You searched for subject:(temporality).
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University of Debrecen
1.
Kerezsi, Edina.
Duality and Ambiguity in Éílis Ní Dhuibhne’s Fox, Swallow, Scarecrow
.
Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen
URL: http://hdl.handle.net/2437/156191 
Fox, Swallow, Scarecrow, is a satirical portrayal of globalisation and Celtic Tiger Ireland. The main dualities are based on the tension between the west that is associated with tradition and the east that represents modernity, and between the past and the present.
Advisors/Committee Members: Oroszné Gula, Marianna (advisor).Subjects/Keywords: duality;
temporality;
spatiality
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APA (6th Edition):
Kerezsi, E. (2013). Duality and Ambiguity in Éílis Ní Dhuibhne’s Fox, Swallow, Scarecrow
. (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/156191
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Kerezsi, Edina. “Duality and Ambiguity in Éílis Ní Dhuibhne’s Fox, Swallow, Scarecrow
.” 2013. Thesis, University of Debrecen. Accessed March 07, 2021.
http://hdl.handle.net/2437/156191.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Kerezsi, Edina. “Duality and Ambiguity in Éílis Ní Dhuibhne’s Fox, Swallow, Scarecrow
.” 2013. Web. 07 Mar 2021.
Vancouver:
Kerezsi E. Duality and Ambiguity in Éílis Ní Dhuibhne’s Fox, Swallow, Scarecrow
. [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/2437/156191.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Kerezsi E. Duality and Ambiguity in Éílis Ní Dhuibhne’s Fox, Swallow, Scarecrow
. [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/156191
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Manchester
2.
Chowdhury, Tanzil Zaman.
Toward a Concrete Temporality of Adjudication: Law’s
Subject and Event.
Degree: 2016, University of Manchester
URL: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:301798
► This thesis claims that temporality can provide a novel means through which to distinguish between different types of judgment. Specifically, it focusses upon how the…
(more)
▼ This thesis claims that temporality can provide a
novel means through which to distinguish between different types of
judgment. Specifically, it focusses upon how the adjudicative
process determines factual construction and argues that the
resultant construction is, at least in part, contingent upon
temporality.As the first of two starting points, the thesis begins
by rejecting the subsumption thesis of judgment which states laws
simply subsume facts that they ‘correspond to’. It attributes this
rejection to the generality of laws and their flexibility as either
rules or standards. Second of the two starting points, though
related to the first, is what the thesis refers to as the ‘Kantian
axiom’ which argues that time shapes consciousness. Extending this,
the thesis posits that, filling in the lacuna created by the
shortcomings of the subsumptive theory of judgment, adjudication’s
temporality shapes its factual construction.Having established
these preliminary points, the thesis describes the different ends
of a spectrum of judgment in which legal decisions can tend toward.
Adjudication as Cognition (abstract judgment), predicated I argue
on a spatial-temporality at one end, and Adjudication as
Understanding (concrete judgment), grounded on a creative reading
of Bergsonian and Gadamerian temporality at the other.The main
differences between these forms of judgment is the qualitatively
different types of fact they produce, made possible through the
temporalities upon which they are contingent. This results in
different constructions of the subject and event (facts which law
gives meaning to) which may impact upon ascriptions of
responsibility. In addition, it is with adjudication as
understanding that a potentially transformative form of judgment is
possible and in which the radical difference of the subject and
event of law emerges.Temporality is thus capable of reframing old
problems of jurisprudence as well as articulating new ones. It
argues that factual construction, in particular subjectivity is, in
part, predicated upon time, and that temporality, as
unproblematised, may conceal an exercise of judicial power. It also
highlights the general marginalisation of temporality in (legal)
modernity and reveals the ‘temporal trap’ of legal subjectivity in
which futures are bound and pasts are arbitrarily
selected.
See above
Advisors/Committee Members: HOLM, SOREN S, Gibbons, Thomas, Holm, Soren.
Subjects/Keywords: Adjudication; Judgment; Temporality; Gadamer; Bergson
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APA (6th Edition):
Chowdhury, T. Z. (2016). Toward a Concrete Temporality of Adjudication: Law’s
Subject and Event. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:301798
Chicago Manual of Style (16th Edition):
Chowdhury, Tanzil Zaman. “Toward a Concrete Temporality of Adjudication: Law’s
Subject and Event.” 2016. Doctoral Dissertation, University of Manchester. Accessed March 07, 2021.
http://www.manchester.ac.uk/escholar/uk-ac-man-scw:301798.
MLA Handbook (7th Edition):
Chowdhury, Tanzil Zaman. “Toward a Concrete Temporality of Adjudication: Law’s
Subject and Event.” 2016. Web. 07 Mar 2021.
Vancouver:
Chowdhury TZ. Toward a Concrete Temporality of Adjudication: Law’s
Subject and Event. [Internet] [Doctoral dissertation]. University of Manchester; 2016. [cited 2021 Mar 07].
Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:301798.
Council of Science Editors:
Chowdhury TZ. Toward a Concrete Temporality of Adjudication: Law’s
Subject and Event. [Doctoral Dissertation]. University of Manchester; 2016. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:301798
Cornell University
3.
Nousek, Katrina.
"Pasts With Futures: Temporality, Subjectivity And Postcommunism In Contemporary German Literature By Herta MüLler, Zsuzsa BàNk And TeréZia Mora".
Degree: PhD, Germanic Studies, 2015, Cornell University
URL: http://hdl.handle.net/1813/40666
► This dissertation analyzes future-oriented narrative features distinguishing German literature about European communism and its legacies. Set against landscapes marked by Soviet occupation and Ceauşescu's communist…
(more)
▼ This dissertation analyzes future-oriented narrative features distinguishing German literature about European communism and its legacies. Set against landscapes marked by Soviet occupation and Ceauşescu's communist dictatorship in Romania (Müller) and against the 1956 Hungarian revolution, eastern European border openings, and post-Wende Berlin (Mora, Bánk), works by these transnational authors engage social legacies that other discourses relegate to an inert past after the historic rupture of 1989. Dominant scholarship reads this literature either through trauma theory or according to autobiography, privileging national histories and static cultural identities determined by the past. Shifting attention to complex temporal structures used to narrate literary subjectivities, I show how these works construct European futures that are neither subsumed into a homogeneous present, nor trapped in traumatic repetition, nostalgic longing, or psychic disavowal. My analysis extends and contributes to debates in politics and the arts about the status of utopia after communism and the role of society in political entities no longer divided in Cold War terms of East/West, three worlds, or discrete national cultures. By focusing on Müller, Mora and Bánk, I widen the purview of FRG-GDR discussions about communism to include transnational, temporal and narrative perspectives that scholarship on these authors often overlooks.
Advisors/Committee Members: Adelson,Leslie Allen (chair), McBride,Patrizia C. (committee member), Hull,Isabel Virginia (committee member), Fleming,Paul A. (committee member).
Subjects/Keywords: Postcommunism; Contemporary German Literature; Temporality
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APA (6th Edition):
Nousek, K. (2015). "Pasts With Futures: Temporality, Subjectivity And Postcommunism In Contemporary German Literature By Herta MüLler, Zsuzsa BàNk And TeréZia Mora". (Doctoral Dissertation). Cornell University. Retrieved from http://hdl.handle.net/1813/40666
Chicago Manual of Style (16th Edition):
Nousek, Katrina. “"Pasts With Futures: Temporality, Subjectivity And Postcommunism In Contemporary German Literature By Herta MüLler, Zsuzsa BàNk And TeréZia Mora".” 2015. Doctoral Dissertation, Cornell University. Accessed March 07, 2021.
http://hdl.handle.net/1813/40666.
MLA Handbook (7th Edition):
Nousek, Katrina. “"Pasts With Futures: Temporality, Subjectivity And Postcommunism In Contemporary German Literature By Herta MüLler, Zsuzsa BàNk And TeréZia Mora".” 2015. Web. 07 Mar 2021.
Vancouver:
Nousek K. "Pasts With Futures: Temporality, Subjectivity And Postcommunism In Contemporary German Literature By Herta MüLler, Zsuzsa BàNk And TeréZia Mora". [Internet] [Doctoral dissertation]. Cornell University; 2015. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/1813/40666.
Council of Science Editors:
Nousek K. "Pasts With Futures: Temporality, Subjectivity And Postcommunism In Contemporary German Literature By Herta MüLler, Zsuzsa BàNk And TeréZia Mora". [Doctoral Dissertation]. Cornell University; 2015. Available from: http://hdl.handle.net/1813/40666
University of Oxford
4.
Davies, Ellen Anne.
A shift in time : music and temporality in 1913 Paris.
Degree: PhD, 2020, University of Oxford
URL: http://ora.ox.ac.uk/objects/uuid:5672fce1-6bac-4ac6-bc9d-7690a6ed81f8
;
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.808287
► Temporality is an integral—and often overlooked—aspect of music. This thesis seeks to understand the relationship between music and time. Rapid social, cultural and technological change…
(more)
▼ Temporality is an integral—and often overlooked—aspect of music. This thesis seeks to understand the relationship between music and time. Rapid social, cultural and technological change affected the perception and experience of temporality in fin de siècle Paris. The year 1913 offers a fascinating case study for understanding the plethora of cultural and musical reactions to these changes. To that end, this thesis draws on a range of primary and secondary sources such as journalistic texts, letters, notes, philosophical texts, visual arts, cinematic and musical sources, and makes use of interdisciplinary methodology, drawing upon historical musicology, socio-cultural history and philosophies of time. This thesis presents a kaleidoscopic portrait of musical life in 1913 Paris. Chapters 1 and 2 examine time and space respectively—the former details definitions of time, while the latter explores Paris as a city of temporal change, looking at changes in transport and architecture and its impact on musical culture. Chapter 3 examines landscape and Satie’s relationship with time; Chapter 4 considers the connections between Bergson, Proust and Ravel; and Chapter 5 looks closely at parallels between early cinema and Debussy’s Jeux. Finally, Chapter 6 brings together these cultural and musical moments. It is in 1913 that we can see the consequences of this rapid period of change in musical terms as a palpable trend for the first time, rather than as individual moments. By using the example of 1913 Paris, this thesis proposes that there are useful parallels to be drawn between experiences of time and the cultural and musical manifestations of temporality.
Subjects/Keywords: Temporality; Musical culture; 1913
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APA (6th Edition):
Davies, E. A. (2020). A shift in time : music and temporality in 1913 Paris. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:5672fce1-6bac-4ac6-bc9d-7690a6ed81f8 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.808287
Chicago Manual of Style (16th Edition):
Davies, Ellen Anne. “A shift in time : music and temporality in 1913 Paris.” 2020. Doctoral Dissertation, University of Oxford. Accessed March 07, 2021.
http://ora.ox.ac.uk/objects/uuid:5672fce1-6bac-4ac6-bc9d-7690a6ed81f8 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.808287.
MLA Handbook (7th Edition):
Davies, Ellen Anne. “A shift in time : music and temporality in 1913 Paris.” 2020. Web. 07 Mar 2021.
Vancouver:
Davies EA. A shift in time : music and temporality in 1913 Paris. [Internet] [Doctoral dissertation]. University of Oxford; 2020. [cited 2021 Mar 07].
Available from: http://ora.ox.ac.uk/objects/uuid:5672fce1-6bac-4ac6-bc9d-7690a6ed81f8 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.808287.
Council of Science Editors:
Davies EA. A shift in time : music and temporality in 1913 Paris. [Doctoral Dissertation]. University of Oxford; 2020. Available from: http://ora.ox.ac.uk/objects/uuid:5672fce1-6bac-4ac6-bc9d-7690a6ed81f8 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.808287
University of Guelph
5.
Afrasiabi, Leila.
Spectrality and Temporality: A Study of Beloved as a Paradigm of Rhetorical Narrative in Relation to Wuthering Heights.
