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You searched for subject:(silent film). Showing records 1 – 30 of 64 total matches.

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University of Southern California

1. Anderson, Kristen Michelle. Comic venus: women and comedy in American silent film.

Degree: PhD, Cinema-Television (Critical Studies), 2009, University of Southern California

 This dissertation explores a largely forgotten area of American film history, the contributions made by female comedians in American silent film. This project is primarily… (more)

Subjects/Keywords: comedy; silent film; film history; women; modernity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Anderson, K. M. (2009). Comic venus: women and comedy in American silent film. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/219472/rec/1457

Chicago Manual of Style (16th Edition):

Anderson, Kristen Michelle. “Comic venus: women and comedy in American silent film.” 2009. Doctoral Dissertation, University of Southern California. Accessed January 17, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/219472/rec/1457.

MLA Handbook (7th Edition):

Anderson, Kristen Michelle. “Comic venus: women and comedy in American silent film.” 2009. Web. 17 Jan 2020.

Vancouver:

Anderson KM. Comic venus: women and comedy in American silent film. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2020 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/219472/rec/1457.

Council of Science Editors:

Anderson KM. Comic venus: women and comedy in American silent film. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/219472/rec/1457


University of Notre Dame

2. Jace Brittain. Dumm Film, A Novel</h1>.

Degree: MFA, Creative Writing, 2015, University of Notre Dame

The fraying nerves of the geography of Los Angeles is explored through a deaf actress, the great-grandson of an experimental filmmaker, and a collections agent. Advisors/Committee Members: Joyelle Mcsweeney, Committee Member.

Subjects/Keywords: silent film; american sign language; psychogeography

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APA (6th Edition):

Brittain, J. (2015). Dumm Film, A Novel</h1>. (Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/ns064457n3n

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brittain, Jace. “Dumm Film, A Novel</h1>.” 2015. Thesis, University of Notre Dame. Accessed January 17, 2020. https://curate.nd.edu/show/ns064457n3n.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brittain, Jace. “Dumm Film, A Novel</h1>.” 2015. Web. 17 Jan 2020.

Vancouver:

Brittain J. Dumm Film, A Novel</h1>. [Internet] [Thesis]. University of Notre Dame; 2015. [cited 2020 Jan 17]. Available from: https://curate.nd.edu/show/ns064457n3n.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brittain J. Dumm Film, A Novel</h1>. [Thesis]. University of Notre Dame; 2015. Available from: https://curate.nd.edu/show/ns064457n3n

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

3. Chou, Sally. Scoring "The Electric Leg" 100 Years Later.

Degree: Music, 2013, UCLA

 The musical score to British film director Percy Stow's "The Electric Leg," a 1912 black and white silent film that was restored by the UCLA… (more)

Subjects/Keywords: Music; Film studies; film music; music; score; silent film; technology

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APA (6th Edition):

Chou, S. (2013). Scoring "The Electric Leg" 100 Years Later. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/42w984tv

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chou, Sally. “Scoring "The Electric Leg" 100 Years Later.” 2013. Thesis, UCLA. Accessed January 17, 2020. http://www.escholarship.org/uc/item/42w984tv.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chou, Sally. “Scoring "The Electric Leg" 100 Years Later.” 2013. Web. 17 Jan 2020.

Vancouver:

Chou S. Scoring "The Electric Leg" 100 Years Later. [Internet] [Thesis]. UCLA; 2013. [cited 2020 Jan 17]. Available from: http://www.escholarship.org/uc/item/42w984tv.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chou S. Scoring "The Electric Leg" 100 Years Later. [Thesis]. UCLA; 2013. Available from: http://www.escholarship.org/uc/item/42w984tv

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Edinburgh

4. Merz, Caroline. Why not a Scots Hollywood? : fiction film production in Scotland, 1911-1928.

Degree: PhD, 2016, University of Edinburgh

 This thesis addresses a neglected area of British national cinema history, presenting the first comprehensive study of Scotland’s incursions into narrative film production before the… (more)

Subjects/Keywords: 791.43; silent film; early film production; Scottish film

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APA (6th Edition):

Merz, C. (2016). Why not a Scots Hollywood? : fiction film production in Scotland, 1911-1928. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/22054

Chicago Manual of Style (16th Edition):

Merz, Caroline. “Why not a Scots Hollywood? : fiction film production in Scotland, 1911-1928.” 2016. Doctoral Dissertation, University of Edinburgh. Accessed January 17, 2020. http://hdl.handle.net/1842/22054.

MLA Handbook (7th Edition):

Merz, Caroline. “Why not a Scots Hollywood? : fiction film production in Scotland, 1911-1928.” 2016. Web. 17 Jan 2020.

Vancouver:

Merz C. Why not a Scots Hollywood? : fiction film production in Scotland, 1911-1928. [Internet] [Doctoral dissertation]. University of Edinburgh; 2016. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/1842/22054.

Council of Science Editors:

Merz C. Why not a Scots Hollywood? : fiction film production in Scotland, 1911-1928. [Doctoral Dissertation]. University of Edinburgh; 2016. Available from: http://hdl.handle.net/1842/22054


University of Edinburgh

5. Blakeney, Luda Katherine. Silent Era adaptations of 19th and early 20th century Gothic novels with a special emphasis on psychological and aesthetic interpretations of the monster figure.

Degree: PhD, 2016, University of Edinburgh

 My research is centred around Silent Era films adapted from nineteenth and early twentieth century Gothic literature with a special emphasis on the figure of… (more)

Subjects/Keywords: 823; Silent Era films; literary monsters; cinematic language; Gothic monster; aesthetic concepts; silent film

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APA (6th Edition):

Blakeney, L. K. (2016). Silent Era adaptations of 19th and early 20th century Gothic novels with a special emphasis on psychological and aesthetic interpretations of the monster figure. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/23630

Chicago Manual of Style (16th Edition):

Blakeney, Luda Katherine. “Silent Era adaptations of 19th and early 20th century Gothic novels with a special emphasis on psychological and aesthetic interpretations of the monster figure.” 2016. Doctoral Dissertation, University of Edinburgh. Accessed January 17, 2020. http://hdl.handle.net/1842/23630.

