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You searched for subject:(verdi). Showing records 1 – 30 of 52 total matches.

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University of Debrecen

1. Varga, Katalin. A bukott nő alakjának bemutatása Verdi: Traviata című operájában .

Degree: DE – TEK – Zeneművészeti Kar – Magánének Tanszék, 2013, University of Debrecen

A harmincéves háború és a francia forradalom közötti időszak Európájában az abszolút monarchia volt a legelterjedtebb kormányzati rendszer, melyben az uralkodó függetlenítette hatalmát az országgyűléstől. Emellett olyan uralkodási stílust alakított ki, mellyel erős kézben tartotta országát. Advisors/Committee Members: Ujvárosi, Andrea (advisor), Debreceni Egyetem::Tudományegyetemi Karok::Zenem?vészeti Kar (advisor).

Subjects/Keywords: Verdi: Traviata; nőalak

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APA (6th Edition):

Varga, K. (2013). A bukott nő alakjának bemutatása Verdi: Traviata című operájában . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/167759

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Varga, Katalin. “A bukott nő alakjának bemutatása Verdi: Traviata című operájában .” 2013. Thesis, University of Debrecen. Accessed November 22, 2019. http://hdl.handle.net/2437/167759.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Varga, Katalin. “A bukott nő alakjának bemutatása Verdi: Traviata című operájában .” 2013. Web. 22 Nov 2019.

Vancouver:

Varga K. A bukott nő alakjának bemutatása Verdi: Traviata című operájában . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/2437/167759.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Varga K. A bukott nő alakjának bemutatása Verdi: Traviata című operájában . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/167759

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Alberta

2. Eng, Andrea E. New capitalization on old music: approaches to the use of Verdi's music in TV advertisements.

Degree: MA, Department of Music, 2011, University of Alberta

 Advertisers use music in as much as 90% of television commercials. Classical and opera music play a special role in this medium, as classical music… (more)

Subjects/Keywords: music; Verdi; television; advertisements

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APA (6th Edition):

Eng, A. E. (2011). New capitalization on old music: approaches to the use of Verdi's music in TV advertisements. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/8623hx862

Chicago Manual of Style (16th Edition):

Eng, Andrea E. “New capitalization on old music: approaches to the use of Verdi's music in TV advertisements.” 2011. Masters Thesis, University of Alberta. Accessed November 22, 2019. https://era.library.ualberta.ca/files/8623hx862.

MLA Handbook (7th Edition):

Eng, Andrea E. “New capitalization on old music: approaches to the use of Verdi's music in TV advertisements.” 2011. Web. 22 Nov 2019.

Vancouver:

Eng AE. New capitalization on old music: approaches to the use of Verdi's music in TV advertisements. [Internet] [Masters thesis]. University of Alberta; 2011. [cited 2019 Nov 22]. Available from: https://era.library.ualberta.ca/files/8623hx862.

Council of Science Editors:

Eng AE. New capitalization on old music: approaches to the use of Verdi's music in TV advertisements. [Masters Thesis]. University of Alberta; 2011. Available from: https://era.library.ualberta.ca/files/8623hx862

3. Medlyn, Margaret. Embodying Voice: Singing Verdi, singing Wagner.

Degree: 2016, Victoria University of Wellington

 Writers from diverse disciplines have rhapsodised over the impact of the operatic voice on the listener, while musicologists such as Abbate, Duncan, and Risi have… (more)

Subjects/Keywords: Embodiment; Verdi; Wagner; Opera; Voice

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APA (6th Edition):

Medlyn, M. (2016). Embodying Voice: Singing Verdi, singing Wagner. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/5134

Chicago Manual of Style (16th Edition):

Medlyn, Margaret. “Embodying Voice: Singing Verdi, singing Wagner.” 2016. Doctoral Dissertation, Victoria University of Wellington. Accessed November 22, 2019. http://hdl.handle.net/10063/5134.

MLA Handbook (7th Edition):

Medlyn, Margaret. “Embodying Voice: Singing Verdi, singing Wagner.” 2016. Web. 22 Nov 2019.

Vancouver:

Medlyn M. Embodying Voice: Singing Verdi, singing Wagner. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2016. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10063/5134.

Council of Science Editors:

Medlyn M. Embodying Voice: Singing Verdi, singing Wagner. [Doctoral Dissertation]. Victoria University of Wellington; 2016. Available from: http://hdl.handle.net/10063/5134


Universidade Presbiteriana Mackenzie

4. Maria Clarice Lima Rodrigues. A voz feminina na ópera romântica Aída de Giuseppe Verdi.

Degree: 2008, Universidade Presbiteriana Mackenzie

O presente trabalho centraliza a prática política de Giuseppe Verdi e a análise das vozes femininas em sua ópera romântica Aída. Através da música e… (more)

Subjects/Keywords: Verdi; voz; ópera; romantismo, risorgimento; voice; opera; Verdi; romanticism; risorgimento; ARTES

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APA (6th Edition):

Rodrigues, M. C. L. (2008). A voz feminina na ópera romântica Aída de Giuseppe Verdi. (Thesis). Universidade Presbiteriana Mackenzie. Retrieved from http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=902 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=903 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=904 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=905 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=906 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=907

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rodrigues, Maria Clarice Lima. “A voz feminina na ópera romântica Aída de Giuseppe Verdi.” 2008. Thesis, Universidade Presbiteriana Mackenzie. Accessed November 22, 2019. http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=902 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=903 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=904 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=905 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=906 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=907.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rodrigues, Maria Clarice Lima. “A voz feminina na ópera romântica Aída de Giuseppe Verdi.” 2008. Web. 22 Nov 2019.

