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You searched for subject:(spectatorship). Showing records 1 – 30 of 88 total matches.

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The Ohio State University

1. Abdallah, James C. The Football Effect:How sports spectatorship affects self-esteem, mood, and group identification in affiliated individuals.

Degree: MA, Communication, 2017, The Ohio State University

 This online longitudinal multi-wave study investigated impacts of sports spectatorship on students of two college football powerhouses — The Ohio State University and the University… (more)

Subjects/Keywords: Communication; Sports Spectatorship affects; communication

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Abdallah, J. C. (2017). The Football Effect:How sports spectatorship affects self-esteem, mood, and group identification in affiliated individuals. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1500621436080541

Chicago Manual of Style (16th Edition):

Abdallah, James C. “The Football Effect:How sports spectatorship affects self-esteem, mood, and group identification in affiliated individuals.” 2017. Masters Thesis, The Ohio State University. Accessed September 21, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500621436080541.

MLA Handbook (7th Edition):

Abdallah, James C. “The Football Effect:How sports spectatorship affects self-esteem, mood, and group identification in affiliated individuals.” 2017. Web. 21 Sep 2019.

Vancouver:

Abdallah JC. The Football Effect:How sports spectatorship affects self-esteem, mood, and group identification in affiliated individuals. [Internet] [Masters thesis]. The Ohio State University; 2017. [cited 2019 Sep 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1500621436080541.

Council of Science Editors:

Abdallah JC. The Football Effect:How sports spectatorship affects self-esteem, mood, and group identification in affiliated individuals. [Masters Thesis]. The Ohio State University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1500621436080541


Cornell University

2. Norman, Sarah. Theatron Perceived: The Seen, The Unseen, And The Seers In Greek Tragedy .

Degree: 2011, Cornell University

 What if the ornate purple fabric in Agamemnon was not on stage at all? What if the cataclysm at the end of Prometheus Bound was… (more)

Subjects/Keywords: Greek tragedy; spectatorship; Greek stagecraft

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APA (6th Edition):

Norman, S. (2011). Theatron Perceived: The Seen, The Unseen, And The Seers In Greek Tragedy . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/30716

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Norman, Sarah. “Theatron Perceived: The Seen, The Unseen, And The Seers In Greek Tragedy .” 2011. Thesis, Cornell University. Accessed September 21, 2019. http://hdl.handle.net/1813/30716.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Norman, Sarah. “Theatron Perceived: The Seen, The Unseen, And The Seers In Greek Tragedy .” 2011. Web. 21 Sep 2019.

Vancouver:

Norman S. Theatron Perceived: The Seen, The Unseen, And The Seers In Greek Tragedy . [Internet] [Thesis]. Cornell University; 2011. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/1813/30716.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Norman S. Theatron Perceived: The Seen, The Unseen, And The Seers In Greek Tragedy . [Thesis]. Cornell University; 2011. Available from: http://hdl.handle.net/1813/30716

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Mexico

3. Luna-Peña, George. Intimate Gestures: Race, Photography, and Spectatorship in Tijuanas Dumps and Irregular Settlements.

Degree: American Studies, 2014, University of New Mexico

 Through a sustained engagement with the theoretical work of Roland Barthes and Frantz Fanon, this thesis traces the complicated lines of connection linking photography, racial… (more)

Subjects/Keywords: Tijuana; Photography; Race; Spectatorship

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APA (6th Edition):

Luna-Peña, G. (2014). Intimate Gestures: Race, Photography, and Spectatorship in Tijuanas Dumps and Irregular Settlements. (Masters Thesis). University of New Mexico. Retrieved from https://digitalrepository.unm.edu/amst_etds/22

Chicago Manual of Style (16th Edition):

Luna-Peña, George. “Intimate Gestures: Race, Photography, and Spectatorship in Tijuanas Dumps and Irregular Settlements.” 2014. Masters Thesis, University of New Mexico. Accessed September 21, 2019. https://digitalrepository.unm.edu/amst_etds/22.

MLA Handbook (7th Edition):

Luna-Peña, George. “Intimate Gestures: Race, Photography, and Spectatorship in Tijuanas Dumps and Irregular Settlements.” 2014. Web. 21 Sep 2019.

Vancouver:

Luna-Peña G. Intimate Gestures: Race, Photography, and Spectatorship in Tijuanas Dumps and Irregular Settlements. [Internet] [Masters thesis]. University of New Mexico; 2014. [cited 2019 Sep 21]. Available from: https://digitalrepository.unm.edu/amst_etds/22.

Council of Science Editors:

Luna-Peña G. Intimate Gestures: Race, Photography, and Spectatorship in Tijuanas Dumps and Irregular Settlements. [Masters Thesis]. University of New Mexico; 2014. Available from: https://digitalrepository.unm.edu/amst_etds/22


Texas Tech University

4. Cowan, Joshua Jared. Envisioning Latinx America: Neoliberalism, Multiculturalism, and the Politics of Spectatorship.

Degree: PhD, English, 2018, Texas Tech University

 This project examines film, media and literature from the perspective of historically situated Latinx spectatorship. It looks at discrete moments in time from the Cold… (more)

Subjects/Keywords: Neoliberalism; Multiculturalism; Film; Spectatorship; Politics

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APA (6th Edition):

Cowan, J. J. (2018). Envisioning Latinx America: Neoliberalism, Multiculturalism, and the Politics of Spectatorship. (Doctoral Dissertation). Texas Tech University. Retrieved from http://hdl.handle.net/2346/82129

Chicago Manual of Style (16th Edition):

Cowan, Joshua Jared. “Envisioning Latinx America: Neoliberalism, Multiculturalism, and the Politics of Spectatorship.” 2018. Doctoral Dissertation, Texas Tech University. Accessed September 21, 2019. http://hdl.handle.net/2346/82129.