Degree: MA, School of English and Theatre Studies, 2016, University of Guelph
URL: https://atrium.lib.uoguelph.ca/xmlui/handle/10214/9989
► This thesis investigates the intersections of textual dynamics with reader response in Wuthering Heights and Beloved. Beloved, a recent novel by Toni Morrison, has been…
(more)
▼ This thesis investigates the intersections of textual dynamics with reader response in Wuthering Heights and Beloved. Beloved, a recent novel by Toni Morrison, has been read as a political text interrogating racial inequality since its time of publication. Comparatively, Wuthering Heights, a canonical nineteenth-century novel by Emily Brontë, has been seriously neglected as an attempt to pioneer women rights. This thesis tries to unveil how the use of particular textual and rhetorical techniques in both novels address certain audiences. In particular, the enframed ghost story is used as a compelling device to bring in readerly attention in both texts. Also, because both novels present a non-linear temporal progression, they can be deemed fine examples of narrative
temporality in relation to reader responses to the texts. Although Wuthering Heights and Beloved are obviously published in two distinct sociopolitical contexts, it is worthwhile to examine their textual dynamics in relation to their authors’ marginalized status within each individual society because both texts use comparable structural elements. The present study considers the temporal framing technique of the two narratives as a textual device to alter readers’ responses to both texts. While
temporality is considered a major thematic instrument, the presence of a ghost character is also increasingly defining. The use of a ghost story together with the framing narrative technique, which results in a sort of concurrent
temporality, serves as a conflated textual device in both narratives. These conflated categories intertwine, leading to a reconfiguration of the concepts of self and other on the part of readers. In this manner, these two writers succeed in bringing their readers to their own side of the struggle for recognition, equality and identity.
Advisors/Committee Members: Brown, Susan (advisor).
Subjects/Keywords: Beloved; Wuthering Heights; Temporality; Spectrality
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APA ·
Chicago ·
MLA ·
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CSE |
Export
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Manager
APA (6th Edition):
Afrasiabi, L. (2016). Spectrality and Temporality: A Study of Beloved as a Paradigm of Rhetorical Narrative in Relation to Wuthering Heights. (Masters Thesis). University of Guelph. Retrieved from https://atrium.lib.uoguelph.ca/xmlui/handle/10214/9989
Chicago Manual of Style (16th Edition):
Afrasiabi, Leila. “Spectrality and Temporality: A Study of Beloved as a Paradigm of Rhetorical Narrative in Relation to Wuthering Heights.” 2016. Masters Thesis, University of Guelph. Accessed March 07, 2021.
https://atrium.lib.uoguelph.ca/xmlui/handle/10214/9989.
MLA Handbook (7th Edition):
Afrasiabi, Leila. “Spectrality and Temporality: A Study of Beloved as a Paradigm of Rhetorical Narrative in Relation to Wuthering Heights.” 2016. Web. 07 Mar 2021.
Vancouver:
Afrasiabi L. Spectrality and Temporality: A Study of Beloved as a Paradigm of Rhetorical Narrative in Relation to Wuthering Heights. [Internet] [Masters thesis]. University of Guelph; 2016. [cited 2021 Mar 07].
Available from: https://atrium.lib.uoguelph.ca/xmlui/handle/10214/9989.
Council of Science Editors:
Afrasiabi L. Spectrality and Temporality: A Study of Beloved as a Paradigm of Rhetorical Narrative in Relation to Wuthering Heights. [Masters Thesis]. University of Guelph; 2016. Available from: https://atrium.lib.uoguelph.ca/xmlui/handle/10214/9989
Queen Mary, University of London
6.
Manninen, Saini Liina Annikki.
Duration materialised : investigating contemporary performance as a temporal medium.
Degree: PhD, 2014, Queen Mary, University of London
URL: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8572
;
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667260
► Theatre and performance have historically been thought of in terms of the temporal while visual arts have been consigned to the field of spatial representation.…
(more)
▼ Theatre and performance have historically been thought of in terms of the temporal while visual arts have been consigned to the field of spatial representation. Performance’s temporality, the fact that it happens in time, is highlighted in many discourses as performance’s greatest asset. This thesis investigates what we can find out about performance’s temporality by examining the material conditions of production and reception. By placing the focus off the event of performance and exploring issues around labour, work and leisure time; the art historical and economic relationship of performance and visual art; and the material remains of performance, the thesis seeks to reveal how performance’s temporality functions within a capitalist society. The research sets performance’s duration against different economies of time. It does this within a framework of cultural materialism and the materiality of performance while also situating the work art historically. It investigates the sites of negotiation between performance and the capitalist economy’s temporal logic and interrogates how cultural understandings of time affect experiences of attending to performance’s temporality. In focusing on performance work of both extremely long and short duration, as well as more traditionally staged, theatrical performance, the thesis maps out a genealogy of performance interested in making its temporality visible and often tangible. Placing different art forms alongside performance allows for a symbiotic relationship and thus facilitates new and productive ways of thinking about temporality and duration. Such an approach also makes it possible to identify any blind spots in the theorisations of the temporal in performance studies. The thesis thus proposes a re-evaluation of the terms used in discussion on temporality in performance with a focus on the social, economic and material relations within the production and reception of performance.
Subjects/Keywords: 792; Drama; Performance; Temporality
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APA (6th Edition):
Manninen, S. L. A. (2014). Duration materialised : investigating contemporary performance as a temporal medium. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/8572 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667260
Chicago Manual of Style (16th Edition):
Manninen, Saini Liina Annikki. “Duration materialised : investigating contemporary performance as a temporal medium.” 2014. Doctoral Dissertation, Queen Mary, University of London. Accessed March 07, 2021.
http://qmro.qmul.ac.uk/xmlui/handle/123456789/8572 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667260.
MLA Handbook (7th Edition):
Manninen, Saini Liina Annikki. “Duration materialised : investigating contemporary performance as a temporal medium.” 2014. Web. 07 Mar 2021.
Vancouver:
Manninen SLA. Duration materialised : investigating contemporary performance as a temporal medium. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2014. [cited 2021 Mar 07].
Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8572 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667260.
Council of Science Editors:
Manninen SLA. Duration materialised : investigating contemporary performance as a temporal medium. [Doctoral Dissertation]. Queen Mary, University of London; 2014. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8572 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667260
Indiana University
7.
Keele, Christy.
Reconceptualizing Climax In The Four Scherzos Of Frédéric Chopin
.
Degree: 2018, Indiana University
URL: http://hdl.handle.net/2022/22610
► I explore and define the phenomenon of climax in Frédéric Chopin’s four piano scherzos written during the years 1831-1842. Each scherzo features technically demanding climactic…
(more)
▼ I explore and define the phenomenon of climax in Frédéric Chopin’s four piano scherzos written during the years 1831-1842. Each scherzo features technically demanding climactic passages that stand out due to not only their intensity in a number of musical dimensions, but also their complexity and their roles in the scherzos as individual pieces and in the larger context of Chopin’s unique version of the scherzo genre. I develop the idea that the process of building intensity and the interplay between multiple peaks of intensity are integral to the architecture and dramatic effect of these climaxes. To illustrate the relationship between peaks of intensity, I propose a tension-arrival scheme, identifying different qualities of intensity and theorizing how they interact. Climaxes bear significance for the scherzo genre in particular, as Chopin reconceptualized the genre in these four pieces. He received a genre that was formerly light in character and most commonly functioning as a minuet replacement in a multi-movement work and developed it into a stand-alone concert genre for the piano, expanding its length and giving it a substantially darker character. I discuss ways in which climaxes shape the forms and dramatic trajectories of Chopin’s scherzos, supporting their dimensions and furthering and/or resolving their conflicts. As such, they are a key component of the genre identity of Chopin’s scherzo, which was so unlike any of its predecessors. The compositional techniques used by Chopin to articulate and develop climactic passages include the shortening of musical units, the manipulation of pacing as units are repeated at progressively shorter (or longer) intervals, and intensification in multiple dimensions. In conjunction with other features such as increased rhythmic activity and harmonic instability, these techniques project a type of
temporality conceived by Raymond Monelle as “narrative time,” with some similarities to A.B. Marx’s Gang (Monelle 2000, Marx 1856). Narrative time is associated with a sense of action or forward motion, whereas its counterpart, lyric time, creates a sense of stasis. I introduce these temporal types and discuss ways in which climaxes in the scherzos not only project narrative time as they set up upcoming
sections within contexts of large-scale repetition, but also uniquely incorporate aspects of lyric time as they close pieces in their respective codas. I address Chopin’s use of the features of narrative time throughout the scherzos (not limited to climaxes) as another signature characteristic of the genre.
Advisors/Committee Members: Kielian-Gilbert, Marianne (advisor).
Subjects/Keywords: Chopin;
climax;
narrative temporality;
scherzo
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APA ·
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Export
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Manager
APA (6th Edition):
Keele, C. (2018). Reconceptualizing Climax In The Four Scherzos Of Frédéric Chopin
. (Thesis). Indiana University. Retrieved from http://hdl.handle.net/2022/22610
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Keele, Christy. “Reconceptualizing Climax In The Four Scherzos Of Frédéric Chopin
.” 2018. Thesis, Indiana University. Accessed March 07, 2021.
http://hdl.handle.net/2022/22610.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Keele, Christy. “Reconceptualizing Climax In The Four Scherzos Of Frédéric Chopin
.” 2018. Web. 07 Mar 2021.
Vancouver:
Keele C. Reconceptualizing Climax In The Four Scherzos Of Frédéric Chopin
. [Internet] [Thesis]. Indiana University; 2018. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/2022/22610.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Keele C. Reconceptualizing Climax In The Four Scherzos Of Frédéric Chopin
. [Thesis]. Indiana University; 2018. Available from: http://hdl.handle.net/2022/22610
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
8.
Munch, Damien.
Un modèle dynamique et parcimonieux du traitement automatisé de l'aspect dans les langues naturelles : A dynamic and parsimonious model for the processing of aspect in natural language.
Degree: Docteur es, Informatique et réseaux, 2013, Paris, ENST
URL: http://www.theses.fr/2013ENST0058
► Dans cette thèse nous avons cherché et développé un modèle du traitement de l'aspect dans les langues naturelles. Notre objectif a été d'élaborer un modèle…
(more)
▼ Dans cette thèse nous avons cherché et développé un modèle du traitement de l'aspect dans les langues naturelles. Notre objectif a été d'élaborer un modèle détaillé et explicatif qui montre la possibilité de traiter l'aspect sur un nombre choisi d’énoncés tout en suivant des contraintes fortes de parcimonie et de plausibilité cognitive. Nous avons réussi à mettre au point un modèle original dans sa réalisation, mais aussi dans ses résultats : des explications nouvelles sont données pour le traitement d'interprétations comme la répétition, la perfectivité ou l'inchoativité ; tout en dévoilant un phénomène original dit de "prédication".
The purpose of this work is to design and to implement a computational model for the processing of aspect in natural language.Our goal is to elaborate a detailed and explicative model of aspect. This model should be able to process aspect on a chosen number of sentences, while following strong constraints of parsimony and cognitive plausibility. We were successful in creating such a model, with both an original design and an extensive explanatory power. New explanations have been obtained for phenomena like repetition, perfectivity and inchoativity. We also propose a new mechanism based on the notion of “predication”.
Advisors/Committee Members: Steels, Luc (thesis director), Dessalles, Jean-Louis (thesis director).
Subjects/Keywords: Parcimonie; Temporalité; Parsimony; Temporality
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Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Munch, D. (2013). Un modèle dynamique et parcimonieux du traitement automatisé de l'aspect dans les langues naturelles : A dynamic and parsimonious model for the processing of aspect in natural language. (Doctoral Dissertation). Paris, ENST. Retrieved from http://www.theses.fr/2013ENST0058
Chicago Manual of Style (16th Edition):
Munch, Damien. “Un modèle dynamique et parcimonieux du traitement automatisé de l'aspect dans les langues naturelles : A dynamic and parsimonious model for the processing of aspect in natural language.” 2013. Doctoral Dissertation, Paris, ENST. Accessed March 07, 2021.
http://www.theses.fr/2013ENST0058.
