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You searched for subject:(spectacle). Showing records 1 – 30 of 416 total matches.

[1] [2] [3] [4] [5] … [14]

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Victoria University of Wellington

1. Hong, Sun-ha. Towards Spectacular Nationality: Media Production of Korean Nationality through the 2002 World Cup.

Degree: 2010, Victoria University of Wellington

 This paper explores the role of the media in the production of Korean nationality during the 2002 World Cup. It suggests that the media coverage… (more)

Subjects/Keywords: Spectacle; Nationality; Sport

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APA (6th Edition):

Hong, S. (2010). Towards Spectacular Nationality: Media Production of Korean Nationality through the 2002 World Cup. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/4495

Chicago Manual of Style (16th Edition):

Hong, Sun-ha. “Towards Spectacular Nationality: Media Production of Korean Nationality through the 2002 World Cup.” 2010. Masters Thesis, Victoria University of Wellington. Accessed February 24, 2020. http://hdl.handle.net/10063/4495.

MLA Handbook (7th Edition):

Hong, Sun-ha. “Towards Spectacular Nationality: Media Production of Korean Nationality through the 2002 World Cup.” 2010. Web. 24 Feb 2020.

Vancouver:

Hong S. Towards Spectacular Nationality: Media Production of Korean Nationality through the 2002 World Cup. [Internet] [Masters thesis]. Victoria University of Wellington; 2010. [cited 2020 Feb 24]. Available from: http://hdl.handle.net/10063/4495.

Council of Science Editors:

Hong S. Towards Spectacular Nationality: Media Production of Korean Nationality through the 2002 World Cup. [Masters Thesis]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/4495


Montana Tech

2. Metcalf, John. A Synthetic Spring.

Degree: MFA, 2013, Montana Tech

 i. A Synthetic Spring will be to serve the public as an encounter rather than an art object. ii. The actual event will be free… (more)

Subjects/Keywords: art; performance; spectacle

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APA (6th Edition):

Metcalf, J. (2013). A Synthetic Spring. (Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/1376

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Metcalf, John. “A Synthetic Spring.” 2013. Thesis, Montana Tech. Accessed February 24, 2020. https://scholarworks.umt.edu/etd/1376.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Metcalf, John. “A Synthetic Spring.” 2013. Web. 24 Feb 2020.

Vancouver:

Metcalf J. A Synthetic Spring. [Internet] [Thesis]. Montana Tech; 2013. [cited 2020 Feb 24]. Available from: https://scholarworks.umt.edu/etd/1376.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Metcalf J. A Synthetic Spring. [Thesis]. Montana Tech; 2013. Available from: https://scholarworks.umt.edu/etd/1376

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

3. Eatman, Megan Elizabeth. Identification and interpretive rights in the rhetoric of violent spectacle.

Degree: PhD, English, 2014, University of Texas – Austin

 "Identification and Interpretive Rights in the Rhetoric of Violent Spectacle" approaches lynching, the death penalty, and stealth torture as multimodal public discourse, comprised of violent… (more)

Subjects/Keywords: Rhetoric; Violence; Spectacle

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APA (6th Edition):

Eatman, M. E. (2014). Identification and interpretive rights in the rhetoric of violent spectacle. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/46485

Chicago Manual of Style (16th Edition):

Eatman, Megan Elizabeth. “Identification and interpretive rights in the rhetoric of violent spectacle.” 2014. Doctoral Dissertation, University of Texas – Austin. Accessed February 24, 2020. http://hdl.handle.net/2152/46485.

MLA Handbook (7th Edition):

Eatman, Megan Elizabeth. “Identification and interpretive rights in the rhetoric of violent spectacle.” 2014. Web. 24 Feb 2020.

Vancouver:

Eatman ME. Identification and interpretive rights in the rhetoric of violent spectacle. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2014. [cited 2020 Feb 24]. Available from: http://hdl.handle.net/2152/46485.

Council of Science Editors:

Eatman ME. Identification and interpretive rights in the rhetoric of violent spectacle. [Doctoral Dissertation]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/46485


University of Hawaii – Manoa

4. Cunningham, Eric John. The unseen forest : spectacles of nature and governance in a Japanese national forest.

Degree: 2016, University of Hawaii – Manoa

Ph.D. University of Hawaii at Manoa 2012.

This dissertation is an ethnographic study of the processes by which forests in central Japan's Kiso Region are… (more)

Subjects/Keywords: Japan; nature; forests; governance; spectacle

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APA (6th Edition):

Cunningham, E. J. (2016). The unseen forest : spectacles of nature and governance in a Japanese national forest. (Thesis). University of Hawaii – Manoa. Retrieved from http://hdl.handle.net/10125/100900

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cunningham, Eric John. “The unseen forest : spectacles of nature and governance in a Japanese national forest.” 2016. Thesis, University of Hawaii – Manoa. Accessed February 24, 2020. http://hdl.handle.net/10125/100900.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cunningham, Eric John. “The unseen forest : spectacles of nature and governance in a Japanese national forest.” 2016. Web. 24 Feb 2020.

Vancouver:

Cunningham EJ. The unseen forest : spectacles of nature and governance in a Japanese national forest. [Internet] [Thesis]. University of Hawaii – Manoa; 2016. [cited 2020 Feb 24]. Available from: http://hdl.handle.net/10125/100900.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cunningham EJ. The unseen forest : spectacles of nature and governance in a Japanese national forest. [Thesis]. University of Hawaii – Manoa; 2016. Available from: http://hdl.handle.net/10125/100900

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

5. Krouglikov-Lvov, Ilya. Toujours déjà tombé, ou, Le rythme comme noeud différentiel d'un spectacle indisciplinaire.

Degree: 2012, Université du Québec à Montréal

 La scène contemporaine privilégie de plus en plus une approche indisciplinaire en résonance avec une réalité fragmentaire. Elle produit des œuvres hybrides dont ce mémoire… (more)

Subjects/Keywords: Dramaturgie; Interdisciplinarité; Rythme; Théâtre (Spectacle)

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APA (6th Edition):

Krouglikov-Lvov, I. (2012). Toujours déjà tombé, ou, Le rythme comme noeud différentiel d'un spectacle indisciplinaire. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/4825/1/M12449.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Krouglikov-Lvov, Ilya. “Toujours déjà tombé, ou, Le rythme comme noeud différentiel d'un spectacle indisciplinaire.” 2012. Thesis, Université du Québec à Montréal. Accessed February 24, 2020. http://archipel.uqam.ca/4825/1/M12449.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Krouglikov-Lvov, Ilya. “Toujours déjà tombé, ou, Le rythme comme noeud différentiel d'un spectacle indisciplinaire.” 2012. Web. 24 Feb 2020.

