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You searched for subject:(trickery). Showing records 1 – 10 of 10 total matches.

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University of New South Wales

1. Courtney, Hannah. Narrative Trickery: Fiction, Truth, and Authorial Subterfuge.

Degree: Arts and Media, 2015, University of New South Wales

 Readers often have passionate responses (both positive and negative) to books that first manipulate them into believing a seeming ‘truth’ about the narrative only to… (more)

Subjects/Keywords: Hoax; Narrative; Trickery; Narrative trickery; Ian McEwan; John Fowles; William Goldman; Helen Demidenko; Reader response; Memoir

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APA (6th Edition):

Courtney, H. (2015). Narrative Trickery: Fiction, Truth, and Authorial Subterfuge. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/55557 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:38035/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Courtney, Hannah. “Narrative Trickery: Fiction, Truth, and Authorial Subterfuge.” 2015. Doctoral Dissertation, University of New South Wales. Accessed January 26, 2020. http://handle.unsw.edu.au/1959.4/55557 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:38035/SOURCE02?view=true.

MLA Handbook (7th Edition):

Courtney, Hannah. “Narrative Trickery: Fiction, Truth, and Authorial Subterfuge.” 2015. Web. 26 Jan 2020.

Vancouver:

Courtney H. Narrative Trickery: Fiction, Truth, and Authorial Subterfuge. [Internet] [Doctoral dissertation]. University of New South Wales; 2015. [cited 2020 Jan 26]. Available from: http://handle.unsw.edu.au/1959.4/55557 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:38035/SOURCE02?view=true.

Council of Science Editors:

Courtney H. Narrative Trickery: Fiction, Truth, and Authorial Subterfuge. [Doctoral Dissertation]. University of New South Wales; 2015. Available from: http://handle.unsw.edu.au/1959.4/55557 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:38035/SOURCE02?view=true

2. Seddik, Houssein. L'Art de la Ruse. Etude lexicale, rhétorique et dramaturgique de la ruse dans les comédies de Molière : The Art of Trickery. Lexical, Rhetorical and Dramaturgical Study of Trickery in Moliere’s Comedies.

Degree: Docteur es, Theatre et arts du spectacle, 2009, Université Sorbonne Nouvelle – Paris III

La particularité de la conduite de ruse, caractérisée par une diversité étonnante des domaines où elle se manifeste et s’applique, fait de ce phénomène d’intelligence… (more)

Subjects/Keywords: Ruse; Éthique; Persuasion; Passion; Séduction; Virtuosité; Théâtralisation; Trickery; Ethics; Persuasion; Passion; Seduction; Virtuosity; Theatralization

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APA (6th Edition):

Seddik, H. (2009). L'Art de la Ruse. Etude lexicale, rhétorique et dramaturgique de la ruse dans les comédies de Molière : The Art of Trickery. Lexical, Rhetorical and Dramaturgical Study of Trickery in Moliere’s Comedies. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2009PA030101

Chicago Manual of Style (16th Edition):

Seddik, Houssein. “L'Art de la Ruse. Etude lexicale, rhétorique et dramaturgique de la ruse dans les comédies de Molière : The Art of Trickery. Lexical, Rhetorical and Dramaturgical Study of Trickery in Moliere’s Comedies.” 2009. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed January 26, 2020. http://www.theses.fr/2009PA030101.

MLA Handbook (7th Edition):

Seddik, Houssein. “L'Art de la Ruse. Etude lexicale, rhétorique et dramaturgique de la ruse dans les comédies de Molière : The Art of Trickery. Lexical, Rhetorical and Dramaturgical Study of Trickery in Moliere’s Comedies.” 2009. Web. 26 Jan 2020.

Vancouver:

Seddik H. L'Art de la Ruse. Etude lexicale, rhétorique et dramaturgique de la ruse dans les comédies de Molière : The Art of Trickery. Lexical, Rhetorical and Dramaturgical Study of Trickery in Moliere’s Comedies. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2009. [cited 2020 Jan 26]. Available from: http://www.theses.fr/2009PA030101.

