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Degree: MA

You searched for subject:(sonata). Showing records 1 – 10 of 10 total matches.

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1. Williams, Esta Medora Saxon. Violin sonatas of Corelli, Mozart, and Franck: A stylistic comparison.

Degree: MA, Music, 1978, Texas Woman's University

Subjects/Keywords: Italian Baroque sonata; Classical sonata; Romantic sonata

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APA (6th Edition):

Williams, E. M. S. (1978). Violin sonatas of Corelli, Mozart, and Franck: A stylistic comparison. (Masters Thesis). Texas Woman's University. Retrieved from http://hdl.handle.net/11274/10980

Chicago Manual of Style (16th Edition):

Williams, Esta Medora Saxon. “Violin sonatas of Corelli, Mozart, and Franck: A stylistic comparison.” 1978. Masters Thesis, Texas Woman's University. Accessed January 18, 2020. http://hdl.handle.net/11274/10980.

MLA Handbook (7th Edition):

Williams, Esta Medora Saxon. “Violin sonatas of Corelli, Mozart, and Franck: A stylistic comparison.” 1978. Web. 18 Jan 2020.

Vancouver:

Williams EMS. Violin sonatas of Corelli, Mozart, and Franck: A stylistic comparison. [Internet] [Masters thesis]. Texas Woman's University; 1978. [cited 2020 Jan 18]. Available from: http://hdl.handle.net/11274/10980.

Council of Science Editors:

Williams EMS. Violin sonatas of Corelli, Mozart, and Franck: A stylistic comparison. [Masters Thesis]. Texas Woman's University; 1978. Available from: http://hdl.handle.net/11274/10980

2. Martinez, Maria Inez. Structure and style of selected keyboard sonatas by Antonio Soler.

Degree: MA, Music, 1967, Texas Woman's University

Subjects/Keywords: 18th century Spanish composers; Keyboard sonata compositions; Sonata structures

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APA (6th Edition):

Martinez, M. I. (1967). Structure and style of selected keyboard sonatas by Antonio Soler. (Masters Thesis). Texas Woman's University. Retrieved from http://hdl.handle.net/11274/10886

Chicago Manual of Style (16th Edition):

Martinez, Maria Inez. “Structure and style of selected keyboard sonatas by Antonio Soler.” 1967. Masters Thesis, Texas Woman's University. Accessed January 18, 2020. http://hdl.handle.net/11274/10886.

MLA Handbook (7th Edition):

Martinez, Maria Inez. “Structure and style of selected keyboard sonatas by Antonio Soler.” 1967. Web. 18 Jan 2020.

Vancouver:

Martinez MI. Structure and style of selected keyboard sonatas by Antonio Soler. [Internet] [Masters thesis]. Texas Woman's University; 1967. [cited 2020 Jan 18]. Available from: http://hdl.handle.net/11274/10886.

Council of Science Editors:

Martinez MI. Structure and style of selected keyboard sonatas by Antonio Soler. [Masters Thesis]. Texas Woman's University; 1967. Available from: http://hdl.handle.net/11274/10886


Utah State University

3. Hammond, Kathryn. The Sonata Form and its Use in Beethoven's First Seventeen Piano Sonatas.

Degree: MA, Music, 1965, Utah State University

  Beethoven's piano sonatas are possibly the greatest achievement in piano literature, perhaps in all musical literature. It has been said that if the forty-eight… (more)

Subjects/Keywords: sonata; beethoven; seventeen; piano; Music

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APA (6th Edition):

Hammond, K. (1965). The Sonata Form and its Use in Beethoven's First Seventeen Piano Sonatas. (Masters Thesis). Utah State University. Retrieved from https://digitalcommons.usu.edu/etd/2819

Chicago Manual of Style (16th Edition):

Hammond, Kathryn. “The Sonata Form and its Use in Beethoven's First Seventeen Piano Sonatas.” 1965. Masters Thesis, Utah State University. Accessed January 18, 2020. https://digitalcommons.usu.edu/etd/2819.

