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You searched for subject:(vaudeville). Showing records 1 – 30 of 41 total matches.

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Cornell University

1. Reynolds, Patrick. Brickbats And Jollification: Masked Coercion, Collusive Power, And Reciprocal Productivity In American Vaudeville .

Degree: 2009, Cornell University

 This project establishes the crucial role vaudeville played in the legal reforms, cultural evolution, and ideological development of American Progressivism. Spectators and vaudevillians frequently embraced… (more)

Subjects/Keywords: American Vaudeville

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APA (6th Edition):

Reynolds, P. (2009). Brickbats And Jollification: Masked Coercion, Collusive Power, And Reciprocal Productivity In American Vaudeville . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/13874

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Reynolds, Patrick. “Brickbats And Jollification: Masked Coercion, Collusive Power, And Reciprocal Productivity In American Vaudeville .” 2009. Thesis, Cornell University. Accessed October 19, 2019. http://hdl.handle.net/1813/13874.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Reynolds, Patrick. “Brickbats And Jollification: Masked Coercion, Collusive Power, And Reciprocal Productivity In American Vaudeville .” 2009. Web. 19 Oct 2019.

Vancouver:

Reynolds P. Brickbats And Jollification: Masked Coercion, Collusive Power, And Reciprocal Productivity In American Vaudeville . [Internet] [Thesis]. Cornell University; 2009. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/1813/13874.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Reynolds P. Brickbats And Jollification: Masked Coercion, Collusive Power, And Reciprocal Productivity In American Vaudeville . [Thesis]. Cornell University; 2009. Available from: http://hdl.handle.net/1813/13874

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Cleveland State University

2. Daniels, Robert McLane Knight. Murder at the Palace Theater.

Degree: Master of Fine Arts in Creative Writing, College of Liberal Arts and Social Sciences, 2018, Cleveland State University

 This play has come a long way. This play started off as a series of sketch scenes about an incompetent magician, his lovely assistant, and… (more)

Subjects/Keywords: Fine Arts; Vaudeville, murder mystery, satire, 1920s

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APA (6th Edition):

Daniels, R. M. K. (2018). Murder at the Palace Theater. (Masters Thesis). Cleveland State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=csu1525359384485044

Chicago Manual of Style (16th Edition):

Daniels, Robert McLane Knight. “Murder at the Palace Theater.” 2018. Masters Thesis, Cleveland State University. Accessed October 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=csu1525359384485044.

MLA Handbook (7th Edition):

Daniels, Robert McLane Knight. “Murder at the Palace Theater.” 2018. Web. 19 Oct 2019.

Vancouver:

Daniels RMK. Murder at the Palace Theater. [Internet] [Masters thesis]. Cleveland State University; 2018. [cited 2019 Oct 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=csu1525359384485044.

Council of Science Editors:

Daniels RMK. Murder at the Palace Theater. [Masters Thesis]. Cleveland State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=csu1525359384485044


University of Rochester

3. Casey, Kathleen B. (1981 - ). Cross-dressers and race-crossers : intersections of gender and race in American vaudeville, 1900-1930.

Degree: PhD, 2010, University of Rochester

 This dissertation examines four early twentieth-century American vaudeville performers, whose performances reflected the unstable and contradictory ways in which turn-of-the-century Americans envisioned themselves. Vaudeville attracted… (more)

Subjects/Keywords: Vaudeville; Impersonation; Cross-dress; Race; Gender; Performance

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APA (6th Edition):

Casey, K. B. (. -. ). (2010). Cross-dressers and race-crossers : intersections of gender and race in American vaudeville, 1900-1930. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/12700

Chicago Manual of Style (16th Edition):

Casey, Kathleen B (1981 - ). “Cross-dressers and race-crossers : intersections of gender and race in American vaudeville, 1900-1930.” 2010. Doctoral Dissertation, University of Rochester. Accessed October 19, 2019. http://hdl.handle.net/1802/12700.

MLA Handbook (7th Edition):

Casey, Kathleen B (1981 - ). “Cross-dressers and race-crossers : intersections of gender and race in American vaudeville, 1900-1930.” 2010. Web. 19 Oct 2019.

Vancouver:

Casey KB(-). Cross-dressers and race-crossers : intersections of gender and race in American vaudeville, 1900-1930. [Internet] [Doctoral dissertation]. University of Rochester; 2010. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/1802/12700.

Council of Science Editors:

Casey KB(-). Cross-dressers and race-crossers : intersections of gender and race in American vaudeville, 1900-1930. [Doctoral Dissertation]. University of Rochester; 2010. Available from: http://hdl.handle.net/1802/12700


University of Arizona

4. Bowie, Craig Brownell. A SURVEY OF DANCES AND DANCERS IN VAUDEVILLE.

Degree: 1984, University of Arizona

Subjects/Keywords: Dance; Dancers.; Vaudeville.

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APA (6th Edition):

Bowie, C. B. (1984). A SURVEY OF DANCES AND DANCERS IN VAUDEVILLE. (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/275206

Chicago Manual of Style (16th Edition):

Bowie, Craig Brownell. “A SURVEY OF DANCES AND DANCERS IN VAUDEVILLE. ” 1984. Masters Thesis, University of Arizona. Accessed October 19, 2019. http://hdl.handle.net/10150/275206.

MLA Handbook (7th Edition):

Bowie, Craig Brownell. “A SURVEY OF DANCES AND DANCERS IN VAUDEVILLE. ” 1984. Web. 19 Oct 2019.

Vancouver:

Bowie CB. A SURVEY OF DANCES AND DANCERS IN VAUDEVILLE. [Internet] [Masters thesis]. University of Arizona; 1984. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10150/275206.

Council of Science Editors:

Bowie CB. A SURVEY OF DANCES AND DANCERS IN VAUDEVILLE. [Masters Thesis]. University of Arizona; 1984. Available from: http://hdl.handle.net/10150/275206


Université Paris-Sorbonne – Paris IV

5. Scandarolli Inacio, Denise. Scènes négligées ou vaudeville, opéra-comique et la transformation du théâtre à Rio de Janeiro, dans les années 1840 : Forgotten scenes, or vaudeville, opéra-comique and the transformation of the theatre in Rio de Janeiro, of the 1840s.