Vancouver:

Rodrigues MCL. A voz feminina na ópera romântica Aída de Giuseppe Verdi. [Internet] [Thesis]. Universidade Presbiteriana Mackenzie; 2008. [cited 2019 Nov 22]. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=902 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=903 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=904 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=905 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=906 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=907.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rodrigues MCL. A voz feminina na ópera romântica Aída de Giuseppe Verdi. [Thesis]. Universidade Presbiteriana Mackenzie; 2008. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=902 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=903 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=904 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=905 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=906 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=907

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

5. McCleary, Mary. Textual composition and the Macbeth, Othello, and Falstaff of Shakespeare and Verdi.

Degree: PhD, English, 2012, Boston University

 The dissertation examines adaptations of Shakespearean plays in the operatic libretti of Giuseppe Verdi (1813-1901), who dominated Italian opera in the second half of the… (more)

Subjects/Keywords: Shakespeare, William; Verdi, Giuseppe; Libretti; Librettists; Operas

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APA (6th Edition):

McCleary, M. (2012). Textual composition and the Macbeth, Othello, and Falstaff of Shakespeare and Verdi. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/32035

Chicago Manual of Style (16th Edition):

McCleary, Mary. “Textual composition and the Macbeth, Othello, and Falstaff of Shakespeare and Verdi.” 2012. Doctoral Dissertation, Boston University. Accessed November 22, 2019. http://hdl.handle.net/2144/32035.

MLA Handbook (7th Edition):

McCleary, Mary. “Textual composition and the Macbeth, Othello, and Falstaff of Shakespeare and Verdi.” 2012. Web. 22 Nov 2019.

Vancouver:

McCleary M. Textual composition and the Macbeth, Othello, and Falstaff of Shakespeare and Verdi. [Internet] [Doctoral dissertation]. Boston University; 2012. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/2144/32035.

Council of Science Editors:

McCleary M. Textual composition and the Macbeth, Othello, and Falstaff of Shakespeare and Verdi. [Doctoral Dissertation]. Boston University; 2012. Available from: http://hdl.handle.net/2144/32035


University of Miami

6. Peterson, Jens Mikel. An Examination of Historical, Pedagogical, and Performance Aspects of the Cimbasso in Standard and Modern Literature.

Degree: DMA, Instrumental Performance (Music), 2018, University of Miami

  The cimbasso is an Italian low brass instrument created during the nineteenth century for the operas of Giuseppe Verdi. Although Verdi’s earlier scores utilized… (more)

Subjects/Keywords: Cimbasso; Dissertation; Pedagogy; History; Verdi; Method

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APA (6th Edition):

Peterson, J. M. (2018). An Examination of Historical, Pedagogical, and Performance Aspects of the Cimbasso in Standard and Modern Literature. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/2026

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peterson, Jens Mikel. “An Examination of Historical, Pedagogical, and Performance Aspects of the Cimbasso in Standard and Modern Literature.” 2018. Thesis, University of Miami. Accessed November 22, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/2026.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peterson, Jens Mikel. “An Examination of Historical, Pedagogical, and Performance Aspects of the Cimbasso in Standard and Modern Literature.” 2018. Web. 22 Nov 2019.

Vancouver:

Peterson JM. An Examination of Historical, Pedagogical, and Performance Aspects of the Cimbasso in Standard and Modern Literature. [Internet] [Thesis]. University of Miami; 2018. [cited 2019 Nov 22]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2026.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Peterson JM. An Examination of Historical, Pedagogical, and Performance Aspects of the Cimbasso in Standard and Modern Literature. [Thesis]. University of Miami; 2018. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/2026

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

7. Edewards, Abram Cornelius. "Dieu Est Au-Dessus De Nous": A Study of the Worldview of Verdi's Marquis De Posa from the Opera Don Carlos through Music, Text and Historical Context .

Degree: 2015, University of Arizona

 Thought of as the hero of the opera at the premiere but described later as being somewhat monochromatic and uninteresting, the role of Posa in… (more)

Subjects/Keywords: Don Carlos; Opera; Verdi; Music; Conducting

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APA (6th Edition):

Edewards, A. C. (2015). "Dieu Est Au-Dessus De Nous": A Study of the Worldview of Verdi's Marquis De Posa from the Opera Don Carlos through Music, Text and Historical Context . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/594385

Chicago Manual of Style (16th Edition):

Edewards, Abram Cornelius. “"Dieu Est Au-Dessus De Nous": A Study of the Worldview of Verdi's Marquis De Posa from the Opera Don Carlos through Music, Text and Historical Context .” 2015. Doctoral Dissertation, University of Arizona. Accessed November 22, 2019. http://hdl.handle.net/10150/594385.

MLA Handbook (7th Edition):

Edewards, Abram Cornelius. “"Dieu Est Au-Dessus De Nous": A Study of the Worldview of Verdi's Marquis De Posa from the Opera Don Carlos through Music, Text and Historical Context .” 2015. Web. 22 Nov 2019.

Vancouver:

Edewards AC. "Dieu Est Au-Dessus De Nous": A Study of the Worldview of Verdi's Marquis De Posa from the Opera Don Carlos through Music, Text and Historical Context . [Internet] [Doctoral dissertation]. University of Arizona; 2015. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10150/594385.

Council of Science Editors:

Edewards AC. "Dieu Est Au-Dessus De Nous": A Study of the Worldview of Verdi's Marquis De Posa from the Opera Don Carlos through Music, Text and Historical Context . [Doctoral Dissertation]. University of Arizona; 2015. Available from: http://hdl.handle.net/10150/594385


University of North Texas

8. Costantino, Alexander. The Cimbasso and Tuba in the Operatic Works of Giuseppe Verdi: A Pedagogical and Aesthetic Comparison.

Degree: 2010, University of North Texas

 In recent years, the use of the cimbasso has gained popularity in Giuseppe Verdi opera performances throughout the world. In the past, the tuba or… (more)

Subjects/Keywords: Cimbasso; opera; tuba; Giuseppe Verdi; Verdi, Giuseppe, 1813-1901. Operas.; Tuba  – Performance.; Bass trombone  – Performance.

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APA (6th Edition):

Costantino, A. (2010). The Cimbasso and Tuba in the Operatic Works of Giuseppe Verdi: A Pedagogical and Aesthetic Comparison. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc31531/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Costantino, Alexander. “The Cimbasso and Tuba in the Operatic Works of Giuseppe Verdi: A Pedagogical and Aesthetic Comparison.” 2010. Thesis, University of North Texas. Accessed November 22, 2019. https://digital.library.unt.edu/ark:/67531/metadc31531/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Costantino, Alexander. “The Cimbasso and Tuba in the Operatic Works of Giuseppe Verdi: A Pedagogical and Aesthetic Comparison.” 2010. Web. 22 Nov 2019.