MLA Handbook (7th Edition):

Hammond, Kathryn. “The Sonata Form and its Use in Beethoven's First Seventeen Piano Sonatas.” 1965. Web. 18 Jan 2020.

Vancouver:

Hammond K. The Sonata Form and its Use in Beethoven's First Seventeen Piano Sonatas. [Internet] [Masters thesis]. Utah State University; 1965. [cited 2020 Jan 18]. Available from: https://digitalcommons.usu.edu/etd/2819.

Council of Science Editors:

Hammond K. The Sonata Form and its Use in Beethoven's First Seventeen Piano Sonatas. [Masters Thesis]. Utah State University; 1965. Available from: https://digitalcommons.usu.edu/etd/2819


University of Connecticut

4. HIBBARD, LAURA L. Aspects of Sonata Form in Brahms's Piano Sonatas.

Degree: MA, Music, 2016, University of Connecticut

Subjects/Keywords: BRAHMS; SONATA FORM; PIANO

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APA (6th Edition):

HIBBARD, L. L. (2016). Aspects of Sonata Form in Brahms's Piano Sonatas. (Masters Thesis). University of Connecticut. Retrieved from https://opencommons.uconn.edu/gs_theses/1025

Chicago Manual of Style (16th Edition):

HIBBARD, LAURA L. “Aspects of Sonata Form in Brahms's Piano Sonatas.” 2016. Masters Thesis, University of Connecticut. Accessed January 18, 2020. https://opencommons.uconn.edu/gs_theses/1025.

MLA Handbook (7th Edition):

HIBBARD, LAURA L. “Aspects of Sonata Form in Brahms's Piano Sonatas.” 2016. Web. 18 Jan 2020.

Vancouver:

HIBBARD LL. Aspects of Sonata Form in Brahms's Piano Sonatas. [Internet] [Masters thesis]. University of Connecticut; 2016. [cited 2020 Jan 18]. Available from: https://opencommons.uconn.edu/gs_theses/1025.

Council of Science Editors:

HIBBARD LL. Aspects of Sonata Form in Brahms's Piano Sonatas. [Masters Thesis]. University of Connecticut; 2016. Available from: https://opencommons.uconn.edu/gs_theses/1025


California State University – Northridge

5. Hermans, Friso. Structural implications of second half repeats in sonata form outer movements of Haydn's opp. 76 and 77 string quartets.

Degree: MA, Department of Music, 1995, California State University – Northridge

Twelve of Haydn's string quartet movements are examined to determine the differences between sonata form movements with a second half repeat and those without. (See more in text.) Advisors/Committee Members: Kessner, Daniel (advisor), Toutant, William (committee member).

Subjects/Keywords: Sonata form.; Dissertations, Academic  – CSUN  – Music.

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APA (6th Edition):

Hermans, F. (1995). Structural implications of second half repeats in sonata form outer movements of Haydn's opp. 76 and 77 string quartets. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.3/140866

Chicago Manual of Style (16th Edition):

Hermans, Friso. “Structural implications of second half repeats in sonata form outer movements of Haydn's opp. 76 and 77 string quartets.” 1995. Masters Thesis, California State University – Northridge. Accessed January 18, 2020. http://hdl.handle.net/10211.3/140866.

MLA Handbook (7th Edition):

Hermans, Friso. “Structural implications of second half repeats in sonata form outer movements of Haydn's opp. 76 and 77 string quartets.” 1995. Web. 18 Jan 2020.

Vancouver:

Hermans F. Structural implications of second half repeats in sonata form outer movements of Haydn's opp. 76 and 77 string quartets. [Internet] [Masters thesis]. California State University – Northridge; 1995. [cited 2020 Jan 18]. Available from: http://hdl.handle.net/10211.3/140866.

