver:

Malsch C. Currents of Time and Universe. [Internet] [Thesis]. Montana Tech; 2014. [cited 2019 Nov 22]. Available from: https://scholarworks.umt.edu/etd/4326.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Malsch C. Currents of Time and Universe. [Thesis]. Montana Tech; 2014. Available from: https://scholarworks.umt.edu/etd/4326

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

20. Rohman, Diane. Journeys.

Degree: Master of Interdisciplinary Studies, Interdisciplinary Studies, 2006, Virginia Commonwealth University

 My art is about journeys, mapping, and layering. Two archetypal images in my work are the camel and the desert. Much of this imagery was… (more)

Subjects/Keywords: oil; Sahara; collage; woodcut; lithograph; etching; Western Africa; digital print

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APA (6th Edition):

Rohman, D. (2006). Journeys. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/1270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rohman, Diane. “Journeys.” 2006. Thesis, Virginia Commonwealth University. Accessed November 22, 2019. https://scholarscompass.vcu.edu/etd/1270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rohman, Diane. “Journeys.” 2006. Web. 22 Nov 2019.

Vancouver:

Rohman D. Journeys. [Internet] [Thesis]. Virginia Commonwealth University; 2006. [cited 2019 Nov 22]. Available from: https://scholarscompass.vcu.edu/etd/1270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rohman D. Journeys. [Thesis]. Virginia Commonwealth University; 2006. Available from: https://scholarscompass.vcu.edu/etd/1270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Feinstein-Johnson, Kelly Catherine. Reading Images and Texts: English Broadside Ballads and Visual Culture, 1600-1800.

Degree: History, 2012, University of California – Santa Cruz

 This dissertation provides an interdisciplinary study of broadside ballads - an inexpensive form of early modern print sold to entertain and inform. It argues that… (more)

Subjects/Keywords: History; Art history; broadside ballads; early modern England; literacy; print; woodcut

…x28;s),” signify the printed woodcut illustrations on ballads, while “woodcuts” for the… …proclamations, and woodcut book illustrations - were printed on relief presses. Relief printing made… …printing much more quickly their woodcut counterparts. Watt cites evidence that between three and… …six thousand impressions can be made from woodcut before it wears completely out, compared… 

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APA (6th Edition):

Feinstein-Johnson, K. C. (2012). Reading Images and Texts: English Broadside Ballads and Visual Culture, 1600-1800. (Thesis). University of California – Santa Cruz. Retrieved from http://www.escholarship.org/uc/item/5966h4zd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Feinstein-Johnson, Kelly Catherine. “Reading Images and Texts: English Broadside Ballads and Visual Culture, 1600-1800.” 2012. Thesis, University of California – Santa Cruz. Accessed November 22, 2019. http://www.escholarship.org/uc/item/5966h4zd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Feinstein-Johnson, Kelly Catherine. “Reading Images and Texts: English Broadside Ballads and Visual Culture, 1600-1800.” 2012. Web. 22 Nov 2019.

Vancouver:

Feinstein-Johnson KC. Reading Images and Texts: English Broadside Ballads and Visual Culture, 1600-1800. [Internet] [Thesis]. University of California – Santa Cruz; 2012. [cited 2019 Nov 22]. Available from: http://www.escholarship.org/uc/item/5966h4zd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Feinstein-Johnson KC. Reading Images and Texts: English Broadside Ballads and Visual Culture, 1600-1800. [Thesis]. University of California – Santa Cruz; 2012. Available from: http://www.escholarship.org/uc/item/5966h4zd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

22. Le Stum, Philippe. La Bretagne dans la gravure sur bois (1850-1950) : Brittany and woodcut printing (1850-1950).

Degree: Docteur es, Histoire de l'art, 2014, Université Paris-Sorbonne – Paris IV

De toutes les régions de France, la Bretagne est celle qui attira le plus les artistes entre le milieu du XIXe siècle et le milieu… (more)

Subjects/Keywords: Bretagne; Gravure sur bois; Livre illustré; Japonisme; Régionalisme; Pont-Aven (Ecole de); Edition; Taille d’épargne; Bois gravé; Camaïeu; Bibliophily; Celtism; Expressionnism; Illustrated Book; Illustrated Press; Japonism; Linocut; Pont-Aven (School of); Regionalism; Woodcut; 700

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Le Stum, P. (2014). La Bretagne dans la gravure sur bois (1850-1950) : Brittany and woodcut printing (1850-1950). (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2014PA040019

Chicago Manual of Style (16th Edition):

Le Stum, Philippe. “La Bretagne dans la gravure sur bois (1850-1950) : Brittany and woodcut printing (1850-1950).” 2014. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed November 22, 2019. http://www.theses.fr/2014PA040019.

