subject:(plays)

Universiteit Utrecht

1. Hage, L.J.C. Le Mystère comme expression religieuse.

Degree: 2010, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/179971

► Analysis the relation between the religious function and comic expression in the mystery plays. An analysis of the comic in Andre de la Vigne's Mystery… (more)

Subjects/Keywords: Letteren; Mystery plays, comic

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APA (6^th Edition):

Hage, L. J. C. (2010). Le Mystère comme expression religieuse. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/179971

Chicago Manual of Style (16^th Edition):

Hage, L J C. “Le Mystère comme expression religieuse.” 2010. Masters Thesis, Universiteit Utrecht. Accessed January 27, 2021. http://dspace.library.uu.nl:8080/handle/1874/179971.

MLA Handbook (7^th Edition):

Hage, L J C. “Le Mystère comme expression religieuse.” 2010. Web. 27 Jan 2021.

Vancouver:

Hage LJC. Le Mystère comme expression religieuse. [Internet] [Masters thesis]. Universiteit Utrecht; 2010. [cited 2021 Jan 27]. Available from: http://dspace.library.uu.nl:8080/handle/1874/179971.

Council of Science Editors:

Hage LJC. Le Mystère comme expression religieuse. [Masters Thesis]. Universiteit Utrecht; 2010. Available from: http://dspace.library.uu.nl:8080/handle/1874/179971

University of Tasmania

2. Clark, John Richard James,1932-. The development of radio drama as an art form in Great Britain : 1922-1954.

Degree: 1956, University of Tasmania

URL: https://eprints.utas.edu.au/18909/1/whole_ClarkJohnRichardJames1956_thesis.pdf

► In this thesis I have endeavoured to trace the development of radio drama in Great Britain through a selection of plays by authors representative of… (more)

Subjects/Keywords: Radio plays

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APA (6^th Edition):

Clark, J. R. J. (1956). The development of radio drama as an art form in Great Britain : 1922-1954. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/18909/1/whole_ClarkJohnRichardJames1956_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Clark, John Richard James,1932-. “The development of radio drama as an art form in Great Britain : 1922-1954.” 1956. Thesis, University of Tasmania. Accessed January 27, 2021. https://eprints.utas.edu.au/18909/1/whole_ClarkJohnRichardJames1956_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Clark, John Richard James,1932-. “The development of radio drama as an art form in Great Britain : 1922-1954.” 1956. Web. 27 Jan 2021.

Vancouver:

Clark JRJ. The development of radio drama as an art form in Great Britain : 1922-1954. [Internet] [Thesis]. University of Tasmania; 1956. [cited 2021 Jan 27]. Available from: https://eprints.utas.edu.au/18909/1/whole_ClarkJohnRichardJames1956_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clark JRJ. The development of radio drama as an art form in Great Britain : 1922-1954. [Thesis]. University of Tasmania; 1956. Available from: https://eprints.utas.edu.au/18909/1/whole_ClarkJohnRichardJames1956_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Debrecen

3. Bessenyeiné Bódi, Edina. Teaching Speaking Through Role-Plays .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

URL: http://hdl.handle.net/2437/173639

► The dissertation aims to examine whether particular activities encourage students to speak more and also to find ways of enabling students to speak as much… (more)

Subjects/Keywords: teaching speaking; role-plays

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APA (6^th Edition):

Bessenyeiné Bódi, E. (2013). Teaching Speaking Through Role-Plays . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/173639

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bessenyeiné Bódi, Edina. “Teaching Speaking Through Role-Plays .” 2013. Thesis, University of Debrecen. Accessed January 27, 2021. http://hdl.handle.net/2437/173639.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bessenyeiné Bódi, Edina. “Teaching Speaking Through Role-Plays .” 2013. Web. 27 Jan 2021.

Vancouver:

Bessenyeiné Bódi E. Teaching Speaking Through Role-Plays . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/2437/173639.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bessenyeiné Bódi E. Teaching Speaking Through Role-Plays . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/173639

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Queen Mary, University of London

4. Grochala, Sarah Louise. Seriousness, structure and the dramaturgy of social life : the politics of dramatic structure in contemporary British playwriting 1997-2011.