Vancouver:

Costantino A. The Cimbasso and Tuba in the Operatic Works of Giuseppe Verdi: A Pedagogical and Aesthetic Comparison. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Nov 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc31531/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Costantino A. The Cimbasso and Tuba in the Operatic Works of Giuseppe Verdi: A Pedagogical and Aesthetic Comparison. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc31531/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

9. Dorgan, Peter Paul. Franz Liszt and his Verdi opera transcriptions.

Degree: PhD, Graduate School, 1982, The Ohio State University

Subjects/Keywords: Music; Verdi; Liszt; Arrangement

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APA (6th Edition):

Dorgan, P. P. (1982). Franz Liszt and his Verdi opera transcriptions. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu148717233975806

Chicago Manual of Style (16th Edition):

Dorgan, Peter Paul. “Franz Liszt and his Verdi opera transcriptions.” 1982. Doctoral Dissertation, The Ohio State University. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu148717233975806.

MLA Handbook (7th Edition):

Dorgan, Peter Paul. “Franz Liszt and his Verdi opera transcriptions.” 1982. Web. 22 Nov 2019.

Vancouver:

Dorgan PP. Franz Liszt and his Verdi opera transcriptions. [Internet] [Doctoral dissertation]. The Ohio State University; 1982. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu148717233975806.

Council of Science Editors:

Dorgan PP. Franz Liszt and his Verdi opera transcriptions. [Doctoral Dissertation]. The Ohio State University; 1982. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu148717233975806

10. Augenstein, Rune. Verdien av BREEAM sertifiserte bygg i Norge.

Degree: Building and Real Estate Economics, 2015, KTH

  BREEAM is a voluntary environmental certification, which covers all aspects of the construction of a building. A BREEAM building also referred to as a… (more)

Subjects/Keywords: Eiendom; BREEAM; Verdi

…29 Tabell 4-Ulike faktorer i DCF modell sin innvirkning på verdi… …53 Tabell 7-Verdi ved reduksjon av eierkostnader… …54 Tabell 8-Verdi når energibesparelse belastes leietaker… …54 Tabell 9-Verdi ved reduksjon av ledighet… …55 Tabell 10-Verdi ved reduksjon av risikopremie… 

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APA (6th Edition):

Augenstein, R. (2015). Verdien av BREEAM sertifiserte bygg i Norge. (Thesis). KTH. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-176021

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Augenstein, Rune. “Verdien av BREEAM sertifiserte bygg i Norge.” 2015. Thesis, KTH. Accessed November 22, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-176021.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Augenstein, Rune. “Verdien av BREEAM sertifiserte bygg i Norge.” 2015. Web. 22 Nov 2019.

Vancouver:

Augenstein R. Verdien av BREEAM sertifiserte bygg i Norge. [Internet] [Thesis]. KTH; 2015. [cited 2019 Nov 22]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-176021.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Augenstein R. Verdien av BREEAM sertifiserte bygg i Norge. [Thesis]. KTH; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-176021

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

11. Dorgan, Peter Paul. Franz Liszt and his Verdi opera transcriptions.

Degree: DMA, Music, 1982, The Ohio State University

Subjects/Keywords: LISZT; VERDI; OPERA; piano; chant

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dorgan, P. P. (1982). Franz Liszt and his Verdi opera transcriptions. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1108585082

Chicago Manual of Style (16th Edition):

Dorgan, Peter Paul. “Franz Liszt and his Verdi opera transcriptions.” 1982. Doctoral Dissertation, The Ohio State University. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1108585082.

MLA Handbook (7th Edition):

Dorgan, Peter Paul. “Franz Liszt and his Verdi opera transcriptions.” 1982. Web. 22 Nov 2019.

Vancouver:

Dorgan PP. Franz Liszt and his Verdi opera transcriptions. [Internet] [Doctoral dissertation]. The Ohio State University; 1982. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1108585082.

Council of Science Editors:

Dorgan PP. Franz Liszt and his Verdi opera transcriptions. [Doctoral Dissertation]. The Ohio State University; 1982. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1108585082


Louisiana State University

12. Owen, Justin Andrew. Hidden music: vowel formant theory and the languages of Verdi's Don Carolos.

Degree: MM, Music, 2011, Louisiana State University

 Don Carlos, Giuseppe Verdi’s third French opera, was first performed at the Paris Opéra in 1867; today, it is commonly performed in its Italian translation.… (more)

Subjects/Keywords: overtones; Verdi; Don Carlos; formant analysis; text music relationship; vowel formants

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APA (6th Edition):

Owen, J. A. (2011). Hidden music: vowel formant theory and the languages of Verdi's Don Carolos. (Masters Thesis). Louisiana State University. Retrieved from etd-01262012-095741 ; https://digitalcommons.lsu.edu/gradschool_theses/1896

Chicago Manual of Style (16th Edition):

Owen, Justin Andrew. “Hidden music: vowel formant theory and the languages of Verdi's Don Carolos.” 2011. Masters Thesis, Louisiana State University. Accessed November 22, 2019. etd-01262012-095741 ; https://digitalcommons.lsu.edu/gradschool_theses/1896.

MLA Handbook (7th Edition):

Owen, Justin Andrew. “Hidden music: vowel formant theory and the languages of Verdi's Don Carolos.” 2011. Web. 22 Nov 2019.

Vancouver:

Owen JA. Hidden music: vowel formant theory and the languages of Verdi's Don Carolos. [Internet] [Masters thesis]. Louisiana State University; 2011. [cited 2019 Nov 22]. Available from: etd-01262012-095741 ; https://digitalcommons.lsu.edu/gradschool_theses/1896.

