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You searched for subject:(sonata form). Showing records 1 – 30 of 48 total matches.

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University of Hong Kong

1. Lee, Heung-fai. Mahler's dramaturgy of sonata form : the late symphonies.

Degree: M. Phil., 2015, University of Hong Kong

 Gustav Mahler is often considered to be a dramatist of music. The idea that his music can tell a story has been widely recognized. Drawing… (more)

Subjects/Keywords: Sonata form

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APA (6th Edition):

Lee, H. (2015). Mahler's dramaturgy of sonata form : the late symphonies. (Masters Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/237181

Chicago Manual of Style (16th Edition):

Lee, Heung-fai. “Mahler's dramaturgy of sonata form : the late symphonies.” 2015. Masters Thesis, University of Hong Kong. Accessed January 20, 2020. http://hdl.handle.net/10722/237181.

MLA Handbook (7th Edition):

Lee, Heung-fai. “Mahler's dramaturgy of sonata form : the late symphonies.” 2015. Web. 20 Jan 2020.

Vancouver:

Lee H. Mahler's dramaturgy of sonata form : the late symphonies. [Internet] [Masters thesis]. University of Hong Kong; 2015. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10722/237181.

Council of Science Editors:

Lee H. Mahler's dramaturgy of sonata form : the late symphonies. [Masters Thesis]. University of Hong Kong; 2015. Available from: http://hdl.handle.net/10722/237181

2. Maciel, Ruy Homem de Mello. A forma sonata em descontinuidades e bifurcações.

Degree: PhD, Processos de Criação Musical, 2010, University of São Paulo

Este trabalho propõe um novo modelo de análise musical, em complementação à análise harmônica tradicional, com o estabelecimento de dois atratores - a partir da… (more)

Subjects/Keywords: Catastrophe Theory; Forma Musical; Musical Form; Sonata; Sonata; Teoria da Catástrofe

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APA (6th Edition):

Maciel, R. H. d. M. (2010). A forma sonata em descontinuidades e bifurcações. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-10112010-140659/ ;

Chicago Manual of Style (16th Edition):

Maciel, Ruy Homem de Mello. “A forma sonata em descontinuidades e bifurcações.” 2010. Doctoral Dissertation, University of São Paulo. Accessed January 20, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-10112010-140659/ ;.

MLA Handbook (7th Edition):

Maciel, Ruy Homem de Mello. “A forma sonata em descontinuidades e bifurcações.” 2010. Web. 20 Jan 2020.

Vancouver:

Maciel RHdM. A forma sonata em descontinuidades e bifurcações. [Internet] [Doctoral dissertation]. University of São Paulo; 2010. [cited 2020 Jan 20]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-10112010-140659/ ;.

Council of Science Editors:

Maciel RHdM. A forma sonata em descontinuidades e bifurcações. [Doctoral Dissertation]. University of São Paulo; 2010. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-10112010-140659/ ;


Rice University

3. Blachnio, Filip. The Evolution of Musical Language and Sonata Form in the Piano Sonatas of Alexander Nikolayevich Scriabin.

Degree: DMA, Music, 2017, Rice University

 ABSTRACT The evolution of musical language and sonata form in the piano sonatas of Alexander Nikolayevich Scriabin by Filip Blachnio The evolution of Scriabin’s musical… (more)

Subjects/Keywords: Scriabin; Skrjabin; Skryabin; piano; piano sonatas; sonata; sonata form; evolution

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APA (6th Edition):

Blachnio, F. (2017). The Evolution of Musical Language and Sonata Form in the Piano Sonatas of Alexander Nikolayevich Scriabin. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/96150

Chicago Manual of Style (16th Edition):

Blachnio, Filip. “The Evolution of Musical Language and Sonata Form in the Piano Sonatas of Alexander Nikolayevich Scriabin.” 2017. Doctoral Dissertation, Rice University. Accessed January 20, 2020. http://hdl.handle.net/1911/96150.

MLA Handbook (7th Edition):

Blachnio, Filip. “The Evolution of Musical Language and Sonata Form in the Piano Sonatas of Alexander Nikolayevich Scriabin.” 2017. Web. 20 Jan 2020.

Vancouver:

Blachnio F. The Evolution of Musical Language and Sonata Form in the Piano Sonatas of Alexander Nikolayevich Scriabin. [Internet] [Doctoral dissertation]. Rice University; 2017. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1911/96150.

Council of Science Editors:

Blachnio F. The Evolution of Musical Language and Sonata Form in the Piano Sonatas of Alexander Nikolayevich Scriabin. [Doctoral Dissertation]. Rice University; 2017. Available from: http://hdl.handle.net/1911/96150


University of Arizona

4. Jenkins, Kyle Joseph. S-C Complications in Nineteenth-Century Sonata Movements .

Degree: 2014, University of Arizona

 Many have noted nineteenth-century composers' tendency to undermine crucial formal boundaries normally found in eighteenth-century sonata forms. This dissertation examines phenomena that undermine the demarcation… (more)

Subjects/Keywords: Mendelssohn; Nineteenth-Century Music; Schubert; Sonata Form; Sonata Theory; Music; Brahms

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APA (6th Edition):

Jenkins, K. J. (2014). S-C Complications in Nineteenth-Century Sonata Movements . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/333483

Chicago Manual of Style (16th Edition):

Jenkins, Kyle Joseph. “S-C Complications in Nineteenth-Century Sonata Movements .” 2014. Doctoral Dissertation, University of Arizona. Accessed January 20, 2020. http://hdl.handle.net/10150/333483.

MLA Handbook (7th Edition):

Jenkins, Kyle Joseph. “S-C Complications in Nineteenth-Century Sonata Movements .” 2014. Web. 20 Jan 2020.

