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Dates: 2015 – 2019

You searched for subject:(saxophone). Showing records 1 – 30 of 107 total matches.

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University of Rochester

1. Wyman, Frederick Stearns (1935 - ). An acoustical study of alto saxophone mouthpiece chamber design.

Degree: PhD, 2018, University of Rochester

 This thesis is the result of a study made of the influence of the saxophone mouthpiece chamber design upon tone quality, intonation, and other playing… (more)

Subjects/Keywords: Saxophone.; Saxophone - Construction.

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APA (6th Edition):

Wyman, F. S. (. -. ). (2018). An acoustical study of alto saxophone mouthpiece chamber design. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/33971

Chicago Manual of Style (16th Edition):

Wyman, Frederick Stearns (1935 - ). “An acoustical study of alto saxophone mouthpiece chamber design.” 2018. Doctoral Dissertation, University of Rochester. Accessed December 11, 2019. http://hdl.handle.net/1802/33971.

MLA Handbook (7th Edition):

Wyman, Frederick Stearns (1935 - ). “An acoustical study of alto saxophone mouthpiece chamber design.” 2018. Web. 11 Dec 2019.

Vancouver:

Wyman FS(-). An acoustical study of alto saxophone mouthpiece chamber design. [Internet] [Doctoral dissertation]. University of Rochester; 2018. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/1802/33971.

Council of Science Editors:

Wyman FS(-). An acoustical study of alto saxophone mouthpiece chamber design. [Doctoral Dissertation]. University of Rochester; 2018. Available from: http://hdl.handle.net/1802/33971

2. Flanders, Herbert Stanley. Engaging hybridity: Indian Hindustani and Carnatic practices in the Western classical saxophone tradition.

Degree: DMA, Music, 2016, University of Georgia

 There has been limited discussion as to why and how saxophonists within the Western classical tradition can integrate and utilize Indian musical pedagogy. This paper… (more)

Subjects/Keywords: Saxophone

…71 Figure 5-6: Shruut tenor saxophone line mm.57-62 and mm.65-72… …saxophone represents an ideal crossover between Western and Indian musics because of its inherent… …saxophone performance practice standards with Indian stylistic elements, an interpretive approach… …potential of three compositions on the saxophone. Need for this Study The music of India has been… …much to gain from engaging hybridity. The saxophone has always defied its “purpose… 

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APA (6th Edition):

Flanders, H. S. (2016). Engaging hybridity: Indian Hindustani and Carnatic practices in the Western classical saxophone tradition. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/flanders_herbert_s_201605_dma

Chicago Manual of Style (16th Edition):

Flanders, Herbert Stanley. “Engaging hybridity: Indian Hindustani and Carnatic practices in the Western classical saxophone tradition.” 2016. Doctoral Dissertation, University of Georgia. Accessed December 11, 2019. http://purl.galileo.usg.edu/uga_etd/flanders_herbert_s_201605_dma.

MLA Handbook (7th Edition):

Flanders, Herbert Stanley. “Engaging hybridity: Indian Hindustani and Carnatic practices in the Western classical saxophone tradition.” 2016. Web. 11 Dec 2019.

Vancouver:

Flanders HS. Engaging hybridity: Indian Hindustani and Carnatic practices in the Western classical saxophone tradition. [Internet] [Doctoral dissertation]. University of Georgia; 2016. [cited 2019 Dec 11]. Available from: http://purl.galileo.usg.edu/uga_etd/flanders_herbert_s_201605_dma.

Council of Science Editors:

Flanders HS. Engaging hybridity: Indian Hindustani and Carnatic practices in the Western classical saxophone tradition. [Doctoral Dissertation]. University of Georgia; 2016. Available from: http://purl.galileo.usg.edu/uga_etd/flanders_herbert_s_201605_dma


University of North Texas

3. Wright, Andrew. A Survey of Selected, Original Chamber Music for Saxophone with Diverse Instruments by Marilyn Shrude.

Degree: 2016, University of North Texas

 Marilyn Shrude is a champion for contemporary concert music. Throughout her career, she has written multiple works including the saxophone that utilize its unique timbre.… (more)

Subjects/Keywords: Shrude; Saxophone

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APA (6th Edition):

Wright, A. (2016). A Survey of Selected, Original Chamber Music for Saxophone with Diverse Instruments by Marilyn Shrude. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc862730/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wright, Andrew. “A Survey of Selected, Original Chamber Music for Saxophone with Diverse Instruments by Marilyn Shrude.” 2016. Thesis, University of North Texas. Accessed December 11, 2019. https://digital.library.unt.edu/ark:/67531/metadc862730/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wright, Andrew. “A Survey of Selected, Original Chamber Music for Saxophone with Diverse Instruments by Marilyn Shrude.” 2016. Web. 11 Dec 2019.

Vancouver:

Wright A. A Survey of Selected, Original Chamber Music for Saxophone with Diverse Instruments by Marilyn Shrude. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Dec 11]. Available from: https://digital.library.unt.edu/ark:/67531/metadc862730/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wright A. A Survey of Selected, Original Chamber Music for Saxophone with Diverse Instruments by Marilyn Shrude. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc862730/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

4. Kelly, Ashley. The Saxophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014.

Degree: DMA, Music, 2015, Louisiana State University

 The Saxophone Symposium is the journal of the North American Saxophone Alliance and is a peer-reviewed academic publication. Since 1976, its readership has enjoyed articles… (more)

Subjects/Keywords: music; saxophone research; saxophone pedagogy; saxophone history; N.A.S.A.; saxophone symposium; saxophone; symposium; North American Saxophone Alliance

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APA (6th Edition):

Kelly, A. (2015). The Saxophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-06232015-090030 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2819

Chicago Manual of Style (16th Edition):

Kelly, Ashley. “The Saxophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014.” 2015. Doctoral Dissertation, Louisiana State University. Accessed December 11, 2019. etd-06232015-090030 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2819.