Council of Science Editors:

Seddik H. L'Art de la Ruse. Etude lexicale, rhétorique et dramaturgique de la ruse dans les comédies de Molière : The Art of Trickery. Lexical, Rhetorical and Dramaturgical Study of Trickery in Moliere’s Comedies. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2009. Available from: http://www.theses.fr/2009PA030101


University of Florida

3. Mahroug, Farrah. Theorie Et Representation De La Supercherie Dans Mystification Ou Histoire Des Portraits De Denis Diderot.

Degree: MA, French and Francophone Studies - Language, Literature and Culture, 2016, University of Florida

Subjects/Keywords: 18thcentury; laugh; literature; portrait; tale; trickery; women

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mahroug, F. (2016). Theorie Et Representation De La Supercherie Dans Mystification Ou Histoire Des Portraits De Denis Diderot. (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0050477

Chicago Manual of Style (16th Edition):

Mahroug, Farrah. “Theorie Et Representation De La Supercherie Dans Mystification Ou Histoire Des Portraits De Denis Diderot.” 2016. Masters Thesis, University of Florida. Accessed January 26, 2020. http://ufdc.ufl.edu/UFE0050477.

MLA Handbook (7th Edition):

Mahroug, Farrah. “Theorie Et Representation De La Supercherie Dans Mystification Ou Histoire Des Portraits De Denis Diderot.” 2016. Web. 26 Jan 2020.

Vancouver:

Mahroug F. Theorie Et Representation De La Supercherie Dans Mystification Ou Histoire Des Portraits De Denis Diderot. [Internet] [Masters thesis]. University of Florida; 2016. [cited 2020 Jan 26]. Available from: http://ufdc.ufl.edu/UFE0050477.

Council of Science Editors:

Mahroug F. Theorie Et Representation De La Supercherie Dans Mystification Ou Histoire Des Portraits De Denis Diderot. [Masters Thesis]. University of Florida; 2016. Available from: http://ufdc.ufl.edu/UFE0050477

4. De Guido, Cédric. Marcel Schwob, « un journaliste de l’espèce rare » : Marcel Schwob.

Degree: Docteur es, Lettres et arts, 2014, Université Lumière – Lyon II

L’intégralité des textes de Marcel Schwob a d’abord paru en journaux. On se propose d’étudier l’influence de cette « matrice » journalistique, avec ses fortes… (more)

Subjects/Keywords: Dix-neuvième siècle; Presse et littérature; Marcel Schwob; Érudition; Mystification; Nineteenth century; Literature and journalism; Marcel Schwob; Knowledge and trickery

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APA (6th Edition):

De Guido, C. (2014). Marcel Schwob, « un journaliste de l’espèce rare » : Marcel Schwob. (Doctoral Dissertation). Université Lumière – Lyon II. Retrieved from http://www.theses.fr/2014LYO20008

Chicago Manual of Style (16th Edition):

De Guido, Cédric. “Marcel Schwob, « un journaliste de l’espèce rare » : Marcel Schwob.” 2014. Doctoral Dissertation, Université Lumière – Lyon II. Accessed January 26, 2020. http://www.theses.fr/2014LYO20008.

MLA Handbook (7th Edition):

De Guido, Cédric. “Marcel Schwob, « un journaliste de l’espèce rare » : Marcel Schwob.” 2014. Web. 26 Jan 2020.

Vancouver:

De Guido C. Marcel Schwob, « un journaliste de l’espèce rare » : Marcel Schwob. [Internet] [Doctoral dissertation]. Université Lumière – Lyon II; 2014. [cited 2020 Jan 26]. Available from: http://www.theses.fr/2014LYO20008.

Council of Science Editors:

De Guido C. Marcel Schwob, « un journaliste de l’espèce rare » : Marcel Schwob. [Doctoral Dissertation]. Université Lumière – Lyon II; 2014. Available from: http://www.theses.fr/2014LYO20008


Pontifical Catholic University of Rio de Janeiro

5. RAFAEL BARRETO PINTO. [en] VOU FINGINDO QUE SOU RICO PRA NINGUÉM ZOMBAR DE MIM: THE ROGUE IN THE LYRICS OF THE SAMBA BY NOEL ROSA WITH THE HUMOR BIAS.

