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You searched for subject:(visuality). Showing records 1 – 30 of 129 total matches.

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1. Haase, Timothy. Watching the World Unravel: Juvenal's Satirical Mechanics.

Degree: PhD, Classics, 2013, Brown University

 Though there have recently been many examinations of ancient Romans' moral and aesthetic visual practices, Juvenal, the most vivid Roman verse satirist, has up to… (more)

Subjects/Keywords: visuality

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APA (6th Edition):

Haase, T. (2013). Watching the World Unravel: Juvenal's Satirical Mechanics. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:320578/

Chicago Manual of Style (16th Edition):

Haase, Timothy. “Watching the World Unravel: Juvenal's Satirical Mechanics.” 2013. Doctoral Dissertation, Brown University. Accessed January 25, 2021. https://repository.library.brown.edu/studio/item/bdr:320578/.

MLA Handbook (7th Edition):

Haase, Timothy. “Watching the World Unravel: Juvenal's Satirical Mechanics.” 2013. Web. 25 Jan 2021.

Vancouver:

Haase T. Watching the World Unravel: Juvenal's Satirical Mechanics. [Internet] [Doctoral dissertation]. Brown University; 2013. [cited 2021 Jan 25]. Available from: https://repository.library.brown.edu/studio/item/bdr:320578/.

Council of Science Editors:

Haase T. Watching the World Unravel: Juvenal's Satirical Mechanics. [Doctoral Dissertation]. Brown University; 2013. Available from: https://repository.library.brown.edu/studio/item/bdr:320578/


Universiteit Utrecht

2. Vormeer, Joost. Aesthetic Vision on the Orient: The Structure of Vision in Three 'Orientalist' Texts.

Degree: 2008, Universiteit Utrecht

 The thesis 'Aesthetic Vision on the Orient' explores three eighteenth and nineteenth century orientalist texts written by William Beckford, Heinrich von Kleist and Gustave Flaubert.… (more)

Subjects/Keywords: Letteren; Orientalism; Visuality

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APA (6th Edition):

Vormeer, J. (2008). Aesthetic Vision on the Orient: The Structure of Vision in Three 'Orientalist' Texts. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/31792

Chicago Manual of Style (16th Edition):

Vormeer, Joost. “Aesthetic Vision on the Orient: The Structure of Vision in Three 'Orientalist' Texts.” 2008. Masters Thesis, Universiteit Utrecht. Accessed January 25, 2021. http://dspace.library.uu.nl:8080/handle/1874/31792.

MLA Handbook (7th Edition):

Vormeer, Joost. “Aesthetic Vision on the Orient: The Structure of Vision in Three 'Orientalist' Texts.” 2008. Web. 25 Jan 2021.

Vancouver:

Vormeer J. Aesthetic Vision on the Orient: The Structure of Vision in Three 'Orientalist' Texts. [Internet] [Masters thesis]. Universiteit Utrecht; 2008. [cited 2021 Jan 25]. Available from: http://dspace.library.uu.nl:8080/handle/1874/31792.

Council of Science Editors:

Vormeer J. Aesthetic Vision on the Orient: The Structure of Vision in Three 'Orientalist' Texts. [Masters Thesis]. Universiteit Utrecht; 2008. Available from: http://dspace.library.uu.nl:8080/handle/1874/31792


University of Debrecen

3. Rekun, Dmitry. Painting Social Conventions .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 The last decade of the twenty-first century became a real boom in the development of street art. A lot of articles have been published about… (more)

Subjects/Keywords: street art; visuality; gender studies

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APA (6th Edition):

Rekun, D. (2013). Painting Social Conventions . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/156533

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rekun, Dmitry. “Painting Social Conventions .” 2013. Thesis, University of Debrecen. Accessed January 25, 2021. http://hdl.handle.net/2437/156533.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rekun, Dmitry. “Painting Social Conventions .” 2013. Web. 25 Jan 2021.

Vancouver:

Rekun D. Painting Social Conventions . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Jan 25]. Available from: http://hdl.handle.net/2437/156533.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rekun D. Painting Social Conventions . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/156533

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Debrecen

4. Papp, Dóra. Surveillance and internalization in China Miéville’s the city & the city .

Degree: DE – Bölcsészettudományi Kar, University of Debrecen

 The novel is concerned with how internalization enables the state to create an environment in which the idea of disobedience does not even emerge in… (more)

Subjects/Keywords: internalization; visuality; surveillance

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APA (6th Edition):

Papp, D. (n.d.). Surveillance and internalization in China Miéville’s the city & the city . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/241123

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Papp, Dóra. “Surveillance and internalization in China Miéville’s the city & the city .” Thesis, University of Debrecen. Accessed January 25, 2021. http://hdl.handle.net/2437/241123.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Papp, Dóra. “Surveillance and internalization in China Miéville’s the city & the city .” Web. 25 Jan 2021.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Papp D. Surveillance and internalization in China Miéville’s the city & the city . [Internet] [Thesis]. University of Debrecen; [cited 2021 Jan 25]. Available from: http://hdl.handle.net/2437/241123.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Papp D. Surveillance and internalization in China Miéville’s the city & the city . [Thesis]. University of Debrecen; Available from: http://hdl.handle.net/2437/241123

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Leicester

5. Petrov, Julia. Dressing ghosts : museum exhibitions of historical fashion in Britain and North America.

Degree: PhD, 2012, University of Leicester

 By critically analyzing trends in museum fashion exhibition practice over the past century, this thesis defines and describes the varied representations of historical fashion within… (more)

Subjects/Keywords: 069; Exhibitions; Fashion; Museums; Mannequins; Visuality

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APA (6th Edition):

Petrov, J. (2012). Dressing ghosts : museum exhibitions of historical fashion in Britain and North America. (Doctoral Dissertation). University of Leicester. Retrieved from https://figshare.com/articles/Dressing_Ghosts_Museum_Exhibitions_of_Historical_Fashion_in_Britain_and_North_America/10107020 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.558008

Chicago Manual of Style (16th Edition):

Petrov, Julia. “Dressing ghosts : museum exhibitions of historical fashion in Britain and North America.” 2012. Doctoral Dissertation, University of Leicester. Accessed January 25, 2021. https://figshare.com/articles/Dressing_Ghosts_Museum_Exhibitions_of_Historical_Fashion_in_Britain_and_North_America/10107020 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.558008.