MLA Handbook (7th Edition):
Munch, Damien. “Un modèle dynamique et parcimonieux du traitement automatisé de l'aspect dans les langues naturelles : A dynamic and parsimonious model for the processing of aspect in natural language.” 2013. Web. 07 Mar 2021.
Vancouver:
Munch D. Un modèle dynamique et parcimonieux du traitement automatisé de l'aspect dans les langues naturelles : A dynamic and parsimonious model for the processing of aspect in natural language. [Internet] [Doctoral dissertation]. Paris, ENST; 2013. [cited 2021 Mar 07].
Available from: http://www.theses.fr/2013ENST0058.
Council of Science Editors:
Munch D. Un modèle dynamique et parcimonieux du traitement automatisé de l'aspect dans les langues naturelles : A dynamic and parsimonious model for the processing of aspect in natural language. [Doctoral Dissertation]. Paris, ENST; 2013. Available from: http://www.theses.fr/2013ENST0058
Princeton University
9.
Park, John.
Prosaic Times: Time as Subject in Wordsworth, Richardson, Flaubert, and Melville
.
Degree: PhD, 2020, Princeton University
URL: http://arks.princeton.edu/ark:/88435/dsp018910jx63h
► My dissertation, entitled “Prosaic Times: Time as Subject in Wordsworth, Richardson, Flaubert, and Melville,” examines literary works of realism—the artistic claim to represent life as…
(more)
▼ My dissertation, entitled “Prosaic Times: Time as
Subject in Wordsworth, Richardson, Flaubert, and Melville,” examines literary works of realism—the artistic claim to represent life as it is—that do not necessarily depend upon the plotline of the story they tell but on the sense of time that their style generates. Most noticeable in the works examined— Wordsworth’s epic blank verse narrative of first-person experience, The Prelude; the first-person, epistolary accounts of experience composing the first “realist” and longest English-language novel, Richardson’s Clarissa, or the History of a Young Lady; Flaubert’s highly stylized representation of substance experienced in the complete absence of style, the experience of the “simple” life narrated in his “Un Coeur Simple;” and the alternately lyric and encyclopedic novel, Moby Dick, or the Whale, an epic in which, narratively speaking, very little happens—is that the plot of these works are unremarkable and out of sync with the extensive and intensive development of the writing involved in their narration. This dissertation claims that the reduced significance placed on plot in these works is counterbalanced by something else: a quality of temporal experience different from linear time. The active quality of language, of what narrative discourse says and does in forming our understanding of real things and events, is brought directly to the reader’s attention in these works. In the natural objects and “scenes” of experience Wordsworth describes; the dense, temporally overlapping exchange of accounts both of purposefully misled, first impressions and disguised, misleading intentions, as well as the disclosure of these over time, composed in “real time” by Richardson’s several epistolary authors; the depiction of the quotidian ways of a village and of a life lived in service of other lives in that village, from the point of view of a
subject to whom nothing but the relentless reduction of life happens, by Flaubert; and the boundless occasion for “timeless” metaphysical reflections and physical domain of an elusive, literally unfathomable creature of innumerable 19th-century industrial uses, that the sea represents in Melville, narration not only “takes” but makes time part of the experience it represents.
Advisors/Committee Members: Brodsky, Claudia J (advisor).
Subjects/Keywords: Prose;
Realism;
Style;
Temporality
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APA (6th Edition):
Park, J. (2020). Prosaic Times: Time as Subject in Wordsworth, Richardson, Flaubert, and Melville
. (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp018910jx63h
Chicago Manual of Style (16th Edition):
Park, John. “Prosaic Times: Time as Subject in Wordsworth, Richardson, Flaubert, and Melville
.” 2020. Doctoral Dissertation, Princeton University. Accessed March 07, 2021.
http://arks.princeton.edu/ark:/88435/dsp018910jx63h.
MLA Handbook (7th Edition):
Park, John. “Prosaic Times: Time as Subject in Wordsworth, Richardson, Flaubert, and Melville
.” 2020. Web. 07 Mar 2021.
Vancouver:
Park J. Prosaic Times: Time as Subject in Wordsworth, Richardson, Flaubert, and Melville
. [Internet] [Doctoral dissertation]. Princeton University; 2020. [cited 2021 Mar 07].
Available from: http://arks.princeton.edu/ark:/88435/dsp018910jx63h.
Council of Science Editors:
Park J. Prosaic Times: Time as Subject in Wordsworth, Richardson, Flaubert, and Melville
. [Doctoral Dissertation]. Princeton University; 2020. Available from: http://arks.princeton.edu/ark:/88435/dsp018910jx63h
University of Melbourne
10.
MEAD, GEOFFREY.
Sense of structure and structure of sense: Pierre Bourdieu's habitus as a generative principle.
Degree: 2013, University of Melbourne
URL: http://hdl.handle.net/11343/38552
► This thesis attempts to position Pierre Bourdieu’s habitus concept in relation to his particular anti-positivist conception of the human sciences – that is, of those…
(more)
▼ This thesis attempts to position Pierre Bourdieu’s habitus concept in relation to his particular anti-positivist conception of the human sciences – that is, of those sciences that take the practices of a ‘subject’ as their ‘object’. Given this conception of the human sciences (and, by extension, sociology), the first part of the thesis asks from where among Bourdieu’s research projects does his concept of habitus emerge and what does he use it to achieve? I address this question by tracing the genesis and gradual formation of the concept by its uses throughout his oeuvre. I find that while the foundations for the concept are laid quite early, in his Algerian works where precursory notions like ‘ethos’ are invoked to combat ethnocentric explanations of practice which neglect Algerian peasants’ ‘temporal consciousness’, the concept continues to evolve, repeatedly negotiating its origins as it is applied to novel objects that impose upon it recurrent demands for revision. Nevertheless, I argue that throughout these revisions the concept retains a certain core deriving from the attempt to found a non-‘ethnocentric’ sociology that recognizes the ‘double truth’ – that is, the simultaneously objective and subjective foundations – of social objects.
Equipped with a conception of the habitus deriving from such a reading of Bourdieu’s texts, aiming above all at ‘understanding’ them, I ask in the second part of the thesis what the habitus can be used to accomplish with respect to various sociological objects. That is, what does the deployment of habitus imply for the construction of such objects as the socialization process, social perception, and social practice? I take the notion of habitus as that which ‘constructs’ the world just as the latter constructs it and explore the implications of this dialectic: the habitus is actively acquired on the basis of socially-structured interests, the world is perceived as a function of that to which one is attuned on the basis of this structure of interests, and the social agent acts in accordance with the perceptual world she has constructed around her. Finally, I consider the implications of the habitus for what is often called ‘social change’, but which I explore in the peculiar and limited form that Bourdieu’s ‘socioanalysis’ seeks to make possible.
Subjects/Keywords: habitus; temporality; Bourdieu; socioanalysis
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APA ·
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MLA ·
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APA (6th Edition):
MEAD, G. (2013). Sense of structure and structure of sense: Pierre Bourdieu's habitus as a generative principle. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/38552
Chicago Manual of Style (16th Edition):
MEAD, GEOFFREY. “Sense of structure and structure of sense: Pierre Bourdieu's habitus as a generative principle.” 2013. Doctoral Dissertation, University of Melbourne. Accessed March 07, 2021.
http://hdl.handle.net/11343/38552.
MLA Handbook (7th Edition):
MEAD, GEOFFREY. “Sense of structure and structure of sense: Pierre Bourdieu's habitus as a generative principle.” 2013. Web. 07 Mar 2021.
Vancouver:
MEAD G. Sense of structure and structure of sense: Pierre Bourdieu's habitus as a generative principle. [Internet] [Doctoral dissertation]. University of Melbourne; 2013. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/11343/38552.
Council of Science Editors:
MEAD G. Sense of structure and structure of sense: Pierre Bourdieu's habitus as a generative principle. [Doctoral Dissertation]. University of Melbourne; 2013. Available from: http://hdl.handle.net/11343/38552
Loughborough University
11.
Graham, Joe.
Recording the stream of consciousness : a practice-led study of serial drawing.
Degree: PhD, 2015, Loughborough University
URL: http://hdl.handle.net/2134/19802
► How is a process of serial drawing understood to record the phenomenological stream of consciousness that underpins it? This research question emerges from a hypothesis…
(more)
▼ How is a process of serial drawing understood to record the phenomenological stream of consciousness that underpins it? This research question emerges from a hypothesis driving the research: that when considered as a form of expression which speaks in a particular way (Tormey, 2007), drawing re-presents ( records ) the stream of consciousness underpinning it in a rather fundamental manner. The purpose of this first person, practice-led research is to question how this hypothesis is understood, treating it as an assumption to be tested via practice and theory combined. Within the research this hypothesis is linked to both the wider assumption that drawing records thought (Rosand, 2002) and to the contemporary idea that drawing is a form of perpetual becoming (Hoptman, 2002; de Zegher & Butler, 2010) given the temporality which underpins the act of drawing. To help facilitate investigation of the hypothesis, the assumption that drawing records thought is duly suspended (bracketed) for the duration of the research, allowing the structure and process of serially developed drawing (Chavez, 2004) in conjunction with first-person methods for approaching phenomenal consciousness (Varela & Shear, 1999; Depraz, 1999) to investigate it in practical terms. The significance of the research resides in a scrutiny of the drawing process, undertaken in close relation to Husserl s (1931/2012; 1950/1999) Phenomenology. As a result, the phenomenon of drawing is re-described as a self-temporalizing phenomenon, emphasising how the appearance of drawing (noun) not only re-presents the prior act of drawing (verb) which produced it, but also provides the practitioner with a look ahead, indicating the hope and expectation of drawings not yet made. This claim emerges via the specific manner in which my serially developed drawings demonstrate re-presenting the streaming of consciousness described (in Husserlian terms) as the self-temporalization of consciousness, experienced within the duration of now. This phenomenological description of how drawing operates builds upon Rawson s (1969/1987) statement regarding the special charm of drawing - the underlying quality of movement that drawings (noun) exhibit on the basis they were drawn. Husserl s protentional focus on hope and expectation (de Warren, 2009) allows the research to expand upon this idea, describing the underlying movement within drawing as a form of self-temporalization that also points ahead to what is not yet drawn. This forward looking, practitioner centred claim is intended to compliment the focus on trace and memory that a proportion of the current critical discourse on drawing remains engaged with (Newman M, 1996; Tormey, 2007; Newman & de Zegher, 2003; Derrida J, 1993).
Subjects/Keywords: 741; Drawing; Consciousness; Phenomenology; Temporality
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APA ·
Chicago ·
MLA ·
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CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Graham, J. (2015). Recording the stream of consciousness : a practice-led study of serial drawing. (Doctoral Dissertation). Loughborough University. Retrieved from http://hdl.handle.net/2134/19802
Chicago Manual of Style (16th Edition):
Graham, Joe. “Recording the stream of consciousness : a practice-led study of serial drawing.” 2015. Doctoral Dissertation, Loughborough University. Accessed March 07, 2021.
http://hdl.handle.net/2134/19802.
MLA Handbook (7th Edition):
Graham, Joe. “Recording the stream of consciousness : a practice-led study of serial drawing.” 2015. Web. 07 Mar 2021.
Vancouver:
Graham J. Recording the stream of consciousness : a practice-led study of serial drawing. [Internet] [Doctoral dissertation]. Loughborough University; 2015. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/2134/19802.