Vancouver:

Jenkins KJ. S-C Complications in Nineteenth-Century Sonata Movements . [Internet] [Doctoral dissertation]. University of Arizona; 2014. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10150/333483.

Council of Science Editors:

Jenkins KJ. S-C Complications in Nineteenth-Century Sonata Movements . [Doctoral Dissertation]. University of Arizona; 2014. Available from: http://hdl.handle.net/10150/333483


Penn State University

5. Dewoolfson, Emily. Harmony Adrift: The Influence Of The Water Topic On Compositional Choices In Ravel's Jeux d'eau.

Degree: 2018, Penn State University

 Maurice Ravels 1901 piano work Jeux deau is one of his earliest dialogues with classical sonata form. A comparison of this work with the formal… (more)

Subjects/Keywords: Ravel; Jeux d'eau; Sonata form; Semiotics; Schenker

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APA (6th Edition):

Dewoolfson, E. (2018). Harmony Adrift: The Influence Of The Water Topic On Compositional Choices In Ravel's Jeux d'eau. (Thesis). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/15275exd42

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dewoolfson, Emily. “Harmony Adrift: The Influence Of The Water Topic On Compositional Choices In Ravel's Jeux d'eau.” 2018. Thesis, Penn State University. Accessed January 20, 2020. https://etda.libraries.psu.edu/catalog/15275exd42.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dewoolfson, Emily. “Harmony Adrift: The Influence Of The Water Topic On Compositional Choices In Ravel's Jeux d'eau.” 2018. Web. 20 Jan 2020.

Vancouver:

Dewoolfson E. Harmony Adrift: The Influence Of The Water Topic On Compositional Choices In Ravel's Jeux d'eau. [Internet] [Thesis]. Penn State University; 2018. [cited 2020 Jan 20]. Available from: https://etda.libraries.psu.edu/catalog/15275exd42.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dewoolfson E. Harmony Adrift: The Influence Of The Water Topic On Compositional Choices In Ravel's Jeux d'eau. [Thesis]. Penn State University; 2018. Available from: https://etda.libraries.psu.edu/catalog/15275exd42

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oregon

6. Ramirez, Daniel. Narratives of Equity in Education: The Sociopolitical Microstances of Secondary Mathematics Teachers.

Degree: 2016, University of Oregon

 This sonata-form case study investigates the sociopolitical microstances of three secondary mathematics teachers in an urban, comprehensive high school. The study is framed by three… (more)

Subjects/Keywords: Equity; Mathematics education; Narrative; Sociopolitical; Sonata form

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APA (6th Edition):

Ramirez, D. (2016). Narratives of Equity in Education: The Sociopolitical Microstances of Secondary Mathematics Teachers. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/20417

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ramirez, Daniel. “Narratives of Equity in Education: The Sociopolitical Microstances of Secondary Mathematics Teachers.” 2016. Thesis, University of Oregon. Accessed January 20, 2020. http://hdl.handle.net/1794/20417.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ramirez, Daniel. “Narratives of Equity in Education: The Sociopolitical Microstances of Secondary Mathematics Teachers.” 2016. Web. 20 Jan 2020.

Vancouver:

Ramirez D. Narratives of Equity in Education: The Sociopolitical Microstances of Secondary Mathematics Teachers. [Internet] [Thesis]. University of Oregon; 2016. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1794/20417.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ramirez D. Narratives of Equity in Education: The Sociopolitical Microstances of Secondary Mathematics Teachers. [Thesis]. University of Oregon; 2016. Available from: http://hdl.handle.net/1794/20417

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

7. Rickel, Harry Pooler, 1914-. The development of the sonata form .

Degree: 1939, University of Arizona

Subjects/Keywords: Sonata.; Musical form.

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APA (6th Edition):

Rickel, Harry Pooler, 1. (1939). The development of the sonata form . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/553449

Chicago Manual of Style (16th Edition):

Rickel, Harry Pooler, 1914-. “The development of the sonata form .” 1939. Masters Thesis, University of Arizona. Accessed January 20, 2020. http://hdl.handle.net/10150/553449.

MLA Handbook (7th Edition):

Rickel, Harry Pooler, 1914-. “The development of the sonata form .” 1939. Web. 20 Jan 2020.

Vancouver:

Rickel, Harry Pooler 1. The development of the sonata form . [Internet] [Masters thesis]. University of Arizona; 1939. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10150/553449.

Council of Science Editors:

Rickel, Harry Pooler 1. The development of the sonata form . [Masters Thesis]. University of Arizona; 1939. Available from: http://hdl.handle.net/10150/553449


University of North Texas

8. Falterman, David James. Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens.

Degree: 2019, University of North Texas

 One of the difficulties of nineteenth-century form studies is ambiguity in ascertaining which formal types are at work and in what ways. This can be… (more)

Subjects/Keywords: Sonata Form; Variation Form; Two-Dimensional Sonata Form; Hybridization; Nineteenth Century; Chopin; Franck; Fourth Ballade; Symphonic Variations; Music

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APA (6th Edition):

Falterman, D. J. (2019). Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1505161/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Falterman, David James. “Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens.” 2019. Thesis, University of North Texas. Accessed January 20, 2020. https://digital.library.unt.edu/ark:/67531/metadc1505161/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Falterman, David James. “Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens.” 2019. Web. 20 Jan 2020.

