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You searched for subject:(ritual music). Showing records 1 – 30 of 48 total matches.

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University of Edinburgh

1. Lôbo de Azevedo Mello Neto, Armando. Iludens! : a concept opera.

Degree: PhD, 2018, University of Edinburgh

 Iludens! - a concept-opera comprises conceptual essay and music portfolio. The conceptual essay explores musical, dramatic, and ritualistic aspects that qualify play as a structuring… (more)

Subjects/Keywords: agon; play; ritual; contemporary music; philosophy

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APA (6th Edition):

Lôbo de Azevedo Mello Neto, A. (2018). Iludens! : a concept opera. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/33071

Chicago Manual of Style (16th Edition):

Lôbo de Azevedo Mello Neto, Armando. “Iludens! : a concept opera.” 2018. Doctoral Dissertation, University of Edinburgh. Accessed January 17, 2020. http://hdl.handle.net/1842/33071.

MLA Handbook (7th Edition):

Lôbo de Azevedo Mello Neto, Armando. “Iludens! : a concept opera.” 2018. Web. 17 Jan 2020.

Vancouver:

Lôbo de Azevedo Mello Neto A. Iludens! : a concept opera. [Internet] [Doctoral dissertation]. University of Edinburgh; 2018. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/1842/33071.

Council of Science Editors:

Lôbo de Azevedo Mello Neto A. Iludens! : a concept opera. [Doctoral Dissertation]. University of Edinburgh; 2018. Available from: http://hdl.handle.net/1842/33071


University of Minnesota

2. Christensen, Lars. The Time-Suturing Technologies of Northern Song Musicology.

Degree: PhD, Music, 2019, University of Minnesota

 Scholars of ritual music in the Northern Song dynasty (960–1127) keenly sensed a temporal distance from the ancient sages that manifested as a divergence from… (more)

Subjects/Keywords: Chinese music; mathematics; music theory; ritual music; Song Dynasty; temporality

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APA (6th Edition):

Christensen, L. (2019). The Time-Suturing Technologies of Northern Song Musicology. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/206308

Chicago Manual of Style (16th Edition):

Christensen, Lars. “The Time-Suturing Technologies of Northern Song Musicology.” 2019. Doctoral Dissertation, University of Minnesota. Accessed January 17, 2020. http://hdl.handle.net/11299/206308.

MLA Handbook (7th Edition):

Christensen, Lars. “The Time-Suturing Technologies of Northern Song Musicology.” 2019. Web. 17 Jan 2020.

Vancouver:

Christensen L. The Time-Suturing Technologies of Northern Song Musicology. [Internet] [Doctoral dissertation]. University of Minnesota; 2019. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/11299/206308.

Council of Science Editors:

Christensen L. The Time-Suturing Technologies of Northern Song Musicology. [Doctoral Dissertation]. University of Minnesota; 2019. Available from: http://hdl.handle.net/11299/206308


University of Florida

3. Witulski, Christopher James. "Because the People Will Like It" The Changing Gnawa Ritual in Morocco.

Degree: PhD, Music, 2014, University of Florida

 The music and ritual of the Gnawa in Morocco draws its syncretic roots and identity from both the sub-Saharan population brought to Morocco through the… (more)

Subjects/Keywords: Ceremonies; Fezzes; Musical aesthetics; Musical performance; Musical rhythm; Musicians; Performing artists; Popular music; Ritual music; Rituals; africa  – ethnomusicology  – islam  – music  – ritual

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APA (6th Edition):

Witulski, C. J. (2014). "Because the People Will Like It" The Changing Gnawa Ritual in Morocco. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0046577

Chicago Manual of Style (16th Edition):

Witulski, Christopher James. “"Because the People Will Like It" The Changing Gnawa Ritual in Morocco.” 2014. Doctoral Dissertation, University of Florida. Accessed January 17, 2020. http://ufdc.ufl.edu/UFE0046577.

MLA Handbook (7th Edition):

Witulski, Christopher James. “"Because the People Will Like It" The Changing Gnawa Ritual in Morocco.” 2014. Web. 17 Jan 2020.

Vancouver:

Witulski CJ. "Because the People Will Like It" The Changing Gnawa Ritual in Morocco. [Internet] [Doctoral dissertation]. University of Florida; 2014. [cited 2020 Jan 17]. Available from: http://ufdc.ufl.edu/UFE0046577.

Council of Science Editors:

Witulski CJ. "Because the People Will Like It" The Changing Gnawa Ritual in Morocco. [Doctoral Dissertation]. University of Florida; 2014. Available from: http://ufdc.ufl.edu/UFE0046577


Baylor University

4. [No author]. Church music through the lens of performance : the embodied ritual of sacred play.

Degree: 2018, Baylor University

 Scholars who address religious music making in general, and Christian church music in particular, use “performance” in a variety of ways and under varying constellations… (more)

Subjects/Keywords: Church music. Performance. Performance studies. Embodiment. Ritual. Liturgy. Music.

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APA (6th Edition):

author], [. (2018). Church music through the lens of performance : the embodied ritual of sacred play. (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/10451

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “Church music through the lens of performance : the embodied ritual of sacred play. ” 2018. Thesis, Baylor University. Accessed January 17, 2020. http://hdl.handle.net/2104/10451.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “Church music through the lens of performance : the embodied ritual of sacred play. ” 2018. Web. 17 Jan 2020.

Vancouver:

author] [. Church music through the lens of performance : the embodied ritual of sacred play. [Internet] [Thesis]. Baylor University; 2018. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/2104/10451.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. Church music through the lens of performance : the embodied ritual of sacred play. [Thesis]. Baylor University; 2018. Available from: http://hdl.handle.net/2104/10451

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Evans, Eric. The Nothingness of Presence: Sound, Ritual, and Encounter in the Music of Into Your Hands.

Degree: 2015, University of North Texas

 The ritual music written for the Compline service of the Liturgy of the Hours, Into Your Hands, is analyzed using an ontological and phenomenological approach,… (more)

Subjects/Keywords: ritual; Martin Buber; ontology; music; composition; compline; liturgy

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APA (6th Edition):

Evans, E. (2015). The Nothingness of Presence: Sound, Ritual, and Encounter in the Music of Into Your Hands. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc799480/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Evans, Eric. “The Nothingness of Presence: Sound, Ritual, and Encounter in the Music of Into Your Hands.” 2015. Thesis, University of North Texas. Accessed January 17, 2020. https://digital.library.unt.edu/ark:/67531/metadc799480/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Evans, Eric. “The Nothingness of Presence: Sound, Ritual, and Encounter in the Music of Into Your Hands.” 2015. Web. 17 Jan 2020.

