subject:(sonatas)

1. Kao, Lo-Chien. Master's thesis recital (collaborative piano).

Degree: Music, 2012, University of Texas – Austin

► Bie Mannern, welche Liebe fuhlen from Die Zauberflote / W. A. Mozart – Seven variations on Bei Mannern, welche Liebe fuhlen / L. v. Beethoven… (more)

Subjects/Keywords: Songs; Bassoon sonatas; Violoncello sonatas

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APA (6^th Edition):

Kao, L. (2012). Master's thesis recital (collaborative piano). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23777

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kao, Lo-Chien. “Master's thesis recital (collaborative piano).” 2012. Thesis, University of Texas – Austin. Accessed August 15, 2018. http://hdl.handle.net/2152/23777.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kao, Lo-Chien. “Master's thesis recital (collaborative piano).” 2012. Web. 15 Aug 2018.

Vancouver:

Kao L. Master's thesis recital (collaborative piano). [Internet] [Thesis]. University of Texas – Austin; 2012. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/2152/23777.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kao L. Master's thesis recital (collaborative piano). [Thesis]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/23777

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Seo, Jun. Doctoral thesis recital (violoncello).

Degree: Music, 2012, University of Texas – Austin

URL: http://hdl.handle.net/2152/23968

Sonata in C major, op.119 for cello and piano / Sergei Prokofiev – Sonata in C, op.65 for cello and piano / Benjamin Britten – Ricordanza / George Rochberg – The swan / Camille Saint-saens. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Violoncello sonatas

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APA (6^th Edition):

Seo, J. (2012). Doctoral thesis recital (violoncello). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23968

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Seo, Jun. “Doctoral thesis recital (violoncello).” 2012. Thesis, University of Texas – Austin. Accessed August 15, 2018. http://hdl.handle.net/2152/23968.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Seo, Jun. “Doctoral thesis recital (violoncello).” 2012. Web. 15 Aug 2018.

Vancouver:

Seo J. Doctoral thesis recital (violoncello). [Internet] [Thesis]. University of Texas – Austin; 2012. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/2152/23968.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seo J. Doctoral thesis recital (violoncello). [Thesis]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/23968

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Lin, Yi-Hsuan. Doctoral thesis recital (violin).

Degree: Music, 2014, University of Texas – Austin

URL: http://hdl.handle.net/2152/24490

Violin sonata no.1, op.12, no.1 / Ludwig van Beethoven – Theme original varie, op.15 / Henryk Wieniawski – Violin sonata no.2 in G minor / Maurice Ravel – Graceful ghost / William Bolcom. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Violin sonatas

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APA (6^th Edition):

Lin, Y. (2014). Doctoral thesis recital (violin). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24490

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lin, Yi-Hsuan. “Doctoral thesis recital (violin).” 2014. Thesis, University of Texas – Austin. Accessed August 15, 2018. http://hdl.handle.net/2152/24490.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lin, Yi-Hsuan. “Doctoral thesis recital (violin).” 2014. Web. 15 Aug 2018.

Vancouver:

Lin Y. Doctoral thesis recital (violin). [Internet] [Thesis]. University of Texas – Austin; 2014. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/2152/24490.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lin Y. Doctoral thesis recital (violin). [Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24490

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Arizona

4. Clifton, Alfred Miles, 1921-. Sonata, piano, B♭ major .

Degree: 1950, University of Arizona

URL: http://hdl.handle.net/10150/553787

Subjects/Keywords: Sonatas (Piano)

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APA (6^th Edition):

Clifton, Alfred Miles, 1. (1950). Sonata, piano, B♭ major . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/553787

Chicago Manual of Style (16^th Edition):

Clifton, Alfred Miles, 1921-. “Sonata, piano, B♭ major .” 1950. Masters Thesis, University of Arizona. Accessed August 15, 2018. http://hdl.handle.net/10150/553787.

MLA Handbook (7^th Edition):

Clifton, Alfred Miles, 1921-. “Sonata, piano, B♭ major .” 1950. Web. 15 Aug 2018.

Vancouver:

Clifton, Alfred Miles 1. Sonata, piano, B♭ major . [Internet] [Masters thesis]. University of Arizona; 1950. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/10150/553787.

Council of Science Editors:

Clifton, Alfred Miles 1. Sonata, piano, B♭ major . [Masters Thesis]. University of Arizona; 1950. Available from: http://hdl.handle.net/10150/553787

Arizona State University

5. Leland, Hannah Christina. The "Bad Boy of Music" in Paris: George Antheil's Violin Sonatas.

Degree: Doctoral, Dissertation Music, 2015, Arizona State University

URL: http://repository.asu.edu/items/29646

► An integral part of the avant-garde movement in 1920s Paris, the American composer George Antheil collaborated with writers Ezra Pound and James Joyce, violinist Olga… (more)

Subjects/Keywords: Music; Antheil; Paris; Sonatas; Violin

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APA (6^th Edition):

Leland, H. C. (2015). The "Bad Boy of Music" in Paris: George Antheil's Violin Sonatas. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/29646

Chicago Manual of Style (16^th Edition):

Leland, Hannah Christina. “The "Bad Boy of Music" in Paris: George Antheil's Violin Sonatas.” 2015. Doctoral Dissertation, Arizona State University. Accessed August 15, 2018. http://repository.asu.edu/items/29646.

MLA Handbook (7^th Edition):

Leland, Hannah Christina. “The "Bad Boy of Music" in Paris: George Antheil's Violin Sonatas.” 2015. Web. 15 Aug 2018.

Vancouver:

Leland HC. The "Bad Boy of Music" in Paris: George Antheil's Violin Sonatas. [Internet] [Doctoral dissertation]. Arizona State University; 2015. [cited 2018 Aug 15]. Available from: http://repository.asu.edu/items/29646.

