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You searched for subject:(prelude). Showing records 1 – 30 of 54 total matches.

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California State University – Northridge

1. Gallarzo, Sebastian. Prelude to a Nightly Vision.

Degree: M.M., Department of Music, 2019, California State University – Northridge

Prelude to a Nightly Vision is a piece inspired by a fictitious character of mine, whom in a fit of mystic delirium, set himself to… (more)

Subjects/Keywords: Prelude to a nightly vision; Dissertations, Academic  – CSUN  – Music.

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APA (6th Edition):

Gallarzo, S. (2019). Prelude to a Nightly Vision. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.3/213435

Chicago Manual of Style (16th Edition):

Gallarzo, Sebastian. “Prelude to a Nightly Vision.” 2019. Masters Thesis, California State University – Northridge. Accessed December 12, 2019. http://hdl.handle.net/10211.3/213435.

MLA Handbook (7th Edition):

Gallarzo, Sebastian. “Prelude to a Nightly Vision.” 2019. Web. 12 Dec 2019.

Vancouver:

Gallarzo S. Prelude to a Nightly Vision. [Internet] [Masters thesis]. California State University – Northridge; 2019. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10211.3/213435.

Council of Science Editors:

Gallarzo S. Prelude to a Nightly Vision. [Masters Thesis]. California State University – Northridge; 2019. Available from: http://hdl.handle.net/10211.3/213435


University of Kansas

2. Guo, Shulin. A STUDY OF CLAUDE DEBUSSY’S SUITE BERGAMASQUE: PRELUDE, MENUET, CLAIR DE LUNE AND PASSEPIED.

Degree: DMA, Music, 2019, University of Kansas

 Abstract Suite Bergamasque is one of the best-loved piano compositions by Claude Debussy. It is performed often in recitals and continues to gain popularity in… (more)

Subjects/Keywords: Music; Clair de Lune; Claude Debussy; Menuet; Passepied; Prelude; Suite Bergamsque

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APA (6th Edition):

Guo, S. (2019). A STUDY OF CLAUDE DEBUSSY’S SUITE BERGAMASQUE: PRELUDE, MENUET, CLAIR DE LUNE AND PASSEPIED. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/29585

Chicago Manual of Style (16th Edition):

Guo, Shulin. “A STUDY OF CLAUDE DEBUSSY’S SUITE BERGAMASQUE: PRELUDE, MENUET, CLAIR DE LUNE AND PASSEPIED.” 2019. Doctoral Dissertation, University of Kansas. Accessed December 12, 2019. http://hdl.handle.net/1808/29585.

MLA Handbook (7th Edition):

Guo, Shulin. “A STUDY OF CLAUDE DEBUSSY’S SUITE BERGAMASQUE: PRELUDE, MENUET, CLAIR DE LUNE AND PASSEPIED.” 2019. Web. 12 Dec 2019.

Vancouver:

Guo S. A STUDY OF CLAUDE DEBUSSY’S SUITE BERGAMASQUE: PRELUDE, MENUET, CLAIR DE LUNE AND PASSEPIED. [Internet] [Doctoral dissertation]. University of Kansas; 2019. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/1808/29585.

Council of Science Editors:

Guo S. A STUDY OF CLAUDE DEBUSSY’S SUITE BERGAMASQUE: PRELUDE, MENUET, CLAIR DE LUNE AND PASSEPIED. [Doctoral Dissertation]. University of Kansas; 2019. Available from: http://hdl.handle.net/1808/29585


University of South Carolina

3. Schoelen, Christopher. To Prelude (v.): The Art of Preluding and Applications for the Modern Classical Guitarist.

Degree: Degree of Doctor of Musical Arts in Music Performance, Art, 2019, University of South Carolina

  In Western classical music, there are many types of compositions; some examples include sonatas, symphonies, fugues, and motets, each with a particular form. The… (more)

Subjects/Keywords: Music Performance; Prelude; Modern; classical; guitarist; preluding; french keyboardists; unmeasured preludes

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APA (6th Edition):

Schoelen, C. (2019). To Prelude (v.): The Art of Preluding and Applications for the Modern Classical Guitarist. (Doctoral Dissertation). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/5250

Chicago Manual of Style (16th Edition):

Schoelen, Christopher. “To Prelude (v.): The Art of Preluding and Applications for the Modern Classical Guitarist.” 2019. Doctoral Dissertation, University of South Carolina. Accessed December 12, 2019. https://scholarcommons.sc.edu/etd/5250.

MLA Handbook (7th Edition):

Schoelen, Christopher. “To Prelude (v.): The Art of Preluding and Applications for the Modern Classical Guitarist.” 2019. Web. 12 Dec 2019.

Vancouver:

Schoelen C. To Prelude (v.): The Art of Preluding and Applications for the Modern Classical Guitarist. [Internet] [Doctoral dissertation]. University of South Carolina; 2019. [cited 2019 Dec 12]. Available from: https://scholarcommons.sc.edu/etd/5250.

Council of Science Editors:

Schoelen C. To Prelude (v.): The Art of Preluding and Applications for the Modern Classical Guitarist. [Doctoral Dissertation]. University of South Carolina; 2019. Available from: https://scholarcommons.sc.edu/etd/5250


West Virginia University

4. Gu, Yanjing. A Pedagogical Guide to Kapustin’s Eight Concert Etudes, Op. 40.

Degree: DMA, School of Music, 2019, West Virginia University

  The etude is an important genre in piano literature and most piano teachers select etudes as teaching material for students to improve their technique… (more)

Subjects/Keywords: Kapustin; Concert etudes; Prelude; Reverie; Toccatina; Reminiscence; Raillery; Pastoral; Intermezzo; Finale

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APA (6th Edition):

Gu, Y. (2019). A Pedagogical Guide to Kapustin’s Eight Concert Etudes, Op. 40. (Thesis). West Virginia University. Retrieved from https://researchrepository.wvu.edu/etd/3819

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gu, Yanjing. “A Pedagogical Guide to Kapustin’s Eight Concert Etudes, Op. 40.” 2019. Thesis, West Virginia University. Accessed December 12, 2019. https://researchrepository.wvu.edu/etd/3819.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gu, Yanjing. “A Pedagogical Guide to Kapustin’s Eight Concert Etudes, Op. 40.” 2019. Web. 12 Dec 2019.

Vancouver:

Gu Y. A Pedagogical Guide to Kapustin’s Eight Concert Etudes, Op. 40. [Internet] [Thesis]. West Virginia University; 2019. [cited 2019 Dec 12]. Available from: https://researchrepository.wvu.edu/etd/3819.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gu Y. A Pedagogical Guide to Kapustin’s Eight Concert Etudes, Op. 40. [Thesis]. West Virginia University; 2019. Available from: https://researchrepository.wvu.edu/etd/3819

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

5. Kang, Dong Hyun. Interpretation of Karol Szymanowski's Piano Music: Performer's Guide to Selected Piano Works: Prelude, Op. 1, No. 7, Variations in B-flat Minor, Op. 3, Masques, Op. 34, No. 1, "Sheherazade," and Mazurkas, Op. 50, Nos. 1 and 2.