MLA Handbook (7th Edition):

Le Stum, Philippe. “La Bretagne dans la gravure sur bois (1850-1950) : Brittany and woodcut printing (1850-1950).” 2014. Web. 22 Nov 2019.

Vancouver:

Le Stum P. La Bretagne dans la gravure sur bois (1850-1950) : Brittany and woodcut printing (1850-1950). [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2014. [cited 2019 Nov 22]. Available from: http://www.theses.fr/2014PA040019.

Council of Science Editors:

Le Stum P. La Bretagne dans la gravure sur bois (1850-1950) : Brittany and woodcut printing (1850-1950). [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2014. Available from: http://www.theses.fr/2014PA040019


Pontifical Catholic University of Rio de Janeiro

23. PEDRO SANCHEZ CARDOSO. [en] LITHOS EDIÇÕES DE ARTE AND THE TRANSITIONS OF USES OF THE TECHNIQUES OF REPRODUCTION OF IMAGES.

Degree: 2008, Pontifical Catholic University of Rio de Janeiro

[pt] Esta dissertação analisa as transições de usos pelas quais passaram as técnicas de reprodução de imagens. São identificadas as diferentes roupagens funcionais assumidas por… (more)

Subjects/Keywords: [pt] GRAVURA; [en] PRINTMAKING; [pt] INDUSTRIA GRAFICA; [en] GRAPHIC INDUSTRY; [pt] XILOGRAVURA; [en] WOODCUT

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APA (6th Edition):

CARDOSO, P. S. (2008). [en] LITHOS EDIÇÕES DE ARTE AND THE TRANSITIONS OF USES OF THE TECHNIQUES OF REPRODUCTION OF IMAGES. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=11913

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

CARDOSO, PEDRO SANCHEZ. “[en] LITHOS EDIÇÕES DE ARTE AND THE TRANSITIONS OF USES OF THE TECHNIQUES OF REPRODUCTION OF IMAGES.” 2008. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed November 22, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=11913.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

CARDOSO, PEDRO SANCHEZ. “[en] LITHOS EDIÇÕES DE ARTE AND THE TRANSITIONS OF USES OF THE TECHNIQUES OF REPRODUCTION OF IMAGES.” 2008. Web. 22 Nov 2019.

Vancouver:

CARDOSO PS. [en] LITHOS EDIÇÕES DE ARTE AND THE TRANSITIONS OF USES OF THE TECHNIQUES OF REPRODUCTION OF IMAGES. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2008. [cited 2019 Nov 22]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=11913.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

CARDOSO PS. [en] LITHOS EDIÇÕES DE ARTE AND THE TRANSITIONS OF USES OF THE TECHNIQUES OF REPRODUCTION OF IMAGES. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2008. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=11913

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cambridge

24. Rabinowe, Sarah Alexis. Copyright Privileges, Intellectual Property and Image Ownership: The Role of Law in the Art of Renaissance Venice .

Degree: 2019, University of Cambridge

 'Copyright Privileges, Intellectual Property, and Image Ownership: The Role of Law in the Art of Renaissance Venice' examines the origins of copyright and intellectual property… (more)

Subjects/Keywords: Copyright; Privileges; Trademark; Patent; Intellectual Property; Law; Legal History; Legal; Renaissance; Early Modern; Venice; Italy; Art; Artwork; Images; Image; Printing; Printing Press; Engraving; Etching; Woodcut; Privilegio; Luca Bertelli; Antonio Floriano; Cartography; Maps; World Maps; Enea Vico; Titian; Tiziano Vecellio; Benedetto Bordon; Benedetto Bordone; Giovanni Ostaus; Paolo Veronese

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APA (6th Edition):

Rabinowe, S. A. (2019). Copyright Privileges, Intellectual Property and Image Ownership: The Role of Law in the Art of Renaissance Venice . (Thesis). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/293271

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rabinowe, Sarah Alexis. “Copyright Privileges, Intellectual Property and Image Ownership: The Role of Law in the Art of Renaissance Venice .” 2019. Thesis, University of Cambridge. Accessed November 22, 2019. https://www.repository.cam.ac.uk/handle/1810/293271.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rabinowe, Sarah Alexis. “Copyright Privileges, Intellectual Property and Image Ownership: The Role of Law in the Art of Renaissance Venice .” 2019. Web. 22 Nov 2019.