Degree: Docteur es, Musicologie, 2013, Université Paris-Sorbonne – Paris IV

Dans les années 1840, deux troupes françaises sont arrivées à Rio de Janeiro, elles se sont installées dans les théâtres de la Cour où elles… (more)

Subjects/Keywords: Théâtre Français; Vaudeville; Opéra-Comique; Culture; Représentation; Rio de Janeiro; Histoire du Brésil; French Theatre; Vaudeville; Opéra-Comique; Culture; Representation; 780

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APA (6th Edition):

Scandarolli Inacio, D. (2013). Scènes négligées ou vaudeville, opéra-comique et la transformation du théâtre à Rio de Janeiro, dans les années 1840 : Forgotten scenes, or vaudeville, opéra-comique and the transformation of the theatre in Rio de Janeiro, of the 1840s. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2013PA040121

Chicago Manual of Style (16th Edition):

Scandarolli Inacio, Denise. “Scènes négligées ou vaudeville, opéra-comique et la transformation du théâtre à Rio de Janeiro, dans les années 1840 : Forgotten scenes, or vaudeville, opéra-comique and the transformation of the theatre in Rio de Janeiro, of the 1840s.” 2013. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed October 19, 2019. http://www.theses.fr/2013PA040121.

MLA Handbook (7th Edition):

Scandarolli Inacio, Denise. “Scènes négligées ou vaudeville, opéra-comique et la transformation du théâtre à Rio de Janeiro, dans les années 1840 : Forgotten scenes, or vaudeville, opéra-comique and the transformation of the theatre in Rio de Janeiro, of the 1840s.” 2013. Web. 19 Oct 2019.

Vancouver:

Scandarolli Inacio D. Scènes négligées ou vaudeville, opéra-comique et la transformation du théâtre à Rio de Janeiro, dans les années 1840 : Forgotten scenes, or vaudeville, opéra-comique and the transformation of the theatre in Rio de Janeiro, of the 1840s. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2013. [cited 2019 Oct 19]. Available from: http://www.theses.fr/2013PA040121.

Council of Science Editors:

Scandarolli Inacio D. Scènes négligées ou vaudeville, opéra-comique et la transformation du théâtre à Rio de Janeiro, dans les années 1840 : Forgotten scenes, or vaudeville, opéra-comique and the transformation of the theatre in Rio de Janeiro, of the 1840s. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2013. Available from: http://www.theses.fr/2013PA040121


Georgia State University

6. Dewberry, Eric. Jake Wells Enterprises and the Development of Urban Entertainments in the South, 1890-1925.

Degree: PhD, Communication, 2010, Georgia State University

  This dissertation explores the development of commercial entertainments and film exhibition in the urban South around the turn of the last century through the… (more)

Subjects/Keywords: Jake Wells; Cinema History; Vaudeville; Baseball; Popular Culture; Communication

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APA (6th Edition):

Dewberry, E. (2010). Jake Wells Enterprises and the Development of Urban Entertainments in the South, 1890-1925. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_diss/24

Chicago Manual of Style (16th Edition):

Dewberry, Eric. “Jake Wells Enterprises and the Development of Urban Entertainments in the South, 1890-1925.” 2010. Doctoral Dissertation, Georgia State University. Accessed October 19, 2019. https://scholarworks.gsu.edu/communication_diss/24.

MLA Handbook (7th Edition):

Dewberry, Eric. “Jake Wells Enterprises and the Development of Urban Entertainments in the South, 1890-1925.” 2010. Web. 19 Oct 2019.

Vancouver:

Dewberry E. Jake Wells Enterprises and the Development of Urban Entertainments in the South, 1890-1925. [Internet] [Doctoral dissertation]. Georgia State University; 2010. [cited 2019 Oct 19]. Available from: https://scholarworks.gsu.edu/communication_diss/24.

Council of Science Editors:

Dewberry E. Jake Wells Enterprises and the Development of Urban Entertainments in the South, 1890-1925. [Doctoral Dissertation]. Georgia State University; 2010. Available from: https://scholarworks.gsu.edu/communication_diss/24


University of Florida

7. Eberhart, Jovon R. Scenic design of Chicago : A Musical Vaudeville.

Degree: 2012, University of Florida

 This document details the process of executing the scenic design for Chicago: A Musical Vaudeville by Fred Ebb and Bob Fosse, produced by the University… (more)

Subjects/Keywords: Armor; Bedrooms; Jails; Rafting; Set design; Staircases; Storyboards; Theater; Turntables; Vaudeville

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APA (6th Edition):

Eberhart, J. R. (2012). Scenic design of Chicago : A Musical Vaudeville. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00011370

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Eberhart, Jovon R. “Scenic design of Chicago : A Musical Vaudeville.” 2012. Thesis, University of Florida. Accessed October 19, 2019. http://ufdc.ufl.edu/AA00011370.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Eberhart, Jovon R. “Scenic design of Chicago : A Musical Vaudeville.” 2012. Web. 19 Oct 2019.

Vancouver:

Eberhart JR. Scenic design of Chicago : A Musical Vaudeville. [Internet] [Thesis]. University of Florida; 2012. [cited 2019 Oct 19]. Available from: http://ufdc.ufl.edu/AA00011370.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Eberhart JR. Scenic design of Chicago : A Musical Vaudeville. [Thesis]. University of Florida; 2012. Available from: http://ufdc.ufl.edu/AA00011370

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Washington

8. Cacchione, Olivia. "Strange Interludes?": Carnivalesque Inversions and the Humorous Music of the Marx Brothers.

Degree: 2015, University of Washington

 The Marx Brothers are known as iconic comedians, and much of the literature on them focuses on the humorous content of their films. Many scholars… (more)

Subjects/Keywords: Film; Humor; Marx Brothers; Music; Vaudeville; Music; music

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APA (6th Edition):

Cacchione, O. (2015). "Strange Interludes?": Carnivalesque Inversions and the Humorous Music of the Marx Brothers. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/34081

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cacchione, Olivia. “"Strange Interludes?": Carnivalesque Inversions and the Humorous Music of the Marx Brothers.” 2015. Thesis, University of Washington. Accessed October 19, 2019. http://hdl.handle.net/1773/34081.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cacchione, Olivia. “"Strange Interludes?": Carnivalesque Inversions and the Humorous Music of the Marx Brothers.” 2015. Web. 19 Oct 2019.