Degree: DMA, College-Conservatory of Music: Piano, 2018, University of Cincinnati

 Karol Szymanowki (1882-1937) has long been neglected and underrated for political and musical reasons. This document will introduce the Polish composer Szymanowski and, above all,… (more)

Subjects/Keywords: Music; Karol Szymanowski; Interpretation of Piano Music; Prelude, Op 1, No 7; Variations in B flat Minor, Op 3; Masques, Op 34, No 1, Sheherazade; Mazurkas, Op 50, Nos 1 and 2

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APA (6th Edition):

Kang, D. H. (2018). Interpretation of Karol Szymanowski's Piano Music: Performer's Guide to Selected Piano Works: Prelude, Op. 1, No. 7, Variations in B-flat Minor, Op. 3, Masques, Op. 34, No. 1, "Sheherazade," and Mazurkas, Op. 50, Nos. 1 and 2. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535380993670665

Chicago Manual of Style (16th Edition):

Kang, Dong Hyun. “Interpretation of Karol Szymanowski's Piano Music: Performer's Guide to Selected Piano Works: Prelude, Op. 1, No. 7, Variations in B-flat Minor, Op. 3, Masques, Op. 34, No. 1, "Sheherazade," and Mazurkas, Op. 50, Nos. 1 and 2.” 2018. Doctoral Dissertation, University of Cincinnati. Accessed December 12, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535380993670665.

MLA Handbook (7th Edition):

Kang, Dong Hyun. “Interpretation of Karol Szymanowski's Piano Music: Performer's Guide to Selected Piano Works: Prelude, Op. 1, No. 7, Variations in B-flat Minor, Op. 3, Masques, Op. 34, No. 1, "Sheherazade," and Mazurkas, Op. 50, Nos. 1 and 2.” 2018. Web. 12 Dec 2019.

Vancouver:

Kang DH. Interpretation of Karol Szymanowski's Piano Music: Performer's Guide to Selected Piano Works: Prelude, Op. 1, No. 7, Variations in B-flat Minor, Op. 3, Masques, Op. 34, No. 1, "Sheherazade," and Mazurkas, Op. 50, Nos. 1 and 2. [Internet] [Doctoral dissertation]. University of Cincinnati; 2018. [cited 2019 Dec 12]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535380993670665.

Council of Science Editors:

Kang DH. Interpretation of Karol Szymanowski's Piano Music: Performer's Guide to Selected Piano Works: Prelude, Op. 1, No. 7, Variations in B-flat Minor, Op. 3, Masques, Op. 34, No. 1, "Sheherazade," and Mazurkas, Op. 50, Nos. 1 and 2. [Doctoral Dissertation]. University of Cincinnati; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535380993670665


University of Illinois – Urbana-Champaign

6. Kuhny, Anne Marie. A comparison of two sets of variations on Chopin’s Prelude op. 28, no. 20 in C minor: Ferruccio Busoni’s Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff’s Variations on a Theme of Chopin, op. 22.

Degree: A.Mus.D., Music, 2018, University of Illinois – Urbana-Champaign

 This dissertation explores and compares two sets of variations that use Frédéric Chopin’s Prelude, op. 28, no. 20 as a theme: Sergei Rachmaninoff’s Variations on… (more)

Subjects/Keywords: Busoni; Rachmaninoff; Variations on Chopin's Prelude Op. 28 No. 20 in C Minor; Ten Variations on a Theme By Chopin BV 213a; Variations on a Theme of Chopin op. 22; piano; variations; Chopin; recording history; comparison

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APA (6th Edition):

Kuhny, A. M. (2018). A comparison of two sets of variations on Chopin’s Prelude op. 28, no. 20 in C minor: Ferruccio Busoni’s Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff’s Variations on a Theme of Chopin, op. 22. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/101002

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kuhny, Anne Marie. “A comparison of two sets of variations on Chopin’s Prelude op. 28, no. 20 in C minor: Ferruccio Busoni’s Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff’s Variations on a Theme of Chopin, op. 22.” 2018. Thesis, University of Illinois – Urbana-Champaign. Accessed December 12, 2019. http://hdl.handle.net/2142/101002.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kuhny, Anne Marie. “A comparison of two sets of variations on Chopin’s Prelude op. 28, no. 20 in C minor: Ferruccio Busoni’s Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff’s Variations on a Theme of Chopin, op. 22.” 2018. Web. 12 Dec 2019.

Vancouver:

Kuhny AM. A comparison of two sets of variations on Chopin’s Prelude op. 28, no. 20 in C minor: Ferruccio Busoni’s Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff’s Variations on a Theme of Chopin, op. 22. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2018. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/2142/101002.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kuhny AM. A comparison of two sets of variations on Chopin’s Prelude op. 28, no. 20 in C minor: Ferruccio Busoni’s Ten Variations on a Theme by Chopin, BV 213a and Sergei Rachmaninoff’s Variations on a Theme of Chopin, op. 22. [Thesis]. University of Illinois – Urbana-Champaign; 2018. Available from: http://hdl.handle.net/2142/101002

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Gamar, Tetyana. Från ett piano till en orgel : En studie om Franz Liszt som orgeltonsättare med särskilt fokus på hans ”Preludium och fuga BACH”.

Degree: Classical Music, 2018, Royal College of Music in Stockholm

  Examensarbetet handlar om min instudering av hur F. Liszts hanterade orgel och fugaformen. Som exempel tog jag hans BACH Preludium och fuga, eftersom fugaformen… (more)

Subjects/Keywords: Franz Liszt; orgel; BACH Prelude och fuga; Friedrich Ladegasts Merseburgerorgel.; Music; Musik

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APA (6th Edition):

Gamar, T. (2018). Från ett piano till en orgel : En studie om Franz Liszt som orgeltonsättare med särskilt fokus på hans ”Preludium och fuga BACH”. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2695

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gamar, Tetyana. “Från ett piano till en orgel : En studie om Franz Liszt som orgeltonsättare med särskilt fokus på hans ”Preludium och fuga BACH”.” 2018. Thesis, Royal College of Music in Stockholm. Accessed December 12, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2695.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gamar, Tetyana. “Från ett piano till en orgel : En studie om Franz Liszt som orgeltonsättare med särskilt fokus på hans ”Preludium och fuga BACH”.” 2018. Web. 12 Dec 2019.

Vancouver:

Gamar T. Från ett piano till en orgel : En studie om Franz Liszt som orgeltonsättare med särskilt fokus på hans ”Preludium och fuga BACH”. [Internet] [Thesis]. Royal College of Music in Stockholm; 2018. [cited 2019 Dec 12]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2695.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gamar T. Från ett piano till en orgel : En studie om Franz Liszt som orgeltonsättare med särskilt fokus på hans ”Preludium och fuga BACH”. [Thesis]. Royal College of Music in Stockholm; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2695

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kentucky

8. Tutton, Virginia W. A STUDY OF THE VARYING INTERPRETATIONS OF THE OPENING FLUTE SOLO IN DEBUSSY’S PRELUDE A L’APRES-MIDI D’UN FAUNE THROUGH 90 YEARS OF SOUND RECORDINGS; WITH SPECIAL CONSIDERATION FOR THE PERFORMANCES AND PEDAGOGY OF WILLIAM KINCAID.

Degree: 2018, University of Kentucky

 Claude Debussy's Prelude a l’apres-midi d’un faune [Prelude to the Afternoon of a Faun] opens with an unaccompanied flute solo that famously tests breath control,… (more)

Subjects/Keywords: Flute; Debussy; Prelude a l’apres-midi d’un faune; Sound Recordings; Musical Interpretation; William Kincaid; Music Pedagogy; Music Performance

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APA (6th Edition):

Tutton, V. W. (2018). A STUDY OF THE VARYING INTERPRETATIONS OF THE OPENING FLUTE SOLO IN DEBUSSY’S PRELUDE A L’APRES-MIDI D’UN FAUNE THROUGH 90 YEARS OF SOUND RECORDINGS; WITH SPECIAL CONSIDERATION FOR THE PERFORMANCES AND PEDAGOGY OF WILLIAM KINCAID. (Doctoral Dissertation). University of Kentucky. Retrieved from https://uknowledge.uky.edu/music_etds/117

Chicago Manual of Style (16th Edition):

Tutton, Virginia W. “A STUDY OF THE VARYING INTERPRETATIONS OF THE OPENING FLUTE SOLO IN DEBUSSY’S PRELUDE A L’APRES-MIDI D’UN FAUNE THROUGH 90 YEARS OF SOUND RECORDINGS; WITH SPECIAL CONSIDERATION FOR THE PERFORMANCES AND PEDAGOGY OF WILLIAM KINCAID.” 2018. Doctoral Dissertation, University of Kentucky. Accessed December 12, 2019. https://uknowledge.uky.edu/music_etds/117.