MLA Handbook (7th Edition):

Cowan, Joshua Jared. “Envisioning Latinx America: Neoliberalism, Multiculturalism, and the Politics of Spectatorship.” 2018. Web. 21 Sep 2019.

Vancouver:

Cowan JJ. Envisioning Latinx America: Neoliberalism, Multiculturalism, and the Politics of Spectatorship. [Internet] [Doctoral dissertation]. Texas Tech University; 2018. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/2346/82129.

Council of Science Editors:

Cowan JJ. Envisioning Latinx America: Neoliberalism, Multiculturalism, and the Politics of Spectatorship. [Doctoral Dissertation]. Texas Tech University; 2018. Available from: http://hdl.handle.net/2346/82129


University of Southern California

5. Affuso, Elizabeth Parr. The sculptural screen: spectatorship, exhibition, and Hollywood in contemporary film/video art.

Degree: PhD, Cinema-Television (Critical Studies), 2011, University of Southern California

 Film has always had an important relationship to the art world and a number of well-known artists, such as Fernand Léger, Salvador Dalí, Joseph Cornell,… (more)

Subjects/Keywords: exhibition; fandom; spectatorship; video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Affuso, E. P. (2011). The sculptural screen: spectatorship, exhibition, and Hollywood in contemporary film/video art. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/661414/rec/7283

Chicago Manual of Style (16th Edition):

Affuso, Elizabeth Parr. “The sculptural screen: spectatorship, exhibition, and Hollywood in contemporary film/video art.” 2011. Doctoral Dissertation, University of Southern California. Accessed September 21, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/661414/rec/7283.

MLA Handbook (7th Edition):

Affuso, Elizabeth Parr. “The sculptural screen: spectatorship, exhibition, and Hollywood in contemporary film/video art.” 2011. Web. 21 Sep 2019.

Vancouver:

Affuso EP. The sculptural screen: spectatorship, exhibition, and Hollywood in contemporary film/video art. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2019 Sep 21]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/661414/rec/7283.

Council of Science Editors:

Affuso EP. The sculptural screen: spectatorship, exhibition, and Hollywood in contemporary film/video art. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/661414/rec/7283


University of Exeter

6. Turri, Maria Grazia. A psychoanalytic perspective on theories of spectator-character and actor-character identification in the theatre.

Degree: PhD, 2015, University of Exeter

 From Aristotle’s theory of tragic katharsis to Brecht’s formulation of the Verfremdungseffekt, theorists of the theatre have long engaged with the question of what spectatorship(more)

Subjects/Keywords: 792.02; theatre; drama; spectatorship; acting; psychoanalysis; identification

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Turri, M. G. (2015). A psychoanalytic perspective on theories of spectator-character and actor-character identification in the theatre. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10871/18738

Chicago Manual of Style (16th Edition):

Turri, Maria Grazia. “A psychoanalytic perspective on theories of spectator-character and actor-character identification in the theatre.” 2015. Doctoral Dissertation, University of Exeter. Accessed September 21, 2019. http://hdl.handle.net/10871/18738.

MLA Handbook (7th Edition):

Turri, Maria Grazia. “A psychoanalytic perspective on theories of spectator-character and actor-character identification in the theatre.” 2015. Web. 21 Sep 2019.

Vancouver:

Turri MG. A psychoanalytic perspective on theories of spectator-character and actor-character identification in the theatre. [Internet] [Doctoral dissertation]. University of Exeter; 2015. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/10871/18738.

Council of Science Editors:

Turri MG. A psychoanalytic perspective on theories of spectator-character and actor-character identification in the theatre. [Doctoral Dissertation]. University of Exeter; 2015. Available from: http://hdl.handle.net/10871/18738


University of Missouri – Columbia

7. Lelekis, Debbie. Spectatorship in the crowd in American literature, 1880-1920.

Degree: 2012, University of Missouri – Columbia

 [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation examines spectatorship in nineteenth and early twentieth century American literature, focusing on lesser-known… (more)

Subjects/Keywords: spectatorship; labor movement; national identity; American literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lelekis, D. (2012). Spectatorship in the crowd in American literature, 1880-1920. (Thesis). University of Missouri – Columbia. Retrieved from http://hdl.handle.net/10355/15176

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lelekis, Debbie. “Spectatorship in the crowd in American literature, 1880-1920.” 2012. Thesis, University of Missouri – Columbia. Accessed September 21, 2019. http://hdl.handle.net/10355/15176.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lelekis, Debbie. “Spectatorship in the crowd in American literature, 1880-1920.” 2012. Web. 21 Sep 2019.

Vancouver:

Lelekis D. Spectatorship in the crowd in American literature, 1880-1920. [Internet] [Thesis]. University of Missouri – Columbia; 2012. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/10355/15176.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lelekis D. Spectatorship in the crowd in American literature, 1880-1920. [Thesis]. University of Missouri – Columbia; 2012. Available from: http://hdl.handle.net/10355/15176

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Missouri – Columbia

8. Lelekis, Debbie. Spectatorship in the crowd in American literature, 1880-1920.

Degree: 2012, University of Missouri – Columbia

 [ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation examines spectatorship in nineteenth and early twentieth century American literature, focusing on lesser-known… (more)

Subjects/Keywords: spectatorship; labor movement; national identity; American literature

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lelekis, D. (2012). Spectatorship in the crowd in American literature, 1880-1920. (Thesis). University of Missouri – Columbia. Retrieved from https://doi.org/10.32469/10355/15176

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lelekis, Debbie. “Spectatorship in the crowd in American literature, 1880-1920.” 2012. Thesis, University of Missouri – Columbia. Accessed September 21, 2019. https://doi.org/10.32469/10355/15176.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lelekis, Debbie. “Spectatorship in the crowd in American literature, 1880-1920.” 2012. Web. 21 Sep 2019.