Vancouver:

Falterman DJ. Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens. [Internet] [Thesis]. University of North Texas; 2019. [cited 2020 Jan 20]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505161/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Falterman DJ. Two-Dimensional Sonata Form as Methodology: Understanding Sonata-Variation Hybrids through a Two-Dimensional Lens. [Thesis]. University of North Texas; 2019. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505161/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

9. Venegas Carro, Gabriel Ignacio. The Slow Movements of Anton Bruckner's Symphonies: Dialogical Perspectives .

Degree: 2017, University of Arizona

 This study presents a detailed analytical examination of formal organization in Anton Bruckner’s early instrumental slow movements: from the String Quartet, WAB 111, to the… (more)

Subjects/Keywords: 19th-Century Form; Anton Bruckner; Dialogic Form; Slow Movement; Sonata Form; Symphony

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APA (6th Edition):

Venegas Carro, G. I. (2017). The Slow Movements of Anton Bruckner's Symphonies: Dialogical Perspectives . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/626364

Chicago Manual of Style (16th Edition):

Venegas Carro, Gabriel Ignacio. “The Slow Movements of Anton Bruckner's Symphonies: Dialogical Perspectives .” 2017. Doctoral Dissertation, University of Arizona. Accessed January 20, 2020. http://hdl.handle.net/10150/626364.

MLA Handbook (7th Edition):

Venegas Carro, Gabriel Ignacio. “The Slow Movements of Anton Bruckner's Symphonies: Dialogical Perspectives .” 2017. Web. 20 Jan 2020.

Vancouver:

Venegas Carro GI. The Slow Movements of Anton Bruckner's Symphonies: Dialogical Perspectives . [Internet] [Doctoral dissertation]. University of Arizona; 2017. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10150/626364.

Council of Science Editors:

Venegas Carro GI. The Slow Movements of Anton Bruckner's Symphonies: Dialogical Perspectives . [Doctoral Dissertation]. University of Arizona; 2017. Available from: http://hdl.handle.net/10150/626364


University of Georgia

10. Boyle, Matthew Lee. Sonata reinvented: form in Richard Wagner's Siegfried Idyll.

Degree: BMus, Music, 2009, University of Georgia

 In the middle of the 19th century a crisis in the development of symphonic music occurred. How should pieces interact with the masterworks from the… (more)

Subjects/Keywords: Richard Wagner; Siegfried Idyll; Symphonic Poem; Sonata Theory; Form; Sonata Deformation; Hepokoski; Darcy

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APA (6th Edition):

Boyle, M. L. (2009). Sonata reinvented: form in Richard Wagner's Siegfried Idyll. (Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/boyle_matthew_l_200905_bmus

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Boyle, Matthew Lee. “Sonata reinvented: form in Richard Wagner's Siegfried Idyll.” 2009. Thesis, University of Georgia. Accessed January 20, 2020. http://purl.galileo.usg.edu/uga_etd/boyle_matthew_l_200905_bmus.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Boyle, Matthew Lee. “Sonata reinvented: form in Richard Wagner's Siegfried Idyll.” 2009. Web. 20 Jan 2020.

Vancouver:

Boyle ML. Sonata reinvented: form in Richard Wagner's Siegfried Idyll. [Internet] [Thesis]. University of Georgia; 2009. [cited 2020 Jan 20]. Available from: http://purl.galileo.usg.edu/uga_etd/boyle_matthew_l_200905_bmus.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boyle ML. Sonata reinvented: form in Richard Wagner's Siegfried Idyll. [Thesis]. University of Georgia; 2009. Available from: http://purl.galileo.usg.edu/uga_etd/boyle_matthew_l_200905_bmus

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Larsen, Juliane Cristina. A forma sonata em três obras inaugurais: diálogos da nova música de Berg, Schoenberg e Santoro com a tradição.

Degree: Mestrado, Musicologia, 2010, University of São Paulo

Este trabalho irá discutir o emprego da forma sonata na música atonal da primeira metade do século XX a partir das análises das seguintes sonatas… (more)

Subjects/Keywords: Dodecafonismo e Análise Musical; Dodecaphonic Music and Musical Analysis; Forma Sonata; Sonata Form

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APA (6th Edition):

Larsen, J. C. (2010). A forma sonata em três obras inaugurais: diálogos da nova música de Berg, Schoenberg e Santoro com a tradição. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27157/tde-10112010-161239/ ;

Chicago Manual of Style (16th Edition):

Larsen, Juliane Cristina. “A forma sonata em três obras inaugurais: diálogos da nova música de Berg, Schoenberg e Santoro com a tradição.” 2010. Masters Thesis, University of São Paulo. Accessed January 20, 2020. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-10112010-161239/ ;.

MLA Handbook (7th Edition):

Larsen, Juliane Cristina. “A forma sonata em três obras inaugurais: diálogos da nova música de Berg, Schoenberg e Santoro com a tradição.” 2010. Web. 20 Jan 2020.

Vancouver:

Larsen JC. A forma sonata em três obras inaugurais: diálogos da nova música de Berg, Schoenberg e Santoro com a tradição. [Internet] [Masters thesis]. University of São Paulo; 2010. [cited 2020 Jan 20]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-10112010-161239/ ;.

Council of Science Editors:

Larsen JC. A forma sonata em três obras inaugurais: diálogos da nova música de Berg, Schoenberg e Santoro com a tradição. [Masters Thesis]. University of São Paulo; 2010. Available from: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-10112010-161239/ ;


University of Western Ontario

12. Walshaw, Katharine G. Felix Mendelssohn and Sonata Form in the Nineteenth Century.

Degree: 2017, University of Western Ontario

 Mendelssohn’s music is consistently measured by a Beethovenian yardstick and, more often than not, his music is found to be unfit to live up to… (more)

Subjects/Keywords: Mendelssohn; Sonata Form; Hepokoski and Darcy; Sonata Theory; Romantic Era; Music Theory

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APA (6th Edition):

Walshaw, K. G. (2017). Felix Mendelssohn and Sonata Form in the Nineteenth Century. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5085

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walshaw, Katharine G. “Felix Mendelssohn and Sonata Form in the Nineteenth Century.” 2017. Thesis, University of Western Ontario. Accessed January 20, 2020. https://ir.lib.uwo.ca/etd/5085.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walshaw, Katharine G. “Felix Mendelssohn and Sonata Form in the Nineteenth Century.” 2017. Web. 20 Jan 2020.