Council of Science Editors:
Graham J. Recording the stream of consciousness : a practice-led study of serial drawing. [Doctoral Dissertation]. Loughborough University; 2015. Available from: http://hdl.handle.net/2134/19802
Louisiana State University
12.
Dane, Penelope Gay.
Queer Emplotment: Lesbian Caretaking in North American Canonical Fiction from 1980 – 2011.
Degree: PhD, English Language and Literature, 2014, Louisiana State University
URL: etd-01192015-153811
;
https://digitalcommons.lsu.edu/gradschool_dissertations/1569
► My dissertation argues that lesbian caretaking in late 20th century and early 21th century North American fiction disrupts normative temporalities while repairing damage protagonists sustain…
(more)
▼ My dissertation argues that lesbian caretaking in late 20th century and early 21th century North American fiction disrupts normative temporalities while repairing damage protagonists sustain from intra-familial trauma. Aligned with queer studies’ growing interest in representations of time, my project explores this paradox of lesbian representation. How can lesbian characters be both reparative and disruptive? Lesbian characters in Alice Walker’s The Color Purple (1980); Dorothy Allison’s Bastard Out of Carolina (1992); and Louise Erdrich’s Shadow Tag (2010) are reparative as they clean up the psychological and physical damage caused male violence, sexual abuse, and neglectful mothers. Yet their caregiving disrupts what queer theorists refer to as ‘straight time.’ Functioning to ensure maximum productivity for the state, straight time requires a linear model of time, dependent on heterosexual reproduction. Mothering is central to the reproduction of straight time, as through their discipline, mothers ensure children adhere to linear temporality. Because lesbian characters are queer, they exist outside of this normative timeframe, but as careworkers they are implicated in this normative discipling. In other words, the behavioral expectation of women – caring – thrusts lesbian characters into a narrative space where they are neither completely assimilated into heterosexual families nor completely excluded from them. In fact, heterosexual families in these texts depend upon lesbian caretaking to function. Yet, despite this connection to heternormativity, lesbian characters do not perform straight care. Nor do they offer protagonists a queer alternative to straight time. Instead, in these three texts, lesbians provide a kind of queer care that offers knowledge about the discipline that maintains the boundary between straight time and queer temporality. I am currently developing my dissertation into a book manuscript titled Magical Queers in Troubled Times: Lesbian Carework in Fiction, Film, and Television, which expands my archive to include representation of lesbian carework in mass mediated genres. My research contributes to cultural studies, positing links between queer feminist literary studies, gender studies, and sociological feminist carework studies. This project intervenes in existing theories of queer temporality by arguing that the gendered expectation that women will do most of the caretaking in families must be considered. While some queer theorists look towards an ideal queer futurity that is separated from heteronormative, reproductive futurity, I show in my research that feminized caring norms moor queer women to reproductive futurity.
Subjects/Keywords: lesbian fiction; queer temporality
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APA ·
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MLA ·
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Export
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Manager
APA (6th Edition):
Dane, P. G. (2014). Queer Emplotment: Lesbian Caretaking in North American Canonical Fiction from 1980 – 2011. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-01192015-153811 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1569
Chicago Manual of Style (16th Edition):
Dane, Penelope Gay. “Queer Emplotment: Lesbian Caretaking in North American Canonical Fiction from 1980 – 2011.” 2014. Doctoral Dissertation, Louisiana State University. Accessed March 07, 2021.
etd-01192015-153811 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1569.
MLA Handbook (7th Edition):
Dane, Penelope Gay. “Queer Emplotment: Lesbian Caretaking in North American Canonical Fiction from 1980 – 2011.” 2014. Web. 07 Mar 2021.
Vancouver:
Dane PG. Queer Emplotment: Lesbian Caretaking in North American Canonical Fiction from 1980 – 2011. [Internet] [Doctoral dissertation]. Louisiana State University; 2014. [cited 2021 Mar 07].
Available from: etd-01192015-153811 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1569.
Council of Science Editors:
Dane PG. Queer Emplotment: Lesbian Caretaking in North American Canonical Fiction from 1980 – 2011. [Doctoral Dissertation]. Louisiana State University; 2014. Available from: etd-01192015-153811 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1569
13.
Kolliopoulou, Eleni.
The body of the relationship : a practice-based exploration of the relationship between the body and its environment informed by the notion of Butoh-body : three case studies in time-based art.
Degree: PhD, 2020, Ulster University
URL: https://pure.ulster.ac.uk/en/studentTheses/ff675054-3fb3-4a17-b3b5-16a198c201eb
;
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.809147
► The research explores the deployment of drama-based methods, in particular Butoh dance within visual art practices namely installation art in order to enhance participants’ immersivity.…
(more)
▼ The research explores the deployment of drama-based methods, in particular Butoh dance within visual art practices namely installation art in order to enhance participants’ immersivity. In doing so, the thesis is crafted in a way that initially provides the reader with a brief overview of the two major disciplines involved locating the project within the relevant hitherto arts movements, their history and evolution. In a second stance, the notion of the Butoh-body and its relevance to this practice-based exploration is discussed. Further light is shed upon the understanding of the term immersion in the context of this project. The term immersion is here supported theoretically by an illustration of resonating concepts arising in Japanese phenomenology with main figure Kitaro Nishida. In order to highlight Nishida’s point of view upon the modality with which our body interrelates to its environment in the “Acting intuition” state—here linked to the state of immersion—, a more expanded discussion that compares and analyses Western phenomenological concepts is developed with reference to—among others—Merleau-Ponty’s thoughts upon “intercorporeality” and Bennett’s approach towards New materialism and Ecological thinking. This practice-based exploration concerns the relationship between the body (participant) and its environment (performative installation) and consists of three time-based art major research installations informed by the notion of Butoh-body. The thesis is thereafter articulated as chapters that exist separately and interdependently around the axis of the research installations: Seabed, Waste-is-land, Sky-field 1 & 2. The research design (creation process) of the above-mentioned research installations is analysed and theoretical argumentahtion about the choices made by the researcher is given. The data gathered from participants’ feedback forms are available in a separate section at the end of the thesis whereas all chapters include an analysis of the experience and a conclusion section after each experimentation. This research aims to act as a map explaining forces at work and interrelations of different fields of enquiry to artists, scholars and researchers that wish to develop an immersive performative experiment; they would be enriched by the analysis, observation and evaluation of its process. Moreover, this thesis attempts to create a dialogue among art and drama theorists such as Kirby and Schechner in the area of performativity. Moreover, by positioning the research among other practitioners’ artworks the researcher aims to offer a contextualization of a niche field. For this reason, a great time is spent on the tracing of the field as this is perceived to offer deeper understanding to an ever-growing interest to develop interdisciplinary projects of this nature in the contemporary arts. My aspiration is that this thesis would hopefully be read as an insightful proposal for further enhancement of performative hybrid practices bridging gaps between disciplines.
Subjects/Keywords: Butoh; Immersion; Performativity; Temporality
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APA ·
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MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Kolliopoulou, E. (2020). The body of the relationship : a practice-based exploration of the relationship between the body and its environment informed by the notion of Butoh-body : three case studies in time-based art. (Doctoral Dissertation). Ulster University. Retrieved from https://pure.ulster.ac.uk/en/studentTheses/ff675054-3fb3-4a17-b3b5-16a198c201eb ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.809147
Chicago Manual of Style (16th Edition):
Kolliopoulou, Eleni. “The body of the relationship : a practice-based exploration of the relationship between the body and its environment informed by the notion of Butoh-body : three case studies in time-based art.” 2020. Doctoral Dissertation, Ulster University. Accessed March 07, 2021.
https://pure.ulster.ac.uk/en/studentTheses/ff675054-3fb3-4a17-b3b5-16a198c201eb ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.809147.
MLA Handbook (7th Edition):
Kolliopoulou, Eleni. “The body of the relationship : a practice-based exploration of the relationship between the body and its environment informed by the notion of Butoh-body : three case studies in time-based art.” 2020. Web. 07 Mar 2021.
Vancouver:
Kolliopoulou E. The body of the relationship : a practice-based exploration of the relationship between the body and its environment informed by the notion of Butoh-body : three case studies in time-based art. [Internet] [Doctoral dissertation]. Ulster University; 2020. [cited 2021 Mar 07].
Available from: https://pure.ulster.ac.uk/en/studentTheses/ff675054-3fb3-4a17-b3b5-16a198c201eb ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.809147.
Council of Science Editors:
Kolliopoulou E. The body of the relationship : a practice-based exploration of the relationship between the body and its environment informed by the notion of Butoh-body : three case studies in time-based art. [Doctoral Dissertation]. Ulster University; 2020. Available from: https://pure.ulster.ac.uk/en/studentTheses/ff675054-3fb3-4a17-b3b5-16a198c201eb ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.809147
University of Sydney
14.
McGregor, Vivien Margaret.
Trans Temporality: Narrative, History, and Time
.
Degree: 2014, University of Sydney
URL: http://hdl.handle.net/2123/12346
► This thesis offers a new interpretative model for reading contemporary trans narratives. The overarching argument is that trans life narratives are complex, contradictory, and often…
(more)
▼ This thesis offers a new interpretative model for reading contemporary trans narratives. The overarching argument is that trans life narratives are complex, contradictory, and often resistant to discursive productions of identity, and these forms of resistance can best be understood through the rubric of queer temporality. Trans(sexual/gender) life narratives form an important part of trans subjectivity. Identities that fall outside of heteronormative understandings of the causal relation between sex and gender (and sex and/or gender’s stability over time) are subject to close scrutiny, interrogation, and suspicion within medical, legal, social, and literary contexts. In order to be ‘read’ as authentic, trans subjects must present a life narrative that ‘makes sense’ according to the discursive constructions of (trans)subjectivity already in place: concretized by medical discourse and circulating in the social field. The narratives examined here represent a collection of fictional works and experimental autobiographies that all seek to challenge normative constructions of what it means to cross-identify or transition. The texts discussed in this thesis all share a common strategy for dismantling normative constructions of identity. Rather than challenging sex-gender norms per se, these texts queer time: they distort, challenge, and complicate standardized constructions of temporality, narrative, and history. This thesis argues that self-representations that complicate the temporal order of standard autobiography—of personal history— evoke alternative forms of familial, national and communal history shaped by the queering of time and narrative. These histories, whether personal, genealogical, or national, are represented as non-linear, porous, and open to a multidirectional haunting. In reading trans narratives through the interpretative lens of queer temporality, this thesis aims to reinvigorate ‘queer’ for trans studies, and emphasize the centrality of trans for queer theory’s interest in non-normative time and history.
Subjects/Keywords: transgender;
history;
temporality;
narrative
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Export
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APA (6th Edition):
McGregor, V. M. (2014). Trans Temporality: Narrative, History, and Time
. (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12346
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
McGregor, Vivien Margaret. “Trans Temporality: Narrative, History, and Time
.” 2014. Thesis, University of Sydney. Accessed March 07, 2021.
http://hdl.handle.net/2123/12346.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
McGregor, Vivien Margaret. “Trans Temporality: Narrative, History, and Time
.” 2014. Web. 07 Mar 2021.
Vancouver:
McGregor VM. Trans Temporality: Narrative, History, and Time
. [Internet] [Thesis]. University of Sydney; 2014. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/2123/12346.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
McGregor VM. Trans Temporality: Narrative, History, and Time
. [Thesis]. University of Sydney; 2014. Available from: http://hdl.handle.net/2123/12346
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of New South Wales
15.
Bruniges, Tim.
Borrowed time: temporality and sounds of then.