Vancouver:

Rabinowe SA. Copyright Privileges, Intellectual Property and Image Ownership: The Role of Law in the Art of Renaissance Venice . [Internet] [Thesis]. University of Cambridge; 2019. [cited 2019 Nov 22]. Available from: https://www.repository.cam.ac.uk/handle/1810/293271.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rabinowe SA. Copyright Privileges, Intellectual Property and Image Ownership: The Role of Law in the Art of Renaissance Venice . [Thesis]. University of Cambridge; 2019. Available from: https://www.repository.cam.ac.uk/handle/1810/293271

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Canterbury

25. Ross, Gail Macdonald. New Zealand Prints 1900-1950: An Unseen Heritage.

Degree: School of Fine Arts, 2006, University of Canterbury

 The vibrant school of printmaking which emerged and flourished in New Zealand between 1900 and 1950 forms the subject of this thesis. It examines the… (more)

Subjects/Keywords: New Zealand Printmakers; New Zealand print making history; woodcut; wood engraving; linocut; engraving; lithography; etching; bookplates; art education; art history; surrealism; abstraction; Atelier 17; Colour Linocut Movement; Quoin Club; democratic print; regionalism

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APA (6th Edition):

Ross, G. M. (2006). New Zealand Prints 1900-1950: An Unseen Heritage. (Thesis). University of Canterbury. Retrieved from http://hdl.handle.net/10092/937

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ross, Gail Macdonald. “New Zealand Prints 1900-1950: An Unseen Heritage.” 2006. Thesis, University of Canterbury. Accessed November 22, 2019. http://hdl.handle.net/10092/937.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ross, Gail Macdonald. “New Zealand Prints 1900-1950: An Unseen Heritage.” 2006. Web. 22 Nov 2019.

Vancouver:

Ross GM. New Zealand Prints 1900-1950: An Unseen Heritage. [Internet] [Thesis]. University of Canterbury; 2006. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10092/937.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ross GM. New Zealand Prints 1900-1950: An Unseen Heritage. [Thesis]. University of Canterbury; 2006. Available from: http://hdl.handle.net/10092/937

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Mariana Fontenele Braga. Poesia talhada em madeira: JoÃo GuimarÃes Rosa e Arlindo Daibert.

Degree: Master, 2014, Universidade Federal do Ceará

 Em 1982, o artista plÃstico Arlindo Daibert elabora uma sÃrie de vinte xilogravuras inspiradas no romance Grande SertÃo: veredas, de JoÃo GuimarÃes Rosa. Adotando uma… (more)

Subjects/Keywords: GRAVURA; Palavra; Imagem; Xilogravura; TraduÃÃo; JoÃo GuimarÃes Rosa; Alindo Daibert; Image; Woodcut; Translation; JoÃo GuimarÃes Rosa; Alindo Daibert; Rosa,JoÃo GuimarÃes,1908-1967.Grande sertÃo: veredas - CrÃtica e interpretaÃÃo; Rosa,JoÃo GuimarÃes,1908-1967.Grande sertÃo: veredas - IlustraÃÃes; Daibert,Arlindo,1952-1993.Imagens do Grande sertÃo - CrÃtica e interpretaÃÃo; Literatura â AdaptaÃÃes â TraduÃÃes; Xilogravura brasileira - Juiz de Fora(MG); Arte e literatura

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APA (6th Edition):

Braga, M. F. (2014). Poesia talhada em madeira: JoÃo GuimarÃes Rosa e Arlindo Daibert. (Masters Thesis). Universidade Federal do Ceará. Retrieved from http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=13062 ;

Chicago Manual of Style (16th Edition):

Braga, Mariana Fontenele. “Poesia talhada em madeira: JoÃo GuimarÃes Rosa e Arlindo Daibert.” 2014. Masters Thesis, Universidade Federal do Ceará. Accessed November 22, 2019. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=13062 ;.

MLA Handbook (7th Edition):

Braga, Mariana Fontenele. “Poesia talhada em madeira: JoÃo GuimarÃes Rosa e Arlindo Daibert.” 2014. Web. 22 Nov 2019.

Vancouver:

Braga MF. Poesia talhada em madeira: JoÃo GuimarÃes Rosa e Arlindo Daibert. [Internet] [Masters thesis]. Universidade Federal do Ceará 2014. [cited 2019 Nov 22]. Available from: http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=13062 ;.

Council of Science Editors:

Braga MF. Poesia talhada em madeira: JoÃo GuimarÃes Rosa e Arlindo Daibert. [Masters Thesis]. Universidade Federal do Ceará 2014. Available from: http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=13062 ;

27. Reiter, April Ann. PRINTING PRESS AND BROADSHEET IMAGERY: REPRODUCIBILITY AND PERCEPTION DURING THE EARLY GERMAN EVANGELICAL REFORMATION (1517-1530).