Vancouver:

Cacchione O. "Strange Interludes?": Carnivalesque Inversions and the Humorous Music of the Marx Brothers. [Internet] [Thesis]. University of Washington; 2015. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/1773/34081.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cacchione O. "Strange Interludes?": Carnivalesque Inversions and the Humorous Music of the Marx Brothers. [Thesis]. University of Washington; 2015. Available from: http://hdl.handle.net/1773/34081

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

9. Boyle, Bridget C. Bits and bumps: Understanding gender in contemporary physical comedy.

Degree: 2015, Queensland University of Technology

 This study investigates how the gender of a performer affects the way they produce physical comedy in a theatrical context, framed through Kristeva's theory of… (more)

Subjects/Keywords: Phsyical comedy; Gender; Gendered bodies; Clown; Feminist humour; New vaudeville; ODTA

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APA (6th Edition):

Boyle, B. C. (2015). Bits and bumps: Understanding gender in contemporary physical comedy. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/83638/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Boyle, Bridget C. “Bits and bumps: Understanding gender in contemporary physical comedy.” 2015. Thesis, Queensland University of Technology. Accessed October 19, 2019. https://eprints.qut.edu.au/83638/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Boyle, Bridget C. “Bits and bumps: Understanding gender in contemporary physical comedy.” 2015. Web. 19 Oct 2019.

Vancouver:

Boyle BC. Bits and bumps: Understanding gender in contemporary physical comedy. [Internet] [Thesis]. Queensland University of Technology; 2015. [cited 2019 Oct 19]. Available from: https://eprints.qut.edu.au/83638/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boyle BC. Bits and bumps: Understanding gender in contemporary physical comedy. [Thesis]. Queensland University of Technology; 2015. Available from: https://eprints.qut.edu.au/83638/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade Estadual de Campinas

10. Inacio, Denise Scandarolli, 1982-. Cenas esquecidas ou Vaudeville, ópera-comique e a transformação do teatro no Rio de Janeiro, dos anos de 1840 = Scénes négligés ou Vaudeville, ópera-comique et la transformation du théâtre à Rio de Janeiro dnas les annéss 1840 .

Degree: 2013, Universidade Estadual de Campinas

 Resumo: Nos anos de 1840, chegaram ao Rio de Janeiro duas companhias francesas de teatro, se instalaram em teatros da corte e começaram a apresentar… (more)

Subjects/Keywords: Teatro francês; Vaudeville; Ópera - Rio de Janeiro (RJ); Cultura

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APA (6th Edition):

Inacio, Denise Scandarolli, 1. (2013). Cenas esquecidas ou Vaudeville, ópera-comique e a transformação do teatro no Rio de Janeiro, dos anos de 1840 = Scénes négligés ou Vaudeville, ópera-comique et la transformation du théâtre à Rio de Janeiro dnas les annéss 1840 . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/280278

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Inacio, Denise Scandarolli, 1982-. “Cenas esquecidas ou Vaudeville, ópera-comique e a transformação do teatro no Rio de Janeiro, dos anos de 1840 = Scénes négligés ou Vaudeville, ópera-comique et la transformation du théâtre à Rio de Janeiro dnas les annéss 1840 .” 2013. Thesis, Universidade Estadual de Campinas. Accessed October 19, 2019. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280278.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Inacio, Denise Scandarolli, 1982-. “Cenas esquecidas ou Vaudeville, ópera-comique e a transformação do teatro no Rio de Janeiro, dos anos de 1840 = Scénes négligés ou Vaudeville, ópera-comique et la transformation du théâtre à Rio de Janeiro dnas les annéss 1840 .” 2013. Web. 19 Oct 2019.

Vancouver:

Inacio, Denise Scandarolli 1. Cenas esquecidas ou Vaudeville, ópera-comique e a transformação do teatro no Rio de Janeiro, dos anos de 1840 = Scénes négligés ou Vaudeville, ópera-comique et la transformation du théâtre à Rio de Janeiro dnas les annéss 1840 . [Internet] [Thesis]. Universidade Estadual de Campinas; 2013. [cited 2019 Oct 19]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/280278.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Inacio, Denise Scandarolli 1. Cenas esquecidas ou Vaudeville, ópera-comique e a transformação do teatro no Rio de Janeiro, dos anos de 1840 = Scénes négligés ou Vaudeville, ópera-comique et la transformation du théâtre à Rio de Janeiro dnas les annéss 1840 . [Thesis]. Universidade Estadual de Campinas; 2013. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/280278

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat Politècnica de València

11. Sanjuan Mínguez, Ramón. La música en el primer cine de los hermanos Marx.

Degree: 2014, Universitat Politècnica de València

 Los estudios tradicionales sobre la música en el cine no han abordado de una forma exhaustiva la decisiva aportación de las músicas populares en la… (more)

Subjects/Keywords: Hermanos Marx; Música popular; Vaudeville; Análisis cinematográfico intertextual; Música cinematográfic

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sanjuan Mínguez, R. (2014). La música en el primer cine de los hermanos Marx. (Doctoral Dissertation). Universitat Politècnica de València. Retrieved from http://hdl.handle.net/10251/38861

Chicago Manual of Style (16th Edition):

Sanjuan Mínguez, Ramón. “La música en el primer cine de los hermanos Marx. ” 2014. Doctoral Dissertation, Universitat Politècnica de València. Accessed October 19, 2019. http://hdl.handle.net/10251/38861.

MLA Handbook (7th Edition):

Sanjuan Mínguez, Ramón. “La música en el primer cine de los hermanos Marx. ” 2014. Web. 19 Oct 2019.

Vancouver:

Sanjuan Mínguez R. La música en el primer cine de los hermanos Marx. [Internet] [Doctoral dissertation]. Universitat Politècnica de València; 2014. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10251/38861.