Council of Science Editors:

Leland HC. The "Bad Boy of Music" in Paris: George Antheil's Violin Sonatas. [Doctoral Dissertation]. Arizona State University; 2015. Available from: http://repository.asu.edu/items/29646

University of Cincinnati

6. Lin, Chia-Hsing. A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960.

Degree: DMA, College-Conservatory of Music: Piano, 2012, University of Cincinnati

URL: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1330023742

► Franz Peter Schubert’s last three sonatas, D. 958, 959 and 960 attract modern scholars and performers with their personal, poetic style as well as… (more)

Subjects/Keywords: Music; Schubert; Piano Sonatas

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APA (6^th Edition):

Lin, C. (2012). A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1330023742

Chicago Manual of Style (16^th Edition):

Lin, Chia-Hsing. “A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960.” 2012. Doctoral Dissertation, University of Cincinnati. Accessed August 15, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1330023742.

MLA Handbook (7^th Edition):

Lin, Chia-Hsing. “A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960.” 2012. Web. 15 Aug 2018.

Vancouver:

Lin C. A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960. [Internet] [Doctoral dissertation]. University of Cincinnati; 2012. [cited 2018 Aug 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1330023742.

Council of Science Editors:

Lin C. A Performer’s Guide to Interpretive Issues in Schubert’s Late Piano Sonatas, D. 958, D. 959 and D. 960. [Doctoral Dissertation]. University of Cincinnati; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1330023742

University of Arizona

7. St. Clair, Mertice, 1895-. Sonata for piano in A flat minor .

Degree: 1943, University of Arizona

URL: http://hdl.handle.net/10150/553645

Subjects/Keywords: Sonatas (Piano)

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APA (6^th Edition):

St. Clair, Mertice, 1. (1943). Sonata for piano in A flat minor . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/553645

Chicago Manual of Style (16^th Edition):

St. Clair, Mertice, 1895-. “Sonata for piano in A flat minor .” 1943. Masters Thesis, University of Arizona. Accessed August 15, 2018. http://hdl.handle.net/10150/553645.

MLA Handbook (7^th Edition):

St. Clair, Mertice, 1895-. “Sonata for piano in A flat minor .” 1943. Web. 15 Aug 2018.

Vancouver:

St. Clair, Mertice 1. Sonata for piano in A flat minor . [Internet] [Masters thesis]. University of Arizona; 1943. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/10150/553645.

Council of Science Editors:

St. Clair, Mertice 1. Sonata for piano in A flat minor . [Masters Thesis]. University of Arizona; 1943. Available from: http://hdl.handle.net/10150/553645

University of Arizona

8. Lamm, Robert Carson, 1922-. Third piano sonata in A minor, opus 14 .

Degree: 1948, University of Arizona

URL: http://hdl.handle.net/10150/553746

Subjects/Keywords: Sonatas (Piano)

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APA (6^th Edition):

Lamm, Robert Carson, 1. (1948). Third piano sonata in A minor, opus 14 . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/553746

Chicago Manual of Style (16^th Edition):

Lamm, Robert Carson, 1922-. “Third piano sonata in A minor, opus 14 .” 1948. Masters Thesis, University of Arizona. Accessed August 15, 2018. http://hdl.handle.net/10150/553746.

MLA Handbook (7^th Edition):

Lamm, Robert Carson, 1922-. “Third piano sonata in A minor, opus 14 .” 1948. Web. 15 Aug 2018.

Vancouver:

Lamm, Robert Carson 1. Third piano sonata in A minor, opus 14 . [Internet] [Masters thesis]. University of Arizona; 1948. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/10150/553746.

Council of Science Editors:

Lamm, Robert Carson 1. Third piano sonata in A minor, opus 14 . [Masters Thesis]. University of Arizona; 1948. Available from: http://hdl.handle.net/10150/553746

University of Arizona

9. Dale, Frank Knight, 1909-. Fantasy-sonata for piano .

Degree: 1952, University of Arizona

URL: http://hdl.handle.net/10150/553854

Subjects/Keywords: Sonatas (Piano)

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APA (6^th Edition):

Dale, Frank Knight, 1. (1952). Fantasy-sonata for piano . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/553854

Chicago Manual of Style (16^th Edition):

Dale, Frank Knight, 1909-. “Fantasy-sonata for piano .” 1952. Masters Thesis, University of Arizona. Accessed August 15, 2018. http://hdl.handle.net/10150/553854.

MLA Handbook (7^th Edition):

Dale, Frank Knight, 1909-. “Fantasy-sonata for piano .” 1952. Web. 15 Aug 2018.

Vancouver:

Dale, Frank Knight 1. Fantasy-sonata for piano . [Internet] [Masters thesis]. University of Arizona; 1952. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/10150/553854.

Council of Science Editors:

Dale, Frank Knight 1. Fantasy-sonata for piano . [Masters Thesis]. University of Arizona; 1952. Available from: http://hdl.handle.net/10150/553854

University of Illinois – Urbana-Champaign

10. Chan, Chia-Ying. The piano sonatas by Harold Shapero: a stylistic synthesis.

Degree: A.Mus.D., Music, 2017, University of Illinois – Urbana-Champaign

URL: http://hdl.handle.net/2142/99382

► This research project offers an investigation into the stylistic language of the piano sonatas of Harold Shapero (1920-2013)—a twentieth-century American composer who is recognized as… (more)

Subjects/Keywords: Harold Shapero; Piano sonatas

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APA (6^th Edition):

Chan, C. (2017). The piano sonatas by Harold Shapero: a stylistic synthesis. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/99382

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Chan, Chia-Ying. “The piano sonatas by Harold Shapero: a stylistic synthesis.” 2017. Thesis, University of Illinois – Urbana-Champaign. Accessed August 15, 2018. http://hdl.handle.net/2142/99382.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Chan, Chia-Ying. “The piano sonatas by Harold Shapero: a stylistic synthesis.” 2017. Web. 15 Aug 2018.

Vancouver:

Chan C. The piano sonatas by Harold Shapero: a stylistic synthesis. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2017. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/2142/99382.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chan C. The piano sonatas by Harold Shapero: a stylistic synthesis. [Thesis]. University of Illinois – Urbana-Champaign; 2017. Available from: http://hdl.handle.net/2142/99382

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Hall, Bryan Emmon. Doctoral thesis recital (violin).