Vancouver:

Krouglikov-Lvov I. Toujours déjà tombé, ou, Le rythme comme noeud différentiel d'un spectacle indisciplinaire. [Internet] [Thesis]. Université du Québec à Montréal; 2012. [cited 2020 Feb 24]. Available from: http://archipel.uqam.ca/4825/1/M12449.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Krouglikov-Lvov I. Toujours déjà tombé, ou, Le rythme comme noeud différentiel d'un spectacle indisciplinaire. [Thesis]. Université du Québec à Montréal; 2012. Available from: http://archipel.uqam.ca/4825/1/M12449.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

6. Krouglikov-Lvov, Ilya. Toujours déjà tombé, ou, Le rythme comme noeud différentiel d'un spectacle indisciplinaire.

Degree: 2012, Université du Québec à Montréal

 La scène contemporaine privilégie de plus en plus une approche indisciplinaire en résonance avec une réalité fragmentaire. Elle produit des œuvres hybrides dont ce mémoire… (more)

Subjects/Keywords: Dramaturgie; Interdisciplinarité; Rythme; Théâtre (Spectacle)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Krouglikov-Lvov, I. (2012). Toujours déjà tombé, ou, Le rythme comme noeud différentiel d'un spectacle indisciplinaire. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/4825/1/M12449.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Krouglikov-Lvov, Ilya. “Toujours déjà tombé, ou, Le rythme comme noeud différentiel d'un spectacle indisciplinaire.” 2012. Thesis, Université du Québec à Montréal. Accessed February 24, 2020. http://www.archipel.uqam.ca/4825/1/M12449.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Krouglikov-Lvov, Ilya. “Toujours déjà tombé, ou, Le rythme comme noeud différentiel d'un spectacle indisciplinaire.” 2012. Web. 24 Feb 2020.

Vancouver:

Krouglikov-Lvov I. Toujours déjà tombé, ou, Le rythme comme noeud différentiel d'un spectacle indisciplinaire. [Internet] [Thesis]. Université du Québec à Montréal; 2012. [cited 2020 Feb 24]. Available from: http://www.archipel.uqam.ca/4825/1/M12449.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Krouglikov-Lvov I. Toujours déjà tombé, ou, Le rythme comme noeud différentiel d'un spectacle indisciplinaire. [Thesis]. Université du Québec à Montréal; 2012. Available from: http://www.archipel.uqam.ca/4825/1/M12449.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Penn State University

7. Wu, Dai-Rong. Supermarket as a Site of Spectacul-art Pedagogy.

Degree: PhD, Art Education, 2010, Penn State University

 In 1967, French cultural theorist and situationist Guy Debord published his work, The Society of the Spectacle, in which he asserted that spectacle is not… (more)

Subjects/Keywords: spectacul-art pedagogy; spectacle; embodiment; flâneuse; spectacle pedagogy; society of extras

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wu, D. (2010). Supermarket as a Site of Spectacul-art Pedagogy. (Doctoral Dissertation). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/11366

Chicago Manual of Style (16th Edition):

Wu, Dai-Rong. “Supermarket as a Site of Spectacul-art Pedagogy.” 2010. Doctoral Dissertation, Penn State University. Accessed February 24, 2020. https://etda.libraries.psu.edu/catalog/11366.

MLA Handbook (7th Edition):

Wu, Dai-Rong. “Supermarket as a Site of Spectacul-art Pedagogy.” 2010. Web. 24 Feb 2020.

Vancouver:

Wu D. Supermarket as a Site of Spectacul-art Pedagogy. [Internet] [Doctoral dissertation]. Penn State University; 2010. [cited 2020 Feb 24]. Available from: https://etda.libraries.psu.edu/catalog/11366.

Council of Science Editors:

Wu D. Supermarket as a Site of Spectacul-art Pedagogy. [Doctoral Dissertation]. Penn State University; 2010. Available from: https://etda.libraries.psu.edu/catalog/11366


Leiden University

8. Quarto, Laura. The Spectacle and its implosion in today's society : the Italian case of Blob.

Degree: 2019, Leiden University

 The notion of the spectacle, developed in the era of traditional media, represented a sharp and accurate prediction of the society to come. Guy Debord… (more)

Subjects/Keywords: society of the spectacle; integrated spectacle; Italy; television; Blob; social media

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APA (6th Edition):

Quarto, L. (2019). The Spectacle and its implosion in today's society : the Italian case of Blob. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/70058

Chicago Manual of Style (16th Edition):

Quarto, Laura. “The Spectacle and its implosion in today's society : the Italian case of Blob.” 2019. Masters Thesis, Leiden University. Accessed February 24, 2020. http://hdl.handle.net/1887/70058.

MLA Handbook (7th Edition):

Quarto, Laura. “The Spectacle and its implosion in today's society : the Italian case of Blob.” 2019. Web. 24 Feb 2020.

Vancouver:

Quarto L. The Spectacle and its implosion in today's society : the Italian case of Blob. [Internet] [Masters thesis]. Leiden University; 2019. [cited 2020 Feb 24]. Available from: http://hdl.handle.net/1887/70058.