Vancouver:

Walshaw KG. Felix Mendelssohn and Sonata Form in the Nineteenth Century. [Internet] [Thesis]. University of Western Ontario; 2017. [cited 2020 Jan 20]. Available from: https://ir.lib.uwo.ca/etd/5085.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walshaw KG. Felix Mendelssohn and Sonata Form in the Nineteenth Century. [Thesis]. University of Western Ontario; 2017. Available from: https://ir.lib.uwo.ca/etd/5085

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

13. Keller, Robert C. Rotational strategy in selected works by Béla Bartók.

Degree: PhD, Music, 2011, Louisiana State University

 While James Hepokoski and Warren Darcy regard rotational form as “an overriding structural principle, an Urprinzip that in the instrumental genres may control the progress… (more)

Subjects/Keywords: Hyper-rotation; Contemporary form and analysis; Bartok's Sonata for Two Pianos and Percussion; Bartok's Piano Sonata; Bartok's Fourth String Quartet; Sonata form; Rotational form

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APA (6th Edition):

Keller, R. C. (2011). Rotational strategy in selected works by Béla Bartók. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-11082011-115900 ; https://digitalcommons.lsu.edu/gradschool_dissertations/338

Chicago Manual of Style (16th Edition):

Keller, Robert C. “Rotational strategy in selected works by Béla Bartók.” 2011. Doctoral Dissertation, Louisiana State University. Accessed January 20, 2020. etd-11082011-115900 ; https://digitalcommons.lsu.edu/gradschool_dissertations/338.

MLA Handbook (7th Edition):

Keller, Robert C. “Rotational strategy in selected works by Béla Bartók.” 2011. Web. 20 Jan 2020.

Vancouver:

Keller RC. Rotational strategy in selected works by Béla Bartók. [Internet] [Doctoral dissertation]. Louisiana State University; 2011. [cited 2020 Jan 20]. Available from: etd-11082011-115900 ; https://digitalcommons.lsu.edu/gradschool_dissertations/338.

Council of Science Editors:

Keller RC. Rotational strategy in selected works by Béla Bartók. [Doctoral Dissertation]. Louisiana State University; 2011. Available from: etd-11082011-115900 ; https://digitalcommons.lsu.edu/gradschool_dissertations/338


NSYSU

14. Chiang, Chia-jung. The Inheritance and Innovation of Haydn's D Major Keyboard Concerto First-Movement.

Degree: Master, Music, 2015, NSYSU

 The first movement of Johann Sebastian Bach's keyboard concertos was applied the ritornello form in 1720s. The first movement of Carl Philipp Emanuel Bach's keyboard… (more)

Subjects/Keywords: Concerto-Sonata Form; Ritornello Form; D Major Keyboard Concerto; C. P. E. Bach; Haydn

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APA (6th Edition):

Chiang, C. (2015). The Inheritance and Innovation of Haydn's D Major Keyboard Concerto First-Movement. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0112115-014851

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chiang, Chia-jung. “The Inheritance and Innovation of Haydn's D Major Keyboard Concerto First-Movement.” 2015. Thesis, NSYSU. Accessed January 20, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0112115-014851.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chiang, Chia-jung. “The Inheritance and Innovation of Haydn's D Major Keyboard Concerto First-Movement.” 2015. Web. 20 Jan 2020.

Vancouver:

Chiang C. The Inheritance and Innovation of Haydn's D Major Keyboard Concerto First-Movement. [Internet] [Thesis]. NSYSU; 2015. [cited 2020 Jan 20]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0112115-014851.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chiang C. The Inheritance and Innovation of Haydn's D Major Keyboard Concerto First-Movement. [Thesis]. NSYSU; 2015. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0112115-014851

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Toronto

15. Rival, Robert. Symphony "Maligne Range".

Degree: 2010, University of Toronto

 In the summer of 2008, over two days, my wife and I hiked the Maligne Range (Skyline) trail, situated in the Canadian Rockies near Jasper,… (more)

Subjects/Keywords: symphony; one-movement; program music; sonata form; orchestra; symphonic poem

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APA (6th Edition):

Rival, R. (2010). Symphony "Maligne Range". (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/24379

Chicago Manual of Style (16th Edition):

Rival, Robert. “Symphony "Maligne Range".” 2010. Doctoral Dissertation, University of Toronto. Accessed January 20, 2020. http://hdl.handle.net/1807/24379.

MLA Handbook (7th Edition):

Rival, Robert. “Symphony "Maligne Range".” 2010. Web. 20 Jan 2020.

Vancouver:

Rival R. Symphony "Maligne Range". [Internet] [Doctoral dissertation]. University of Toronto; 2010. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1807/24379.

Council of Science Editors:

Rival R. Symphony "Maligne Range". [Doctoral Dissertation]. University of Toronto; 2010. Available from: http://hdl.handle.net/1807/24379


University of Kansas

16. Miller, Brian Andrew. Exploring Tonal Substitutions in Schubert's Late Sonata Forms.

Degree: M.M., Music, 2014, University of Kansas

 In his sonata-form movements, Schubert's characteristic remote modulations often received negative reactions from contemporary critics; compared to the Beethovenian standard, Schubert's formal designs seemed inefficient,… (more)

Subjects/Keywords: Music; Schubert, Franz; Sonata form; Tonality; Transformational theory

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APA (6th Edition):

Miller, B. A. (2014). Exploring Tonal Substitutions in Schubert's Late Sonata Forms. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/14882

Chicago Manual of Style (16th Edition):

Miller, Brian Andrew. “Exploring Tonal Substitutions in Schubert's Late Sonata Forms.” 2014. Masters Thesis, University of Kansas. Accessed January 20, 2020. http://hdl.handle.net/1808/14882.