MLA Handbook (7th Edition):

Kelly, Ashley. “The Saxophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014.” 2015. Web. 11 Dec 2019.

Vancouver:

Kelly A. The Saxophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014. [Internet] [Doctoral dissertation]. Louisiana State University; 2015. [cited 2019 Dec 11]. Available from: etd-06232015-090030 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2819.

Council of Science Editors:

Kelly A. The Saxophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014. [Doctoral Dissertation]. Louisiana State University; 2015. Available from: etd-06232015-090030 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2819


University of Alberta

5. Kerslake, Laura, J. Without Ceasing: A Performance Analysis of Six Solo Works for Saxophone.

Degree: Doctor of Music, Department of Music, 2015, University of Alberta

 This thesis for the Doctor of Music degree consists of an audio recording, a public recital, a scholarly essay and program notes to compliment the… (more)

Subjects/Keywords: Performance; Music; Saxophone

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APA (6th Edition):

Kerslake, Laura, J. (2015). Without Ceasing: A Performance Analysis of Six Solo Works for Saxophone. (Doctoral Dissertation). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/ng451m21c

Chicago Manual of Style (16th Edition):

Kerslake, Laura, J. “Without Ceasing: A Performance Analysis of Six Solo Works for Saxophone.” 2015. Doctoral Dissertation, University of Alberta. Accessed December 11, 2019. https://era.library.ualberta.ca/files/ng451m21c.

MLA Handbook (7th Edition):

Kerslake, Laura, J. “Without Ceasing: A Performance Analysis of Six Solo Works for Saxophone.” 2015. Web. 11 Dec 2019.

Vancouver:

Kerslake, Laura J. Without Ceasing: A Performance Analysis of Six Solo Works for Saxophone. [Internet] [Doctoral dissertation]. University of Alberta; 2015. [cited 2019 Dec 11]. Available from: https://era.library.ualberta.ca/files/ng451m21c.

Council of Science Editors:

Kerslake, Laura J. Without Ceasing: A Performance Analysis of Six Solo Works for Saxophone. [Doctoral Dissertation]. University of Alberta; 2015. Available from: https://era.library.ualberta.ca/files/ng451m21c


University of North Carolina – Greensboro

6. Loboda, Emily J. An analysis of overtone production techniques in saxophone teaching methods.

Degree: 2018, University of North Carolina – Greensboro

 The playing of overtones on the saxophone helps in acquiring the altissimo register and improves clarity, definition, intonation, control, resonance, dynamics, timbre, and flexibility. This… (more)

Subjects/Keywords: Saxophone – Harmonics; Saxophone – Instruction and study; Saxophone – Studies and exercises

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APA (6th Edition):

Loboda, E. J. (2018). An analysis of overtone production techniques in saxophone teaching methods. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23178

Chicago Manual of Style (16th Edition):

Loboda, Emily J. “An analysis of overtone production techniques in saxophone teaching methods.” 2018. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed December 11, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23178.

MLA Handbook (7th Edition):

Loboda, Emily J. “An analysis of overtone production techniques in saxophone teaching methods.” 2018. Web. 11 Dec 2019.

Vancouver:

Loboda EJ. An analysis of overtone production techniques in saxophone teaching methods. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2018. [cited 2019 Dec 11]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23178.

Council of Science Editors:

Loboda EJ. An analysis of overtone production techniques in saxophone teaching methods. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2018. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23178

7. Sousa Bittencourt, Pedro. Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones.

Degree: Docteur es, Musique, 2015, Paris 8

Étude sur la collaboration et la participation active d’un saxophoniste-chercheur avec plusieurs compositeurs dans la création musicale mixte. Les musiques mixtes combinent un performeur jouant… (more)

Subjects/Keywords: Saxophone; Mixed electro acoustic music (saxophone); Saxophone; Interpretation - music; Composition (music); Music with computers

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APA (6th Edition):

Sousa Bittencourt, P. (2015). Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones. (Doctoral Dissertation). Paris 8. Retrieved from http://www.theses.fr/2015PA080075

Chicago Manual of Style (16th Edition):

Sousa Bittencourt, Pedro. “Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones.” 2015. Doctoral Dissertation, Paris 8. Accessed December 11, 2019. http://www.theses.fr/2015PA080075.

MLA Handbook (7th Edition):

Sousa Bittencourt, Pedro. “Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones.” 2015. Web. 11 Dec 2019.

Vancouver:

Sousa Bittencourt P. Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones. [Internet] [Doctoral dissertation]. Paris 8; 2015. [cited 2019 Dec 11]. Available from: http://www.theses.fr/2015PA080075.