Vancouver:

Evans E. The Nothingness of Presence: Sound, Ritual, and Encounter in the Music of Into Your Hands. [Internet] [Thesis]. University of North Texas; 2015. [cited 2020 Jan 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc799480/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Evans E. The Nothingness of Presence: Sound, Ritual, and Encounter in the Music of Into Your Hands. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc799480/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Limerick

6. [No author]. The goddess dances beyond time: an exploration of continuity through change in contemporary Japanese ritual, with specific reference to the miko mai shinji.

Degree: Irish World Academy of Music and Dance, 2010, University of Limerick

Ritual performance is a characteristic of contemporary Japanese life. Some of rituals originated more than a 1000 years ago, while the origins of others are… (more)

Subjects/Keywords: ritual performance; Japan; music

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APA (6th Edition):

author], [. (2010). The goddess dances beyond time: an exploration of continuity through change in contemporary Japanese ritual, with specific reference to the miko mai shinji. (Thesis). University of Limerick. Retrieved from http://hdl.handle.net/10344/423

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “The goddess dances beyond time: an exploration of continuity through change in contemporary Japanese ritual, with specific reference to the miko mai shinji.” 2010. Thesis, University of Limerick. Accessed January 17, 2020. http://hdl.handle.net/10344/423.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “The goddess dances beyond time: an exploration of continuity through change in contemporary Japanese ritual, with specific reference to the miko mai shinji.” 2010. Web. 17 Jan 2020.

Vancouver:

author] [. The goddess dances beyond time: an exploration of continuity through change in contemporary Japanese ritual, with specific reference to the miko mai shinji. [Internet] [Thesis]. University of Limerick; 2010. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/10344/423.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. The goddess dances beyond time: an exploration of continuity through change in contemporary Japanese ritual, with specific reference to the miko mai shinji. [Thesis]. University of Limerick; 2010. Available from: http://hdl.handle.net/10344/423

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Washington

7. Haynes, Maren. "Punk Rock Calvinists Who Hate the Modern Worship Movement": Ritual, Power, and White Masculinity in Mars Hill Church's Worship Music.

Degree: PhD, 2018, University of Washington

 University of Washington Abstract "Punk Rock Calvinists Who Hate the Modern Worship Movement": Ritual, Power, and White Masculinity in Mars Hill Church's Worship Music Maren… (more)

Subjects/Keywords: Christianity; Indie Rock; Masculinity; Megachurches; Punk Rock; Ritual Studies; Music; Religion; American studies; Music

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APA (6th Edition):

Haynes, M. (2018). "Punk Rock Calvinists Who Hate the Modern Worship Movement": Ritual, Power, and White Masculinity in Mars Hill Church's Worship Music. (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/40945

Chicago Manual of Style (16th Edition):

Haynes, Maren. “"Punk Rock Calvinists Who Hate the Modern Worship Movement": Ritual, Power, and White Masculinity in Mars Hill Church's Worship Music.” 2018. Doctoral Dissertation, University of Washington. Accessed January 17, 2020. http://hdl.handle.net/1773/40945.

MLA Handbook (7th Edition):

Haynes, Maren. “"Punk Rock Calvinists Who Hate the Modern Worship Movement": Ritual, Power, and White Masculinity in Mars Hill Church's Worship Music.” 2018. Web. 17 Jan 2020.

Vancouver:

Haynes M. "Punk Rock Calvinists Who Hate the Modern Worship Movement": Ritual, Power, and White Masculinity in Mars Hill Church's Worship Music. [Internet] [Doctoral dissertation]. University of Washington; 2018. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/1773/40945.

Council of Science Editors:

Haynes M. "Punk Rock Calvinists Who Hate the Modern Worship Movement": Ritual, Power, and White Masculinity in Mars Hill Church's Worship Music. [Doctoral Dissertation]. University of Washington; 2018. Available from: http://hdl.handle.net/1773/40945

8. Marcos Aragão Fontoura. A Banda da Polícia Militar do Rio Grande do Norte: música e sociedade.

Degree: 2011, Universidade Federal da Paraíba

Este trabalho tem como objetivo compreender a Banda de música da Polícia Militar do estado do Rio Grande do Norte através das suas características socioculturais,… (more)

Subjects/Keywords: Cotidiano e ritual; Música e sociedade; Banda de música da PMRN; MUSICA; Music and society; Daily life and ritual

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APA (6th Edition):

Fontoura, M. A. (2011). A Banda da Polícia Militar do Rio Grande do Norte: música e sociedade. (Thesis). Universidade Federal da Paraíba. Retrieved from http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1726 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1727

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fontoura, Marcos Aragão. “A Banda da Polícia Militar do Rio Grande do Norte: música e sociedade.” 2011. Thesis, Universidade Federal da Paraíba. Accessed January 17, 2020. http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1726 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1727.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fontoura, Marcos Aragão. “A Banda da Polícia Militar do Rio Grande do Norte: música e sociedade.” 2011. Web. 17 Jan 2020.

Vancouver:

Fontoura MA. A Banda da Polícia Militar do Rio Grande do Norte: música e sociedade. [Internet] [Thesis]. Universidade Federal da Paraíba; 2011. [cited 2020 Jan 17]. Available from: http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1726 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1727.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fontoura MA. A Banda da Polícia Militar do Rio Grande do Norte: música e sociedade. [Thesis]. Universidade Federal da Paraíba; 2011. Available from: http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1726 ; http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=1727

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Alaoui Btarny, Meriem. Les métamorphoses gnawa et l'idéal d'une société plurielle : Ethnographies des modes de légitimation des transformations sociales : The gnawa metamorphoses and the ideal of plural society : Ethnography of the modes of legitimization of social reforms.