MLA Handbook (7th Edition):

Tutton, Virginia W. “A STUDY OF THE VARYING INTERPRETATIONS OF THE OPENING FLUTE SOLO IN DEBUSSY’S PRELUDE A L’APRES-MIDI D’UN FAUNE THROUGH 90 YEARS OF SOUND RECORDINGS; WITH SPECIAL CONSIDERATION FOR THE PERFORMANCES AND PEDAGOGY OF WILLIAM KINCAID.” 2018. Web. 12 Dec 2019.

Vancouver:

Tutton VW. A STUDY OF THE VARYING INTERPRETATIONS OF THE OPENING FLUTE SOLO IN DEBUSSY’S PRELUDE A L’APRES-MIDI D’UN FAUNE THROUGH 90 YEARS OF SOUND RECORDINGS; WITH SPECIAL CONSIDERATION FOR THE PERFORMANCES AND PEDAGOGY OF WILLIAM KINCAID. [Internet] [Doctoral dissertation]. University of Kentucky; 2018. [cited 2019 Dec 12]. Available from: https://uknowledge.uky.edu/music_etds/117.

Council of Science Editors:

Tutton VW. A STUDY OF THE VARYING INTERPRETATIONS OF THE OPENING FLUTE SOLO IN DEBUSSY’S PRELUDE A L’APRES-MIDI D’UN FAUNE THROUGH 90 YEARS OF SOUND RECORDINGS; WITH SPECIAL CONSIDERATION FOR THE PERFORMANCES AND PEDAGOGY OF WILLIAM KINCAID. [Doctoral Dissertation]. University of Kentucky; 2018. Available from: https://uknowledge.uky.edu/music_etds/117


Australian National University

9. Odermatt, Ariana. Historical performance practice of the prélude non mesuré and its relationship to recording and performance .

Degree: 2018, Australian National University

 ‘A Prelude is a free composition, in which the imagination gives rein to any fancy that may present itself’ (François Couperin: L'art de toucher Le… (more)

Subjects/Keywords: Prélude non Mesuré; unmeasured prelude; harpsichord; Louis Couperin

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APA (6th Edition):

Odermatt, A. (2018). Historical performance practice of the prélude non mesuré and its relationship to recording and performance . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/148878

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Odermatt, Ariana. “Historical performance practice of the prélude non mesuré and its relationship to recording and performance .” 2018. Thesis, Australian National University. Accessed December 12, 2019. http://hdl.handle.net/1885/148878.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Odermatt, Ariana. “Historical performance practice of the prélude non mesuré and its relationship to recording and performance .” 2018. Web. 12 Dec 2019.

Vancouver:

Odermatt A. Historical performance practice of the prélude non mesuré and its relationship to recording and performance . [Internet] [Thesis]. Australian National University; 2018. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/1885/148878.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Odermatt A. Historical performance practice of the prélude non mesuré and its relationship to recording and performance . [Thesis]. Australian National University; 2018. Available from: http://hdl.handle.net/1885/148878

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Casar, Sara. Solistična orgelska dela Primoža Ramovša.

Degree: 2017, Univerza v Mariboru

V magistrskem delu z naslovom Solistična orgelska dela Primoža Ramovša je predstavljena življenjska in umetniška pot skladatelja Primoža Ramovša. Prav tako je predstavljen skladateljev opus… (more)

Subjects/Keywords: PRIMOŽ RAMOVŠ, ORGELSKI OPUS, ANALIZA ORGELSKIH SKLADB, PRELUDIJ IN FUGA ZA ORGLE, TOKATA ZA ORGLE, INVENTIONES PASTORALES, DVE KORALNI PREDIGRI, KLEMEN RAMOVŠ; PRIMOŽ RAMOVŠ; ORGAN OPUS, ANALYSIS OF ORGAN COMPOSITIONS, PRELUDE AND FUGUE FOR ORGAN, TOCCATA FOR ORGAN; INVENTIONES PASTORALES, TWO CHORAL OVERTURES, KLEMEN RAMOVŠ; info:eu-repo/classification/udc/780.8:780.649(043.2)

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APA (6th Edition):

Casar, S. (2017). Solistična orgelska dela Primoža Ramovša. (Masters Thesis). Univerza v Mariboru. Retrieved from https://dk.um.si/IzpisGradiva.php?id=66426 ; https://dk.um.si/Dokument.php?id=113091&dn= ; https://plus.si.cobiss.net/opac7/bib/23271432?lang=sl

Chicago Manual of Style (16th Edition):

Casar, Sara. “Solistična orgelska dela Primoža Ramovša.” 2017. Masters Thesis, Univerza v Mariboru. Accessed December 12, 2019. https://dk.um.si/IzpisGradiva.php?id=66426 ; https://dk.um.si/Dokument.php?id=113091&dn= ; https://plus.si.cobiss.net/opac7/bib/23271432?lang=sl.

MLA Handbook (7th Edition):

Casar, Sara. “Solistična orgelska dela Primoža Ramovša.” 2017. Web. 12 Dec 2019.

Vancouver:

Casar S. Solistična orgelska dela Primoža Ramovša. [Internet] [Masters thesis]. Univerza v Mariboru; 2017. [cited 2019 Dec 12]. Available from: https://dk.um.si/IzpisGradiva.php?id=66426 ; https://dk.um.si/Dokument.php?id=113091&dn= ; https://plus.si.cobiss.net/opac7/bib/23271432?lang=sl.

Council of Science Editors:

Casar S. Solistična orgelska dela Primoža Ramovša. [Masters Thesis]. Univerza v Mariboru; 2017. Available from: https://dk.um.si/IzpisGradiva.php?id=66426 ; https://dk.um.si/Dokument.php?id=113091&dn= ; https://plus.si.cobiss.net/opac7/bib/23271432?lang=sl


Universidade do Rio Grande do Sul

11. Paz, Marisa Dutra. Influência do Projeto Prelúdio na constituição da trajetória social dos seus alunos.

Degree: 2017, Universidade do Rio Grande do Sul

Este trabalho foi elaborado a partir do estudo desenvolvido no mestrado do Programa de Pós-Graduação em Educação em Ciências: Química da Vida e Saúde da… (more)

Subjects/Keywords: Prelude Project; Projeto Prelúdio; Escola de musica; Social trajectory; Educação musical; Professionalization; Profissionalização; Life’s history

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APA (6th Edition):

Paz, M. D. (2017). Influência do Projeto Prelúdio na constituição da trajetória social dos seus alunos. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/172758

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Paz, Marisa Dutra. “Influência do Projeto Prelúdio na constituição da trajetória social dos seus alunos.” 2017. Thesis, Universidade do Rio Grande do Sul. Accessed December 12, 2019. http://hdl.handle.net/10183/172758.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Paz, Marisa Dutra. “Influência do Projeto Prelúdio na constituição da trajetória social dos seus alunos.” 2017. Web. 12 Dec 2019.

Vancouver:

Paz MD. Influência do Projeto Prelúdio na constituição da trajetória social dos seus alunos. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2017. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10183/172758.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Paz MD. Influência do Projeto Prelúdio na constituição da trajetória social dos seus alunos. [Thesis]. Universidade do Rio Grande do Sul; 2017. Available from: http://hdl.handle.net/10183/172758

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Chu, Cheng-Wu. A COMPARATIVE ANALYSIS OF TWO SEMINAL WORKS FOR SOLO BASS TROMBONE WITH ELECTRONIC ACCOMPANIMENT.