Vancouver:

Lelekis D. Spectatorship in the crowd in American literature, 1880-1920. [Internet] [Thesis]. University of Missouri – Columbia; 2012. [cited 2019 Sep 21]. Available from: https://doi.org/10.32469/10355/15176.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lelekis D. Spectatorship in the crowd in American literature, 1880-1920. [Thesis]. University of Missouri – Columbia; 2012. Available from: https://doi.org/10.32469/10355/15176

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Groot Nibbelink, L.W. Nomadic Theatre. Staging Movement and Mobility in Contemporary Performance.

Degree: 2015, Universiteit Utrecht

 This study concerns performances that attempt to (physically) mobilise the spectator and rethink the conditions of the stage. Spectators are engaged in promenade performances or… (more)

Subjects/Keywords: nomadic theatre; spectatorship; performance analysis; mobility; Deleuze; cartography; architecture; play

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Groot Nibbelink, L. W. (2015). Nomadic Theatre. Staging Movement and Mobility in Contemporary Performance. (Doctoral Dissertation). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/310682

Chicago Manual of Style (16th Edition):

Groot Nibbelink, L W. “Nomadic Theatre. Staging Movement and Mobility in Contemporary Performance.” 2015. Doctoral Dissertation, Universiteit Utrecht. Accessed September 21, 2019. http://dspace.library.uu.nl:8080/handle/1874/310682.

MLA Handbook (7th Edition):

Groot Nibbelink, L W. “Nomadic Theatre. Staging Movement and Mobility in Contemporary Performance.” 2015. Web. 21 Sep 2019.

Vancouver:

Groot Nibbelink LW. Nomadic Theatre. Staging Movement and Mobility in Contemporary Performance. [Internet] [Doctoral dissertation]. Universiteit Utrecht; 2015. [cited 2019 Sep 21]. Available from: http://dspace.library.uu.nl:8080/handle/1874/310682.

Council of Science Editors:

Groot Nibbelink LW. Nomadic Theatre. Staging Movement and Mobility in Contemporary Performance. [Doctoral Dissertation]. Universiteit Utrecht; 2015. Available from: http://dspace.library.uu.nl:8080/handle/1874/310682


NSYSU

10. Lin, Yu-tong. Masquerade of Lameness: On George Gordon Byronâs Body Performance in Byromania and The Deformed Transformed.

Degree: Master, Foreign Language and Literature, 2016, NSYSU

 Seen by many as the first modern celebrity, George Gordon Byron was a world-famous poet with a visible impairment. With ableist prejudice permeating the visual… (more)

Subjects/Keywords: The Deformed Transformed; Spectatorship; Masquerade; Hypervisibility; Byromania; Disability Studies

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APA (6th Edition):

Lin, Y. (2016). Masquerade of Lameness: On George Gordon Byronâs Body Performance in Byromania and The Deformed Transformed. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0027116-231519

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lin, Yu-tong. “Masquerade of Lameness: On George Gordon Byronâs Body Performance in Byromania and The Deformed Transformed.” 2016. Thesis, NSYSU. Accessed September 21, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0027116-231519.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lin, Yu-tong. “Masquerade of Lameness: On George Gordon Byronâs Body Performance in Byromania and The Deformed Transformed.” 2016. Web. 21 Sep 2019.

Vancouver:

Lin Y. Masquerade of Lameness: On George Gordon Byronâs Body Performance in Byromania and The Deformed Transformed. [Internet] [Thesis]. NSYSU; 2016. [cited 2019 Sep 21]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0027116-231519.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lin Y. Masquerade of Lameness: On George Gordon Byronâs Body Performance in Byromania and The Deformed Transformed. [Thesis]. NSYSU; 2016. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0027116-231519

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

11. Lohmann, R.J. Shared Play with the Push of a Button: a Mixed-Method Analysis of Sony PlayStation 4’s Share-Platform.

Degree: 2014, Universiteit Utrecht

 With the incorporation of the Share-button and its underlying platform on the PlayStation 4, Sony has decided to bring social connectivity and the sharing of… (more)

Subjects/Keywords: video games; spectatorship; streaming; social; sharing; shared play; platform studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lohmann, R. J. (2014). Shared Play with the Push of a Button: a Mixed-Method Analysis of Sony PlayStation 4’s Share-Platform. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/301163

Chicago Manual of Style (16th Edition):

Lohmann, R J. “Shared Play with the Push of a Button: a Mixed-Method Analysis of Sony PlayStation 4’s Share-Platform.” 2014. Masters Thesis, Universiteit Utrecht. Accessed September 21, 2019. http://dspace.library.uu.nl:8080/handle/1874/301163.

MLA Handbook (7th Edition):

Lohmann, R J. “Shared Play with the Push of a Button: a Mixed-Method Analysis of Sony PlayStation 4’s Share-Platform.” 2014. Web. 21 Sep 2019.

Vancouver:

Lohmann RJ. Shared Play with the Push of a Button: a Mixed-Method Analysis of Sony PlayStation 4’s Share-Platform. [Internet] [Masters thesis]. Universiteit Utrecht; 2014. [cited 2019 Sep 21]. Available from: http://dspace.library.uu.nl:8080/handle/1874/301163.