Degree: Media Arts, 2014, University of New South Wales
URL: http://handle.unsw.edu.au/1959.4/53868
;
https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12578/SOURCE02?view=true
► Sound manifests a temporal disconnect from the present, and in doing so offers new ways of thinking about time in an era where simultaneity and…
(more)
▼ Sound manifests a temporal disconnect from the present, and in doing so offers new ways of thinking about time in an era where simultaneity and temporal ruptures are integral to an understanding of our lived experience. Daniel Birnbaum writes that âin the global omnipresence produced by todayâs digital technologies, experienced time no longer follows a linear order of successive moments.â Sound has the ability to simultaneously convey information from disparate temporal contexts, making artworks engaged with sound a useful medium for exploring new modes of
temporality. This thesis contextualises my installation practice by aligning writings by philosopher Henri Bergson and art theorist Daniel Birnbaum with composers and sound artists whose works destabilise notions of linear time, such as La Monte Young, Arvo Pärt and William Basinski.Through discussing these interdisciplinary works in relation to my practice, four installation works propose new models of challenging notions of linear time, and certain recurring ideas emerge. The binary of stasis/flux is a model that, through sound, is used to enact the experience of timelessness and a continuous engagement with the present. As sound is always past, it is particularly suited to exploring ideas of re(de)generation, feedback and memory coalescing in the perpetual present. Through eradicating anything as definable as a present moment, Continuum paradoxically points only to the present moment. In contrast, Drum Room employs an infinitely repeating loop to challenge our traditional understanding of how the movement of sound describes space over time. Oscillator translates inaudible sound into two discrete âreal timeâ visual incarnations, and Mirrors summarises these ideas by manifesting sound as an infinite culmination over time, where no sound/all sound is now.
Advisors/Committee Members: Hunt, Simon, Media Arts, College of Fine Arts, UNSW.
Subjects/Keywords: Bruniges; Sound; Time; Temporality
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APA ·
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Manager
APA (6th Edition):
Bruniges, T. (2014). Borrowed time: temporality and sounds of then. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/53868 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12578/SOURCE02?view=true
Chicago Manual of Style (16th Edition):
Bruniges, Tim. “Borrowed time: temporality and sounds of then.” 2014. Masters Thesis, University of New South Wales. Accessed March 07, 2021.
http://handle.unsw.edu.au/1959.4/53868 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12578/SOURCE02?view=true.
MLA Handbook (7th Edition):
Bruniges, Tim. “Borrowed time: temporality and sounds of then.” 2014. Web. 07 Mar 2021.
Vancouver:
Bruniges T. Borrowed time: temporality and sounds of then. [Internet] [Masters thesis]. University of New South Wales; 2014. [cited 2021 Mar 07].
Available from: http://handle.unsw.edu.au/1959.4/53868 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12578/SOURCE02?view=true.
Council of Science Editors:
Bruniges T. Borrowed time: temporality and sounds of then. [Masters Thesis]. University of New South Wales; 2014. Available from: http://handle.unsw.edu.au/1959.4/53868 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12578/SOURCE02?view=true
University of New South Wales
16.
Hughes, Emily.
Heidegger, affectedness, and the question of the temporality of being.
Degree: Humanities and Languages :, 2017, University of New South Wales
URL: http://handle.unsw.edu.au/1959.4/57209
► Throughout the entirety of his philosophical path of thinking, Martin Heidegger considers the phenomenon of affectedness to be of the utmost existential-ontological significance. Heidegger’s engagement…
(more)
▼ Throughout the entirety of his philosophical path of thinking, Martin Heidegger considers the phenomenon of affectedness to be of the utmost existential-ontological significance. Heidegger’s engagement with affectedness is both extensive, and extended— unfolding across many of the volumes that make up his collected works. Heidegger considers affectedness to be of such significance because, I contend, it is a fundamental means through which the
Temporality of Being might be disclosively unconcealed. That which is at stake in affectedness for Heidegger, then, is nothing less than the
Temporality of Being itself. Yet, despite being of such integral importance to Heidegger’s overarching philosophical project (that of raising anew the question of the
Temporality of Being), Heidegger’s thematization of affectedness has been
subject to neglect in Heidegger scholarship. More problematically still, when it has been engaged, interpretations have tended to be restrictively narrow, informed by but a fraction of Heidegger’s extensive writings on the phenomenon. As a result, the existential-ontological significance of Heidegger’s thematization of affectedness has, I contend, been both distorted and diminished in Heidegger scholarship. Given its importance to the development of Heidegger’s overarching philosophical project, it is, I contend, imperative that the significance of Heidegger’s thematization of affectedness be raised anew. The unique contribution of this thesis is, therefore, to retrieve or recover the existential-ontological significance of Heidegger’s thematization of affectedness.After mapping out the groundwork for Heidegger’s thematization of affectedness, and differentiating between fallen and fundamental attunements, this thesis retrieves the existential-ontological significance of Heidegger’s thematization of affectedness by following the movement of the showing of the
Temporality of Being in fundamental attunements. In so doing, it demonstrates how — by transposing Dasein into the sublime terror and joy of the ontological difference itself, by bringing Dasein into a destructive and distressing confrontation with the abyssal Nothing and the absence of time, in which Being itself and time itself prevail — affectedness is, for Heidegger, profoundly disclosive of the
Temporality of Being.
Advisors/Committee Members: Faulkner, Joanne, Philosophy, Faculty of Arts & Social Sciences, UNSW, Lumsden, Simon, Philosophy, Faculty of Arts & Social Sciences, UNSW.
Subjects/Keywords: Time; Heidegger; Attunement; Mood; Temporality
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APA (6th Edition):
Hughes, E. (2017). Heidegger, affectedness, and the question of the temporality of being. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/57209
Chicago Manual of Style (16th Edition):
Hughes, Emily. “Heidegger, affectedness, and the question of the temporality of being.” 2017. Doctoral Dissertation, University of New South Wales. Accessed March 07, 2021.
http://handle.unsw.edu.au/1959.4/57209.
MLA Handbook (7th Edition):
Hughes, Emily. “Heidegger, affectedness, and the question of the temporality of being.” 2017. Web. 07 Mar 2021.
Vancouver:
Hughes E. Heidegger, affectedness, and the question of the temporality of being. [Internet] [Doctoral dissertation]. University of New South Wales; 2017. [cited 2021 Mar 07].
Available from: http://handle.unsw.edu.au/1959.4/57209.
Council of Science Editors:
Hughes E. Heidegger, affectedness, and the question of the temporality of being. [Doctoral Dissertation]. University of New South Wales; 2017. Available from: http://handle.unsw.edu.au/1959.4/57209
University of Texas – Austin
17.
Bahrainwala, Lamiyah Zulfiqar.
Where time & style collide: the Muslim in U.S. discourse: Where time and style collide : the Muslim in U.S. discourse.
Degree: PhD, Communication studies, 2016, University of Texas – Austin
URL: http://hdl.handle.net/2152/41650
► This dissertation explores how the “Muslim problem” is constructed as uniquely urgent and hidden in the United States. The idea of impending Muslim attacks and…
(more)
▼ This dissertation explores how the “Muslim problem” is constructed as uniquely urgent and hidden in the United States. The idea of impending Muslim attacks and the stealthy radicalization of Muslims are very real fears in the U.S. today. Sustaining these fears requires the exercise of considerable rhetorical ingenuity, and studying it requires looking beyond explicit anti-Muslim discourse to understand the momentum of this fear.
I advocate the use of two new methods to understand this dual construction of “Muslim terrorism” as both urgent and concealed. I develop a temporal framework and a style-based lens to interrogate this construction. Scholarship acknowledges that counterterrorism discourse presents “Muslim terrorism” as urgent enough to justify preemptive measures. This language of urgency and preemption is deeply temporal, but there is little scholarship on the temporal component of anti-Muslim discourse. I apply my temporal framework to examine the coverage of the 2012 Sikh Temple Shooting to understand how temporal language can incite fear of Muslim in discourse completely unrelated to Muslims and Islam.
Meanwhile, I apply a stylistic lens to explore the construction of the “moderate” Muslim, who acts as a foil to the hidden, non-American “Muslim terrorist.” The “moderate” Muslim discourse is produced by the status quo rather than U.S. Muslims themselves, and compels particular performances of citizenship from U.S. Muslims. Style mediates these performances of citizenship, and thus I apply my style-based lens to examine three examples of “moderate Muslims.” I examine the 2014 Miss America controversy; the stand-up comedy of Muslim comedian Azhar Usman; and the preaching style of Suhaib Webb, a renowned “moderate” American imam. By considering three case studies, I am able to present a rich analysis of the many performances of Muslim “moderation” and its role in bolstering American exceptionalism. Thus, taken together, my temporal and stylistic approaches explain the momentum of fear towards Muslims in the U.S. and their role in bolstering American national identity.
Advisors/Committee Members: Brummett, Barry, 1951- (advisor), Ballard, Dawna (committee member), Gunn, Joshua (committee member), Jensen, Robert (committee member), Shingavi, Snehal (committee member).
Subjects/Keywords: Anti-Muslim; Style; Burke; Temporality
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APA (6th Edition):
Bahrainwala, L. Z. (2016). Where time & style collide: the Muslim in U.S. discourse: Where time and style collide : the Muslim in U.S. discourse. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/41650
Chicago Manual of Style (16th Edition):
Bahrainwala, Lamiyah Zulfiqar. “Where time & style collide: the Muslim in U.S. discourse: Where time and style collide : the Muslim in U.S. discourse.” 2016. Doctoral Dissertation, University of Texas – Austin. Accessed March 07, 2021.
http://hdl.handle.net/2152/41650.
MLA Handbook (7th Edition):
Bahrainwala, Lamiyah Zulfiqar. “Where time & style collide: the Muslim in U.S. discourse: Where time and style collide : the Muslim in U.S. discourse.” 2016. Web. 07 Mar 2021.
Vancouver:
Bahrainwala LZ. Where time & style collide: the Muslim in U.S. discourse: Where time and style collide : the Muslim in U.S. discourse. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2016. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/2152/41650.
Council of Science Editors:
Bahrainwala LZ. Where time & style collide: the Muslim in U.S. discourse: Where time and style collide : the Muslim in U.S. discourse. [Doctoral Dissertation]. University of Texas – Austin; 2016. Available from: http://hdl.handle.net/2152/41650
Princeton University
18.
Vasiliauskas, Emily Kate.
Dead Letters: The Afterlife before Religion
.
Degree: PhD, 2015, Princeton University
URL: http://arks.princeton.edu/ark:/88435/dsp01h989r5595
► In 1624, John Donne preached a sermon on the anniversary of the death of a parishioner, who had set money aside for this purpose. Donne…
(more)
▼ In 1624, John Donne preached a sermon on the anniversary of the death of a parishioner, who had set money aside for this purpose. Donne proposed that the works the dead left behind in the world could influence their spiritual fate. Those who – like the sponsor of the sermon – left a legacy of charity would be glorified whenever they inspired similar acts of charity. Those who – like the writer of “wanton books” – left a legacy of sin would be punished as often as they corrupted the living. From the perspective of Protestant theology, these were heretical claims. As Luther made clear, death had to be faced alone, and the living could do nothing to influence the posthumous condition of fellow Christians. For Donne, however, the dead remained permanently tied to the world, and books were a source of this connection.
Dead Letters: The Afterlife before Religion shows how a concept of the afterlife that originated within secular literary culture came to be incorporated into religious teachings about mortality. I trace a narrative of increasing existential identification between dead authors and their books. Initially, a posthumous edition was thought to enhance a reputation. Over time, early modern English writers began to locate their feelings of love, their moral commitments, even their souls in their literary afterlives. No longer a fictional supplement to one's actual existence with (or without) God, the literary afterlife now competed with religious concepts of eternity. Ben Jonson, for example, preferred survival through books to an afterlife in heaven, even as he recognized the sacrifice this choice entailed. When Donne and other religious writers argued for the sacred significance of posthumous literary activity, they did not revert to pre-Reformation tendencies to subordinate mortal life to posthumous immortality. Instead, they acknowledged the independent value of secular pursuits, not only for the living and those who, like Jonson, had committed themselves to worldliness, but also for the dead, even those enjoying the blessings of the world to come.
