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You searched for subject:(religious motifs). Showing records 1 – 3 of 3 total matches.

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1. Haug, Eddie Lou. A Tabulation of Art Songs for Women Voices That Do Not Contain the Romantic or Religious Motif.

Degree: 1946, North Texas State Teachers College

The problem of the investigator is the compilation of an exhaustive list of art songs other than those dealing with subjects of a romantic or religious nature. Advisors/Committee Members: Bain, Wilfred C. (Wilfred Conwell), 1908-1997, Hodgson, Walter H..

Subjects/Keywords: art songs; Songs  – Bibliography.; Songs with piano  – Bibliography.; piano accompaniment; art music; classical music; romantic motifs; religious motifs

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APA (6th Edition):

Haug, E. L. (1946). A Tabulation of Art Songs for Women Voices That Do Not Contain the Romantic or Religious Motif. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663717/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Haug, Eddie Lou. “A Tabulation of Art Songs for Women Voices That Do Not Contain the Romantic or Religious Motif.” 1946. Thesis, North Texas State Teachers College. Accessed October 22, 2017. https://digital.library.unt.edu/ark:/67531/metadc663717/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Haug, Eddie Lou. “A Tabulation of Art Songs for Women Voices That Do Not Contain the Romantic or Religious Motif.” 1946. Web. 22 Oct 2017.

Vancouver:

Haug EL. A Tabulation of Art Songs for Women Voices That Do Not Contain the Romantic or Religious Motif. [Internet] [Thesis]. North Texas State Teachers College; 1946. [cited 2017 Oct 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663717/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Haug EL. A Tabulation of Art Songs for Women Voices That Do Not Contain the Romantic or Religious Motif. [Thesis]. North Texas State Teachers College; 1946. Available from: https://digital.library.unt.edu/ark:/67531/metadc663717/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

2. Koprivica, Ana. Musique et rituel à Cuba : appeler les esprits au son des cajónes à La Havane : Music and ritual in Cuba : calling the spirits through the sound of cajónes in Havana.

Degree: Docteur es, Musique et musicologie, 2015, Université Paris-Sorbonne – Paris IV

Le Cajón est un rituel de possession cubain dont la musique est une composante essentielle. Une approche musicologique et une étude d’anthropologie religieuse combinées permettent de mettre en avant les spécificités du Cajón au sein des différents cultes afro-cubains à La Havane. Considérant le Cajón comme un fait social total, cette recherche propose d’analyser la complexité du rituel en prenant en compte les niveaux social, musical autant que religieux. De fait, l’analyse montre que le Cajón s’inscrit de diverses manières dans la pratique religieuse des cultes afro-cubains, en dépassant même parfois le cadre. Le Cajón comprend une suite de rites (Misa, Biagué, Chamalongo, sacrifice et Toque) ancrés dans un espace sacré où chaque participant a un rôle bien identifié. L’analyse d'une séance de rituel et des interactions qui s’y produisent nous permettent de définir le rôle de la musique. Celle-ci s’adapte en permanence au rituel : elle structure le temps rituel, participe à l’induction et à la socialisation de la transe de possession. Les musiciens, comme officiants, exploitent de manière créative des systèmes mélodiques et des motifs rythmiques associés à la musique de rumba, de la makuta et du palo monte. La superposition de répertoires et de systèmes musicaux engendre une complexité sur le plan sonore. Nous parvenons à la conclusion que l’analyse musicale constitue une clef pour la compréhension du rituel.