Council of Science Editors:

Lohmann RJ. Shared Play with the Push of a Button: a Mixed-Method Analysis of Sony PlayStation 4’s Share-Platform. [Masters Thesis]. Universiteit Utrecht; 2014. Available from: http://dspace.library.uu.nl:8080/handle/1874/301163


Georgia State University

12. Wiggan, Peta-Gaye J. The Game of Unity?: The 2007 Cricket World Cup as a Catalyst toward Caribbean Identity Construction.

Degree: MA, Communication, 2010, Georgia State University

  It was paramount for the English-speaking Caribbean to host a successful 2007 Cricket World Cup and field an outstanding West Indian cricket team for… (more)

Subjects/Keywords: Caribbean Cricket; Identity; Opening Ceremony; Spectatorship; West Indies; Communication

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wiggan, P. J. (2010). The Game of Unity?: The 2007 Cricket World Cup as a Catalyst toward Caribbean Identity Construction. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/communication_theses/70

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wiggan, Peta-Gaye J. “The Game of Unity?: The 2007 Cricket World Cup as a Catalyst toward Caribbean Identity Construction.” 2010. Thesis, Georgia State University. Accessed September 21, 2019. https://scholarworks.gsu.edu/communication_theses/70.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wiggan, Peta-Gaye J. “The Game of Unity?: The 2007 Cricket World Cup as a Catalyst toward Caribbean Identity Construction.” 2010. Web. 21 Sep 2019.

Vancouver:

Wiggan PJ. The Game of Unity?: The 2007 Cricket World Cup as a Catalyst toward Caribbean Identity Construction. [Internet] [Thesis]. Georgia State University; 2010. [cited 2019 Sep 21]. Available from: https://scholarworks.gsu.edu/communication_theses/70.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wiggan PJ. The Game of Unity?: The 2007 Cricket World Cup as a Catalyst toward Caribbean Identity Construction. [Thesis]. Georgia State University; 2010. Available from: https://scholarworks.gsu.edu/communication_theses/70

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Irvine

13. Palomar, Ana. Recuperating the Bildungsroman in Women's Contemporary Spanish Narratives and Film.

Degree: Spanish, 2015, University of California – Irvine

 The coming-of-age novel or story exhibits a search for the individual’s meaningful existence within society in conjunction with the attainment of one’s true self. In… (more)

Subjects/Keywords: Literature; Film studies; Bildungsroman; Eroticism; Gender; Post-Franco; Spectatorship; Women

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Palomar, A. (2015). Recuperating the Bildungsroman in Women's Contemporary Spanish Narratives and Film. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/0k00z8rs

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Palomar, Ana. “Recuperating the Bildungsroman in Women's Contemporary Spanish Narratives and Film.” 2015. Thesis, University of California – Irvine. Accessed September 21, 2019. http://www.escholarship.org/uc/item/0k00z8rs.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Palomar, Ana. “Recuperating the Bildungsroman in Women's Contemporary Spanish Narratives and Film.” 2015. Web. 21 Sep 2019.

Vancouver:

Palomar A. Recuperating the Bildungsroman in Women's Contemporary Spanish Narratives and Film. [Internet] [Thesis]. University of California – Irvine; 2015. [cited 2019 Sep 21]. Available from: http://www.escholarship.org/uc/item/0k00z8rs.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Palomar A. Recuperating the Bildungsroman in Women's Contemporary Spanish Narratives and Film. [Thesis]. University of California – Irvine; 2015. Available from: http://www.escholarship.org/uc/item/0k00z8rs

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

14. Holden, Rebecca. Distant painterly perspectives : war, atrocities and the suffering of others : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .

Degree: 2013, Massey University

 Inspired by my desire to act in some way against the injustices of atrocities, this research sets out to establish how a socially motivated painting… (more)

Subjects/Keywords: Suffering in art; War in art; Painting; Spectatorship; Art aesthetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Holden, R. (2013). Distant painterly perspectives : war, atrocities and the suffering of others : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/4472

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Holden, Rebecca. “Distant painterly perspectives : war, atrocities and the suffering of others : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2013. Thesis, Massey University. Accessed September 21, 2019. http://hdl.handle.net/10179/4472.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Holden, Rebecca. “Distant painterly perspectives : war, atrocities and the suffering of others : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2013. Web. 21 Sep 2019.

Vancouver:

Holden R. Distant painterly perspectives : war, atrocities and the suffering of others : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2013. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/10179/4472.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Holden R. Distant painterly perspectives : war, atrocities and the suffering of others : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2013. Available from: http://hdl.handle.net/10179/4472

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kansas State University

15. Hillgren, Casey J. Punishment in the slammer: penal spectatorship among college students.

Degree: MA, Department of Sociology, Anthropology, and Social Work, 2011, Kansas State University

 This thesis focuses on how citizens engage in the punishment of criminals in their everyday lives through means that seem neutral and largely invisible. It… (more)

Subjects/Keywords: Penal spectatorship; Punishment; Media; Race; Gender; Sociology (0626)

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APA (6th Edition):

Hillgren, C. J. (2011). Punishment in the slammer: penal spectatorship among college students. (Masters Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/11713

Chicago Manual of Style (16th Edition):

Hillgren, Casey J. “Punishment in the slammer: penal spectatorship among college students.” 2011. Masters Thesis, Kansas State University. Accessed September 21, 2019. http://hdl.handle.net/2097/11713.

MLA Handbook (7th Edition):

Hillgren, Casey J. “Punishment in the slammer: penal spectatorship among college students.” 2011. Web. 21 Sep 2019.

Vancouver:

Hillgren CJ. Punishment in the slammer: penal spectatorship among college students. [Internet] [Masters thesis]. Kansas State University; 2011. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/2097/11713.