Advisors/Committee Members: Smith, Nigel (advisor), Dolven, Jeff (advisor).
Subjects/Keywords: Afterlife;
Death;
Secularization;
Temporality
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MLA ·
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APA (6th Edition):
Vasiliauskas, E. K. (2015). Dead Letters: The Afterlife before Religion
. (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01h989r5595
Chicago Manual of Style (16th Edition):
Vasiliauskas, Emily Kate. “Dead Letters: The Afterlife before Religion
.” 2015. Doctoral Dissertation, Princeton University. Accessed March 07, 2021.
http://arks.princeton.edu/ark:/88435/dsp01h989r5595.
MLA Handbook (7th Edition):
Vasiliauskas, Emily Kate. “Dead Letters: The Afterlife before Religion
.” 2015. Web. 07 Mar 2021.
Vancouver:
Vasiliauskas EK. Dead Letters: The Afterlife before Religion
. [Internet] [Doctoral dissertation]. Princeton University; 2015. [cited 2021 Mar 07].
Available from: http://arks.princeton.edu/ark:/88435/dsp01h989r5595.
Council of Science Editors:
Vasiliauskas EK. Dead Letters: The Afterlife before Religion
. [Doctoral Dissertation]. Princeton University; 2015. Available from: http://arks.princeton.edu/ark:/88435/dsp01h989r5595
Delft University of Technology
19.
Vooren, Tom (author).
Temporal Empathy: A case study in the old coal storage.
Degree: 2021, Delft University of Technology
URL: http://resolver.tudelft.nl/uuid:21bf622c-8979-4692-a491-2efffa31ba41
► Buildings, spaces, objects - architectural things, everything is of a temporal nature, but this can be hard to grasp. However, we are capable of understanding…
(more)
▼ Buildings, spaces, objects - architectural things, everything is of a temporal nature, but this can be hard to grasp. However, we are capable of understanding time as a part of architecture. Not just as a concept, but as something that manifests itself as intrinsic characteristics in the architecture we create and experience. Temporal empathy is about understanding the temporal nature of things around you not only through thinking, but through feeling. Likewise, a complete understanding of temporal empathy as a subject itself can only be achieved by both thinking and feeling.
ExploreLab 29
Advisors/Committee Members: van de Pas, R.R.J. (mentor), Milinović, S. (mentor), van de Voort, J.A. (mentor), Delft University of Technology (degree granting institution).
Subjects/Keywords: Temporality; Experience; Mental Image; Empathy
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APA (6th Edition):
Vooren, T. (. (2021). Temporal Empathy: A case study in the old coal storage. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:21bf622c-8979-4692-a491-2efffa31ba41
Chicago Manual of Style (16th Edition):
Vooren, Tom (author). “Temporal Empathy: A case study in the old coal storage.” 2021. Masters Thesis, Delft University of Technology. Accessed March 07, 2021.
http://resolver.tudelft.nl/uuid:21bf622c-8979-4692-a491-2efffa31ba41.
MLA Handbook (7th Edition):
Vooren, Tom (author). “Temporal Empathy: A case study in the old coal storage.” 2021. Web. 07 Mar 2021.
Vancouver:
Vooren T(. Temporal Empathy: A case study in the old coal storage. [Internet] [Masters thesis]. Delft University of Technology; 2021. [cited 2021 Mar 07].
Available from: http://resolver.tudelft.nl/uuid:21bf622c-8979-4692-a491-2efffa31ba41.
Council of Science Editors:
Vooren T(. Temporal Empathy: A case study in the old coal storage. [Masters Thesis]. Delft University of Technology; 2021. Available from: http://resolver.tudelft.nl/uuid:21bf622c-8979-4692-a491-2efffa31ba41
University of Sydney
20.
Chatterjee, Pratichi.
Sydney Dispossessions: Accounts of Property, and Time in the City
.
Degree: 2020, University of Sydney
URL: http://hdl.handle.net/2123/22915
► In recent years urban scholarship has shown a keen interest in the processes and experiences of dispossession unfolding in cities of the Global North and…
(more)
▼ In recent years urban scholarship has shown a keen interest in the processes and experiences of dispossession unfolding in cities of the Global North and South. Inspired by this work this thesis develops a framework to analyse dispossession within a settler colonial city that does not fall into these neat binaries. In my analysis I bring a political economy lens of state power into dialogue with critical legal geographies of property, identifying diverse forms of dispossession that unfold in the wake of state force, via the dismantling and attenuation of urban dwellers’ official and unofficial property relations. I apply this conceptual framework to two cases of state-sponsored dispossession in contemporary Sydney – the first involving the privatisation and redevelopment of public land and Aboriginal owned land in the inner-city, while the second entails the compulsory acquisition of private land from individual property owners for a large infrastructure project. Firstly, I identify the different legal forms of state authority through which dispossession is implemented, the cultural and economic logics of improvement used to justify dispossession or make a political case for the projects, and the bureaucratic forms of compensation, domination and coercion used to pacify and generate compliance. Secondly, I analyse dispossession in the weakening and extinguishing of property relations of mastery and membership, where the character of state force in concert with the varied legal, social and cultural arrangements that ‘hold up’ property, shape urban dwellers experiences and anticipations of dispossession. While both cases involve the expropriation of formal legal property, my analysis adopts a relational approach that ‘opens’ up the concept of property.
Subjects/Keywords: property;
dispossession;
temporality;
settler colonialism
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APA (6th Edition):
Chatterjee, P. (2020). Sydney Dispossessions: Accounts of Property, and Time in the City
. (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/22915
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Chatterjee, Pratichi. “Sydney Dispossessions: Accounts of Property, and Time in the City
.” 2020. Thesis, University of Sydney. Accessed March 07, 2021.
http://hdl.handle.net/2123/22915.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Chatterjee, Pratichi. “Sydney Dispossessions: Accounts of Property, and Time in the City
.” 2020. Web. 07 Mar 2021.
Vancouver:
Chatterjee P. Sydney Dispossessions: Accounts of Property, and Time in the City
. [Internet] [Thesis]. University of Sydney; 2020. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/2123/22915.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Chatterjee P. Sydney Dispossessions: Accounts of Property, and Time in the City
. [Thesis]. University of Sydney; 2020. Available from: http://hdl.handle.net/2123/22915
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
NSYSU
21.
Lee, Te-mao.
Temporality and the Problem of Image in Contemporary Art: the Perspective and the Critique of Merleau-Ponty.
Degree: Master, Philosophy, 2007, NSYSU
URL: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0812107-121049
Subjects/Keywords: Contemporary Art; temporality
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APA (6th Edition):
Lee, T. (2007). Temporality and the Problem of Image in Contemporary Art: the Perspective and the Critique of Merleau-Ponty. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0812107-121049
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Lee, Te-mao. “Temporality and the Problem of Image in Contemporary Art: the Perspective and the Critique of Merleau-Ponty.” 2007. Thesis, NSYSU. Accessed March 07, 2021.
http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0812107-121049.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Lee, Te-mao. “Temporality and the Problem of Image in Contemporary Art: the Perspective and the Critique of Merleau-Ponty.” 2007. Web. 07 Mar 2021.
Vancouver:
Lee T. Temporality and the Problem of Image in Contemporary Art: the Perspective and the Critique of Merleau-Ponty. [Internet] [Thesis]. NSYSU; 2007. [cited 2021 Mar 07].
Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0812107-121049.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Lee T. Temporality and the Problem of Image in Contemporary Art: the Perspective and the Critique of Merleau-Ponty. [Thesis]. NSYSU; 2007. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0812107-121049
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Universiteit Utrecht
22.
Elings, A.
'De aanraking met het wezen der dingen' : tijdservaringen als nieuw erfgoedperspectief.
Degree: 2007, Universiteit Utrecht
URL: http://dspace.library.uu.nl:8080/handle/1874/23672
► Aan de hand van de 'historische sensatie' van Huizinga wordt in drie case studies (uit drie verschillende erfgoedgebieden) onderzocht of het willen opdoen van tijdservaringen…
(more)
▼ Aan de hand van de 'historische sensatie' van Huizinga wordt in drie case studies (uit drie verschillende erfgoedgebieden) onderzocht of het willen opdoen van tijdservaringen een verklaring kan bieden voor de toenemende populariteit van Erfgoed. Dit n.a.v. het oprichten van het Nationaal Historisch Museum in Arnhem.
Advisors/Committee Members: Nijhof, E..
Subjects/Keywords: Letteren; temporality; tijdservaring; historische sensatie; erfgoed
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APA (6th Edition):
Elings, A. (2007). 'De aanraking met het wezen der dingen' : tijdservaringen als nieuw erfgoedperspectief. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/23672
Chicago Manual of Style (16th Edition):
Elings, A. “'De aanraking met het wezen der dingen' : tijdservaringen als nieuw erfgoedperspectief.” 2007. Masters Thesis, Universiteit Utrecht. Accessed March 07, 2021.
http://dspace.library.uu.nl:8080/handle/1874/23672.
MLA Handbook (7th Edition):
Elings, A. “'De aanraking met het wezen der dingen' : tijdservaringen als nieuw erfgoedperspectief.” 2007. Web. 07 Mar 2021.
Vancouver:
Elings A. 'De aanraking met het wezen der dingen' : tijdservaringen als nieuw erfgoedperspectief. [Internet] [Masters thesis]. Universiteit Utrecht; 2007. [cited 2021 Mar 07].
Available from: http://dspace.library.uu.nl:8080/handle/1874/23672.
Council of Science Editors:
Elings A. 'De aanraking met het wezen der dingen' : tijdservaringen als nieuw erfgoedperspectief. [Masters Thesis]. Universiteit Utrecht; 2007. Available from: http://dspace.library.uu.nl:8080/handle/1874/23672
23.
Cao, Yanyan.
Enonciation et Français Langue Etrangère : l'acquisition du système temporel par les sinophones.
Degree: Docteur es, Sciences du langage, 2013, Rennes 2
URL: http://www.theses.fr/2013REN20008
► Les apprenants sinophones manifestent de nombreuses résistances spécifiques lors de l'acquisition du système temporel du français. Notre objectif est de déterminer les raisons d'une telle…
(more)
▼ Les apprenants sinophones manifestent de nombreuses résistances spécifiques lors de l'acquisition du système temporel du français. Notre objectif est de déterminer les raisons d'une telle situation afin de réfléchir à des propositions didactiques propres à résoudre ces problèmes récurrents. L'analyse du corpus de productions orales et écrites recueilli auprès des étudiants sinophones à différents stades de leur apprentissage a mis en lumière une interlangue caractérisée par une perspective énonciative instable. Pour trouver des explications à ce phénomène, nous avons procédé à une analyse linguistique contrastive des deux systèmes temporels, chinois et français, et également à une analyse des outils de description des langues habituellement utilisés dans l’enseignement du français dans notre établissement d'accueil. Nous avons remarqué que la notion d'énonciation, qui est centrale dans la linguistique française, exerce peu de contraintes formelles dans l'organisation du système temporel du chinois. De plus, elle est rarement évoquée dans l'enseignement du français en Chine. Ces résultats offrent des pistes pertinentes pour la réflexion sur les démarches didactiques à entreprendre en vue d'adapter l'enseignement du fonctionnement interne du français aux caractéristiques du public sinophone
Chinese learners face specific problems when learning French tenses. Our aim is to determine the reasons for this situation and make didactic proposals to adapt the teaching of the French language to Chinese characteristics. The study of the corpus collected from Chinese students at different stages of learning shows an enunciative perspective that isunstable during the construction of the tense system. A contrastive linguistic analysis of Chinese and French temporal systems, as well as an observation of the descriptive language tools commonly used in French teaching in China and didactic practices highlight on the one hand the influences of the mother tongue and secondly the teaching received onthe French tense system construction by Chinese students
Advisors/Committee Members: Le Bot, Marie-Claude (thesis director).