Council of Science Editors:

Sousa Bittencourt P. Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines. : Participatory musical performance : the mediation of a saxophonist in articulating contemporary electroacoustic music compositions with saxophones. [Doctoral Dissertation]. Paris 8; 2015. Available from: http://www.theses.fr/2015PA080075


The Ohio State University

8. Jenkins, Chester James, Jenkins. A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone.

Degree: DMA, Music, 2018, The Ohio State University

 The purpose of this work is to examine the history and compositional elements of Steven Bryant’s Concerto for Alto Saxophone and Wind Ensemble, as well… (more)

Subjects/Keywords: Music; saxophone; concerto; steven bryant; alto saxophone; paul creston; joe lulloff; saxophone and wind ensemble

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APA (6th Edition):

Jenkins, Chester James, J. (2018). A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1524180086531008

Chicago Manual of Style (16th Edition):

Jenkins, Chester James, Jenkins. “A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone.” 2018. Doctoral Dissertation, The Ohio State University. Accessed December 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1524180086531008.

MLA Handbook (7th Edition):

Jenkins, Chester James, Jenkins. “A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone.” 2018. Web. 11 Dec 2019.

Vancouver:

Jenkins, Chester James J. A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone. [Internet] [Doctoral dissertation]. The Ohio State University; 2018. [cited 2019 Dec 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1524180086531008.

Council of Science Editors:

Jenkins, Chester James J. A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone. [Doctoral Dissertation]. The Ohio State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1524180086531008


University of North Texas

9. Murphy, Sean C. The Saxophone Music of Pierre-Philippe Bauzin: A Survey of Original Compositions and Rediscovery of Lost Works.

Degree: 2019, University of North Texas

 Pierre-Philippe Bauzin (1933-2005) was a skilled keyboard performer, improviser, and composer. By way of his close personal friendship with renowned saxophonist Jean-Marie Londeix, Bauzin began… (more)

Subjects/Keywords: saxophone; saxophone performance; saxophone literature; Pierre-Philippe Bauzin; Jean-Marie Londeix; Music; Musical Performances

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APA (6th Edition):

Murphy, S. C. (2019). The Saxophone Music of Pierre-Philippe Bauzin: A Survey of Original Compositions and Rediscovery of Lost Works. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1505140/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Murphy, Sean C. “The Saxophone Music of Pierre-Philippe Bauzin: A Survey of Original Compositions and Rediscovery of Lost Works.” 2019. Thesis, University of North Texas. Accessed December 11, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505140/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Murphy, Sean C. “The Saxophone Music of Pierre-Philippe Bauzin: A Survey of Original Compositions and Rediscovery of Lost Works.” 2019. Web. 11 Dec 2019.

Vancouver:

Murphy SC. The Saxophone Music of Pierre-Philippe Bauzin: A Survey of Original Compositions and Rediscovery of Lost Works. [Internet] [Thesis]. University of North Texas; 2019. [cited 2019 Dec 11]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505140/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murphy SC. The Saxophone Music of Pierre-Philippe Bauzin: A Survey of Original Compositions and Rediscovery of Lost Works. [Thesis]. University of North Texas; 2019. Available from: https://digital.library.unt.edu/ark:/67531/metadc1505140/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

10. Kramer, Laura M. That takes care 'a that: for solo tenor saxophone and wind ensemble.

Degree: DMA, Composition, 2015, University of Southern California

That Takes Care 'a That, a work for solo tenor saxophone and wind ensemble, in two movements: 1) Always Somethin'; 2) Steps. Duration: 16 minutes. Advisors/Committee Members: Ticheli, Frank (Committee Chair), Crockett, Donald (Committee Member), Head, Brian (Committee Member).

Subjects/Keywords: tenor saxophone; wind ensemble; concerto

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APA (6th Edition):

Kramer, L. M. (2015). That takes care 'a that: for solo tenor saxophone and wind ensemble. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/539812/rec/6404

Chicago Manual of Style (16th Edition):

Kramer, Laura M. “That takes care 'a that: for solo tenor saxophone and wind ensemble.” 2015. Doctoral Dissertation, University of Southern California. Accessed December 11, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/539812/rec/6404.

MLA Handbook (7th Edition):

Kramer, Laura M. “That takes care 'a that: for solo tenor saxophone and wind ensemble.” 2015. Web. 11 Dec 2019.

Vancouver:

Kramer LM. That takes care 'a that: for solo tenor saxophone and wind ensemble. [Internet] [Doctoral dissertation]. University of Southern California; 2015. [cited 2019 Dec 11]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/539812/rec/6404.

Council of Science Editors:

Kramer LM. That takes care 'a that: for solo tenor saxophone and wind ensemble. [Doctoral Dissertation]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/539812/rec/6404


Kansas State University

11. Martin, Miranda Noel. The versatility of the saxophone as presented through a series of compositions.

Degree: MM, School of Music, Theatre, and Dance, 2017, Kansas State University

 The saxophone is used in many different styles, instrumentations, and medians, which undoubtedly makes it a very versatile instrument. This report comprises a series of… (more)

Subjects/Keywords: Music; Composition; Miranda; Martin; Saxophone

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APA (6th Edition):

Martin, M. N. (2017). The versatility of the saxophone as presented through a series of compositions. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/35465

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Martin, Miranda Noel. “The versatility of the saxophone as presented through a series of compositions.” 2017. Thesis, Kansas State University. Accessed December 11, 2019. http://hdl.handle.net/2097/35465.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Martin, Miranda Noel. “The versatility of the saxophone as presented through a series of compositions.” 2017. Web. 11 Dec 2019.