Council of Science Editors:

Owen JA. Hidden music: vowel formant theory and the languages of Verdi's Don Carolos. [Masters Thesis]. Louisiana State University; 2011. Available from: etd-01262012-095741 ; https://digitalcommons.lsu.edu/gradschool_theses/1896

13. Harinen, Armi. Ritorna vincitor! : Interpretation of an aria in the opera Aida by Verdi.

Degree: Classical Music, 2015, Royal College of Music in Stockholm

  This examination essay is a study of the aria Ritorna vincitor! from the opera Aida by composer Giuseppe Verdi. The aim of this study… (more)

Subjects/Keywords: Romantic opera; Italian opera; Giuseppe Verdi; Aida; Ritorna vincitor!; aria

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APA (6th Edition):

Harinen, A. (2015). Ritorna vincitor! : Interpretation of an aria in the opera Aida by Verdi. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1838

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harinen, Armi. “Ritorna vincitor! : Interpretation of an aria in the opera Aida by Verdi.” 2015. Thesis, Royal College of Music in Stockholm. Accessed November 22, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1838.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harinen, Armi. “Ritorna vincitor! : Interpretation of an aria in the opera Aida by Verdi.” 2015. Web. 22 Nov 2019.

Vancouver:

Harinen A. Ritorna vincitor! : Interpretation of an aria in the opera Aida by Verdi. [Internet] [Thesis]. Royal College of Music in Stockholm; 2015. [cited 2019 Nov 22]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1838.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harinen A. Ritorna vincitor! : Interpretation of an aria in the opera Aida by Verdi. [Thesis]. Royal College of Music in Stockholm; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1838

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

14. ELLSMORE, CAROLINE. Verdi's exceptional women: Giuseppina Strepponi and Teresa Stolz.

Degree: 2015, University of Melbourne

 This thesis investigates several of the persistent myths that surround Verdi’s life and career and those of the women with whom he had intimate relationships.… (more)

Subjects/Keywords: Verdi; Strepponi; Stolz; women; opera; Italy; singers; nineteenth century

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APA (6th Edition):

ELLSMORE, C. (2015). Verdi's exceptional women: Giuseppina Strepponi and Teresa Stolz. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/55588

Chicago Manual of Style (16th Edition):

ELLSMORE, CAROLINE. “Verdi's exceptional women: Giuseppina Strepponi and Teresa Stolz.” 2015. Doctoral Dissertation, University of Melbourne. Accessed November 22, 2019. http://hdl.handle.net/11343/55588.

MLA Handbook (7th Edition):

ELLSMORE, CAROLINE. “Verdi's exceptional women: Giuseppina Strepponi and Teresa Stolz.” 2015. Web. 22 Nov 2019.

Vancouver:

ELLSMORE C. Verdi's exceptional women: Giuseppina Strepponi and Teresa Stolz. [Internet] [Doctoral dissertation]. University of Melbourne; 2015. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/11343/55588.

Council of Science Editors:

ELLSMORE C. Verdi's exceptional women: Giuseppina Strepponi and Teresa Stolz. [Doctoral Dissertation]. University of Melbourne; 2015. Available from: http://hdl.handle.net/11343/55588

15. Ferrando Montalvá, María. OTELLO: ESTUDIO ANALÍTICO DE LA ÚLTIMA ÓPERA TRÁGICA DE VERDI EN SU CONTEXTO .

Degree: 2017, Universitat Politècnica de València

 This thesis aims to provide an analytical study of the Giuseppe Verdi's last dramatic opera, Otello. We have tried to condense the most prominent contributions… (more)

Subjects/Keywords: Verdi; Otello; Boito; Ópera

…dimensionar la dramatúrgia de l’obra. Aquesta tesi demostra que Verdi utilitza un llenguatge… …demonstrates that Verdi uses a new style when composing this opera, underlying a desire to break with… …22 Capítulo 1. A PROPÓSITO DE OTELLO. LA COLABORACIÓN ENTRE VERDI Y BOITO… …1.2. Shakespeare en la Italia de Verdi… …31 1.3. El bagaje cultural de Verdi… 

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APA (6th Edition):

Ferrando Montalvá, M. (2017). OTELLO: ESTUDIO ANALÍTICO DE LA ÚLTIMA ÓPERA TRÁGICA DE VERDI EN SU CONTEXTO . (Doctoral Dissertation). Universitat Politècnica de València. Retrieved from http://hdl.handle.net/10251/90494

Chicago Manual of Style (16th Edition):

Ferrando Montalvá, María. “OTELLO: ESTUDIO ANALÍTICO DE LA ÚLTIMA ÓPERA TRÁGICA DE VERDI EN SU CONTEXTO .” 2017. Doctoral Dissertation, Universitat Politècnica de València. Accessed November 22, 2019. http://hdl.handle.net/10251/90494.

MLA Handbook (7th Edition):

Ferrando Montalvá, María. “OTELLO: ESTUDIO ANALÍTICO DE LA ÚLTIMA ÓPERA TRÁGICA DE VERDI EN SU CONTEXTO .” 2017. Web. 22 Nov 2019.

Vancouver:

Ferrando Montalvá M. OTELLO: ESTUDIO ANALÍTICO DE LA ÚLTIMA ÓPERA TRÁGICA DE VERDI EN SU CONTEXTO . [Internet] [Doctoral dissertation]. Universitat Politècnica de València; 2017. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10251/90494.

Council of Science Editors:

Ferrando Montalvá M. OTELLO: ESTUDIO ANALÍTICO DE LA ÚLTIMA ÓPERA TRÁGICA DE VERDI EN SU CONTEXTO . [Doctoral Dissertation]. Universitat Politècnica de València; 2017. Available from: http://hdl.handle.net/10251/90494


University of Arizona

16. Krueger, Nathan Elliott. Gaetano Donizetti, Saverio Mercadante, and the Evolution and Development of the Verdi Baritone .

Degree: 2011, University of Arizona

 The leading baritone roles in the operas of Giuseppe Verdi, known as Verdi baritone roles, presented new challenges for the singers who first interpreted these… (more)

Subjects/Keywords: dramatic; Mercadante; Torquato Tasso; Verdi; Music; baritone; Donizetti

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APA (6th Edition):

Krueger, N. E. (2011). Gaetano Donizetti, Saverio Mercadante, and the Evolution and Development of the Verdi Baritone . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/203444

Chicago Manual of Style (16th Edition):

Krueger, Nathan Elliott. “Gaetano Donizetti, Saverio Mercadante, and the Evolution and Development of the Verdi Baritone .” 2011. Doctoral Dissertation, University of Arizona. Accessed November 22, 2019. http://hdl.handle.net/10150/203444.