Degree: Docteur es, Anthropologie, 2017, Côte d'Azur

La musique et la danse constituent le noyau de la vie rituelle d’une confrérie au statut particulier, par rapport aux autres confréries du soufisme marocain,… (more)

Subjects/Keywords: Gnawa; Rituel; Musiques du monde; Patrimonialisation; Ritual; World music; Cultural heritage; Festival

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APA (6th Edition):

Alaoui Btarny, M. (2017). Les métamorphoses gnawa et l'idéal d'une société plurielle : Ethnographies des modes de légitimation des transformations sociales : The gnawa metamorphoses and the ideal of plural society : Ethnography of the modes of legitimization of social reforms. (Doctoral Dissertation). Côte d'Azur. Retrieved from http://www.theses.fr/2017AZUR2026

Chicago Manual of Style (16th Edition):

Alaoui Btarny, Meriem. “Les métamorphoses gnawa et l'idéal d'une société plurielle : Ethnographies des modes de légitimation des transformations sociales : The gnawa metamorphoses and the ideal of plural society : Ethnography of the modes of legitimization of social reforms.” 2017. Doctoral Dissertation, Côte d'Azur. Accessed January 17, 2020. http://www.theses.fr/2017AZUR2026.

MLA Handbook (7th Edition):

Alaoui Btarny, Meriem. “Les métamorphoses gnawa et l'idéal d'une société plurielle : Ethnographies des modes de légitimation des transformations sociales : The gnawa metamorphoses and the ideal of plural society : Ethnography of the modes of legitimization of social reforms.” 2017. Web. 17 Jan 2020.

Vancouver:

Alaoui Btarny M. Les métamorphoses gnawa et l'idéal d'une société plurielle : Ethnographies des modes de légitimation des transformations sociales : The gnawa metamorphoses and the ideal of plural society : Ethnography of the modes of legitimization of social reforms. [Internet] [Doctoral dissertation]. Côte d'Azur; 2017. [cited 2020 Jan 17]. Available from: http://www.theses.fr/2017AZUR2026.

Council of Science Editors:

Alaoui Btarny M. Les métamorphoses gnawa et l'idéal d'une société plurielle : Ethnographies des modes de légitimation des transformations sociales : The gnawa metamorphoses and the ideal of plural society : Ethnography of the modes of legitimization of social reforms. [Doctoral Dissertation]. Côte d'Azur; 2017. Available from: http://www.theses.fr/2017AZUR2026


UCLA

10. Koons, Ryan Abel. Dancing Breath: Ceremonial Performance Practice, Environment, and Personhood in a Muskogee Creek Community.

Degree: Ethnomusicology, 2016, UCLA

 This dissertation presents an ethnography utilizing a multispecies perspective of the "busk" ritual cycle as performed by the southeastern Muskogee Creek American Indian community, Pvlvcekolv… (more)

Subjects/Keywords: Native American studies; Music; Dance; Busk; Indigenous; Muskogee (Creek); Performance Practice; Personhood; Ritual

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APA (6th Edition):

Koons, R. A. (2016). Dancing Breath: Ceremonial Performance Practice, Environment, and Personhood in a Muskogee Creek Community. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/2qm3x2bd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Koons, Ryan Abel. “Dancing Breath: Ceremonial Performance Practice, Environment, and Personhood in a Muskogee Creek Community.” 2016. Thesis, UCLA. Accessed January 17, 2020. http://www.escholarship.org/uc/item/2qm3x2bd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Koons, Ryan Abel. “Dancing Breath: Ceremonial Performance Practice, Environment, and Personhood in a Muskogee Creek Community.” 2016. Web. 17 Jan 2020.

Vancouver:

Koons RA. Dancing Breath: Ceremonial Performance Practice, Environment, and Personhood in a Muskogee Creek Community. [Internet] [Thesis]. UCLA; 2016. [cited 2020 Jan 17]. Available from: http://www.escholarship.org/uc/item/2qm3x2bd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Koons RA. Dancing Breath: Ceremonial Performance Practice, Environment, and Personhood in a Muskogee Creek Community. [Thesis]. UCLA; 2016. Available from: http://www.escholarship.org/uc/item/2qm3x2bd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Riverside

11. Dalzell, Victoria Marie. Freedom, Margins, and Music: Musical Discourses of Tharu Ethnicity in Nepal.

Degree: Music, 2015, University of California – Riverside

 The Tharu are reportedly the fourth largest minority group in Nepal. Yet despite their numerical strength, their social experience in modern Nepal largely consists of… (more)

Subjects/Keywords: Music; South Asian studies; Religion; dance; ethnicity; ethnomusicology; musical performance; Nepal; ritual

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APA (6th Edition):

Dalzell, V. M. (2015). Freedom, Margins, and Music: Musical Discourses of Tharu Ethnicity in Nepal. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/0vg8n6pg

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dalzell, Victoria Marie. “Freedom, Margins, and Music: Musical Discourses of Tharu Ethnicity in Nepal.” 2015. Thesis, University of California – Riverside. Accessed January 17, 2020. http://www.escholarship.org/uc/item/0vg8n6pg.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dalzell, Victoria Marie. “Freedom, Margins, and Music: Musical Discourses of Tharu Ethnicity in Nepal.” 2015. Web. 17 Jan 2020.

Vancouver:

Dalzell VM. Freedom, Margins, and Music: Musical Discourses of Tharu Ethnicity in Nepal. [Internet] [Thesis]. University of California – Riverside; 2015. [cited 2020 Jan 17]. Available from: http://www.escholarship.org/uc/item/0vg8n6pg.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dalzell VM. Freedom, Margins, and Music: Musical Discourses of Tharu Ethnicity in Nepal. [Thesis]. University of California – Riverside; 2015. Available from: http://www.escholarship.org/uc/item/0vg8n6pg

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Arizona State University

12. Raunikar, Mary Frances. The Use of Improvise Harp Music as an Opening Ritual for the Therapeutic Setting.

Degree: Music Therapy, 2018, Arizona State University

 The inspiration to undertake this pilot study came after observation and reflection by the clinician-researcher, a board-certified music therapist who has used the harp as… (more)

Subjects/Keywords: Music therapy; Psychology; Health care management; Affect; Harp; Improvised; Ritual; Therapy; Wellness

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APA (6th Edition):

Raunikar, M. F. (2018). The Use of Improvise Harp Music as an Opening Ritual for the Therapeutic Setting. (Masters Thesis). Arizona State University. Retrieved from http://repository.asu.edu/items/49421

Chicago Manual of Style (16th Edition):

Raunikar, Mary Frances. “The Use of Improvise Harp Music as an Opening Ritual for the Therapeutic Setting.” 2018. Masters Thesis, Arizona State University. Accessed January 17, 2020. http://repository.asu.edu/items/49421.