Vancouver:

Martin MN. The versatility of the saxophone as presented through a series of compositions. [Internet] [Thesis]. Kansas State University; 2017. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/2097/35465.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Martin MN. The versatility of the saxophone as presented through a series of compositions. [Thesis]. Kansas State University; 2017. Available from: http://hdl.handle.net/2097/35465

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

12. Chien, Wei-Lun. Music for the Saxophone Duet Genre: an Annotated Bibliography of Selected Original Music.

Degree: 2015, University of North Texas

 In 1861, Jerôme Savari (1819-1870) composed Duo for Soprano Saxophone and Alto Saxophone. Since then, more than 400 duets were written, yet many musicians are… (more)

Subjects/Keywords: Saxophone; duet; annotated bibliography; pedagogy

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APA (6th Edition):

Chien, W. (2015). Music for the Saxophone Duet Genre: an Annotated Bibliography of Selected Original Music. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc804908/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chien, Wei-Lun. “Music for the Saxophone Duet Genre: an Annotated Bibliography of Selected Original Music.” 2015. Thesis, University of North Texas. Accessed December 11, 2019. https://digital.library.unt.edu/ark:/67531/metadc804908/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chien, Wei-Lun. “Music for the Saxophone Duet Genre: an Annotated Bibliography of Selected Original Music.” 2015. Web. 11 Dec 2019.

Vancouver:

Chien W. Music for the Saxophone Duet Genre: an Annotated Bibliography of Selected Original Music. [Internet] [Thesis]. University of North Texas; 2015. [cited 2019 Dec 11]. Available from: https://digital.library.unt.edu/ark:/67531/metadc804908/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chien W. Music for the Saxophone Duet Genre: an Annotated Bibliography of Selected Original Music. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc804908/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. Campbell, Scott D. A Comparison of Methods for Sight-Reading Utilizing Collegiate Saxophonists.

Degree: 2016, University of North Texas

 The ability to sight-read well is held as a highly regarded and important skill in music performance and education. Over the past 90 years, researchers… (more)

Subjects/Keywords: Sight-reading; rhythm reading; saxophone

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APA (6th Edition):

Campbell, S. D. (2016). A Comparison of Methods for Sight-Reading Utilizing Collegiate Saxophonists. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc849708/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Campbell, Scott D. “A Comparison of Methods for Sight-Reading Utilizing Collegiate Saxophonists.” 2016. Thesis, University of North Texas. Accessed December 11, 2019. https://digital.library.unt.edu/ark:/67531/metadc849708/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Campbell, Scott D. “A Comparison of Methods for Sight-Reading Utilizing Collegiate Saxophonists.” 2016. Web. 11 Dec 2019.

Vancouver:

Campbell SD. A Comparison of Methods for Sight-Reading Utilizing Collegiate Saxophonists. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Dec 11]. Available from: https://digital.library.unt.edu/ark:/67531/metadc849708/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Campbell SD. A Comparison of Methods for Sight-Reading Utilizing Collegiate Saxophonists. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc849708/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

14. Vandegraaff, Stuart. The Tārāb Saxophone - The development of a comprehensive culturally informed approach to the performance on the saxophone of music derived from Arabic maqāmāt.

Degree: 2018, University of Sydney

 This thesis details the synthesis of Arabic music performance practices with the idiolect of a non-Arab Australian saxophonist. The process is guided by principles inferred… (more)

Subjects/Keywords: Saxophone; Arab; Maqam; Tarab; Intercultural

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APA (6th Edition):

Vandegraaff, S. (2018). The Tārāb Saxophone - The development of a comprehensive culturally informed approach to the performance on the saxophone of music derived from Arabic maqāmāt. (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/18567

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vandegraaff, Stuart. “The Tārāb Saxophone - The development of a comprehensive culturally informed approach to the performance on the saxophone of music derived from Arabic maqāmāt. ” 2018. Thesis, University of Sydney. Accessed December 11, 2019. http://hdl.handle.net/2123/18567.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vandegraaff, Stuart. “The Tārāb Saxophone - The development of a comprehensive culturally informed approach to the performance on the saxophone of music derived from Arabic maqāmāt. ” 2018. Web. 11 Dec 2019.

Vancouver:

Vandegraaff S. The Tārāb Saxophone - The development of a comprehensive culturally informed approach to the performance on the saxophone of music derived from Arabic maqāmāt. [Internet] [Thesis]. University of Sydney; 2018. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/2123/18567.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vandegraaff S. The Tārāb Saxophone - The development of a comprehensive culturally informed approach to the performance on the saxophone of music derived from Arabic maqāmāt. [Thesis]. University of Sydney; 2018. Available from: http://hdl.handle.net/2123/18567

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

15. Byrnes, Jonathan Lawrence. The devil’s horn and the music of the brothel approaching adaptation and performance of tango for the classical saxophonist .

Degree: 2016, University of Sydney

 The purpose of this thesis is to establish a concise and well-considered approach to the performance of tango music by a classical saxophonist. It explores… (more)

Subjects/Keywords: saxophone; tango; Piazzollo; Byrnes

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APA (6th Edition):

Byrnes, J. L. (2016). The devil’s horn and the music of the brothel approaching adaptation and performance of tango for the classical saxophonist . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/15524

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Byrnes, Jonathan Lawrence. “The devil’s horn and the music of the brothel approaching adaptation and performance of tango for the classical saxophonist .” 2016. Thesis, University of Sydney. Accessed December 11, 2019. http://hdl.handle.net/2123/15524.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Byrnes, Jonathan Lawrence. “The devil’s horn and the music of the brothel approaching adaptation and performance of tango for the classical saxophonist .” 2016. Web. 11 Dec 2019.