MLA Handbook (7th Edition):

Petrov, Julia. “Dressing ghosts : museum exhibitions of historical fashion in Britain and North America.” 2012. Web. 25 Jan 2021.

Vancouver:

Petrov J. Dressing ghosts : museum exhibitions of historical fashion in Britain and North America. [Internet] [Doctoral dissertation]. University of Leicester; 2012. [cited 2021 Jan 25]. Available from: https://figshare.com/articles/Dressing_Ghosts_Museum_Exhibitions_of_Historical_Fashion_in_Britain_and_North_America/10107020 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.558008.

Council of Science Editors:

Petrov J. Dressing ghosts : museum exhibitions of historical fashion in Britain and North America. [Doctoral Dissertation]. University of Leicester; 2012. Available from: https://figshare.com/articles/Dressing_Ghosts_Museum_Exhibitions_of_Historical_Fashion_in_Britain_and_North_America/10107020 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.558008


Victoria University of Wellington

6. Moore, Frances Claire. A Night at the (Imaginary) Opera: The Visual Dimension in Hector Berlioz's Lelio, Romeo et Juliette and La Damnation de Faust.

Degree: 2009, Victoria University of Wellington

 In keeping with the spirit of Romanticism, Hector Berlioz has always been something of a rogue figure. Works like Lelio, Romeo et Juliette and La… (more)

Subjects/Keywords: Theatrical drama; Visuality

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APA (6th Edition):

Moore, F. C. (2009). A Night at the (Imaginary) Opera: The Visual Dimension in Hector Berlioz's Lelio, Romeo et Juliette and La Damnation de Faust. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/1421

Chicago Manual of Style (16th Edition):

Moore, Frances Claire. “A Night at the (Imaginary) Opera: The Visual Dimension in Hector Berlioz's Lelio, Romeo et Juliette and La Damnation de Faust.” 2009. Masters Thesis, Victoria University of Wellington. Accessed January 25, 2021. http://hdl.handle.net/10063/1421.

MLA Handbook (7th Edition):

Moore, Frances Claire. “A Night at the (Imaginary) Opera: The Visual Dimension in Hector Berlioz's Lelio, Romeo et Juliette and La Damnation de Faust.” 2009. Web. 25 Jan 2021.

Vancouver:

Moore FC. A Night at the (Imaginary) Opera: The Visual Dimension in Hector Berlioz's Lelio, Romeo et Juliette and La Damnation de Faust. [Internet] [Masters thesis]. Victoria University of Wellington; 2009. [cited 2021 Jan 25]. Available from: http://hdl.handle.net/10063/1421.

Council of Science Editors:

Moore FC. A Night at the (Imaginary) Opera: The Visual Dimension in Hector Berlioz's Lelio, Romeo et Juliette and La Damnation de Faust. [Masters Thesis]. Victoria University of Wellington; 2009. Available from: http://hdl.handle.net/10063/1421

7. Sharp, Laura Linda. Lively Geographies of Film .

Degree: 2019, University of Arizona

 Despite nearly 40 years of research on the topic of film and geography, geographers have had little to say about location filming or the relationship… (more)

Subjects/Keywords: cartography; embodiment; feminist; film; mobility; visuality

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APA (6th Edition):

Sharp, L. L. (2019). Lively Geographies of Film . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/634333

Chicago Manual of Style (16th Edition):

Sharp, Laura Linda. “Lively Geographies of Film .” 2019. Doctoral Dissertation, University of Arizona. Accessed January 25, 2021. http://hdl.handle.net/10150/634333.

MLA Handbook (7th Edition):

Sharp, Laura Linda. “Lively Geographies of Film .” 2019. Web. 25 Jan 2021.

Vancouver:

Sharp LL. Lively Geographies of Film . [Internet] [Doctoral dissertation]. University of Arizona; 2019. [cited 2021 Jan 25]. Available from: http://hdl.handle.net/10150/634333.

Council of Science Editors:

Sharp LL. Lively Geographies of Film . [Doctoral Dissertation]. University of Arizona; 2019. Available from: http://hdl.handle.net/10150/634333


University of New South Wales

8. Gong, Jian. Modern transformations of visuality in late Qing China: Gong Zizhen, Ren Bonian, and Kang Youwei.

Degree: Chinese & Indonesian, 2016, University of New South Wales

 Focusing on three important art and literary forms intensely involving visual images, namely, classical Chinese poetry, traditional Chinese painting, and travel writing, this thesis examines… (more)

Subjects/Keywords: Image/imagery; Late Qing China; Visuality; Modernity

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APA (6th Edition):

Gong, J. (2016). Modern transformations of visuality in late Qing China: Gong Zizhen, Ren Bonian, and Kang Youwei. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/55874 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:39573/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Gong, Jian. “Modern transformations of visuality in late Qing China: Gong Zizhen, Ren Bonian, and Kang Youwei.” 2016. Doctoral Dissertation, University of New South Wales. Accessed January 25, 2021. http://handle.unsw.edu.au/1959.4/55874 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:39573/SOURCE02?view=true.

MLA Handbook (7th Edition):

Gong, Jian. “Modern transformations of visuality in late Qing China: Gong Zizhen, Ren Bonian, and Kang Youwei.” 2016. Web. 25 Jan 2021.

Vancouver:

Gong J. Modern transformations of visuality in late Qing China: Gong Zizhen, Ren Bonian, and Kang Youwei. [Internet] [Doctoral dissertation]. University of New South Wales; 2016. [cited 2021 Jan 25]. Available from: http://handle.unsw.edu.au/1959.4/55874 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:39573/SOURCE02?view=true.

Council of Science Editors:

Gong J. Modern transformations of visuality in late Qing China: Gong Zizhen, Ren Bonian, and Kang Youwei. [Doctoral Dissertation]. University of New South Wales; 2016. Available from: http://handle.unsw.edu.au/1959.4/55874 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:39573/SOURCE02?view=true


University of California – Berkeley

9. Cruz, Ariane Renee. Berries Bittersweet: Visual Representations of Black Female Sexuality in Contemporary American Pornography.