MLA Handbook (7th Edition):

Blakeney, Luda Katherine. “Silent Era adaptations of 19th and early 20th century Gothic novels with a special emphasis on psychological and aesthetic interpretations of the monster figure.” 2016. Web. 17 Jan 2020.

Vancouver:

Blakeney LK. Silent Era adaptations of 19th and early 20th century Gothic novels with a special emphasis on psychological and aesthetic interpretations of the monster figure. [Internet] [Doctoral dissertation]. University of Edinburgh; 2016. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/1842/23630.

Council of Science Editors:

Blakeney LK. Silent Era adaptations of 19th and early 20th century Gothic novels with a special emphasis on psychological and aesthetic interpretations of the monster figure. [Doctoral Dissertation]. University of Edinburgh; 2016. Available from: http://hdl.handle.net/1842/23630


Penn State University

6. Smith, Carole Christiana. Hearing Voices in Shostakovich: Uncovering Hidden Meanings in the Film "Odna".

Degree: MA, Music Theory and History, 2010, Penn State University

 While the concert works of Dmitri Shostakovich have been subject to much research and analysis by scholars, his works for film remain largely unknown and… (more)

Subjects/Keywords: Soviet cinema; film music; Alone; Odna; Dmitri Shostakovich; silent film; sound film

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APA (6th Edition):

Smith, C. C. (2010). Hearing Voices in Shostakovich: Uncovering Hidden Meanings in the Film "Odna". (Masters Thesis). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/10690

Chicago Manual of Style (16th Edition):

Smith, Carole Christiana. “Hearing Voices in Shostakovich: Uncovering Hidden Meanings in the Film "Odna".” 2010. Masters Thesis, Penn State University. Accessed January 17, 2020. https://etda.libraries.psu.edu/catalog/10690.

MLA Handbook (7th Edition):

Smith, Carole Christiana. “Hearing Voices in Shostakovich: Uncovering Hidden Meanings in the Film "Odna".” 2010. Web. 17 Jan 2020.

Vancouver:

Smith CC. Hearing Voices in Shostakovich: Uncovering Hidden Meanings in the Film "Odna". [Internet] [Masters thesis]. Penn State University; 2010. [cited 2020 Jan 17]. Available from: https://etda.libraries.psu.edu/catalog/10690.

Council of Science Editors:

Smith CC. Hearing Voices in Shostakovich: Uncovering Hidden Meanings in the Film "Odna". [Masters Thesis]. Penn State University; 2010. Available from: https://etda.libraries.psu.edu/catalog/10690


University of California – Berkeley

7. Allred, Mason Kamana. Moving History: The Cinematic Regime of Historicity in Weimar Germany.

Degree: German, 2015, University of California – Berkeley

 This study shows how historical film confronted popular memory and the dominant sense of history, to deconstruct and supplant these modes, resulting in a media… (more)

Subjects/Keywords: Film studies; History; German literature; Embodiment; Historical Film; Historicity; Historiography; Media Studies; Silent Film

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APA (6th Edition):

Allred, M. K. (2015). Moving History: The Cinematic Regime of Historicity in Weimar Germany. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/50h0z01v

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Allred, Mason Kamana. “Moving History: The Cinematic Regime of Historicity in Weimar Germany.” 2015. Thesis, University of California – Berkeley. Accessed January 17, 2020. http://www.escholarship.org/uc/item/50h0z01v.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Allred, Mason Kamana. “Moving History: The Cinematic Regime of Historicity in Weimar Germany.” 2015. Web. 17 Jan 2020.

Vancouver:

Allred MK. Moving History: The Cinematic Regime of Historicity in Weimar Germany. [Internet] [Thesis]. University of California – Berkeley; 2015. [cited 2020 Jan 17]. Available from: http://www.escholarship.org/uc/item/50h0z01v.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Allred MK. Moving History: The Cinematic Regime of Historicity in Weimar Germany. [Thesis]. University of California – Berkeley; 2015. Available from: http://www.escholarship.org/uc/item/50h0z01v

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

8. Dupré la Tour, C.M.S. Intertitre et film narratif de fiction : Genèses, développements, et logiques d’un procédé filmographique, 1895-1916. L'exemple de la production aux Etats-Unis et le cas d’Intolerance (D. W. Griffith, 1916).

Degree: 2016, Universiteit Utrecht

 The silent film intertitle has long been ignored by cinema history and theory, and by film archives; or regarded as an intruder, a palliative to… (more)

Subjects/Keywords: Intertitle; Subtitle; Film History; Griffith; Intolerance; Early Silent Cinema; Intermediality

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APA (6th Edition):

Dupré la Tour, C. M. S. (2016). Intertitre et film narratif de fiction : Genèses, développements, et logiques d’un procédé filmographique, 1895-1916. L'exemple de la production aux Etats-Unis et le cas d’Intolerance (D. W. Griffith, 1916). (Doctoral Dissertation). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/331185

Chicago Manual of Style (16th Edition):

Dupré la Tour, C M S. “Intertitre et film narratif de fiction : Genèses, développements, et logiques d’un procédé filmographique, 1895-1916. L'exemple de la production aux Etats-Unis et le cas d’Intolerance (D. W. Griffith, 1916).” 2016. Doctoral Dissertation, Universiteit Utrecht. Accessed January 17, 2020. http://dspace.library.uu.nl:8080/handle/1874/331185.

MLA Handbook (7th Edition):

Dupré la Tour, C M S. “Intertitre et film narratif de fiction : Genèses, développements, et logiques d’un procédé filmographique, 1895-1916. L'exemple de la production aux Etats-Unis et le cas d’Intolerance (D. W. Griffith, 1916).” 2016. Web. 17 Jan 2020.

Vancouver:

Dupré la Tour CMS. Intertitre et film narratif de fiction : Genèses, développements, et logiques d’un procédé filmographique, 1895-1916. L'exemple de la production aux Etats-Unis et le cas d’Intolerance (D. W. Griffith, 1916). [Internet] [Doctoral dissertation]. Universiteit Utrecht; 2016. [cited 2020 Jan 17]. Available from: http://dspace.library.uu.nl:8080/handle/1874/331185.

