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You searched for subject:(women artists). Showing records 1 – 30 of 149 total matches.

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University of Victoria

1. Glenn, Laurie. Virtuous Ladies and Melancholic "Geniuses": A Study of Gender-Based Creativity in Italy During the Early Modern Period.

Degree: Dept. of History in Art, 2013, University of Victoria

This thesis examines expressions of self-identity used by creative men and women in early modern Italy (ca. 1450-1650). Self-fashioning strategies were based upon contested notions of melancholy, genius, virtue and decorum which were profoundly influenced by ancient and medieval intellectual traditions ... . Advisors/Committee Members: Harding, Catherine (supervisor).

Subjects/Keywords: women artists; Italy; Renaissance; melancholy

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APA (6th Edition):

Glenn, L. (2013). Virtuous Ladies and Melancholic "Geniuses": A Study of Gender-Based Creativity in Italy During the Early Modern Period. (Masters Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/4529

Chicago Manual of Style (16th Edition):

Glenn, Laurie. “Virtuous Ladies and Melancholic "Geniuses": A Study of Gender-Based Creativity in Italy During the Early Modern Period.” 2013. Masters Thesis, University of Victoria. Accessed April 06, 2020. http://hdl.handle.net/1828/4529.

MLA Handbook (7th Edition):

Glenn, Laurie. “Virtuous Ladies and Melancholic "Geniuses": A Study of Gender-Based Creativity in Italy During the Early Modern Period.” 2013. Web. 06 Apr 2020.

Vancouver:

Glenn L. Virtuous Ladies and Melancholic "Geniuses": A Study of Gender-Based Creativity in Italy During the Early Modern Period. [Internet] [Masters thesis]. University of Victoria; 2013. [cited 2020 Apr 06]. Available from: http://hdl.handle.net/1828/4529.

Council of Science Editors:

Glenn L. Virtuous Ladies and Melancholic "Geniuses": A Study of Gender-Based Creativity in Italy During the Early Modern Period. [Masters Thesis]. University of Victoria; 2013. Available from: http://hdl.handle.net/1828/4529


Rutgers University

2. Shabani, Sima, 1974-. Contemporary Iranian women artists: a virtual exhibition and catalogue.

Degree: MA, Liberal Studies, 2017, Rutgers University

 This capstone report consists of an essay followed by a catalogue of a virtual art exhibition that can be found in two formats: 1. A… (more)

Subjects/Keywords: Women artists – 20th century – Iran

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APA (6th Edition):

Shabani, Sima, 1. (2017). Contemporary Iranian women artists: a virtual exhibition and catalogue. (Masters Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/52854/

Chicago Manual of Style (16th Edition):

Shabani, Sima, 1974-. “Contemporary Iranian women artists: a virtual exhibition and catalogue.” 2017. Masters Thesis, Rutgers University. Accessed April 06, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/52854/.

MLA Handbook (7th Edition):

Shabani, Sima, 1974-. “Contemporary Iranian women artists: a virtual exhibition and catalogue.” 2017. Web. 06 Apr 2020.

Vancouver:

Shabani, Sima 1. Contemporary Iranian women artists: a virtual exhibition and catalogue. [Internet] [Masters thesis]. Rutgers University; 2017. [cited 2020 Apr 06]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/52854/.

Council of Science Editors:

Shabani, Sima 1. Contemporary Iranian women artists: a virtual exhibition and catalogue. [Masters Thesis]. Rutgers University; 2017. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/52854/


University of Newcastle

3. McBride, Margaret. Changing the art culture of Newcastle: the contribution of the Low Show Group of artists.

Degree: PhD, 2010, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

Beginning in 1961, the Low Show Group was an active collective of women artists, exhibiting in Newcastle. The… (more)

Subjects/Keywords: Australian women artists; regional women artists; Newcastle women artists; fine arts in Newcastle NSW; history of art in Newcastle NSW

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APA (6th Edition):

McBride, M. (2010). Changing the art culture of Newcastle: the contribution of the Low Show Group of artists. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/928250

Chicago Manual of Style (16th Edition):

McBride, Margaret. “Changing the art culture of Newcastle: the contribution of the Low Show Group of artists.” 2010. Doctoral Dissertation, University of Newcastle. Accessed April 06, 2020. http://hdl.handle.net/1959.13/928250.

MLA Handbook (7th Edition):

McBride, Margaret. “Changing the art culture of Newcastle: the contribution of the Low Show Group of artists.” 2010. Web. 06 Apr 2020.

Vancouver:

McBride M. Changing the art culture of Newcastle: the contribution of the Low Show Group of artists. [Internet] [Doctoral dissertation]. University of Newcastle; 2010. [cited 2020 Apr 06]. Available from: http://hdl.handle.net/1959.13/928250.

Council of Science Editors:

McBride M. Changing the art culture of Newcastle: the contribution of the Low Show Group of artists. [Doctoral Dissertation]. University of Newcastle; 2010. Available from: http://hdl.handle.net/1959.13/928250


University of Connecticut

4. Umsted, Natalie K. The Art of Commerce: Self-Stratification on Etsy.

Degree: MA, Sociology, 2014, University of Connecticut

  Scholars have long shown that there are gendered hierarchies within art worlds. This research examines how those hierarchies are forming on the online marketplace… (more)

Subjects/Keywords: Art; Sociology; Sociology of Art; Artists; Women Artists; Etsy; Social Media

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APA (6th Edition):

Umsted, N. K. (2014). The Art of Commerce: Self-Stratification on Etsy. (Masters Thesis). University of Connecticut. Retrieved from https://opencommons.uconn.edu/gs_theses/545

Chicago Manual of Style (16th Edition):

Umsted, Natalie K. “The Art of Commerce: Self-Stratification on Etsy.” 2014. Masters Thesis, University of Connecticut. Accessed April 06, 2020. https://opencommons.uconn.edu/gs_theses/545.