Degree: DMA, Music, 2016, University of Kansas

 This study focuses on two early solo trombone and electronic music pieces, Edward Diemente’s Hosanna II, and Walter Ross' Prelude, Fugue and Big Apple, both… (more)

Subjects/Keywords: Music; Performing arts; BASS TROMBONE; Cheng Wu Chu; ELECTRONIC MUSIC; hosanna II; prelude fugue big apple; William Chu

…11 3.1 The notational indications from page 4 of Prelude, Fugue and Big Apple..... 25… …3.2 Example showing the semitone sets in Ross’s Prelude… …Walter Ross's Prelude, Fugue and Big Apple. The history of electronic music can be traced… …in this paper, Hosanna II by Edward Diemente and Prelude, Fugue and Big Apple by Walter… …flutter tone with crescendo in the last section of the piece. 21 Chapter 3 Prelude, Fugue and… 

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APA (6th Edition):

Chu, C. (2016). A COMPARATIVE ANALYSIS OF TWO SEMINAL WORKS FOR SOLO BASS TROMBONE WITH ELECTRONIC ACCOMPANIMENT. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21605

Chicago Manual of Style (16th Edition):

Chu, Cheng-Wu. “A COMPARATIVE ANALYSIS OF TWO SEMINAL WORKS FOR SOLO BASS TROMBONE WITH ELECTRONIC ACCOMPANIMENT.” 2016. Doctoral Dissertation, University of Kansas. Accessed December 12, 2019. http://hdl.handle.net/1808/21605.

MLA Handbook (7th Edition):

Chu, Cheng-Wu. “A COMPARATIVE ANALYSIS OF TWO SEMINAL WORKS FOR SOLO BASS TROMBONE WITH ELECTRONIC ACCOMPANIMENT.” 2016. Web. 12 Dec 2019.

Vancouver:

Chu C. A COMPARATIVE ANALYSIS OF TWO SEMINAL WORKS FOR SOLO BASS TROMBONE WITH ELECTRONIC ACCOMPANIMENT. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/1808/21605.

Council of Science Editors:

Chu C. A COMPARATIVE ANALYSIS OF TWO SEMINAL WORKS FOR SOLO BASS TROMBONE WITH ELECTRONIC ACCOMPANIMENT. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/21605


University of Oxford

13. Kellett, Lucy. "Enough! or too much" : forms of textual excess in Blake, Wordsworth, Coleridge and De Quincey.

Degree: PhD, 2016, University of Oxford

 My thesis explores the potential and the peril of Romantic literature's increasingly complex forms through a close comparative study of the works of William Blake,… (more)

Subjects/Keywords: 821; English Language and Literature; Wordsworth; Coleridge; De Quincey; Blake; excess; Malthus; Burke; French Revolution; editing; Prelude; Sospiria de Profundis; Confessions of an English Opium-Eater; The Marriage of Heaven and Hell; limits; balance; Laocoon; labyrinth; syntax; fragmentation; Kublai Khan; Edinburgh; London; Piranesi; prose and poetry; cities; illustration; illuminated books; population; sublime; flux and reflux; Biographia Literaria

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APA (6th Edition):

Kellett, L. (2016). "Enough! or too much" : forms of textual excess in Blake, Wordsworth, Coleridge and De Quincey. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:641b0fe2-3b07-46cf-94b6-7d27a2878686 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.692891

Chicago Manual of Style (16th Edition):

Kellett, Lucy. “"Enough! or too much" : forms of textual excess in Blake, Wordsworth, Coleridge and De Quincey.” 2016. Doctoral Dissertation, University of Oxford. Accessed December 12, 2019. http://ora.ox.ac.uk/objects/uuid:641b0fe2-3b07-46cf-94b6-7d27a2878686 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.692891.

MLA Handbook (7th Edition):

Kellett, Lucy. “"Enough! or too much" : forms of textual excess in Blake, Wordsworth, Coleridge and De Quincey.” 2016. Web. 12 Dec 2019.

Vancouver:

Kellett L. "Enough! or too much" : forms of textual excess in Blake, Wordsworth, Coleridge and De Quincey. [Internet] [Doctoral dissertation]. University of Oxford; 2016. [cited 2019 Dec 12]. Available from: http://ora.ox.ac.uk/objects/uuid:641b0fe2-3b07-46cf-94b6-7d27a2878686 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.692891.

Council of Science Editors:

Kellett L. "Enough! or too much" : forms of textual excess in Blake, Wordsworth, Coleridge and De Quincey. [Doctoral Dissertation]. University of Oxford; 2016. Available from: http://ora.ox.ac.uk/objects/uuid:641b0fe2-3b07-46cf-94b6-7d27a2878686 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.692891


University of Western Ontario

14. Fitzpatrick, Michael. J. S. Bach's Modal Compositional Practice in the Chorale Preludes for Solo Organ: A Schenkerian Perspective.

Degree: 2015, University of Western Ontario

 This dissertation proposes a Schenkerian perspective of J. S. Bach’s modal compositional practice in his chorale preludes for solo organ. It develops two major themes:… (more)

Subjects/Keywords: J. S. Bach; Bach; Heinrich Schenker; Schenkerian theory; mode; chorale prelude; Music Theory

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APA (6th Edition):

Fitzpatrick, M. (2015). J. S. Bach's Modal Compositional Practice in the Chorale Preludes for Solo Organ: A Schenkerian Perspective. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/3296

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fitzpatrick, Michael. “J. S. Bach's Modal Compositional Practice in the Chorale Preludes for Solo Organ: A Schenkerian Perspective.” 2015. Thesis, University of Western Ontario. Accessed December 12, 2019. https://ir.lib.uwo.ca/etd/3296.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fitzpatrick, Michael. “J. S. Bach's Modal Compositional Practice in the Chorale Preludes for Solo Organ: A Schenkerian Perspective.” 2015. Web. 12 Dec 2019.

Vancouver:

Fitzpatrick M. J. S. Bach's Modal Compositional Practice in the Chorale Preludes for Solo Organ: A Schenkerian Perspective. [Internet] [Thesis]. University of Western Ontario; 2015. [cited 2019 Dec 12]. Available from: https://ir.lib.uwo.ca/etd/3296.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fitzpatrick M. J. S. Bach's Modal Compositional Practice in the Chorale Preludes for Solo Organ: A Schenkerian Perspective. [Thesis]. University of Western Ontario; 2015. Available from: https://ir.lib.uwo.ca/etd/3296

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Miller, David. Wordsworth’s Prelude: The Continuing Relevance of the Epic in Education.

Degree: PhD, English, 2014, Georgia State University

  This study explores “poetic knowledge” as the episteme of the epic. The Romantic epic, as exemplified by Wordsworth's 1805 Prelude, modernized this traditional genre… (more)

Subjects/Keywords: Chiasmus; Coleridge; Descartes; Didactic memory; Didactic poetry; Dorothy Wordsworth; Ecology of the mind; Enlightenment; Epic genre; Epic poet-philosopher; Episteme; Epistemology; French Revolution; John Milton; Modern education; Poetic knowledge; Rationalism; Scientific knowledge; The Prelude; William Wordsworth

…attempted to write an epic, but it is Wordsworth’s 1805 edition of The Prelude that most closely… …of an epic episteme in The Prelude generically matches thematic developments that arise in… …Shakespeare’s Tempest. The heart of The Prelude, Books IX-XII, also known as the “French Books… …Shakespeare’s Tempest and Wordsworth’s Prelude may help to shed some light on Wordsworth’s use of an… …epic episteme in The Prelude. Firstly, Virgil’s Aeneid, the archetypal text of imperialism… 

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APA (6th Edition):

Miller, D. (2014). Wordsworth’s Prelude: The Continuing Relevance of the Epic in Education. (Doctoral Dissertation). Georgia State University. Retrieved from https://scholarworks.gsu.edu/english_diss/118

Chicago Manual of Style (16th Edition):

Miller, David. “Wordsworth’s Prelude: The Continuing Relevance of the Epic in Education.” 2014. Doctoral Dissertation, Georgia State University. Accessed December 12, 2019. https://scholarworks.gsu.edu/english_diss/118.