Degree: 2016, Pontifical Catholic University of Rio de Janeiro

[pt] Este trabalho pretende demonstrar a importância das letras compostas por Noel Rosa para a cultura carioca e brasileira. As letras destes sambas, recheadas de… (more)

Subjects/Keywords: [pt] CULTURA; [en] CULTURE; [pt] HUMOR; [en] HUMOR; [pt] ARISTOCRACIA; [en] ARISTOCRACY; [pt] SAMBA; [en] SAMBA; [pt] MALANDRAGEM; [en] TRICKERY

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APA (6th Edition):

PINTO, R. B. (2016). [en] VOU FINGINDO QUE SOU RICO PRA NINGUÉM ZOMBAR DE MIM: THE ROGUE IN THE LYRICS OF THE SAMBA BY NOEL ROSA WITH THE HUMOR BIAS. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

PINTO, RAFAEL BARRETO. “[en] VOU FINGINDO QUE SOU RICO PRA NINGUÉM ZOMBAR DE MIM: THE ROGUE IN THE LYRICS OF THE SAMBA BY NOEL ROSA WITH THE HUMOR BIAS.” 2016. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed January 26, 2020. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

PINTO, RAFAEL BARRETO. “[en] VOU FINGINDO QUE SOU RICO PRA NINGUÉM ZOMBAR DE MIM: THE ROGUE IN THE LYRICS OF THE SAMBA BY NOEL ROSA WITH THE HUMOR BIAS.” 2016. Web. 26 Jan 2020.

Vancouver:

PINTO RB. [en] VOU FINGINDO QUE SOU RICO PRA NINGUÉM ZOMBAR DE MIM: THE ROGUE IN THE LYRICS OF THE SAMBA BY NOEL ROSA WITH THE HUMOR BIAS. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2016. [cited 2020 Jan 26]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

PINTO RB. [en] VOU FINGINDO QUE SOU RICO PRA NINGUÉM ZOMBAR DE MIM: THE ROGUE IN THE LYRICS OF THE SAMBA BY NOEL ROSA WITH THE HUMOR BIAS. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2016. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

6. ANA PAULA SILVA DE OLIVEIRA. [en] GOOD NIGHT FOR THOSE WHO ARE UP FOR IT: THE PATHS OF THE TRICKSTER IN THE SUNG POINTS OF UMBANDA.

Degree: 2018, Pontifical Catholic University of Rio de Janeiro

[pt] A Umbanda é uma religião afro-brasileira, na qual ocorre a manifestação de espíritos por meio do transe. Durante as giras, essas energias são evocadas… (more)

Subjects/Keywords: [pt] RIO DE JANEIRO; [en] RIO DE JANEIRO; [pt] UMBANDA; [en] UMBANDA; [pt] MALANDRAGEM; [en] TRICKERY; [pt] RELIGIAO AFRO-BRASILEIRA; [en] AFRO-BRAZILIAN RELIGION; [pt] PONTOS CANTADOS; [en] SUNG POINTS

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APA (6th Edition):

OLIVEIRA, A. P. S. D. (2018). [en] GOOD NIGHT FOR THOSE WHO ARE UP FOR IT: THE PATHS OF THE TRICKSTER IN THE SUNG POINTS OF UMBANDA. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34820

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

OLIVEIRA, ANA PAULA SILVA DE. “[en] GOOD NIGHT FOR THOSE WHO ARE UP FOR IT: THE PATHS OF THE TRICKSTER IN THE SUNG POINTS OF UMBANDA.” 2018. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed January 26, 2020. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34820.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

OLIVEIRA, ANA PAULA SILVA DE. “[en] GOOD NIGHT FOR THOSE WHO ARE UP FOR IT: THE PATHS OF THE TRICKSTER IN THE SUNG POINTS OF UMBANDA.” 2018. Web. 26 Jan 2020.

Vancouver:

OLIVEIRA APSD. [en] GOOD NIGHT FOR THOSE WHO ARE UP FOR IT: THE PATHS OF THE TRICKSTER IN THE SUNG POINTS OF UMBANDA. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. [cited 2020 Jan 26]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34820.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

OLIVEIRA APSD. [en] GOOD NIGHT FOR THOSE WHO ARE UP FOR IT: THE PATHS OF THE TRICKSTER IN THE SUNG POINTS OF UMBANDA. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34820

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vanderbilt University

7. Cunningham, Sarah Bainter. The Compass of Reason: Intellectual Interest in the Beautiful as a Mode of Orientation.

Degree: PhD, Philosophy, 2004, Vanderbilt University

 Kantâs Critique of Judgment discusses reflective judgment as a faculty that mediates the concept of nature and freedom. The dissertation provides a detailed exploration of… (more)