Vancouver:

Byrnes JL. The devil’s horn and the music of the brothel approaching adaptation and performance of tango for the classical saxophonist . [Internet] [Thesis]. University of Sydney; 2016. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/2123/15524.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Byrnes JL. The devil’s horn and the music of the brothel approaching adaptation and performance of tango for the classical saxophonist . [Thesis]. University of Sydney; 2016. Available from: http://hdl.handle.net/2123/15524

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

16. Watts, Simon James. Behind the scenes of contemporary Australian composition for the classical saxophone: A study of selected composers and current trends since 1990 .

Degree: 2016, University of Sydney

 This study originated from the desire to investigate why an increasing number of contemporary Australian composers are writing for the saxophone in a classical setting.… (more)

Subjects/Keywords: Classical; Saxophone; Australia; Composition

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APA (6th Edition):

Watts, S. J. (2016). Behind the scenes of contemporary Australian composition for the classical saxophone: A study of selected composers and current trends since 1990 . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/16342

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Watts, Simon James. “Behind the scenes of contemporary Australian composition for the classical saxophone: A study of selected composers and current trends since 1990 .” 2016. Thesis, University of Sydney. Accessed December 11, 2019. http://hdl.handle.net/2123/16342.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Watts, Simon James. “Behind the scenes of contemporary Australian composition for the classical saxophone: A study of selected composers and current trends since 1990 .” 2016. Web. 11 Dec 2019.

Vancouver:

Watts SJ. Behind the scenes of contemporary Australian composition for the classical saxophone: A study of selected composers and current trends since 1990 . [Internet] [Thesis]. University of Sydney; 2016. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/2123/16342.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Watts SJ. Behind the scenes of contemporary Australian composition for the classical saxophone: A study of selected composers and current trends since 1990 . [Thesis]. University of Sydney; 2016. Available from: http://hdl.handle.net/2123/16342

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

17. Henshaw, Nathan James. It Don’t Mean A Thing, If It Ain’t Got That Swing: Overcoming stylistic challenges in cross-over repertoire through self-reflective learning and critical listening .

Degree: 2019, University of Sydney

 Cross-over works in modern saxophone repertoire – i.e. works in which aspects of jazz and classical music conventions are used – present a range of… (more)

Subjects/Keywords: saxophone; cross over; third stream

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APA (6th Edition):

Henshaw, N. J. (2019). It Don’t Mean A Thing, If It Ain’t Got That Swing: Overcoming stylistic challenges in cross-over repertoire through self-reflective learning and critical listening . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/21199

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Henshaw, Nathan James. “It Don’t Mean A Thing, If It Ain’t Got That Swing: Overcoming stylistic challenges in cross-over repertoire through self-reflective learning and critical listening .” 2019. Thesis, University of Sydney. Accessed December 11, 2019. http://hdl.handle.net/2123/21199.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Henshaw, Nathan James. “It Don’t Mean A Thing, If It Ain’t Got That Swing: Overcoming stylistic challenges in cross-over repertoire through self-reflective learning and critical listening .” 2019. Web. 11 Dec 2019.

Vancouver:

Henshaw NJ. It Don’t Mean A Thing, If It Ain’t Got That Swing: Overcoming stylistic challenges in cross-over repertoire through self-reflective learning and critical listening . [Internet] [Thesis]. University of Sydney; 2019. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/2123/21199.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Henshaw NJ. It Don’t Mean A Thing, If It Ain’t Got That Swing: Overcoming stylistic challenges in cross-over repertoire through self-reflective learning and critical listening . [Thesis]. University of Sydney; 2019. Available from: http://hdl.handle.net/2123/21199

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

18. Mensink, Nathan Benjamin. Dale Underwood: "Heifetz of the Alto Saxophone".

Degree: DMA, Instrumental Performance (Music), 2017, University of Miami

  The purpose of this project is to document the extensive performing career of Dale Underwood during his tenure as Navy Band saxophone soloist. Through… (more)

Subjects/Keywords: Dale Underwood; Alto Saxophone; Navy Concert Band; Saxophone Solo; Fantasia

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APA (6th Edition):

Mensink, N. B. (2017). Dale Underwood: "Heifetz of the Alto Saxophone". (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1837

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mensink, Nathan Benjamin. “Dale Underwood: "Heifetz of the Alto Saxophone".” 2017. Thesis, University of Miami. Accessed December 11, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1837.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mensink, Nathan Benjamin. “Dale Underwood: "Heifetz of the Alto Saxophone".” 2017. Web. 11 Dec 2019.

Vancouver:

Mensink NB. Dale Underwood: "Heifetz of the Alto Saxophone". [Internet] [Thesis]. University of Miami; 2017. [cited 2019 Dec 11]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1837.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mensink NB. Dale Underwood: "Heifetz of the Alto Saxophone". [Thesis]. University of Miami; 2017. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1837

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

19. Acevedo, Andre. Jazz solo transcriptions as technical and pedagogical solutions for undergraduate jazz saxophonists.

Degree: A.Mus.D., 0265, 2015, University of Illinois – Urbana-Champaign

 The purpose of this exploratory study was to examine the development of saxophone technique in the jazz idiom in comparison to that in the classical… (more)

Subjects/Keywords: jazz transcriptions; improvised solos; jazz technique; dual saxophone technique; jazz masterworks; jazz saxophone; jazz saxophone transcriptions; jazz saxophone technique; saxophone transcriptions; altissimo

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APA (6th Edition):

Acevedo, A. (2015). Jazz solo transcriptions as technical and pedagogical solutions for undergraduate jazz saxophonists. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/72934

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Acevedo, Andre. “Jazz solo transcriptions as technical and pedagogical solutions for undergraduate jazz saxophonists.” 2015. Thesis, University of Illinois – Urbana-Champaign. Accessed December 11, 2019. http://hdl.handle.net/2142/72934.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Acevedo, Andre. “Jazz solo transcriptions as technical and pedagogical solutions for undergraduate jazz saxophonists.” 2015. Web. 11 Dec 2019.