Degree: African American Studies, 2010, University of California – Berkeley

 My dissertation, Berries Bittersweet: Visual Representations of Black Female Sexuality in Contemporary American Pornography interrogates how pornography, from the 1930s to the present, functions as… (more)

Subjects/Keywords: African American studies; Women's studies; Black Sexuality; Visuality

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APA (6th Edition):

Cruz, A. R. (2010). Berries Bittersweet: Visual Representations of Black Female Sexuality in Contemporary American Pornography. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/2146c30v

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cruz, Ariane Renee. “Berries Bittersweet: Visual Representations of Black Female Sexuality in Contemporary American Pornography.” 2010. Thesis, University of California – Berkeley. Accessed January 25, 2021. http://www.escholarship.org/uc/item/2146c30v.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cruz, Ariane Renee. “Berries Bittersweet: Visual Representations of Black Female Sexuality in Contemporary American Pornography.” 2010. Web. 25 Jan 2021.

Vancouver:

Cruz AR. Berries Bittersweet: Visual Representations of Black Female Sexuality in Contemporary American Pornography. [Internet] [Thesis]. University of California – Berkeley; 2010. [cited 2021 Jan 25]. Available from: http://www.escholarship.org/uc/item/2146c30v.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cruz AR. Berries Bittersweet: Visual Representations of Black Female Sexuality in Contemporary American Pornography. [Thesis]. University of California – Berkeley; 2010. Available from: http://www.escholarship.org/uc/item/2146c30v

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Michigan

10. de Rezende, Isabelle M. Visuality and Colonialism in the Congo: From the "Arab War" to Patrice Lumumba, 1880s to 1961.

Degree: PhD, History, 2012, University of Michigan

 This dissertation is a work in visual historical methodology, grounded in examples and artifacts from the colonial history of the Congo Free State (1885-1908) and… (more)

Subjects/Keywords: Africa, Congo, Colonialism, Visuality, Ethnicity, Lumumba, Tetela; History (General); Humanities

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APA (6th Edition):

de Rezende, I. M. (2012). Visuality and Colonialism in the Congo: From the "Arab War" to Patrice Lumumba, 1880s to 1961. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/96170

Chicago Manual of Style (16th Edition):

de Rezende, Isabelle M. “Visuality and Colonialism in the Congo: From the "Arab War" to Patrice Lumumba, 1880s to 1961.” 2012. Doctoral Dissertation, University of Michigan. Accessed January 25, 2021. http://hdl.handle.net/2027.42/96170.

MLA Handbook (7th Edition):

de Rezende, Isabelle M. “Visuality and Colonialism in the Congo: From the "Arab War" to Patrice Lumumba, 1880s to 1961.” 2012. Web. 25 Jan 2021.

Vancouver:

de Rezende IM. Visuality and Colonialism in the Congo: From the "Arab War" to Patrice Lumumba, 1880s to 1961. [Internet] [Doctoral dissertation]. University of Michigan; 2012. [cited 2021 Jan 25]. Available from: http://hdl.handle.net/2027.42/96170.

Council of Science Editors:

de Rezende IM. Visuality and Colonialism in the Congo: From the "Arab War" to Patrice Lumumba, 1880s to 1961. [Doctoral Dissertation]. University of Michigan; 2012. Available from: http://hdl.handle.net/2027.42/96170


Vanderbilt University

11. Baumkel, Max Rose. The Invisible Presence of Trans- Bodies: Unpacking Regimes of Visibility and Visuality Through Tom Cho’s Look Who’s Morphing.

Degree: MA, English, 2015, Vanderbilt University

 This thesis argues that the ways in which trans-ness functions within telemediated spaces disrupts the conventions of new media studies that would assert reality is… (more)

Subjects/Keywords: trans; transgender; contemporary; digital humanities; new media; cybernetics; visual culture; visuality

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APA (6th Edition):

Baumkel, M. R. (2015). The Invisible Presence of Trans- Bodies: Unpacking Regimes of Visibility and Visuality Through Tom Cho’s Look Who’s Morphing. (Thesis). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/14601

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baumkel, Max Rose. “The Invisible Presence of Trans- Bodies: Unpacking Regimes of Visibility and Visuality Through Tom Cho’s Look Who’s Morphing.” 2015. Thesis, Vanderbilt University. Accessed January 25, 2021. http://hdl.handle.net/1803/14601.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baumkel, Max Rose. “The Invisible Presence of Trans- Bodies: Unpacking Regimes of Visibility and Visuality Through Tom Cho’s Look Who’s Morphing.” 2015. Web. 25 Jan 2021.

Vancouver:

Baumkel MR. The Invisible Presence of Trans- Bodies: Unpacking Regimes of Visibility and Visuality Through Tom Cho’s Look Who’s Morphing. [Internet] [Thesis]. Vanderbilt University; 2015. [cited 2021 Jan 25]. Available from: http://hdl.handle.net/1803/14601.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baumkel MR. The Invisible Presence of Trans- Bodies: Unpacking Regimes of Visibility and Visuality Through Tom Cho’s Look Who’s Morphing. [Thesis]. Vanderbilt University; 2015. Available from: http://hdl.handle.net/1803/14601

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Federal da Bahia

12. Euriclésio Barreto Sodré. Laróyè: uma poética de Exu em Mario Cravo Neto.

Degree: 2006, Universidade Federal da Bahia

Este estudo analisa a tradução poética do mito Exu em fotografias do livro Laróyè de Mario Cravo Neto. Exu, enquanto o mais humano dos orixás… (more)

Subjects/Keywords: visualidade; visuality; body; semiótica; semiotics; photography; corpo; fotografia; ARTES PLASTICAS

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sodré, E. B. (2006). Laróyè: uma poética de Exu em Mario Cravo Neto. (Thesis). Universidade Federal da Bahia. Retrieved from http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3167 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3166

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sodré, Euriclésio Barreto. “Laróyè: uma poética de Exu em Mario Cravo Neto.” 2006. Thesis, Universidade Federal da Bahia. Accessed January 25, 2021. http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3167 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3166.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sodré, Euriclésio Barreto. “Laróyè: uma poética de Exu em Mario Cravo Neto.” 2006. Web. 25 Jan 2021.