Council of Science Editors:

Sanjuan Mínguez R. La música en el primer cine de los hermanos Marx. [Doctoral Dissertation]. Universitat Politècnica de València; 2014. Available from: http://hdl.handle.net/10251/38861


San Jose State University

12. McEwan-Upright, Emily May. Walt Kuhn: From Spotlight to Studio, the Art of Show Business.

Degree: MA, Art and Art History, 2015, San Jose State University

  Walt Kuhn, an American artist born in New York, is often overlooked for his contribution to Modern American Art. Kuhn is typically recognized for… (more)

Subjects/Keywords: American Art; Modern Art; New York; Theatre; Vaudeville; Walt Kuhn

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APA (6th Edition):

McEwan-Upright, E. M. (2015). Walt Kuhn: From Spotlight to Studio, the Art of Show Business. (Masters Thesis). San Jose State University. Retrieved from https://doi.org/10.31979/etd.4eb2-tt9b ; https://scholarworks.sjsu.edu/etd_theses/4651

Chicago Manual of Style (16th Edition):

McEwan-Upright, Emily May. “Walt Kuhn: From Spotlight to Studio, the Art of Show Business.” 2015. Masters Thesis, San Jose State University. Accessed October 19, 2019. https://doi.org/10.31979/etd.4eb2-tt9b ; https://scholarworks.sjsu.edu/etd_theses/4651.

MLA Handbook (7th Edition):

McEwan-Upright, Emily May. “Walt Kuhn: From Spotlight to Studio, the Art of Show Business.” 2015. Web. 19 Oct 2019.

Vancouver:

McEwan-Upright EM. Walt Kuhn: From Spotlight to Studio, the Art of Show Business. [Internet] [Masters thesis]. San Jose State University; 2015. [cited 2019 Oct 19]. Available from: https://doi.org/10.31979/etd.4eb2-tt9b ; https://scholarworks.sjsu.edu/etd_theses/4651.

Council of Science Editors:

McEwan-Upright EM. Walt Kuhn: From Spotlight to Studio, the Art of Show Business. [Masters Thesis]. San Jose State University; 2015. Available from: https://doi.org/10.31979/etd.4eb2-tt9b ; https://scholarworks.sjsu.edu/etd_theses/4651


University of Kansas

13. Buckner, Jocelyn Louise. Shady Ladies: Sister Acts, Popular Performance, and the Subversion of American Identity.

Degree: PhD, Theatre, 2010, University of Kansas

 "Shady Ladies: Sister Acts, Popular Performance, and the Subversion of American Identity" is a project with two major components. First, it is a historical project… (more)

Subjects/Keywords: Theater – History; American studies; Performing arts; Drag; Gender; Popular performance; Race; Sister Act; Vaudeville

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Buckner, J. L. (2010). Shady Ladies: Sister Acts, Popular Performance, and the Subversion of American Identity. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/6412

Chicago Manual of Style (16th Edition):

Buckner, Jocelyn Louise. “Shady Ladies: Sister Acts, Popular Performance, and the Subversion of American Identity.” 2010. Doctoral Dissertation, University of Kansas. Accessed October 19, 2019. http://hdl.handle.net/1808/6412.

MLA Handbook (7th Edition):

Buckner, Jocelyn Louise. “Shady Ladies: Sister Acts, Popular Performance, and the Subversion of American Identity.” 2010. Web. 19 Oct 2019.

Vancouver:

Buckner JL. Shady Ladies: Sister Acts, Popular Performance, and the Subversion of American Identity. [Internet] [Doctoral dissertation]. University of Kansas; 2010. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/1808/6412.

Council of Science Editors:

Buckner JL. Shady Ladies: Sister Acts, Popular Performance, and the Subversion of American Identity. [Doctoral Dissertation]. University of Kansas; 2010. Available from: http://hdl.handle.net/1808/6412


University of Cincinnati

14. Wikoff, Brian W. Lines That Move: Winsor McCay's Work in Performance and Comics, 1900-1920.

Degree: MA, Design, Architecture, Art and Planning : Art History, 2009, University of Cincinnati

 This study argues for a multidisciplinary understanding of the work of Winsor McCay. It investigates the development and construction of the comic strip, identifying alternatives… (more)

Subjects/Keywords: Art History; Winsor McCay; comics; cartoonists; Dream of the Rarebit Fiend; vaudeville

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APA (6th Edition):

Wikoff, B. W. (2009). Lines That Move: Winsor McCay's Work in Performance and Comics, 1900-1920. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243357215

Chicago Manual of Style (16th Edition):

Wikoff, Brian W. “Lines That Move: Winsor McCay's Work in Performance and Comics, 1900-1920.” 2009. Masters Thesis, University of Cincinnati. Accessed October 19, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243357215.

MLA Handbook (7th Edition):

Wikoff, Brian W. “Lines That Move: Winsor McCay's Work in Performance and Comics, 1900-1920.” 2009. Web. 19 Oct 2019.

Vancouver:

Wikoff BW. Lines That Move: Winsor McCay's Work in Performance and Comics, 1900-1920. [Internet] [Masters thesis]. University of Cincinnati; 2009. [cited 2019 Oct 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243357215.

Council of Science Editors:

Wikoff BW. Lines That Move: Winsor McCay's Work in Performance and Comics, 1900-1920. [Masters Thesis]. University of Cincinnati; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243357215


Penn State University

15. Fyfe, David Allen. Commerce and Sociability in Small-Town America: explorations in historical GIScience.

Degree: PhD, Geography, 2008, Penn State University

 Small-towns around the turn of the twentieth century served as social, economic, and entertainment centers for the surrounding rural population and their Main Streets were… (more)

Subjects/Keywords: newspapers; hotels; small-town; historical GIS; historical geography; salesmen; vaudeville; central New York

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APA (6th Edition):

Fyfe, D. A. (2008). Commerce and Sociability in Small-Town America: explorations in historical GIScience. (Doctoral Dissertation). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/8264

Chicago Manual of Style (16th Edition):

Fyfe, David Allen. “Commerce and Sociability in Small-Town America: explorations in historical GIScience.” 2008. Doctoral Dissertation, Penn State University. Accessed October 19, 2019. https://etda.libraries.psu.edu/catalog/8264.

MLA Handbook (7th Edition):

Fyfe, David Allen. “Commerce and Sociability in Small-Town America: explorations in historical GIScience.” 2008. Web. 19 Oct 2019.

Vancouver:

Fyfe DA. Commerce and Sociability in Small-Town America: explorations in historical GIScience. [Internet] [Doctoral dissertation]. Penn State University; 2008. [cited 2019 Oct 19]. Available from: https://etda.libraries.psu.edu/catalog/8264.