Degree: Music, 2012, University of Texas – Austin

URL: http://hdl.handle.net/2152/23917

► Sonata no.2 for violin and piano in A major / J. S. Bach – Sonata no.3 for violin solo in d minor for Georges Enesco… (more)

Subjects/Keywords: Violin music; Violin sonatas

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hall, B. E. (2012). Doctoral thesis recital (violin). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23917

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hall, Bryan Emmon. “Doctoral thesis recital (violin).” 2012. Thesis, University of Texas – Austin. Accessed August 15, 2018. http://hdl.handle.net/2152/23917.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hall, Bryan Emmon. “Doctoral thesis recital (violin).” 2012. Web. 15 Aug 2018.

Vancouver:

Hall BE. Doctoral thesis recital (violin). [Internet] [Thesis]. University of Texas – Austin; 2012. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/2152/23917.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hall BE. Doctoral thesis recital (violin). [Thesis]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/23917

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Coleman, Jacob A. Doctoral thesis recital (collaborative piano).

Degree: Music, 2012, University of Texas – Austin

URL: http://hdl.handle.net/2152/23944

Sieben fruhe Lieder / Alban Berg – Duo concertante / Igor Stravinsky – Sonata for viola and piano / George Rochberg. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Chamber music; Songs; Viola sonatas

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APA (6^th Edition):

Coleman, J. A. (2012). Doctoral thesis recital (collaborative piano). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23944

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Coleman, Jacob A. “Doctoral thesis recital (collaborative piano).” 2012. Thesis, University of Texas – Austin. Accessed August 15, 2018. http://hdl.handle.net/2152/23944.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Coleman, Jacob A. “Doctoral thesis recital (collaborative piano).” 2012. Web. 15 Aug 2018.

Vancouver:

Coleman JA. Doctoral thesis recital (collaborative piano). [Internet] [Thesis]. University of Texas – Austin; 2012. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/2152/23944.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Coleman JA. Doctoral thesis recital (collaborative piano). [Thesis]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/23944

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Chen, Ruoxu. Doctoral thesis recital (piano).

Degree: Music, 2012, University of Texas – Austin

URL: http://hdl.handle.net/2152/23969

Piano sonata in G major XVI 40 / Franz Joseph Haydn – Venezia e Napoli / Franz Liszt – Piano sonata no.3 in B minor / Frederic Chopin. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Piano music; Piano sonatas

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APA (6^th Edition):

Chen, R. (2012). Doctoral thesis recital (piano). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23969

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Chen, Ruoxu. “Doctoral thesis recital (piano).” 2012. Thesis, University of Texas – Austin. Accessed August 15, 2018. http://hdl.handle.net/2152/23969.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Chen, Ruoxu. “Doctoral thesis recital (piano).” 2012. Web. 15 Aug 2018.

Vancouver:

Chen R. Doctoral thesis recital (piano). [Internet] [Thesis]. University of Texas – Austin; 2012. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/2152/23969.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen R. Doctoral thesis recital (piano). [Thesis]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/23969

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Reznik, Yevgeniy. Doctoral thesis recital (clarinet).

Degree: Music, 2012, University of Texas – Austin

URL: http://hdl.handle.net/2152/24017

Introduction and rondo for clarinet and piano / Ch.-M. Widor – Chromatic fantasy / J. S. Bach – Sonata for clarinet and piano, op.128 / Mario Castelnuovo-Tedesco – One of a kind / Mark Phillips. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Clarinet sonatas; Clarinet music

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APA (6^th Edition):

Reznik, Y. (2012). Doctoral thesis recital (clarinet). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24017

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Reznik, Yevgeniy. “Doctoral thesis recital (clarinet).” 2012. Thesis, University of Texas – Austin. Accessed August 15, 2018. http://hdl.handle.net/2152/24017.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Reznik, Yevgeniy. “Doctoral thesis recital (clarinet).” 2012. Web. 15 Aug 2018.

Vancouver:

Reznik Y. Doctoral thesis recital (clarinet). [Internet] [Thesis]. University of Texas – Austin; 2012. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/2152/24017.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Reznik Y. Doctoral thesis recital (clarinet). [Thesis]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/24017

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Detweiler, Brett. Master's thesis recital (viola).

Degree: Music, 2014, University of Texas – Austin

URL: http://hdl.handle.net/2152/24362

Sonata for viola and harpsichord / W. F. Bach – Sonata for piano and arpeggione in A minor, D.821 / Franz Schubert – Lachrymae- Reflections on a song of Dowland, op.48 / Benjamin Britten – Sarasateana / Efrem Zimbalist. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Viola sonatas; Viola music

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APA (6^th Edition):

Detweiler, B. (2014). Master's thesis recital (viola). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24362

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Detweiler, Brett. “Master's thesis recital (viola).” 2014. Thesis, University of Texas – Austin. Accessed August 15, 2018. http://hdl.handle.net/2152/24362.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Detweiler, Brett. “Master's thesis recital (viola).” 2014. Web. 15 Aug 2018.

Vancouver:

Detweiler B. Master's thesis recital (viola). [Internet] [Thesis]. University of Texas – Austin; 2014. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/2152/24362.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Detweiler B. Master's thesis recital (viola). [Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24362

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Hagen, Timothy M. Doctoral thesis recital (flute).

Degree: Music, 2014, University of Texas – Austin

URL: http://hdl.handle.net/2152/24398

Run before lightning / Jonathan Harvey – NoaNoa / Kaija Saariaho – Sonata: motion / Lawrence Dillon – Rocket / Timothy Hagen – Aria, op.48, no.1 / Erno Dohnanyi – Sonata for flute and piano / Walter Piston. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Flute music; Sonatas (Flute)

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APA (6^th Edition):

Hagen, T. M. (2014). Doctoral thesis recital (flute). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24398

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Hagen, Timothy M. “Doctoral thesis recital (flute).” 2014. Thesis, University of Texas – Austin. Accessed August 15, 2018. http://hdl.handle.net/2152/24398.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Hagen, Timothy M. “Doctoral thesis recital (flute).” 2014. Web. 15 Aug 2018.

Vancouver:

Hagen TM. Doctoral thesis recital (flute). [Internet] [Thesis]. University of Texas – Austin; 2014. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/2152/24398.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hagen TM. Doctoral thesis recital (flute). [Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24398

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Park, Jieun. Master's thesis recital (violin).