Council of Science Editors:

Hermans F. Structural implications of second half repeats in sonata form outer movements of Haydn's opp. 76 and 77 string quartets. [Masters Thesis]. California State University – Northridge; 1995. Available from: http://hdl.handle.net/10211.3/140866


McGill University

6. Campbell, Alan Douglas. The binary sonata tradition in the mid-eighteenth century : bipartite and tripartite "First halves" in the Venice XIII collection of keyboard sonatas by Domenico Scarlatti.

Degree: MA, Faculty of Music., 2000, McGill University

 Comparatively few theoretical studies exist on the keyboard sonatas of Domenico Scarlatti. His music remains largely unexplored. This study investigates formal and functional aspects of… (more)

Subjects/Keywords: Scarlatti, Domenico, 1685-1757. Sonatas, harpsichord.; Sonata  – 18th century.

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APA (6th Edition):

Campbell, A. D. (2000). The binary sonata tradition in the mid-eighteenth century : bipartite and tripartite "First halves" in the Venice XIII collection of keyboard sonatas by Domenico Scarlatti. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile33275.pdf

Chicago Manual of Style (16th Edition):

Campbell, Alan Douglas. “The binary sonata tradition in the mid-eighteenth century : bipartite and tripartite "First halves" in the Venice XIII collection of keyboard sonatas by Domenico Scarlatti.” 2000. Masters Thesis, McGill University. Accessed January 18, 2020. http://digitool.library.mcgill.ca/thesisfile33275.pdf.

MLA Handbook (7th Edition):

Campbell, Alan Douglas. “The binary sonata tradition in the mid-eighteenth century : bipartite and tripartite "First halves" in the Venice XIII collection of keyboard sonatas by Domenico Scarlatti.” 2000. Web. 18 Jan 2020.

Vancouver:

Campbell AD. The binary sonata tradition in the mid-eighteenth century : bipartite and tripartite "First halves" in the Venice XIII collection of keyboard sonatas by Domenico Scarlatti. [Internet] [Masters thesis]. McGill University; 2000. [cited 2020 Jan 18]. Available from: http://digitool.library.mcgill.ca/thesisfile33275.pdf.

Council of Science Editors:

Campbell AD. The binary sonata tradition in the mid-eighteenth century : bipartite and tripartite "First halves" in the Venice XIII collection of keyboard sonatas by Domenico Scarlatti. [Masters Thesis]. McGill University; 2000. Available from: http://digitool.library.mcgill.ca/thesisfile33275.pdf


University of Notre Dame

7. Michael A. Vidmar-McEwen. Prolongational and Transformational Views of Sonata Form in the First Movement of Schubert's Piano Sonata in B-flat, D.960</h1>.

Degree: MA, Music, 2006, University of Notre Dame

  This thesis analyzes the first movement of Franz Schubert’s Piano Sonata in B-flat major, D. 960, with special attention to issues of sonata form.… (more)

Subjects/Keywords: D. 960; sonata form; Schenkerian analysis; Neo-Riemannian; Schubert; piano sonatas

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APA (6th Edition):

Vidmar-McEwen, M. A. (2006). Prolongational and Transformational Views of Sonata Form in the First Movement of Schubert's Piano Sonata in B-flat, D.960</h1>. (Masters Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/h702q526r79

Chicago Manual of Style (16th Edition):

Vidmar-McEwen, Michael A.. “Prolongational and Transformational Views of Sonata Form in the First Movement of Schubert's Piano Sonata in B-flat, D.960</h1>.” 2006. Masters Thesis, University of Notre Dame. Accessed January 18, 2020. https://curate.nd.edu/show/h702q526r79.

MLA Handbook (7th Edition):

Vidmar-McEwen, Michael A.. “Prolongational and Transformational Views of Sonata Form in the First Movement of Schubert's Piano Sonata in B-flat, D.960</h1>.” 2006. Web. 18 Jan 2020.

Vancouver:

Vidmar-McEwen MA. Prolongational and Transformational Views of Sonata Form in the First Movement of Schubert's Piano Sonata in B-flat, D.960</h1>. [Internet] [Masters thesis]. University of Notre Dame; 2006. [cited 2020 Jan 18]. Available from: https://curate.nd.edu/show/h702q526r79.