Degree: MA, German, 2011, Bowling Green State University

 The invention of the printing press and movable type has been established by sociological, art historical, and media studies scholarship as a pivotal turning point… (more)

Subjects/Keywords: Germanic Literature; Mass Communications; Mass Media; woodcut images; broadsheet images; Reformation; reproducibility; printing press; Gutenberg; Robert W. Scribner; Marshall McLuhan; devotional images

…viii 7 Pope and Cardinal as Wolves, with Luther and Christ. (?). Woodcut… …Woodcut. Courtesy of the Richard C. Kessler Reformation Collection, Pitts Theology Library… …Woodcut. Courtesy of the Richard C. Kessler Reformation Collection, Pitts Theology Library… …Younger (publisher). Selection from titlepage to Karsthans. 1521. Woodcut. Sächsischen… …11 Hans Sebald Beham. Selection from Luther and the Artisans. Ca. 1524. Woodcut… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Reiter, A. A. (2011). PRINTING PRESS AND BROADSHEET IMAGERY: REPRODUCIBILITY AND PERCEPTION DURING THE EARLY GERMAN EVANGELICAL REFORMATION (1517-1530). (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1308557884

Chicago Manual of Style (16th Edition):

Reiter, April Ann. “PRINTING PRESS AND BROADSHEET IMAGERY: REPRODUCIBILITY AND PERCEPTION DURING THE EARLY GERMAN EVANGELICAL REFORMATION (1517-1530).” 2011. Masters Thesis, Bowling Green State University. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1308557884.

MLA Handbook (7th Edition):

Reiter, April Ann. “PRINTING PRESS AND BROADSHEET IMAGERY: REPRODUCIBILITY AND PERCEPTION DURING THE EARLY GERMAN EVANGELICAL REFORMATION (1517-1530).” 2011. Web. 22 Nov 2019.

Vancouver:

Reiter AA. PRINTING PRESS AND BROADSHEET IMAGERY: REPRODUCIBILITY AND PERCEPTION DURING THE EARLY GERMAN EVANGELICAL REFORMATION (1517-1530). [Internet] [Masters thesis]. Bowling Green State University; 2011. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1308557884.

Council of Science Editors:

Reiter AA. PRINTING PRESS AND BROADSHEET IMAGERY: REPRODUCIBILITY AND PERCEPTION DURING THE EARLY GERMAN EVANGELICAL REFORMATION (1517-1530). [Masters Thesis]. Bowling Green State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1308557884

28. Ysasi Alonso, Alejandro. La obra gráfica de Pedro Quetglas “Xam” (1915-2001): la riqueza de un patrimonio.

Degree: Departament de Ciències Històriques i Teoria de les Arts, 2014, Universitat de les Illes Balears

 The thesis is research, analysis and approach to the graphic work of the Majorcan artist of the 20th century, Pedro Quetglas, known by his pseudonym… (more)