Degree: Music, 2014, University of Texas – Austin

URL: http://hdl.handle.net/2152/24464

Sonata for violin and piano no.7 / Ludwig van Beethoven – Sonata for violin and piano no.2 in G minor / Maurice Ravel – Nightclub 1960 / Astor Piazzolla. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Violin music; Violin sonatas

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APA (6^th Edition):

Park, J. (2014). Master's thesis recital (violin). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24464

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Park, Jieun. “Master's thesis recital (violin).” 2014. Thesis, University of Texas – Austin. Accessed August 15, 2018. http://hdl.handle.net/2152/24464.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Park, Jieun. “Master's thesis recital (violin).” 2014. Web. 15 Aug 2018.

Vancouver:

Park J. Master's thesis recital (violin). [Internet] [Thesis]. University of Texas – Austin; 2014. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/2152/24464.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Park J. Master's thesis recital (violin). [Thesis]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24464

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Arizona

18. Fosheim, Karen Marie. Similarities between two dissimilar American piano sonatas of the 1960s: The second piano sonatas of Robert Muczynski and Robert Starer.

Degree: 1994, University of Arizona

URL: http://hdl.handle.net/10150/186663

► Two significant American composers, Robert Muczynski (b.1929) and Robert Starer (b.1924), composed piano sonatas in the years 1964-66, despite the tendency of other composers of… (more)

Subjects/Keywords: Sonatas (Piano)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Fosheim, K. M. (1994). Similarities between two dissimilar American piano sonatas of the 1960s: The second piano sonatas of Robert Muczynski and Robert Starer. (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/186663

Chicago Manual of Style (16^th Edition):

Fosheim, Karen Marie. “Similarities between two dissimilar American piano sonatas of the 1960s: The second piano sonatas of Robert Muczynski and Robert Starer. ” 1994. Doctoral Dissertation, University of Arizona. Accessed August 15, 2018. http://hdl.handle.net/10150/186663.

MLA Handbook (7^th Edition):

Fosheim, Karen Marie. “Similarities between two dissimilar American piano sonatas of the 1960s: The second piano sonatas of Robert Muczynski and Robert Starer. ” 1994. Web. 15 Aug 2018.

Vancouver:

Fosheim KM. Similarities between two dissimilar American piano sonatas of the 1960s: The second piano sonatas of Robert Muczynski and Robert Starer. [Internet] [Doctoral dissertation]. University of Arizona; 1994. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/10150/186663.

Council of Science Editors:

Fosheim KM. Similarities between two dissimilar American piano sonatas of the 1960s: The second piano sonatas of Robert Muczynski and Robert Starer. [Doctoral Dissertation]. University of Arizona; 1994. Available from: http://hdl.handle.net/10150/186663

Texas Tech University

19. Holmes, Ruth J. A critical edition of selected keyboard sonatas, Opus I and Opus II, of Baldassare Galuppi (1706-1785).

Degree: 1976, Texas Tech University

URL: http://hdl.handle.net/2346/59803

Subjects/Keywords: Sonatas (Harpsichord)

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APA (6^th Edition):

Holmes, R. J. (1976). A critical edition of selected keyboard sonatas, Opus I and Opus II, of Baldassare Galuppi (1706-1785). (Doctoral Dissertation). Texas Tech University. Retrieved from http://hdl.handle.net/2346/59803

Chicago Manual of Style (16^th Edition):

Holmes, Ruth J. “A critical edition of selected keyboard sonatas, Opus I and Opus II, of Baldassare Galuppi (1706-1785).” 1976. Doctoral Dissertation, Texas Tech University. Accessed August 15, 2018. http://hdl.handle.net/2346/59803.

MLA Handbook (7^th Edition):

Holmes, Ruth J. “A critical edition of selected keyboard sonatas, Opus I and Opus II, of Baldassare Galuppi (1706-1785).” 1976. Web. 15 Aug 2018.

Vancouver:

Holmes RJ. A critical edition of selected keyboard sonatas, Opus I and Opus II, of Baldassare Galuppi (1706-1785). [Internet] [Doctoral dissertation]. Texas Tech University; 1976. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/2346/59803.

Council of Science Editors:

Holmes RJ. A critical edition of selected keyboard sonatas, Opus I and Opus II, of Baldassare Galuppi (1706-1785). [Doctoral Dissertation]. Texas Tech University; 1976. Available from: http://hdl.handle.net/2346/59803

20. Caldas, Inês Moz. As sonatas opus I de Mercy e o second set of sonatas de Pepusch.

Degree: 2011, Universidade de Aveiro

URL: http://hdl.handle.net/10773/9392

► O presente trabalho apresenta a comparação entre duas obras dos compositores Luis Mercy e Johann Christoph Pepusch. As obras em questão são: Six Solos for… (more)

▼ O presente trabalho apresenta a comparação entre duas obras dos compositores Luis Mercy e Johann Christoph Pepusch. As obras em questão são: Six Solos for a Flute with a Thorough Bass for the Harpsicord or Violoncello de Mercy e A Second Set of Solos for the Flute with A Through Bass for the Basson, Bass-flute or Harpsicord de Pepusch. Nestas obras podemos encontrar correspondências entre sete andamentos pertencentes a quatro sonatas de Pepusch e três de Mercy. Estas correspondências podem aparecer sob a forma de ornamentação de andamentos completos ou de simples utilização de temas comuns. O estudo dos percursos biográficos destes dois compositores permite concluir que Mercy conheceria bem a obra de Pepusch, sobretudo a escrita para flauta. Com esta informação e a observação das partituras, poderemos admitir que Mercy se baseia nestas obras para as ornamentar e as transformar a seu gosto, utilizando-as para dar mais visibilidade às possibilidades sonoras e virtuosísticas do seu instrumento - a flauta de bisel.; The present study shows the link between recorder works by Luis Mercy and the other from Johann Christoph Pepusch. The works are: Six Solos for a Flute with a Thorough Bass for the Harpsicord or Violoncello from Mercy and A Second Set of Solos for the Flute with A Through Bass for the Basson, Bassflute or Harpsicord from Pepusch. In these works we can find correspondences between seven movements of four different sonatas by Pepusch and three by Mercy. The correspondences can appear in the form of ornamentation of complete movements or the simple use of shared themes. The study of the biographies of these two composers alow us to conclude that Mercy was familiar with the works of Pepusch, at least the ones composed for recorder. With this information and the close observation of the scores, we can establish that Mercy relies on the work of Pepusch to ornament and transform it at his pleasure, using it to give more visibility to the sound and virtuosistic possibilities of his instrument - the recorder. Advisors/Committee Members: Carvalho, Helena Paula Marinho Silva de (advisor).