MLA Handbook (7th Edition):

Krueger, Nathan Elliott. “Gaetano Donizetti, Saverio Mercadante, and the Evolution and Development of the Verdi Baritone .” 2011. Web. 22 Nov 2019.

Vancouver:

Krueger NE. Gaetano Donizetti, Saverio Mercadante, and the Evolution and Development of the Verdi Baritone . [Internet] [Doctoral dissertation]. University of Arizona; 2011. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10150/203444.

Council of Science Editors:

Krueger NE. Gaetano Donizetti, Saverio Mercadante, and the Evolution and Development of the Verdi Baritone . [Doctoral Dissertation]. University of Arizona; 2011. Available from: http://hdl.handle.net/10150/203444

17. Arienta, Sonia. La voix-son des personnages à l'aube de la communication de masse : l'exemple des romans de Hugo et de Dickens, et des opéras de Verdi : Characters's voice-son in early mass communication : exemples from Hugo's and Dickens' novels and from Verdi's operas.

Degree: Docteur es, Arts du spectacle, 2015, Grenoble Alpes

 La voix dans sa substance acoustique est un trait primaire dans l'identité d'un individu : c'est une partie de l'habitus social, elle indique l'appartenance à… (more)

Subjects/Keywords: Voix; Dickens; Hugo; Verdi; Genre de masse au XIX siècle; Rhétorique; Voice; Dickens; Hugo; Verdi; Ninenteen Century mass genre; Rhetoric; 790; 800

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APA (6th Edition):

Arienta, S. (2015). La voix-son des personnages à l'aube de la communication de masse : l'exemple des romans de Hugo et de Dickens, et des opéras de Verdi : Characters's voice-son in early mass communication : exemples from Hugo's and Dickens' novels and from Verdi's operas. (Doctoral Dissertation). Grenoble Alpes. Retrieved from http://www.theses.fr/2015GREAL007

Chicago Manual of Style (16th Edition):

Arienta, Sonia. “La voix-son des personnages à l'aube de la communication de masse : l'exemple des romans de Hugo et de Dickens, et des opéras de Verdi : Characters's voice-son in early mass communication : exemples from Hugo's and Dickens' novels and from Verdi's operas.” 2015. Doctoral Dissertation, Grenoble Alpes. Accessed November 22, 2019. http://www.theses.fr/2015GREAL007.

MLA Handbook (7th Edition):

Arienta, Sonia. “La voix-son des personnages à l'aube de la communication de masse : l'exemple des romans de Hugo et de Dickens, et des opéras de Verdi : Characters's voice-son in early mass communication : exemples from Hugo's and Dickens' novels and from Verdi's operas.” 2015. Web. 22 Nov 2019.

Vancouver:

Arienta S. La voix-son des personnages à l'aube de la communication de masse : l'exemple des romans de Hugo et de Dickens, et des opéras de Verdi : Characters's voice-son in early mass communication : exemples from Hugo's and Dickens' novels and from Verdi's operas. [Internet] [Doctoral dissertation]. Grenoble Alpes; 2015. [cited 2019 Nov 22]. Available from: http://www.theses.fr/2015GREAL007.

Council of Science Editors:

Arienta S. La voix-son des personnages à l'aube de la communication de masse : l'exemple des romans de Hugo et de Dickens, et des opéras de Verdi : Characters's voice-son in early mass communication : exemples from Hugo's and Dickens' novels and from Verdi's operas. [Doctoral Dissertation]. Grenoble Alpes; 2015. Available from: http://www.theses.fr/2015GREAL007


University of North Texas

18. Cho, Ick Hyun. Rediscovering Giuseppe Verdi's Messa da Requiem.

Degree: 2003, University of North Texas

 Several interpretations in performances, recordings, and publications of Giuseppe Verdi's Messa da Requiem raise issues concerning the relationship between these readings and the composer's intention.… (more)

Subjects/Keywords: Verdi, Giuseppe, 1813-1901. Messa da Requiem.; Verdi; Requiem; tempo; phrasing

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APA (6th Edition):

Cho, I. H. (2003). Rediscovering Giuseppe Verdi's Messa da Requiem. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4341/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cho, Ick Hyun. “Rediscovering Giuseppe Verdi's Messa da Requiem.” 2003. Thesis, University of North Texas. Accessed November 22, 2019. https://digital.library.unt.edu/ark:/67531/metadc4341/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cho, Ick Hyun. “Rediscovering Giuseppe Verdi's Messa da Requiem.” 2003. Web. 22 Nov 2019.

Vancouver:

Cho IH. Rediscovering Giuseppe Verdi's Messa da Requiem. [Internet] [Thesis]. University of North Texas; 2003. [cited 2019 Nov 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4341/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cho IH. Rediscovering Giuseppe Verdi's Messa da Requiem. [Thesis]. University of North Texas; 2003. Available from: https://digital.library.unt.edu/ark:/67531/metadc4341/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

19. Rethazi, Andrew. Teaching Prospective Verdi Baritones: A Repertoire-Based Approach.

Degree: 2018, University of Western Ontario

 The Verdi baritone is one of the most sought-after voice types in the professional operatic sphere due to its leading presence in the Verdi repertoire.… (more)

Subjects/Keywords: Giuseppe Verdi; Baritone; Vocal Pedagogy; Voice Classification; Repertoire Study; Opera; Music Pedagogy; Music Performance

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APA (6th Edition):

Rethazi, A. (2018). Teaching Prospective Verdi Baritones: A Repertoire-Based Approach. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rethazi, Andrew. “Teaching Prospective Verdi Baritones: A Repertoire-Based Approach.” 2018. Thesis, University of Western Ontario. Accessed November 22, 2019. https://ir.lib.uwo.ca/etd/5448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rethazi, Andrew. “Teaching Prospective Verdi Baritones: A Repertoire-Based Approach.” 2018. Web. 22 Nov 2019.

Vancouver:

Rethazi A. Teaching Prospective Verdi Baritones: A Repertoire-Based Approach. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2019 Nov 22]. Available from: https://ir.lib.uwo.ca/etd/5448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rethazi A. Teaching Prospective Verdi Baritones: A Repertoire-Based Approach. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

20. Chesney, Sarah. Gothic imaginations in primo Ottocento opera : a thesis submitted to the New Zealand School of Music in fulfilment of the requirements for the degree of Master of Music in Musicology .