MLA Handbook (7th Edition):

Miller, Brian Andrew. “Exploring Tonal Substitutions in Schubert's Late Sonata Forms.” 2014. Web. 20 Jan 2020.

Vancouver:

Miller BA. Exploring Tonal Substitutions in Schubert's Late Sonata Forms. [Internet] [Masters thesis]. University of Kansas; 2014. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1808/14882.

Council of Science Editors:

Miller BA. Exploring Tonal Substitutions in Schubert's Late Sonata Forms. [Masters Thesis]. University of Kansas; 2014. Available from: http://hdl.handle.net/1808/14882


University of Arizona

17. Gillam, Robert Wesley. Musica Stellarum .

Degree: 2016, University of Arizona

 Musica Stellarum is an original composition for full symphony orchestra. It seeks to evoke the life of a star from its birth in a gaseous… (more)

Subjects/Keywords: Composition; Golden Section; Sonata Form; Transpositional Combinatoriality; Music; Aggregate

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APA (6th Edition):

Gillam, R. W. (2016). Musica Stellarum . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/596102

Chicago Manual of Style (16th Edition):

Gillam, Robert Wesley. “Musica Stellarum .” 2016. Doctoral Dissertation, University of Arizona. Accessed January 20, 2020. http://hdl.handle.net/10150/596102.

MLA Handbook (7th Edition):

Gillam, Robert Wesley. “Musica Stellarum .” 2016. Web. 20 Jan 2020.

Vancouver:

Gillam RW. Musica Stellarum . [Internet] [Doctoral dissertation]. University of Arizona; 2016. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10150/596102.

Council of Science Editors:

Gillam RW. Musica Stellarum . [Doctoral Dissertation]. University of Arizona; 2016. Available from: http://hdl.handle.net/10150/596102


University of Ottawa

18. Fox, Margaret Elizabeth. Formal Relationships in Clara Wieck's Piano Concerto Op. 7 .

Degree: 2015, University of Ottawa

 Clara Wieck Schumann’s 1836 Piano Concerto Op. 7 represents an era of radical formal experimentation in the early nineteenth century. As such, critics including Robert… (more)

Subjects/Keywords: Clara Wieck; Schumann; Formal Functions; Concerto; Two-Dimensional Sonata Form; Virtuosity

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APA (6th Edition):

Fox, M. E. (2015). Formal Relationships in Clara Wieck's Piano Concerto Op. 7 . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/32002

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fox, Margaret Elizabeth. “Formal Relationships in Clara Wieck's Piano Concerto Op. 7 .” 2015. Thesis, University of Ottawa. Accessed January 20, 2020. http://hdl.handle.net/10393/32002.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fox, Margaret Elizabeth. “Formal Relationships in Clara Wieck's Piano Concerto Op. 7 .” 2015. Web. 20 Jan 2020.

Vancouver:

Fox ME. Formal Relationships in Clara Wieck's Piano Concerto Op. 7 . [Internet] [Thesis]. University of Ottawa; 2015. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10393/32002.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fox ME. Formal Relationships in Clara Wieck's Piano Concerto Op. 7 . [Thesis]. University of Ottawa; 2015. Available from: http://hdl.handle.net/10393/32002

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oregon

19. Rockwood, Mark. Form, Style, and Influence in the Chamber Music of Antonin Dvořák.

Degree: 2017, University of Oregon

 The last thirty years have seen a resurgence in the research of sonata form. One groundbreaking treatise in this renaissance is James Hepokoski and Warren… (more)

Subjects/Keywords: 19th century music; Musical form; Music theory; Sonata theory

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APA (6th Edition):

Rockwood, M. (2017). Form, Style, and Influence in the Chamber Music of Antonin Dvořák. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/22726

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rockwood, Mark. “Form, Style, and Influence in the Chamber Music of Antonin Dvořák.” 2017. Thesis, University of Oregon. Accessed January 20, 2020. http://hdl.handle.net/1794/22726.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rockwood, Mark. “Form, Style, and Influence in the Chamber Music of Antonin Dvořák.” 2017. Web. 20 Jan 2020.

Vancouver:

Rockwood M. Form, Style, and Influence in the Chamber Music of Antonin Dvořák. [Internet] [Thesis]. University of Oregon; 2017. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1794/22726.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rockwood M. Form, Style, and Influence in the Chamber Music of Antonin Dvořák. [Thesis]. University of Oregon; 2017. Available from: http://hdl.handle.net/1794/22726

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Connecticut

20. HIBBARD, LAURA L. Aspects of Sonata Form in Brahms's Piano Sonatas.

Degree: MA, Music, 2016, University of Connecticut

Subjects/Keywords: BRAHMS; SONATA FORM; PIANO

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APA (6th Edition):

HIBBARD, L. L. (2016). Aspects of Sonata Form in Brahms's Piano Sonatas. (Masters Thesis). University of Connecticut. Retrieved from https://opencommons.uconn.edu/gs_theses/1025

Chicago Manual of Style (16th Edition):

HIBBARD, LAURA L. “Aspects of Sonata Form in Brahms's Piano Sonatas.” 2016. Masters Thesis, University of Connecticut. Accessed January 20, 2020. https://opencommons.uconn.edu/gs_theses/1025.

MLA Handbook (7th Edition):

HIBBARD, LAURA L. “Aspects of Sonata Form in Brahms's Piano Sonatas.” 2016. Web. 20 Jan 2020.

Vancouver:

HIBBARD LL. Aspects of Sonata Form in Brahms's Piano Sonatas. [Internet] [Masters thesis]. University of Connecticut; 2016. [cited 2020 Jan 20]. Available from: https://opencommons.uconn.edu/gs_theses/1025.