Council of Science Editors:

Hillgren CJ. Punishment in the slammer: penal spectatorship among college students. [Masters Thesis]. Kansas State University; 2011. Available from: http://hdl.handle.net/2097/11713


University of Ottawa

16. Ferguson, Matthew. Penal Spectatorship at Three Police Museums in Ontario .

Degree: 2016, University of Ottawa

 This thesis examines a widespread yet understudied tourism destination in Canada – the police museum. I visited and collected data at three police museums in… (more)

Subjects/Keywords: police museum; penal history; punishment; penal spectatorship; penality; police

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APA (6th Edition):

Ferguson, M. (2016). Penal Spectatorship at Three Police Museums in Ontario . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/35210

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ferguson, Matthew. “Penal Spectatorship at Three Police Museums in Ontario .” 2016. Thesis, University of Ottawa. Accessed September 21, 2019. http://hdl.handle.net/10393/35210.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ferguson, Matthew. “Penal Spectatorship at Three Police Museums in Ontario .” 2016. Web. 21 Sep 2019.

Vancouver:

Ferguson M. Penal Spectatorship at Three Police Museums in Ontario . [Internet] [Thesis]. University of Ottawa; 2016. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/10393/35210.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ferguson M. Penal Spectatorship at Three Police Museums in Ontario . [Thesis]. University of Ottawa; 2016. Available from: http://hdl.handle.net/10393/35210

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

17. Linou, Christos. Naked peel: 12 twelve hours later: shedding intoxications through durational embodiment.

Degree: 2015, University of Melbourne

 This practice led research explored the nature of durational performances using a heuristic, self-as-artist approach, with a relationship to the spectator as a central consideration.… (more)

Subjects/Keywords: durational; embodiment; coporeal; spectatorship; heuristic; entrancement; somatics; greek; autobiographical

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Linou, C. (2015). Naked peel: 12 twelve hours later: shedding intoxications through durational embodiment. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/116677

Chicago Manual of Style (16th Edition):

Linou, Christos. “Naked peel: 12 twelve hours later: shedding intoxications through durational embodiment.” 2015. Masters Thesis, University of Melbourne. Accessed September 21, 2019. http://hdl.handle.net/11343/116677.

MLA Handbook (7th Edition):

Linou, Christos. “Naked peel: 12 twelve hours later: shedding intoxications through durational embodiment.” 2015. Web. 21 Sep 2019.

Vancouver:

Linou C. Naked peel: 12 twelve hours later: shedding intoxications through durational embodiment. [Internet] [Masters thesis]. University of Melbourne; 2015. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/11343/116677.

Council of Science Editors:

Linou C. Naked peel: 12 twelve hours later: shedding intoxications through durational embodiment. [Masters Thesis]. University of Melbourne; 2015. Available from: http://hdl.handle.net/11343/116677


University of California – Santa Cruz

18. Newman, Marc Francis. Deviant Programming: Curating Queer Spectatorial Possibilities in U.S. Art House Cinemas, 1968-1989.

Degree: Film & Digital Media (Visual Studies), 2018, University of California – Santa Cruz

 This dissertation looks back at how popular queer films—canonical then or now—were programmed at urban art-house, independent, repertory, and second-run theaters primarily from 1968 to… (more)

Subjects/Keywords: Film studies; LGBTQ studies; curation; gender; programming; queer theory; sexuality; spectatorship

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Newman, M. F. (2018). Deviant Programming: Curating Queer Spectatorial Possibilities in U.S. Art House Cinemas, 1968-1989. (Thesis). University of California – Santa Cruz. Retrieved from http://www.escholarship.org/uc/item/4nc8d1pm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Newman, Marc Francis. “Deviant Programming: Curating Queer Spectatorial Possibilities in U.S. Art House Cinemas, 1968-1989.” 2018. Thesis, University of California – Santa Cruz. Accessed September 21, 2019. http://www.escholarship.org/uc/item/4nc8d1pm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Newman, Marc Francis. “Deviant Programming: Curating Queer Spectatorial Possibilities in U.S. Art House Cinemas, 1968-1989.” 2018. Web. 21 Sep 2019.

Vancouver:

Newman MF. Deviant Programming: Curating Queer Spectatorial Possibilities in U.S. Art House Cinemas, 1968-1989. [Internet] [Thesis]. University of California – Santa Cruz; 2018. [cited 2019 Sep 21]. Available from: http://www.escholarship.org/uc/item/4nc8d1pm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Newman MF. Deviant Programming: Curating Queer Spectatorial Possibilities in U.S. Art House Cinemas, 1968-1989. [Thesis]. University of California – Santa Cruz; 2018. Available from: http://www.escholarship.org/uc/item/4nc8d1pm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Wayne State University

19. Marshall, Erik Wayne. Distributed Cinema: Interactive, Networked Spectatorship In The Age Of Digital Media.

Degree: PhD, English, 2010, Wayne State University

  Digital media has changed much of how people watch, consume and interact with digital media. The loss of indexicality, or the potential infidelity between… (more)

Subjects/Keywords: cinema; digital media; film; media; spectatorship; Other Communication

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Marshall, E. W. (2010). Distributed Cinema: Interactive, Networked Spectatorship In The Age Of Digital Media. (Doctoral Dissertation). Wayne State University. Retrieved from https://digitalcommons.wayne.edu/oa_dissertations/103

Chicago Manual of Style (16th Edition):

Marshall, Erik Wayne. “Distributed Cinema: Interactive, Networked Spectatorship In The Age Of Digital Media.” 2010. Doctoral Dissertation, Wayne State University. Accessed September 21, 2019. https://digitalcommons.wayne.edu/oa_dissertations/103.