Vancouver:

Acevedo A. Jazz solo transcriptions as technical and pedagogical solutions for undergraduate jazz saxophonists. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2015. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/2142/72934.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Acevedo A. Jazz solo transcriptions as technical and pedagogical solutions for undergraduate jazz saxophonists. [Thesis]. University of Illinois – Urbana-Champaign; 2015. Available from: http://hdl.handle.net/2142/72934

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Adão, Elisabete Silva. Relatório de estágio: a memorização na performance do saxofone no ensino básico.

Degree: 2016, Repositório Científico do Instituto Politécnico de Lisboa

Mestrado em Ensino da Música

Resumo I (Prática Pedagógica) - Na secção I, intitulada Prática Pedagógica, foram abordados os assuntos relacionados com o Estágio de… (more)

Subjects/Keywords: Memorização; Performance; Saxofone; Ensino; Memorization; Saxophone; Teaching

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APA (6th Edition):

Adão, E. S. (2016). Relatório de estágio: a memorização na performance do saxofone no ensino básico. (Thesis). Repositório Científico do Instituto Politécnico de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/7452

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Adão, Elisabete Silva. “Relatório de estágio: a memorização na performance do saxofone no ensino básico.” 2016. Thesis, Repositório Científico do Instituto Politécnico de Lisboa. Accessed December 11, 2019. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/7452.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Adão, Elisabete Silva. “Relatório de estágio: a memorização na performance do saxofone no ensino básico.” 2016. Web. 11 Dec 2019.

Vancouver:

Adão ES. Relatório de estágio: a memorização na performance do saxofone no ensino básico. [Internet] [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2016. [cited 2019 Dec 11]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/7452.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Adão ES. Relatório de estágio: a memorização na performance do saxofone no ensino básico. [Thesis]. Repositório Científico do Instituto Politécnico de Lisboa; 2016. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipl.pt:10400.21/7452

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

21. McCray, Brandon W. The Saxophone as a Solo Instument in Gospel Music: The Musical Contributions of Dr. Vernard Johnson.

Degree: DMA, Music, 2015, University of Kansas

 Dr. Vernard Johnson (b.1948) is an African American musician who introduced the saxophone as a solo instrument to the gospel music tradition in the black… (more)

Subjects/Keywords: Music; Gospel; Gospel Music; Saxophone; Vernard Johnson

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APA (6th Edition):

McCray, B. W. (2015). The Saxophone as a Solo Instument in Gospel Music: The Musical Contributions of Dr. Vernard Johnson. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/19429

Chicago Manual of Style (16th Edition):

McCray, Brandon W. “The Saxophone as a Solo Instument in Gospel Music: The Musical Contributions of Dr. Vernard Johnson.” 2015. Doctoral Dissertation, University of Kansas. Accessed December 11, 2019. http://hdl.handle.net/1808/19429.

MLA Handbook (7th Edition):

McCray, Brandon W. “The Saxophone as a Solo Instument in Gospel Music: The Musical Contributions of Dr. Vernard Johnson.” 2015. Web. 11 Dec 2019.

Vancouver:

McCray BW. The Saxophone as a Solo Instument in Gospel Music: The Musical Contributions of Dr. Vernard Johnson. [Internet] [Doctoral dissertation]. University of Kansas; 2015. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/1808/19429.

Council of Science Editors:

McCray BW. The Saxophone as a Solo Instument in Gospel Music: The Musical Contributions of Dr. Vernard Johnson. [Doctoral Dissertation]. University of Kansas; 2015. Available from: http://hdl.handle.net/1808/19429


University of Louisville

22. Lowery, Zachary Dwight. Genesis : for orchestra.

Degree: M.M., 2017, University of Louisville

  Genesis is a two-movement work for full orchestra that depicts the Creation and Flood story. These two stories are an inverse of each other,… (more)

Subjects/Keywords: Instrumental; music; bible; saxophone; lowery; Composition

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APA (6th Edition):

Lowery, Z. D. (2017). Genesis : for orchestra. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/2641 ; https://ir.library.louisville.edu/etd/2641

Chicago Manual of Style (16th Edition):

Lowery, Zachary Dwight. “Genesis : for orchestra.” 2017. Masters Thesis, University of Louisville. Accessed December 11, 2019. 10.18297/etd/2641 ; https://ir.library.louisville.edu/etd/2641.

MLA Handbook (7th Edition):

Lowery, Zachary Dwight. “Genesis : for orchestra.” 2017. Web. 11 Dec 2019.

Vancouver:

Lowery ZD. Genesis : for orchestra. [Internet] [Masters thesis]. University of Louisville; 2017. [cited 2019 Dec 11]. Available from: 10.18297/etd/2641 ; https://ir.library.louisville.edu/etd/2641.