Degree: 2010, Massey University

 Connections between the Gothic and opera remain a subsidiary concern to most writers on the Gothic and on opera, if they are even addressed at… (more)

Subjects/Keywords: Gaetano Donizetti; Giuseppe Verdi; Italian opera; European opera; 19th century; Nineteenth century; Gothic opera

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APA (6th Edition):

Chesney, S. (2010). Gothic imaginations in primo Ottocento opera : a thesis submitted to the New Zealand School of Music in fulfilment of the requirements for the degree of Master of Music in Musicology . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/2941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chesney, Sarah. “Gothic imaginations in primo Ottocento opera : a thesis submitted to the New Zealand School of Music in fulfilment of the requirements for the degree of Master of Music in Musicology .” 2010. Thesis, Massey University. Accessed November 22, 2019. http://hdl.handle.net/10179/2941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chesney, Sarah. “Gothic imaginations in primo Ottocento opera : a thesis submitted to the New Zealand School of Music in fulfilment of the requirements for the degree of Master of Music in Musicology .” 2010. Web. 22 Nov 2019.

Vancouver:

Chesney S. Gothic imaginations in primo Ottocento opera : a thesis submitted to the New Zealand School of Music in fulfilment of the requirements for the degree of Master of Music in Musicology . [Internet] [Thesis]. Massey University; 2010. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10179/2941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chesney S. Gothic imaginations in primo Ottocento opera : a thesis submitted to the New Zealand School of Music in fulfilment of the requirements for the degree of Master of Music in Musicology . [Thesis]. Massey University; 2010. Available from: http://hdl.handle.net/10179/2941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Shea, Nicholas. METER IN FRENCH AND ITALIAN OPERA, 1809–1859.

Degree: 2017, University of Massachusetts

  Current and historical methods of metric analysis often assume that the first beat of a metric group is stronger than the second. This, however,… (more)

Subjects/Keywords: meter; rhythm; nationalism; opera; Verdi; Meyerbeer; Rossini; Mendelssohn; nineteenth century music; Music Theory

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APA (6th Edition):

Shea, N. (2017). METER IN FRENCH AND ITALIAN OPERA, 1809–1859. (Thesis). University of Massachusetts. Retrieved from https://scholarworks.umass.edu/masters_theses_2/536

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shea, Nicholas. “METER IN FRENCH AND ITALIAN OPERA, 1809–1859.” 2017. Thesis, University of Massachusetts. Accessed November 22, 2019. https://scholarworks.umass.edu/masters_theses_2/536.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shea, Nicholas. “METER IN FRENCH AND ITALIAN OPERA, 1809–1859.” 2017. Web. 22 Nov 2019.

Vancouver:

Shea N. METER IN FRENCH AND ITALIAN OPERA, 1809–1859. [Internet] [Thesis]. University of Massachusetts; 2017. [cited 2019 Nov 22]. Available from: https://scholarworks.umass.edu/masters_theses_2/536.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shea N. METER IN FRENCH AND ITALIAN OPERA, 1809–1859. [Thesis]. University of Massachusetts; 2017. Available from: https://scholarworks.umass.edu/masters_theses_2/536

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitetet i Tromsø

22. Kjelstrup, Harald Øyvind. Verdivurdering av oppdrettslaks etter IAS 41 : en analyse av regnskapspraksis .

Degree: 2011, Universitetet i Tromsø

 I denne studien har jeg undersøkt norske oppdrettskonserns etterlevelse av internasjonale regnskapsstandarder gjennom analyse av hvordan selskapene har verdivurdert oppdrettslaks i sine årsregnskaper på konsernnivå.… (more)

Subjects/Keywords: VDP::Samfunnsvitenskap: 200::Økonomi: 210; biologiske eiendeler; IAS 41; verdivurdering; IFRS; oppdrettslaks; virkelig verdi

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APA (6th Edition):

Kjelstrup, H. . (2011). Verdivurdering av oppdrettslaks etter IAS 41 : en analyse av regnskapspraksis . (Masters Thesis). Universitetet i Tromsø. Retrieved from http://hdl.handle.net/10037/3468

Chicago Manual of Style (16th Edition):

Kjelstrup, Harald Øyvind. “Verdivurdering av oppdrettslaks etter IAS 41 : en analyse av regnskapspraksis .” 2011. Masters Thesis, Universitetet i Tromsø. Accessed November 22, 2019. http://hdl.handle.net/10037/3468.

MLA Handbook (7th Edition):

Kjelstrup, Harald Øyvind. “Verdivurdering av oppdrettslaks etter IAS 41 : en analyse av regnskapspraksis .” 2011. Web. 22 Nov 2019.

Vancouver:

Kjelstrup H. Verdivurdering av oppdrettslaks etter IAS 41 : en analyse av regnskapspraksis . [Internet] [Masters thesis]. Universitetet i Tromsø 2011. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10037/3468.

Council of Science Editors:

Kjelstrup H. Verdivurdering av oppdrettslaks etter IAS 41 : en analyse av regnskapspraksis . [Masters Thesis]. Universitetet i Tromsø 2011. Available from: http://hdl.handle.net/10037/3468

23. Johnson, Mary Jo, 1935-. The Earliest Operas of Giuseppe Verdi with Emphasis Upon Ernani.

Degree: 1958, North Texas State College

This thesis provides a brief history of opera as well as analysis of the operas of Giuseppe Verdi. Advisors/Committee Members: Ottman, Robert W., Hodgson, Walter H..

Subjects/Keywords: Verdi, Giuseppe; operas; Ernani; Verdi, Giuseppe, 1813-1901.  – Ernani.; Verdi, Giuseppe, 1813-1901.  – Operas.

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APA (6th Edition):

Johnson, Mary Jo, 1. (1958). The Earliest Operas of Giuseppe Verdi with Emphasis Upon Ernani. (Thesis). North Texas State College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc699612/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Johnson, Mary Jo, 1935-. “The Earliest Operas of Giuseppe Verdi with Emphasis Upon Ernani.” 1958. Thesis, North Texas State College. Accessed November 22, 2019. https://digital.library.unt.edu/ark:/67531/metadc699612/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Johnson, Mary Jo, 1935-. “The Earliest Operas of Giuseppe Verdi with Emphasis Upon Ernani.” 1958. Web. 22 Nov 2019.

