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You searched for subject:(polyphonic songs). Showing records 1 – 3 of 3 total matches.

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1. Baber, Nettie Maxine. A Comparison of the Canzoni of Frescobaldi and Froberger.

Degree: 1942, North Texas State Teachers College

It is the purpose of this thesis to discuss and compare the canzoni of Frescobaldi and Froberger and to show something of their influences on their successors. Advisors/Committee Members: Bain, Wilfred C. (Wilfred Conwell), 1908-1997, Miller, Hugh Milton, 1908-1986.

Subjects/Keywords: canzoni; Girolamo Frescobaldi; Johann Jacob Froberger; canzona francese; instrumental musical forms; polyphonic songs; Frescobaldi, Girolamo  – 1583-1643  – Canzoni  – Selections.; Froberger, Johann Jacob  – 1616-1667  – Canzoni  – Selections.

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APA (6th Edition):

Baber, N. M. (1942). A Comparison of the Canzoni of Frescobaldi and Froberger. (Thesis). North Texas State Teachers College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663323/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baber, Nettie Maxine. “A Comparison of the Canzoni of Frescobaldi and Froberger.” 1942. Thesis, North Texas State Teachers College. Accessed October 22, 2017. https://digital.library.unt.edu/ark:/67531/metadc663323/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baber, Nettie Maxine. “A Comparison of the Canzoni of Frescobaldi and Froberger.” 1942. Web. 22 Oct 2017.

Vancouver:

Baber NM. A Comparison of the Canzoni of Frescobaldi and Froberger. [Internet] [Thesis]. North Texas State Teachers College; 1942. [cited 2017 Oct 22]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663323/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baber NM. A Comparison of the Canzoni of Frescobaldi and Froberger. [Thesis]. North Texas State Teachers College; 1942. Available from: https://digital.library.unt.edu/ark:/67531/metadc663323/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

2. 莊小屛; Chong, Siu-ping, Amy. The chansons of Claudin de Sermisy in Attaingnant's Chansons nouvellesand other early collections.

Degree: M. Phil., 2002, University of Hong Kong

published_or_final_version

Music

Master

Master of Philosophy

Subjects/Keywords: Part songs, French - 16th century - Analysis, appreciation.; Polyphonic chansons - 16th century - Analysis, appreciation.; Music publishers - France - Paris - 16th century.; Music publishing - France - Paris - 16th century.; Songbooks, French - 16th century - History and criticism.

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APA (6th Edition):

莊小屛; Chong, Siu-ping, A. (2002). The chansons of Claudin de Sermisy in Attaingnant's Chansons nouvellesand other early collections. (Masters Thesis). University of Hong Kong. Retrieved from Chong, S. A. [莊小屛]. (2002). The chansons of Claudin de Sermisy in Attaingnant's Chansons nouvelles and other early collections. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122587 ; http://dx.doi.org/10.5353/th_b3122587

Chicago Manual of Style (16th Edition):

莊小屛; Chong, Siu-ping, Amy. “The chansons of Claudin de Sermisy in Attaingnant's Chansons nouvellesand other early collections.” 2002. Masters Thesis, University of Hong Kong. Accessed October 22, 2017. Chong, S. A. [莊小屛]. (2002). The chansons of Claudin de Sermisy in Attaingnant's Chansons nouvelles and other early collections. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122587 ; http://dx.doi.org/10.5353/th_b3122587.

MLA Handbook (7th Edition):

莊小屛; Chong, Siu-ping, Amy. “The chansons of Claudin de Sermisy in Attaingnant's Chansons nouvellesand other early collections.” 2002. Web. 22 Oct 2017.

Vancouver:

莊小屛; Chong, Siu-ping A. The chansons of Claudin de Sermisy in Attaingnant's Chansons nouvellesand other early collections. [Internet] [Masters thesis]. University of Hong Kong; 2002. [cited 2017 Oct 22]. Available from: Chong, S. A. [莊小屛]. (2002). The chansons of Claudin de Sermisy in Attaingnant's Chansons nouvelles and other early collections. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122587 ; http://dx.doi.org/10.5353/th_b3122587.