Council of Science Editors:

Dupré la Tour CMS. Intertitre et film narratif de fiction : Genèses, développements, et logiques d’un procédé filmographique, 1895-1916. L'exemple de la production aux Etats-Unis et le cas d’Intolerance (D. W. Griffith, 1916). [Doctoral Dissertation]. Universiteit Utrecht; 2016. Available from: http://dspace.library.uu.nl:8080/handle/1874/331185


University of Southern California

9. Torre, Michele Leigh. Dangerous beauty: representation and reception of women in the films of Evgenii Bauer, 1913-1917.

Degree: PhD, Cinema-Television (Critical Studies), 2008, University of Southern California

 My work on Russian Silent film offers an in-depth exploration of a Pre-Revolutionary filmmaker frequently referred to as "The Woman's Director" Evgenii Bauer. In my… (more)

Subjects/Keywords: Russia; gender studies; silent film

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APA (6th Edition):

Torre, M. L. (2008). Dangerous beauty: representation and reception of women in the films of Evgenii Bauer, 1913-1917. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/46043/rec/1756

Chicago Manual of Style (16th Edition):

Torre, Michele Leigh. “Dangerous beauty: representation and reception of women in the films of Evgenii Bauer, 1913-1917.” 2008. Doctoral Dissertation, University of Southern California. Accessed January 17, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/46043/rec/1756.

MLA Handbook (7th Edition):

Torre, Michele Leigh. “Dangerous beauty: representation and reception of women in the films of Evgenii Bauer, 1913-1917.” 2008. Web. 17 Jan 2020.

Vancouver:

Torre ML. Dangerous beauty: representation and reception of women in the films of Evgenii Bauer, 1913-1917. [Internet] [Doctoral dissertation]. University of Southern California; 2008. [cited 2020 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/46043/rec/1756.

Council of Science Editors:

Torre ML. Dangerous beauty: representation and reception of women in the films of Evgenii Bauer, 1913-1917. [Doctoral Dissertation]. University of Southern California; 2008. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/46043/rec/1756


The Ohio State University

10. Collins, Jennifer Rebecca. Gesticulated Shakespeare: Gesture and Movement in Silent Shakespeare Films.

Degree: MA, Theatre, 2011, The Ohio State University

  The purpose of this study is to dissect the gesticulation used in the films made during the silent era that were adaptations of William… (more)

Subjects/Keywords: Theater; William Shakespeare silent film adaptation gesture movement gesticulation gesticulated

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APA (6th Edition):

Collins, J. R. (2011). Gesticulated Shakespeare: Gesture and Movement in Silent Shakespeare Films. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1306856322

Chicago Manual of Style (16th Edition):

Collins, Jennifer Rebecca. “Gesticulated Shakespeare: Gesture and Movement in Silent Shakespeare Films.” 2011. Masters Thesis, The Ohio State University. Accessed January 17, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306856322.

MLA Handbook (7th Edition):

Collins, Jennifer Rebecca. “Gesticulated Shakespeare: Gesture and Movement in Silent Shakespeare Films.” 2011. Web. 17 Jan 2020.

Vancouver:

Collins JR. Gesticulated Shakespeare: Gesture and Movement in Silent Shakespeare Films. [Internet] [Masters thesis]. The Ohio State University; 2011. [cited 2020 Jan 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1306856322.

Council of Science Editors:

Collins JR. Gesticulated Shakespeare: Gesture and Movement in Silent Shakespeare Films. [Masters Thesis]. The Ohio State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1306856322


University of Vienna

11. Denk, Anna. "Dieses ist der Vafiehrer".

Degree: 2010, University of Vienna

 Diese Arbeit hat sich mit den Stummfilmerklärern im Kontext der Wiener Kinogeschichte auseinandergesetzt. Es sollte vor allem die Frage beantwortet werden, welche Faktoren zum Ende… (more)

Subjects/Keywords: 24.32 Filmgeschichte; Erklärer / Stummfilm / Kinogeschichte/ Wien; lecturer / silent film / cinema / Vienna

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APA (6th Edition):

Denk, A. (2010). "Dieses ist der Vafiehrer". (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/8434/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Denk, Anna. “"Dieses ist der Vafiehrer".” 2010. Thesis, University of Vienna. Accessed January 17, 2020. http://othes.univie.ac.at/8434/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Denk, Anna. “"Dieses ist der Vafiehrer".” 2010. Web. 17 Jan 2020.

Vancouver:

Denk A. "Dieses ist der Vafiehrer". [Internet] [Thesis]. University of Vienna; 2010. [cited 2020 Jan 17]. Available from: http://othes.univie.ac.at/8434/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Denk A. "Dieses ist der Vafiehrer". [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/8434/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

12. Windisch, Anna. "Do not shoot the pianist. He is doing his best.".

Degree: 2010, University of Vienna

 Die Arbeit beschäftigt sich mit der Bedeutung der Musik für die Entwicklung des frühen Films. Als Grundlage wird im ersten Teil der aktuelle Forschungsstand zur… (more)

Subjects/Keywords: 24.00 Theater, Film, Musik: Allgemeines; 24.33 Filmproduktion, Filmtechnik; 24.68 Musikformen, Musikgattungen: Sonstiges; 24.32 Filmgeschichte; Stummfilm / Stummfilmmusik / Filmmusik / Moving Picture World; Silent film / Silent film music / Film music / Moving Picture World

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APA (6th Edition):

Windisch, A. (2010). "Do not shoot the pianist. He is doing his best.". (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/10047/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Windisch, Anna. “"Do not shoot the pianist. He is doing his best.".” 2010. Thesis, University of Vienna. Accessed January 17, 2020. http://othes.univie.ac.at/10047/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Windisch, Anna. “"Do not shoot the pianist. He is doing his best.".” 2010. Web. 17 Jan 2020.

Vancouver:

Windisch A. "Do not shoot the pianist. He is doing his best.". [Internet] [Thesis]. University of Vienna; 2010. [cited 2020 Jan 17]. Available from: http://othes.univie.ac.at/10047/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Windisch A. "Do not shoot the pianist. He is doing his best.". [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/10047/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Ottawa

13. Marshall, Elsa. Silent Film Music Research as Local Musicology: A Case Study of Musical Practices and Networks in Ottawa Theatres from 1897 to 1929 .