MLA Handbook (7th Edition):

Marshall, Erik Wayne. “Distributed Cinema: Interactive, Networked Spectatorship In The Age Of Digital Media.” 2010. Web. 21 Sep 2019.

Vancouver:

Marshall EW. Distributed Cinema: Interactive, Networked Spectatorship In The Age Of Digital Media. [Internet] [Doctoral dissertation]. Wayne State University; 2010. [cited 2019 Sep 21]. Available from: https://digitalcommons.wayne.edu/oa_dissertations/103.

Council of Science Editors:

Marshall EW. Distributed Cinema: Interactive, Networked Spectatorship In The Age Of Digital Media. [Doctoral Dissertation]. Wayne State University; 2010. Available from: https://digitalcommons.wayne.edu/oa_dissertations/103


University of New South Wales

20. Malcolm, Louise. The Filmic Bodies of Wong Kar-wai.

Degree: Arts and Media, 2013, University of New South Wales

 This thesis analyses the films of Wong Kar-wai as important examples of affective film performance. It explores the particular performative and cinematic techniques found in… (more)

Subjects/Keywords: Film Performance; Wong Kar-wai; Film Style; Embodied Spectatorship; Tactility

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Malcolm, L. (2013). The Filmic Bodies of Wong Kar-wai. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/53324 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12019/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Malcolm, Louise. “The Filmic Bodies of Wong Kar-wai.” 2013. Doctoral Dissertation, University of New South Wales. Accessed September 21, 2019. http://handle.unsw.edu.au/1959.4/53324 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12019/SOURCE02?view=true.

MLA Handbook (7th Edition):

Malcolm, Louise. “The Filmic Bodies of Wong Kar-wai.” 2013. Web. 21 Sep 2019.

Vancouver:

Malcolm L. The Filmic Bodies of Wong Kar-wai. [Internet] [Doctoral dissertation]. University of New South Wales; 2013. [cited 2019 Sep 21]. Available from: http://handle.unsw.edu.au/1959.4/53324 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12019/SOURCE02?view=true.

Council of Science Editors:

Malcolm L. The Filmic Bodies of Wong Kar-wai. [Doctoral Dissertation]. University of New South Wales; 2013. Available from: http://handle.unsw.edu.au/1959.4/53324 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12019/SOURCE02?view=true


University of Rochester

21. Dove-Viebahn, Aviva Chantal Tamu. Looking for pleasure : art, spectatorship, and desire in a televisual age.

Degree: PhD, 2010, University of Rochester

 Looking for Pleasure: Art, Spectatorship, and Desire in a Televisual Age posits that the popularity and pervasiveness of television in the past half-century has significantly… (more)

Subjects/Keywords: Contemporary art; Television; Gaze; Visual pleasure; Ambience; Community; Spectatorship; Desire

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APA (6th Edition):

Dove-Viebahn, A. C. T. (2010). Looking for pleasure : art, spectatorship, and desire in a televisual age. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/11171

Chicago Manual of Style (16th Edition):

Dove-Viebahn, Aviva Chantal Tamu. “Looking for pleasure : art, spectatorship, and desire in a televisual age.” 2010. Doctoral Dissertation, University of Rochester. Accessed September 21, 2019. http://hdl.handle.net/1802/11171.

MLA Handbook (7th Edition):

Dove-Viebahn, Aviva Chantal Tamu. “Looking for pleasure : art, spectatorship, and desire in a televisual age.” 2010. Web. 21 Sep 2019.

Vancouver:

Dove-Viebahn ACT. Looking for pleasure : art, spectatorship, and desire in a televisual age. [Internet] [Doctoral dissertation]. University of Rochester; 2010. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/1802/11171.

Council of Science Editors:

Dove-Viebahn ACT. Looking for pleasure : art, spectatorship, and desire in a televisual age. [Doctoral Dissertation]. University of Rochester; 2010. Available from: http://hdl.handle.net/1802/11171


University of Edinburgh

22. Richards, Amy Diane. Bearing witness : an analysis of the reporting and the reception of news about distant suffering in the light of John Howard Yoder's work on witness.

Degree: PhD, 2010, University of Edinburgh

 In this thesis I analyse the reporting and the reception of news about distant suffering in the light of John Howard Yoder‘s work on witness.… (more)

Subjects/Keywords: 253; Yoder; John Howard; spectatorship; distant suffering; war correspondent

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Richards, A. D. (2010). Bearing witness : an analysis of the reporting and the reception of news about distant suffering in the light of John Howard Yoder's work on witness. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/4492

Chicago Manual of Style (16th Edition):

Richards, Amy Diane. “Bearing witness : an analysis of the reporting and the reception of news about distant suffering in the light of John Howard Yoder's work on witness.” 2010. Doctoral Dissertation, University of Edinburgh. Accessed September 21, 2019. http://hdl.handle.net/1842/4492.

MLA Handbook (7th Edition):

Richards, Amy Diane. “Bearing witness : an analysis of the reporting and the reception of news about distant suffering in the light of John Howard Yoder's work on witness.” 2010. Web. 21 Sep 2019.

Vancouver:

Richards AD. Bearing witness : an analysis of the reporting and the reception of news about distant suffering in the light of John Howard Yoder's work on witness. [Internet] [Doctoral dissertation]. University of Edinburgh; 2010. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/1842/4492.

Council of Science Editors:

Richards AD. Bearing witness : an analysis of the reporting and the reception of news about distant suffering in the light of John Howard Yoder's work on witness. [Doctoral Dissertation]. University of Edinburgh; 2010. Available from: http://hdl.handle.net/1842/4492


Universidade de Brasília

23. Ianni Barros Luna. O estupro e a "norma" de gênero no cinema.

Degree: 2006, Universidade de Brasília

Cenas de estupro e assédio violento no cinema são o foco do presente texto, que tem como intenção, desenvolver reflexões acerca das sugestões teóricas calcadas… (more)

Subjects/Keywords: Estupro; gaze; Rape; espectação feminina.; HISTORIA; violência sexual; gaze; cinema; sexual violence; cinema; feminine spectatorship.