Council of Science Editors:

Vidmar-McEwen MA. Prolongational and Transformational Views of Sonata Form in the First Movement of Schubert's Piano Sonata in B-flat, D.960</h1>. [Masters Thesis]. University of Notre Dame; 2006. Available from: https://curate.nd.edu/show/h702q526r79

8. Bland, Justin. Austro-Bohemian Trumpet Music in the Late Seventeenth Century: Compositional and Performance Techniques Associated with the Prince-Bishop's Court of Kromeriz.

Degree: MA, Musicology, 2010, Case Western Reserve University

 The focus on trumpet music during the high baroque often leads to some neglect of seventeenth trumpet music, music of the Austro-Bohemian Empire in particularDespite… (more)

Subjects/Keywords: Music; TRUMPET; Biber; Sonata; Vejvanovsk¿¿¿¿; KROM¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿; MUSIC; clarino

…Biber Sonata a 6 (m. 22) 3 Ex. 6. Biber Sonata IV (m. 5) Ex. 7. Biber… …Sonata IV (m. 75) Ex. 8. Biber Sonata X (m. 105) Ex. 9. Vejvanovský… …Sonata (opening) Ex. 10. Biber Sonata X (m. 34) Ex. 11. Vejvanovský… …Sonata (m.53) Ex. 12. Vejvanovský (m. 125) 4 Ex. 13 Ritter Sonata a 18… …x28;opening) 5 Ex. 14 Ritter Sonata a 17 (opening) 6 Austro-Bohemian… 

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APA (6th Edition):

Bland, J. (2010). Austro-Bohemian Trumpet Music in the Late Seventeenth Century: Compositional and Performance Techniques Associated with the Prince-Bishop's Court of Kromeriz. (Masters Thesis). Case Western Reserve University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=case1273675725

Chicago Manual of Style (16th Edition):

Bland, Justin. “Austro-Bohemian Trumpet Music in the Late Seventeenth Century: Compositional and Performance Techniques Associated with the Prince-Bishop's Court of Kromeriz.” 2010. Masters Thesis, Case Western Reserve University. Accessed January 18, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=case1273675725.

MLA Handbook (7th Edition):

Bland, Justin. “Austro-Bohemian Trumpet Music in the Late Seventeenth Century: Compositional and Performance Techniques Associated with the Prince-Bishop's Court of Kromeriz.” 2010. Web. 18 Jan 2020.

Vancouver:

Bland J. Austro-Bohemian Trumpet Music in the Late Seventeenth Century: Compositional and Performance Techniques Associated with the Prince-Bishop's Court of Kromeriz. [Internet] [Masters thesis]. Case Western Reserve University; 2010. [cited 2020 Jan 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1273675725.

Council of Science Editors:

Bland J. Austro-Bohemian Trumpet Music in the Late Seventeenth Century: Compositional and Performance Techniques Associated with the Prince-Bishop's Court of Kromeriz. [Masters Thesis]. Case Western Reserve University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1273675725

9. McCormick, David Ryan. In Search of the Real Pandolfi: A Musical Journey Between Innsbruck and Messina.

Degree: MA, Early Music Performance, 2011, Case Western Reserve University

 Despite the close similarity in composers’ names, it has never been clear if the twelve sonatas of op.3 and op.4 by Giovanni Antonio Pandolfi Mealli… (more)

Subjects/Keywords: Music; Pandolfi; Mealli; Messina; violin; Innsbruck; sonata; Bologna

…the 1660 and 1669 sets. Every sonata from the 1660 Innsbruck set opens with an Adagio that… …the sonata, Pandolfi begins with a classic sighing figure that speeds up, changes pitch… …Bernabea” contains a number of binary form sections with repeats, linking this sonata to the… …of the 1660 works (see Appendix B). However, the final sonata in the 1669 set… …Il Raimondo” (see fig. 5 and Appendix B). The 1669 set has one sonata, “La Spata… 

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APA (6th Edition):

McCormick, D. R. (2011). In Search of the Real Pandolfi: A Musical Journey Between Innsbruck and Messina. (Masters Thesis). Case Western Reserve University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=case1310142681

Chicago Manual of Style (16th Edition):

McCormick, David Ryan. “In Search of the Real Pandolfi: A Musical Journey Between Innsbruck and Messina.” 2011. Masters Thesis, Case Western Reserve University. Accessed January 18, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=case1310142681.