Degree: PhD, 2011, Queen Mary, University of London

URL: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8620 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667049

► Contemporary British plays are commonly thought of as political if they address an issue that is already seen as political (Kritzer, 2008). This thesis explores… (more)

▼ Contemporary British plays are commonly thought of as political if they address an issue that is already seen as political (Kritzer, 2008). This thesis explores the idea that the political stance of a play is articulated at the level of its structure, as well as in its content. Contemporary playwriting practices in British theatre are dominated by ‘serious drama’. Serious drama yokes together politics, dialectical structure and a realist dramaturgy and the resultant form is held up as an ideal against which the political efficacy of a play can be judged. Through an application of the concept of the ideology of form (Jameson, 1981), this thesis re-reads the structures of serious drama in terms of how they reflect the social and economic structures of post- Fordism in their representation of spatio-temporal structures, causation in the dramatic narrative and their imagining of the social subject. Through this reading, this thesis problematises serious drama’s claim to a progressive socialist politics. In contrast, the experimental dramaturgies of a range of contemporary British plays (1997-2011) are read as mediating, negotiating and critiquing the social and economic structures of post-Fordism through their dramatic structure, and so articulating a potentially radical politics. Caryl Churchill’s Heart’s Desire (1997), David Eldridge’s Incomplete and Random Acts of Kindness (2005) and David Greig’s San Diego (2003) are read as negotiating the effects of spatio-temporal compression (Harvey, 1990). Mike Bartlett’s Contractions (2008), debbie tucker green’s Generations (2007) and Rupert Goold and Ben Power’s adaptation of Pirandello’s Six Characters in Search of an Author are analysed in terms of their causal structures (Althusser, 1970). Finally Anthony Neilson’s Realism (2006), Simon Stephens’s Pornography (2007) and Mark Ravenhill’s Shoot/Get Treasure/Repeat (2008) are investigated for the ways in which they re-imagine the social subject through subjective, narrative, unassigned and collective modes of characterisation.

Subjects/Keywords: 822.009; English; Drama; Plays; Politics

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APA (6^th Edition):

Grochala, S. L. (2011). Seriousness, structure and the dramaturgy of social life : the politics of dramatic structure in contemporary British playwriting 1997-2011. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/8620 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667049

Chicago Manual of Style (16^th Edition):

Grochala, Sarah Louise. “Seriousness, structure and the dramaturgy of social life : the politics of dramatic structure in contemporary British playwriting 1997-2011.” 2011. Doctoral Dissertation, Queen Mary, University of London. Accessed January 27, 2021. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8620 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667049.

MLA Handbook (7^th Edition):

Grochala, Sarah Louise. “Seriousness, structure and the dramaturgy of social life : the politics of dramatic structure in contemporary British playwriting 1997-2011.” 2011. Web. 27 Jan 2021.

Vancouver:

Grochala SL. Seriousness, structure and the dramaturgy of social life : the politics of dramatic structure in contemporary British playwriting 1997-2011. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2011. [cited 2021 Jan 27]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8620 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667049.

Council of Science Editors:

Grochala SL. Seriousness, structure and the dramaturgy of social life : the politics of dramatic structure in contemporary British playwriting 1997-2011. [Doctoral Dissertation]. Queen Mary, University of London; 2011. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8620 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667049

Michigan State University

5. Eyestone, Maxine Arlane. A study of the problems involved in writing and producing six original half-hour radio plays.

Degree: MA, 1946, Michigan State University

URL: http://etd.lib.msu.edu/islandora/object/etd:7358

Subjects/Keywords: Radio plays

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APA (6^th Edition):

Eyestone, M. A. (1946). A study of the problems involved in writing and producing six original half-hour radio plays. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:7358

Chicago Manual of Style (16^th Edition):

Eyestone, Maxine Arlane. “A study of the problems involved in writing and producing six original half-hour radio plays.” 1946. Masters Thesis, Michigan State University. Accessed January 27, 2021. http://etd.lib.msu.edu/islandora/object/etd:7358.

MLA Handbook (7^th Edition):

Eyestone, Maxine Arlane. “A study of the problems involved in writing and producing six original half-hour radio plays.” 1946. Web. 27 Jan 2021.

Vancouver:

Eyestone MA. A study of the problems involved in writing and producing six original half-hour radio plays. [Internet] [Masters thesis]. Michigan State University; 1946. [cited 2021 Jan 27]. Available from: http://etd.lib.msu.edu/islandora/object/etd:7358.