Subjects/Keywords: Análise musical; Sonatas; Flauta

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APA (6^th Edition):

Caldas, I. M. (2011). As sonatas opus I de Mercy e o second set of sonatas de Pepusch. (Thesis). Universidade de Aveiro. Retrieved from http://hdl.handle.net/10773/9392

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Caldas, Inês Moz. “As sonatas opus I de Mercy e o second set of sonatas de Pepusch.” 2011. Thesis, Universidade de Aveiro. Accessed August 15, 2018. http://hdl.handle.net/10773/9392.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Caldas, Inês Moz. “As sonatas opus I de Mercy e o second set of sonatas de Pepusch.” 2011. Web. 15 Aug 2018.

Vancouver:

Caldas IM. As sonatas opus I de Mercy e o second set of sonatas de Pepusch. [Internet] [Thesis]. Universidade de Aveiro; 2011. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/10773/9392.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Caldas IM. As sonatas opus I de Mercy e o second set of sonatas de Pepusch. [Thesis]. Universidade de Aveiro; 2011. Available from: http://hdl.handle.net/10773/9392

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Texas – Austin

21. Pieper, Jestin. Master's thesis recital (piano).

Degree: Music, 2011, University of Texas – Austin

URL: http://hdl.handle.net/2152/17025

Davidsbundlertanze, op. 6 / Robert Schumann – Processional / George Crumb – Sonata in Ab major, op. 110 / L. v. Beethoven. Advisors/Committee Members: Not available (advisor).

Subjects/Keywords: Piano music; Piano sonatas

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APA (6^th Edition):

Pieper, J. (2011). Master's thesis recital (piano). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/17025

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pieper, Jestin. “Master's thesis recital (piano).” 2011. Thesis, University of Texas – Austin. Accessed August 15, 2018. http://hdl.handle.net/2152/17025.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pieper, Jestin. “Master's thesis recital (piano).” 2011. Web. 15 Aug 2018.

Vancouver:

Pieper J. Master's thesis recital (piano). [Internet] [Thesis]. University of Texas – Austin; 2011. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/2152/17025.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pieper J. Master's thesis recital (piano). [Thesis]. University of Texas – Austin; 2011. Available from: http://hdl.handle.net/2152/17025

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Princeton University

22. Friedman, Jacob. "The Father of the Piano Sonata?" A Reception History of Joseph Haydn's Solo Keyboard Sonatas .

Degree: PhD, 2018, Princeton University

URL: http://arks.princeton.edu/ark:/88435/dsp01mk61rk619

► This dissertation traces the reception history of Joseph Haydn’s keyboard sonatas, from his lifetime to the present day. Today we recognize Haydn as one of… (more)

▼ This dissertation traces the reception history of Joseph Haydn’s keyboard sonatas, from his lifetime to the present day. Today we recognize Haydn as one of the most important composers in history, but his output for keyboard is still not venerated with the same enthusiasm as his symphonies and quartets. The development and persistence of this reality is complex, and its origins can be traced back to the beginning of the nineteenth century. The mythologization of the piano, changes in circumstances of performance, and the overall decline in Haydn’s reputation are among the most significant factors behind the low critical regard with which Haydn’s keyboard output was held. The situation began to change in the twentieth century thanks to the efforts of several important figures, but the sonatas continued to lag behind the rest of his output. Advances made in recording technology and scholarship led to a boom in recordings and print editions in the second half of the century; today, however, the sonatas still suffer as a “second-tier” genre. Considering the prominence of the keyboard sonata throughout the past several centuries and the recognized importance of Haydn to Western art music, it is important to examine the disparity in critical regard between his keyboard sonatas and other genres. Haydn’s reception history is closely linked to his contributions to the symphony and string quartet: a study of how the keyboard sonata fits into this picture fills an important gap in our comprehension of the enigmatic composer, and helps us understand how certain musical values shifted over time, among composers, critics, audiences, and scholars. Reception theorists such as Hans-Georg Gadamer and Hans Robert Jauss argue that pursuing a history of hermeneutics, or engagement with how certain works of art and literature have been interpreted and received in the past, is essential to a complete understanding of our collective history. Perhaps most importantly, then, this project gives us insight into the evolution of Western society’s musical values. It furthermore represents a critical chapter in the history of a genre that has figured significantly into the last three centuries of Western music. Advisors/Committee Members: Burnham, Scott (advisor), Agawu, Kofi (advisor).

Subjects/Keywords: Joseph Haydn; Keyboard Sonatas; Piano Sonatas; Reception History; Reception Studies

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APA (6^th Edition):

Friedman, J. (2018). "The Father of the Piano Sonata?" A Reception History of Joseph Haydn's Solo Keyboard Sonatas . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01mk61rk619

Chicago Manual of Style (16^th Edition):

Friedman, Jacob. “"The Father of the Piano Sonata?" A Reception History of Joseph Haydn's Solo Keyboard Sonatas .” 2018. Doctoral Dissertation, Princeton University. Accessed August 15, 2018. http://arks.princeton.edu/ark:/88435/dsp01mk61rk619.

MLA Handbook (7^th Edition):

Friedman, Jacob. “"The Father of the Piano Sonata?" A Reception History of Joseph Haydn's Solo Keyboard Sonatas .” 2018. Web. 15 Aug 2018.

Vancouver:

Friedman J. "The Father of the Piano Sonata?" A Reception History of Joseph Haydn's Solo Keyboard Sonatas . [Internet] [Doctoral dissertation]. Princeton University; 2018. [cited 2018 Aug 15]. Available from: http://arks.princeton.edu/ark:/88435/dsp01mk61rk619.