MLA Handbook (7th Edition):

Raunikar, Mary Frances. “The Use of Improvise Harp Music as an Opening Ritual for the Therapeutic Setting.” 2018. Web. 17 Jan 2020.

Vancouver:

Raunikar MF. The Use of Improvise Harp Music as an Opening Ritual for the Therapeutic Setting. [Internet] [Masters thesis]. Arizona State University; 2018. [cited 2020 Jan 17]. Available from: http://repository.asu.edu/items/49421.

Council of Science Editors:

Raunikar MF. The Use of Improvise Harp Music as an Opening Ritual for the Therapeutic Setting. [Masters Thesis]. Arizona State University; 2018. Available from: http://repository.asu.edu/items/49421

13. Ben Amara, Ahlem. Le "Naç" une tradition musicale de Tataouine (Tunisie) : "Naç" a musical practice in Tataouine.

Degree: Docteur es, Ethnologie, 2012, Université Paris Descartes – Paris V

A Tataouine, le chant est profondément lié aux diverses activités quotidiennes, y compris les occasions de fêtes. Sa pratique témoigne d’un grand échange culturel. Cette… (more)

Subjects/Keywords: Chant; Musique; Tradition; Poésie; Mariage; Rituel; Singing; Music; Tradition; Poem; Marriage; Ritual

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APA (6th Edition):

Ben Amara, A. (2012). Le "Naç" une tradition musicale de Tataouine (Tunisie) : "Naç" a musical practice in Tataouine. (Doctoral Dissertation). Université Paris Descartes – Paris V. Retrieved from http://www.theses.fr/2012PA05H046

Chicago Manual of Style (16th Edition):

Ben Amara, Ahlem. “Le "Naç" une tradition musicale de Tataouine (Tunisie) : "Naç" a musical practice in Tataouine.” 2012. Doctoral Dissertation, Université Paris Descartes – Paris V. Accessed January 17, 2020. http://www.theses.fr/2012PA05H046.

MLA Handbook (7th Edition):

Ben Amara, Ahlem. “Le "Naç" une tradition musicale de Tataouine (Tunisie) : "Naç" a musical practice in Tataouine.” 2012. Web. 17 Jan 2020.

Vancouver:

Ben Amara A. Le "Naç" une tradition musicale de Tataouine (Tunisie) : "Naç" a musical practice in Tataouine. [Internet] [Doctoral dissertation]. Université Paris Descartes – Paris V; 2012. [cited 2020 Jan 17]. Available from: http://www.theses.fr/2012PA05H046.

Council of Science Editors:

Ben Amara A. Le "Naç" une tradition musicale de Tataouine (Tunisie) : "Naç" a musical practice in Tataouine. [Doctoral Dissertation]. Université Paris Descartes – Paris V; 2012. Available from: http://www.theses.fr/2012PA05H046


Université Paris-Sorbonne – Paris IV

14. Saint-Sardos Diaz Flores, Jeanne. S’affronter pour mieux unir : danseurs et musiciens de trois danses d’Ayacucho (Pérou) : Encountering each other in order to form closer ties : the dancers and musicians in three Ayacucho dances (Peru).

Degree: Docteur es, Musique et musicologie, 2011, Université Paris-Sorbonne – Paris IV

Dans la capitale péruvienne, trois danses continuent de rythmer la vie des Ayacuchanos émigrés bien que leurs contextes de performance aient subi des changements radicaux.… (more)

Subjects/Keywords: Musique; Danse; Pérou; Rituel; Migration; Relations socioreligieuses; Music; Dance; Peru; Ritual; Migration; Socio-religious relationships

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Saint-Sardos Diaz Flores, J. (2011). S’affronter pour mieux unir : danseurs et musiciens de trois danses d’Ayacucho (Pérou) : Encountering each other in order to form closer ties : the dancers and musicians in three Ayacucho dances (Peru). (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2011PA040183

Chicago Manual of Style (16th Edition):

Saint-Sardos Diaz Flores, Jeanne. “S’affronter pour mieux unir : danseurs et musiciens de trois danses d’Ayacucho (Pérou) : Encountering each other in order to form closer ties : the dancers and musicians in three Ayacucho dances (Peru).” 2011. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed January 17, 2020. http://www.theses.fr/2011PA040183.

MLA Handbook (7th Edition):

Saint-Sardos Diaz Flores, Jeanne. “S’affronter pour mieux unir : danseurs et musiciens de trois danses d’Ayacucho (Pérou) : Encountering each other in order to form closer ties : the dancers and musicians in three Ayacucho dances (Peru).” 2011. Web. 17 Jan 2020.

Vancouver:

Saint-Sardos Diaz Flores J. S’affronter pour mieux unir : danseurs et musiciens de trois danses d’Ayacucho (Pérou) : Encountering each other in order to form closer ties : the dancers and musicians in three Ayacucho dances (Peru). [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2011. [cited 2020 Jan 17]. Available from: http://www.theses.fr/2011PA040183.

Council of Science Editors:

Saint-Sardos Diaz Flores J. S’affronter pour mieux unir : danseurs et musiciens de trois danses d’Ayacucho (Pérou) : Encountering each other in order to form closer ties : the dancers and musicians in three Ayacucho dances (Peru). [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2011. Available from: http://www.theses.fr/2011PA040183

15. Ghanai, Katayoun. The Sound of Silence: An Ethnography on the Sama 'Ritual in the Nematollahi Kaneqah in Toronto.

Degree: MA -MA, Music, 2018, York University

 This thesis examines the Sufi ritual of Sama as practiced by the Nematollahi order in Toronto and will explore how music induces trance in Sufis… (more)

Subjects/Keywords: Cultural anthropology; Music; Trance; Sama'; Kaneqah; Sufism; Wajd; Ethnography; Fana; Hal; Ecstasy; Ritual; Cultural ceremony

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ghanai, K. (2018). The Sound of Silence: An Ethnography on the Sama 'Ritual in the Nematollahi Kaneqah in Toronto. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/35474

Chicago Manual of Style (16th Edition):

Ghanai, Katayoun. “The Sound of Silence: An Ethnography on the Sama 'Ritual in the Nematollahi Kaneqah in Toronto.” 2018. Masters Thesis, York University. Accessed January 17, 2020. http://hdl.handle.net/10315/35474.