MLA Handbook (7th Edition):

Umsted, Natalie K. “The Art of Commerce: Self-Stratification on Etsy.” 2014. Web. 06 Apr 2020.

Vancouver:

Umsted NK. The Art of Commerce: Self-Stratification on Etsy. [Internet] [Masters thesis]. University of Connecticut; 2014. [cited 2020 Apr 06]. Available from: https://opencommons.uconn.edu/gs_theses/545.

Council of Science Editors:

Umsted NK. The Art of Commerce: Self-Stratification on Etsy. [Masters Thesis]. University of Connecticut; 2014. Available from: https://opencommons.uconn.edu/gs_theses/545


University of Sydney

5. Low, Yvonne Yanmei. Women Artists: Becoming Professional in Singapore, Malaya and Indonesia .

Degree: 2015, University of Sydney

 This is a woman-centred study that examines women’s art: art which had enabled women artists to become professionals in a male-dominated art world, at specific… (more)

Subjects/Keywords: Professional Women Artists; Singapore; Malaya; Indonesia

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APA (6th Edition):

Low, Y. Y. (2015). Women Artists: Becoming Professional in Singapore, Malaya and Indonesia . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/13843

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Low, Yvonne Yanmei. “Women Artists: Becoming Professional in Singapore, Malaya and Indonesia .” 2015. Thesis, University of Sydney. Accessed April 06, 2020. http://hdl.handle.net/2123/13843.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Low, Yvonne Yanmei. “Women Artists: Becoming Professional in Singapore, Malaya and Indonesia .” 2015. Web. 06 Apr 2020.

Vancouver:

Low YY. Women Artists: Becoming Professional in Singapore, Malaya and Indonesia . [Internet] [Thesis]. University of Sydney; 2015. [cited 2020 Apr 06]. Available from: http://hdl.handle.net/2123/13843.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Low YY. Women Artists: Becoming Professional in Singapore, Malaya and Indonesia . [Thesis]. University of Sydney; 2015. Available from: http://hdl.handle.net/2123/13843

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

6. Gollnick, Elizabeth Marie. Diffusion: Women Light Artists in Postwar California.

Degree: 2018, Columbia University

 This dissertation redefines Los Angeles “light and space” art, tracing the multiple strains of abstract light art that developed in California during the postwar technology… (more)

Subjects/Keywords: Art; Women's studies; Light art; Women artists

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APA (6th Edition):

Gollnick, E. M. (2018). Diffusion: Women Light Artists in Postwar California. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8HH82JW

Chicago Manual of Style (16th Edition):

Gollnick, Elizabeth Marie. “Diffusion: Women Light Artists in Postwar California.” 2018. Doctoral Dissertation, Columbia University. Accessed April 06, 2020. https://doi.org/10.7916/D8HH82JW.

MLA Handbook (7th Edition):

Gollnick, Elizabeth Marie. “Diffusion: Women Light Artists in Postwar California.” 2018. Web. 06 Apr 2020.

Vancouver:

Gollnick EM. Diffusion: Women Light Artists in Postwar California. [Internet] [Doctoral dissertation]. Columbia University; 2018. [cited 2020 Apr 06]. Available from: https://doi.org/10.7916/D8HH82JW.

Council of Science Editors:

Gollnick EM. Diffusion: Women Light Artists in Postwar California. [Doctoral Dissertation]. Columbia University; 2018. Available from: https://doi.org/10.7916/D8HH82JW


University of New South Wales

7. Hayllar, Mary Gabrielle. Framing the Hayllar Sisters: a multi-genre biography of four English Victorian painters.

Degree: Arts and Media, 2012, University of New South Wales

 This is a multi-genre biography of the sisters Jessica, Edith, Mary and Kate Hayllar, artists who worked in England from the 1880s until the end… (more)

Subjects/Keywords: English women artists; Women Artists; Victorian women; Biography; Jessica Hayllar; Edith Hayllar; Mary Hayllar; Kate Hayllar; James Hayllar

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APA (6th Edition):

Hayllar, M. G. (2012). Framing the Hayllar Sisters: a multi-genre biography of four English Victorian painters. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/52458 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11131/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Hayllar, Mary Gabrielle. “Framing the Hayllar Sisters: a multi-genre biography of four English Victorian painters.” 2012. Doctoral Dissertation, University of New South Wales. Accessed April 06, 2020. http://handle.unsw.edu.au/1959.4/52458 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11131/SOURCE01?view=true.

MLA Handbook (7th Edition):

Hayllar, Mary Gabrielle. “Framing the Hayllar Sisters: a multi-genre biography of four English Victorian painters.” 2012. Web. 06 Apr 2020.

Vancouver:

Hayllar MG. Framing the Hayllar Sisters: a multi-genre biography of four English Victorian painters. [Internet] [Doctoral dissertation]. University of New South Wales; 2012. [cited 2020 Apr 06]. Available from: http://handle.unsw.edu.au/1959.4/52458 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11131/SOURCE01?view=true.

Council of Science Editors:

Hayllar MG. Framing the Hayllar Sisters: a multi-genre biography of four English Victorian painters. [Doctoral Dissertation]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/52458 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11131/SOURCE01?view=true


University of Tasmania

8. Hoare, JAP. Reconsidering the gender and scopic limits of traditional art forms : reclaiming the space of a woman's identity.