MLA Handbook (7th Edition):

Miller, David. “Wordsworth’s Prelude: The Continuing Relevance of the Epic in Education.” 2014. Web. 12 Dec 2019.

Vancouver:

Miller D. Wordsworth’s Prelude: The Continuing Relevance of the Epic in Education. [Internet] [Doctoral dissertation]. Georgia State University; 2014. [cited 2019 Dec 12]. Available from: https://scholarworks.gsu.edu/english_diss/118.

Council of Science Editors:

Miller D. Wordsworth’s Prelude: The Continuing Relevance of the Epic in Education. [Doctoral Dissertation]. Georgia State University; 2014. Available from: https://scholarworks.gsu.edu/english_diss/118


Louisiana State University

16. Saeed, Timothy David. Analysis and expressive performance : four selected works by Chopin.

Degree: PhD, Music, 2014, Louisiana State University

  In this dissertation, I examine four works by Chopin and address issues of expressive performance derived from principles of the nineteenth-century Swiss theorist, Mathis… (more)

Subjects/Keywords: mazurka; prelude; etude; accent; Lussy; Chopin; expressive performance; analysis; hypermeter; grouping structures; initial articulations; terminal articulations; expressive accents; dynamic accents; metrical accents; rhythmical accents

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APA (6th Edition):

Saeed, T. D. (2014). Analysis and expressive performance : four selected works by Chopin. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-06032014-040245 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1210

Chicago Manual of Style (16th Edition):

Saeed, Timothy David. “Analysis and expressive performance : four selected works by Chopin.” 2014. Doctoral Dissertation, Louisiana State University. Accessed December 12, 2019. etd-06032014-040245 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1210.

MLA Handbook (7th Edition):

Saeed, Timothy David. “Analysis and expressive performance : four selected works by Chopin.” 2014. Web. 12 Dec 2019.

Vancouver:

Saeed TD. Analysis and expressive performance : four selected works by Chopin. [Internet] [Doctoral dissertation]. Louisiana State University; 2014. [cited 2019 Dec 12]. Available from: etd-06032014-040245 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1210.

Council of Science Editors:

Saeed TD. Analysis and expressive performance : four selected works by Chopin. [Doctoral Dissertation]. Louisiana State University; 2014. Available from: etd-06032014-040245 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1210


University of Pretoria

17. Van Schoor, Janandi Jacomien. Die geskiedenis van die orrel in Suid-Afrika en die ontwikkeling van die koraalvoorspel as 'n genre met 'n omvattende katalogus.

Degree: Music, 2014, University of Pretoria

 This study is unique as the basic research acknowledges the chorale prelude as a genre in South Africa. The compilation of a catalogue of organ… (more)

Subjects/Keywords: Organ music; South African organ music; Composers; South African composers; South African organ composers; Organ history; South African organ history; Catalogue; Chorale based music; Chorale prelude; Orrelmusiek; Suid-Afrikaanse orrelmusiek; Komponiste; Suid-Afrikaanse komponiste; Suid-Afrikaanse orrelkomponiste; Orrelgeskiedenis; Suid-Afrikaanse orrelgeskiedenis; Katalogus; Koraalgebaseerde musiek; Koraalvoorspel; UCTD

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APA (6th Edition):

Van Schoor, J. J. (2014). Die geskiedenis van die orrel in Suid-Afrika en die ontwikkeling van die koraalvoorspel as 'n genre met 'n omvattende katalogus. (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/39968

Chicago Manual of Style (16th Edition):

Van Schoor, Janandi Jacomien. “Die geskiedenis van die orrel in Suid-Afrika en die ontwikkeling van die koraalvoorspel as 'n genre met 'n omvattende katalogus.” 2014. Masters Thesis, University of Pretoria. Accessed December 12, 2019. http://hdl.handle.net/2263/39968.

MLA Handbook (7th Edition):

Van Schoor, Janandi Jacomien. “Die geskiedenis van die orrel in Suid-Afrika en die ontwikkeling van die koraalvoorspel as 'n genre met 'n omvattende katalogus.” 2014. Web. 12 Dec 2019.

Vancouver:

Van Schoor JJ. Die geskiedenis van die orrel in Suid-Afrika en die ontwikkeling van die koraalvoorspel as 'n genre met 'n omvattende katalogus. [Internet] [Masters thesis]. University of Pretoria; 2014. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/2263/39968.

Council of Science Editors:

Van Schoor JJ. Die geskiedenis van die orrel in Suid-Afrika en die ontwikkeling van die koraalvoorspel as 'n genre met 'n omvattende katalogus. [Masters Thesis]. University of Pretoria; 2014. Available from: http://hdl.handle.net/2263/39968


University of North Texas

18. Lloyd, S. Andrew. Études: Five Compositional and Technical Studies for Solo Organ.

Degree: 2014, University of North Texas

 Études was composed as a set of five interrelated movements in the followingorder: Prelude, Introduction and Fugue, Triptych, Chorale, and Response. The pieces are compositional… (more)

Subjects/Keywords: Etude; composition and performance; prelude and fugue; chorale; toccata; religious symbolism

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APA (6th Edition):

Lloyd, S. A. (2014). Études: Five Compositional and Technical Studies for Solo Organ. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc499990/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lloyd, S Andrew. “Études: Five Compositional and Technical Studies for Solo Organ.” 2014. Thesis, University of North Texas. Accessed December 12, 2019. https://digital.library.unt.edu/ark:/67531/metadc499990/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lloyd, S Andrew. “Études: Five Compositional and Technical Studies for Solo Organ.” 2014. Web. 12 Dec 2019.

Vancouver:

Lloyd SA. Études: Five Compositional and Technical Studies for Solo Organ. [Internet] [Thesis]. University of North Texas; 2014. [cited 2019 Dec 12]. Available from: https://digital.library.unt.edu/ark:/67531/metadc499990/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lloyd SA. Études: Five Compositional and Technical Studies for Solo Organ. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc499990/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Jena, Naresh Kumar. Computational investigations on the structure and reactivity of nanomaterials;.

Degree: Chemical Sciences, 2013, INFLIBNET

None

Bibliography p. 218-229, List of Publication p. 230-231

Advisors/Committee Members: Ghosh, Swapan K.

Subjects/Keywords: Chemical Sciences; nanomaterials; Nutshell; Carbon Nanotubes; Prelude; Fullerenes; Doped Gold Clusters

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APA (6th Edition):

Jena, N. K. (2013). Computational investigations on the structure and reactivity of nanomaterials;. (Thesis). INFLIBNET. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/11463

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jena, Naresh Kumar. “Computational investigations on the structure and reactivity of nanomaterials;.” 2013. Thesis, INFLIBNET. Accessed December 12, 2019. http://shodhganga.inflibnet.ac.in/handle/10603/11463.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jena, Naresh Kumar. “Computational investigations on the structure and reactivity of nanomaterials;.” 2013. Web. 12 Dec 2019.

Vancouver:

Jena NK. Computational investigations on the structure and reactivity of nanomaterials;. [Internet] [Thesis]. INFLIBNET; 2013. [cited 2019 Dec 12]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/11463.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jena NK. Computational investigations on the structure and reactivity of nanomaterials;. [Thesis]. INFLIBNET; 2013. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/11463

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas State University – San Marcos

20. Burden, Clifford D. Frederick Chopin's Prelude, Op. 28 No. 4 in E minor: Harmonic Expectation and Violation.

Degree: MM, Music, 2013, Texas State University – San Marcos

No abstract prepared. Advisors/Committee Members: Gonzales, Cynthia I (advisor), Mooney, Kevin E. (committee member), Johnston, Sean F. (committee member).