MLA Handbook (7th Edition):

Ghanai, Katayoun. “The Sound of Silence: An Ethnography on the Sama 'Ritual in the Nematollahi Kaneqah in Toronto.” 2018. Web. 17 Jan 2020.

Vancouver:

Ghanai K. The Sound of Silence: An Ethnography on the Sama 'Ritual in the Nematollahi Kaneqah in Toronto. [Internet] [Masters thesis]. York University; 2018. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/10315/35474.

Council of Science Editors:

Ghanai K. The Sound of Silence: An Ethnography on the Sama 'Ritual in the Nematollahi Kaneqah in Toronto. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/35474


University of Illinois – Urbana-Champaign

16. Chen, Jia. How can one be perfected by music?—contemporary educational significance of Chinese pre-Qin Confucian thought on Yue Jiao (music education).

Degree: PhD, 0220, 2012, University of Illinois – Urbana-Champaign

 My dissertation project is an examination of aesthetic thought of Chinese pre-Qin Confucians with a focus on the idea of Yue Jiao (Music Education). Confucius,… (more)

Subjects/Keywords: Yue Jiao (Music Education); Chinese Pre-Qin Confucians; Ritual and Music; Ancient Greek Aesthetics; Personhood as an Integrated Whole

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APA (6th Edition):

Chen, J. (2012). How can one be perfected by music?—contemporary educational significance of Chinese pre-Qin Confucian thought on Yue Jiao (music education). (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/34493

Chicago Manual of Style (16th Edition):

Chen, Jia. “How can one be perfected by music?—contemporary educational significance of Chinese pre-Qin Confucian thought on Yue Jiao (music education).” 2012. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed January 17, 2020. http://hdl.handle.net/2142/34493.

MLA Handbook (7th Edition):

Chen, Jia. “How can one be perfected by music?—contemporary educational significance of Chinese pre-Qin Confucian thought on Yue Jiao (music education).” 2012. Web. 17 Jan 2020.

Vancouver:

Chen J. How can one be perfected by music?—contemporary educational significance of Chinese pre-Qin Confucian thought on Yue Jiao (music education). [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2012. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/2142/34493.

Council of Science Editors:

Chen J. How can one be perfected by music?—contemporary educational significance of Chinese pre-Qin Confucian thought on Yue Jiao (music education). [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2012. Available from: http://hdl.handle.net/2142/34493


University of Washington

17. Morford, James Byron. Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene.

Degree: PhD, 2018, University of Washington

 In this dissertation, I use interpretive lenses from ethnomusicology, as well as from tourism and ritual studies, to analyze data derived from two years of… (more)

Subjects/Keywords: Djembe; Guinea; Ownership and Belonging; Ritual Studies; Sameness and Difference; Tourism; Music; African studies; Dance; Music

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APA (6th Edition):

Morford, J. B. (2018). Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene. (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/40946

Chicago Manual of Style (16th Edition):

Morford, James Byron. “Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene.” 2018. Doctoral Dissertation, University of Washington. Accessed January 17, 2020. http://hdl.handle.net/1773/40946.

MLA Handbook (7th Edition):

Morford, James Byron. “Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene.” 2018. Web. 17 Jan 2020.

Vancouver:

Morford JB. Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene. [Internet] [Doctoral dissertation]. University of Washington; 2018. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/1773/40946.

Council of Science Editors:

Morford JB. Moving Together: Sameness, Difference, and Ownership in the Seattle-Guinean Drum and Dance Scene. [Doctoral Dissertation]. University of Washington; 2018. Available from: http://hdl.handle.net/1773/40946


Universidade Federal da Bahia

18. Gisele Guilhon Antunes Camargo. A Arte secreta dos dervixes giradores: um estudo etnocenológico do Sama Mevlevi.

Degree: 2006, Universidade Federal da Bahia

Esta tese é uma ?descrição densa? do ritual do Sama (audição) ? o concerto espiritual composto de oração, recitação, canção, música e dança inspirado pelo… (more)

Subjects/Keywords: Islã; Sufismo; Ordem Mevlevi; Sama; Mukabele; Ayin; Dervixes giradores; dança; ritual; música.; Islan; Sufism; Mevlevi Order; Sama; Mukabele; Ayin; Whirling Dervishes; Dance; Ritual; Music; TEATRO

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Camargo, G. G. A. (2006). A Arte secreta dos dervixes giradores: um estudo etnocenológico do Sama Mevlevi. (Thesis). Universidade Federal da Bahia. Retrieved from http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=1141 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=1142

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Camargo, Gisele Guilhon Antunes. “A Arte secreta dos dervixes giradores: um estudo etnocenológico do Sama Mevlevi.” 2006. Thesis, Universidade Federal da Bahia. Accessed January 17, 2020. http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=1141 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=1142.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Camargo, Gisele Guilhon Antunes. “A Arte secreta dos dervixes giradores: um estudo etnocenológico do Sama Mevlevi.” 2006. Web. 17 Jan 2020.

Vancouver:

Camargo GGA. A Arte secreta dos dervixes giradores: um estudo etnocenológico do Sama Mevlevi. [Internet] [Thesis]. Universidade Federal da Bahia; 2006. [cited 2020 Jan 17]. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=1141 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=1142.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Camargo GGA. A Arte secreta dos dervixes giradores: um estudo etnocenológico do Sama Mevlevi. [Thesis]. Universidade Federal da Bahia; 2006. Available from: http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=1141 ; http://www.bibliotecadigital.ufba.br/tde_busca/arquivo.php?codArquivo=1142

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


KTH

19. Orlandi, Beatrice. Opus Alchemicum : Of myths and affects.

Degree: Architecture, 2014, KTH

Opus Alchemicum explores the fabrication of “reality” upon imagination, and the affective relation between ideas and matter in the built environment. Like an alchemic… (more)

Subjects/Keywords: Alchemy; prussian blue; Myths; affect; Romania; gold; metamorphosis; tower; fountain; garden; horses; honey; music and space; performance; gipsy; nomadic; diaspora; traditions; ritual; ritual objects; girl and built envinronment

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APA (6th Edition):

Orlandi, B. (2014). Opus Alchemicum : Of myths and affects. (Thesis). KTH. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-149269

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Orlandi, Beatrice. “Opus Alchemicum : Of myths and affects.” 2014. Thesis, KTH. Accessed January 17, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-149269.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Orlandi, Beatrice. “Opus Alchemicum : Of myths and affects.” 2014. Web. 17 Jan 2020.