Vancouver:

Sodré EB. Laróyè: uma poética de Exu em Mario Cravo Neto. [Internet] [Thesis]. Universidade Federal da Bahia; 2006. [cited 2021 Jan 25]. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3167 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3166.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sodré EB. Laróyè: uma poética de Exu em Mario Cravo Neto. [Thesis]. Universidade Federal da Bahia; 2006. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3167 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3166

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Federal da Bahia

13. Euriclésio Barreto Sodré. Laróyè: uma poética de Exu em Mario Cravo Neto.

Degree: 2006, Universidade Federal da Bahia

Este estudo analisa a tradução poética do mito Exu fotografias do livro Laróyè de Mario Cravo Neto. Exu, enquanto o mais humano dos orixás do… (more)

Subjects/Keywords: fotografia; semiótica; visualidade; corpo; photography; semiotics; visuality; body; ARTES PLASTICAS

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sodré, E. B. (2006). Laróyè: uma poética de Exu em Mario Cravo Neto. (Thesis). Universidade Federal da Bahia. Retrieved from http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3304 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3305

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sodré, Euriclésio Barreto. “Laróyè: uma poética de Exu em Mario Cravo Neto.” 2006. Thesis, Universidade Federal da Bahia. Accessed January 25, 2021. http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3304 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3305.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sodré, Euriclésio Barreto. “Laróyè: uma poética de Exu em Mario Cravo Neto.” 2006. Web. 25 Jan 2021.

Vancouver:

Sodré EB. Laróyè: uma poética de Exu em Mario Cravo Neto. [Internet] [Thesis]. Universidade Federal da Bahia; 2006. [cited 2021 Jan 25]. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3304 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3305.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sodré EB. Laróyè: uma poética de Exu em Mario Cravo Neto. [Thesis]. Universidade Federal da Bahia; 2006. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3304 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3305

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

14. Fabi, Patricia. Ways of Seeing, Ways of Securitizing: Western European Visuality and ISIS Videos of Destruction of Cultural Heritage.

Degree: 2019, Leiden University

Subjects/Keywords: visuality; aesthetics; cultural heritage

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APA (6th Edition):

Fabi, P. (2019). Ways of Seeing, Ways of Securitizing: Western European Visuality and ISIS Videos of Destruction of Cultural Heritage. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/77997

Chicago Manual of Style (16th Edition):

Fabi, Patricia. “Ways of Seeing, Ways of Securitizing: Western European Visuality and ISIS Videos of Destruction of Cultural Heritage.” 2019. Masters Thesis, Leiden University. Accessed January 25, 2021. http://hdl.handle.net/1887/77997.

MLA Handbook (7th Edition):

Fabi, Patricia. “Ways of Seeing, Ways of Securitizing: Western European Visuality and ISIS Videos of Destruction of Cultural Heritage.” 2019. Web. 25 Jan 2021.

Vancouver:

Fabi P. Ways of Seeing, Ways of Securitizing: Western European Visuality and ISIS Videos of Destruction of Cultural Heritage. [Internet] [Masters thesis]. Leiden University; 2019. [cited 2021 Jan 25]. Available from: http://hdl.handle.net/1887/77997.

Council of Science Editors:

Fabi P. Ways of Seeing, Ways of Securitizing: Western European Visuality and ISIS Videos of Destruction of Cultural Heritage. [Masters Thesis]. Leiden University; 2019. Available from: http://hdl.handle.net/1887/77997

15. Peters, Clorinde. Optics of Disposability: Documentary Photography and the Struggle to Appear.

Degree: PhD, 2018, McMaster University

Amplifications in photographic production and the increased access to images in the 21st century uniquely position photography to articulate and intervene in social structures of… (more)

Subjects/Keywords: Photography; Neoliberalism; Disposability; Visuality

…sovereignty and its relationship to life, death, and power, but also the question of visuality and… …it is impossible to consider questions of visuality and disposability as separate from the… …approaches to visuality requires parallel investigations of the processes of production and… 

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APA (6th Edition):

Peters, C. (2018). Optics of Disposability: Documentary Photography and the Struggle to Appear. (Doctoral Dissertation). McMaster University. Retrieved from http://hdl.handle.net/11375/22885

Chicago Manual of Style (16th Edition):

Peters, Clorinde. “Optics of Disposability: Documentary Photography and the Struggle to Appear.” 2018. Doctoral Dissertation, McMaster University. Accessed January 25, 2021. http://hdl.handle.net/11375/22885.

MLA Handbook (7th Edition):

Peters, Clorinde. “Optics of Disposability: Documentary Photography and the Struggle to Appear.” 2018. Web. 25 Jan 2021.

Vancouver:

Peters C. Optics of Disposability: Documentary Photography and the Struggle to Appear. [Internet] [Doctoral dissertation]. McMaster University; 2018. [cited 2021 Jan 25]. Available from: http://hdl.handle.net/11375/22885.

Council of Science Editors:

Peters C. Optics of Disposability: Documentary Photography and the Struggle to Appear. [Doctoral Dissertation]. McMaster University; 2018. Available from: http://hdl.handle.net/11375/22885

16. Reis, Patrícia João Barbosa Moreira. Por baixo da pele outra pele: conjunto de obras artísticas. Corpo, ecrã e interface para uma visualidade háptica interativa.

Degree: 2016, Universidade de Évora

 A tese teórico-prática de doutoramento apresentada contempla a investigação, a criação, a produção e a conceptualização da instalação artística interativa intitulada Por baixo da pele… (more)

Subjects/Keywords: Interatividade; Visualidade háptica; Ecrã; Interface; Corpo; Interactivity; Haptic visuality; Interface; Body

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Reis, P. J. B. M. (2016). Por baixo da pele outra pele: conjunto de obras artísticas. Corpo, ecrã e interface para uma visualidade háptica interativa. (Thesis). Universidade de Évora. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/19159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Reis, Patrícia João Barbosa Moreira. “Por baixo da pele outra pele: conjunto de obras artísticas. Corpo, ecrã e interface para uma visualidade háptica interativa.” 2016. Thesis, Universidade de Évora. Accessed January 25, 2021. https://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/19159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Reis, Patrícia João Barbosa Moreira. “Por baixo da pele outra pele: conjunto de obras artísticas. Corpo, ecrã e interface para uma visualidade háptica interativa.” 2016. Web. 25 Jan 2021.

Vancouver:

Reis PJBM. Por baixo da pele outra pele: conjunto de obras artísticas. Corpo, ecrã e interface para uma visualidade háptica interativa. [Internet] [Thesis]. Universidade de Évora; 2016. [cited 2021 Jan 25]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/19159.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Reis PJBM. Por baixo da pele outra pele: conjunto de obras artísticas. Corpo, ecrã e interface para uma visualidade háptica interativa. [Thesis]. Universidade de Évora; 2016. Available from: https://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/19159

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Berwick, Sheena. Writing Beauty: Ruskin's Vision of Neural Imagination in the Works of Hawthorne and Eliot.