Council of Science Editors:

HIBBARD LL. Aspects of Sonata Form in Brahms's Piano Sonatas. [Masters Thesis]. University of Connecticut; 2016. Available from: https://opencommons.uconn.edu/gs_theses/1025


University of Texas – Austin

21. Liu, Peng, M. of Music. Exploring the singing style in five lyrical first movements from Beethoven’s piano sonatas.

Degree: MM, Music, 2016, University of Texas – Austin

 Although Beethoven’s so-called “heroic” style dominates perceptions about the composer, he also composed a number of pieces that have a less heroic, more intimate or… (more)

Subjects/Keywords: Beethoven; Piano sonatas; Singing style; Topic theory; Semiotics; Sonata form; Reception

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Liu, Peng, M. o. M. (2016). Exploring the singing style in five lyrical first movements from Beethoven’s piano sonatas. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/46999

Chicago Manual of Style (16th Edition):

Liu, Peng, M of Music. “Exploring the singing style in five lyrical first movements from Beethoven’s piano sonatas.” 2016. Masters Thesis, University of Texas – Austin. Accessed January 20, 2020. http://hdl.handle.net/2152/46999.

MLA Handbook (7th Edition):

Liu, Peng, M of Music. “Exploring the singing style in five lyrical first movements from Beethoven’s piano sonatas.” 2016. Web. 20 Jan 2020.

Vancouver:

Liu, Peng MoM. Exploring the singing style in five lyrical first movements from Beethoven’s piano sonatas. [Internet] [Masters thesis]. University of Texas – Austin; 2016. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/2152/46999.

Council of Science Editors:

Liu, Peng MoM. Exploring the singing style in five lyrical first movements from Beethoven’s piano sonatas. [Masters Thesis]. University of Texas – Austin; 2016. Available from: http://hdl.handle.net/2152/46999


Université Paris-Sorbonne – Paris IV

22. Dejos, Virginie. Analyse et interprétation des six dernières sonates pour piano d’Alexandre Scriabine : Analysis and performance of the six last sonatas by Alexander Scriabin.

Degree: Docteur es, Musicologie, 2014, Université Paris-Sorbonne – Paris IV

La thèse porte sur les six dernières sonates de Scriabine. L’analyse des œuvres a été pensée en relation avec l’interprétation pianistique. L’univers de référence et… (more)

Subjects/Keywords: Scriabine; Sonate; Forme-Sonate; Musique XXe siècle; Piano; Interprétation; Scriabin; Sonata; Sonata-Form; 20th century music; Piano; Performance

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APA (6th Edition):

Dejos, V. (2014). Analyse et interprétation des six dernières sonates pour piano d’Alexandre Scriabine : Analysis and performance of the six last sonatas by Alexander Scriabin. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2014PA040224

Chicago Manual of Style (16th Edition):

Dejos, Virginie. “Analyse et interprétation des six dernières sonates pour piano d’Alexandre Scriabine : Analysis and performance of the six last sonatas by Alexander Scriabin.” 2014. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed January 20, 2020. http://www.theses.fr/2014PA040224.

MLA Handbook (7th Edition):

Dejos, Virginie. “Analyse et interprétation des six dernières sonates pour piano d’Alexandre Scriabine : Analysis and performance of the six last sonatas by Alexander Scriabin.” 2014. Web. 20 Jan 2020.

Vancouver:

Dejos V. Analyse et interprétation des six dernières sonates pour piano d’Alexandre Scriabine : Analysis and performance of the six last sonatas by Alexander Scriabin. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2014. [cited 2020 Jan 20]. Available from: http://www.theses.fr/2014PA040224.

Council of Science Editors:

Dejos V. Analyse et interprétation des six dernières sonates pour piano d’Alexandre Scriabine : Analysis and performance of the six last sonatas by Alexander Scriabin. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2014. Available from: http://www.theses.fr/2014PA040224


University of Kentucky

23. Bass, Jeremy Andrew. THE FIRST THREE GUITAR SONATAS OF DAVID DEL PUERTO.

Degree: 2017, University of Kentucky

 David del Puerto’s first three sonatas for solo guitar are large-scale, multi-movement works in a style that is at once strongly guitaristic, and highly refined… (more)

Subjects/Keywords: David del Puerto; Spain; guitar; guitar sonata; sonata form; classical guitar; Composition; Music Performance; Music Theory

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bass, J. A. (2017). THE FIRST THREE GUITAR SONATAS OF DAVID DEL PUERTO. (Doctoral Dissertation). University of Kentucky. Retrieved from https://uknowledge.uky.edu/music_etds/80

Chicago Manual of Style (16th Edition):

Bass, Jeremy Andrew. “THE FIRST THREE GUITAR SONATAS OF DAVID DEL PUERTO.” 2017. Doctoral Dissertation, University of Kentucky. Accessed January 20, 2020. https://uknowledge.uky.edu/music_etds/80.

MLA Handbook (7th Edition):

Bass, Jeremy Andrew. “THE FIRST THREE GUITAR SONATAS OF DAVID DEL PUERTO.” 2017. Web. 20 Jan 2020.

Vancouver:

Bass JA. THE FIRST THREE GUITAR SONATAS OF DAVID DEL PUERTO. [Internet] [Doctoral dissertation]. University of Kentucky; 2017. [cited 2020 Jan 20]. Available from: https://uknowledge.uky.edu/music_etds/80.

Council of Science Editors:

Bass JA. THE FIRST THREE GUITAR SONATAS OF DAVID DEL PUERTO. [Doctoral Dissertation]. University of Kentucky; 2017. Available from: https://uknowledge.uky.edu/music_etds/80


University of Georgia

24. Yatsugafu, Oliver. Performance-practice issues in Bartók’s Sonata for solo violin (1944).

Degree: DMA, Music, 2011, University of Georgia

 The Sonata for Solo Violin was composed by Bela Bartók in 1944 as a commission by the American violinist Yehudi Menuhin. The piece represents one… (more)

Subjects/Keywords: Bela Bartók; Sonata for Solo Violin; violin performance-practice issues; repertoire for solo violin; revisions; Solo Sonata creation; Solo Sonata form and style; Yehudi Menuhin; Rudolf Kolisch.