Vancouver:

Orlandi B. Opus Alchemicum : Of myths and affects. [Internet] [Thesis]. KTH; 2014. [cited 2020 Jan 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-149269.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Orlandi B. Opus Alchemicum : Of myths and affects. [Thesis]. KTH; 2014. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-149269

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brno University of Technology

20. Valíček, Martin. Šedá zóna dočasnosti .

Degree: 2018, Brno University of Technology

 Na architektonickém projektu technoklubu je demostrován scénografický přístup v navrhování spočívající na fenoménu jedné subkultury. Návštěvník Klubu se po tři dny oddává rituálu pod vlivem… (more)

Subjects/Keywords: Scénografie; Techno; Dramaturgie prostoru; Rituál; Hudba; Klub; Párty; Music Club; Praha; Scenography; Techno; Spatial Dramaturgy; Ritual; Music; Club; Party; Music Club; Prague

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Valíček, M. (2018). Šedá zóna dočasnosti . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/81088

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Valíček, Martin. “Šedá zóna dočasnosti .” 2018. Thesis, Brno University of Technology. Accessed January 17, 2020. http://hdl.handle.net/11012/81088.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Valíček, Martin. “Šedá zóna dočasnosti .” 2018. Web. 17 Jan 2020.

Vancouver:

Valíček M. Šedá zóna dočasnosti . [Internet] [Thesis]. Brno University of Technology; 2018. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/11012/81088.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Valíček M. Šedá zóna dočasnosti . [Thesis]. Brno University of Technology; 2018. Available from: http://hdl.handle.net/11012/81088

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of British Columbia

21. Colk, Alma Lorraine. A study of the ornate antiphons in MS. Vat. lat. 5319 .

Degree: 1971, University of British Columbia

 To date, there has been no detailed or comparative analysis of the repertory known as the Old-Roman Chant. Although the historical and liturgical problems created… (more)

Subjects/Keywords: Antiphons (Music); Catholic Church. Liturgy and ritual. Gradual.

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APA (6th Edition):

Colk, A. L. (1971). A study of the ornate antiphons in MS. Vat. lat. 5319 . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/34217

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Colk, Alma Lorraine. “A study of the ornate antiphons in MS. Vat. lat. 5319 .” 1971. Thesis, University of British Columbia. Accessed January 17, 2020. http://hdl.handle.net/2429/34217.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Colk, Alma Lorraine. “A study of the ornate antiphons in MS. Vat. lat. 5319 .” 1971. Web. 17 Jan 2020.

Vancouver:

Colk AL. A study of the ornate antiphons in MS. Vat. lat. 5319 . [Internet] [Thesis]. University of British Columbia; 1971. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/2429/34217.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Colk AL. A study of the ornate antiphons in MS. Vat. lat. 5319 . [Thesis]. University of British Columbia; 1971. Available from: http://hdl.handle.net/2429/34217

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Gomes, Rui Telmo. Fazer música Underground: estetização do quotidiano, circuitos juvenis e ritual.

Degree: 2013, RCAAP

Doutoramento em Sociologia

A estreita relação entre música popular e culturas juvenis é objeto de uma longa tradição de pesquisa. A prática musical juvenil underground… (more)

Subjects/Keywords: Práticas culturais; Culturas juvenis; Estetização do quotidiano; Música popular; Ritual; Performance; Underground; Cultural participation; Youth cultures; Everyday aesthetics; Popular music

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APA (6th Edition):

Gomes, R. T. (2013). Fazer música Underground: estetização do quotidiano, circuitos juvenis e ritual. (Thesis). RCAAP. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/6058

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gomes, Rui Telmo. “Fazer música Underground: estetização do quotidiano, circuitos juvenis e ritual.” 2013. Thesis, RCAAP. Accessed January 17, 2020. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/6058.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gomes, Rui Telmo. “Fazer música Underground: estetização do quotidiano, circuitos juvenis e ritual.” 2013. Web. 17 Jan 2020.

Vancouver:

Gomes RT. Fazer música Underground: estetização do quotidiano, circuitos juvenis e ritual. [Internet] [Thesis]. RCAAP; 2013. [cited 2020 Jan 17]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/6058.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gomes RT. Fazer música Underground: estetização do quotidiano, circuitos juvenis e ritual. [Thesis]. RCAAP; 2013. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/6058

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Ruyter, Magali de. Musiques et musiciens en « Pays Mobongo » : fondements musicaux et performatifs des dynamiques interethniques dans les monts du Chaillu (Gabon) : Musics and musicians in “Mobongo Land” : the musical and performative grounds of interethnic dynamics in the Chaillu mountains (Gabon).

Degree: Docteur es, Ethnomusicologie, 2016, Université Paris X – Nanterre

Dans le sud du Gabon et le Congo limitrophe, les Pygmées Babongo constituent un groupe disséminé dont l’homogénéité demeure à démontrer. Ils ont jusqu’à récemment… (more)

Subjects/Keywords: Musique; Rituel; Performance; Circulation; Relations interethniques; Pygmées; Gabon; Music; Ritual; Performance; Circulation; Interethnic relationship; Pygmies; Gabon; 390

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APA (6th Edition):

Ruyter, M. d. (2016). Musiques et musiciens en « Pays Mobongo » : fondements musicaux et performatifs des dynamiques interethniques dans les monts du Chaillu (Gabon) : Musics and musicians in “Mobongo Land” : the musical and performative grounds of interethnic dynamics in the Chaillu mountains (Gabon). (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2016PA100009

Chicago Manual of Style (16th Edition):

Ruyter, Magali de. “Musiques et musiciens en « Pays Mobongo » : fondements musicaux et performatifs des dynamiques interethniques dans les monts du Chaillu (Gabon) : Musics and musicians in “Mobongo Land” : the musical and performative grounds of interethnic dynamics in the Chaillu mountains (Gabon).” 2016. Doctoral Dissertation, Université Paris X – Nanterre. Accessed January 17, 2020. http://www.theses.fr/2016PA100009.