Degree: 2015, University of California – eScholarship, University of California

 ABSTRACTWriting Beauty:John Ruskin’s Vision of Neural Imagination in the Works of Nathaniel Hawthorne and George EliotBySheena Berwick This dissertation responds to a growing awareness of… (more)

Subjects/Keywords: English literature; Neurosciences; Beauty; Imagination; Neuroaesthetics; Perception; Visuality

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APA (6th Edition):

Berwick, S. (2015). Writing Beauty: Ruskin's Vision of Neural Imagination in the Works of Hawthorne and Eliot. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/5gz0n19x

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Berwick, Sheena. “Writing Beauty: Ruskin's Vision of Neural Imagination in the Works of Hawthorne and Eliot.” 2015. Thesis, University of California – eScholarship, University of California. Accessed January 25, 2021. http://www.escholarship.org/uc/item/5gz0n19x.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Berwick, Sheena. “Writing Beauty: Ruskin's Vision of Neural Imagination in the Works of Hawthorne and Eliot.” 2015. Web. 25 Jan 2021.

Vancouver:

Berwick S. Writing Beauty: Ruskin's Vision of Neural Imagination in the Works of Hawthorne and Eliot. [Internet] [Thesis]. University of California – eScholarship, University of California; 2015. [cited 2021 Jan 25]. Available from: http://www.escholarship.org/uc/item/5gz0n19x.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Berwick S. Writing Beauty: Ruskin's Vision of Neural Imagination in the Works of Hawthorne and Eliot. [Thesis]. University of California – eScholarship, University of California; 2015. Available from: http://www.escholarship.org/uc/item/5gz0n19x

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Ghana

18. Adjei, S.K. Philosophy of Art in Ewe Vodu Religion .

Degree: 2019, University of Ghana

 This study examines Anlo-Ewe indigenous knowledge systems and the extent to which they inform and explain the scope and significance of the visual arts as… (more)

Subjects/Keywords: indigenous; Anlo-Ewe; Vodu Religion; Visuality; African; Philosophical Traditions

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APA (6th Edition):

Adjei, S. K. (2019). Philosophy of Art in Ewe Vodu Religion . (Doctoral Dissertation). University of Ghana. Retrieved from http://ugspace.ug.edu.gh/handle/123456789/33509

Chicago Manual of Style (16th Edition):

Adjei, S K. “Philosophy of Art in Ewe Vodu Religion .” 2019. Doctoral Dissertation, University of Ghana. Accessed January 25, 2021. http://ugspace.ug.edu.gh/handle/123456789/33509.

MLA Handbook (7th Edition):

Adjei, S K. “Philosophy of Art in Ewe Vodu Religion .” 2019. Web. 25 Jan 2021.

Vancouver:

Adjei SK. Philosophy of Art in Ewe Vodu Religion . [Internet] [Doctoral dissertation]. University of Ghana; 2019. [cited 2021 Jan 25]. Available from: http://ugspace.ug.edu.gh/handle/123456789/33509.

Council of Science Editors:

Adjei SK. Philosophy of Art in Ewe Vodu Religion . [Doctoral Dissertation]. University of Ghana; 2019. Available from: http://ugspace.ug.edu.gh/handle/123456789/33509


University of Bradford

19. Allen, Patrick Thomas. Media transformations : framing, multimodality and visual literacy in contemporary media spaces.

Degree: PhD, 2012, University of Bradford

 Multimodal theory has developed out of social semiotics and can be seen as a response to the rise in the use of new technologies for… (more)

Subjects/Keywords: 302.23; Framing; Multimodality; Visual literacy; Visuality; Proximity; Media texts; Augmeted space

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APA (6th Edition):

Allen, P. T. (2012). Media transformations : framing, multimodality and visual literacy in contemporary media spaces. (Doctoral Dissertation). University of Bradford. Retrieved from http://hdl.handle.net/10454/14285

Chicago Manual of Style (16th Edition):

Allen, Patrick Thomas. “Media transformations : framing, multimodality and visual literacy in contemporary media spaces.” 2012. Doctoral Dissertation, University of Bradford. Accessed January 25, 2021. http://hdl.handle.net/10454/14285.

MLA Handbook (7th Edition):

Allen, Patrick Thomas. “Media transformations : framing, multimodality and visual literacy in contemporary media spaces.” 2012. Web. 25 Jan 2021.

Vancouver:

Allen PT. Media transformations : framing, multimodality and visual literacy in contemporary media spaces. [Internet] [Doctoral dissertation]. University of Bradford; 2012. [cited 2021 Jan 25]. Available from: http://hdl.handle.net/10454/14285.

Council of Science Editors:

Allen PT. Media transformations : framing, multimodality and visual literacy in contemporary media spaces. [Doctoral Dissertation]. University of Bradford; 2012. Available from: http://hdl.handle.net/10454/14285


University of Exeter

20. Morning, M. Exploring Surrealism by filmmaking methods focusing on senses/haptic visuality.

Degree: PhD, 2020, University of Exeter

 The practical work produced for this PhD study demonstrates filmmaking creativity influenced by a Surrealist world view, ideas and practices, such as utilising dreams, chance,… (more)

Subjects/Keywords: Surrealism; Film practice; Haptic visuality; Surrealism and Film practice

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APA (6th Edition):

Morning, M. (2020). Exploring Surrealism by filmmaking methods focusing on senses/haptic visuality. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10871/123108

Chicago Manual of Style (16th Edition):

Morning, M. “Exploring Surrealism by filmmaking methods focusing on senses/haptic visuality.” 2020. Doctoral Dissertation, University of Exeter. Accessed January 25, 2021. http://hdl.handle.net/10871/123108.

MLA Handbook (7th Edition):

Morning, M. “Exploring Surrealism by filmmaking methods focusing on senses/haptic visuality.” 2020. Web. 25 Jan 2021.

Vancouver:

Morning M. Exploring Surrealism by filmmaking methods focusing on senses/haptic visuality. [Internet] [Doctoral dissertation]. University of Exeter; 2020. [cited 2021 Jan 25]. Available from: http://hdl.handle.net/10871/123108.

Council of Science Editors:

Morning M. Exploring Surrealism by filmmaking methods focusing on senses/haptic visuality. [Doctoral Dissertation]. University of Exeter; 2020. Available from: http://hdl.handle.net/10871/123108


University of Toronto

21. Smith, Sarah Stefana. Towards a Poetics of Bafflement: the Politics of Elsewhere in Contemporary Black Diaspora Visual Practice (1990-Present).