Council of Science Editors:

Fyfe DA. Commerce and Sociability in Small-Town America: explorations in historical GIScience. [Doctoral Dissertation]. Penn State University; 2008. Available from: https://etda.libraries.psu.edu/catalog/8264


Louisiana State University

16. Tselebrovski, Alexander V. The history of Russian vaudeville from 1800 to 1850.

Degree: PhD, Theatre and Performance Studies, 2002, Louisiana State University

  There is no significant scholarly work on the history of the Russian vaudeville. The author of the dissertation makes an attempt to explore the… (more)

Subjects/Keywords: 19 century; vaudeville; Russian theatre; music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tselebrovski, A. V. (2002). The history of Russian vaudeville from 1800 to 1850. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-0130103-053846 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3876

Chicago Manual of Style (16th Edition):

Tselebrovski, Alexander V. “The history of Russian vaudeville from 1800 to 1850.” 2002. Doctoral Dissertation, Louisiana State University. Accessed October 19, 2019. etd-0130103-053846 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3876.

MLA Handbook (7th Edition):

Tselebrovski, Alexander V. “The history of Russian vaudeville from 1800 to 1850.” 2002. Web. 19 Oct 2019.

Vancouver:

Tselebrovski AV. The history of Russian vaudeville from 1800 to 1850. [Internet] [Doctoral dissertation]. Louisiana State University; 2002. [cited 2019 Oct 19]. Available from: etd-0130103-053846 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3876.

Council of Science Editors:

Tselebrovski AV. The history of Russian vaudeville from 1800 to 1850. [Doctoral Dissertation]. Louisiana State University; 2002. Available from: etd-0130103-053846 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3876


Louisiana State University

17. Kaufman, Sarah Wells. The Pasquale Amato correspondence at Louisiana State University.

Degree: MM, Music, 2009, Louisiana State University

 Italian baritone Pasquale Amato (1878-1942), who sang at the Metropolitan Opera in New York from 1908–1921, was regarded by critics and colleagues as a leading… (more)

Subjects/Keywords: Pasquale Amato; Geraldine Farrar; theater; Antonio Scotti; vaudeville; performance; concerts; Giulio Gatti-Casazza

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APA (6th Edition):

Kaufman, S. W. (2009). The Pasquale Amato correspondence at Louisiana State University. (Masters Thesis). Louisiana State University. Retrieved from etd-11112009-092220 ; https://digitalcommons.lsu.edu/gradschool_theses/835

Chicago Manual of Style (16th Edition):

Kaufman, Sarah Wells. “The Pasquale Amato correspondence at Louisiana State University.” 2009. Masters Thesis, Louisiana State University. Accessed October 19, 2019. etd-11112009-092220 ; https://digitalcommons.lsu.edu/gradschool_theses/835.

MLA Handbook (7th Edition):

Kaufman, Sarah Wells. “The Pasquale Amato correspondence at Louisiana State University.” 2009. Web. 19 Oct 2019.

Vancouver:

Kaufman SW. The Pasquale Amato correspondence at Louisiana State University. [Internet] [Masters thesis]. Louisiana State University; 2009. [cited 2019 Oct 19]. Available from: etd-11112009-092220 ; https://digitalcommons.lsu.edu/gradschool_theses/835.

Council of Science Editors:

Kaufman SW. The Pasquale Amato correspondence at Louisiana State University. [Masters Thesis]. Louisiana State University; 2009. Available from: etd-11112009-092220 ; https://digitalcommons.lsu.edu/gradschool_theses/835


Uniwersytet im. Adama Mickiewicza w Poznaniu

18. Mielcarek, Marta Dorota. Formy wodewilowe w teatrze polskim na początku XIX wieku .

Degree: 2018, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Praca doktorska Formy wodewilowe w teatrze polskim na początku XIX wieku jest pierwszą rozprawą na gruncie polskim, podejmującą próbę zdefiniowania formy teatralno-muzycznej wodewil, zarysowania jej… (more)

Subjects/Keywords: wodewil; vaudeville; teatr polski; Polish theatre; XIX wiek; XIX century; teatr muzyczny; music theatre

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APA (6th Edition):

Mielcarek, M. D. (2018). Formy wodewilowe w teatrze polskim na początku XIX wieku . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/23981

Chicago Manual of Style (16th Edition):

Mielcarek, Marta Dorota. “Formy wodewilowe w teatrze polskim na początku XIX wieku .” 2018. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed October 19, 2019. http://hdl.handle.net/10593/23981.

MLA Handbook (7th Edition):

Mielcarek, Marta Dorota. “Formy wodewilowe w teatrze polskim na początku XIX wieku .” 2018. Web. 19 Oct 2019.

Vancouver:

Mielcarek MD. Formy wodewilowe w teatrze polskim na początku XIX wieku . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2018. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10593/23981.

Council of Science Editors:

Mielcarek MD. Formy wodewilowe w teatrze polskim na początku XIX wieku . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2018. Available from: http://hdl.handle.net/10593/23981


University of New South Wales

19. Milner, Jessica R. The Mechanics of European Farce.

Degree: Drama : Faculty of Arts, 1971, University of New South Wales

 This thesis examines the mechanical comic techniques which are characteristic of farce as a dramatic forma in the European theatre. It briefly traces the origins… (more)

Subjects/Keywords: farce; history; European theatre; vaudeville; comedy

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APA (6th Edition):

Milner, J. R. (1971). The Mechanics of European Farce. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/17783 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:447/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Milner, Jessica R. “The Mechanics of European Farce.” 1971. Doctoral Dissertation, University of New South Wales. Accessed October 19, 2019. http://handle.unsw.edu.au/1959.4/17783 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:447/SOURCE01?view=true.

MLA Handbook (7th Edition):

Milner, Jessica R. “The Mechanics of European Farce.” 1971. Web. 19 Oct 2019.

Vancouver:

Milner JR. The Mechanics of European Farce. [Internet] [Doctoral dissertation]. University of New South Wales; 1971. [cited 2019 Oct 19]. Available from: http://handle.unsw.edu.au/1959.4/17783 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:447/SOURCE01?view=true.

Council of Science Editors:

Milner JR. The Mechanics of European Farce. [Doctoral Dissertation]. University of New South Wales; 1971. Available from: http://handle.unsw.edu.au/1959.4/17783 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:447/SOURCE01?view=true

20. Κίτσου, Σταματία. Χαρίτιον (P.Oxy. 413 recto) : Εισαγωγή - κείμενο και μετάφραση, ερμηνευτικό υπόμνημα.