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APA (6th Edition):

Yatsugafu, O. (2011). Performance-practice issues in Bartók’s Sonata for solo violin (1944). (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/yatsugafu_oliver_201108_dma

Chicago Manual of Style (16th Edition):

Yatsugafu, Oliver. “Performance-practice issues in Bartók’s Sonata for solo violin (1944).” 2011. Doctoral Dissertation, University of Georgia. Accessed January 20, 2020. http://purl.galileo.usg.edu/uga_etd/yatsugafu_oliver_201108_dma.

MLA Handbook (7th Edition):

Yatsugafu, Oliver. “Performance-practice issues in Bartók’s Sonata for solo violin (1944).” 2011. Web. 20 Jan 2020.

Vancouver:

Yatsugafu O. Performance-practice issues in Bartók’s Sonata for solo violin (1944). [Internet] [Doctoral dissertation]. University of Georgia; 2011. [cited 2020 Jan 20]. Available from: http://purl.galileo.usg.edu/uga_etd/yatsugafu_oliver_201108_dma.

Council of Science Editors:

Yatsugafu O. Performance-practice issues in Bartók’s Sonata for solo violin (1944). [Doctoral Dissertation]. University of Georgia; 2011. Available from: http://purl.galileo.usg.edu/uga_etd/yatsugafu_oliver_201108_dma


Bowling Green State University

25. Cifrino, Emma A. "Tentative and Feminine": Viola Sonatas by British Women.

Degree: MM, Music Performance/Instrumental Performance, 2016, Bowling Green State University

 Rebecca Clarke’s Sonata for Viola and Piano (1919) is one of the few works by a female composer considered standard repertoire for violists. One of… (more)

Subjects/Keywords: Music; viola; viola sonatas; rebecca clarke; pamela harrison; feminist musicology; feminism; sonata form

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cifrino, E. A. (2016). "Tentative and Feminine": Viola Sonatas by British Women. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1467237993

Chicago Manual of Style (16th Edition):

Cifrino, Emma A. “"Tentative and Feminine": Viola Sonatas by British Women.” 2016. Masters Thesis, Bowling Green State University. Accessed January 20, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1467237993.

MLA Handbook (7th Edition):

Cifrino, Emma A. “"Tentative and Feminine": Viola Sonatas by British Women.” 2016. Web. 20 Jan 2020.

Vancouver:

Cifrino EA. "Tentative and Feminine": Viola Sonatas by British Women. [Internet] [Masters thesis]. Bowling Green State University; 2016. [cited 2020 Jan 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1467237993.

Council of Science Editors:

Cifrino EA. "Tentative and Feminine": Viola Sonatas by British Women. [Masters Thesis]. Bowling Green State University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1467237993


California State University – Northridge

26. Hermans, Friso. Structural implications of second half repeats in sonata form outer movements of Haydn's opp. 76 and 77 string quartets.

Degree: MA, Department of Music, 1995, California State University – Northridge

Twelve of Haydn's string quartet movements are examined to determine the differences between sonata form movements with a second half repeat and those without. (See more in text.) Advisors/Committee Members: Kessner, Daniel (advisor), Toutant, William (committee member).

Subjects/Keywords: Sonata form.; Dissertations, Academic  – CSUN  – Music.

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APA (6th Edition):

Hermans, F. (1995). Structural implications of second half repeats in sonata form outer movements of Haydn's opp. 76 and 77 string quartets. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.3/140866

Chicago Manual of Style (16th Edition):

Hermans, Friso. “Structural implications of second half repeats in sonata form outer movements of Haydn's opp. 76 and 77 string quartets.” 1995. Masters Thesis, California State University – Northridge. Accessed January 20, 2020. http://hdl.handle.net/10211.3/140866.

MLA Handbook (7th Edition):

Hermans, Friso. “Structural implications of second half repeats in sonata form outer movements of Haydn's opp. 76 and 77 string quartets.” 1995. Web. 20 Jan 2020.

Vancouver:

Hermans F. Structural implications of second half repeats in sonata form outer movements of Haydn's opp. 76 and 77 string quartets. [Internet] [Masters thesis]. California State University – Northridge; 1995. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10211.3/140866.

Council of Science Editors:

Hermans F. Structural implications of second half repeats in sonata form outer movements of Haydn's opp. 76 and 77 string quartets. [Masters Thesis]. California State University – Northridge; 1995. Available from: http://hdl.handle.net/10211.3/140866


Boston University

27. Ross, Megan H. The second finale of Beethoven's string quartet Opus 130: a study of the composing score and autograph manuscript.

Degree: MM, Musicology, 2013, Boston University

 Scholars and performers have long wondered when and why Beethoven composed an alternative ending to his string quartet, Opus 130. The original, the Grosse Fuge,… (more)

Subjects/Keywords: Beethoven, Ludwig van, 1770-1827; String quartet; Opus 130; Second finale; Sonata-form

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APA (6th Edition):

Ross, M. H. (2013). The second finale of Beethoven's string quartet Opus 130: a study of the composing score and autograph manuscript. (Masters Thesis). Boston University. Retrieved from http://hdl.handle.net/2144/17150

Chicago Manual of Style (16th Edition):

Ross, Megan H. “The second finale of Beethoven's string quartet Opus 130: a study of the composing score and autograph manuscript.” 2013. Masters Thesis, Boston University. Accessed January 20, 2020. http://hdl.handle.net/2144/17150.

MLA Handbook (7th Edition):

Ross, Megan H. “The second finale of Beethoven's string quartet Opus 130: a study of the composing score and autograph manuscript.” 2013. Web. 20 Jan 2020.