Degree: 1999, University of Tasmania

 The content and form of contemporary concepts of identity in Australia originate in Australia's colonial history in which European structure of thinking and imaging were… (more)

Subjects/Keywords: Women textile designers; Women artists

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APA (6th Edition):

Hoare, J. (1999). Reconsidering the gender and scopic limits of traditional art forms : reclaiming the space of a woman's identity. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/20453/7/whole_HoareJo-AnnePatricia1999.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hoare, JAP. “Reconsidering the gender and scopic limits of traditional art forms : reclaiming the space of a woman's identity.” 1999. Thesis, University of Tasmania. Accessed April 06, 2020. https://eprints.utas.edu.au/20453/7/whole_HoareJo-AnnePatricia1999.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hoare, JAP. “Reconsidering the gender and scopic limits of traditional art forms : reclaiming the space of a woman's identity.” 1999. Web. 06 Apr 2020.

Vancouver:

Hoare J. Reconsidering the gender and scopic limits of traditional art forms : reclaiming the space of a woman's identity. [Internet] [Thesis]. University of Tasmania; 1999. [cited 2020 Apr 06]. Available from: https://eprints.utas.edu.au/20453/7/whole_HoareJo-AnnePatricia1999.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hoare J. Reconsidering the gender and scopic limits of traditional art forms : reclaiming the space of a woman's identity. [Thesis]. University of Tasmania; 1999. Available from: https://eprints.utas.edu.au/20453/7/whole_HoareJo-AnnePatricia1999.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

9. Gamelin, Anastasia Kamanos. Home and away : the female artist in academia.

Degree: PhD, Department of Educational Studies., 2001, McGill University

This dissertation explores the conflicts, contradictions and paradoxes inherent in the lives of those women who, as artists and academics, seek to connect their personal… (more)

Subjects/Keywords: Women artists.; Women college teachers.

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APA (6th Edition):

Gamelin, A. K. (2001). Home and away : the female artist in academia. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile36933.pdf

Chicago Manual of Style (16th Edition):

Gamelin, Anastasia Kamanos. “Home and away : the female artist in academia.” 2001. Doctoral Dissertation, McGill University. Accessed April 06, 2020. http://digitool.library.mcgill.ca/thesisfile36933.pdf.

MLA Handbook (7th Edition):

Gamelin, Anastasia Kamanos. “Home and away : the female artist in academia.” 2001. Web. 06 Apr 2020.

Vancouver:

Gamelin AK. Home and away : the female artist in academia. [Internet] [Doctoral dissertation]. McGill University; 2001. [cited 2020 Apr 06]. Available from: http://digitool.library.mcgill.ca/thesisfile36933.pdf.

Council of Science Editors:

Gamelin AK. Home and away : the female artist in academia. [Doctoral Dissertation]. McGill University; 2001. Available from: http://digitool.library.mcgill.ca/thesisfile36933.pdf


Deakin University

10. Iggulden, Annette. Women's silence : in the space of words and images.

Degree: School of Contemporary Arts, 2002, Deakin University

 My thesis is made up of words and images. This study investigates the way in which silence operates productively within and between the two modes… (more)

Subjects/Keywords: Silence; Women artists; Women - Communication

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APA (6th Edition):

Iggulden, A. (2002). Women's silence : in the space of words and images. (Thesis). Deakin University. Retrieved from http://hdl.handle.net/10536/DRO/DU:30023613

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Iggulden, Annette. “Women's silence : in the space of words and images.” 2002. Thesis, Deakin University. Accessed April 06, 2020. http://hdl.handle.net/10536/DRO/DU:30023613.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Iggulden, Annette. “Women's silence : in the space of words and images.” 2002. Web. 06 Apr 2020.

Vancouver:

Iggulden A. Women's silence : in the space of words and images. [Internet] [Thesis]. Deakin University; 2002. [cited 2020 Apr 06]. Available from: http://hdl.handle.net/10536/DRO/DU:30023613.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Iggulden A. Women's silence : in the space of words and images. [Thesis]. Deakin University; 2002. Available from: http://hdl.handle.net/10536/DRO/DU:30023613

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

11. Porteous, Morag. Wallflower : an exploration of female self-representation.

Degree: 1999, University of Tasmania

 My project is an investigation, both theoretical and practical, of a mode of self-portraiture and autobiography which represents the self as a process, rather than… (more)

Subjects/Keywords: Women and art; Women artists

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APA (6th Edition):

Porteous, M. (1999). Wallflower : an exploration of female self-representation. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/21250/1/whole_PorteousMorag1999_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Porteous, Morag. “Wallflower : an exploration of female self-representation.” 1999. Thesis, University of Tasmania. Accessed April 06, 2020. https://eprints.utas.edu.au/21250/1/whole_PorteousMorag1999_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Porteous, Morag. “Wallflower : an exploration of female self-representation.” 1999. Web. 06 Apr 2020.

Vancouver:

Porteous M. Wallflower : an exploration of female self-representation. [Internet] [Thesis]. University of Tasmania; 1999. [cited 2020 Apr 06]. Available from: https://eprints.utas.edu.au/21250/1/whole_PorteousMorag1999_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Porteous M. Wallflower : an exploration of female self-representation. [Thesis]. University of Tasmania; 1999. Available from: https://eprints.utas.edu.au/21250/1/whole_PorteousMorag1999_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brock University

12. Murao, Grace S. Charting the territory : how female artist/teachers balance their artistic practice with their institutional responsibilities as teachers .