Council of Science Editors:

Quarto L. The Spectacle and its implosion in today's society : the Italian case of Blob. [Masters Thesis]. Leiden University; 2019. Available from: http://hdl.handle.net/1887/70058


Université du Québec à Montréal

9. Caron, Isabelle. Le cortège rêvé : événementialité, éphémérité et spontanéité.

Degree: 2009, Université du Québec à Montréal

 Par temps gris, une performance. Une manifestation artistique spontanée et éphémère. Un rêve dadaïste poussiéreux qui marie la tragédie et la comédie, le carnaval et… (more)

Subjects/Keywords: Création artistique; Création collective; Spectacle; Rêve; Spontanéité

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Caron, I. (2009). Le cortège rêvé : événementialité, éphémérité et spontanéité. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/2695/1/M11269.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Caron, Isabelle. “Le cortège rêvé : événementialité, éphémérité et spontanéité.” 2009. Thesis, Université du Québec à Montréal. Accessed February 24, 2020. http://www.archipel.uqam.ca/2695/1/M11269.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Caron, Isabelle. “Le cortège rêvé : événementialité, éphémérité et spontanéité.” 2009. Web. 24 Feb 2020.

Vancouver:

Caron I. Le cortège rêvé : événementialité, éphémérité et spontanéité. [Internet] [Thesis]. Université du Québec à Montréal; 2009. [cited 2020 Feb 24]. Available from: http://www.archipel.uqam.ca/2695/1/M11269.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Caron I. Le cortège rêvé : événementialité, éphémérité et spontanéité. [Thesis]. Université du Québec à Montréal; 2009. Available from: http://www.archipel.uqam.ca/2695/1/M11269.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Edinburgh

10. Warton, John Phillips. The aesthetics of destruction in contemporary science fiction cinema.

Degree: PhD, 2015, University of Edinburgh

 Mass destruction imagery within the science fiction film genre is not a new cinematic development. However, a swell of destruction-centred films has emerged since the… (more)

Subjects/Keywords: realism; sublime; spectacle; affect; representation of death

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APA (6th Edition):

Warton, J. P. (2015). The aesthetics of destruction in contemporary science fiction cinema. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/25992

Chicago Manual of Style (16th Edition):

Warton, John Phillips. “The aesthetics of destruction in contemporary science fiction cinema.” 2015. Doctoral Dissertation, University of Edinburgh. Accessed February 24, 2020. http://hdl.handle.net/1842/25992.

MLA Handbook (7th Edition):

Warton, John Phillips. “The aesthetics of destruction in contemporary science fiction cinema.” 2015. Web. 24 Feb 2020.

Vancouver:

Warton JP. The aesthetics of destruction in contemporary science fiction cinema. [Internet] [Doctoral dissertation]. University of Edinburgh; 2015. [cited 2020 Feb 24]. Available from: http://hdl.handle.net/1842/25992.

Council of Science Editors:

Warton JP. The aesthetics of destruction in contemporary science fiction cinema. [Doctoral Dissertation]. University of Edinburgh; 2015. Available from: http://hdl.handle.net/1842/25992


Universidade Federal da Bahia

11. Demian Moreira Reis. Caçadores de risos: o mundo maravilhoso da palhaçaria.

Degree: 2010, Universidade Federal da Bahia

The focus of this thesis is the art of clowning through its dramaturgical perspective. The artistic work of clowns involves the practice of an industry… (more)

Subjects/Keywords: palhaço; clown; espetáculo; dramaturgia; TEATRO; spectacle; dramaturgy

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APA (6th Edition):

Reis, D. M. (2010). Caçadores de risos: o mundo maravilhoso da palhaçaria. (Thesis). Universidade Federal da Bahia. Retrieved from http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3928

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Reis, Demian Moreira. “Caçadores de risos: o mundo maravilhoso da palhaçaria.” 2010. Thesis, Universidade Federal da Bahia. Accessed February 24, 2020. http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3928.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Reis, Demian Moreira. “Caçadores de risos: o mundo maravilhoso da palhaçaria.” 2010. Web. 24 Feb 2020.

Vancouver:

Reis DM. Caçadores de risos: o mundo maravilhoso da palhaçaria. [Internet] [Thesis]. Universidade Federal da Bahia; 2010. [cited 2020 Feb 24]. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3928.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Reis DM. Caçadores de risos: o mundo maravilhoso da palhaçaria. [Thesis]. Universidade Federal da Bahia; 2010. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=3928

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

12. Caron, Isabelle. Le cortège rêvé : événementialité, éphémérité et spontanéité.

Degree: 2009, Université du Québec à Montréal

 Par temps gris, une performance. Une manifestation artistique spontanée et éphémère. Un rêve dadaïste poussiéreux qui marie la tragédie et la comédie, le carnaval et… (more)

Subjects/Keywords: Création artistique; Création collective; Spectacle; Rêve; Spontanéité

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Caron, I. (2009). Le cortège rêvé : événementialité, éphémérité et spontanéité. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/2695/1/M11269.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Caron, Isabelle. “Le cortège rêvé : événementialité, éphémérité et spontanéité.” 2009. Thesis, Université du Québec à Montréal. Accessed February 24, 2020. http://archipel.uqam.ca/2695/1/M11269.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Caron, Isabelle. “Le cortège rêvé : événementialité, éphémérité et spontanéité.” 2009. Web. 24 Feb 2020.

Vancouver:

Caron I. Le cortège rêvé : événementialité, éphémérité et spontanéité. [Internet] [Thesis]. Université du Québec à Montréal; 2009. [cited 2020 Feb 24]. Available from: http://archipel.uqam.ca/2695/1/M11269.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Caron I. Le cortège rêvé : événementialité, éphémérité et spontanéité. [Thesis]. Université du Québec à Montréal; 2009. Available from: http://archipel.uqam.ca/2695/1/M11269.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Mexico

13. Lehnen, Jeremy. Marginality, Mayhem and Middle Class Anxieties: Imaginaries of Masculinity and Urban Violence in Contemporary Mexican and Brazilian Film.