MLA Handbook (7th Edition):

McCormick, David Ryan. “In Search of the Real Pandolfi: A Musical Journey Between Innsbruck and Messina.” 2011. Web. 18 Jan 2020.

Vancouver:

McCormick DR. In Search of the Real Pandolfi: A Musical Journey Between Innsbruck and Messina. [Internet] [Masters thesis]. Case Western Reserve University; 2011. [cited 2020 Jan 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1310142681.

Council of Science Editors:

McCormick DR. In Search of the Real Pandolfi: A Musical Journey Between Innsbruck and Messina. [Masters Thesis]. Case Western Reserve University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1310142681


Virginia Commonwealth University

10. Adam, Karen. “The Nonmusical Message Will Endure With It:” The Changing Reputation and Legacy of John Powell (1882-1963).

Degree: MA, History, 2012, Virginia Commonwealth University

 This thesis explores the changing reputation and legacy of John Powell (1882-1963). Powell was a Virginian-born pianist, composer, and ardent Anglo-Saxon supremacist who created musical… (more)

Subjects/Keywords: John Powell (1882-1963); Powell; John; musical propaganda; Anglo-Saxon Clubs of America; Anglo-Saxon supremacy; white supremacy; Racial Integrity Act of 1924; one drop rule; racial integrity; racial purity; John Powell Foundation; White Top Folk Festival; Annabel Morris Buchanan; Buchanan; Annabel Morris; Radford University; Radford College; Powell Hall; Roy Hamlin Johnson; Johnson; Roy Hamlin; classical music; classical piano; classical pianist; pianist; Virginian; Virginia; Earnest Sevier Cox; Cox; Earnest Sevier; Walter Ashby Plecker; Plecker; Walter Ashby; Sonate Noble; Sonata Teutonica; Symphony in A; Rhapsodie Negre; Richard Brockwell; Brockwell; Richard; At the Fair; Sonata Virginianesque; Marcus Garvey; Garvey; Marcus; John Powell Day; Anglo-Saxon folk music; Anglo-Saxon; racism; racist; Martin Luther King; Jr.; King; Martin Luther Jr.; musical politics; sociopolitical; memory; public memory; public history; reputation; legacy; Richmond; Virginia; John Powell; Arts and Humanities; History

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APA (6th Edition):

Adam, K. (2012). “The Nonmusical Message Will Endure With It:” The Changing Reputation and Legacy of John Powell (1882-1963). (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/2692

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Adam, Karen. ““The Nonmusical Message Will Endure With It:” The Changing Reputation and Legacy of John Powell (1882-1963).” 2012. Thesis, Virginia Commonwealth University. Accessed January 18, 2020. https://scholarscompass.vcu.edu/etd/2692.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Adam, Karen. ““The Nonmusical Message Will Endure With It:” The Changing Reputation and Legacy of John Powell (1882-1963).” 2012. Web. 18 Jan 2020.

Vancouver:

Adam K. “The Nonmusical Message Will Endure With It:” The Changing Reputation and Legacy of John Powell (1882-1963). [Internet] [Thesis]. Virginia Commonwealth University; 2012. [cited 2020 Jan 18]. Available from: https://scholarscompass.vcu.edu/etd/2692.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Adam K. “The Nonmusical Message Will Endure With It:” The Changing Reputation and Legacy of John Powell (1882-1963). [Thesis]. Virginia Commonwealth University; 2012. Available from: https://scholarscompass.vcu.edu/etd/2692

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.