MLA Handbook (7th Edition):

Ruyter, Magali de. “Musiques et musiciens en « Pays Mobongo » : fondements musicaux et performatifs des dynamiques interethniques dans les monts du Chaillu (Gabon) : Musics and musicians in “Mobongo Land” : the musical and performative grounds of interethnic dynamics in the Chaillu mountains (Gabon).” 2016. Web. 17 Jan 2020.

Vancouver:

Ruyter Md. Musiques et musiciens en « Pays Mobongo » : fondements musicaux et performatifs des dynamiques interethniques dans les monts du Chaillu (Gabon) : Musics and musicians in “Mobongo Land” : the musical and performative grounds of interethnic dynamics in the Chaillu mountains (Gabon). [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2016. [cited 2020 Jan 17]. Available from: http://www.theses.fr/2016PA100009.

Council of Science Editors:

Ruyter Md. Musiques et musiciens en « Pays Mobongo » : fondements musicaux et performatifs des dynamiques interethniques dans les monts du Chaillu (Gabon) : Musics and musicians in “Mobongo Land” : the musical and performative grounds of interethnic dynamics in the Chaillu mountains (Gabon). [Doctoral Dissertation]. Université Paris X – Nanterre; 2016. Available from: http://www.theses.fr/2016PA100009


Leiden University

24. IJsselstein Mulder, Sierk. 'This great world event in our little Netherlands'. Bach's St Matthew Passion in the Netherlands, 1919-1939: Music and National Identity.

Degree: 2019, Leiden University

 With at least 174 performances in 2017, it is fair to say that Johann Sebastian Bach’s St Matthew Passion enjoys unusual popularity in the Netherlands.… (more)

Subjects/Keywords: Bach; St Matthew Passion; National identity; Interbellum; Reception history; Civic ritual; Music; Mengelberg; National culture; Netherlands

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APA (6th Edition):

IJsselstein Mulder, S. (2019). 'This great world event in our little Netherlands'. Bach's St Matthew Passion in the Netherlands, 1919-1939: Music and National Identity. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/80014

Chicago Manual of Style (16th Edition):

IJsselstein Mulder, Sierk. “'This great world event in our little Netherlands'. Bach's St Matthew Passion in the Netherlands, 1919-1939: Music and National Identity.” 2019. Masters Thesis, Leiden University. Accessed January 17, 2020. http://hdl.handle.net/1887/80014.

MLA Handbook (7th Edition):

IJsselstein Mulder, Sierk. “'This great world event in our little Netherlands'. Bach's St Matthew Passion in the Netherlands, 1919-1939: Music and National Identity.” 2019. Web. 17 Jan 2020.

Vancouver:

IJsselstein Mulder S. 'This great world event in our little Netherlands'. Bach's St Matthew Passion in the Netherlands, 1919-1939: Music and National Identity. [Internet] [Masters thesis]. Leiden University; 2019. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/1887/80014.

Council of Science Editors:

IJsselstein Mulder S. 'This great world event in our little Netherlands'. Bach's St Matthew Passion in the Netherlands, 1919-1939: Music and National Identity. [Masters Thesis]. Leiden University; 2019. Available from: http://hdl.handle.net/1887/80014

25. Stigsohn, Lovisa. Toner från förhistorien : En studie om förhistoriska musikinstrument och deras olika betydelser i det fornnordiska samhället.

Degree: Human Sciences, 2010, University of Kalmar

  This is a study of Prehistoric musical instruments from Scandinavia and the different meanings they could have had in the Prehistoric society. I have… (more)

Subjects/Keywords: Music instrument; Prehistory; Scandinavia; shamanism; ritual ceremonies; Archaeology; Arkeologi

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stigsohn, L. (2010). Toner från förhistorien : En studie om förhistoriska musikinstrument och deras olika betydelser i det fornnordiska samhället. (Thesis). University of Kalmar. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:hik:diva-2482

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stigsohn, Lovisa. “Toner från förhistorien : En studie om förhistoriska musikinstrument och deras olika betydelser i det fornnordiska samhället.” 2010. Thesis, University of Kalmar. Accessed January 17, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hik:diva-2482.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stigsohn, Lovisa. “Toner från förhistorien : En studie om förhistoriska musikinstrument och deras olika betydelser i det fornnordiska samhället.” 2010. Web. 17 Jan 2020.

Vancouver:

Stigsohn L. Toner från förhistorien : En studie om förhistoriska musikinstrument och deras olika betydelser i det fornnordiska samhället. [Internet] [Thesis]. University of Kalmar; 2010. [cited 2020 Jan 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hik:diva-2482.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stigsohn L. Toner från förhistorien : En studie om förhistoriska musikinstrument och deras olika betydelser i det fornnordiska samhället. [Thesis]. University of Kalmar; 2010. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hik:diva-2482

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pretoria

26. Calitz, Coenie (Coenraad Josepheus). The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa.

Degree: Practical Theology, 2011, University of Pretoria

 The presence of at least two prominent streams of church music within the DRC is evident – this is also true of most other Protestant… (more)

Subjects/Keywords: Rituele simbool; Ritual symbol; Gereformeerde spiritualiteit; Inkulturele sang; Vrye himne; Kerkmusiek; Contextual song; Spirituality; Western culture; Culture; Hymn; Free song; Liturgical music; Bricolage singing; Singing; Church music; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Calitz, C. (. (2011). The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa. (Doctoral Dissertation). University of Pretoria. Retrieved from http://hdl.handle.net/2263/28490

Chicago Manual of Style (16th Edition):

Calitz, Coenie (Coenraad. “The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa.” 2011. Doctoral Dissertation, University of Pretoria. Accessed January 17, 2020. http://hdl.handle.net/2263/28490.

MLA Handbook (7th Edition):

Calitz, Coenie (Coenraad. “The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa.” 2011. Web. 17 Jan 2020.

Vancouver:

Calitz C(. The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa. [Internet] [Doctoral dissertation]. University of Pretoria; 2011. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/2263/28490.