Subjects/Keywords: Gravat, Xam, Pere Quetglas Ferrer, 1915-2001, obra gràfica, xilografia, calcografia, litografia, serigrafia, xerografia, monotips, estampa, grup Tago, galeria Ariel, Palma, Islas Baleares, matrius, ex-libris, arts gràfiques, crítica d'art, dibuix, caricatura, catàleg, Enric Ricart, Lluís Bracons, Mallorca, Estampa popular, Foc i Fum, Grupo Literario “Azul”, Publi-art, Cercle de Belles Arts, Cartells, Centro Cultural Mallorquín, Joan Miró, R.O.D.A., Dabo, pliegos de poesía, pintura, AGA (artistes gravadors actuals), Pablo Picasso, Reial Acadèmia de Sant Sebastià, Ramon Rogent, Pedro Vilches, Pedro Crespo, Miquel Barceló, impremta Guasp, Circ, Bartomeu Rosselló-Pòrcel, llibres bibliòfil, Antoni Clavé, Papeles de Son Armadans, Camilo José Cela, Biennal Hispanoamericana, Agrupación de Artistas Grabadores, Ediciones Arión, L’Auca, Taller 6a, art contemporani, Saló de tardor, premi Pollensa, Alfredo Guido, Rafael Jaume, Julio Sanmartín, galeria Sur, galeria Círculo 2, Catalina Cantarellas, Alejandro Ysasi, segle XX, Reial Acadèmia de les Bones Lletres, Pepita Pallé, burí, disseny generat per ordinador, aiguafort, linòleum, fotolitografia, Barcelona, Madrid.; Grabado, Xam, Pedro Quetglas Ferrer, 1915-2001, obra gráfica, xilografía, calcografía, litografía, serigrafía, xerografía, monotipos, estampa, grupo Tago, galería Ariel, Palma, Illes Balears, matrius, exlibris, artes gráficas, crítica de arte, dibujo, caricatura, catálogo, Enric Ricart, Luis Bracons, Mallorca, Estampa popular, Foc i Fum, Grupo Literario “Azul”, Publi-art, Círculo de Bellas Artes, Carteles, Centro Cultural Mallorquín, Joan Miró, R.O.D.A., Dabo, pliegos de poesía, pintura, AGA (artistas grabadores actuales), Pablo Picasso, Real Academia de San Sebastián, Ramon Rogent, Pedro Vilches, Pedro Crespo, Miquel Barceló, imprenta Guasp, Circo, Bartomeu Rosselló-Pòrcel, libros bibliófilo, Antonio Clavé, Papeles de Son Armadans, Camilo José Cela, Bienal Hispanoamericana, Agrupación de Artistas Grabadores, Alcor, pliegos de poesía, Ediciones Arión, L’Auca, Taller 6ª, arte contemporáneo, Salón de otoño, premio Pollensa, Alfredo Guido, Rafel Jaume, Julio Sanmartín, galería Sur, galería Círculo 2, Catalina Cantarellas, Alejandro Ysasi, siglo XX, Reial Acadèmia de les Bones Lletres, Pepita Pallé, buril, diseño generado por ordenador, aguafuerte, linóleo, fotolitografía, Barcelona, Madrid.; Engraving, Xam, Pedro Quetglas Ferrer, 1915-2001, graphic work, woodcut, chalcography, lithography, serigraphy, xerography, monotypes, print, Tago group, Ariel gallery, Palma, Balearic Islands, bookplates, graphics, art criticism, drawing, caricature, catalog, Enric Ricart, Lluís Bracons, Mallorca, Estampa popular, Foc i Fum, Grupo Literario “Azul”, Publi-art, Círculo de Bellas Artes, posters, Centro Cultural Mallorquín, Joan Miró, R.O.D.A., Dabo, pliegos de poesía, painting, AGA (artistas grabadores actuales), Pablo Picasso, Real Academia de San Sebastián, Ramon Rogent, Pedro Vilches, Pedro Crespo, Miquel Barceló, imprenta Guasp, circus, Bartomeu Rosselló-Pòrcel, bibliophile book, Antoni Clavé, Papeles de Son Armadans, Camilo José Cela, Hispano-American Biennial, Agrupación de Artistas Grabadores, Alcor, pliegos de poesía, Ediciones Arión, L’Auca, Taller 6ª, contemporary art, Salón de otoño, prize Pollensa, Alfredo Guido, Rafael Jaume, Julio Sanmartín, Sur gallery, Círculo 2 gallery, Catalina Cantarellas, Alejandro Ysasi, 20th Century, Reial Acadèmia de les Bones Lletres, Pepita Pallé, burin, Computer generated design, etching, linocut, Photolitography, Barcelona, Madrid.; Art a les Balears (segles XIX-XX); Art contemporani (segona meitat del segles XX-XXI); Art contemporani (XIX-XX); Catalogació del patrimoni cultural; Història de l’art a les Illes Balears; 75

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APA (6th Edition):

Ysasi Alonso, A. (2014). La obra gráfica de Pedro Quetglas “Xam” (1915-2001): la riqueza de un patrimonio. (Thesis). Universitat de les Illes Balears. Retrieved from http://hdl.handle.net/10803/284394

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ysasi Alonso, Alejandro. “La obra gráfica de Pedro Quetglas “Xam” (1915-2001): la riqueza de un patrimonio.” 2014. Thesis, Universitat de les Illes Balears. Accessed November 22, 2019. http://hdl.handle.net/10803/284394.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ysasi Alonso, Alejandro. “La obra gráfica de Pedro Quetglas “Xam” (1915-2001): la riqueza de un patrimonio.” 2014. Web. 22 Nov 2019.

Vancouver:

Ysasi Alonso A. La obra gráfica de Pedro Quetglas “Xam” (1915-2001): la riqueza de un patrimonio. [Internet] [Thesis]. Universitat de les Illes Balears; 2014. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10803/284394.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ysasi Alonso A. La obra gráfica de Pedro Quetglas “Xam” (1915-2001): la riqueza de un patrimonio. [Thesis]. Universitat de les Illes Balears; 2014. Available from: http://hdl.handle.net/10803/284394

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.