Degree: Latin American Studies, 2010, University of New Mexico

 Marginality, Mayhem and Middle Class Anxieties: Imaginaries of Masculinity and Urban Violence in Contemporary Mexican and Brazilian Film</em> is a comparative study that explores the… (more)

Subjects/Keywords: Violence; Masculinity; Mexico; Brazil; Film; Spectacle

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lehnen, J. (2010). Marginality, Mayhem and Middle Class Anxieties: Imaginaries of Masculinity and Urban Violence in Contemporary Mexican and Brazilian Film. (Doctoral Dissertation). University of New Mexico. Retrieved from https://digitalrepository.unm.edu/ltam_etds/2

Chicago Manual of Style (16th Edition):

Lehnen, Jeremy. “Marginality, Mayhem and Middle Class Anxieties: Imaginaries of Masculinity and Urban Violence in Contemporary Mexican and Brazilian Film.” 2010. Doctoral Dissertation, University of New Mexico. Accessed February 24, 2020. https://digitalrepository.unm.edu/ltam_etds/2.

MLA Handbook (7th Edition):

Lehnen, Jeremy. “Marginality, Mayhem and Middle Class Anxieties: Imaginaries of Masculinity and Urban Violence in Contemporary Mexican and Brazilian Film.” 2010. Web. 24 Feb 2020.

Vancouver:

Lehnen J. Marginality, Mayhem and Middle Class Anxieties: Imaginaries of Masculinity and Urban Violence in Contemporary Mexican and Brazilian Film. [Internet] [Doctoral dissertation]. University of New Mexico; 2010. [cited 2020 Feb 24]. Available from: https://digitalrepository.unm.edu/ltam_etds/2.

Council of Science Editors:

Lehnen J. Marginality, Mayhem and Middle Class Anxieties: Imaginaries of Masculinity and Urban Violence in Contemporary Mexican and Brazilian Film. [Doctoral Dissertation]. University of New Mexico; 2010. Available from: https://digitalrepository.unm.edu/ltam_etds/2


The Ohio State University

14. Brenn, Matt A. Reinterpreting (bio)Politics: Potentiality, Profanation, and Play in the Thought of Giorgio Agamben.

Degree: MA, Comparative Studies, 2013, The Ohio State University

 In light of the global Occupy movements, whose ostensible lack of demands or a program of transformation have been praised for opening up new movements… (more)

Subjects/Keywords: Comparative; Philosophy; Agamben; biopolitics; spectacle; play

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APA (6th Edition):

Brenn, M. A. (2013). Reinterpreting (bio)Politics: Potentiality, Profanation, and Play in the Thought of Giorgio Agamben. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1382125057

Chicago Manual of Style (16th Edition):

Brenn, Matt A. “Reinterpreting (bio)Politics: Potentiality, Profanation, and Play in the Thought of Giorgio Agamben.” 2013. Masters Thesis, The Ohio State University. Accessed February 24, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1382125057.

MLA Handbook (7th Edition):

Brenn, Matt A. “Reinterpreting (bio)Politics: Potentiality, Profanation, and Play in the Thought of Giorgio Agamben.” 2013. Web. 24 Feb 2020.

Vancouver:

Brenn MA. Reinterpreting (bio)Politics: Potentiality, Profanation, and Play in the Thought of Giorgio Agamben. [Internet] [Masters thesis]. The Ohio State University; 2013. [cited 2020 Feb 24]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1382125057.

Council of Science Editors:

Brenn MA. Reinterpreting (bio)Politics: Potentiality, Profanation, and Play in the Thought of Giorgio Agamben. [Masters Thesis]. The Ohio State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1382125057


NSYSU

15. Lin, Tzu-yin. A study of the self-presentation on the photoblogï¼From Spectacle and Performance Paradigm.

Degree: Master, Communications Management, 2008, NSYSU

 As a new information technology, blog just becomes another space where users present themselves. It plays a role that extends individualâs real life experiences. The… (more)

Subjects/Keywords: spectacle/performance paradigm; Blog; Photography; dramaturgy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lin, T. (2008). A study of the self-presentation on the photoblogï¼From Spectacle and Performance Paradigm. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0131108-115202

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lin, Tzu-yin. “A study of the self-presentation on the photoblogï¼From Spectacle and Performance Paradigm.” 2008. Thesis, NSYSU. Accessed February 24, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0131108-115202.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lin, Tzu-yin. “A study of the self-presentation on the photoblogï¼From Spectacle and Performance Paradigm.” 2008. Web. 24 Feb 2020.

Vancouver:

Lin T. A study of the self-presentation on the photoblogï¼From Spectacle and Performance Paradigm. [Internet] [Thesis]. NSYSU; 2008. [cited 2020 Feb 24]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0131108-115202.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lin T. A study of the self-presentation on the photoblogï¼From Spectacle and Performance Paradigm. [Thesis]. NSYSU; 2008. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0131108-115202

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Sul

16. Schaefer, Edith Janete. Presentificação espetacular : percursos para uma pedagogia do olhar.

Degree: 2011, Universidade do Rio Grande do Sul

Este trabalho procura evidenciar a presentificação espetacular como modo de ser da atualidade. Discute-se esse conceito como forma por intermédio da qual nossa sociedade intensifica… (more)

Subjects/Keywords: Psychoanalysis; Psicanálise; Education; Gaze; Spectacle; Presentification

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schaefer, E. J. (2011). Presentificação espetacular : percursos para uma pedagogia do olhar. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/35088

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schaefer, Edith Janete. “Presentificação espetacular : percursos para uma pedagogia do olhar.” 2011. Thesis, Universidade do Rio Grande do Sul. Accessed February 24, 2020. http://hdl.handle.net/10183/35088.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schaefer, Edith Janete. “Presentificação espetacular : percursos para uma pedagogia do olhar.” 2011. Web. 24 Feb 2020.

Vancouver:

Schaefer EJ. Presentificação espetacular : percursos para uma pedagogia do olhar. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2011. [cited 2020 Feb 24]. Available from: http://hdl.handle.net/10183/35088.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schaefer EJ. Presentificação espetacular : percursos para uma pedagogia do olhar. [Thesis]. Universidade do Rio Grande do Sul; 2011. Available from: http://hdl.handle.net/10183/35088

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

17. Ouellet, Anne-Marie. Par la fenêtre, la forêt, suivi d'une réflexion sur le croisement entre éthique et fragmentation au théâtre.