Subjects/Keywords: Interlangue; Temporalité; Chinois; Interlanguage; Temporality; Chinese; 440
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APA (6th Edition):
Cao, Y. (2013). Enonciation et Français Langue Etrangère : l'acquisition du système temporel par les sinophones. (Doctoral Dissertation). Rennes 2. Retrieved from http://www.theses.fr/2013REN20008
Chicago Manual of Style (16th Edition):
Cao, Yanyan. “Enonciation et Français Langue Etrangère : l'acquisition du système temporel par les sinophones.” 2013. Doctoral Dissertation, Rennes 2. Accessed March 07, 2021.
http://www.theses.fr/2013REN20008.
MLA Handbook (7th Edition):
Cao, Yanyan. “Enonciation et Français Langue Etrangère : l'acquisition du système temporel par les sinophones.” 2013. Web. 07 Mar 2021.
Vancouver:
Cao Y. Enonciation et Français Langue Etrangère : l'acquisition du système temporel par les sinophones. [Internet] [Doctoral dissertation]. Rennes 2; 2013. [cited 2021 Mar 07].
Available from: http://www.theses.fr/2013REN20008.
Council of Science Editors:
Cao Y. Enonciation et Français Langue Etrangère : l'acquisition du système temporel par les sinophones. [Doctoral Dissertation]. Rennes 2; 2013. Available from: http://www.theses.fr/2013REN20008
University of California – Irvine
24.
Bejarano, Cristina Teresa.
Turbulent Science: Temporality, Proximity, and Scientific Practice in Mexico.
Degree: Anthropology, 2014, University of California – Irvine
URL: http://www.escholarship.org/uc/item/27j1v1xv
► Social and cultural studies of science have often left linear time unquestioned while making the important observation that progress is not the inevitable trajectory of…
(more)
▼ Social and cultural studies of science have often left linear time unquestioned while making the important observation that progress is not the inevitable trajectory of science. In the anthropology of time, relativist accounts have tended to focus on nonlinear kinds of time. This ethnography contributes to these two bodies of literature by demonstrating how the flow of time is highly variable, producing complex understandings of the past, present, and future and their relationship to each other. These multiple temporalities are crucial to understanding how science is envisioned, the kinds of research questions that are asked at particular moments, and how research trends eventually take shape. It argues that scientists are not merely in time but are actively constructing various kinds of time through the relations they form between themselves, objects, ideas, and temporal reference points that often have a spatial dimension. This ethnography uses the particular case of genomic science in Mexico to show how constructions and experiences of time affect scientific knowledge production and practices. Biomedical researchers in Mexico often face an array of material, technological, institutional, and linguistic challenges. Laboratory materials can take two to six months to arrive yet researchers have also learned to anticipate unexpected delays. Most laboratories lack the newest and more efficient laboratory equipment. Institutions frequently implement policies that directly affect researchers without giving proper notice. Mexican biomedical researchers are required to publish in English in the top journals in their fields, but they often report unfair rejections of their manuscripts due to their country of origin. These challenges give the sensation that time does not progress into the future at a constant speed, but rather varies tremendously. This is compounded by the fact that many biomedical researchers from Mexico have studied and worked at very privileged institutions in the U.S. and Europe. In other words, they have experienced science in contexts where time can seem to progress into the future at a constant and predictable speed. This ethnography shows how these experiences and constructions of time influence which research questions and fields of study Mexican biomedical researchers ultimately decide to pursue.
Subjects/Keywords: Cultural anthropology; knowledge; science studies; temporality; time
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APA (6th Edition):
Bejarano, C. T. (2014). Turbulent Science: Temporality, Proximity, and Scientific Practice in Mexico. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/27j1v1xv
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Bejarano, Cristina Teresa. “Turbulent Science: Temporality, Proximity, and Scientific Practice in Mexico.” 2014. Thesis, University of California – Irvine. Accessed March 07, 2021.
http://www.escholarship.org/uc/item/27j1v1xv.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Bejarano, Cristina Teresa. “Turbulent Science: Temporality, Proximity, and Scientific Practice in Mexico.” 2014. Web. 07 Mar 2021.
Vancouver:
Bejarano CT. Turbulent Science: Temporality, Proximity, and Scientific Practice in Mexico. [Internet] [Thesis]. University of California – Irvine; 2014. [cited 2021 Mar 07].
Available from: http://www.escholarship.org/uc/item/27j1v1xv.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Bejarano CT. Turbulent Science: Temporality, Proximity, and Scientific Practice in Mexico. [Thesis]. University of California – Irvine; 2014. Available from: http://www.escholarship.org/uc/item/27j1v1xv
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Alberta
25.
Buchinski, Alexander.
Bernard Stiegler’s critique of and supplement to Martin
Heidegger’s account of the independence of entities.
Degree: MA, Department of Philosophy, 2011, University of Alberta
URL: https://era.library.ualberta.ca/files/ff365639s
► This thesis first provides an explication of Bernard Stiegler’s implicit critique of Martin Heidegger’s account of the independence entities. After accomplishing this explication, an explanation…
(more)
▼ This thesis first provides an explication of Bernard
Stiegler’s implicit critique of Martin Heidegger’s account of the
independence entities. After accomplishing this explication, an
explanation and justification of Stiegler’s theory of entities, in
the form of technology, is given to see if it can provide a
plausible account of entities that gives them their full
significance of independence within a larger Heideggerian
philosophical context. This explanation and justification consists
of showing how, for Stiegler, the ontic and the ontological are in
a relation of mutual constitution, and how this relation
establishes the full significance of the independence of entities.
Finally, Stiegler’s critique is evaluated as to the degree of its
proper understanding and engagement with Heidegger’s project, and
the philosophical merit of Stiegler’s larger project is also
assessed.
Subjects/Keywords: temporality; Stiegler; philosophy; phenomenology; technics; Heidegger; ontology
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MLA ·
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APA (6th Edition):
Buchinski, A. (2011). Bernard Stiegler’s critique of and supplement to Martin
Heidegger’s account of the independence of entities. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/ff365639s
Chicago Manual of Style (16th Edition):
Buchinski, Alexander. “Bernard Stiegler’s critique of and supplement to Martin
Heidegger’s account of the independence of entities.” 2011. Masters Thesis, University of Alberta. Accessed March 07, 2021.
https://era.library.ualberta.ca/files/ff365639s.
MLA Handbook (7th Edition):
Buchinski, Alexander. “Bernard Stiegler’s critique of and supplement to Martin
Heidegger’s account of the independence of entities.” 2011. Web. 07 Mar 2021.
Vancouver:
Buchinski A. Bernard Stiegler’s critique of and supplement to Martin
Heidegger’s account of the independence of entities. [Internet] [Masters thesis]. University of Alberta; 2011. [cited 2021 Mar 07].
Available from: https://era.library.ualberta.ca/files/ff365639s.
Council of Science Editors:
Buchinski A. Bernard Stiegler’s critique of and supplement to Martin
Heidegger’s account of the independence of entities. [Masters Thesis]. University of Alberta; 2011. Available from: https://era.library.ualberta.ca/files/ff365639s
Cornell University
26.
Gruss, Inga.
Waiting For Elsewhere: Place, Temporality And Myanmar Migrants In Thailand.
Degree: PhD, Anthropology, 2015, Cornell University
URL: http://hdl.handle.net/1813/41096
► The central argument of this dissertation upholds that the experience of time cannot be understood independently of the experience of place, in other words, that…
(more)
▼ The central argument of this dissertation upholds that the experience of time cannot be understood independently of the experience of place, in other words, that the experience of time is inextricable from the experience of place. I argue that migrants experience Thailand foremost as a non-place. The difficulty they have in molding place according to their own wishes, results in an increased desire to formulate flexible orientations in and towards time. Migrants increasingly live oriented towards the future and the present becomes a tool for envisioning and working towards the life-to-be. The future, however, is not only a temporal condition. Embedded in the waiting process is the realization that the future will only fulfill its promise if it is going to be lived elsewhere. The return to a place with room for personal histories, meaningful identity-formation processes and lasting relations is necessarily a move through time and space.
Advisors/Committee Members: Willford,Andrew C. (chair), Fiskesjo,N Magnus G (committee member), Tagliacozzo,Eric (committee member).
Subjects/Keywords: Place-making, migration, temporality; Myanmar, Southeast Asia
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APA (6th Edition):
Gruss, I. (2015). Waiting For Elsewhere: Place, Temporality And Myanmar Migrants In Thailand. (Doctoral Dissertation). Cornell University. Retrieved from http://hdl.handle.net/1813/41096
Chicago Manual of Style (16th Edition):
Gruss, Inga. “Waiting For Elsewhere: Place, Temporality And Myanmar Migrants In Thailand.” 2015. Doctoral Dissertation, Cornell University. Accessed March 07, 2021.
http://hdl.handle.net/1813/41096.
MLA Handbook (7th Edition):
Gruss, Inga. “Waiting For Elsewhere: Place, Temporality And Myanmar Migrants In Thailand.” 2015. Web. 07 Mar 2021.
Vancouver:
Gruss I. Waiting For Elsewhere: Place, Temporality And Myanmar Migrants In Thailand. [Internet] [Doctoral dissertation]. Cornell University; 2015. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/1813/41096.
Council of Science Editors:
Gruss I. Waiting For Elsewhere: Place, Temporality And Myanmar Migrants In Thailand. [Doctoral Dissertation]. Cornell University; 2015. Available from: http://hdl.handle.net/1813/41096
Cornell University
27.
Funahashi, Daena.
Order Of Disorder: Burnout And The New Finnish Economy.
Degree: PhD, Anthropology, 2011, Cornell University
URL: http://hdl.handle.net/1813/30600
► During the late 1990s and early 2000s, when criticism of the welfare state peaked in Finland even amongst the political Left, the Finnish Ministry of…
(more)
▼ During the late 1990s and early 2000s, when criticism of the welfare state peaked in Finland even amongst the political Left, the Finnish Ministry of Health identified workplace burnout [työuupumus] as an emergent health risk stemming from the changes made to productive practices in the name of national competitiveness. By depicting burnout as something emergent and "new," Finnish health officials provoked an orientation to the present as a distinct moment and the experience of those individuals diagnosed with burnout (and their particular qualities) as exemplifying this rupture from the past. Such a framework has contributed to self-examinations on the part of those diagnosed as to their personal qualities that make them ill-suited to the present. On a national level, the often moral depiction of those who fall under the category of burnout by the general public has come to signify for and to confirm that a moral
subject of the non-competitive, welfarist era truly existed. In this sense, those diagnosed become for the nation the physical archive of what is believed to be lost. Based on two years of ethnographic field research in rehabilitation centers, self-help groups and public health forums for burnout, I explore how economic ideals (neoliberal or otherwise) intersect processes of self-constitution in that ideas about economics affect the production of the frame in which subjectivity, time, morality, ethics and notions of justice gain meaning. Often, scholarship inspired by Foucault‟s notion of biopolitics focus on the moral and ethical ramifications of disciplinary measures on the body. I build upon ideas of discipline, but reframe the issue psychoanalytically as one of language and being. I explore the struggles behind how subjects come to step into and identify with the categories and narratives of "burn out" and temporal belonging designated for them. In short, I ask: what does the discourse of burnout enable expression, and what does it obfuscate.
Advisors/Committee Members: Boyer, Dominic C. (chair), Willford, Andrew C. (committee member), Fiskesjo, Nils Magnus G (committee member), Sakai, Naoki (committee member).