Council of Science Editors:

Lowery ZD. Genesis : for orchestra. [Masters Thesis]. University of Louisville; 2017. Available from: 10.18297/etd/2641 ; https://ir.library.louisville.edu/etd/2641


University of Washington

23. Smith, Evan Austin. Compositional Techniques in the Saxophone Works of Yusef Lateef.

Degree: 2017, University of Washington

 Yusef Lateef (1920-2013) is one of the most influential figures in the history of the saxophone. After garnering acclaim from his hundreds of improvisatory recordings… (more)

Subjects/Keywords: Composition; Improvisation; Lateef; Repertoire; Saxophone; Music; Music

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APA (6th Edition):

Smith, E. A. (2017). Compositional Techniques in the Saxophone Works of Yusef Lateef. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/38663

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Evan Austin. “Compositional Techniques in the Saxophone Works of Yusef Lateef.” 2017. Thesis, University of Washington. Accessed December 11, 2019. http://hdl.handle.net/1773/38663.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Evan Austin. “Compositional Techniques in the Saxophone Works of Yusef Lateef.” 2017. Web. 11 Dec 2019.

Vancouver:

Smith EA. Compositional Techniques in the Saxophone Works of Yusef Lateef. [Internet] [Thesis]. University of Washington; 2017. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/1773/38663.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith EA. Compositional Techniques in the Saxophone Works of Yusef Lateef. [Thesis]. University of Washington; 2017. Available from: http://hdl.handle.net/1773/38663

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Carolina – Greensboro

24. Ostercamp, Neil Lewis. The improvisational style of Steve Lacy: analyses of selected transcriptions (1957-1962).

Degree: 2018, University of North Carolina – Greensboro

 This document investigates and draws conclusions regarding the improvisational style of Steve Lacy between 1957 and 1962 based on improvised solos from the albums Soprano… (more)

Subjects/Keywords: Lacy, Steve; Improvisation (Music); Saxophone music (Jazz)

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APA (6th Edition):

Ostercamp, N. L. (2018). The improvisational style of Steve Lacy: analyses of selected transcriptions (1957-1962). (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23228

Chicago Manual of Style (16th Edition):

Ostercamp, Neil Lewis. “The improvisational style of Steve Lacy: analyses of selected transcriptions (1957-1962).” 2018. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed December 11, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23228.

MLA Handbook (7th Edition):

Ostercamp, Neil Lewis. “The improvisational style of Steve Lacy: analyses of selected transcriptions (1957-1962).” 2018. Web. 11 Dec 2019.

Vancouver:

Ostercamp NL. The improvisational style of Steve Lacy: analyses of selected transcriptions (1957-1962). [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2018. [cited 2019 Dec 11]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23228.

Council of Science Editors:

Ostercamp NL. The improvisational style of Steve Lacy: analyses of selected transcriptions (1957-1962). [Doctoral Dissertation]. University of North Carolina – Greensboro; 2018. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23228


Kansas State University

25. Meier, Michael. Analysis of a master of music recital: a showcase of the saxophone in a variety of styles.

Degree: MM, School of Music, Theatre, and Dance, 2017, Kansas State University

 The saxophone is a versatile instrument utilized in a variety of musical styles. Paul Creston’s Concerto for Alto Saxophone and Orchestra, Claude Debussy’s Rhapsodie pour… (more)

Subjects/Keywords: Saxophone; Denisov; Creston; Debussy; Bach; Recital

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APA (6th Edition):

Meier, M. (2017). Analysis of a master of music recital: a showcase of the saxophone in a variety of styles. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/35523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Meier, Michael. “Analysis of a master of music recital: a showcase of the saxophone in a variety of styles.” 2017. Thesis, Kansas State University. Accessed December 11, 2019. http://hdl.handle.net/2097/35523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Meier, Michael. “Analysis of a master of music recital: a showcase of the saxophone in a variety of styles.” 2017. Web. 11 Dec 2019.

Vancouver:

Meier M. Analysis of a master of music recital: a showcase of the saxophone in a variety of styles. [Internet] [Thesis]. Kansas State University; 2017. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/2097/35523.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Meier M. Analysis of a master of music recital: a showcase of the saxophone in a variety of styles. [Thesis]. Kansas State University; 2017. Available from: http://hdl.handle.net/2097/35523

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

26. Leung, Peter Andrew Lai Yip. Defining Classical Tenor Saxophone: performer identity, performance practice and contemporary repertoire .

Degree: 2016, University of Sydney

 The tenor saxophone has gained prominence as a classical instrument for composers and performers during the last four decades. Interest in the instrument has inspired… (more)

Subjects/Keywords: tenor; saxophone; performance; identity; repertoire; practice

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APA (6th Edition):

Leung, P. A. L. Y. (2016). Defining Classical Tenor Saxophone: performer identity, performance practice and contemporary repertoire . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/15704

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leung, Peter Andrew Lai Yip. “Defining Classical Tenor Saxophone: performer identity, performance practice and contemporary repertoire .” 2016. Thesis, University of Sydney. Accessed December 11, 2019. http://hdl.handle.net/2123/15704.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leung, Peter Andrew Lai Yip. “Defining Classical Tenor Saxophone: performer identity, performance practice and contemporary repertoire .” 2016. Web. 11 Dec 2019.

Vancouver:

Leung PALY. Defining Classical Tenor Saxophone: performer identity, performance practice and contemporary repertoire . [Internet] [Thesis]. University of Sydney; 2016. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/2123/15704.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leung PALY. Defining Classical Tenor Saxophone: performer identity, performance practice and contemporary repertoire . [Thesis]. University of Sydney; 2016. Available from: http://hdl.handle.net/2123/15704

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Michigan

27. Siegfried, Jeffrey. Dissertation Summary of Three Recitals: Yizkor - In Memoriam; A Cold Threshold; The New Virtuosity.