Degree: PhD, 2016, University of Toronto

 Towards a Poetics of Bafflement asserts that blackness baffles—confuses and frustrates—the order of knowledge that deems black subjectivities as pathological. This dissertation argues for the… (more)

Subjects/Keywords: aesthetics; black diaspora; humanism; queer theory; racial slavery; visuality; 0325

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APA (6th Edition):

Smith, S. S. (2016). Towards a Poetics of Bafflement: the Politics of Elsewhere in Contemporary Black Diaspora Visual Practice (1990-Present). (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/76840

Chicago Manual of Style (16th Edition):

Smith, Sarah Stefana. “Towards a Poetics of Bafflement: the Politics of Elsewhere in Contemporary Black Diaspora Visual Practice (1990-Present).” 2016. Doctoral Dissertation, University of Toronto. Accessed January 25, 2021. http://hdl.handle.net/1807/76840.

MLA Handbook (7th Edition):

Smith, Sarah Stefana. “Towards a Poetics of Bafflement: the Politics of Elsewhere in Contemporary Black Diaspora Visual Practice (1990-Present).” 2016. Web. 25 Jan 2021.

Vancouver:

Smith SS. Towards a Poetics of Bafflement: the Politics of Elsewhere in Contemporary Black Diaspora Visual Practice (1990-Present). [Internet] [Doctoral dissertation]. University of Toronto; 2016. [cited 2021 Jan 25]. Available from: http://hdl.handle.net/1807/76840.

Council of Science Editors:

Smith SS. Towards a Poetics of Bafflement: the Politics of Elsewhere in Contemporary Black Diaspora Visual Practice (1990-Present). [Doctoral Dissertation]. University of Toronto; 2016. Available from: http://hdl.handle.net/1807/76840


University of Southern California

22. Park, Jecheol. The vicissitudes of postnational affects: visuality, temporality, and corporeality in global east Asian films.

Degree: PhD, Cinema-Television (Critical Studies), 2012, University of Southern California

 One of the salient changes East Asian films have undergone during the past decade of globalization is their increasing tendency to foreground affective intensities that… (more)

Subjects/Keywords: east Asian cinema; postnational condition; affect; visuality; temporality; corporeality

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APA (6th Edition):

Park, J. (2012). The vicissitudes of postnational affects: visuality, temporality, and corporeality in global east Asian films. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/124286/rec/7400

Chicago Manual of Style (16th Edition):

Park, Jecheol. “The vicissitudes of postnational affects: visuality, temporality, and corporeality in global east Asian films.” 2012. Doctoral Dissertation, University of Southern California. Accessed January 25, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/124286/rec/7400.

MLA Handbook (7th Edition):

Park, Jecheol. “The vicissitudes of postnational affects: visuality, temporality, and corporeality in global east Asian films.” 2012. Web. 25 Jan 2021.

Vancouver:

Park J. The vicissitudes of postnational affects: visuality, temporality, and corporeality in global east Asian films. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2021 Jan 25]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/124286/rec/7400.

Council of Science Editors:

Park J. The vicissitudes of postnational affects: visuality, temporality, and corporeality in global east Asian films. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/124286/rec/7400


University of Melbourne

23. Deejay, Aleksandar. The techno-visual appeal strategies of protesters: images of contentious politicking as a participatory spectacle.

Degree: 2016, University of Melbourne

 Protest movements have traditionally strategized tactics for “appeal” through the use of performative, symbolically-laden actions in the offline sphere. This thesis examines the process of… (more)

Subjects/Keywords: protest; dissent; spectacle; social media; twitter; images; visual; visuality

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APA (6th Edition):

Deejay, A. (2016). The techno-visual appeal strategies of protesters: images of contentious politicking as a participatory spectacle. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/121802

Chicago Manual of Style (16th Edition):

Deejay, Aleksandar. “The techno-visual appeal strategies of protesters: images of contentious politicking as a participatory spectacle.” 2016. Doctoral Dissertation, University of Melbourne. Accessed January 25, 2021. http://hdl.handle.net/11343/121802.

MLA Handbook (7th Edition):

Deejay, Aleksandar. “The techno-visual appeal strategies of protesters: images of contentious politicking as a participatory spectacle.” 2016. Web. 25 Jan 2021.

Vancouver:

Deejay A. The techno-visual appeal strategies of protesters: images of contentious politicking as a participatory spectacle. [Internet] [Doctoral dissertation]. University of Melbourne; 2016. [cited 2021 Jan 25]. Available from: http://hdl.handle.net/11343/121802.

Council of Science Editors:

Deejay A. The techno-visual appeal strategies of protesters: images of contentious politicking as a participatory spectacle. [Doctoral Dissertation]. University of Melbourne; 2016. Available from: http://hdl.handle.net/11343/121802

24. Zagoruyko, Iryna. The Eye in Lermontov’s "A Hero of Our Time": Perception, Visuality, and Gender Relations.

Degree: MA, Russian, East European, and Eurasian Studies Program, 2016, University of Oregon

 This thesis views Lermontov’s novel "A Hero of Our Time" as centered on images, glances and vision. In his text Lermontov conveys a persistent fascination… (more)

Subjects/Keywords: Gender relations; Perception; Visuality

…views A Hero of Our Time as a controversial discussion of visuality and its relation to… …GAZE IN A HERO OF OUR TIME: GENDER AND VISUALITY Woman as Image, Man as Bearer of the Look… …reference for any work that deals with gender and visuality. She draws our attention to the fact… 

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APA (6th Edition):

Zagoruyko, I. (2016). The Eye in Lermontov’s "A Hero of Our Time": Perception, Visuality, and Gender Relations. (Masters Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/20485

Chicago Manual of Style (16th Edition):

Zagoruyko, Iryna. “The Eye in Lermontov’s "A Hero of Our Time": Perception, Visuality, and Gender Relations.” 2016. Masters Thesis, University of Oregon. Accessed January 25, 2021. http://hdl.handle.net/1794/20485.

MLA Handbook (7th Edition):

Zagoruyko, Iryna. “The Eye in Lermontov’s "A Hero of Our Time": Perception, Visuality, and Gender Relations.” 2016. Web. 25 Jan 2021.

Vancouver:

Zagoruyko I. The Eye in Lermontov’s "A Hero of Our Time": Perception, Visuality, and Gender Relations. [Internet] [Masters thesis]. University of Oregon; 2016. [cited 2021 Jan 25]. Available from: http://hdl.handle.net/1794/20485.