Council of Science Editors:

莊小屛; Chong, Siu-ping A. The chansons of Claudin de Sermisy in Attaingnant's Chansons nouvellesand other early collections. [Masters Thesis]. University of Hong Kong; 2002. Available from: Chong, S. A. [莊小屛]. (2002). The chansons of Claudin de Sermisy in Attaingnant's Chansons nouvelles and other early collections. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3122587 ; http://dx.doi.org/10.5353/th_b3122587

3. Cohen, Joshua Dov. The Application of Tapping Techniques in Compositions for the Solo Electric Bass.

Degree: MA -MA, Music, 2016, York University

This thesis is an investigation into the application of tapping techniques in compositions for the solo electric bass. Through the detailed analysis of seven compositions, an understanding of the technical merit of tapping, when applied to solo electric bass composition, will come to light. The compositions contain multiple examples that show how tapping provides unique solutions to the execution of particular musical material, including; contrapuntal forms, large range discrepancies, high velocity monophonic lines, and many others. The intent of this paper is to provide a resource in which knowledge regarding the limitations and possibilities of the technique can be obtained and empower composers in applying them to their own compositions. Advisors/Committee Members: Henderson, Alan E. (advisor).

Subjects/Keywords: Music; Electric bass; Technique; Bass technique; Tapping; Two-hand tapping; Solo bass; Solo composition; Bass guitar; 6-string bass; Music; Jazz; Solo electric bass; Josh Cohen; Slap bass; Crack bass; Artificial harmonics; Natural harmonics; Plucking; Fingerstyle; Polyphonic solo composition; Polyphony; Victor Wooten; Stanley Jordan; Michael Manring; Jazz bass; Solo performance; Touchstyle; Hand independence; Extended technique; Chords on bass; Composing for solo bass; Nontraditional bass; Analysis of technique; Right hand fretting; Chapman stick; NS stick; fretwrap; Zander Zon; Tap; Bass virtuoso; Virtuosic technique; Jazz counterpoint; Solo playing in jazz; Canadian composer; Canadian music; Slap and pop; Double-thumping; Double-thump; Strumming on a bass; Pull-off; Hammer-on; Writing for solo bass; Music composition techniques; Communicating through technique; Electric bass in academia; Composition guide; Guide to composing for the electric bass; Modern electric bass; Bass chops; Notating tapping techniques; Notating extended techniques; Percussive techniques; Bass solo; Electric bass solo; Electric bass in jazz; Bass lines; Two-part tapping; Melody on bass; Solo bass songs; Solo bass compositions; Solo bass guitar; Bassist; Solo bassist; Drumming on a bass; Bass tapping; Bass tapping techniques; Bass tapping book; Composer's guide; Composer's guide to the electric bass; Composer's guide to the bass; Two hand tapping; Polyphonic bass playing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cohen, J. D. (2016). The Application of Tapping Techniques in Compositions for the Solo Electric Bass. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/32245

Chicago Manual of Style (16th Edition):

Cohen, Joshua Dov. “The Application of Tapping Techniques in Compositions for the Solo Electric Bass.” 2016. Masters Thesis, York University. Accessed October 22, 2017. http://hdl.handle.net/10315/32245.

MLA Handbook (7th Edition):

Cohen, Joshua Dov. “The Application of Tapping Techniques in Compositions for the Solo Electric Bass.” 2016. Web. 22 Oct 2017.

Vancouver:

Cohen JD. The Application of Tapping Techniques in Compositions for the Solo Electric Bass. [Internet] [Masters thesis]. York University; 2016. [cited 2017 Oct 22]. Available from: http://hdl.handle.net/10315/32245.

Council of Science Editors:

Cohen JD. The Application of Tapping Techniques in Compositions for the Solo Electric Bass. [Masters Thesis]. York University; 2016. Available from: http://hdl.handle.net/10315/32245

.