Degree: Department of Graduate and Undergraduate Studies in Education, 1997, Brock University

 This r\.~et.lrch examined ho\~́ight \\'omen artists \\'ho t~ach at the uni versity and college level, balance thcir artistic practic~ and their institu tional responsibilities as… (more)

Subjects/Keywords: Women art teachers.; Artists as teachers.; Women artists.; Art

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APA (6th Edition):

Murao, G. S. (1997). Charting the territory : how female artist/teachers balance their artistic practice with their institutional responsibilities as teachers . (Thesis). Brock University. Retrieved from http://hdl.handle.net/10464/1234

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Murao, Grace S. “Charting the territory : how female artist/teachers balance their artistic practice with their institutional responsibilities as teachers .” 1997. Thesis, Brock University. Accessed April 06, 2020. http://hdl.handle.net/10464/1234.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Murao, Grace S. “Charting the territory : how female artist/teachers balance their artistic practice with their institutional responsibilities as teachers .” 1997. Web. 06 Apr 2020.

Vancouver:

Murao GS. Charting the territory : how female artist/teachers balance their artistic practice with their institutional responsibilities as teachers . [Internet] [Thesis]. Brock University; 1997. [cited 2020 Apr 06]. Available from: http://hdl.handle.net/10464/1234.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murao GS. Charting the territory : how female artist/teachers balance their artistic practice with their institutional responsibilities as teachers . [Thesis]. Brock University; 1997. Available from: http://hdl.handle.net/10464/1234

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Deakin University

13. Iggulden, Annette. Women's silence: In the space of words and images.

Degree: 2002, Deakin University

 My thesis is made up of words and images. This study investigates the way in which silence operates productively within and between the two modes… (more)

Subjects/Keywords: silence; women artists; communication

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Iggulden, A. (2002). Women's silence: In the space of words and images. (Thesis). Deakin University. Retrieved from http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.120456

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Iggulden, Annette. “Women's silence: In the space of words and images.” 2002. Thesis, Deakin University. Accessed April 06, 2020. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.120456.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Iggulden, Annette. “Women's silence: In the space of words and images.” 2002. Web. 06 Apr 2020.

Vancouver:

Iggulden A. Women's silence: In the space of words and images. [Internet] [Thesis]. Deakin University; 2002. [cited 2020 Apr 06]. Available from: http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.120456.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Iggulden A. Women's silence: In the space of words and images. [Thesis]. Deakin University; 2002. Available from: http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.120456

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

14. Broad, E. White2 : the development of modernism in Australia (1850-1930) and the significant contribution made by women through domestic decoration and design.

Degree: 2000, University of Tasmania

 My research addresses the development of Modernism in Australia within the period c.1850 - 1930. The project focuses on the contribution made to this development… (more)

Subjects/Keywords: Handicraft; Women artists; Modernism (Art)

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APA (6th Edition):

Broad, E. (2000). White2 : the development of modernism in Australia (1850-1930) and the significant contribution made by women through domestic decoration and design. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/19117/1/whole_BroadEdna2001_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Broad, E. “White2 : the development of modernism in Australia (1850-1930) and the significant contribution made by women through domestic decoration and design.” 2000. Thesis, University of Tasmania. Accessed April 06, 2020. https://eprints.utas.edu.au/19117/1/whole_BroadEdna2001_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Broad, E. “White2 : the development of modernism in Australia (1850-1930) and the significant contribution made by women through domestic decoration and design.” 2000. Web. 06 Apr 2020.

Vancouver:

Broad E. White2 : the development of modernism in Australia (1850-1930) and the significant contribution made by women through domestic decoration and design. [Internet] [Thesis]. University of Tasmania; 2000. [cited 2020 Apr 06]. Available from: https://eprints.utas.edu.au/19117/1/whole_BroadEdna2001_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Broad E. White2 : the development of modernism in Australia (1850-1930) and the significant contribution made by women through domestic decoration and design. [Thesis]. University of Tasmania; 2000. Available from: https://eprints.utas.edu.au/19117/1/whole_BroadEdna2001_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

15. Anglesey, J. Inheritance.

Degree: 2003, University of Tasmania

 The project centres on my own connections, through family, to the free middle-class women who were the wives and daughters of colonial settlers in Tasmania.… (more)

Subjects/Keywords: Artists; Arts; Women in art

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APA (6th Edition):

Anglesey, J. (2003). Inheritance. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/19198/1/whole_AngleseyJoanna2005_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anglesey, J. “Inheritance.” 2003. Thesis, University of Tasmania. Accessed April 06, 2020. https://eprints.utas.edu.au/19198/1/whole_AngleseyJoanna2005_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anglesey, J. “Inheritance.” 2003. Web. 06 Apr 2020.

Vancouver:

Anglesey J. Inheritance. [Internet] [Thesis]. University of Tasmania; 2003. [cited 2020 Apr 06]. Available from: https://eprints.utas.edu.au/19198/1/whole_AngleseyJoanna2005_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anglesey J. Inheritance. [Thesis]. University of Tasmania; 2003. Available from: https://eprints.utas.edu.au/19198/1/whole_AngleseyJoanna2005_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

16. Dirgantaro, W. Defining experiences : feminisms and contemporary art in Indonesia.

Degree: 2014, University of Tasmania

 This thesis explores the relationship between feminisms and visual arts in Indonesia. Focusing on works by Indonesian women artists produced from the 1940s until the… (more)

Subjects/Keywords: Indonesia; contemporary art; art history; feminisms; gender; women artists; performance art

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APA (6th Edition):

Dirgantaro, W. (2014). Defining experiences : feminisms and contemporary art in Indonesia. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/22606/1/Whole-Dirgantoro-thesis-p.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dirgantaro, W. “Defining experiences : feminisms and contemporary art in Indonesia.” 2014. Thesis, University of Tasmania. Accessed April 06, 2020. https://eprints.utas.edu.au/22606/1/Whole-Dirgantoro-thesis-p.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dirgantaro, W. “Defining experiences : feminisms and contemporary art in Indonesia.” 2014. Web. 06 Apr 2020.