Subjects/Keywords: orientation; freedom; trickery; art; poetry; judgment; intellectual interest; Kant; aesthetics

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APA (6th Edition):

Cunningham, S. B. (2004). The Compass of Reason: Intellectual Interest in the Beautiful as a Mode of Orientation. (Doctoral Dissertation). Vanderbilt University. Retrieved from http://etd.library.vanderbilt.edu/available/etd-11272004-172937/ ;

Chicago Manual of Style (16th Edition):

Cunningham, Sarah Bainter. “The Compass of Reason: Intellectual Interest in the Beautiful as a Mode of Orientation.” 2004. Doctoral Dissertation, Vanderbilt University. Accessed January 26, 2020. http://etd.library.vanderbilt.edu/available/etd-11272004-172937/ ;.

MLA Handbook (7th Edition):

Cunningham, Sarah Bainter. “The Compass of Reason: Intellectual Interest in the Beautiful as a Mode of Orientation.” 2004. Web. 26 Jan 2020.

Vancouver:

Cunningham SB. The Compass of Reason: Intellectual Interest in the Beautiful as a Mode of Orientation. [Internet] [Doctoral dissertation]. Vanderbilt University; 2004. [cited 2020 Jan 26]. Available from: http://etd.library.vanderbilt.edu/available/etd-11272004-172937/ ;.

Council of Science Editors:

Cunningham SB. The Compass of Reason: Intellectual Interest in the Beautiful as a Mode of Orientation. [Doctoral Dissertation]. Vanderbilt University; 2004. Available from: http://etd.library.vanderbilt.edu/available/etd-11272004-172937/ ;

8. Zeni, Bruno Gonçalves. Sinuca de malandro: narradores, protagonistas e figuras paternas em João Antônio.

Degree: PhD, Teoria Literária e Literatura Comparada, 2012, University of São Paulo

Este trabalho analisa os contos e textos autobiográficos de João Antônio (1937- 1996) nos quais as figuras paternas exercem papel decisivo para os protagonistas. A… (more)

Subjects/Keywords: Autobiografia; Autobiography; Brazilian short stories; Contemporary literature; Conto brasileiro; Father figures; Figuras paternas; Literatura contemporânea; Literatura e sociedade; Literature and society; Malandragem e marginalidade; Narrativa urbana; Trickery (malandragem) and social marginality; Urban narrative

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zeni, B. G. (2012). Sinuca de malandro: narradores, protagonistas e figuras paternas em João Antônio. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8151/tde-13032013-120103/ ;

Chicago Manual of Style (16th Edition):

Zeni, Bruno Gonçalves. “Sinuca de malandro: narradores, protagonistas e figuras paternas em João Antônio.” 2012. Doctoral Dissertation, University of São Paulo. Accessed January 26, 2020. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-13032013-120103/ ;.

MLA Handbook (7th Edition):

Zeni, Bruno Gonçalves. “Sinuca de malandro: narradores, protagonistas e figuras paternas em João Antônio.” 2012. Web. 26 Jan 2020.

Vancouver:

Zeni BG. Sinuca de malandro: narradores, protagonistas e figuras paternas em João Antônio. [Internet] [Doctoral dissertation]. University of São Paulo; 2012. [cited 2020 Jan 26]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8151/tde-13032013-120103/ ;.

Council of Science Editors:

Zeni BG. Sinuca de malandro: narradores, protagonistas e figuras paternas em João Antônio. [Doctoral Dissertation]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/8/8151/tde-13032013-120103/ ;

9. Haj Sassi, Taïeb. Récit de rouerie, machination et représentation de la machination dans la fiction et la gravure libertines, de Crébillon à Sade : The trick story, plotting and representation of plotting in the libertine fiction and engraving from Crebillon to Sade.