Degree: 2017, University of Ottawa

 The Basilica Notre-Dame Choir accompanying screenings of The Hunchback of Notre Dame at the Regent in 1924, imaginative community prologues before Mary Pickford’s Pollyanna at… (more)

Subjects/Keywords: Silent Film Music; Silent Film; Musicology; Local History; Film Music; Ottawa; Ontario; Canada; Historical Musicology; Social Networks; Cultural Infrastructure; Theatre; Orchestra; Cinema; Film

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APA (6th Edition):

Marshall, E. (2017). Silent Film Music Research as Local Musicology: A Case Study of Musical Practices and Networks in Ottawa Theatres from 1897 to 1929 . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/36476

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marshall, Elsa. “Silent Film Music Research as Local Musicology: A Case Study of Musical Practices and Networks in Ottawa Theatres from 1897 to 1929 .” 2017. Thesis, University of Ottawa. Accessed January 17, 2020. http://hdl.handle.net/10393/36476.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marshall, Elsa. “Silent Film Music Research as Local Musicology: A Case Study of Musical Practices and Networks in Ottawa Theatres from 1897 to 1929 .” 2017. Web. 17 Jan 2020.

Vancouver:

Marshall E. Silent Film Music Research as Local Musicology: A Case Study of Musical Practices and Networks in Ottawa Theatres from 1897 to 1929 . [Internet] [Thesis]. University of Ottawa; 2017. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/10393/36476.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marshall E. Silent Film Music Research as Local Musicology: A Case Study of Musical Practices and Networks in Ottawa Theatres from 1897 to 1929 . [Thesis]. University of Ottawa; 2017. Available from: http://hdl.handle.net/10393/36476

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Riverside

14. Gautreau, Justin Richard. Fleeting Fictions: Film Technology, Adaptation, and a History of the Hollywood Novel, 1920-1950.

Degree: English, 2015, University of California – Riverside

 "Fleeting Fictions" argues that novels central to the genre of Hollywood fiction engaged with film’s technological ramifications as a method of countering the studio system’s… (more)

Subjects/Keywords: American literature; Film studies; Film noir; Hays Office; Hollywood fiction; Silent cinema; Talkies; Technicolor

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APA (6th Edition):

Gautreau, J. R. (2015). Fleeting Fictions: Film Technology, Adaptation, and a History of the Hollywood Novel, 1920-1950. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/1dh5x6jk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gautreau, Justin Richard. “Fleeting Fictions: Film Technology, Adaptation, and a History of the Hollywood Novel, 1920-1950.” 2015. Thesis, University of California – Riverside. Accessed January 17, 2020. http://www.escholarship.org/uc/item/1dh5x6jk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gautreau, Justin Richard. “Fleeting Fictions: Film Technology, Adaptation, and a History of the Hollywood Novel, 1920-1950.” 2015. Web. 17 Jan 2020.

Vancouver:

Gautreau JR. Fleeting Fictions: Film Technology, Adaptation, and a History of the Hollywood Novel, 1920-1950. [Internet] [Thesis]. University of California – Riverside; 2015. [cited 2020 Jan 17]. Available from: http://www.escholarship.org/uc/item/1dh5x6jk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gautreau JR. Fleeting Fictions: Film Technology, Adaptation, and a History of the Hollywood Novel, 1920-1950. [Thesis]. University of California – Riverside; 2015. Available from: http://www.escholarship.org/uc/item/1dh5x6jk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Fernandez Escareño, Itzia Gabriela. La compilation, un outil paradoxal de valorisation des films muets recyclés par Peter Delpeut et coproduits par le Nederlands Filmmuseum [1989-1999] : Compilations's paradox for the promotion of silent films through Peter Delpeut's films coproduced by the Netherlands Filmmuseum [1989-1999].

Degree: Docteur es, Etudes cinématographiques et audiovisuelles, 2009, Université Sorbonne Nouvelle – Paris III

La recherche interroge la valorisation des archives du Nederlands Filmmuseum [NFM] à partir du travail de compilation du cinéaste Peter Delpeut. Ce corpus de dix… (more)

Subjects/Keywords: Film muet; Compilation; Archive; Valorisation; Analyse des films; Réemploi; Silent film; Compilation; Film archive; Promotion; Film analyse; Found footage

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fernandez Escareño, I. G. (2009). La compilation, un outil paradoxal de valorisation des films muets recyclés par Peter Delpeut et coproduits par le Nederlands Filmmuseum [1989-1999] : Compilations's paradox for the promotion of silent films through Peter Delpeut's films coproduced by the Netherlands Filmmuseum [1989-1999]. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2009PA030047

Chicago Manual of Style (16th Edition):

Fernandez Escareño, Itzia Gabriela. “La compilation, un outil paradoxal de valorisation des films muets recyclés par Peter Delpeut et coproduits par le Nederlands Filmmuseum [1989-1999] : Compilations's paradox for the promotion of silent films through Peter Delpeut's films coproduced by the Netherlands Filmmuseum [1989-1999].” 2009. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed January 17, 2020. http://www.theses.fr/2009PA030047.

MLA Handbook (7th Edition):

Fernandez Escareño, Itzia Gabriela. “La compilation, un outil paradoxal de valorisation des films muets recyclés par Peter Delpeut et coproduits par le Nederlands Filmmuseum [1989-1999] : Compilations's paradox for the promotion of silent films through Peter Delpeut's films coproduced by the Netherlands Filmmuseum [1989-1999].” 2009. Web. 17 Jan 2020.

Vancouver:

Fernandez Escareño IG. La compilation, un outil paradoxal de valorisation des films muets recyclés par Peter Delpeut et coproduits par le Nederlands Filmmuseum [1989-1999] : Compilations's paradox for the promotion of silent films through Peter Delpeut's films coproduced by the Netherlands Filmmuseum [1989-1999]. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2009. [cited 2020 Jan 17]. Available from: http://www.theses.fr/2009PA030047.