Council of Science Editors:

Eyestone MA. A study of the problems involved in writing and producing six original half-hour radio plays. [Masters Thesis]. Michigan State University; 1946. Available from: http://etd.lib.msu.edu/islandora/object/etd:7358

University of Missouri – Columbia

6. Geary, Fonzie Delbert, II. Social critiques in three prose plays by Maxwell Anderson : Saturday's children, Both your houses, and The star-wagon.

Degree: 2011, University of Missouri – Columbia

URL: http://hdl.handle.net/10355/15771

► This dissertation examines three plays by Maxwell Anderson from 1927 to 1937. As Anderson was most noted for aesthetic experiments with verse drama, this study… (more)

Subjects/Keywords: social critique; transcendentalism; prose plays

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APA (6^th Edition):

Geary, Fonzie Delbert, I. (2011). Social critiques in three prose plays by Maxwell Anderson : Saturday's children, Both your houses, and The star-wagon. (Thesis). University of Missouri – Columbia. Retrieved from http://hdl.handle.net/10355/15771

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Geary, Fonzie Delbert, II. “Social critiques in three prose plays by Maxwell Anderson : Saturday's children, Both your houses, and The star-wagon.” 2011. Thesis, University of Missouri – Columbia. Accessed January 27, 2021. http://hdl.handle.net/10355/15771.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Geary, Fonzie Delbert, II. “Social critiques in three prose plays by Maxwell Anderson : Saturday's children, Both your houses, and The star-wagon.” 2011. Web. 27 Jan 2021.

Vancouver:

Geary, Fonzie Delbert I. Social critiques in three prose plays by Maxwell Anderson : Saturday's children, Both your houses, and The star-wagon. [Internet] [Thesis]. University of Missouri – Columbia; 2011. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10355/15771.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Geary, Fonzie Delbert I. Social critiques in three prose plays by Maxwell Anderson : Saturday's children, Both your houses, and The star-wagon. [Thesis]. University of Missouri – Columbia; 2011. Available from: http://hdl.handle.net/10355/15771

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Mizell, Mary. Dialect in the plays of Serafin and Joaquin Alvarez Quintero.

Degree: 1936, Texas Woman's University

URL: http://hdl.handle.net/11274/9907

Subjects/Keywords: Spanish plays

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APA (6^th Edition):

Mizell, M. (1936). Dialect in the plays of Serafin and Joaquin Alvarez Quintero. (Thesis). Texas Woman's University. Retrieved from http://hdl.handle.net/11274/9907

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Mizell, Mary. “Dialect in the plays of Serafin and Joaquin Alvarez Quintero.” 1936. Thesis, Texas Woman's University. Accessed January 27, 2021. http://hdl.handle.net/11274/9907.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Mizell, Mary. “Dialect in the plays of Serafin and Joaquin Alvarez Quintero.” 1936. Web. 27 Jan 2021.

Vancouver:

Mizell M. Dialect in the plays of Serafin and Joaquin Alvarez Quintero. [Internet] [Thesis]. Texas Woman's University; 1936. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/11274/9907.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mizell M. Dialect in the plays of Serafin and Joaquin Alvarez Quintero. [Thesis]. Texas Woman's University; 1936. Available from: http://hdl.handle.net/11274/9907

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of New Mexico

8. Hinson, Pamela Denise. REMEMBER THE LADIES: EXPLORING FEMININE ARCHETYPES IN THREE PLAYS.

Degree: Theatre & Dance, 2016, University of New Mexico

URL: http://hdl.handle.net/1928/32299

► In this essay, I will summarize my growth and learning in this MFA program. I will use a theoretical framework of archetypal and feminist research… (more)

Subjects/Keywords: drama; plays; archetypes; feminist theory

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APA (6^th Edition):

Hinson, P. D. (2016). REMEMBER THE LADIES: EXPLORING FEMININE ARCHETYPES IN THREE PLAYS. (Masters Thesis). University of New Mexico. Retrieved from http://hdl.handle.net/1928/32299

Chicago Manual of Style (16^th Edition):

Hinson, Pamela Denise. “REMEMBER THE LADIES: EXPLORING FEMININE ARCHETYPES IN THREE PLAYS.” 2016. Masters Thesis, University of New Mexico. Accessed January 27, 2021. http://hdl.handle.net/1928/32299.