Subjects/Keywords: Chopin, Frederick; Prelude in E minor; Op. 28 No. 4; Music Perception; Ambiguity; Harmonic Expectation; Harmonic Violation; Chopin, Frédéric – 1810-1849; Piano music; Harmony

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APA (6th Edition):

Burden, C. D. (2013). Frederick Chopin's Prelude, Op. 28 No. 4 in E minor: Harmonic Expectation and Violation. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/4628

Chicago Manual of Style (16th Edition):

Burden, Clifford D. “Frederick Chopin's Prelude, Op. 28 No. 4 in E minor: Harmonic Expectation and Violation.” 2013. Masters Thesis, Texas State University – San Marcos. Accessed December 12, 2019. https://digital.library.txstate.edu/handle/10877/4628.

MLA Handbook (7th Edition):

Burden, Clifford D. “Frederick Chopin's Prelude, Op. 28 No. 4 in E minor: Harmonic Expectation and Violation.” 2013. Web. 12 Dec 2019.

Vancouver:

Burden CD. Frederick Chopin's Prelude, Op. 28 No. 4 in E minor: Harmonic Expectation and Violation. [Internet] [Masters thesis]. Texas State University – San Marcos; 2013. [cited 2019 Dec 12]. Available from: https://digital.library.txstate.edu/handle/10877/4628.

Council of Science Editors:

Burden CD. Frederick Chopin's Prelude, Op. 28 No. 4 in E minor: Harmonic Expectation and Violation. [Masters Thesis]. Texas State University – San Marcos; 2013. Available from: https://digital.library.txstate.edu/handle/10877/4628

21. Williams, Evan Michael. Prelude in Tempore Belli.

Degree: MM, Music Composition, 2013, Bowling Green State University

  <i>Prelude in Tempore Belli</i> is a six-minute work for symphony orchestra submitted in partial fulfillment of the requirements for the degree of Master of… (more)

Subjects/Keywords: Music; orchestra; prelude; war

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Sample image

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APA (6th Edition):

Williams, E. M. (2013). Prelude in Tempore Belli. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363527260

Chicago Manual of Style (16th Edition):

Williams, Evan Michael. “Prelude in Tempore Belli.” 2013. Masters Thesis, Bowling Green State University. Accessed December 12, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363527260.

MLA Handbook (7th Edition):

Williams, Evan Michael. “Prelude in Tempore Belli.” 2013. Web. 12 Dec 2019.

Vancouver:

Williams EM. Prelude in Tempore Belli. [Internet] [Masters thesis]. Bowling Green State University; 2013. [cited 2019 Dec 12]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363527260.

Council of Science Editors:

Williams EM. Prelude in Tempore Belli. [Masters Thesis]. Bowling Green State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363527260

22. Lee, Jung-Ok. A study of two organ chorale preludes of Johann Sebastian Bach (1685-1750) transcribed by Wilhelm Kempff (1895-1991).

Degree: DMA, Music, 2013, University of Iowa

  Wilhelm Kempff was one of the greatest pianists of the twentieth century, and his interpretation of Germanic piano literature has been honored in Europe,… (more)

Subjects/Keywords: Bach; BWV 639; BWV 659; Kempff; Organ Choral Prelude; Piano Transcription; Music

…with cantus firmus of Bach’s chorale prelude for organ …...….…. …19 Example 6. The… …transcription of Bach’s chorale prelude that I learned and included in a 2006 recital was the one by… …piano transcription as well as the chorale prelude. The third and fourth chapters are analyses… …Brief Discussion of the Chorale Prelude Martin Luther (1483-1546) and musicians who… …chorales Bach borrowed for his organ chorale prelude. According to Burkholder, in the early… 

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APA (6th Edition):

Lee, J. (2013). A study of two organ chorale preludes of Johann Sebastian Bach (1685-1750) transcribed by Wilhelm Kempff (1895-1991). (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/2564

Chicago Manual of Style (16th Edition):

Lee, Jung-Ok. “A study of two organ chorale preludes of Johann Sebastian Bach (1685-1750) transcribed by Wilhelm Kempff (1895-1991).” 2013. Doctoral Dissertation, University of Iowa. Accessed December 12, 2019. https://ir.uiowa.edu/etd/2564.

MLA Handbook (7th Edition):

Lee, Jung-Ok. “A study of two organ chorale preludes of Johann Sebastian Bach (1685-1750) transcribed by Wilhelm Kempff (1895-1991).” 2013. Web. 12 Dec 2019.

Vancouver:

Lee J. A study of two organ chorale preludes of Johann Sebastian Bach (1685-1750) transcribed by Wilhelm Kempff (1895-1991). [Internet] [Doctoral dissertation]. University of Iowa; 2013. [cited 2019 Dec 12]. Available from: https://ir.uiowa.edu/etd/2564.

Council of Science Editors:

Lee J. A study of two organ chorale preludes of Johann Sebastian Bach (1685-1750) transcribed by Wilhelm Kempff (1895-1991). [Doctoral Dissertation]. University of Iowa; 2013. Available from: https://ir.uiowa.edu/etd/2564

23. Douthit, La-tika Shanee'. Music for flute by Ulysses Kay (1917-1995): a descriptive analysis with performance notes for three selected works.

Degree: 2013, University of North Carolina – Greensboro

 Ulysses Simpson Kay (1917-1995) was an African American composer, conductor, and professor. His compositional output contains more than 135 works that have been performed, recorded,… (more)

Subjects/Keywords: Kay, Ulysses, – 1917-1995. – Prelude, – flute; Kay, Ulysses, – 1917-1995. – Suites, – flute, oboe; Kay, Ulysses, – 1917-1995. – Aulos; African American composers; Flute music – 20th century – Analysis, appreciation

…14 II. PRELUDE FOR UNACCOMPANIED FLUTE .................................................15… …29 Prelude… …92 vii LIST OF FIGURES Page Figure 1. Form and Tonality of Prelude for Unaccompanied… …of Prelude for Unaccompanied Flute… …19 Figure 3. The B Section, Measures 15-27 of Prelude for Unaccompanied Flute… 

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APA (6th Edition):

Douthit, L. S. (2013). Music for flute by Ulysses Kay (1917-1995): a descriptive analysis with performance notes for three selected works. (Doctoral Dissertation). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=9995

Chicago Manual of Style (16th Edition):

Douthit, La-tika Shanee'. “Music for flute by Ulysses Kay (1917-1995): a descriptive analysis with performance notes for three selected works.” 2013. Doctoral Dissertation, University of North Carolina – Greensboro. Accessed December 12, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=9995.

MLA Handbook (7th Edition):

Douthit, La-tika Shanee'. “Music for flute by Ulysses Kay (1917-1995): a descriptive analysis with performance notes for three selected works.” 2013. Web. 12 Dec 2019.

Vancouver:

Douthit LS. Music for flute by Ulysses Kay (1917-1995): a descriptive analysis with performance notes for three selected works. [Internet] [Doctoral dissertation]. University of North Carolina – Greensboro; 2013. [cited 2019 Dec 12]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=9995.

Council of Science Editors:

Douthit LS. Music for flute by Ulysses Kay (1917-1995): a descriptive analysis with performance notes for three selected works. [Doctoral Dissertation]. University of North Carolina – Greensboro; 2013. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=9995

24. Cordovilla Mesonero, Mikel. Environnement de développement d’applications multipériodiques sur plateforme multicoeur. : La boîte à outils SchedMCore : Multiperiodic application development environment on multicore architecture. : The SchedMCore framework.