Vancouver:

Dirgantaro W. Defining experiences : feminisms and contemporary art in Indonesia. [Internet] [Thesis]. University of Tasmania; 2014. [cited 2020 Apr 06]. Available from: https://eprints.utas.edu.au/22606/1/Whole-Dirgantoro-thesis-p.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dirgantaro W. Defining experiences : feminisms and contemporary art in Indonesia. [Thesis]. University of Tasmania; 2014. Available from: https://eprints.utas.edu.au/22606/1/Whole-Dirgantoro-thesis-p.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Johannesburg

17. Bogaard, Ruby Christine. Ambivalent aspects of the Goddess in selected examples of contemporary South African women’s art.

Degree: 2012, University of Johannesburg

M.Tech.

My research investigates whether the notion of a Goddess is still relevant as a metaphor to contemporary feminist art, both globally and within a… (more)

Subjects/Keywords: South African art; Women artists; Goddesses in art

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APA (6th Edition):

Bogaard, R. C. (2012). Ambivalent aspects of the Goddess in selected examples of contemporary South African women’s art. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/4713

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bogaard, Ruby Christine. “Ambivalent aspects of the Goddess in selected examples of contemporary South African women’s art.” 2012. Thesis, University of Johannesburg. Accessed April 06, 2020. http://hdl.handle.net/10210/4713.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bogaard, Ruby Christine. “Ambivalent aspects of the Goddess in selected examples of contemporary South African women’s art.” 2012. Web. 06 Apr 2020.

Vancouver:

Bogaard RC. Ambivalent aspects of the Goddess in selected examples of contemporary South African women’s art. [Internet] [Thesis]. University of Johannesburg; 2012. [cited 2020 Apr 06]. Available from: http://hdl.handle.net/10210/4713.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bogaard RC. Ambivalent aspects of the Goddess in selected examples of contemporary South African women’s art. [Thesis]. University of Johannesburg; 2012. Available from: http://hdl.handle.net/10210/4713

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

18. Zarzycka, M.J. Body as Crisis. Representation of Pain in Visual Arts.

Degree: 2007, Universiteit Utrecht

 Pain is a highly problematic concept for a scholarly dissertation. It is thought to shatter consciousness and identity; it is often claimed that intense pain… (more)

Subjects/Keywords: Letteren; pain; art; self-portrait; representation; women artists; feminist theory

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zarzycka, M. J. (2007). Body as Crisis. Representation of Pain in Visual Arts. (Doctoral Dissertation). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/21782

Chicago Manual of Style (16th Edition):

Zarzycka, M J. “Body as Crisis. Representation of Pain in Visual Arts.” 2007. Doctoral Dissertation, Universiteit Utrecht. Accessed April 06, 2020. http://dspace.library.uu.nl:8080/handle/1874/21782.

MLA Handbook (7th Edition):

Zarzycka, M J. “Body as Crisis. Representation of Pain in Visual Arts.” 2007. Web. 06 Apr 2020.

Vancouver:

Zarzycka MJ. Body as Crisis. Representation of Pain in Visual Arts. [Internet] [Doctoral dissertation]. Universiteit Utrecht; 2007. [cited 2020 Apr 06]. Available from: http://dspace.library.uu.nl:8080/handle/1874/21782.

Council of Science Editors:

Zarzycka MJ. Body as Crisis. Representation of Pain in Visual Arts. [Doctoral Dissertation]. Universiteit Utrecht; 2007. Available from: http://dspace.library.uu.nl:8080/handle/1874/21782


Penn State University

19. Emmer, Janalee. AUTOBIOGRAPHICAL PROJECTS: WOMEN ARTISTS AND IDENTITY IN THE SECOND HALF OF NINETEENTH-CENTURY FRANCE.

Degree: PhD, Art History, 2009, Penn State University

 My dissertation presents an in-depth analysis of self-portraits produced by women artists in the latter half of nineteenth-century France. While many women artists of the… (more)

Subjects/Keywords: Nineteenth-century France; Women artists; Self-portraiture; Female Identity

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APA (6th Edition):

Emmer, J. (2009). AUTOBIOGRAPHICAL PROJECTS: WOMEN ARTISTS AND IDENTITY IN THE SECOND HALF OF NINETEENTH-CENTURY FRANCE. (Doctoral Dissertation). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/10298

Chicago Manual of Style (16th Edition):

Emmer, Janalee. “AUTOBIOGRAPHICAL PROJECTS: WOMEN ARTISTS AND IDENTITY IN THE SECOND HALF OF NINETEENTH-CENTURY FRANCE.” 2009. Doctoral Dissertation, Penn State University. Accessed April 06, 2020. https://etda.libraries.psu.edu/catalog/10298.

MLA Handbook (7th Edition):

Emmer, Janalee. “AUTOBIOGRAPHICAL PROJECTS: WOMEN ARTISTS AND IDENTITY IN THE SECOND HALF OF NINETEENTH-CENTURY FRANCE.” 2009. Web. 06 Apr 2020.

Vancouver:

Emmer J. AUTOBIOGRAPHICAL PROJECTS: WOMEN ARTISTS AND IDENTITY IN THE SECOND HALF OF NINETEENTH-CENTURY FRANCE. [Internet] [Doctoral dissertation]. Penn State University; 2009. [cited 2020 Apr 06]. Available from: https://etda.libraries.psu.edu/catalog/10298.