Vancouver:

Johnson, Mary Jo 1. The Earliest Operas of Giuseppe Verdi with Emphasis Upon Ernani. [Internet] [Thesis]. North Texas State College; 1958. [cited 2019 Nov 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc699612/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Johnson, Mary Jo 1. The Earliest Operas of Giuseppe Verdi with Emphasis Upon Ernani. [Thesis]. North Texas State College; 1958. Available from: https://digital.library.unt.edu/ark:/67531/metadc699612/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

24. Smith, Jacob H. Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878.

Degree: MM, Music History, 2016, Bowling Green State University

 Moravian-born impresario Max Maretzek was one of the leading opera managers in nineteenth-century America, specializing in Italian opera. During his career, Maretzek highlighted three cities… (more)

Subjects/Keywords: Music; italian opera; opera management; maretzek; verdi; reception history; nineteenth century; america; reception theory; impresario; opera production; cultural studies; music history

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APA (6th Edition):

Smith, J. H. (2016). Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1462983831

Chicago Manual of Style (16th Edition):

Smith, Jacob H. “Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878.” 2016. Masters Thesis, Bowling Green State University. Accessed November 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1462983831.

MLA Handbook (7th Edition):

Smith, Jacob H. “Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878.” 2016. Web. 22 Nov 2019.

Vancouver:

Smith JH. Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878. [Internet] [Masters thesis]. Bowling Green State University; 2016. [cited 2019 Nov 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1462983831.

Council of Science Editors:

Smith JH. Maretzek, Verdi, and the Adoring Public: Reception History and Production of Italian Opera in America, 1849-1878. [Masters Thesis]. Bowling Green State University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1462983831


University of Aberdeen

25. Turnbull, Jennifer. "Instruments of darkness".

Degree: Dept. of Music., 2000, University of Aberdeen

Subjects/Keywords: Verdi, Giuseppe, 1813-1901.; Bloch, Ernest., 1880-1959.

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APA (6th Edition):

Turnbull, J. (2000). "Instruments of darkness". (Doctoral Dissertation). University of Aberdeen. Retrieved from http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=229627 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=229627&custom_att_2=simple_viewer

Chicago Manual of Style (16th Edition):

Turnbull, Jennifer. “"Instruments of darkness".” 2000. Doctoral Dissertation, University of Aberdeen. Accessed November 22, 2019. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=229627 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=229627&custom_att_2=simple_viewer.

MLA Handbook (7th Edition):

Turnbull, Jennifer. “"Instruments of darkness".” 2000. Web. 22 Nov 2019.

Vancouver:

Turnbull J. "Instruments of darkness". [Internet] [Doctoral dissertation]. University of Aberdeen; 2000. [cited 2019 Nov 22]. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=229627 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=229627&custom_att_2=simple_viewer.

Council of Science Editors:

Turnbull J. "Instruments of darkness". [Doctoral Dissertation]. University of Aberdeen; 2000. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=229627 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=229627&custom_att_2=simple_viewer

26. Fleming, Leon O. Spanish Romantic Drama Sources of Giuseppe Verdi Operas.

Degree: 1972, North Texas State University

 The Italian composer of operas, Giuseppe Verdi, relied heavily on plays of the Romantic Era as sources for opera librettos. Three such plays were from… (more)

Subjects/Keywords: Spanish romantic drama sources; Giuseppe Verdi; operas

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fleming, L. O. (1972). Spanish Romantic Drama Sources of Giuseppe Verdi Operas. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc131542/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fleming, Leon O. “Spanish Romantic Drama Sources of Giuseppe Verdi Operas.” 1972. Thesis, North Texas State University. Accessed November 22, 2019. https://digital.library.unt.edu/ark:/67531/metadc131542/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fleming, Leon O. “Spanish Romantic Drama Sources of Giuseppe Verdi Operas.” 1972. Web. 22 Nov 2019.

Vancouver:

Fleming LO. Spanish Romantic Drama Sources of Giuseppe Verdi Operas. [Internet] [Thesis]. North Texas State University; 1972. [cited 2019 Nov 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc131542/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fleming LO. Spanish Romantic Drama Sources of Giuseppe Verdi Operas. [Thesis]. North Texas State University; 1972. Available from: https://digital.library.unt.edu/ark:/67531/metadc131542/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

27. Peters, Grant S. (Grant Shields). The trumpet as a musical and dramatic element in selected operas of Gioachino Rossini and Giuseppe Verdi: Its employment in on-stage and off-stage instrumental ensembles, a lecture recital, together with three recitals of selected works of J. G. B. Neruda, P. Hindemith, G. Antheil and others.

Degree: 1998, University of North Texas

 The popularity of the miscellaneous wind bands in Italian society through the centuries, and the prominent use of the trumpet within these ensembles and as… (more)

Subjects/Keywords: trumpet; Gioachino Rossini; Giuseppe Verdi; music analysis

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APA (6th Edition):

Peters, G. S. (. S. (1998). The trumpet as a musical and dramatic element in selected operas of Gioachino Rossini and Giuseppe Verdi: Its employment in on-stage and off-stage instrumental ensembles, a lecture recital, together with three recitals of selected works of J. G. B. Neruda, P. Hindemith, G. Antheil and others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935646/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Peters, Grant S (Grant Shields). “The trumpet as a musical and dramatic element in selected operas of Gioachino Rossini and Giuseppe Verdi: Its employment in on-stage and off-stage instrumental ensembles, a lecture recital, together with three recitals of selected works of J. G. B. Neruda, P. Hindemith, G. Antheil and others.” 1998. Thesis, University of North Texas. Accessed November 22, 2019. https://digital.library.unt.edu/ark:/67531/metadc935646/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Peters, Grant S (Grant Shields). “The trumpet as a musical and dramatic element in selected operas of Gioachino Rossini and Giuseppe Verdi: Its employment in on-stage and off-stage instrumental ensembles, a lecture recital, together with three recitals of selected works of J. G. B. Neruda, P. Hindemith, G. Antheil and others.” 1998. Web. 22 Nov 2019.