Council of Science Editors:

Zagoruyko I. The Eye in Lermontov’s "A Hero of Our Time": Perception, Visuality, and Gender Relations. [Masters Thesis]. University of Oregon; 2016. Available from: http://hdl.handle.net/1794/20485


University of Manchester

25. Munoz Moran, Placido. The graffiti texture in Barcelona: An ethnography of public space and its surfaces.

Degree: 2015, University of Manchester

Jaques Ranciére (2009b) argues that if there is a political question in contemporary art, ‘…it will be grasped through the analysis of the metamorphoses of… (more)

Subjects/Keywords: Graffiti and Sreet art; Barcelona; Public space; Visuality; Texture; Visual media

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APA (6th Edition):

Munoz Moran, P. (2015). The graffiti texture in Barcelona: An ethnography of public space and its surfaces. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:280594

Chicago Manual of Style (16th Edition):

Munoz Moran, Placido. “The graffiti texture in Barcelona: An ethnography of public space and its surfaces.” 2015. Doctoral Dissertation, University of Manchester. Accessed January 25, 2021. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:280594.

MLA Handbook (7th Edition):

Munoz Moran, Placido. “The graffiti texture in Barcelona: An ethnography of public space and its surfaces.” 2015. Web. 25 Jan 2021.

Vancouver:

Munoz Moran P. The graffiti texture in Barcelona: An ethnography of public space and its surfaces. [Internet] [Doctoral dissertation]. University of Manchester; 2015. [cited 2021 Jan 25]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:280594.

Council of Science Editors:

Munoz Moran P. The graffiti texture in Barcelona: An ethnography of public space and its surfaces. [Doctoral Dissertation]. University of Manchester; 2015. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:280594


University of New South Wales

26. Kriss, Karen. Dirty data: the impact of diminishing materiality and the close-up on abject and corporeal representation in computer generated imagery.

Degree: Art, 2016, University of New South Wales

 Rapid and ongoing developments in the field of computer-generated imagery (CGI) have reached a point where the synthetic image strives to become almost indistinguishable from… (more)

Subjects/Keywords: Abjection; CGI; Haptic Visuality; Close-up; Motion capture; Digital; Tactility

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APA (6th Edition):

Kriss, K. (2016). Dirty data: the impact of diminishing materiality and the close-up on abject and corporeal representation in computer generated imagery. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/56329 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:40567/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Kriss, Karen. “Dirty data: the impact of diminishing materiality and the close-up on abject and corporeal representation in computer generated imagery.” 2016. Masters Thesis, University of New South Wales. Accessed January 25, 2021. http://handle.unsw.edu.au/1959.4/56329 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:40567/SOURCE02?view=true.

MLA Handbook (7th Edition):

Kriss, Karen. “Dirty data: the impact of diminishing materiality and the close-up on abject and corporeal representation in computer generated imagery.” 2016. Web. 25 Jan 2021.

Vancouver:

Kriss K. Dirty data: the impact of diminishing materiality and the close-up on abject and corporeal representation in computer generated imagery. [Internet] [Masters thesis]. University of New South Wales; 2016. [cited 2021 Jan 25]. Available from: http://handle.unsw.edu.au/1959.4/56329 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:40567/SOURCE02?view=true.

Council of Science Editors:

Kriss K. Dirty data: the impact of diminishing materiality and the close-up on abject and corporeal representation in computer generated imagery. [Masters Thesis]. University of New South Wales; 2016. Available from: http://handle.unsw.edu.au/1959.4/56329 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:40567/SOURCE02?view=true


Tampere University

27. Rättilä, Tiina. In your face! Analysing public political performance as communication .

Degree: 2012, Tampere University

 Väitöstutkimus analysoi julkisia poliittisia performansseja poliittisena viestintänä. Poliittiset performanssit voidaan ymmärtää julkisissa tiloissa toimeen pantuina ’näytöksinä’, joiden tavoitteena on luoda arkisiin rutiineihin yllättäviä katkoksia ja… (more)

Subjects/Keywords: Performanssi ; Performatiivi ; Kehollisuus ; Visuaalisuus ; Esteettisyys ; Performance ; Performative ; Corporeality ; Visuality ; Aaestheticity

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APA (6th Edition):

Rättilä, T. (2012). In your face! Analysing public political performance as communication . (Doctoral Dissertation). Tampere University. Retrieved from https://trepo.tuni.fi/handle/10024/67917

Chicago Manual of Style (16th Edition):

Rättilä, Tiina. “In your face! Analysing public political performance as communication .” 2012. Doctoral Dissertation, Tampere University. Accessed January 25, 2021. https://trepo.tuni.fi/handle/10024/67917.

MLA Handbook (7th Edition):

Rättilä, Tiina. “In your face! Analysing public political performance as communication .” 2012. Web. 25 Jan 2021.

Vancouver:

Rättilä T. In your face! Analysing public political performance as communication . [Internet] [Doctoral dissertation]. Tampere University; 2012. [cited 2021 Jan 25]. Available from: https://trepo.tuni.fi/handle/10024/67917.

Council of Science Editors:

Rättilä T. In your face! Analysing public political performance as communication . [Doctoral Dissertation]. Tampere University; 2012. Available from: https://trepo.tuni.fi/handle/10024/67917

28. Perez Morales Junior, Wagner. Visualité et contre-visualité. Les images de guerres et de conflits tournées par des amateurs, et leur utilisation dans l’art contemporain. Une politique des images sur un « bruit de fond » godardien : Visuality and counter-visuality. War and conflict amateur images and their use in contemporary art. A politics of images based on Godard's "background noise".

Degree: Docteur es, Études cinématographiques et audiovisuelles, 2018, Sorbonne Paris Cité

En partant de l’idée que la guerre et les images sont deux notions interdépendantes, la thèse reprend deux concepts clés : visualité et contre-visualité. La… (more)

Subjects/Keywords: Visualité; Contre-Visualité; Images d’amateur; Guerre; Conflit; Remploi; Politque; Art contemporain; Visuality; Counter-Visuality; Amateur images; War; Conflict; Re-Employment; Politics; Contemporary war

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APA (6th Edition):

Perez Morales Junior, W. (2018). Visualité et contre-visualité. Les images de guerres et de conflits tournées par des amateurs, et leur utilisation dans l’art contemporain. Une politique des images sur un « bruit de fond » godardien : Visuality and counter-visuality. War and conflict amateur images and their use in contemporary art. A politics of images based on Godard's "background noise". (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2018USPCA101

Chicago Manual of Style (16th Edition):

Perez Morales Junior, Wagner. “Visualité et contre-visualité. Les images de guerres et de conflits tournées par des amateurs, et leur utilisation dans l’art contemporain. Une politique des images sur un « bruit de fond » godardien : Visuality and counter-visuality. War and conflict amateur images and their use in contemporary art. A politics of images based on Godard's "background noise".” 2018. Doctoral Dissertation, Sorbonne Paris Cité. Accessed January 25, 2021. http://www.theses.fr/2018USPCA101.