Degree: Docteur es, Sûreté de logiciel et calcul de haute-performance, 2012, Toulouse, ISAE

Les logiciels embarqués critiques de contrôle-commande sont soumis à des contraintes fortes englobant le déterminisme, la correction logique et la correction temporelle. Nous supposons que… (more)

Subjects/Keywords: Ordonnancement; Model checking; Systèmes embarqués; Multicoeur; Multiprocesseurs; Vérification formelle; Prelude; Scheduling; Model checking; Embedded systems; Multicore; Multiprocessor; Formal verification; Prelude; 000

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cordovilla Mesonero, M. (2012). Environnement de développement d’applications multipériodiques sur plateforme multicoeur. : La boîte à outils SchedMCore : Multiperiodic application development environment on multicore architecture. : The SchedMCore framework. (Doctoral Dissertation). Toulouse, ISAE. Retrieved from http://www.theses.fr/2012ESAE0011

Chicago Manual of Style (16th Edition):

Cordovilla Mesonero, Mikel. “Environnement de développement d’applications multipériodiques sur plateforme multicoeur. : La boîte à outils SchedMCore : Multiperiodic application development environment on multicore architecture. : The SchedMCore framework.” 2012. Doctoral Dissertation, Toulouse, ISAE. Accessed December 12, 2019. http://www.theses.fr/2012ESAE0011.

MLA Handbook (7th Edition):

Cordovilla Mesonero, Mikel. “Environnement de développement d’applications multipériodiques sur plateforme multicoeur. : La boîte à outils SchedMCore : Multiperiodic application development environment on multicore architecture. : The SchedMCore framework.” 2012. Web. 12 Dec 2019.

Vancouver:

Cordovilla Mesonero M. Environnement de développement d’applications multipériodiques sur plateforme multicoeur. : La boîte à outils SchedMCore : Multiperiodic application development environment on multicore architecture. : The SchedMCore framework. [Internet] [Doctoral dissertation]. Toulouse, ISAE; 2012. [cited 2019 Dec 12]. Available from: http://www.theses.fr/2012ESAE0011.

Council of Science Editors:

Cordovilla Mesonero M. Environnement de développement d’applications multipériodiques sur plateforme multicoeur. : La boîte à outils SchedMCore : Multiperiodic application development environment on multicore architecture. : The SchedMCore framework. [Doctoral Dissertation]. Toulouse, ISAE; 2012. Available from: http://www.theses.fr/2012ESAE0011

25. Abdalla, Thiago Vasconcelos. O estilo musical em Les guitares bien tempérées OP.199 de Mario Castelnuovo-Tedesco.

Degree: Mestrado, Processos de Criação Musical, 2011, University of São Paulo

Este trabalho tem como objetivo compreender os processos composicionais contidos no Op. 199, Les Guitares bien Tempérés, de Mario Castelnuovo-Tedesco (1895-1968). Este ciclo de 24… (more)

Subjects/Keywords: Castelnuovo-Tedesco; Castelnuovo-Tedesco; compositional techniques; duo de violões; guitar duo; interpretação e análise musical; Opus 199; Opus 199; performance and musical analysis; Prelude and Fugu; Prelúdio e Fuga; processos composicionais

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Abdalla, T. V. (2011). O estilo musical em Les guitares bien tempérées OP.199 de Mario Castelnuovo-Tedesco. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-12032013-153927/ ;

Chicago Manual of Style (16th Edition):

Abdalla, Thiago Vasconcelos. “O estilo musical em Les guitares bien tempérées OP.199 de Mario Castelnuovo-Tedesco.” 2011. Masters Thesis, University of São Paulo. Accessed December 12, 2019. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-12032013-153927/ ;.

MLA Handbook (7th Edition):

Abdalla, Thiago Vasconcelos. “O estilo musical em Les guitares bien tempérées OP.199 de Mario Castelnuovo-Tedesco.” 2011. Web. 12 Dec 2019.

Vancouver:

Abdalla TV. O estilo musical em Les guitares bien tempérées OP.199 de Mario Castelnuovo-Tedesco. [Internet] [Masters thesis]. University of São Paulo; 2011. [cited 2019 Dec 12]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-12032013-153927/ ;.

Council of Science Editors:

Abdalla TV. O estilo musical em Les guitares bien tempérées OP.199 de Mario Castelnuovo-Tedesco. [Masters Thesis]. University of São Paulo; 2011. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-12032013-153927/ ;


University of Pretoria

26. Luitingh, Willem Scholtz. Die Suid-Afrikaanse komponis Hendrik (“Henk”) Temmingh : ’n biografie en ’n katalogus van sy orrelwerke (Afrikaans).

Degree: Music, 2011, University of Pretoria

 AFRIKAANS : Hendrik (“Henk”) Temmingh word vandag gereken as een van Suid-Afrika se mees toonaangewende orrelkomponiste. Hy het sy veelsydigheid bewys en veral gevestig geraak… (more)

Subjects/Keywords: South african composer; Liturgical organ music; Organ composer; Organ composition; Orrelkomposisie; Orrelkonsert; Orrelliteratuur; Orrelrepertorium; Orrelwerke; Solowerke vir orrel; Katalogus; Catalogue; Koraalvoorspel; Kerklied; Henk temmingh; Liturgiese orrelmusiek; Orrelkomponis; Hymn; Choral prelude; Suid-afrikaanse komponis; Solo works for organ; Organ works; Organ repertory; Organ concerto; Organ literature; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Luitingh, W. S. (2011). Die Suid-Afrikaanse komponis Hendrik (“Henk”) Temmingh : ’n biografie en ’n katalogus van sy orrelwerke (Afrikaans). (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/27210

Chicago Manual of Style (16th Edition):

Luitingh, Willem Scholtz. “Die Suid-Afrikaanse komponis Hendrik (“Henk”) Temmingh : ’n biografie en ’n katalogus van sy orrelwerke (Afrikaans).” 2011. Masters Thesis, University of Pretoria. Accessed December 12, 2019. http://hdl.handle.net/2263/27210.

MLA Handbook (7th Edition):

Luitingh, Willem Scholtz. “Die Suid-Afrikaanse komponis Hendrik (“Henk”) Temmingh : ’n biografie en ’n katalogus van sy orrelwerke (Afrikaans).” 2011. Web. 12 Dec 2019.

Vancouver:

Luitingh WS. Die Suid-Afrikaanse komponis Hendrik (“Henk”) Temmingh : ’n biografie en ’n katalogus van sy orrelwerke (Afrikaans). [Internet] [Masters thesis]. University of Pretoria; 2011. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/2263/27210.

Council of Science Editors:

Luitingh WS. Die Suid-Afrikaanse komponis Hendrik (“Henk”) Temmingh : ’n biografie en ’n katalogus van sy orrelwerke (Afrikaans). [Masters Thesis]. University of Pretoria; 2011. Available from: http://hdl.handle.net/2263/27210


University of Pretoria

27. Luitingh, Willem Scholtz. Die Suid-Afrikaanse komponis Hendrik (“Henk”) Temmingh : ’n biografie en ’n katalogus van sy orrelwerke (Afrikaans) .