Council of Science Editors:

Calitz C(. The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa. [Doctoral Dissertation]. University of Pretoria; 2011. Available from: http://hdl.handle.net/2263/28490


University of Pretoria

27. [No author]. The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa .

Degree: 2011, University of Pretoria

 The presence of at least two prominent streams of church music within the DRC is evident – this is also true of most other Protestant… (more)

Subjects/Keywords: Rituele simbool; Ritual symbol; Gereformeerde spiritualiteit; Inkulturele sang; Vrye himne; Kerkmusiek; Contextual song; Spirituality; Western culture; Culture; Hymn; Free song; Liturgical music; Bricolage singing; Singing; Church music; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (2011). The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa . (Doctoral Dissertation). University of Pretoria. Retrieved from http://upetd.up.ac.za/thesis/available/etd-10062011-172326/

Chicago Manual of Style (16th Edition):

author], [No. “The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa .” 2011. Doctoral Dissertation, University of Pretoria. Accessed January 17, 2020. http://upetd.up.ac.za/thesis/available/etd-10062011-172326/.

MLA Handbook (7th Edition):

author], [No. “The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa .” 2011. Web. 17 Jan 2020.

Vancouver:

author] [. The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa . [Internet] [Doctoral dissertation]. University of Pretoria; 2011. [cited 2020 Jan 17]. Available from: http://upetd.up.ac.za/thesis/available/etd-10062011-172326/.

Council of Science Editors:

author] [. The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa . [Doctoral Dissertation]. University of Pretoria; 2011. Available from: http://upetd.up.ac.za/thesis/available/etd-10062011-172326/

28. Ahmed, Shaimaa. Music in burial customs and funeral arts from the archaic to the roman period: an archaeological study.

Degree: 2016, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

The Greeks, and the Romans later, thought that there are multiple factors that help the soul to speed the completion of purification in the afterlife… (more)

Subjects/Keywords: Νεκρώσιμος μουσική; Ταφικές τέχνες; Φιλοσοφία της μουσικής; Funerary ritual; Ancient greek music theory; Anthropological study of music; الفنون الجنائزية; العادات الجنائزية; فلسفة الموسيقى

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ahmed, S. (2016). Music in burial customs and funeral arts from the archaic to the roman period: an archaeological study. (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/39702

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ahmed, Shaimaa. “Music in burial customs and funeral arts from the archaic to the roman period: an archaeological study.” 2016. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed January 17, 2020. http://hdl.handle.net/10442/hedi/39702.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ahmed, Shaimaa. “Music in burial customs and funeral arts from the archaic to the roman period: an archaeological study.” 2016. Web. 17 Jan 2020.

Vancouver:

Ahmed S. Music in burial customs and funeral arts from the archaic to the roman period: an archaeological study. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2016. [cited 2020 Jan 17]. Available from: http://hdl.handle.net/10442/hedi/39702.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ahmed S. Music in burial customs and funeral arts from the archaic to the roman period: an archaeological study. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2016. Available from: http://hdl.handle.net/10442/hedi/39702

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Arizona State University

29. Lebert, Raymond Russell. Jam Sessions as Rites of Passage: An Ethnography of Jazz Jams in Phoenix, AZ.

Degree: Music, 2019, Arizona State University

Subjects/Keywords: Music; Ethnography; Ethnomusicology; Jazz Studies; Music Theory; Phenomenology; Ritual Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lebert, R. R. (2019). Jam Sessions as Rites of Passage: An Ethnography of Jazz Jams in Phoenix, AZ. (Masters Thesis). Arizona State University. Retrieved from http://repository.asu.edu/items/53868

Chicago Manual of Style (16th Edition):

Lebert, Raymond Russell. “Jam Sessions as Rites of Passage: An Ethnography of Jazz Jams in Phoenix, AZ.” 2019. Masters Thesis, Arizona State University. Accessed January 17, 2020. http://repository.asu.edu/items/53868.

MLA Handbook (7th Edition):

Lebert, Raymond Russell. “Jam Sessions as Rites of Passage: An Ethnography of Jazz Jams in Phoenix, AZ.” 2019. Web. 17 Jan 2020.

Vancouver:

Lebert RR. Jam Sessions as Rites of Passage: An Ethnography of Jazz Jams in Phoenix, AZ. [Internet] [Masters thesis]. Arizona State University; 2019. [cited 2020 Jan 17]. Available from: http://repository.asu.edu/items/53868.

Council of Science Editors:

Lebert RR. Jam Sessions as Rites of Passage: An Ethnography of Jazz Jams in Phoenix, AZ. [Masters Thesis]. Arizona State University; 2019. Available from: http://repository.asu.edu/items/53868


University of Vienna

30. Nedwed, Alina. Spiritualität und Identität in Garifuna-Gemeinden in Belize und Guatemala.

Degree: 2009, University of Vienna

Im Rahmen der Diplomarbeit wird der Frage nachgegangen inwieweit die Phänomene der Spiritualität und Identität in Garifuna-Gemeinden miteinander in Verbindung stehen bzw. inwieweit sie sich… (more)

Subjects/Keywords: 73.59 Religionsethnologie: Sonstiges; 73.62 Kunstethnologie, Musikethnologie; Garifuna / Identität / Spiritualität / Musik / Tanz / Ritual; Garifuna / identity / spirituality / music / dance / ritual

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nedwed, A. (2009). Spiritualität und Identität in Garifuna-Gemeinden in Belize und Guatemala. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/5142/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nedwed, Alina. “Spiritualität und Identität in Garifuna-Gemeinden in Belize und Guatemala.” 2009. Thesis, University of Vienna. Accessed January 17, 2020. http://othes.univie.ac.at/5142/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nedwed, Alina. “Spiritualität und Identität in Garifuna-Gemeinden in Belize und Guatemala.” 2009. Web. 17 Jan 2020.

Vancouver:

Nedwed A. Spiritualität und Identität in Garifuna-Gemeinden in Belize und Guatemala. [Internet] [Thesis]. University of Vienna; 2009. [cited 2020 Jan 17]. Available from: http://othes.univie.ac.at/5142/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nedwed A. Spiritualität und Identität in Garifuna-Gemeinden in Belize und Guatemala. [Thesis]. University of Vienna; 2009. Available from: http://othes.univie.ac.at/5142/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

.