Degree: Docteur es, Langue et littérature françaises, 2016, Aix-Marseille; Université de Sfax (Tunisie)

Les romans libertins à figures se développent de façon remarquable au XVIIIe siècle. Selon les frères Goncourt, c’est « le siècle de la vignette ».… (more)

Subjects/Keywords: Rouerie; Machination; Représentation; Fiction; Gravure; Libertin; Libertinage; Roué; Séduction; Stratégie; Ruse; Scène; Érotisme; Voyeurisme; Regard; Tromper; Vengeance; Trickery; Plotting; Representation; Fiction; Engraving; Libertine; Libertinism; Trick; Seduction; Strategy; Cunning; Scene; Eroticism; Voyeurism; Gaze; Deceive; Revenge

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Haj Sassi, T. (2016). Récit de rouerie, machination et représentation de la machination dans la fiction et la gravure libertines, de Crébillon à Sade : The trick story, plotting and representation of plotting in the libertine fiction and engraving from Crebillon to Sade. (Doctoral Dissertation). Aix-Marseille; Université de Sfax (Tunisie). Retrieved from http://www.theses.fr/2016AIXM3028

Chicago Manual of Style (16th Edition):

Haj Sassi, Taïeb. “Récit de rouerie, machination et représentation de la machination dans la fiction et la gravure libertines, de Crébillon à Sade : The trick story, plotting and representation of plotting in the libertine fiction and engraving from Crebillon to Sade.” 2016. Doctoral Dissertation, Aix-Marseille; Université de Sfax (Tunisie). Accessed January 26, 2020. http://www.theses.fr/2016AIXM3028.

MLA Handbook (7th Edition):

Haj Sassi, Taïeb. “Récit de rouerie, machination et représentation de la machination dans la fiction et la gravure libertines, de Crébillon à Sade : The trick story, plotting and representation of plotting in the libertine fiction and engraving from Crebillon to Sade.” 2016. Web. 26 Jan 2020.

Vancouver:

Haj Sassi T. Récit de rouerie, machination et représentation de la machination dans la fiction et la gravure libertines, de Crébillon à Sade : The trick story, plotting and representation of plotting in the libertine fiction and engraving from Crebillon to Sade. [Internet] [Doctoral dissertation]. Aix-Marseille; Université de Sfax (Tunisie); 2016. [cited 2020 Jan 26]. Available from: http://www.theses.fr/2016AIXM3028.

Council of Science Editors:

Haj Sassi T. Récit de rouerie, machination et représentation de la machination dans la fiction et la gravure libertines, de Crébillon à Sade : The trick story, plotting and representation of plotting in the libertine fiction and engraving from Crebillon to Sade. [Doctoral Dissertation]. Aix-Marseille; Université de Sfax (Tunisie); 2016. Available from: http://www.theses.fr/2016AIXM3028


University of Saskatchewan

10. Kunz, Brenda Mary. An orgasm and an atom : performing passion and freedom in Margaret Sweatman's When Alice Lay Down With Peter.

Degree: 2006, University of Saskatchewan

 Margaret Sweatman’s novel, When Alice Lay Down With Peter, plays with the British Empire’s adventure story and its creation of manhood. Mimicking this creative process… (more)

Subjects/Keywords: world of largesse and hope; Red River; McCormack women; war artist; performative writing; histrionics and hyperbole; art of feigned diminution; transvestism; Empire's regulatory network; empire unfolding; desire for ecstasy; St. Norbert Manitoba; trickery; world of performance beyond the gender performativ; empire builder

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APA (6th Edition):

Kunz, B. M. (2006). An orgasm and an atom : performing passion and freedom in Margaret Sweatman's When Alice Lay Down With Peter. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-12112006-183637

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kunz, Brenda Mary. “An orgasm and an atom : performing passion and freedom in Margaret Sweatman's When Alice Lay Down With Peter.” 2006. Thesis, University of Saskatchewan. Accessed January 26, 2020. http://hdl.handle.net/10388/etd-12112006-183637.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kunz, Brenda Mary. “An orgasm and an atom : performing passion and freedom in Margaret Sweatman's When Alice Lay Down With Peter.” 2006. Web. 26 Jan 2020.

Vancouver:

Kunz BM. An orgasm and an atom : performing passion and freedom in Margaret Sweatman's When Alice Lay Down With Peter. [Internet] [Thesis]. University of Saskatchewan; 2006. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/10388/etd-12112006-183637.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kunz BM. An orgasm and an atom : performing passion and freedom in Margaret Sweatman's When Alice Lay Down With Peter. [Thesis]. University of Saskatchewan; 2006. Available from: http://hdl.handle.net/10388/etd-12112006-183637

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.