Council of Science Editors:

Fernandez Escareño IG. La compilation, un outil paradoxal de valorisation des films muets recyclés par Peter Delpeut et coproduits par le Nederlands Filmmuseum [1989-1999] : Compilations's paradox for the promotion of silent films through Peter Delpeut's films coproduced by the Netherlands Filmmuseum [1989-1999]. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2009. Available from: http://www.theses.fr/2009PA030047


University of Illinois – Urbana-Champaign

16. Garcia-Crespo, Naida. Stateless nation building: early Puerto Rican cinema and identity formation (1897-1940).

Degree: PhD, English, 2015, University of Illinois – Urbana-Champaign

 This dissertation centers on the processes of Puerto Rican national identity formation as seen through the historical development of cinema on the island between 1897… (more)

Subjects/Keywords: National Cinemas; Puerto Rican Film Historiography; Silent Film; Post-colonial Film; Transnational Cinema; Film History; Puerto Rican Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garcia-Crespo, N. (2015). Stateless nation building: early Puerto Rican cinema and identity formation (1897-1940). (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/78331

Chicago Manual of Style (16th Edition):

Garcia-Crespo, Naida. “Stateless nation building: early Puerto Rican cinema and identity formation (1897-1940).” 2015. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed January 17, 2020. http://hdl.handle.net/2142/78331.

MLA Handbook (7th Edition):

Garcia-Crespo, Naida. “Stateless nation building: early Puerto Rican cinema and identity formation (1897-1940).” 2015. Web. 17 Jan 2020.

Vancouver:

Garcia-Crespo N. Stateless nation building: early Puerto Rican cinema and identity formation (1897-1940). [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2015. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/2142/78331.

Council of Science Editors:

Garcia-Crespo N. Stateless nation building: early Puerto Rican cinema and identity formation (1897-1940). [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2015. Available from: http://hdl.handle.net/2142/78331


University of Illinois – Chicago

17. Mericle, Robyn Rene. Before the Endless Miles of Wind and Sand and Empty Far Off Sky: Deserts in Hollywood’s Silent Era.

Degree: 2018, University of Illinois – Chicago

 When Robert Smithson donned a cowboy hat and boots in the classic 1968 film Mono Lake, he revealed how deeply the mythic imagery of the… (more)

Subjects/Keywords: film studies; American studies; landscape; film; art history; ecology; gender; animal rights; media studies; silent film; Western film

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APA (6th Edition):

Mericle, R. R. (2018). Before the Endless Miles of Wind and Sand and Empty Far Off Sky: Deserts in Hollywood’s Silent Era. (Thesis). University of Illinois – Chicago. Retrieved from http://hdl.handle.net/10027/22975

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mericle, Robyn Rene. “Before the Endless Miles of Wind and Sand and Empty Far Off Sky: Deserts in Hollywood’s Silent Era.” 2018. Thesis, University of Illinois – Chicago. Accessed January 17, 2020. http://hdl.handle.net/10027/22975.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mericle, Robyn Rene. “Before the Endless Miles of Wind and Sand and Empty Far Off Sky: Deserts in Hollywood’s Silent Era.” 2018. Web. 17 Jan 2020.

Vancouver:

Mericle RR. Before the Endless Miles of Wind and Sand and Empty Far Off Sky: Deserts in Hollywood’s Silent Era. [Internet] [Thesis]. University of Illinois – Chicago; 2018. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/10027/22975.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mericle RR. Before the Endless Miles of Wind and Sand and Empty Far Off Sky: Deserts in Hollywood’s Silent Era. [Thesis]. University of Illinois – Chicago; 2018. Available from: http://hdl.handle.net/10027/22975

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Royal Holloway, University of London

18. Poljakowa, Natalja. The distribution, censorship and reception of German films in Soviet Russia of the 1920s.

Degree: PhD, 2015, Royal Holloway, University of London

 Despite the huge amount of research on European cinema of the 1920s, little attention has been paid to the influence of cross-cultural encounters on the… (more)

Subjects/Keywords: cinema; film censorship; film distribution; silent film; Soviet cinema; German cinema; 1920s; Weimar Republic; film history

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Poljakowa, N. (2015). The distribution, censorship and reception of German films in Soviet Russia of the 1920s. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/the-distribution-censorship-and-reception-of-german-films-in-soviet-russia-of-the-1920s(226dc94b-94a9-4128-80e0-d154f5549243).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792437

Chicago Manual of Style (16th Edition):

Poljakowa, Natalja. “The distribution, censorship and reception of German films in Soviet Russia of the 1920s.” 2015. Doctoral Dissertation, Royal Holloway, University of London. Accessed January 17, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/the-distribution-censorship-and-reception-of-german-films-in-soviet-russia-of-the-1920s(226dc94b-94a9-4128-80e0-d154f5549243).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792437.

MLA Handbook (7th Edition):

Poljakowa, Natalja. “The distribution, censorship and reception of German films in Soviet Russia of the 1920s.” 2015. Web. 17 Jan 2020.

Vancouver:

Poljakowa N. The distribution, censorship and reception of German films in Soviet Russia of the 1920s. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2015. [cited 2020 Jan 17]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-distribution-censorship-and-reception-of-german-films-in-soviet-russia-of-the-1920s(226dc94b-94a9-4128-80e0-d154f5549243).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792437.

Council of Science Editors:

Poljakowa N. The distribution, censorship and reception of German films in Soviet Russia of the 1920s. [Doctoral Dissertation]. Royal Holloway, University of London; 2015. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-distribution-censorship-and-reception-of-german-films-in-soviet-russia-of-the-1920s(226dc94b-94a9-4128-80e0-d154f5549243).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792437


Royal Holloway, University of London

19. Botting, Josephine. 'Nice work (if you can get it) : the silent films of Adrian Brunel.

Degree: PhD, 2017, Royal Holloway, University of London

 This thesis explores the filmmaking career of Adrian Brunel during the 1920s, concentrating on the period during which his most significant work was undertaken. Brunel… (more)

Subjects/Keywords: silent film; Adrian Brunel; British cinema; Adaptation; British film directors; war films; film distribution; biographical legend; film history

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Botting, J. (2017). 'Nice work (if you can get it) : the silent films of Adrian Brunel. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/nice-work-if-you-can-get-it-the-silent-films-of-adrian-brunel(9d59ff59-ce75-46aa-8d81-d8477f39a09d).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792738

Chicago Manual of Style (16th Edition):

Botting, Josephine. “'Nice work (if you can get it) : the silent films of Adrian Brunel.” 2017. Doctoral Dissertation, Royal Holloway, University of London. Accessed January 17, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/nice-work-if-you-can-get-it-the-silent-films-of-adrian-brunel(9d59ff59-ce75-46aa-8d81-d8477f39a09d).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792738.