Degree: 2008, Université du Québec à Montréal

 Cette réflexion accompagne la création de Par la fenêtre, la forêt, une mise à l'épreuve scénique du procédé de fragmentation. Elle s'intéresse au théâtre dans… (more)

Subjects/Keywords: Théâtre (Spectacle); Écriture fragmentaire; Individualisme; Éthique; Postmodernisme

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APA (6th Edition):

Ouellet, A. (2008). Par la fenêtre, la forêt, suivi d'une réflexion sur le croisement entre éthique et fragmentation au théâtre. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/1544/1/M10592.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ouellet, Anne-Marie. “Par la fenêtre, la forêt, suivi d'une réflexion sur le croisement entre éthique et fragmentation au théâtre.” 2008. Thesis, Université du Québec à Montréal. Accessed February 24, 2020. http://www.archipel.uqam.ca/1544/1/M10592.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ouellet, Anne-Marie. “Par la fenêtre, la forêt, suivi d'une réflexion sur le croisement entre éthique et fragmentation au théâtre.” 2008. Web. 24 Feb 2020.

Vancouver:

Ouellet A. Par la fenêtre, la forêt, suivi d'une réflexion sur le croisement entre éthique et fragmentation au théâtre. [Internet] [Thesis]. Université du Québec à Montréal; 2008. [cited 2020 Feb 24]. Available from: http://www.archipel.uqam.ca/1544/1/M10592.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ouellet A. Par la fenêtre, la forêt, suivi d'une réflexion sur le croisement entre éthique et fragmentation au théâtre. [Thesis]. Université du Québec à Montréal; 2008. Available from: http://www.archipel.uqam.ca/1544/1/M10592.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Sinigaglia, Jérémy. Le paradoxe des intermittents du spectacle : l'art de retourner les obstacles à l'action collective (2003-2006) : The paradox of the contract workers : art to turn over the obstacles to the class action suit (2003-2006).

Degree: Docteur es, Sociologie, 2008, Metz

La recherche consiste dans l’observation de l’action des travailleurs associatifs en quartiers dits sensibles. Elle vise à dégager les éléments de l’expertise qui assurent, en… (more)

Subjects/Keywords: Intermittents du spectacle; Action collective; Protection chômage

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sinigaglia, J. (2008). Le paradoxe des intermittents du spectacle : l'art de retourner les obstacles à l'action collective (2003-2006) : The paradox of the contract workers : art to turn over the obstacles to the class action suit (2003-2006). (Doctoral Dissertation). Metz. Retrieved from http://www.theses.fr/2008METZ006L

Chicago Manual of Style (16th Edition):

Sinigaglia, Jérémy. “Le paradoxe des intermittents du spectacle : l'art de retourner les obstacles à l'action collective (2003-2006) : The paradox of the contract workers : art to turn over the obstacles to the class action suit (2003-2006).” 2008. Doctoral Dissertation, Metz. Accessed February 24, 2020. http://www.theses.fr/2008METZ006L.

MLA Handbook (7th Edition):

Sinigaglia, Jérémy. “Le paradoxe des intermittents du spectacle : l'art de retourner les obstacles à l'action collective (2003-2006) : The paradox of the contract workers : art to turn over the obstacles to the class action suit (2003-2006).” 2008. Web. 24 Feb 2020.

Vancouver:

Sinigaglia J. Le paradoxe des intermittents du spectacle : l'art de retourner les obstacles à l'action collective (2003-2006) : The paradox of the contract workers : art to turn over the obstacles to the class action suit (2003-2006). [Internet] [Doctoral dissertation]. Metz; 2008. [cited 2020 Feb 24]. Available from: http://www.theses.fr/2008METZ006L.

Council of Science Editors:

Sinigaglia J. Le paradoxe des intermittents du spectacle : l'art de retourner les obstacles à l'action collective (2003-2006) : The paradox of the contract workers : art to turn over the obstacles to the class action suit (2003-2006). [Doctoral Dissertation]. Metz; 2008. Available from: http://www.theses.fr/2008METZ006L


Université du Québec à Montréal

19. Plouffe, Marie-Josée. La pratique théâtrale des personnes "handicapées".

Degree: 2011, Université du Québec à Montréal

 L'objet de la recherche est un phénomène émergent, celui de la pratique théâtrale avec des personnes considérées en situation de handicap. L'objectif de cette recherche… (more)

Subjects/Keywords: Enseignement; Handicapé; Théâtre (Spectacle); Théorisation ancrée

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Plouffe, M. (2011). La pratique théâtrale des personnes "handicapées". (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/5082/1/D2208.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Plouffe, Marie-Josée. “La pratique théâtrale des personnes "handicapées".” 2011. Thesis, Université du Québec à Montréal. Accessed February 24, 2020. http://archipel.uqam.ca/5082/1/D2208.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Plouffe, Marie-Josée. “La pratique théâtrale des personnes "handicapées".” 2011. Web. 24 Feb 2020.

Vancouver:

Plouffe M. La pratique théâtrale des personnes "handicapées". [Internet] [Thesis]. Université du Québec à Montréal; 2011. [cited 2020 Feb 24]. Available from: http://archipel.uqam.ca/5082/1/D2208.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Plouffe M. La pratique théâtrale des personnes "handicapées". [Thesis]. Université du Québec à Montréal; 2011. Available from: http://archipel.uqam.ca/5082/1/D2208.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


George Mason University

20. Prout, Jerry. Coxey's Challenge in the Populist Moment .

Degree: 2012, George Mason University

 In the spring of 1894, a wealthy businessman named Jacob Coxey led a march of unemployed men from Massillon, Ohio to the steps of the… (more)

Subjects/Keywords: Coxey; spectacle; populist; fusion; populism; Greenback

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Prout, J. (2012). Coxey's Challenge in the Populist Moment . (Thesis). George Mason University. Retrieved from http://hdl.handle.net/1920/7969

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Prout, Jerry. “Coxey's Challenge in the Populist Moment .” 2012. Thesis, George Mason University. Accessed February 24, 2020. http://hdl.handle.net/1920/7969.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Prout, Jerry. “Coxey's Challenge in the Populist Moment .” 2012. Web. 24 Feb 2020.