Council of Science Editors:

Emmer J. AUTOBIOGRAPHICAL PROJECTS: WOMEN ARTISTS AND IDENTITY IN THE SECOND HALF OF NINETEENTH-CENTURY FRANCE. [Doctoral Dissertation]. Penn State University; 2009. Available from: https://etda.libraries.psu.edu/catalog/10298

20. Summerlin, Amanda. BARING THEMSELVES: REPRESENTATIONS OF THE FEMALE NUDE BY AMERICAN WOMEN ARTISTS, 1880-1930.

Degree: 2017, American University

In the late nineteenth century, increasing numbers of women artists began pursuing careers in the fine arts in the United States. However, restricted access to… (more)

Subjects/Keywords: American Art; Female nude; Feminist theory; Modernism; Professional; Women artists

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APA (6th Edition):

Summerlin, A. (2017). BARING THEMSELVES: REPRESENTATIONS OF THE FEMALE NUDE BY AMERICAN WOMEN ARTISTS, 1880-1930. (Masters Thesis). American University. Retrieved from http://hdl.handle.net/1961/auislandora:68652

Chicago Manual of Style (16th Edition):

Summerlin, Amanda. “BARING THEMSELVES: REPRESENTATIONS OF THE FEMALE NUDE BY AMERICAN WOMEN ARTISTS, 1880-1930.” 2017. Masters Thesis, American University. Accessed April 06, 2020. http://hdl.handle.net/1961/auislandora:68652.

MLA Handbook (7th Edition):

Summerlin, Amanda. “BARING THEMSELVES: REPRESENTATIONS OF THE FEMALE NUDE BY AMERICAN WOMEN ARTISTS, 1880-1930.” 2017. Web. 06 Apr 2020.

Vancouver:

Summerlin A. BARING THEMSELVES: REPRESENTATIONS OF THE FEMALE NUDE BY AMERICAN WOMEN ARTISTS, 1880-1930. [Internet] [Masters thesis]. American University; 2017. [cited 2020 Apr 06]. Available from: http://hdl.handle.net/1961/auislandora:68652.

Council of Science Editors:

Summerlin A. BARING THEMSELVES: REPRESENTATIONS OF THE FEMALE NUDE BY AMERICAN WOMEN ARTISTS, 1880-1930. [Masters Thesis]. American University; 2017. Available from: http://hdl.handle.net/1961/auislandora:68652


University of Oregon

21. Wyer, Sarah. Folk Networks, Cyberfeminism, and Information Activism in the Art+Feminism Wikipedia Edit-a-thon Series.

Degree: 2017, University of Oregon

 This thesis explores how the Art+Feminism Wikipedia Edit-a-thon event impacts the people who coordinate and participate in it. I review museum catalogs to determine institutional… (more)

Subjects/Keywords: Art+Feminism; cyberfeminism; information activism; representation; Wikipedia; women artists

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APA (6th Edition):

Wyer, S. (2017). Folk Networks, Cyberfeminism, and Information Activism in the Art+Feminism Wikipedia Edit-a-thon Series. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/22752

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wyer, Sarah. “Folk Networks, Cyberfeminism, and Information Activism in the Art+Feminism Wikipedia Edit-a-thon Series.” 2017. Thesis, University of Oregon. Accessed April 06, 2020. http://hdl.handle.net/1794/22752.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wyer, Sarah. “Folk Networks, Cyberfeminism, and Information Activism in the Art+Feminism Wikipedia Edit-a-thon Series.” 2017. Web. 06 Apr 2020.

Vancouver:

Wyer S. Folk Networks, Cyberfeminism, and Information Activism in the Art+Feminism Wikipedia Edit-a-thon Series. [Internet] [Thesis]. University of Oregon; 2017. [cited 2020 Apr 06]. Available from: http://hdl.handle.net/1794/22752.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wyer S. Folk Networks, Cyberfeminism, and Information Activism in the Art+Feminism Wikipedia Edit-a-thon Series. [Thesis]. University of Oregon; 2017. Available from: http://hdl.handle.net/1794/22752

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

22. Walker Parker, Sharon LaVon. Embodied Exile: Contemporary Iranian Women Artists and the Politics of Place .

Degree: 2005, University of Arizona

 In my dissertation I address a gap in scholarship on contemporary Iranian women by using a selection of artworks as the lens through which to… (more)

Subjects/Keywords: Iran; Women Artists; Exile Art

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APA (6th Edition):

Walker Parker, S. L. (2005). Embodied Exile: Contemporary Iranian Women Artists and the Politics of Place . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/195078

Chicago Manual of Style (16th Edition):

Walker Parker, Sharon LaVon. “Embodied Exile: Contemporary Iranian Women Artists and the Politics of Place .” 2005. Doctoral Dissertation, University of Arizona. Accessed April 06, 2020. http://hdl.handle.net/10150/195078.

MLA Handbook (7th Edition):

Walker Parker, Sharon LaVon. “Embodied Exile: Contemporary Iranian Women Artists and the Politics of Place .” 2005. Web. 06 Apr 2020.

Vancouver:

Walker Parker SL. Embodied Exile: Contemporary Iranian Women Artists and the Politics of Place . [Internet] [Doctoral dissertation]. University of Arizona; 2005. [cited 2020 Apr 06]. Available from: http://hdl.handle.net/10150/195078.

Council of Science Editors:

Walker Parker SL. Embodied Exile: Contemporary Iranian Women Artists and the Politics of Place . [Doctoral Dissertation]. University of Arizona; 2005. Available from: http://hdl.handle.net/10150/195078


University of New South Wales

23. Mayhew, Louise. A history of women-only art collectives and collaboration in Australia 1970-2010.

Degree: Art, 2014, University of New South Wales

 The history of women-only artistic collaboration in Australia is rich and diverse. However, it is largely unwritten. Its protagonists and their practices are missing from… (more)

Subjects/Keywords: Australian art; Collaboration; Collectives; Women artists; Feminist art

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APA (6th Edition):

Mayhew, L. (2014). A history of women-only art collectives and collaboration in Australia 1970-2010. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/53966 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12677/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Mayhew, Louise. “A history of women-only art collectives and collaboration in Australia 1970-2010.” 2014. Doctoral Dissertation, University of New South Wales. Accessed April 06, 2020. http://handle.unsw.edu.au/1959.4/53966 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12677/SOURCE02?view=true.

