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You searched for subject:(post traumatic cinema). Showing records 1 – 5 of 5 total matches.

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1. Dinkelbach, Stefanie. The Legacy (Das Vermächtnis): the role of cultural production in the reprocessing of collective experiences that are equivalent to trauma .

Degree: 2013, National University of Ireland – Galway

 This project attempts to address and raise awareness of a loss of social and emotional connection (Bezugsverlust) that has developed over time in German society… (more)

Subjects/Keywords: Trauma; Post-traumatic growth; Collective memory; Cultural trauma; Trauma cinema; Holocaust; Vergangenheitsbewältigung; Huston School of Film and Digital Media

…recognition of trauma as the cause of mental illness, to the official recognition of Post Traumatic… …post-traumatic stress disorder (PTSD) and include flashbacks and reactivation of… …PTSD: ‘Post-traumatic stress disorder occurs following an extremely stressful event, such as… …Fellowship which enabled me to cover my study related travels as well as production and post… …large proportion of German post-war cultural productions directly or indirectly relate to the… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dinkelbach, S. (2013). The Legacy (Das Vermächtnis): the role of cultural production in the reprocessing of collective experiences that are equivalent to trauma . (Thesis). National University of Ireland – Galway. Retrieved from http://hdl.handle.net/10379/3752

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dinkelbach, Stefanie. “The Legacy (Das Vermächtnis): the role of cultural production in the reprocessing of collective experiences that are equivalent to trauma .” 2013. Thesis, National University of Ireland – Galway. Accessed March 06, 2021. http://hdl.handle.net/10379/3752.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dinkelbach, Stefanie. “The Legacy (Das Vermächtnis): the role of cultural production in the reprocessing of collective experiences that are equivalent to trauma .” 2013. Web. 06 Mar 2021.

Vancouver:

Dinkelbach S. The Legacy (Das Vermächtnis): the role of cultural production in the reprocessing of collective experiences that are equivalent to trauma . [Internet] [Thesis]. National University of Ireland – Galway; 2013. [cited 2021 Mar 06]. Available from: http://hdl.handle.net/10379/3752.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dinkelbach S. The Legacy (Das Vermächtnis): the role of cultural production in the reprocessing of collective experiences that are equivalent to trauma . [Thesis]. National University of Ireland – Galway; 2013. Available from: http://hdl.handle.net/10379/3752

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

2. Demessence, Laetitia. Le sommeil d’or (Davy Chou 2011) et L’image manquante (Rithy Panh 2013), deux espaces filmiques de commémoration moyennant l’irrécupérabilité de l’absence.

Degree: 2018, Université de Montréal

Subjects/Keywords: Cinéma documentaire; Génocide khmer; Absence; Deuil post-traumatique; Transmission intergénérationnelle; Témoignage par vicariance; Documentary; Khmer genocide; Absence; Post-traumatic mourning; Intergenerational transmission; Vicarious witnessing; Communications and the Arts - Cinema / Communications et les arts - Cinéma (UMI : 0900)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Demessence, L. (2018). Le sommeil d’or (Davy Chou 2011) et L’image manquante (Rithy Panh 2013), deux espaces filmiques de commémoration moyennant l’irrécupérabilité de l’absence. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/20165

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Demessence, Laetitia. “Le sommeil d’or (Davy Chou 2011) et L’image manquante (Rithy Panh 2013), deux espaces filmiques de commémoration moyennant l’irrécupérabilité de l’absence.” 2018. Thesis, Université de Montréal. Accessed March 06, 2021. http://hdl.handle.net/1866/20165.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Demessence, Laetitia. “Le sommeil d’or (Davy Chou 2011) et L’image manquante (Rithy Panh 2013), deux espaces filmiques de commémoration moyennant l’irrécupérabilité de l’absence.” 2018. Web. 06 Mar 2021.

Vancouver:

Demessence L. Le sommeil d’or (Davy Chou 2011) et L’image manquante (Rithy Panh 2013), deux espaces filmiques de commémoration moyennant l’irrécupérabilité de l’absence. [Internet] [Thesis]. Université de Montréal; 2018. [cited 2021 Mar 06]. Available from: http://hdl.handle.net/1866/20165.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Demessence L. Le sommeil d’or (Davy Chou 2011) et L’image manquante (Rithy Panh 2013), deux espaces filmiques de commémoration moyennant l’irrécupérabilité de l’absence. [Thesis]. Université de Montréal; 2018. Available from: http://hdl.handle.net/1866/20165

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

3. Leblanc, Philippe. L’histoire du cinéma weimarien et son évolution historiographique.

Degree: 2012, Université de Montréal

Subjects/Keywords: Cinéma de Weimar; République de Weimar; Première Guerre mondiale; traumatismes; Culture weimarienne; choc post-traumatique; Weimar cinema; Weimar Republic; First World War; Shell Shock; Weimar Culture; post-traumatic stress disorder; History - European / Histoire - Européenne (UMI : 0335)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leblanc, P. (2012). L’histoire du cinéma weimarien et son évolution historiographique. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/8798

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leblanc, Philippe. “L’histoire du cinéma weimarien et son évolution historiographique.” 2012. Thesis, Université de Montréal. Accessed March 06, 2021. http://hdl.handle.net/1866/8798.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leblanc, Philippe. “L’histoire du cinéma weimarien et son évolution historiographique.” 2012. Web. 06 Mar 2021.