Vancouver:

Prout J. Coxey's Challenge in the Populist Moment . [Internet] [Thesis]. George Mason University; 2012. [cited 2020 Feb 24]. Available from: http://hdl.handle.net/1920/7969.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Prout J. Coxey's Challenge in the Populist Moment . [Thesis]. George Mason University; 2012. Available from: http://hdl.handle.net/1920/7969

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgia State University

21. Ketner, Lane. Saving Face.

Degree: MFA, Art and Design, 2015, Georgia State University

  ABSTRACT Saving Face is an exhibition of portrait imagery of famous or infamous figures created through drawing, painting, writing, and assemblage. It is a… (more)

Subjects/Keywords: Perception; Form; Portrait; Spectacle; Face; Saving Face

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ketner, L. (2015). Saving Face. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/art_design_theses/179

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ketner, Lane. “Saving Face.” 2015. Thesis, Georgia State University. Accessed February 24, 2020. https://scholarworks.gsu.edu/art_design_theses/179.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ketner, Lane. “Saving Face.” 2015. Web. 24 Feb 2020.

Vancouver:

Ketner L. Saving Face. [Internet] [Thesis]. Georgia State University; 2015. [cited 2020 Feb 24]. Available from: https://scholarworks.gsu.edu/art_design_theses/179.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ketner L. Saving Face. [Thesis]. Georgia State University; 2015. Available from: https://scholarworks.gsu.edu/art_design_theses/179

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Iowa State University

22. Balzotti, Jonathan Mark. Big rhetoric: The art and rhetoric of spectacle in classical and contemporary experience.

Degree: 2014, Iowa State University

 ABSTRACT Spectacle earns its special status by enthralling its spectators: It "speaks" to its audience in a language of hyperbole, magnitude, and wonder. Such strategies… (more)

Subjects/Keywords: Architecture; Megethos; Monumentality; Opsis; Rhetoric; Spectacle; Rhetoric

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Balzotti, J. M. (2014). Big rhetoric: The art and rhetoric of spectacle in classical and contemporary experience. (Thesis). Iowa State University. Retrieved from https://lib.dr.iastate.edu/etd/13916

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Balzotti, Jonathan Mark. “Big rhetoric: The art and rhetoric of spectacle in classical and contemporary experience.” 2014. Thesis, Iowa State University. Accessed February 24, 2020. https://lib.dr.iastate.edu/etd/13916.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Balzotti, Jonathan Mark. “Big rhetoric: The art and rhetoric of spectacle in classical and contemporary experience.” 2014. Web. 24 Feb 2020.

Vancouver:

Balzotti JM. Big rhetoric: The art and rhetoric of spectacle in classical and contemporary experience. [Internet] [Thesis]. Iowa State University; 2014. [cited 2020 Feb 24]. Available from: https://lib.dr.iastate.edu/etd/13916.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Balzotti JM. Big rhetoric: The art and rhetoric of spectacle in classical and contemporary experience. [Thesis]. Iowa State University; 2014. Available from: https://lib.dr.iastate.edu/etd/13916

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas A&M University

23. Cockley, David. The Media Spectacle of Terrorism and Response-Able Literature.

Degree: 2010, Texas A&M University

 A movement in literature has evolved out of the aftermath of 9/11 to confront the spectacle of terrorism perpetuated by the corporate news media and… (more)

Subjects/Keywords: Spectacle; Terrorism; Media Spectacle of Terrorism; Contemporary Literature; Ethics; Response-Able Literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cockley, D. (2010). The Media Spectacle of Terrorism and Response-Able Literature. (Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/ETD-TAMU-2009-05-367

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cockley, David. “The Media Spectacle of Terrorism and Response-Able Literature.” 2010. Thesis, Texas A&M University. Accessed February 24, 2020. http://hdl.handle.net/1969.1/ETD-TAMU-2009-05-367.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cockley, David. “The Media Spectacle of Terrorism and Response-Able Literature.” 2010. Web. 24 Feb 2020.

Vancouver:

Cockley D. The Media Spectacle of Terrorism and Response-Able Literature. [Internet] [Thesis]. Texas A&M University; 2010. [cited 2020 Feb 24]. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2009-05-367.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cockley D. The Media Spectacle of Terrorism and Response-Able Literature. [Thesis]. Texas A&M University; 2010. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2009-05-367

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Jotham, Justine. Le spectacle et le spectaculaire chez les frères Goncourt : représentation de la société et création de soi : Spectacle and spectacular in the Goncourt brothers’ work : representation of society and production of the self.

Degree: Docteur es, Littérature française, 2015, Université Paris X – Nanterre

Paris, sous le Second Empire, est capitale du spectacle. Cette vision est à la fois un mythe et l’image d’un lieu réel de relations sociales… (more)

Subjects/Keywords: Spectacle; Théâtre; Pittoresque; Posture; Goncourt; Naturalisme; Spectacle; Drama; Picturesque; Position; Goncourt; Naturalism; 840

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jotham, J. (2015). Le spectacle et le spectaculaire chez les frères Goncourt : représentation de la société et création de soi : Spectacle and spectacular in the Goncourt brothers’ work : representation of society and production of the self. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2015PA100161

Chicago Manual of Style (16th Edition):

Jotham, Justine. “Le spectacle et le spectaculaire chez les frères Goncourt : représentation de la société et création de soi : Spectacle and spectacular in the Goncourt brothers’ work : representation of society and production of the self.” 2015. Doctoral Dissertation, Université Paris X – Nanterre. Accessed February 24, 2020. http://www.theses.fr/2015PA100161.

MLA Handbook (7th Edition):

Jotham, Justine. “Le spectacle et le spectaculaire chez les frères Goncourt : représentation de la société et création de soi : Spectacle and spectacular in the Goncourt brothers’ work : representation of society and production of the self.” 2015. Web. 24 Feb 2020.

Vancouver:

Jotham J. Le spectacle et le spectaculaire chez les frères Goncourt : représentation de la société et création de soi : Spectacle and spectacular in the Goncourt brothers’ work : representation of society and production of the self. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2015. [cited 2020 Feb 24]. Available from: http://www.theses.fr/2015PA100161.