Subjects/Keywords: Emergent disorder; temporality; Neoliberalism; burnout; Finland
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Manager
APA (6th Edition):
Funahashi, D. (2011). Order Of Disorder: Burnout And The New Finnish Economy. (Doctoral Dissertation). Cornell University. Retrieved from http://hdl.handle.net/1813/30600
Chicago Manual of Style (16th Edition):
Funahashi, Daena. “Order Of Disorder: Burnout And The New Finnish Economy.” 2011. Doctoral Dissertation, Cornell University. Accessed March 07, 2021.
http://hdl.handle.net/1813/30600.
MLA Handbook (7th Edition):
Funahashi, Daena. “Order Of Disorder: Burnout And The New Finnish Economy.” 2011. Web. 07 Mar 2021.
Vancouver:
Funahashi D. Order Of Disorder: Burnout And The New Finnish Economy. [Internet] [Doctoral dissertation]. Cornell University; 2011. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/1813/30600.
Council of Science Editors:
Funahashi D. Order Of Disorder: Burnout And The New Finnish Economy. [Doctoral Dissertation]. Cornell University; 2011. Available from: http://hdl.handle.net/1813/30600
University of Illinois – Urbana-Champaign
28.
Zavala, Noel.
Adolescent time: Adolescence and the formation of Chicano literature.
Degree: PhD, English, 2018, University of Illinois – Urbana-Champaign
URL: http://hdl.handle.net/2142/101338
► This dissertation examines the function of adolescence in the formation of Chicano literature. Theories of assimilation and concerns over Mexican-American cultural inauthenticity animate much of…
(more)
▼ This dissertation examines the function of adolescence in the formation of Chicano literature. Theories of assimilation and concerns over Mexican-American cultural inauthenticity animate much of Chicano literature and its criticism, yet my research aims to focus on the liminal space during which Mexican-American adolescent males negotiate complex ideological forces on their way toward manhood. To examine the continually shifting parameters of adolescence I combine readings of literary representations with theories of
temporality to study what I call “adolescent time,” which brings together theories of
temporality, biopolitics, and subjectivity to illuminate the coming-of-age process for Mexican American men. Building on these readings, the dissertation also comments on the politics of Chicano literary history. Chapter One examines two Chicano canonical novels—Americo Paredes’s George Washington Gomez (1930s) and José Antonio Villareal’s Pocho (1990)—that rely upon the generic conventions of the bildungsroman and of adolescence to establish legible representations of Mexican American masculinity which were strategically recovered by Chicano activists and scholars. A strategic identification with the protagonists of these texts shows their recovery to be keyed into debates regarding their literary value, thus shedding light on the politics of canon building. Chapter Two looks beyond the criticism against Richard Rodriguez’s Hunger of Memory (1982) to focus on the adolescent time of the novel—paying special attention to issues of class, race, gender, and sexuality—to better understand the author’s conservative views. An iconoclastic figure in Chicano studies, Rodriguez’s refusal to generate a reproductive model of kinship and ethnic identification, a failure akin to the adolescent as failed investment. While Rodriguez may be bereft of literary forebears—a branch presumed dead on the tree of Chicano literary history—his work has generated decades of criticism and debate, and in this way he has borne a different kind of fruit. Chapter Three reconsiders the value of Young Adult literature to Chicano Studies, heretofore woefully understudied. I read authors Matt de la Peña and Benjamin Alire Sáenz as attuned to the concerns of both Chicano Studies and Children’s/Young Adult Literary Studies; their work eschews ethnic nationalism to attend to the traumatic experiences of the adolescent period to model positive types of
subject formation for its young reader. Nevertheless, like many Chicano canonical texts about adolescence, these Young Adult texts continue to grapple with notions of race, gender, and sexuality and thus expand the available representations of masculinity beyond heteropatriarchal nationalism. To conclude, the dissertation’s fourth chapter examines Rudolfo Anaya’s Bless Me, Ultima (1972), an extremely popular crossover text, making it apropos to blur the lines of adolescent time by expanding the parameters of adolescent time to speculate on the narrative and perform the dissertation in miniature. Overall, the…
Advisors/Committee Members: Rodriguez, Richard T. (advisor), Rodriguez, Richard T. (Committee Chair), Somerville, Siobhan (Committee Chair), Alba Cutler, John (committee member), Koshy, Susan (committee member).
Subjects/Keywords: Chicano literature; authenticity; masculinity; adolescence; temporality
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APA ·
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MLA ·
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Export
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Manager
APA (6th Edition):
Zavala, N. (2018). Adolescent time: Adolescence and the formation of Chicano literature. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/101338
Chicago Manual of Style (16th Edition):
Zavala, Noel. “Adolescent time: Adolescence and the formation of Chicano literature.” 2018. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed March 07, 2021.
http://hdl.handle.net/2142/101338.
MLA Handbook (7th Edition):
Zavala, Noel. “Adolescent time: Adolescence and the formation of Chicano literature.” 2018. Web. 07 Mar 2021.
Vancouver:
Zavala N. Adolescent time: Adolescence and the formation of Chicano literature. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2018. [cited 2021 Mar 07].
Available from: http://hdl.handle.net/2142/101338.
Council of Science Editors:
Zavala N. Adolescent time: Adolescence and the formation of Chicano literature. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2018. Available from: http://hdl.handle.net/2142/101338
Penn State University
29.
Schneider, Haley Elizabeth.
Utopian Rhetorics: Space and Time in the United Nations' Pursuit of Cosmopolitan Progress.
Degree: 2017, Penn State University
URL: https://submit-etda.libraries.psu.edu/catalog/14651hes5085
► In this thesis I propose a utopian analysis of rhetorics of progress and development as to reconsider the connections between materiality and discourse. In recent…
(more)
▼ In this thesis I propose a utopian analysis of rhetorics of progress and development as to reconsider the connections between materiality and discourse. In recent years, rhetorical critics have extended their objects of analysis beyond the stasis of discursive texts to memorial sites, urban planning, tourism practices, consumer culture, and many other “texts” that push the boundaries of rhetorical theory. I argue that this expansion of texts merits new methods for analyzing persuasion that takes place over a longer period of time. Through a rhetorical analysis of three of the United Nations’ documents and programs, I utilize utopia as a rhetorical lens to examine how the United Nations sought to envision and enact change upon the material world. In chapter 1, I argue that the United Nations created a utopian time to invent and implement their vision for the Universal Declaration of Human Rights. In chapter 2, I examine the conflict between the World Heritage Committee and Dresden’s city officials over Dresden’s world heritage status. I find that the physical separation between the site in which the UN's utopian vision came to fruition and the site in which they attempt to enact it (Dresden Elbe Valley) rendered the materialization of utopia impossible. In chapter 3, I study UNESCO’s Memory of the World Archive, and contend that the temporal and spatial limitations of UNESCO's digital archive hinders the fulfillment of utopia. Throughout each chapter I consider how change is imagined, discussed, and enacted upon the material world. While the field of rhetoric has turned to material environments as sources for invention, scholars have insufficiently attended to the ways in which discursive ideas are made material through rhetorical actors. My thesis is a call to remedy this situation through a future-based analysis.
Advisors/Committee Members: Rosa A Eberly, Thesis Advisor/Co-Advisor, Bradford James Vivian, Committee Member, Stephen Howard Browne, Committee Member.
Subjects/Keywords: temporality; memory; international politics; political ideology
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APA (6th Edition):
Schneider, H. E. (2017). Utopian Rhetorics: Space and Time in the United Nations' Pursuit of Cosmopolitan Progress. (Thesis). Penn State University. Retrieved from https://submit-etda.libraries.psu.edu/catalog/14651hes5085
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Schneider, Haley Elizabeth. “Utopian Rhetorics: Space and Time in the United Nations' Pursuit of Cosmopolitan Progress.” 2017. Thesis, Penn State University. Accessed March 07, 2021.
https://submit-etda.libraries.psu.edu/catalog/14651hes5085.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Schneider, Haley Elizabeth. “Utopian Rhetorics: Space and Time in the United Nations' Pursuit of Cosmopolitan Progress.” 2017. Web. 07 Mar 2021.
Vancouver:
Schneider HE. Utopian Rhetorics: Space and Time in the United Nations' Pursuit of Cosmopolitan Progress. [Internet] [Thesis]. Penn State University; 2017. [cited 2021 Mar 07].
Available from: https://submit-etda.libraries.psu.edu/catalog/14651hes5085.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Schneider HE. Utopian Rhetorics: Space and Time in the United Nations' Pursuit of Cosmopolitan Progress. [Thesis]. Penn State University; 2017. Available from: https://submit-etda.libraries.psu.edu/catalog/14651hes5085
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Wisconsin – Milwaukee
30.
Bruss, Robert.
The Time Is Now: Embodiments of the Hyper-Present in Contemporary American Literature.
Degree: PhD, English, 2019, University of Wisconsin – Milwaukee
URL: https://dc.uwm.edu/etd/2291
► For many years, writers have argued the predominant temporality of contemporary experience is an intensified present. David Harvey and Fredric Jameson argued that such…
(more)
▼ For many years, writers have argued the predominant
temporality of contemporary experience is an intensified present. David Harvey and Fredric Jameson argued that such an intense emphasis on the present was one of postmodernism’s principle features. Harvey argued that new communication technologies resulted in a "time-space compression” that created the sense that “the present is all there is.” Similarly, Jameson argued that postmodernism reflected the logic of late capitalism, resulting in a society that “has begun to live in a perpetual present” that obliterates one’s awareness of the past or future. Although many consider we have moved beyond postmodernism, our experience of the present has only become more intensified. The omnipresence of online connectivity today through communications technologies, such as smart phones and social media, means almost everything can be addressed in the present moment. In order to better understand this phenomenon, this dissertation examines this intensified experience of the present, what I call the hyper-present, as it is embodied in four different literary texts. Chapters are devoted to The Mezzanine by Nicholson Baker, Only Revolutions by Mark Z. Danielewski, Save the Date by Chris Cornell, and Queers in Love at the End of the World by Anna Anthropy. Although the form of each of these texts is significantly different, they each thrust the reader into a hyper-present reading experience. I argue that these texts challenge the pessimistic attitude that most theorists have towards the hyper-present. Although the hyper-present can present a number of important hurdles for contemporary life, it can also help us better recognize the significance of material objects, ecological threats, the limits of narrative tropes, and affectivity. Additionally, this study highlights the value of synthesizing literary and digital studies. This dissertation examines two print-based novels and two digital games. In the process it highlights both how digitality has profoundly shaped contemporary print media and how traditional literary studies has shaped digital media. Rather than being at odds, it shows how the perspectives and methodologies of literary and digital studies prove valuable regardless of media and how each approach highlights the need for and value of the other.
Advisors/Committee Members: Jane A Gallop.
Subjects/Keywords: Digitality; Digital Literature; Temporality; American Literature
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APA ·
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MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Bruss, R. (2019). The Time Is Now: Embodiments of the Hyper-Present in Contemporary American Literature. (Doctoral Dissertation). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/2291
Chicago Manual of Style (16th Edition):
Bruss, Robert. “The Time Is Now: Embodiments of the Hyper-Present in Contemporary American Literature.” 2019. Doctoral Dissertation, University of Wisconsin – Milwaukee. Accessed March 07, 2021.
https://dc.uwm.edu/etd/2291.
MLA Handbook (7th Edition):
Bruss, Robert. “The Time Is Now: Embodiments of the Hyper-Present in Contemporary American Literature.” 2019. Web. 07 Mar 2021.
Vancouver:
Bruss R. The Time Is Now: Embodiments of the Hyper-Present in Contemporary American Literature. [Internet] [Doctoral dissertation]. University of Wisconsin – Milwaukee; 2019. [cited 2021 Mar 07].
Available from: https://dc.uwm.edu/etd/2291.
Council of Science Editors:
Bruss R. The Time Is Now: Embodiments of the Hyper-Present in Contemporary American Literature. [Doctoral Dissertation]. University of Wisconsin – Milwaukee; 2019. Available from: https://dc.uwm.edu/etd/2291
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Open Access Theses and Dissertations