Degree: 2014, University of Patras

Στόχος της μετά χείρας εργασίας είναι η παρουσίαση του Μίμου της Χαριτίου (εισαγωγή, κείμενο -κριτικό υπόμνημα, μετάφραση, ερμηνευτικό υπόμνημα) και η εστίαση στα προβλήματα που… (more)

Subjects/Keywords: Μίμος; Αυτοκρατορική περίοδος; Κωμωδία; Χαρίτιον; Ινδική γλώσσα; 882.02; Μime; Comedy; Imperial era; Charition; Indian dialect; Burlesque; Vaudeville; P.Oxy. 413 recto

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APA (6th Edition):

Κίτσου, . (2014). Χαρίτιον (P.Oxy. 413 recto) : Εισαγωγή - κείμενο και μετάφραση, ερμηνευτικό υπόμνημα. (Masters Thesis). University of Patras. Retrieved from http://hdl.handle.net/10889/7656

Chicago Manual of Style (16th Edition):

Κίτσου, Σταματία. “Χαρίτιον (P.Oxy. 413 recto) : Εισαγωγή - κείμενο και μετάφραση, ερμηνευτικό υπόμνημα.” 2014. Masters Thesis, University of Patras. Accessed October 19, 2019. http://hdl.handle.net/10889/7656.

MLA Handbook (7th Edition):

Κίτσου, Σταματία. “Χαρίτιον (P.Oxy. 413 recto) : Εισαγωγή - κείμενο και μετάφραση, ερμηνευτικό υπόμνημα.” 2014. Web. 19 Oct 2019.

Vancouver:

Κίτσου . Χαρίτιον (P.Oxy. 413 recto) : Εισαγωγή - κείμενο και μετάφραση, ερμηνευτικό υπόμνημα. [Internet] [Masters thesis]. University of Patras; 2014. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10889/7656.

Council of Science Editors:

Κίτσου . Χαρίτιον (P.Oxy. 413 recto) : Εισαγωγή - κείμενο και μετάφραση, ερμηνευτικό υπόμνημα. [Masters Thesis]. University of Patras; 2014. Available from: http://hdl.handle.net/10889/7656


Université Catholique de Louvain

21. Wattier, Blanche. Jules Verne et le théâtre : le Tour du monde en 80 jours : jeu avec les codes esthétiques, enjeu de légitimation littéraire.

Degree: 2017, Université Catholique de Louvain

Ce travail étudie le théâtre de Jules Verne à partir de l’analyse du Tour du monde en 80 jours, pièce en cinq actes et un… (more)

Subjects/Keywords: Jules Verne – théâtre du XIXe siècle – Le Tour du monde en 80 jours – féerie – fantaisie – fantastique - légitimation littéraire - vaudeville – mélodrame.

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APA (6th Edition):

Wattier, B. (2017). Jules Verne et le théâtre : le Tour du monde en 80 jours : jeu avec les codes esthétiques, enjeu de légitimation littéraire. (Thesis). Université Catholique de Louvain. Retrieved from http://hdl.handle.net/2078.1/thesis:10176

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wattier, Blanche. “Jules Verne et le théâtre : le Tour du monde en 80 jours : jeu avec les codes esthétiques, enjeu de légitimation littéraire.” 2017. Thesis, Université Catholique de Louvain. Accessed October 19, 2019. http://hdl.handle.net/2078.1/thesis:10176.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wattier, Blanche. “Jules Verne et le théâtre : le Tour du monde en 80 jours : jeu avec les codes esthétiques, enjeu de légitimation littéraire.” 2017. Web. 19 Oct 2019.

Vancouver:

Wattier B. Jules Verne et le théâtre : le Tour du monde en 80 jours : jeu avec les codes esthétiques, enjeu de légitimation littéraire. [Internet] [Thesis]. Université Catholique de Louvain; 2017. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/2078.1/thesis:10176.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wattier B. Jules Verne et le théâtre : le Tour du monde en 80 jours : jeu avec les codes esthétiques, enjeu de légitimation littéraire. [Thesis]. Université Catholique de Louvain; 2017. Available from: http://hdl.handle.net/2078.1/thesis:10176

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

22. Holloway, Marilyn June. Romancing the vernacular : Sammy Cahn and the enactment of request.

Degree: 2016, University of South Africa

 The lyrics of Sammy Cahn played a dominant role in shaping the Golden Age of American light music. He remains the most successful lyricist in… (more)

Subjects/Keywords: Sammy Cahn; Vitaphone; Vernacular; Vaudeville; Parody; Jule Styne; Jimmy van Heusen; Frank Sinatra; Song lyrics; Rhyme

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Holloway, M. J. (2016). Romancing the vernacular : Sammy Cahn and the enactment of request. (Doctoral Dissertation). University of South Africa. Retrieved from http://hdl.handle.net/10500/21897

Chicago Manual of Style (16th Edition):

Holloway, Marilyn June. “Romancing the vernacular : Sammy Cahn and the enactment of request.” 2016. Doctoral Dissertation, University of South Africa. Accessed October 19, 2019. http://hdl.handle.net/10500/21897.

MLA Handbook (7th Edition):

Holloway, Marilyn June. “Romancing the vernacular : Sammy Cahn and the enactment of request.” 2016. Web. 19 Oct 2019.

Vancouver:

Holloway MJ. Romancing the vernacular : Sammy Cahn and the enactment of request. [Internet] [Doctoral dissertation]. University of South Africa; 2016. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10500/21897.

Council of Science Editors:

Holloway MJ. Romancing the vernacular : Sammy Cahn and the enactment of request. [Doctoral Dissertation]. University of South Africa; 2016. Available from: http://hdl.handle.net/10500/21897

23. Bento, Rogério Amaral. Processo e criação de uma performance teatral : "Os Silva".

Degree: 2014, RCAAP

Cada vez mais a pluralidade artística num processo e no seu produto final é apontada como referência pelos mais variados artistas. A performance é cada… (more)

Subjects/Keywords: Performance; Burlesco; Corpo e Movimento; Dramaturgia; Ator/Performer; Animação Teatral; Performance; Vaudeville; Body and Movement; Dramaturgy; Actor/Performer; Theater

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APA (6th Edition):

Bento, R. A. (2014). Processo e criação de uma performance teatral : "Os Silva". (Thesis). RCAAP. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipv.pt:10400.19/2244

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bento, Rogério Amaral. “Processo e criação de uma performance teatral : "Os Silva".” 2014. Thesis, RCAAP. Accessed October 19, 2019. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipv.pt:10400.19/2244.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bento, Rogério Amaral. “Processo e criação de uma performance teatral : "Os Silva".” 2014. Web. 19 Oct 2019.