Council of Science Editors:

Jotham J. Le spectacle et le spectaculaire chez les frères Goncourt : représentation de la société et création de soi : Spectacle and spectacular in the Goncourt brothers’ work : representation of society and production of the self. [Doctoral Dissertation]. Université Paris X – Nanterre; 2015. Available from: http://www.theses.fr/2015PA100161


Université de Grenoble

25. Tissoires, Amélie. L'opéra mental : formes et enjeux de l'écriture du spectacle chez Jean-Jacques Rousseau : The mental Opera : the forms and stakes of spectacle writing in Jean-Jacques Rousseau.

Degree: Docteur es, Littérature française et francophone, 2012, Université de Grenoble

La réflexion de Rousseau concernant le spectacle (théâtral, musical, pictural) s'élabore au cours de nombreux textes théoriques qui interrogent le statut du spectateur et sa… (more)

Subjects/Keywords: Rousseau; Écriture; Tableau; Théâtre; Musique; Spectacle; Rousseau; Writing; Tableau; Theatre; Music; Spectacle

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tissoires, A. (2012). L'opéra mental : formes et enjeux de l'écriture du spectacle chez Jean-Jacques Rousseau : The mental Opera : the forms and stakes of spectacle writing in Jean-Jacques Rousseau. (Doctoral Dissertation). Université de Grenoble. Retrieved from http://www.theses.fr/2012GRENL005

Chicago Manual of Style (16th Edition):

Tissoires, Amélie. “L'opéra mental : formes et enjeux de l'écriture du spectacle chez Jean-Jacques Rousseau : The mental Opera : the forms and stakes of spectacle writing in Jean-Jacques Rousseau.” 2012. Doctoral Dissertation, Université de Grenoble. Accessed February 24, 2020. http://www.theses.fr/2012GRENL005.

MLA Handbook (7th Edition):

Tissoires, Amélie. “L'opéra mental : formes et enjeux de l'écriture du spectacle chez Jean-Jacques Rousseau : The mental Opera : the forms and stakes of spectacle writing in Jean-Jacques Rousseau.” 2012. Web. 24 Feb 2020.

Vancouver:

Tissoires A. L'opéra mental : formes et enjeux de l'écriture du spectacle chez Jean-Jacques Rousseau : The mental Opera : the forms and stakes of spectacle writing in Jean-Jacques Rousseau. [Internet] [Doctoral dissertation]. Université de Grenoble; 2012. [cited 2020 Feb 24]. Available from: http://www.theses.fr/2012GRENL005.

Council of Science Editors:

Tissoires A. L'opéra mental : formes et enjeux de l'écriture du spectacle chez Jean-Jacques Rousseau : The mental Opera : the forms and stakes of spectacle writing in Jean-Jacques Rousseau. [Doctoral Dissertation]. Université de Grenoble; 2012. Available from: http://www.theses.fr/2012GRENL005


Université du Québec à Montréal

26. Raymond, Claude. Comment le trac influence-t-il l'expression artistique et la rétroaction du public dans les arts de la scène?.

Degree: 2009, Université du Québec à Montréal

 Le trac ou ce que l'on pourrait appeler l'anxiété reliée à la performance touche tant les artistes de la scène que la plupart des personnes… (more)

Subjects/Keywords: Angoisse de la performance; Artiste du spectacle; Arts du spectacle; Communication interpersonnelle; Création artistique; Relation interpersonnelle; Spectateur; Trac

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Raymond, C. (2009). Comment le trac influence-t-il l'expression artistique et la rétroaction du public dans les arts de la scène?. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/2544/1/M11137.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Raymond, Claude. “Comment le trac influence-t-il l'expression artistique et la rétroaction du public dans les arts de la scène?.” 2009. Thesis, Université du Québec à Montréal. Accessed February 24, 2020. http://www.archipel.uqam.ca/2544/1/M11137.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Raymond, Claude. “Comment le trac influence-t-il l'expression artistique et la rétroaction du public dans les arts de la scène?.” 2009. Web. 24 Feb 2020.

Vancouver:

Raymond C. Comment le trac influence-t-il l'expression artistique et la rétroaction du public dans les arts de la scène?. [Internet] [Thesis]. Université du Québec à Montréal; 2009. [cited 2020 Feb 24]. Available from: http://www.archipel.uqam.ca/2544/1/M11137.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Raymond C. Comment le trac influence-t-il l'expression artistique et la rétroaction du public dans les arts de la scène?. [Thesis]. Université du Québec à Montréal; 2009. Available from: http://www.archipel.uqam.ca/2544/1/M11137.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. De Simone, Cristina. Proféractions ! : poésie en action à Paris (1946-1969) : Proféractions ! : poetry in action (Paris, 1946-1969).

Degree: Docteur es, Études théâtrales, 2016, Université Paris X – Nanterre

Cette étude propose une histoire des pratiques qui, à Paris, entre 1946 et 1969, ont lié poésie et performance et fait de la profération leur… (more)

Subjects/Keywords: Performance; Poésie-Performance; Poésie sonore; Spectacle; Technologies du son; Voix; Performance; Poetry-Performance; Sound poetry; Spectacle; Sound technology; Voice; 700

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

De Simone, C. (2016). Proféractions ! : poésie en action à Paris (1946-1969) : Proféractions ! : poetry in action (Paris, 1946-1969). (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2016PA100089

Chicago Manual of Style (16th Edition):

De Simone, Cristina. “Proféractions ! : poésie en action à Paris (1946-1969) : Proféractions ! : poetry in action (Paris, 1946-1969).” 2016. Doctoral Dissertation, Université Paris X – Nanterre. Accessed February 24, 2020. http://www.theses.fr/2016PA100089.

MLA Handbook (7th Edition):

De Simone, Cristina. “Proféractions ! : poésie en action à Paris (1946-1969) : Proféractions ! : poetry in action (Paris, 1946-1969).” 2016. Web. 24 Feb 2020.