Vancouver:

Leblanc P. L’histoire du cinéma weimarien et son évolution historiographique. [Internet] [Thesis]. Université de Montréal; 2012. [cited 2021 Mar 06]. Available from: http://hdl.handle.net/1866/8798.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leblanc P. L’histoire du cinéma weimarien et son évolution historiographique. [Thesis]. Université de Montréal; 2012. Available from: http://hdl.handle.net/1866/8798

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Stirling

4. Mai, Nadin. The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz.

Degree: PhD, 2015, University of Stirling

 Aiming to make an intervention in both emerging Slow Cinema and classical Trauma Cinema scholarship, this thesis demonstrates the ways in which the post-trauma cinema(more)

Subjects/Keywords: film; Slow Cinema; cinema; Lav Diaz; Philippines; history; memory; trauma; PTSD; concentrationary; terror; extrajudicial killings; torture; rape; post-trauma; Death in the Land of Encantos; Melancholia; Florentina Hubaldo CTE; Trauma Cinema; Janet Walker; Roger Luckhurst; Susannah Radstone; aesthetics; duration; absence; latency period; instantaneity; flashbacks; anxiety; Cathy Caruth; Raya Morag; failed witnessing; Trauma Studies; Philippine Cinema; trauma therapy; sound; silence; framing; ghosts; haunting; Béla Tarr; Tsai Ming-liang; Apichatpong Weerasethakul; Ari Folman; Rithy Panh; Waltz with Bashir; time; long-take; colonialism; oppression; psyche; poverty; Martial Law; l’univers concentrationnaire; hamlets; speed; off-screen space; temporality; power; psychological warfare; mental paralysis; the disappeared; chronic trauma; backstory wounds; repetition; circularity; post-traumatic cinema; death; depletion; ethics; atrocity; painting; landscape painting; Rückenfigur; Chinese painting; accousmêtre; accousmatic; mourning; grief; Slow cinema; Diaz, Lav, 1958- Filmmaker; Motion picture producers and directors Philippines

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mai, N. (2015). The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz. (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/22990

Chicago Manual of Style (16th Edition):

Mai, Nadin. “The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz.” 2015. Doctoral Dissertation, University of Stirling. Accessed March 06, 2021. http://hdl.handle.net/1893/22990.

MLA Handbook (7th Edition):

Mai, Nadin. “The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz.” 2015. Web. 06 Mar 2021.

Vancouver:

Mai N. The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz. [Internet] [Doctoral dissertation]. University of Stirling; 2015. [cited 2021 Mar 06]. Available from: http://hdl.handle.net/1893/22990.

Council of Science Editors:

Mai N. The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz. [Doctoral Dissertation]. University of Stirling; 2015. Available from: http://hdl.handle.net/1893/22990

5. Barr, Kimberley Angela. A Late Thaw.

Degree: MFA - Master of Fine Arts, Film And Video, 2015, York University

 A Late Thaw is an eighteen-minute drama based on the loss of my boyfriend in an ice climbing accident when I was nineteen. The film… (more)

Subjects/Keywords: Fine arts; Film; Cinema; Short film; Drama; Magical realism; Grief; Mountaineering; Loss; Love; Longing; Fiction; Gothic motifs; Post traumatic stress; Trauma; Death; Climbing

…out the grief and pain. Back then, Post Traumatic Stress Disorder was less understood, and… …Levine’s work on Post Traumatic Stress Disorder (PTSD). It was only then that my… …in other words, the symptoms of Post Traumatic Stress Disorder. He states “symptoms of PTSD… …of our capacity for awareness. When confronted with a traumatic or life threatening… …may literally freeze in fear, which will result in the creation of traumatic symptoms… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barr, K. A. (2015). A Late Thaw. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/30000

Chicago Manual of Style (16th Edition):

Barr, Kimberley Angela. “A Late Thaw.” 2015. Masters Thesis, York University. Accessed March 06, 2021. http://hdl.handle.net/10315/30000.

MLA Handbook (7th Edition):

Barr, Kimberley Angela. “A Late Thaw.” 2015. Web. 06 Mar 2021.

Vancouver:

Barr KA. A Late Thaw. [Internet] [Masters thesis]. York University; 2015. [cited 2021 Mar 06]. Available from: http://hdl.handle.net/10315/30000.

Council of Science Editors:

Barr KA. A Late Thaw. [Masters Thesis]. York University; 2015. Available from: http://hdl.handle.net/10315/30000

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