Vancouver:

Bento RA. Processo e criação de uma performance teatral : "Os Silva". [Internet] [Thesis]. RCAAP; 2014. [cited 2019 Oct 19]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipv.pt:10400.19/2244.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bento RA. Processo e criação de uma performance teatral : "Os Silva". [Thesis]. RCAAP; 2014. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipv.pt:10400.19/2244

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Claremont Graduate University

24. Hauser, Mark. Vaudeville, Popular Entertainment and Cultural Division in the Inland Empire, 1880-1914.

Degree: MA (History), School of Arts and Humanities, 2013, Claremont Graduate University

  This paper discusses the emergence of vaudeville in California’s Inland Empire region of San Bernardino and Riverside counties. It will consider the social changes… (more)

Subjects/Keywords: Vaudeville - United States - History; Inland Empire (Calif.); American Popular Culture; Cultural History; Theatre History; United States History

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APA (6th Edition):

Hauser, M. (2013). Vaudeville, Popular Entertainment and Cultural Division in the Inland Empire, 1880-1914. (Masters Thesis). Claremont Graduate University. Retrieved from https://scholarship.claremont.edu/cgu_etd/78

Chicago Manual of Style (16th Edition):

Hauser, Mark. “Vaudeville, Popular Entertainment and Cultural Division in the Inland Empire, 1880-1914.” 2013. Masters Thesis, Claremont Graduate University. Accessed October 19, 2019. https://scholarship.claremont.edu/cgu_etd/78.

MLA Handbook (7th Edition):

Hauser, Mark. “Vaudeville, Popular Entertainment and Cultural Division in the Inland Empire, 1880-1914.” 2013. Web. 19 Oct 2019.

Vancouver:

Hauser M. Vaudeville, Popular Entertainment and Cultural Division in the Inland Empire, 1880-1914. [Internet] [Masters thesis]. Claremont Graduate University; 2013. [cited 2019 Oct 19]. Available from: https://scholarship.claremont.edu/cgu_etd/78.

Council of Science Editors:

Hauser M. Vaudeville, Popular Entertainment and Cultural Division in the Inland Empire, 1880-1914. [Masters Thesis]. Claremont Graduate University; 2013. Available from: https://scholarship.claremont.edu/cgu_etd/78

25. Mele Ballesteros, Irene. Elena Jordi y el Mito de Thais.

Degree: MA, Hispanic Literatures & Linguistics, 2013, U of Massachusetts : Masters

  This thesis studies the impact of the work of Elena Jordi during the first Spanish avant-garde period (1890-1920) and the relationship between the myth… (more)

Subjects/Keywords: Elena Jordi; Women’s cinema; Catalan cinema; vaudeville theatre; avant-garde cinema; Myth of Thais; Other Film and Media Studies; Other Theatre and Performance Studies; Spanish Literature; Women's Studies

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APA (6th Edition):

Mele Ballesteros, I. (2013). Elena Jordi y el Mito de Thais. (Masters Thesis). U of Massachusetts : Masters. Retrieved from http://scholarworks.umass.edu/theses/1138

Chicago Manual of Style (16th Edition):

Mele Ballesteros, Irene. “Elena Jordi y el Mito de Thais.” 2013. Masters Thesis, U of Massachusetts : Masters. Accessed October 19, 2019. http://scholarworks.umass.edu/theses/1138.

MLA Handbook (7th Edition):

Mele Ballesteros, Irene. “Elena Jordi y el Mito de Thais.” 2013. Web. 19 Oct 2019.

Vancouver:

Mele Ballesteros I. Elena Jordi y el Mito de Thais. [Internet] [Masters thesis]. U of Massachusetts : Masters; 2013. [cited 2019 Oct 19]. Available from: http://scholarworks.umass.edu/theses/1138.

Council of Science Editors:

Mele Ballesteros I. Elena Jordi y el Mito de Thais. [Masters Thesis]. U of Massachusetts : Masters; 2013. Available from: http://scholarworks.umass.edu/theses/1138

26. Smith, Amanda Kate. The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly.

Degree: MM, Music, 2013, University of Wisconsin – Milwaukee

  In this study, the Kingston Trio's 1958 recording of "Tom Dooley" is used as a starting point to explore the recording industry's commercialization of… (more)

Subjects/Keywords: Folk; Minstrelsy; Recording; Tom Dooley; Vaudeville; Vernacular; Music

…Blues added to the discussion of blues. From Traveling Show to Vaudeville: Theatrical… …explaining the presence of African American vernacular traditions in vaudeville. Gillian Rodger’s… …made popular by black and white female vaudeville singers around the turn of the twentieth… …1880s vaudeville. 5 In my discussion of Smith, I show that her recording… …consider the role of vaudeville and ragtime in perpetuating these stereotypes before considering… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smith, A. K. (2013). The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/162

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Amanda Kate. “The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly.” 2013. Thesis, University of Wisconsin – Milwaukee. Accessed October 19, 2019. https://dc.uwm.edu/etd/162.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Amanda Kate. “The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly.” 2013. Web. 19 Oct 2019.

Vancouver:

Smith AK. The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2013. [cited 2019 Oct 19]. Available from: https://dc.uwm.edu/etd/162.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith AK. The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly. [Thesis]. University of Wisconsin – Milwaukee; 2013. Available from: https://dc.uwm.edu/etd/162

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Goodman, Edward. Summary of Dissertation Recitals Three Programs of Saxophone Music.

Degree: AMU, Music: Performance, 2016, University of Michigan

 In fulfillment of my doctorate, I chose the following recitals in order to expand my scope as an artist within electronic music, chamber music, and… (more)

Subjects/Keywords: Three saxophone recitals were given in lieu of a written dissertation that explored electronic music, chamber music, and early vaudeville music.; Music and Dance; Arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Goodman, E. (2016). Summary of Dissertation Recitals Three Programs of Saxophone Music. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/133293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Goodman, Edward. “Summary of Dissertation Recitals Three Programs of Saxophone Music.” 2016. Thesis, University of Michigan. Accessed October 19, 2019. http://hdl.handle.net/2027.42/133293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Goodman, Edward. “Summary of Dissertation Recitals Three Programs of Saxophone Music.” 2016. Web. 19 Oct 2019.