MLA Handbook (7th Edition):

Botting, Josephine. “'Nice work (if you can get it) : the silent films of Adrian Brunel.” 2017. Web. 17 Jan 2020.

Vancouver:

Botting J. 'Nice work (if you can get it) : the silent films of Adrian Brunel. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2017. [cited 2020 Jan 17]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/nice-work-if-you-can-get-it-the-silent-films-of-adrian-brunel(9d59ff59-ce75-46aa-8d81-d8477f39a09d).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792738.

Council of Science Editors:

Botting J. 'Nice work (if you can get it) : the silent films of Adrian Brunel. [Doctoral Dissertation]. Royal Holloway, University of London; 2017. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/nice-work-if-you-can-get-it-the-silent-films-of-adrian-brunel(9d59ff59-ce75-46aa-8d81-d8477f39a09d).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792738


University of Vienna

20. Witzmann, Claudia. Afroamerikanische Darsteller in der Stummfilm-Ära.

Degree: 2010, University of Vienna

Eine der bemerkenswertesten Erfolgsgeschichten des 20. Jahrhunderts ist die Entwicklung und das Wachstum der Filmindustrie als einflussreiches Unterhaltungsmedium in den USA. Film ist ein Abblid… (more)

Subjects/Keywords: 24.32 Filmgeschichte; USA / Stummfilm / Afroamerikaner / Film / Cultural Studies; USA / silent film / African- American / film / Cultral Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Witzmann, C. (2010). Afroamerikanische Darsteller in der Stummfilm-Ära. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/12167/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Witzmann, Claudia. “Afroamerikanische Darsteller in der Stummfilm-Ära.” 2010. Thesis, University of Vienna. Accessed January 17, 2020. http://othes.univie.ac.at/12167/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Witzmann, Claudia. “Afroamerikanische Darsteller in der Stummfilm-Ära.” 2010. Web. 17 Jan 2020.

Vancouver:

Witzmann C. Afroamerikanische Darsteller in der Stummfilm-Ära. [Internet] [Thesis]. University of Vienna; 2010. [cited 2020 Jan 17]. Available from: http://othes.univie.ac.at/12167/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Witzmann C. Afroamerikanische Darsteller in der Stummfilm-Ära. [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/12167/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

21. Stanciu, Cristina. The makings and unmakings of Americans: Indians and immigrants in American literature and culture, 1880-1924.

Degree: PhD, 0311, 2011, University of Illinois – Urbana-Champaign

 This dissertation argues that despite their coercion into the “making of Americans” discourses, New Immigrants and American Indians shared structurally connected roles in the drama… (more)

Subjects/Keywords: Immigration; Immigration Studies; American Indian Studies; Americanizatioin; Assimilation; Jewish American Literature; Silent Film.

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APA (6th Edition):

Stanciu, C. (2011). The makings and unmakings of Americans: Indians and immigrants in American literature and culture, 1880-1924. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/24499

Chicago Manual of Style (16th Edition):

Stanciu, Cristina. “The makings and unmakings of Americans: Indians and immigrants in American literature and culture, 1880-1924.” 2011. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed January 17, 2020. http://hdl.handle.net/2142/24499.

MLA Handbook (7th Edition):

Stanciu, Cristina. “The makings and unmakings of Americans: Indians and immigrants in American literature and culture, 1880-1924.” 2011. Web. 17 Jan 2020.

Vancouver:

Stanciu C. The makings and unmakings of Americans: Indians and immigrants in American literature and culture, 1880-1924. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2011. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/2142/24499.

Council of Science Editors:

Stanciu C. The makings and unmakings of Americans: Indians and immigrants in American literature and culture, 1880-1924. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/24499


University of Kansas

22. Woodson, Mary Beth. Remembering What We Lost: Ecomemory, Visual Ecomedia, and the Discourse of Environmental Concern.

Degree: PhD, Film & Media Studies, 2016, University of Kansas

 In this study I examine the evolving discourse of environmental concerns within visual ecological media that utilizes what I define as ecological memory—ecomemory. As part… (more)

Subjects/Keywords: Film studies; History; Environmental studies; Ecomedia; Ecomemory; Interstellar; Lord of the Rings; Silent Running

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APA (6th Edition):

Woodson, M. B. (2016). Remembering What We Lost: Ecomemory, Visual Ecomedia, and the Discourse of Environmental Concern. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/24130

Chicago Manual of Style (16th Edition):

Woodson, Mary Beth. “Remembering What We Lost: Ecomemory, Visual Ecomedia, and the Discourse of Environmental Concern.” 2016. Doctoral Dissertation, University of Kansas. Accessed January 17, 2020. http://hdl.handle.net/1808/24130.

MLA Handbook (7th Edition):

Woodson, Mary Beth. “Remembering What We Lost: Ecomemory, Visual Ecomedia, and the Discourse of Environmental Concern.” 2016. Web. 17 Jan 2020.

Vancouver:

Woodson MB. Remembering What We Lost: Ecomemory, Visual Ecomedia, and the Discourse of Environmental Concern. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/1808/24130.

Council of Science Editors:

Woodson MB. Remembering What We Lost: Ecomemory, Visual Ecomedia, and the Discourse of Environmental Concern. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/24130


UCLA

23. Severina, Yelena N. The Ritual Culture of Late Imperial Russia: Performing the Middle Ages.

Degree: Slavic Languages and Literatures, 2018, UCLA

 This dissertation examines how the performance of medieval rituals at the tsar’s court, in the dramas of modernist playwrights, and in early cinema can be… (more)

Subjects/Keywords: Literature; Russian history; Theater; imperial court; medieval revival; mystery plays; performance; Russian Empire; silent film

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APA (6th Edition):

Severina, Y. N. (2018). The Ritual Culture of Late Imperial Russia: Performing the Middle Ages. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/08m8v3tm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Severina, Yelena N. “The Ritual Culture of Late Imperial Russia: Performing the Middle Ages.” 2018. Thesis, UCLA. Accessed January 17, 2020. http://www.escholarship.org/uc/item/08m8v3tm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Severina, Yelena N. “The Ritual Culture of Late Imperial Russia: Performing the Middle Ages.” 2018. Web. 17 Jan 2020.