MLA Handbook (7^th Edition):

Hinson, Pamela Denise. “REMEMBER THE LADIES: EXPLORING FEMININE ARCHETYPES IN THREE PLAYS.” 2016. Web. 27 Jan 2021.

Vancouver:

Hinson PD. REMEMBER THE LADIES: EXPLORING FEMININE ARCHETYPES IN THREE PLAYS. [Internet] [Masters thesis]. University of New Mexico; 2016. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/1928/32299.

Council of Science Editors:

Hinson PD. REMEMBER THE LADIES: EXPLORING FEMININE ARCHETYPES IN THREE PLAYS. [Masters Thesis]. University of New Mexico; 2016. Available from: http://hdl.handle.net/1928/32299

9. Wride, Elizabeth Sarah Gillian. Light and sound in the darkness : exploring theatrical and radiophonic medium-specifics in the double dramatisation of the Smalls Lighthouse incident of 1780.

Degree: PhD, 2013, Swansea University

URL: https://cronfa.swan.ac.uk/Record/cronfa43172 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678262

► The aim of this thesis was to develop two dramatic pieces (a radio drama and a stage play) from the Smalls Lighthouse incident of 1780.… (more)

Subjects/Keywords: 792; Radio plays, English; Playscript

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APA (6^th Edition):

Wride, E. S. G. (2013). Light and sound in the darkness : exploring theatrical and radiophonic medium-specifics in the double dramatisation of the Smalls Lighthouse incident of 1780. (Doctoral Dissertation). Swansea University. Retrieved from https://cronfa.swan.ac.uk/Record/cronfa43172 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678262

Chicago Manual of Style (16^th Edition):

Wride, Elizabeth Sarah Gillian. “Light and sound in the darkness : exploring theatrical and radiophonic medium-specifics in the double dramatisation of the Smalls Lighthouse incident of 1780.” 2013. Doctoral Dissertation, Swansea University. Accessed January 27, 2021. https://cronfa.swan.ac.uk/Record/cronfa43172 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678262.

MLA Handbook (7^th Edition):

Wride, Elizabeth Sarah Gillian. “Light and sound in the darkness : exploring theatrical and radiophonic medium-specifics in the double dramatisation of the Smalls Lighthouse incident of 1780.” 2013. Web. 27 Jan 2021.

Vancouver:

Wride ESG. Light and sound in the darkness : exploring theatrical and radiophonic medium-specifics in the double dramatisation of the Smalls Lighthouse incident of 1780. [Internet] [Doctoral dissertation]. Swansea University; 2013. [cited 2021 Jan 27]. Available from: https://cronfa.swan.ac.uk/Record/cronfa43172 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678262.

Council of Science Editors:

Wride ESG. Light and sound in the darkness : exploring theatrical and radiophonic medium-specifics in the double dramatisation of the Smalls Lighthouse incident of 1780. [Doctoral Dissertation]. Swansea University; 2013. Available from: https://cronfa.swan.ac.uk/Record/cronfa43172 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678262

Aberystwyth University

10. Marshall, Louise. Dramatic Histories and Party Politics, 1719-1745.

Degree: English Literature, 2003, Aberystwyth University

URL: http://hdl.handle.net/2160/1915

► Early eighteenth-century politics were dominated by the rise to power and fall from grace of Sir Robert Walpole. This thesis examines varied responses to the… (more)