Vancouver:

Ross MH. The second finale of Beethoven's string quartet Opus 130: a study of the composing score and autograph manuscript. [Internet] [Masters thesis]. Boston University; 2013. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/2144/17150.

Council of Science Editors:

Ross MH. The second finale of Beethoven's string quartet Opus 130: a study of the composing score and autograph manuscript. [Masters Thesis]. Boston University; 2013. Available from: http://hdl.handle.net/2144/17150


University of North Texas

28. Patterson, Jason S. Multidimensional Musical Objects in Mahler's Seventh Symphony.

Degree: 2019, University of North Texas

 Gustav Mahler's Seventh Symphony seems to belie traditional notions of symphonic unity in that it progresses from E minor in the first movement to C… (more)

Subjects/Keywords: Mahler; Schenker; Schenkerian; Theory; Multidimensional; Transformation; Double-Tonic Complex; Seventh Symphony; Sonata Form; Music

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APA (6th Edition):

Patterson, J. S. (2019). Multidimensional Musical Objects in Mahler's Seventh Symphony. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1505248/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Patterson, Jason S. “Multidimensional Musical Objects in Mahler's Seventh Symphony.” 2019. Thesis, University of North Texas. Accessed January 20, 2020. https://digital.library.unt.edu/ark:/67531/metadc1505248/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Patterson, Jason S. “Multidimensional Musical Objects in Mahler's Seventh Symphony.” 2019. Web. 20 Jan 2020.

Vancouver:

Patterson JS. Multidimensional Musical Objects in Mahler's Seventh Symphony. [Internet] [Thesis]. University of North Texas; 2019. [cited 2020 Jan 20]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505248/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Patterson JS. Multidimensional Musical Objects in Mahler's Seventh Symphony. [Thesis]. University of North Texas; 2019. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505248/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Monteiro, Ana Mafalda dos Santos Silva. A sonata para violoncelo e piano de Luís de Freitas Branco: análise comparativa com a sonata para violino e piano de César Franck.

Degree: 2017, Instituto Politécnico do Porto

A presente dissertação procura aprofundar o conhecimento relativamente à Sonata para Violoncelo e Piano de Luís de Freitas Branco (1913) e, assim, contribuir para despertar… (more)

Subjects/Keywords: Sonata para violoncelo e piano; César Franck; Século XIX; Luís de Freitas Branco; Século XX; Forma cíclica; Sonata for cello and piano; 19th century; 20th century; Cyclic form

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APA (6th Edition):

Monteiro, A. M. d. S. S. (2017). A sonata para violoncelo e piano de Luís de Freitas Branco: análise comparativa com a sonata para violino e piano de César Franck. (Thesis). Instituto Politécnico do Porto. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10840

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Monteiro, Ana Mafalda dos Santos Silva. “A sonata para violoncelo e piano de Luís de Freitas Branco: análise comparativa com a sonata para violino e piano de César Franck.” 2017. Thesis, Instituto Politécnico do Porto. Accessed January 20, 2020. https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10840.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Monteiro, Ana Mafalda dos Santos Silva. “A sonata para violoncelo e piano de Luís de Freitas Branco: análise comparativa com a sonata para violino e piano de César Franck.” 2017. Web. 20 Jan 2020.

Vancouver:

Monteiro AMdSS. A sonata para violoncelo e piano de Luís de Freitas Branco: análise comparativa com a sonata para violino e piano de César Franck. [Internet] [Thesis]. Instituto Politécnico do Porto; 2017. [cited 2020 Jan 20]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10840.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Monteiro AMdSS. A sonata para violoncelo e piano de Luís de Freitas Branco: análise comparativa com a sonata para violino e piano de César Franck. [Thesis]. Instituto Politécnico do Porto; 2017. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recipp.ipp.pt:10400.22/10840

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Navia, Gabriel Henrique Bianco. The Medial Caesura in Schubert's Sonata Forms: Formal and Rhetorical Complications .

Degree: 2016, University of Arizona

 Schubert's treatment of the medial caesura differs on many levels from that of the Classical tradition. He problematizes many of its norms, introducing complications to… (more)

Subjects/Keywords: medial caesura; sonata form; Sonata Theory; Music; Franz Schubert

…approach to sonata form, his large-scale formal deformations as well as his innovative harmonic… …of a given passage but also the expressive content of the tonal trajectory of a sonata form… …medial caesura (MC) is a mid-expositional break that divides a sonata-form exposition… …defining the norms and conventions of the Classical sonata form, Caplin’s theory of formal… …sonata form; however, very few have examined his use of the medial caesura in detail. Donald… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Navia, G. H. B. (2016). The Medial Caesura in Schubert's Sonata Forms: Formal and Rhetorical Complications . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/613235

Chicago Manual of Style (16th Edition):

Navia, Gabriel Henrique Bianco. “The Medial Caesura in Schubert's Sonata Forms: Formal and Rhetorical Complications .” 2016. Doctoral Dissertation, University of Arizona. Accessed January 20, 2020. http://hdl.handle.net/10150/613235.

MLA Handbook (7th Edition):

Navia, Gabriel Henrique Bianco. “The Medial Caesura in Schubert's Sonata Forms: Formal and Rhetorical Complications .” 2016. Web. 20 Jan 2020.

Vancouver:

Navia GHB. The Medial Caesura in Schubert's Sonata Forms: Formal and Rhetorical Complications . [Internet] [Doctoral dissertation]. University of Arizona; 2016. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/10150/613235.

Council of Science Editors:

Navia GHB. The Medial Caesura in Schubert's Sonata Forms: Formal and Rhetorical Complications . [Doctoral Dissertation]. University of Arizona; 2016. Available from: http://hdl.handle.net/10150/613235

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