Degree: AMU, Music: Performance, 2019, University of Michigan

 In lieu of a written dissertation, three recital programs were presented. The three recitals that were given addressed varying themes in each program. The first… (more)

Subjects/Keywords: Music; Saxophone; Music and Dance; Arts

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APA (6th Edition):

Siegfried, J. (2019). Dissertation Summary of Three Recitals: Yizkor - In Memoriam; A Cold Threshold; The New Virtuosity. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/151614

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Siegfried, Jeffrey. “Dissertation Summary of Three Recitals: Yizkor - In Memoriam; A Cold Threshold; The New Virtuosity.” 2019. Thesis, University of Michigan. Accessed December 11, 2019. http://hdl.handle.net/2027.42/151614.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Siegfried, Jeffrey. “Dissertation Summary of Three Recitals: Yizkor - In Memoriam; A Cold Threshold; The New Virtuosity.” 2019. Web. 11 Dec 2019.

Vancouver:

Siegfried J. Dissertation Summary of Three Recitals: Yizkor - In Memoriam; A Cold Threshold; The New Virtuosity. [Internet] [Thesis]. University of Michigan; 2019. [cited 2019 Dec 11]. Available from: http://hdl.handle.net/2027.42/151614.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Siegfried J. Dissertation Summary of Three Recitals: Yizkor - In Memoriam; A Cold Threshold; The New Virtuosity. [Thesis]. University of Michigan; 2019. Available from: http://hdl.handle.net/2027.42/151614

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

28. Toro-Tóbon, Carlos I. Fundamental dissonance: concertino for alto saxophone and sinfonietta.

Degree: PhD, Music, 2019, University of Iowa

  Fundamental Dissonance, an original composition scored for alto saxophone and sinfonietta, explores the concept of dissonance not only in the traditional musical sense related… (more)

Subjects/Keywords: Alto Saxophone; Concertino; Fundamental Dissonance; Lucaks; Music

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APA (6th Edition):

Toro-Tóbon, C. I. (2019). Fundamental dissonance: concertino for alto saxophone and sinfonietta. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/6868

Chicago Manual of Style (16th Edition):

Toro-Tóbon, Carlos I. “Fundamental dissonance: concertino for alto saxophone and sinfonietta.” 2019. Doctoral Dissertation, University of Iowa. Accessed December 11, 2019. https://ir.uiowa.edu/etd/6868.

MLA Handbook (7th Edition):

Toro-Tóbon, Carlos I. “Fundamental dissonance: concertino for alto saxophone and sinfonietta.” 2019. Web. 11 Dec 2019.

Vancouver:

Toro-Tóbon CI. Fundamental dissonance: concertino for alto saxophone and sinfonietta. [Internet] [Doctoral dissertation]. University of Iowa; 2019. [cited 2019 Dec 11]. Available from: https://ir.uiowa.edu/etd/6868.

Council of Science Editors:

Toro-Tóbon CI. Fundamental dissonance: concertino for alto saxophone and sinfonietta. [Doctoral Dissertation]. University of Iowa; 2019. Available from: https://ir.uiowa.edu/etd/6868

29. Zhang, Cehuai. Graduate recital in saxophone.

Degree: 2017, University of Northern Iowa

18 audio files + 1 PDF file (1 volume (unpaged)) Advisors/Committee Members: Ann Bradfield, Chair.

Subjects/Keywords: Saxophone and piano music; Saxophone music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zhang, C. (2017). Graduate recital in saxophone. (Thesis). University of Northern Iowa. Retrieved from https://scholarworks.uni.edu/etd/378

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zhang, Cehuai. “Graduate recital in saxophone.” 2017. Thesis, University of Northern Iowa. Accessed December 11, 2019. https://scholarworks.uni.edu/etd/378.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zhang, Cehuai. “Graduate recital in saxophone.” 2017. Web. 11 Dec 2019.

Vancouver:

Zhang C. Graduate recital in saxophone. [Internet] [Thesis]. University of Northern Iowa; 2017. [cited 2019 Dec 11]. Available from: https://scholarworks.uni.edu/etd/378.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zhang C. Graduate recital in saxophone. [Thesis]. University of Northern Iowa; 2017. Available from: https://scholarworks.uni.edu/etd/378

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Karlstad University

30. Andersson, Stina. Den ensamma saxofonisten : En musiker i en instrumentfamilj.

Degree: Artistic Studies (from 2013), 2018, Karlstad University

Under mitt tredje år som musiklärarstudent på Musikhögskolan Ingesund är jag den enda som har klassisk saxofon som huvudinstrument. Mitt intresse för saxofonkvartettspel har… (more)

Subjects/Keywords: saxophone; saxophone quartet; ambis; practice; phenomenology; saxofon; saxofonkvartett; ambis; övning; fenomenologi; Music; Musik

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Andersson, S. (2018). Den ensamma saxofonisten : En musiker i en instrumentfamilj. (Thesis). Karlstad University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-68371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Andersson, Stina. “Den ensamma saxofonisten : En musiker i en instrumentfamilj.” 2018. Thesis, Karlstad University. Accessed December 11, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-68371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Andersson, Stina. “Den ensamma saxofonisten : En musiker i en instrumentfamilj.” 2018. Web. 11 Dec 2019.

Vancouver:

Andersson S. Den ensamma saxofonisten : En musiker i en instrumentfamilj. [Internet] [Thesis]. Karlstad University; 2018. [cited 2019 Dec 11]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-68371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Andersson S. Den ensamma saxofonisten : En musiker i en instrumentfamilj. [Thesis]. Karlstad University; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-68371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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