Vancouver:

De Simone C. Proféractions ! : poésie en action à Paris (1946-1969) : Proféractions ! : poetry in action (Paris, 1946-1969). [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2016. [cited 2020 Feb 24]. Available from: http://www.theses.fr/2016PA100089.

Council of Science Editors:

De Simone C. Proféractions ! : poésie en action à Paris (1946-1969) : Proféractions ! : poetry in action (Paris, 1946-1969). [Doctoral Dissertation]. Université Paris X – Nanterre; 2016. Available from: http://www.theses.fr/2016PA100089


Université du Québec à Montréal

28. Raymond, Claude. Comment le trac influence-t-il l'expression artistique et la rétroaction du public dans les arts de la scène?.

Degree: 2009, Université du Québec à Montréal

 Le trac ou ce que l'on pourrait appeler l'anxiété reliée à la performance touche tant les artistes de la scène que la plupart des personnes… (more)

Subjects/Keywords: Angoisse de la performance; Artiste du spectacle; Arts du spectacle; Communication interpersonnelle; Création artistique; Relation interpersonnelle; Spectateur; Trac

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Raymond, C. (2009). Comment le trac influence-t-il l'expression artistique et la rétroaction du public dans les arts de la scène?. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/2544/1/M11137.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Raymond, Claude. “Comment le trac influence-t-il l'expression artistique et la rétroaction du public dans les arts de la scène?.” 2009. Thesis, Université du Québec à Montréal. Accessed February 24, 2020. http://archipel.uqam.ca/2544/1/M11137.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Raymond, Claude. “Comment le trac influence-t-il l'expression artistique et la rétroaction du public dans les arts de la scène?.” 2009. Web. 24 Feb 2020.

Vancouver:

Raymond C. Comment le trac influence-t-il l'expression artistique et la rétroaction du public dans les arts de la scène?. [Internet] [Thesis]. Université du Québec à Montréal; 2009. [cited 2020 Feb 24]. Available from: http://archipel.uqam.ca/2544/1/M11137.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Raymond C. Comment le trac influence-t-il l'expression artistique et la rétroaction du public dans les arts de la scène?. [Thesis]. Université du Québec à Montréal; 2009. Available from: http://archipel.uqam.ca/2544/1/M11137.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Whittam, Julian. Spectacle and the one-man band : technology, performing bodies, and imaginary spaces .

Degree: 2016, Université de Montréal

 L’étiquette « homme-orchestre » est apposée à une grande variété de musiciens qui se distinguent en jouant seuls une performance qui est normalement interprétée par… (more)

Subjects/Keywords: Homme-orchestre; Performance; Spectacle; Corps; Espace; Technologie; Liminalité; Divertissement; Musique; One-man band; Body; Performance; Spectacle; Space; Technology; Liminality; Entertainment; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Whittam, J. (2016). Spectacle and the one-man band : technology, performing bodies, and imaginary spaces . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/13562

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Whittam, Julian. “Spectacle and the one-man band : technology, performing bodies, and imaginary spaces .” 2016. Thesis, Université de Montréal. Accessed February 24, 2020. http://hdl.handle.net/1866/13562.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Whittam, Julian. “Spectacle and the one-man band : technology, performing bodies, and imaginary spaces .” 2016. Web. 24 Feb 2020.

Vancouver:

Whittam J. Spectacle and the one-man band : technology, performing bodies, and imaginary spaces . [Internet] [Thesis]. Université de Montréal; 2016. [cited 2020 Feb 24]. Available from: http://hdl.handle.net/1866/13562.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Whittam J. Spectacle and the one-man band : technology, performing bodies, and imaginary spaces . [Thesis]. Université de Montréal; 2016. Available from: http://hdl.handle.net/1866/13562

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Toulouse II – Le Mirail

30. Mahé, Yann. Les Psyché de Lully (1656-1720) : écritures et réécritures : contribution à une histoire musicale du spectacle de cour : Lully's Psychés (1656-1720 : writings and rewritings : contribution to a musical history of French court entertainment.

Degree: Docteur es, Musicologie, 2012, Université Toulouse II – Le Mirail

Au-delà des trois Psyché de Lully (ballet, 1656 ; tragi-comédie et ballet, 1671 ; tragédie en musique, 1678), apparaît, entre 1671 et 1718, sous la… (more)

Subjects/Keywords: Ballet baroque; Spectacle de cour; Réécriture musicale; Histoire du spectacle; Tragédie-ballet; Musical rewriting; Court entertainment; Tragedy ballet; History of entertainment

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mahé, Y. (2012). Les Psyché de Lully (1656-1720) : écritures et réécritures : contribution à une histoire musicale du spectacle de cour : Lully's Psychés (1656-1720 : writings and rewritings : contribution to a musical history of French court entertainment. (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2012TOU20105

Chicago Manual of Style (16th Edition):

Mahé, Yann. “Les Psyché de Lully (1656-1720) : écritures et réécritures : contribution à une histoire musicale du spectacle de cour : Lully's Psychés (1656-1720 : writings and rewritings : contribution to a musical history of French court entertainment.” 2012. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed February 24, 2020. http://www.theses.fr/2012TOU20105.

MLA Handbook (7th Edition):

Mahé, Yann. “Les Psyché de Lully (1656-1720) : écritures et réécritures : contribution à une histoire musicale du spectacle de cour : Lully's Psychés (1656-1720 : writings and rewritings : contribution to a musical history of French court entertainment.” 2012. Web. 24 Feb 2020.

Vancouver:

Mahé Y. Les Psyché de Lully (1656-1720) : écritures et réécritures : contribution à une histoire musicale du spectacle de cour : Lully's Psychés (1656-1720 : writings and rewritings : contribution to a musical history of French court entertainment. [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2012. [cited 2020 Feb 24]. Available from: http://www.theses.fr/2012TOU20105.

Council of Science Editors:

Mahé Y. Les Psyché de Lully (1656-1720) : écritures et réécritures : contribution à une histoire musicale du spectacle de cour : Lully's Psychés (1656-1720 : writings and rewritings : contribution to a musical history of French court entertainment. [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2012. Available from: http://www.theses.fr/2012TOU20105

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