Vancouver:

Goodman E. Summary of Dissertation Recitals Three Programs of Saxophone Music. [Internet] [Thesis]. University of Michigan; 2016. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/2027.42/133293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goodman E. Summary of Dissertation Recitals Three Programs of Saxophone Music. [Thesis]. University of Michigan; 2016. Available from: http://hdl.handle.net/2027.42/133293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

28. McDonnell, Cari Elizabeth. Genre in context : toward a reexamination of the film musical in classical Hollywood.

Degree: PhD, Music, 2015, University of Texas – Austin

 Though no single history of the Hollywood musical exists as such, a historical narrative nevertheless emerges from the extensive body of scholarly work on the… (more)

Subjects/Keywords: Film history; Genre theory; Musical; Classical Hollywood; Studio era; Film music; Paramount Pictures; Bob Hope; Bing Crosby; Vaudeville; Road film; Republic Pictures; Gene Autry; Singing Cowboy; Disney; Animation; 1940s; 1950s

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McDonnell, C. E. (2015). Genre in context : toward a reexamination of the film musical in classical Hollywood. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/47017

Chicago Manual of Style (16th Edition):

McDonnell, Cari Elizabeth. “Genre in context : toward a reexamination of the film musical in classical Hollywood.” 2015. Doctoral Dissertation, University of Texas – Austin. Accessed October 19, 2019. http://hdl.handle.net/2152/47017.

MLA Handbook (7th Edition):

McDonnell, Cari Elizabeth. “Genre in context : toward a reexamination of the film musical in classical Hollywood.” 2015. Web. 19 Oct 2019.

Vancouver:

McDonnell CE. Genre in context : toward a reexamination of the film musical in classical Hollywood. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2015. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/2152/47017.

Council of Science Editors:

McDonnell CE. Genre in context : toward a reexamination of the film musical in classical Hollywood. [Doctoral Dissertation]. University of Texas – Austin; 2015. Available from: http://hdl.handle.net/2152/47017

29. Κωστογιαννόπουλος, Κωνσταντίνος. Από το vaudeville στο theatre de Boulevard: πτυχές του έρωτα στον δραματικό λόγο του Sacha Guitry.

Degree: 2011, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

 L’auteur dramatique Sacha Guitry (1885-1957) marque la dramaturgiecomique de la France. Il accepte l’influence du vaudeville et, en intégrant dans sonoeuvre la majorité des thèmes… (more)

Subjects/Keywords: Σασά Γκιτρύ; Βωντβίλ; Βουλεβάρτο; Κωμωδία; Πτυχές του έρωτα; Γάμος; Απιστία; Ζήλια; Ψέμα; Ηθοπλάστης; Μισογυνισμός; Σημειολογική ανάγνωση; Sacha Guitry; Vaudeville; Theatre de Boulevard; Comedie; Aspects de l' amour; Mariage; Infidelite; Jalousie; Mensonge; Moraliste; Misogynie; Approche semiologique

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Κωστογιαννόπουλος, . . (2011). Από το vaudeville στο theatre de Boulevard: πτυχές του έρωτα στον δραματικό λόγο του Sacha Guitry. (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/31628

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Κωστογιαννόπουλος, Κωνσταντίνος. “Από το vaudeville στο theatre de Boulevard: πτυχές του έρωτα στον δραματικό λόγο του Sacha Guitry.” 2011. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed October 19, 2019. http://hdl.handle.net/10442/hedi/31628.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Κωστογιαννόπουλος, Κωνσταντίνος. “Από το vaudeville στο theatre de Boulevard: πτυχές του έρωτα στον δραματικό λόγο του Sacha Guitry.” 2011. Web. 19 Oct 2019.

Vancouver:

Κωστογιαννόπουλος . Από το vaudeville στο theatre de Boulevard: πτυχές του έρωτα στον δραματικό λόγο του Sacha Guitry. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2011. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10442/hedi/31628.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Κωστογιαννόπουλος . Από το vaudeville στο theatre de Boulevard: πτυχές του έρωτα στον δραματικό λόγο του Sacha Guitry. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2011. Available from: http://hdl.handle.net/10442/hedi/31628

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


East Tennessee State University

30. Williams, Carl Glenwood. No Sleep 'til Minsky's: A One-Man Tribute to Burlesque and Vaudeville.

Degree: MA, Communication, Professional, 2007, East Tennessee State University

  No Sleep '˜Til Minsky's is a one-man show paying tribute to early 20th century variety entertainment. The writing process began with research into the… (more)

Subjects/Keywords: burlesque; theatre; performance; vaudeville; variety; comedy; Arts and Humanities; Performance Studies; Theatre and Performance Studies; Theatre History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Williams, C. G. (2007). No Sleep 'til Minsky's: A One-Man Tribute to Burlesque and Vaudeville. (Masters Thesis). East Tennessee State University. Retrieved from https://dc.etsu.edu/etd/2099

Chicago Manual of Style (16th Edition):

Williams, Carl Glenwood. “No Sleep 'til Minsky's: A One-Man Tribute to Burlesque and Vaudeville.” 2007. Masters Thesis, East Tennessee State University. Accessed October 19, 2019. https://dc.etsu.edu/etd/2099.

MLA Handbook (7th Edition):

Williams, Carl Glenwood. “No Sleep 'til Minsky's: A One-Man Tribute to Burlesque and Vaudeville.” 2007. Web. 19 Oct 2019.

Vancouver:

Williams CG. No Sleep 'til Minsky's: A One-Man Tribute to Burlesque and Vaudeville. [Internet] [Masters thesis]. East Tennessee State University; 2007. [cited 2019 Oct 19]. Available from: https://dc.etsu.edu/etd/2099.

Council of Science Editors:

Williams CG. No Sleep 'til Minsky's: A One-Man Tribute to Burlesque and Vaudeville. [Masters Thesis]. East Tennessee State University; 2007. Available from: https://dc.etsu.edu/etd/2099

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