MLA Handbook (7th Edition):

Perez Morales Junior, Wagner. “Visualité et contre-visualité. Les images de guerres et de conflits tournées par des amateurs, et leur utilisation dans l’art contemporain. Une politique des images sur un « bruit de fond » godardien : Visuality and counter-visuality. War and conflict amateur images and their use in contemporary art. A politics of images based on Godard's "background noise".” 2018. Web. 25 Jan 2021.

Vancouver:

Perez Morales Junior W. Visualité et contre-visualité. Les images de guerres et de conflits tournées par des amateurs, et leur utilisation dans l’art contemporain. Une politique des images sur un « bruit de fond » godardien : Visuality and counter-visuality. War and conflict amateur images and their use in contemporary art. A politics of images based on Godard's "background noise". [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2018. [cited 2021 Jan 25]. Available from: http://www.theses.fr/2018USPCA101.

Council of Science Editors:

Perez Morales Junior W. Visualité et contre-visualité. Les images de guerres et de conflits tournées par des amateurs, et leur utilisation dans l’art contemporain. Une politique des images sur un « bruit de fond » godardien : Visuality and counter-visuality. War and conflict amateur images and their use in contemporary art. A politics of images based on Godard's "background noise". [Doctoral Dissertation]. Sorbonne Paris Cité; 2018. Available from: http://www.theses.fr/2018USPCA101


Université Paris-Sorbonne – Paris IV

29. De Min, Silvia. L'ekphrasis performata : L'ekphrasis d'immagine e di parola nell'opera di Samuel Beckett e nel teatro di Anagoor : The performed ekphrasis : The ekphrasis of images and of word in Beckett's work and in Anagoor's performances.

Degree: Docteur es, Études romanes italiennes, 2016, Université Paris-Sorbonne – Paris IV

Cette thèse se propose de définir l'ékphrasis performée, de la théoriser et de montrer son applicabilité concrète aux études théâtrales. Il s'agit d'un syntagme par… (more)

Subjects/Keywords: Ékphrasis; Beckett; Culture visuelle; Art de la mémoire; Performance; Anagoor; Visuality; Image; Ekphrasis; Beckett; Visual culture; Art of memory; Performance; Anagoor; Visuality; Image

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

De Min, S. (2016). L'ekphrasis performata : L'ekphrasis d'immagine e di parola nell'opera di Samuel Beckett e nel teatro di Anagoor : The performed ekphrasis : The ekphrasis of images and of word in Beckett's work and in Anagoor's performances. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2016PA040021

Chicago Manual of Style (16th Edition):

De Min, Silvia. “L'ekphrasis performata : L'ekphrasis d'immagine e di parola nell'opera di Samuel Beckett e nel teatro di Anagoor : The performed ekphrasis : The ekphrasis of images and of word in Beckett's work and in Anagoor's performances.” 2016. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed January 25, 2021. http://www.theses.fr/2016PA040021.

MLA Handbook (7th Edition):

De Min, Silvia. “L'ekphrasis performata : L'ekphrasis d'immagine e di parola nell'opera di Samuel Beckett e nel teatro di Anagoor : The performed ekphrasis : The ekphrasis of images and of word in Beckett's work and in Anagoor's performances.” 2016. Web. 25 Jan 2021.

Vancouver:

De Min S. L'ekphrasis performata : L'ekphrasis d'immagine e di parola nell'opera di Samuel Beckett e nel teatro di Anagoor : The performed ekphrasis : The ekphrasis of images and of word in Beckett's work and in Anagoor's performances. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2016. [cited 2021 Jan 25]. Available from: http://www.theses.fr/2016PA040021.

Council of Science Editors:

De Min S. L'ekphrasis performata : L'ekphrasis d'immagine e di parola nell'opera di Samuel Beckett e nel teatro di Anagoor : The performed ekphrasis : The ekphrasis of images and of word in Beckett's work and in Anagoor's performances. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2016. Available from: http://www.theses.fr/2016PA040021


Dalhousie University

30. Hoffbauer, Andreas. Beyond The Deepwater Horizon Explosion: What Shaped the Social and Political Engagement of the BP Oil Spill?.

Degree: MA, Department of Sociology & Social Anthropology, 2011, Dalhousie University

 Drawing on social movement literature, my thesis examines if news media, NGO, business and government engagement of the BP Oil Spill in the Gulf of… (more)

Subjects/Keywords: BP Oil Spill; Issue Complexity; Visuality; Media; Oil Companies; Environmental Organizations; White House

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hoffbauer, A. (2011). Beyond The Deepwater Horizon Explosion: What Shaped the Social and Political Engagement of the BP Oil Spill?. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/14203

Chicago Manual of Style (16th Edition):

Hoffbauer, Andreas. “Beyond The Deepwater Horizon Explosion: What Shaped the Social and Political Engagement of the BP Oil Spill?.” 2011. Masters Thesis, Dalhousie University. Accessed January 25, 2021. http://hdl.handle.net/10222/14203.

MLA Handbook (7th Edition):

Hoffbauer, Andreas. “Beyond The Deepwater Horizon Explosion: What Shaped the Social and Political Engagement of the BP Oil Spill?.” 2011. Web. 25 Jan 2021.

Vancouver:

Hoffbauer A. Beyond The Deepwater Horizon Explosion: What Shaped the Social and Political Engagement of the BP Oil Spill?. [Internet] [Masters thesis]. Dalhousie University; 2011. [cited 2021 Jan 25]. Available from: http://hdl.handle.net/10222/14203.

Council of Science Editors:

Hoffbauer A. Beyond The Deepwater Horizon Explosion: What Shaped the Social and Political Engagement of the BP Oil Spill?. [Masters Thesis]. Dalhousie University; 2011. Available from: http://hdl.handle.net/10222/14203

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