Degree: 2011, University of Pretoria

 AFRIKAANS : Hendrik (“Henk”) Temmingh word vandag gereken as een van Suid-Afrika se mees toonaangewende orrelkomponiste. Hy het sy veelsydigheid bewys en veral gevestig geraak… (more)

Subjects/Keywords: South african composer; Liturgical organ music; Organ composer; Organ composition; Orrelkomposisie; Orrelkonsert; Orrelliteratuur; Orrelrepertorium; Orrelwerke; Solowerke vir orrel; Katalogus; Catalogue; Koraalvoorspel; Kerklied; Henk temmingh; Liturgiese orrelmusiek; Orrelkomponis; Hymn; Choral prelude; Suid-afrikaanse komponis; Solo works for organ; Organ works; Organ repertory; Organ concerto; Organ literature; UCTD

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Luitingh, W. S. (2011). Die Suid-Afrikaanse komponis Hendrik (“Henk”) Temmingh : ’n biografie en ’n katalogus van sy orrelwerke (Afrikaans) . (Masters Thesis). University of Pretoria. Retrieved from http://upetd.up.ac.za/thesis/available/etd-08122011-151201/

Chicago Manual of Style (16th Edition):

Luitingh, Willem Scholtz. “Die Suid-Afrikaanse komponis Hendrik (“Henk”) Temmingh : ’n biografie en ’n katalogus van sy orrelwerke (Afrikaans) .” 2011. Masters Thesis, University of Pretoria. Accessed December 12, 2019. http://upetd.up.ac.za/thesis/available/etd-08122011-151201/.

MLA Handbook (7th Edition):

Luitingh, Willem Scholtz. “Die Suid-Afrikaanse komponis Hendrik (“Henk”) Temmingh : ’n biografie en ’n katalogus van sy orrelwerke (Afrikaans) .” 2011. Web. 12 Dec 2019.

Vancouver:

Luitingh WS. Die Suid-Afrikaanse komponis Hendrik (“Henk”) Temmingh : ’n biografie en ’n katalogus van sy orrelwerke (Afrikaans) . [Internet] [Masters thesis]. University of Pretoria; 2011. [cited 2019 Dec 12]. Available from: http://upetd.up.ac.za/thesis/available/etd-08122011-151201/.

Council of Science Editors:

Luitingh WS. Die Suid-Afrikaanse komponis Hendrik (“Henk”) Temmingh : ’n biografie en ’n katalogus van sy orrelwerke (Afrikaans) . [Masters Thesis]. University of Pretoria; 2011. Available from: http://upetd.up.ac.za/thesis/available/etd-08122011-151201/


Temple University

28. Resnianski, Igor. RODION SHCHEDRIN'S TWENTY-FOUR PRELUDES AND FUGUES: HISTORIC, ANALYTIC, PERFORMANCE, AND PEDAGOGIC PERSPECTIVES.

Degree: 2010, Temple University

Music Performance

D.M.A.

The Twenty-Four Preludes and Fugues of Rodion Shchedrin is the magnum opus of perhaps the most respected living Russian composer, whose music… (more)

Subjects/Keywords: Music; Music Analysis; Pedagogy; Performance; Prelude and Fugue; Rodion Shchedrin

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Resnianski, I. (2010). RODION SHCHEDRIN'S TWENTY-FOUR PRELUDES AND FUGUES: HISTORIC, ANALYTIC, PERFORMANCE, AND PEDAGOGIC PERSPECTIVES. (Thesis). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,68013

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Resnianski, Igor. “RODION SHCHEDRIN'S TWENTY-FOUR PRELUDES AND FUGUES: HISTORIC, ANALYTIC, PERFORMANCE, AND PEDAGOGIC PERSPECTIVES.” 2010. Thesis, Temple University. Accessed December 12, 2019. http://digital.library.temple.edu/u?/p245801coll10,68013.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Resnianski, Igor. “RODION SHCHEDRIN'S TWENTY-FOUR PRELUDES AND FUGUES: HISTORIC, ANALYTIC, PERFORMANCE, AND PEDAGOGIC PERSPECTIVES.” 2010. Web. 12 Dec 2019.

Vancouver:

Resnianski I. RODION SHCHEDRIN'S TWENTY-FOUR PRELUDES AND FUGUES: HISTORIC, ANALYTIC, PERFORMANCE, AND PEDAGOGIC PERSPECTIVES. [Internet] [Thesis]. Temple University; 2010. [cited 2019 Dec 12]. Available from: http://digital.library.temple.edu/u?/p245801coll10,68013.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Resnianski I. RODION SHCHEDRIN'S TWENTY-FOUR PRELUDES AND FUGUES: HISTORIC, ANALYTIC, PERFORMANCE, AND PEDAGOGIC PERSPECTIVES. [Thesis]. Temple University; 2010. Available from: http://digital.library.temple.edu/u?/p245801coll10,68013

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

29. Stevens, Daniel Brent. Rebecca Clarke: A Viola Duo Transcription of the Prelude, Allegro, and Pastorale.

Degree: 2010, University of North Texas

 Throughout centuries of great classical music, many viola compositions have been crafted from a wealth of literature for instruments of similar range. Clarinet, violin, and… (more)

Subjects/Keywords: Rebecca Clarke; music; duo; duet; clarinet; transcription; transcribe; viola; Clarke, Rebecca, 1886-1979. Prelude, allegro, and pastorale, clarinet, viola.; Arrangement (Music); Viola music (Violas (2)), Arranged  – Scores.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stevens, D. B. (2010). Rebecca Clarke: A Viola Duo Transcription of the Prelude, Allegro, and Pastorale. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc30513/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stevens, Daniel Brent. “Rebecca Clarke: A Viola Duo Transcription of the Prelude, Allegro, and Pastorale.” 2010. Thesis, University of North Texas. Accessed December 12, 2019. https://digital.library.unt.edu/ark:/67531/metadc30513/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stevens, Daniel Brent. “Rebecca Clarke: A Viola Duo Transcription of the Prelude, Allegro, and Pastorale.” 2010. Web. 12 Dec 2019.

Vancouver:

Stevens DB. Rebecca Clarke: A Viola Duo Transcription of the Prelude, Allegro, and Pastorale. [Internet] [Thesis]. University of North Texas; 2010. [cited 2019 Dec 12]. Available from: https://digital.library.unt.edu/ark:/67531/metadc30513/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stevens DB. Rebecca Clarke: A Viola Duo Transcription of the Prelude, Allegro, and Pastorale. [Thesis]. University of North Texas; 2010. Available from: https://digital.library.unt.edu/ark:/67531/metadc30513/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Pereira, Renata. Flauta doce e a arte de preludiar: tradução comentada do tratado L\'Art de Preluder (1719) de Jacques Martin Hotteterre - Le Romain.

Degree: Mestrado, Processos de Criação Musical, 2009, University of São Paulo

Esta dissertação consiste na tradução comentada do tratado L\'Art de Preluder de Jacques Martin Hotteterre - Le Romain (1674-1763), publicado em Paris em 1719. Este… (more)

Subjects/Keywords: baroque music; Estilo francês; French style; Jacques Martin Hotteterre; Jacques Martin Hotteterre; L'Art de Preluder; L'Art de Preluder; Música barroca; prelude; Prelúdio

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APA (6th Edition):

Pereira, R. (2009). Flauta doce e a arte de preludiar: tradução comentada do tratado L\'Art de Preluder (1719) de Jacques Martin Hotteterre - Le Romain. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-27102010-141600/ ;

Chicago Manual of Style (16th Edition):

Pereira, Renata. “Flauta doce e a arte de preludiar: tradução comentada do tratado L\'Art de Preluder (1719) de Jacques Martin Hotteterre - Le Romain.” 2009. Masters Thesis, University of São Paulo. Accessed December 12, 2019. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-27102010-141600/ ;.

MLA Handbook (7th Edition):

Pereira, Renata. “Flauta doce e a arte de preludiar: tradução comentada do tratado L\'Art de Preluder (1719) de Jacques Martin Hotteterre - Le Romain.” 2009. Web. 12 Dec 2019.

Vancouver:

Pereira R. Flauta doce e a arte de preludiar: tradução comentada do tratado L\'Art de Preluder (1719) de Jacques Martin Hotteterre - Le Romain. [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2019 Dec 12]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-27102010-141600/ ;.

Council of Science Editors:

Pereira R. Flauta doce e a arte de preludiar: tradução comentada do tratado L\'Art de Preluder (1719) de Jacques Martin Hotteterre - Le Romain. [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-27102010-141600/ ;

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