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APA (6th Edition):

Luna, I. B. (2006). O estupro e a "norma" de gênero no cinema. (Thesis). Universidade de Brasília. Retrieved from http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=809

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Luna, Ianni Barros. “O estupro e a "norma" de gênero no cinema.” 2006. Thesis, Universidade de Brasília. Accessed September 21, 2019. http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=809.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Luna, Ianni Barros. “O estupro e a "norma" de gênero no cinema.” 2006. Web. 21 Sep 2019.

Vancouver:

Luna IB. O estupro e a "norma" de gênero no cinema. [Internet] [Thesis]. Universidade de Brasília; 2006. [cited 2019 Sep 21]. Available from: http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=809.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Luna IB. O estupro e a "norma" de gênero no cinema. [Thesis]. Universidade de Brasília; 2006. Available from: http://bdtd.bce.unb.br/tedesimplificado/tde_busca/arquivo.php?codArquivo=809

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Loughborough University

24. Whiteside, David. Desire for inclusion in association football amongst minority ethnic communities in England.

Degree: 2011, Loughborough University

 This thesis examines the desire for inclusion in association football amongst minority ethnic communities in England. The thesis is based on two case studies informed… (more)

Subjects/Keywords: 305; Inclusion; Minority ethnic groups; Figurational; Association football; Established outsider relations; Rejection of spectatorship

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Whiteside, D. (2011). Desire for inclusion in association football amongst minority ethnic communities in England. (Doctoral Dissertation). Loughborough University. Retrieved from https://dspace.lboro.ac.uk/2134/9060 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546318

Chicago Manual of Style (16th Edition):

Whiteside, David. “Desire for inclusion in association football amongst minority ethnic communities in England.” 2011. Doctoral Dissertation, Loughborough University. Accessed September 21, 2019. https://dspace.lboro.ac.uk/2134/9060 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546318.

MLA Handbook (7th Edition):

Whiteside, David. “Desire for inclusion in association football amongst minority ethnic communities in England.” 2011. Web. 21 Sep 2019.

Vancouver:

Whiteside D. Desire for inclusion in association football amongst minority ethnic communities in England. [Internet] [Doctoral dissertation]. Loughborough University; 2011. [cited 2019 Sep 21]. Available from: https://dspace.lboro.ac.uk/2134/9060 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546318.

Council of Science Editors:

Whiteside D. Desire for inclusion in association football amongst minority ethnic communities in England. [Doctoral Dissertation]. Loughborough University; 2011. Available from: https://dspace.lboro.ac.uk/2134/9060 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546318


University of Kansas

25. Glushneva, Iuliia. Embodied Spectatorship: Phenomenological Turn in Contemporary Film Theory.

Degree: MA, Film & Media Studies, 2017, University of Kansas

 Since the early 1990s, film theorists have been particularly interested in the studies of film experience and relations between viewers and films. In contrast to… (more)

Subjects/Keywords: Film studies; contemporary film theory; corporeality; embodiment; existential philosophy; film phenomenology; spectatorship

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Glushneva, I. (2017). Embodied Spectatorship: Phenomenological Turn in Contemporary Film Theory. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/25809

Chicago Manual of Style (16th Edition):

Glushneva, Iuliia. “Embodied Spectatorship: Phenomenological Turn in Contemporary Film Theory.” 2017. Masters Thesis, University of Kansas. Accessed September 21, 2019. http://hdl.handle.net/1808/25809.

MLA Handbook (7th Edition):

Glushneva, Iuliia. “Embodied Spectatorship: Phenomenological Turn in Contemporary Film Theory.” 2017. Web. 21 Sep 2019.

Vancouver:

Glushneva I. Embodied Spectatorship: Phenomenological Turn in Contemporary Film Theory. [Internet] [Masters thesis]. University of Kansas; 2017. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/1808/25809.

Council of Science Editors:

Glushneva I. Embodied Spectatorship: Phenomenological Turn in Contemporary Film Theory. [Masters Thesis]. University of Kansas; 2017. Available from: http://hdl.handle.net/1808/25809


UCLA

26. Sher, Ben Raphael. Fraught Pleasures: Domestic Trauma and Cinephilia in American Culture.

Degree: Film & TV, 2015, UCLA

 This project examines different ways in which people have used their profound love of mainstream American films to process experiences of trauma that take place… (more)

Subjects/Keywords: Film studies; Psychology; American studies; cinephilia; fandom; genre; media spectatorship; psychology; trauma

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APA (6th Edition):

Sher, B. R. (2015). Fraught Pleasures: Domestic Trauma and Cinephilia in American Culture. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/3kn4p9v2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sher, Ben Raphael. “Fraught Pleasures: Domestic Trauma and Cinephilia in American Culture.” 2015. Thesis, UCLA. Accessed September 21, 2019. http://www.escholarship.org/uc/item/3kn4p9v2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sher, Ben Raphael. “Fraught Pleasures: Domestic Trauma and Cinephilia in American Culture.” 2015. Web. 21 Sep 2019.

Vancouver:

Sher BR. Fraught Pleasures: Domestic Trauma and Cinephilia in American Culture. [Internet] [Thesis]. UCLA; 2015. [cited 2019 Sep 21]. Available from: http://www.escholarship.org/uc/item/3kn4p9v2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sher BR. Fraught Pleasures: Domestic Trauma and Cinephilia in American Culture. [Thesis]. UCLA; 2015. Available from: http://www.escholarship.org/uc/item/3kn4p9v2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Riverside

27. Bell, Melissa Hudson. Audience Engagement in San Francisco's Contemporary Dance Scene: Forging Connections Through Food.