Vancouver:

Severina YN. The Ritual Culture of Late Imperial Russia: Performing the Middle Ages. [Internet] [Thesis]. UCLA; 2018. [cited 2020 Jan 17]. Available from: http://www.escholarship.org/uc/item/08m8v3tm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Severina YN. The Ritual Culture of Late Imperial Russia: Performing the Middle Ages. [Thesis]. UCLA; 2018. Available from: http://www.escholarship.org/uc/item/08m8v3tm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Newcastle

24. Johnston, Phillip. The polysynchronous film score: the relationship between music and image/narrative in contemporary scores for silent film.

Degree: PhD, 2015, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

The medium of contemporary scores for silent film offers extraordinary opportunities for innovative relationships between music and film.… (more)

Subjects/Keywords: silent film music; silent film scores; Clubfoot Orchestra; Alloy Orchestra; Gary Lucas; Black Francis; F.W. Murnau; Buster Keaton; Phillip Johnston; film music; film scoring; polysynchronous; polysynchronicity; asynchronous film music; jazz in film music; Georges Méliès; Einhorn

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Johnston, P. (2015). The polysynchronous film score: the relationship between music and image/narrative in contemporary scores for silent film. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1306492

Chicago Manual of Style (16th Edition):

Johnston, Phillip. “The polysynchronous film score: the relationship between music and image/narrative in contemporary scores for silent film.” 2015. Doctoral Dissertation, University of Newcastle. Accessed January 17, 2020. http://hdl.handle.net/1959.13/1306492.

MLA Handbook (7th Edition):

Johnston, Phillip. “The polysynchronous film score: the relationship between music and image/narrative in contemporary scores for silent film.” 2015. Web. 17 Jan 2020.

Vancouver:

Johnston P. The polysynchronous film score: the relationship between music and image/narrative in contemporary scores for silent film. [Internet] [Doctoral dissertation]. University of Newcastle; 2015. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/1959.13/1306492.

Council of Science Editors:

Johnston P. The polysynchronous film score: the relationship between music and image/narrative in contemporary scores for silent film. [Doctoral Dissertation]. University of Newcastle; 2015. Available from: http://hdl.handle.net/1959.13/1306492


University of California – Irvine

25. Anselmo Sequeira, Diana. "Gasps of Violet Ink:" Female Adolescence, Personal Archives, and Movie Fandom in the United States during the 1910s.

Degree: Visual Studies, 2014, University of California – Irvine

 My dissertation argues that, during the second decade of the twentieth century, adolescent girls helped shape America's film fan culture. Though many film histories address… (more)

Subjects/Keywords: Film studies; Women's studies; American studies; American Silent Cinema; Crafts; Female Adolescence/ Girls; Film Fandom; Personal Archives; Scrapbooks

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APA (6th Edition):

Anselmo Sequeira, D. (2014). "Gasps of Violet Ink:" Female Adolescence, Personal Archives, and Movie Fandom in the United States during the 1910s. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/1k954331

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anselmo Sequeira, Diana. “"Gasps of Violet Ink:" Female Adolescence, Personal Archives, and Movie Fandom in the United States during the 1910s.” 2014. Thesis, University of California – Irvine. Accessed January 17, 2020. http://www.escholarship.org/uc/item/1k954331.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anselmo Sequeira, Diana. “"Gasps of Violet Ink:" Female Adolescence, Personal Archives, and Movie Fandom in the United States during the 1910s.” 2014. Web. 17 Jan 2020.

Vancouver:

Anselmo Sequeira D. "Gasps of Violet Ink:" Female Adolescence, Personal Archives, and Movie Fandom in the United States during the 1910s. [Internet] [Thesis]. University of California – Irvine; 2014. [cited 2020 Jan 17]. Available from: http://www.escholarship.org/uc/item/1k954331.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anselmo Sequeira D. "Gasps of Violet Ink:" Female Adolescence, Personal Archives, and Movie Fandom in the United States during the 1910s. [Thesis]. University of California – Irvine; 2014. Available from: http://www.escholarship.org/uc/item/1k954331

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

26. Horak, Laura. Girls Will Be Boys: Cross-Dressed Women and the Legitimation of American Silent Cinema.

Degree: Rhetoric, 2011, University of California – Berkeley

 Recent scholars tend to describe cross-dressing as inherently transgressive. Cross-dressing, they explain, shows us that there is no natural link between physical sex and social… (more)

Subjects/Keywords: Film studies; GLBT studies; Gender studies; cross-dressing; female masculinity; male impersonation; silent film; United States; women

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APA (6th Edition):

Horak, L. (2011). Girls Will Be Boys: Cross-Dressed Women and the Legitimation of American Silent Cinema. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/5nb6m31r

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Horak, Laura. “Girls Will Be Boys: Cross-Dressed Women and the Legitimation of American Silent Cinema.” 2011. Thesis, University of California – Berkeley. Accessed January 17, 2020. http://www.escholarship.org/uc/item/5nb6m31r.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Horak, Laura. “Girls Will Be Boys: Cross-Dressed Women and the Legitimation of American Silent Cinema.” 2011. Web. 17 Jan 2020.

Vancouver:

Horak L. Girls Will Be Boys: Cross-Dressed Women and the Legitimation of American Silent Cinema. [Internet] [Thesis]. University of California – Berkeley; 2011. [cited 2020 Jan 17]. Available from: http://www.escholarship.org/uc/item/5nb6m31r.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Horak L. Girls Will Be Boys: Cross-Dressed Women and the Legitimation of American Silent Cinema. [Thesis]. University of California – Berkeley; 2011. Available from: http://www.escholarship.org/uc/item/5nb6m31r

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ryerson University

27. Fletcher, Alicia Marie. Framing early cinema : the Davide Turconi nitrate frame collection at George Eastman House.

Degree: 2011, Ryerson University

 This thesis examines the history, use, and value of the Davide Turconi Nitrate Frame Collection of film fragments, housed at George Eastman House. An Italian… (more)

Subjects/Keywords: Silent films  – Conservation and restoration; Motion picture film collections  – Conservation and restoration; Motion picture film collections  – Digitization; Ryerson University  – Dissertations

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fletcher, A. M. (2011). Framing early cinema : the Davide Turconi nitrate frame collection at George Eastman House. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A1371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fletcher, Alicia Marie. “Framing early cinema : the Davide Turconi nitrate frame collection at George Eastman House.” 2011. Thesis, Ryerson University. Accessed January 17, 2020. https://digital.library.ryerson.ca/islandora/object/RULA%3A1371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fletcher, Alicia Marie. “Framing early cinema : the Davide Turconi nitrate frame collection at George Eastman House.” 2011. Web. 17 Jan 2020.