MLA Handbook (7th Edition):

Mayhew, Louise. “A history of women-only art collectives and collaboration in Australia 1970-2010.” 2014. Web. 06 Apr 2020.

Vancouver:

Mayhew L. A history of women-only art collectives and collaboration in Australia 1970-2010. [Internet] [Doctoral dissertation]. University of New South Wales; 2014. [cited 2020 Apr 06]. Available from: http://handle.unsw.edu.au/1959.4/53966 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12677/SOURCE02?view=true.

Council of Science Editors:

Mayhew L. A history of women-only art collectives and collaboration in Australia 1970-2010. [Doctoral Dissertation]. University of New South Wales; 2014. Available from: http://handle.unsw.edu.au/1959.4/53966 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12677/SOURCE02?view=true


University of New South Wales

24. Salehian, Tanya. Figures in Psychological Space: a poetic construct of space, imagination and the figure.

Degree: Art, 1999, University of New South Wales

 The works in this volume explore ideas associated with the human figure inthe urban landscape. By building a framework using geometrical means inthe picture space,… (more)

Subjects/Keywords: Painters; Drawing; Women artists

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APA (6th Edition):

Salehian, T. (1999). Figures in Psychological Space: a poetic construct of space, imagination and the figure. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/55503 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:37875/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Salehian, Tanya. “Figures in Psychological Space: a poetic construct of space, imagination and the figure.” 1999. Masters Thesis, University of New South Wales. Accessed April 06, 2020. http://handle.unsw.edu.au/1959.4/55503 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:37875/SOURCE01?view=true.

MLA Handbook (7th Edition):

Salehian, Tanya. “Figures in Psychological Space: a poetic construct of space, imagination and the figure.” 1999. Web. 06 Apr 2020.

Vancouver:

Salehian T. Figures in Psychological Space: a poetic construct of space, imagination and the figure. [Internet] [Masters thesis]. University of New South Wales; 1999. [cited 2020 Apr 06]. Available from: http://handle.unsw.edu.au/1959.4/55503 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:37875/SOURCE01?view=true.

Council of Science Editors:

Salehian T. Figures in Psychological Space: a poetic construct of space, imagination and the figure. [Masters Thesis]. University of New South Wales; 1999. Available from: http://handle.unsw.edu.au/1959.4/55503 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:37875/SOURCE01?view=true


University of British Columbia

25. Miller, Lorrie. Learning to be proud : First Nations women’s stories of learning, teaching, art and culture .

Degree: 1995, University of British Columbia

 Six First Nations women artists tell their stories about learning their art and culture. Previous research has paid little attention to the learning experiences of… (more)

Subjects/Keywords: Sechelt – Artists – Women; Coast Salish – Artists – Women; Cree – Artists – Women – Manitoba; First Nations – Artists – Women; First Nations – Education, cultural

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APA (6th Edition):

Miller, L. (1995). Learning to be proud : First Nations women’s stories of learning, teaching, art and culture . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/4323

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miller, Lorrie. “Learning to be proud : First Nations women’s stories of learning, teaching, art and culture .” 1995. Thesis, University of British Columbia. Accessed April 06, 2020. http://hdl.handle.net/2429/4323.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miller, Lorrie. “Learning to be proud : First Nations women’s stories of learning, teaching, art and culture .” 1995. Web. 06 Apr 2020.

Vancouver:

Miller L. Learning to be proud : First Nations women’s stories of learning, teaching, art and culture . [Internet] [Thesis]. University of British Columbia; 1995. [cited 2020 Apr 06]. Available from: http://hdl.handle.net/2429/4323.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miller L. Learning to be proud : First Nations women’s stories of learning, teaching, art and culture . [Thesis]. University of British Columbia; 1995. Available from: http://hdl.handle.net/2429/4323

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

26. Weyl, Christina Moisant, 1982-. Abstract impressions: women printmakers and the New York Atelier 17, 1940-1955.

Degree: PhD, Art History, 2015, Rutgers University

This dissertation is the first to consider the innovative prints of the ninety-one women artists who worked at Atelier 17, the avant-garde printmaking workshop in… (more)

Subjects/Keywords: Women artists; Printmakers – New York (State) – New York; Atelier 17

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APA (6th Edition):

Weyl, Christina Moisant, 1. (2015). Abstract impressions: women printmakers and the New York Atelier 17, 1940-1955. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/47610/

Chicago Manual of Style (16th Edition):

Weyl, Christina Moisant, 1982-. “Abstract impressions: women printmakers and the New York Atelier 17, 1940-1955.” 2015. Doctoral Dissertation, Rutgers University. Accessed April 06, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/47610/.

MLA Handbook (7th Edition):

Weyl, Christina Moisant, 1982-. “Abstract impressions: women printmakers and the New York Atelier 17, 1940-1955.” 2015. Web. 06 Apr 2020.

Vancouver:

Weyl, Christina Moisant 1. Abstract impressions: women printmakers and the New York Atelier 17, 1940-1955. [Internet] [Doctoral dissertation]. Rutgers University; 2015. [cited 2020 Apr 06]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47610/.

Council of Science Editors:

Weyl, Christina Moisant 1. Abstract impressions: women printmakers and the New York Atelier 17, 1940-1955. [Doctoral Dissertation]. Rutgers University; 2015. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47610/


Drexel University

27. Schick, Jennifer. Drawing art out of the shadows: Institutional strategies for incorporating and increasing art by women into art museum collections.