Degree: Critical Dance Studies, 2014, University of California – Riverside

 This dissertation looks at critical interventions made by select San Francisco bay area choreographers and dance programmers interested in altering spectatorial norms for contemporary dance.… (more)

Subjects/Keywords: Dance; Performing arts; American studies; audience engagement; choreography; contemporary dance; food gathering; San Francisco; spectatorship

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APA (6th Edition):

Bell, M. H. (2014). Audience Engagement in San Francisco's Contemporary Dance Scene: Forging Connections Through Food. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/01z1796x

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bell, Melissa Hudson. “Audience Engagement in San Francisco's Contemporary Dance Scene: Forging Connections Through Food.” 2014. Thesis, University of California – Riverside. Accessed September 21, 2019. http://www.escholarship.org/uc/item/01z1796x.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bell, Melissa Hudson. “Audience Engagement in San Francisco's Contemporary Dance Scene: Forging Connections Through Food.” 2014. Web. 21 Sep 2019.

Vancouver:

Bell MH. Audience Engagement in San Francisco's Contemporary Dance Scene: Forging Connections Through Food. [Internet] [Thesis]. University of California – Riverside; 2014. [cited 2019 Sep 21]. Available from: http://www.escholarship.org/uc/item/01z1796x.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bell MH. Audience Engagement in San Francisco's Contemporary Dance Scene: Forging Connections Through Food. [Thesis]. University of California – Riverside; 2014. Available from: http://www.escholarship.org/uc/item/01z1796x

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Linnaeus University

28. Bandak, Georges. Are we even watching the same film? : A reception study of The Square.

Degree: Film and Literature, 2018, Linnaeus University

  This thesis examines the differences regarding thereception between American and Swedish reviews of the Swedish film, The Square (2017, Ruben Östlund). It explores whether… (more)

Subjects/Keywords: reception analysis; spectatorship; interpretation; reception studies; viewer; Humanities and the Arts; Humaniora och konst

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APA (6th Edition):

Bandak, G. (2018). Are we even watching the same film? : A reception study of The Square. (Thesis). Linnaeus University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-79248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bandak, Georges. “Are we even watching the same film? : A reception study of The Square.” 2018. Thesis, Linnaeus University. Accessed September 21, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-79248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bandak, Georges. “Are we even watching the same film? : A reception study of The Square.” 2018. Web. 21 Sep 2019.

Vancouver:

Bandak G. Are we even watching the same film? : A reception study of The Square. [Internet] [Thesis]. Linnaeus University; 2018. [cited 2019 Sep 21]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-79248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bandak G. Are we even watching the same film? : A reception study of The Square. [Thesis]. Linnaeus University; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-79248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manchester

29. Wilson, Laura. Physical Spectatorship and the Mutilation Film.

Degree: 2013, University of Manchester

 AbstractPhysical Spectatorship and the Mutilation FilmThis thesis explores what I call ‘physical spectatorship’ as it is generated by a group of films concerned with the… (more)

Subjects/Keywords: Spectatorship; physical; mutilation; embodiment; voyeurism; sound; image; haptics; phenomenology; Sobchack; Marks; Rushton

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APA (6th Edition):

Wilson, L. (2013). Physical Spectatorship and the Mutilation Film. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:196137

Chicago Manual of Style (16th Edition):

Wilson, Laura. “Physical Spectatorship and the Mutilation Film.” 2013. Doctoral Dissertation, University of Manchester. Accessed September 21, 2019. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:196137.

MLA Handbook (7th Edition):

Wilson, Laura. “Physical Spectatorship and the Mutilation Film.” 2013. Web. 21 Sep 2019.

Vancouver:

Wilson L. Physical Spectatorship and the Mutilation Film. [Internet] [Doctoral dissertation]. University of Manchester; 2013. [cited 2019 Sep 21]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:196137.

Council of Science Editors:

Wilson L. Physical Spectatorship and the Mutilation Film. [Doctoral Dissertation]. University of Manchester; 2013. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:196137


University of Kansas

30. Barbosa, Maria Emilia. Body Talk: Performing Violence Against Women in Contemporary Guatemala.

Degree: PhD, Spanish & Portuguese, 2016, University of Kansas

 Drawing upon Diana Taylor’s concept of the repertoire, I propose that the performers’ and photographers’ use of the female body functions as a meta-language to… (more)

Subjects/Keywords: Hispanic American studies; Gender studies; Cultural anthropology; Body; Embodiment; Guatemala; Spectatorship; Violence; Women

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barbosa, M. E. (2016). Body Talk: Performing Violence Against Women in Contemporary Guatemala. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/25757

Chicago Manual of Style (16th Edition):

Barbosa, Maria Emilia. “Body Talk: Performing Violence Against Women in Contemporary Guatemala.” 2016. Doctoral Dissertation, University of Kansas. Accessed September 21, 2019. http://hdl.handle.net/1808/25757.

MLA Handbook (7th Edition):

Barbosa, Maria Emilia. “Body Talk: Performing Violence Against Women in Contemporary Guatemala.” 2016. Web. 21 Sep 2019.

Vancouver:

Barbosa ME. Body Talk: Performing Violence Against Women in Contemporary Guatemala. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Sep 21]. Available from: http://hdl.handle.net/1808/25757.

Council of Science Editors:

Barbosa ME. Body Talk: Performing Violence Against Women in Contemporary Guatemala. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/25757

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