Council of Science Editors:

Friedman J. "The Father of the Piano Sonata?" A Reception History of Joseph Haydn's Solo Keyboard Sonatas . [Doctoral Dissertation]. Princeton University; 2018. Available from: http://arks.princeton.edu/ark:/88435/dsp01mk61rk619

Universitat Autònoma de Barcelona

23. Yáñez Navarro, Celestino. Nuevas aportaciones para el estudio de las sonatas de Domenico Scarlatti. Los manuscritos del Archivo de Música de las Catedrales de Zaragoza.

Degree: Departament d'Antropologia Social i de Prehistòria, 2016, Universitat Autònoma de Barcelona

URL: http://hdl.handle.net/10803/394016

► It has been traditionally believed that the diffusion of the music by Domenico Scarlatti during the 18th century in Spain was scarce. It has been… (more)

▼ It has been traditionally believed that the diffusion of the music by Domenico Scarlatti during the 18th century in Spain was scarce. It has been taken for granted that diffusion of his sonatas for keyboard was limited to the circle of the court of Madrid and its nearest area of influence. This argument was sustained for a long time mainly because of two reasons. The first one, because the number of manuscript copies found in Spanish archives was small, something that has changed over the last years. The second one, because of the ignorance that there could exist a great collection of sonatas composed during the lifetime of Domenico Scarlatti in Spain. Nevertheless, the founding of a great corpus of sonatas in Saragossa by Dr. José Vicente González Valle, has meant the opening of a new and relevant line of research. In this sense, this doctoral thesis, which is the first work made about these Spanish sources on an international level, has allowed the outcoming of unpublished data; and consequently, has shown the need to revise some of the thesis put forward as true by the most relevant researchers on this field. During my investigation, I have reached the conclusion that the codexes could have been originally owned by the Spanish composer, of Aragon origin, José de Nebra, who served for over forty years for the Spanish court. The collection of sonatas from Saragossa could have its origin in the possible relationship between D. Scarlatti and José de Nebra; musicians who coexisted in the courtfrom 1733 (year when Fernando the sixth and María de Braganza definitely settled in Madrid) and seventeen-fifty-seven (year of the death of D. Scarlatti). Considering the number of works within, the origin of the manuscripts, the copyists that intervened, the early date of the copy of the music, and the musicological value of the versions, there is no doubt that the collection of Saragossa is unique in Spain, being at the same level of the collections of Venice and Parma Advisors/Committee Members: [email protected] (authoremail), true (authoremailshow), González Marín, Luis Antonio (director), Ezquerro Esteban, Antonio (codirector), Bonastre i Bertran, Francesc (tutor), true (authorsendemail).

Subjects/Keywords: Scarlatti; Sonatas; Sonates; Sonatas; Zaragoza; Saragossa; Ciències Humanes; 78

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APA (6^th Edition):

Yáñez Navarro, C. (2016). Nuevas aportaciones para el estudio de las sonatas de Domenico Scarlatti. Los manuscritos del Archivo de Música de las Catedrales de Zaragoza. (Thesis). Universitat Autònoma de Barcelona. Retrieved from http://hdl.handle.net/10803/394016

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Yáñez Navarro, Celestino. “Nuevas aportaciones para el estudio de las sonatas de Domenico Scarlatti. Los manuscritos del Archivo de Música de las Catedrales de Zaragoza.” 2016. Thesis, Universitat Autònoma de Barcelona. Accessed August 15, 2018. http://hdl.handle.net/10803/394016.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Yáñez Navarro, Celestino. “Nuevas aportaciones para el estudio de las sonatas de Domenico Scarlatti. Los manuscritos del Archivo de Música de las Catedrales de Zaragoza.” 2016. Web. 15 Aug 2018.

Vancouver:

Yáñez Navarro C. Nuevas aportaciones para el estudio de las sonatas de Domenico Scarlatti. Los manuscritos del Archivo de Música de las Catedrales de Zaragoza. [Internet] [Thesis]. Universitat Autònoma de Barcelona; 2016. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/10803/394016.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yáñez Navarro C. Nuevas aportaciones para el estudio de las sonatas de Domenico Scarlatti. Los manuscritos del Archivo de Música de las Catedrales de Zaragoza. [Thesis]. Universitat Autònoma de Barcelona; 2016. Available from: http://hdl.handle.net/10803/394016

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Chen, Zhishuai. Doctoral thesis recital (piano).

Degree: Music, 2013, University of Texas – Austin

URL: http://hdl.handle.net/2152/23808

Cello and piano sonata, op.102, no.2 / Ludwig van Beethoven – Clarinet and piano sonata, op.120, no.1 / Johannes Brahms. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Violoncello sonatas; Clarinet sonatas

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Chen, Z. (2013). Doctoral thesis recital (piano). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23808

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Chen, Zhishuai. “Doctoral thesis recital (piano).” 2013. Thesis, University of Texas – Austin. Accessed August 15, 2018. http://hdl.handle.net/2152/23808.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Chen, Zhishuai. “Doctoral thesis recital (piano).” 2013. Web. 15 Aug 2018.

Vancouver:

Chen Z. Doctoral thesis recital (piano). [Internet] [Thesis]. University of Texas – Austin; 2013. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/2152/23808.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen Z. Doctoral thesis recital (piano). [Thesis]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/23808

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Texas – Austin

25. Matsuoka, Nyle Takeo. Master's thesis recital (collaborate piano).

Degree: Music, 2011, University of Texas – Austin

URL: http://hdl.handle.net/2152/16420

From Schwanengesang / Franz Schubert – Sonata: At the end of the century / Juraj Filas – Chansons de Bilitis / Claude Debussy – Sonata for alto saxophone and piano / William Albright. Advisors/Committee Members: Not available (advisor).

Subjects/Keywords: Chamber music with piano; Songs; Trombone sonatas; Saxophone sonatas

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APA (6^th Edition):

Matsuoka, N. T. (2011). Master's thesis recital (collaborate piano). (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/16420

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Matsuoka, Nyle Takeo. “Master's thesis recital (collaborate piano).” 2011. Thesis, University of Texas – Austin. Accessed August 15, 2018. http://hdl.handle.net/2152/16420.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Matsuoka, Nyle Takeo. “Master's thesis recital (collaborate piano).” 2011. Web. 15 Aug 2018.