Degree: 2012, Drexel University

Gender disparity within institutions is still an apparent issue in the art world today. A look at the current state of art museum collections throughout… (more)

Subjects/Keywords: Arts – Management; Women artists; Art museums – Collection management

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APA (6th Edition):

Schick, J. (2012). Drawing art out of the shadows: Institutional strategies for incorporating and increasing art by women into art museum collections. (Thesis). Drexel University. Retrieved from http://hdl.handle.net/1860/4420

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schick, Jennifer. “Drawing art out of the shadows: Institutional strategies for incorporating and increasing art by women into art museum collections.” 2012. Thesis, Drexel University. Accessed April 06, 2020. http://hdl.handle.net/1860/4420.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schick, Jennifer. “Drawing art out of the shadows: Institutional strategies for incorporating and increasing art by women into art museum collections.” 2012. Web. 06 Apr 2020.

Vancouver:

Schick J. Drawing art out of the shadows: Institutional strategies for incorporating and increasing art by women into art museum collections. [Internet] [Thesis]. Drexel University; 2012. [cited 2020 Apr 06]. Available from: http://hdl.handle.net/1860/4420.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schick J. Drawing art out of the shadows: Institutional strategies for incorporating and increasing art by women into art museum collections. [Thesis]. Drexel University; 2012. Available from: http://hdl.handle.net/1860/4420

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – Sacramento

28. Abbott, Sabrina. Legendary ladies: female artists of the Renaissance in search of fame.

Degree: MA, Special Major (Museum Studies with an Art Historical Emphasis, 2014, California State University – Sacramento

 During the Italian Renaissance female artists were able to emerge from the confines of the convent and develop their skills in the outside world due… (more)

Subjects/Keywords: Lavinia Fontana; Sofonisba Anguissola; Renaissance artists; Renaissance women

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APA (6th Edition):

Abbott, S. (2014). Legendary ladies: female artists of the Renaissance in search of fame. (Masters Thesis). California State University – Sacramento. Retrieved from http://hdl.handle.net/10211.9/2406

Chicago Manual of Style (16th Edition):

Abbott, Sabrina. “Legendary ladies: female artists of the Renaissance in search of fame.” 2014. Masters Thesis, California State University – Sacramento. Accessed April 06, 2020. http://hdl.handle.net/10211.9/2406.

MLA Handbook (7th Edition):

Abbott, Sabrina. “Legendary ladies: female artists of the Renaissance in search of fame.” 2014. Web. 06 Apr 2020.

Vancouver:

Abbott S. Legendary ladies: female artists of the Renaissance in search of fame. [Internet] [Masters thesis]. California State University – Sacramento; 2014. [cited 2020 Apr 06]. Available from: http://hdl.handle.net/10211.9/2406.

Council of Science Editors:

Abbott S. Legendary ladies: female artists of the Renaissance in search of fame. [Masters Thesis]. California State University – Sacramento; 2014. Available from: http://hdl.handle.net/10211.9/2406


Rutgers University

29. Jimerson, Lauren. Female artists and the body in early 20th century Paris.

Degree: PhD, Art History, 2018, Rutgers University

The nude has long been regarded as the gateway to artistic prominence. In the early twentieth century, it was the consummate subject whereby male painters… (more)

Subjects/Keywords: Nude in art; Women artists – France – Paris – 20th century

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APA (6th Edition):

Jimerson, L. (2018). Female artists and the body in early 20th century Paris. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/57622/

Chicago Manual of Style (16th Edition):

Jimerson, Lauren. “Female artists and the body in early 20th century Paris.” 2018. Doctoral Dissertation, Rutgers University. Accessed April 06, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/57622/.

MLA Handbook (7th Edition):

Jimerson, Lauren. “Female artists and the body in early 20th century Paris.” 2018. Web. 06 Apr 2020.

Vancouver:

Jimerson L. Female artists and the body in early 20th century Paris. [Internet] [Doctoral dissertation]. Rutgers University; 2018. [cited 2020 Apr 06]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/57622/.

Council of Science Editors:

Jimerson L. Female artists and the body in early 20th century Paris. [Doctoral Dissertation]. Rutgers University; 2018. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/57622/


University of Melbourne

30. Tennant, Cherry. On being a woman artist: glimpses into the lives of four women working in Victoria between 1930 - 1950.

Degree: 1992, University of Melbourne

 Adapting the words of Judith Allen, in order to understand the present for women artists we need to look at the lives of women artists(more)

Subjects/Keywords: women artists; Australian art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tennant, C. (1992). On being a woman artist: glimpses into the lives of four women working in Victoria between 1930 - 1950. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/37468

Chicago Manual of Style (16th Edition):

Tennant, Cherry. “On being a woman artist: glimpses into the lives of four women working in Victoria between 1930 - 1950.” 1992. Masters Thesis, University of Melbourne. Accessed April 06, 2020. http://hdl.handle.net/11343/37468.

MLA Handbook (7th Edition):

Tennant, Cherry. “On being a woman artist: glimpses into the lives of four women working in Victoria between 1930 - 1950.” 1992. Web. 06 Apr 2020.

Vancouver:

Tennant C. On being a woman artist: glimpses into the lives of four women working in Victoria between 1930 - 1950. [Internet] [Masters thesis]. University of Melbourne; 1992. [cited 2020 Apr 06]. Available from: http://hdl.handle.net/11343/37468.

Council of Science Editors:

Tennant C. On being a woman artist: glimpses into the lives of four women working in Victoria between 1930 - 1950. [Masters Thesis]. University of Melbourne; 1992. Available from: http://hdl.handle.net/11343/37468

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