Vancouver:

Peters GS(S. The trumpet as a musical and dramatic element in selected operas of Gioachino Rossini and Giuseppe Verdi: Its employment in on-stage and off-stage instrumental ensembles, a lecture recital, together with three recitals of selected works of J. G. B. Neruda, P. Hindemith, G. Antheil and others. [Internet] [Thesis]. University of North Texas; 1998. [cited 2019 Nov 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935646/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Peters GS(S. The trumpet as a musical and dramatic element in selected operas of Gioachino Rossini and Giuseppe Verdi: Its employment in on-stage and off-stage instrumental ensembles, a lecture recital, together with three recitals of selected works of J. G. B. Neruda, P. Hindemith, G. Antheil and others. [Thesis]. University of North Texas; 1998. Available from: https://digital.library.unt.edu/ark:/67531/metadc935646/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. ÜNLÜ, Alp. TRAKTÖRLERİN HİDROLİK POMPA KARAKTERİSTİKLERİNİN İNCELENMESİ.

Degree: 2005, University of Ankara

 Bu çalışmada, tarım traktörlerinde kullanılan hidrolik pompaların karakteristiklerinin incelenmesi amaçlanmıştır. Bunun için, 34.5 l/min ve 44.5 l/min verdili iki adet dişli pompa ele alınmıştır. Bu… (more)

Subjects/Keywords: Traktör hidroliği; hidrolik pompa; verdi; hidrolik güç

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

ÜNLÜ, A. (2005). TRAKTÖRLERİN HİDROLİK POMPA KARAKTERİSTİKLERİNİN İNCELENMESİ. (Masters Thesis). University of Ankara. Retrieved from http://acikarsiv.ankara.edu.tr/browse/3112/3963.pdf

Chicago Manual of Style (16th Edition):

ÜNLÜ, Alp. “TRAKTÖRLERİN HİDROLİK POMPA KARAKTERİSTİKLERİNİN İNCELENMESİ.” 2005. Masters Thesis, University of Ankara. Accessed November 22, 2019. http://acikarsiv.ankara.edu.tr/browse/3112/3963.pdf.

MLA Handbook (7th Edition):

ÜNLÜ, Alp. “TRAKTÖRLERİN HİDROLİK POMPA KARAKTERİSTİKLERİNİN İNCELENMESİ.” 2005. Web. 22 Nov 2019.

Vancouver:

ÜNLÜ A. TRAKTÖRLERİN HİDROLİK POMPA KARAKTERİSTİKLERİNİN İNCELENMESİ. [Internet] [Masters thesis]. University of Ankara; 2005. [cited 2019 Nov 22]. Available from: http://acikarsiv.ankara.edu.tr/browse/3112/3963.pdf.

Council of Science Editors:

ÜNLÜ A. TRAKTÖRLERİN HİDROLİK POMPA KARAKTERİSTİKLERİNİN İNCELENMESİ. [Masters Thesis]. University of Ankara; 2005. Available from: http://acikarsiv.ankara.edu.tr/browse/3112/3963.pdf


Universitetet i Tromsø

29. Tveiterås, Kathrine. På grensen til et eventyr : økonomisering av Snøhvit LNG .

Degree: 2012, Universitetet i Tromsø

 Megaprosjekter er store investeringsprosjekter med betydelig innflytelse på samfunn, miljø og økonomi. Til tross for grundige utredninger og beregninger i forkant, presterer slike prosjekter sjelden… (more)

Subjects/Keywords: VDP::Social science: 200::Sociology: 220; VDP::Samfunnsvitenskap: 200::Sosiologi: 220; Megaprosjekt; Snøhvit; Netto nåverdi; Inntjent verdi; STS

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tveiterås, K. (2012). På grensen til et eventyr : økonomisering av Snøhvit LNG . (Doctoral Dissertation). Universitetet i Tromsø. Retrieved from http://hdl.handle.net/10037/4299

Chicago Manual of Style (16th Edition):

Tveiterås, Kathrine. “På grensen til et eventyr : økonomisering av Snøhvit LNG .” 2012. Doctoral Dissertation, Universitetet i Tromsø. Accessed November 22, 2019. http://hdl.handle.net/10037/4299.

MLA Handbook (7th Edition):

Tveiterås, Kathrine. “På grensen til et eventyr : økonomisering av Snøhvit LNG .” 2012. Web. 22 Nov 2019.

Vancouver:

Tveiterås K. På grensen til et eventyr : økonomisering av Snøhvit LNG . [Internet] [Doctoral dissertation]. Universitetet i Tromsø 2012. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10037/4299.

Council of Science Editors:

Tveiterås K. På grensen til et eventyr : økonomisering av Snøhvit LNG . [Doctoral Dissertation]. Universitetet i Tromsø 2012. Available from: http://hdl.handle.net/10037/4299

30. Smith, Graham Allister. Requiem Mass as Concert Piece.

Degree: PhD, Music, 2016, York University

 This dissertation concerns the history and architecture of the requiem mass as a composition conceived and designed for concert performance. The overall academic format and… (more)

Subjects/Keywords: Music; Requiem Mass; Music Composition; Canadian Music; Mozart; Berlioz; Verdi; Britten; Absolute Music; Programme Music; History of the Mass

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smith, G. A. (2016). Requiem Mass as Concert Piece. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/32197

Chicago Manual of Style (16th Edition):

Smith, Graham Allister. “Requiem Mass as Concert Piece.” 2016. Doctoral Dissertation, York University. Accessed November 22, 2019. http://hdl.handle.net/10315/32197.

MLA Handbook (7th Edition):

Smith, Graham Allister. “Requiem Mass as Concert Piece.” 2016. Web. 22 Nov 2019.

Vancouver:

Smith GA. Requiem Mass as Concert Piece. [Internet] [Doctoral dissertation]. York University; 2016. [cited 2019 Nov 22]. Available from: http://hdl.handle.net/10315/32197.

Council of Science Editors:

Smith GA. Requiem Mass as Concert Piece. [Doctoral Dissertation]. York University; 2016. Available from: http://hdl.handle.net/10315/32197

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