Vancouver:

Matsuoka NT. Master's thesis recital (collaborate piano). [Internet] [Thesis]. University of Texas – Austin; 2011. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/2152/16420.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Matsuoka NT. Master's thesis recital (collaborate piano). [Thesis]. University of Texas – Austin; 2011. Available from: http://hdl.handle.net/2152/16420

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

West Virginia University

26. Lee, Amanda Yuet Hwa. David Amram's Sonata for piano.

Degree: 2006, West Virginia University

URL: http://wvuscholar.wvu.edu:8881/R/?func=dbin-jump-full&object_id=21097

► Born in 1930 in Philadelphia, David Werner Amram III is among the most prolific composers in the United States. His published compositions encompass a wide… (more)

Subjects/Keywords: Amram, David.; Sonatas (Piano) – History and criticism.

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APA (6^th Edition):

Lee, A. Y. H. (2006). David Amram's Sonata for piano. (Thesis). West Virginia University. Retrieved from http://wvuscholar.wvu.edu:8881/R/?func=dbin-jump-full&object_id=21097

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lee, Amanda Yuet Hwa. “David Amram's Sonata for piano.” 2006. Thesis, West Virginia University. Accessed August 15, 2018. http://wvuscholar.wvu.edu:8881/R/?func=dbin-jump-full&object_id=21097.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lee, Amanda Yuet Hwa. “David Amram's Sonata for piano.” 2006. Web. 15 Aug 2018.

Vancouver:

Lee AYH. David Amram's Sonata for piano. [Internet] [Thesis]. West Virginia University; 2006. [cited 2018 Aug 15]. Available from: http://wvuscholar.wvu.edu:8881/R/?func=dbin-jump-full&object_id=21097.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee AYH. David Amram's Sonata for piano. [Thesis]. West Virginia University; 2006. Available from: http://wvuscholar.wvu.edu:8881/R/?func=dbin-jump-full&object_id=21097

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

The Ohio State University

27. Barany-Schlauch, Elizabeth A. Alexander Scriabin's ten piano sonatas : their philosophical meaning and its musical expression.

Degree: PhD, Graduate School, 1985, The Ohio State University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262825075508

Subjects/Keywords: Music; Scriabin; Sonatas

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APA (6^th Edition):

Barany-Schlauch, E. A. (1985). Alexander Scriabin's ten piano sonatas : their philosophical meaning and its musical expression. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262825075508

Chicago Manual of Style (16^th Edition):

Barany-Schlauch, Elizabeth A. “Alexander Scriabin's ten piano sonatas : their philosophical meaning and its musical expression.” 1985. Doctoral Dissertation, The Ohio State University. Accessed August 15, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262825075508.

MLA Handbook (7^th Edition):

Barany-Schlauch, Elizabeth A. “Alexander Scriabin's ten piano sonatas : their philosophical meaning and its musical expression.” 1985. Web. 15 Aug 2018.

Vancouver:

Barany-Schlauch EA. Alexander Scriabin's ten piano sonatas : their philosophical meaning and its musical expression. [Internet] [Doctoral dissertation]. The Ohio State University; 1985. [cited 2018 Aug 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262825075508.

Council of Science Editors:

Barany-Schlauch EA. Alexander Scriabin's ten piano sonatas : their philosophical meaning and its musical expression. [Doctoral Dissertation]. The Ohio State University; 1985. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262825075508

28. Maira Urbano Neto. Estudo comparativo entre edições da sonata OP.94 para flauta e piano de Sergei Prokofiev: subsídios para a escolha da edição e interpretação da peça.

Degree: 2007, Universidade Federal de Minas Gerais

URL: http://hdl.handle.net/1843/AAGS-7ZWMYH

►

A Sonata OP. 94 de Sergei Prokofiev, originalmente para flauta e piano, foi transcrita pelo compositor para violino e piano pouco tempo depois após sua… (more)

Subjects/Keywords: Sonatas (Flauta e piano) - Partituras e partes.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Neto, M. U. (2007). Estudo comparativo entre edições da sonata OP.94 para flauta e piano de Sergei Prokofiev: subsídios para a escolha da edição e interpretação da peça. (Thesis). Universidade Federal de Minas Gerais. Retrieved from http://hdl.handle.net/1843/AAGS-7ZWMYH

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Neto, Maira Urbano. “Estudo comparativo entre edições da sonata OP.94 para flauta e piano de Sergei Prokofiev: subsídios para a escolha da edição e interpretação da peça.” 2007. Thesis, Universidade Federal de Minas Gerais. Accessed August 15, 2018. http://hdl.handle.net/1843/AAGS-7ZWMYH.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Neto, Maira Urbano. “Estudo comparativo entre edições da sonata OP.94 para flauta e piano de Sergei Prokofiev: subsídios para a escolha da edição e interpretação da peça.” 2007. Web. 15 Aug 2018.

Vancouver:

Neto MU. Estudo comparativo entre edições da sonata OP.94 para flauta e piano de Sergei Prokofiev: subsídios para a escolha da edição e interpretação da peça. [Internet] [Thesis]. Universidade Federal de Minas Gerais; 2007. [cited 2018 Aug 15]. Available from: http://hdl.handle.net/1843/AAGS-7ZWMYH.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Neto MU. Estudo comparativo entre edições da sonata OP.94 para flauta e piano de Sergei Prokofiev: subsídios para a escolha da edição e interpretação da peça. [Thesis]. Universidade Federal de Minas Gerais; 2007. Available from: http://hdl.handle.net/1843/AAGS-7ZWMYH

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Cunha, Ana Raquel Barbosa dos Reis. Os elementos populares na obra de Alberto Ginastera: as três sonatas para piano solo.

Degree: 2013, Instituto Politécnico do Porto

URL: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8855

►

A presente dissertação centra-se nos elementos da música popular argentina na obra para piano de Alberto Ginastera. Este é considerado um dos compositores mais importantes… (more)

Subjects/Keywords: Ginastera; Sonatas; Música popular; Popular music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Cunha, A. R. B. d. R. (2013). Os elementos populares na obra de Alberto Ginastera: as três sonatas para piano solo. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8855

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Cunha, Ana Raquel Barbosa dos Reis. “Os elementos populares na obra de Alberto Ginastera: as três sonatas para piano solo.” 2013. Thesis, Instituto Politécnico do Porto. Accessed August 15, 2018. https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8855.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Cunha, Ana Raquel Barbosa dos Reis. “Os elementos populares na obra de Alberto Ginastera: as três sonatas para piano solo.” 2013. Web. 15 Aug 2018.