Vancouver:

Fletcher AM. Framing early cinema : the Davide Turconi nitrate frame collection at George Eastman House. [Internet] [Thesis]. Ryerson University; 2011. [cited 2020 Jan 17]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fletcher AM. Framing early cinema : the Davide Turconi nitrate frame collection at George Eastman House. [Thesis]. Ryerson University; 2011. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A1371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Elipe Gimeno, Javier. Composer d'après le cinéma muet : une approche théorique et pratique : Composing on Silent Films : a theoretical and practical approach.

Degree: Docteur es, Musique, 2015, Paris 8

Ce travail étudie le rapport entre le langage narratif cinématographique et le discours musical contemporain. Le point de départ en a été l’étude des nouvelles… (more)

Subjects/Keywords: Cinéma muet; Création contemporaine; Analyse musicale; Musique de film; Orchestration; Silent films; Contemporary composition; Musical analysis; Film music; Orchestration

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Elipe Gimeno, J. (2015). Composer d'après le cinéma muet : une approche théorique et pratique : Composing on Silent Films : a theoretical and practical approach. (Doctoral Dissertation). Paris 8. Retrieved from http://www.theses.fr/2015PA080127

Chicago Manual of Style (16th Edition):

Elipe Gimeno, Javier. “Composer d'après le cinéma muet : une approche théorique et pratique : Composing on Silent Films : a theoretical and practical approach.” 2015. Doctoral Dissertation, Paris 8. Accessed January 17, 2020. http://www.theses.fr/2015PA080127.

MLA Handbook (7th Edition):

Elipe Gimeno, Javier. “Composer d'après le cinéma muet : une approche théorique et pratique : Composing on Silent Films : a theoretical and practical approach.” 2015. Web. 17 Jan 2020.

Vancouver:

Elipe Gimeno J. Composer d'après le cinéma muet : une approche théorique et pratique : Composing on Silent Films : a theoretical and practical approach. [Internet] [Doctoral dissertation]. Paris 8; 2015. [cited 2020 Jan 17]. Available from: http://www.theses.fr/2015PA080127.

Council of Science Editors:

Elipe Gimeno J. Composer d'après le cinéma muet : une approche théorique et pratique : Composing on Silent Films : a theoretical and practical approach. [Doctoral Dissertation]. Paris 8; 2015. Available from: http://www.theses.fr/2015PA080127


University of California – Berkeley

29. Ospina Leon, Juan Sebastian. Melodramatic Modernities: Latin American Serial Fiction and Silent Film Culture, 1914-1929.

Degree: Romance Languages & Literatures (Spanish), 2015, University of California – Berkeley

 This dissertation examines how melodrama in early twentieth century Argentina and Colombia shaped sites of intelligibility to record multiple processes of modernization—including but not limited… (more)

Subjects/Keywords: Latin American studies; Film studies; Latin American literature; Argentina; Colombia; Film culture; Melodrama; Modernity; Silent Cinema

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ospina Leon, J. S. (2015). Melodramatic Modernities: Latin American Serial Fiction and Silent Film Culture, 1914-1929. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/41v1k6pb

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ospina Leon, Juan Sebastian. “Melodramatic Modernities: Latin American Serial Fiction and Silent Film Culture, 1914-1929.” 2015. Thesis, University of California – Berkeley. Accessed January 17, 2020. http://www.escholarship.org/uc/item/41v1k6pb.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ospina Leon, Juan Sebastian. “Melodramatic Modernities: Latin American Serial Fiction and Silent Film Culture, 1914-1929.” 2015. Web. 17 Jan 2020.

Vancouver:

Ospina Leon JS. Melodramatic Modernities: Latin American Serial Fiction and Silent Film Culture, 1914-1929. [Internet] [Thesis]. University of California – Berkeley; 2015. [cited 2020 Jan 17]. Available from: http://www.escholarship.org/uc/item/41v1k6pb.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ospina Leon JS. Melodramatic Modernities: Latin American Serial Fiction and Silent Film Culture, 1914-1929. [Thesis]. University of California – Berkeley; 2015. Available from: http://www.escholarship.org/uc/item/41v1k6pb

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Lund

30. Wallengren, Ann-Kristin. En afton på Röda Kvarn. Svensk stumfilm som musikdrama.

Degree: 1998, University of Lund

 The dissertation delineates the development of silent film music in Sweden in relation to changes in the production practices. Also, the study shows, through analyses… (more)

Subjects/Keywords: Konst; music drama; Swedish silent film; silent film music; film music analysis; history of film music; narrative; film music theory

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wallengren, A. (1998). En afton på Röda Kvarn. Svensk stumfilm som musikdrama. (Doctoral Dissertation). University of Lund. Retrieved from http://lup.lub.lu.se/record/536450 ; http://portal.research.lu.se/ws/files/5518751/8595960.pdf

Chicago Manual of Style (16th Edition):

Wallengren, Ann-Kristin. “En afton på Röda Kvarn. Svensk stumfilm som musikdrama.” 1998. Doctoral Dissertation, University of Lund. Accessed January 17, 2020. http://lup.lub.lu.se/record/536450 ; http://portal.research.lu.se/ws/files/5518751/8595960.pdf.

MLA Handbook (7th Edition):

Wallengren, Ann-Kristin. “En afton på Röda Kvarn. Svensk stumfilm som musikdrama.” 1998. Web. 17 Jan 2020.

Vancouver:

Wallengren A. En afton på Röda Kvarn. Svensk stumfilm som musikdrama. [Internet] [Doctoral dissertation]. University of Lund; 1998. [cited 2020 Jan 17]. Available from: http://lup.lub.lu.se/record/536450 ; http://portal.research.lu.se/ws/files/5518751/8595960.pdf.

Council of Science Editors:

Wallengren A. En afton på Röda Kvarn. Svensk stumfilm som musikdrama. [Doctoral Dissertation]. University of Lund; 1998. Available from: http://lup.lub.lu.se/record/536450 ; http://portal.research.lu.se/ws/files/5518751/8595960.pdf

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