The Cajón in Cuba is both music and a possession ritual. The combined approach of musicology and religious anthropology highlights the specificities of the Cajón. Therefore, it is possible to position the musical and ritual practice of Cajón among different Afro-Cuban cults in Havana. Considering the Cajón as total social fact, this research aims to analyze the complexity of ritual taking into account social, musical and religious aspects. The analysis shows that the Cajón can be recognized in different way among religious practices of Afro-Cuban cults, even sometimes coming out of its framework. The Cajón covers a sequence of rituals (Misa, Biagué, Chamalongo, sacrifice and Toque) embedded in a sacred space where every participant has a well-identified role. The analysis of one sequence of ritual and of interactions which happen enables the definition of the role of music. The music is permanently adapting to the ritual being one of its components: it structures the ritual time, it participates to the introduction and also to the socialization of the possession trance. The musicians as participants use in creative way melodic systems and rhythmic patterns associated to the music of rumba, makuta and palo monte. Overlapping of repertoires and musical systems generates a complexity concerning sound effects. We conclude that the musical analysis is a key for the understanding of the ritual.

Advisors/Committee Members: Picard, François (thesis director).

Subjects/Keywords: Ethnomusicologie; Anthropologie religieuse; Cultes afro-cubains; Transe; Répertoire; Systèmes musicaux; Motifs rythmiques; Cajón; Ethnomusicology; Religious anthropology; Afro-cuban cults; Trance; Repertoire; Music systems; Rhythmic patterns; Cajón

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APA (6th Edition):

Koprivica, A. (2015). Musique et rituel à Cuba : appeler les esprits au son des cajónes à La Havane : Music and ritual in Cuba : calling the spirits through the sound of cajónes in Havana. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2015PA040174

Chicago Manual of Style (16th Edition):

Koprivica, Ana. “Musique et rituel à Cuba : appeler les esprits au son des cajónes à La Havane : Music and ritual in Cuba : calling the spirits through the sound of cajónes in Havana.” 2015. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed October 22, 2017. http://www.theses.fr/2015PA040174.

MLA Handbook (7th Edition):

Koprivica, Ana. “Musique et rituel à Cuba : appeler les esprits au son des cajónes à La Havane : Music and ritual in Cuba : calling the spirits through the sound of cajónes in Havana.” 2015. Web. 22 Oct 2017.

Vancouver:

Koprivica A. Musique et rituel à Cuba : appeler les esprits au son des cajónes à La Havane : Music and ritual in Cuba : calling the spirits through the sound of cajónes in Havana. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2015. [cited 2017 Oct 22]. Available from: http://www.theses.fr/2015PA040174.

Council of Science Editors:

Koprivica A. Musique et rituel à Cuba : appeler les esprits au son des cajónes à La Havane : Music and ritual in Cuba : calling the spirits through the sound of cajónes in Havana. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2015. Available from: http://www.theses.fr/2015PA040174


Jawaharlal Nehru University

3. Syed, Said Vesali. Religion and work in iran: a study of two craft centres in the city of kashan.

Degree: 2000, Jawaharlal Nehru University

Bibliography p.277-281, Appendix p.293-301, Glossary p.302-310 Advisors/Committee Members: Venugopal, C N.

Subjects/Keywords: Craft centres in the city of; Islam and economy in iran; National policy on carpet markeing; Religion and work in iran; Religious motifs in oriental art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Syed, S. V. (2000). Religion and work in iran: a study of two craft centres in the city of kashan. (Thesis). Jawaharlal Nehru University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/16784

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Syed, Said Vesali. “Religion and work in iran: a study of two craft centres in the city of kashan.” 2000. Thesis, Jawaharlal Nehru University. Accessed October 22, 2017. http://shodhganga.inflibnet.ac.in/handle/10603/16784.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Syed, Said Vesali. “Religion and work in iran: a study of two craft centres in the city of kashan.” 2000. Web. 22 Oct 2017.

Vancouver:

Syed SV. Religion and work in iran: a study of two craft centres in the city of kashan. [Internet] [Thesis]. Jawaharlal Nehru University; 2000. [cited 2017 Oct 22]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/16784.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Syed SV. Religion and work in iran: a study of two craft centres in the city of kashan. [Thesis]. Jawaharlal Nehru University; 2000. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/16784

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.