Vancouver:

Cunha ARBdR. Os elementos populares na obra de Alberto Ginastera: as três sonatas para piano solo. [Internet] [Thesis]. Instituto Politécnico do Porto; 2013. [cited 2018 Aug 15]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8855.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cunha ARBdR. Os elementos populares na obra de Alberto Ginastera: as três sonatas para piano solo. [Thesis]. Instituto Politécnico do Porto; 2013. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/8855

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Giliberti, Patrizia. A interpretação das sonatas de Domenico Scarlatti no piano moderno: edição crítica dos manuscritos: "Manuscrito P-Cug MM 58, 10 da Biblioteca Geral da Universidade de Coimbra", "Essercizi per Gravicembalo (1738) da Biblioteca Nacional de Portugal" e "Manuscrito F. C. R. 194. 1 da Biblioteca Nacional de Portugal".

Degree: 2012, Universidade de Évora

URL: http://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/10693

► A tese tem o objetivo de dar os fundamentos para uma interpretação atual, no piano moderno, das sonatas de Domenico Scarlatti contidas nas coleções portuguesas:… (more)

▼ A tese tem o objetivo de dar os fundamentos para uma interpretação atual, no piano moderno, das sonatas de Domenico Scarlatti contidas nas coleções portuguesas: Essercizi per gravicembalo, Manuscrito P-Cug MM 58,10 da Biblioteca Geral da Universidade de Coimbra e Manuscrito F. C. R. 194. 1 da Biblioteca Nacional de Portugal, originalmente compostas para os instrumentos de tecla da época. Apresenta uma nova edição crítica destas sonatas, em notação moderna e com dedilhação, que tem como base a análise formal e harmónico-estrutural, incluindo os aspetos organológicos, de ornamentação, andamento, ritmo, fraseado, articulação, dedilhação, dinâmica e uso do pedal das mesmas sonatas, o estudo comparativo de todas as fontes existentes, assim como uma análise das diversas gravações disponíveis. Do mesmo modo, o compositor e a sua obra, com especial relevo para as sonatas, encontram-se historicamente contextualizados, pois a compreensão das suas intenções, da prática da época e das suas convenções de interpretação devem ser aliadas à criatividade do intérprete;### ABSTRACT: The purpose of the thesis is to provide the basis for a modern interpretation on the modern piano of Domenico Scarlatti's sonatas included in the Portuguese collections, Essercizi per gravicembalo of Biblioteca Nacional de Portugal, Coimbra Manuscript n. 58 P-Cug MM 58,10 and the Portuguese F. C. R. Manuscript 194. 1 of Biblioteca Nacional de Portugal which were originally composed for the keyboard instruments of the time. A new critical edition of these sonatas is presented, with modern notation and fingering, based on a formal, structural and harmonic analysis, including some aspects regarding organology ornamentation, tempo, rhythm, phrasing, articulation, fingering, dynamics and the use of the pedal, a comparative study of all existing sources as well as an analysis of various recordings available. The composer and his work are also historically contextualized with special focus on the sonatas, because a comprehension of his intentions and the performance practices of his time should be associated to the creativity of the interpreter. Advisors/Committee Members: Gibson, Benoît, Doderer, Gerhard.

Subjects/Keywords: Piano moderno; Sonatas de Domenico Scarlatti

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Giliberti, P. (2012). A interpretação das sonatas de Domenico Scarlatti no piano moderno: edição crítica dos manuscritos: "Manuscrito P-Cug MM 58, 10 da Biblioteca Geral da Universidade de Coimbra", "Essercizi per Gravicembalo (1738) da Biblioteca Nacional de Portugal" e "Manuscrito F. C. R. 194. 1 da Biblioteca Nacional de Portugal". (Thesis). Universidade de Évora. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/10693

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Giliberti, Patrizia. “A interpretação das sonatas de Domenico Scarlatti no piano moderno: edição crítica dos manuscritos: "Manuscrito P-Cug MM 58, 10 da Biblioteca Geral da Universidade de Coimbra", "Essercizi per Gravicembalo (1738) da Biblioteca Nacional de Portugal" e "Manuscrito F. C. R. 194. 1 da Biblioteca Nacional de Portugal".” 2012. Thesis, Universidade de Évora. Accessed August 15, 2018. http://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/10693.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Giliberti, Patrizia. “A interpretação das sonatas de Domenico Scarlatti no piano moderno: edição crítica dos manuscritos: "Manuscrito P-Cug MM 58, 10 da Biblioteca Geral da Universidade de Coimbra", "Essercizi per Gravicembalo (1738) da Biblioteca Nacional de Portugal" e "Manuscrito F. C. R. 194. 1 da Biblioteca Nacional de Portugal".” 2012. Web. 15 Aug 2018.

Vancouver:

Giliberti P. A interpretação das sonatas de Domenico Scarlatti no piano moderno: edição crítica dos manuscritos: "Manuscrito P-Cug MM 58, 10 da Biblioteca Geral da Universidade de Coimbra", "Essercizi per Gravicembalo (1738) da Biblioteca Nacional de Portugal" e "Manuscrito F. C. R. 194. 1 da Biblioteca Nacional de Portugal". [Internet] [Thesis]. Universidade de Évora; 2012. [cited 2018 Aug 15]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/10693.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Giliberti P. A interpretação das sonatas de Domenico Scarlatti no piano moderno: edição crítica dos manuscritos: "Manuscrito P-Cug MM 58, 10 da Biblioteca Geral da Universidade de Coimbra", "Essercizi per Gravicembalo (1738) da Biblioteca Nacional de Portugal" e "Manuscrito F. C. R. 194. 1 da Biblioteca Nacional de Portugal". [Thesis]. Universidade de Évora; 2012. Available from: http://www.rcaap.pt/detail.jsp?id=oai:dspace.uevora.pt:10174/10693

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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