▼ Early eighteenth-century politics were dominated by the rise to power and fall from grace of Sir Robert Walpole. This thesis examines varied responses to the Walpole regime from opposition Whig, Tory, Jacobite and pro-government writers. The discussion focuses on history plays from the period 1719-1745 and considers the role of these texts as vehicles for political comment and propaganda. Of key concern throughout the thesis is the rhetoric of patriotism. Patriot ideology pervades the texts and crosses conventional party boundaries. Alongside patriotism other themes pertinent to political commentary of the period are discussed. In chapter one, 'Ancient Britons and Liberty' texts appropriating Saxon and Celtic history are discussed in relation to contemporary concerns for maintaining the political liberty of the British nation. In chapter two, 'Kings, Ministers, Favourites and Patriot Rhetoric' plays that focus on favouritism are examined alongside contemporary criticism of Walpole as 'favourite' of the Hanoverians. In chapter three, 'Gender and Party Politics in Adaptations of Shakespeare's Histories' the updating of Shakespeare to suit contemporary taste and the impact of these alterations are reflected in a repoliticisation of the plays for party agendas. In chapter four, 'Britain, Empire and Julius Cæsar' representations of Cæsar that suggest positive interpretations of the Emperor conflict with contemporary opinion regarding his contribution to the fall of the Roman republic. Implications for Britain’s own colonial endeavour are also considered in chapter five, ‘Religion and the Ideology of Empire in Turkish History Plays'. This chapter examines plays in which the Scanderbeg history is appropriated to offer a model of British colonialism. Reflecting on Britain's past glories or, past failings, the plays discussed in this thesis offer not only comment on contemporary politics but also representations of an idealised Britishness. By demonstrating what Britons had once been these texts suggest what modem Britons should be. Now available in revised text entitled, 'National Myth and Imperial Fantasy: Representations of Britishness on the Early Eighteenth-Century Stage', (Basingstoke: Palgrave MacMillan, 2008). Advisors/Committee Members: Kewes, Paulina (advisor).

Subjects/Keywords: history plays

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APA (6^th Edition):

Marshall, L. (2003). Dramatic Histories and Party Politics, 1719-1745. (Thesis). Aberystwyth University. Retrieved from http://hdl.handle.net/2160/1915

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Marshall, Louise. “Dramatic Histories and Party Politics, 1719-1745.” 2003. Thesis, Aberystwyth University. Accessed January 27, 2021. http://hdl.handle.net/2160/1915.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Marshall, Louise. “Dramatic Histories and Party Politics, 1719-1745.” 2003. Web. 27 Jan 2021.

Vancouver:

Marshall L. Dramatic Histories and Party Politics, 1719-1745. [Internet] [Thesis]. Aberystwyth University; 2003. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/2160/1915.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marshall L. Dramatic Histories and Party Politics, 1719-1745. [Thesis]. Aberystwyth University; 2003. Available from: http://hdl.handle.net/2160/1915

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Texas – Austin

11. Zahn, Ulrich, 1927-. Die Darstellung des Bauern in den Nürnberger Fastnachtspielen des 15. Jahrhunderts.

Degree: MA, Germanic Studies, 1968, University of Texas – Austin

URL: http://hdl.handle.net/2152/37885

Subjects/Keywords: Carnival plays

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APA (6^th Edition):

Zahn, Ulrich, 1. (1968). Die Darstellung des Bauern in den Nürnberger Fastnachtspielen des 15. Jahrhunderts. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/37885

Chicago Manual of Style (16^th Edition):

Zahn, Ulrich, 1927-. “Die Darstellung des Bauern in den Nürnberger Fastnachtspielen des 15. Jahrhunderts.” 1968. Masters Thesis, University of Texas – Austin. Accessed January 27, 2021. http://hdl.handle.net/2152/37885.

MLA Handbook (7^th Edition):

Zahn, Ulrich, 1927-. “Die Darstellung des Bauern in den Nürnberger Fastnachtspielen des 15. Jahrhunderts.” 1968. Web. 27 Jan 2021.

Vancouver:

Zahn, Ulrich 1. Die Darstellung des Bauern in den Nürnberger Fastnachtspielen des 15. Jahrhunderts. [Internet] [Masters thesis]. University of Texas – Austin; 1968. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/2152/37885.

Council of Science Editors:

Zahn, Ulrich 1. Die Darstellung des Bauern in den Nürnberger Fastnachtspielen des 15. Jahrhunderts. [Masters Thesis]. University of Texas – Austin; 1968. Available from: http://hdl.handle.net/2152/37885

Michigan State University

12. Sharpe, Malcolm. The masks of reality : an original ninety minute drama for television.

Degree: MA, 1959, Michigan State University

URL: http://etd.lib.msu.edu/islandora/object/etd:12956

Subjects/Keywords: Television plays

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APA (6^th Edition):

Sharpe, M. (1959). The masks of reality : an original ninety minute drama for television. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:12956

Chicago Manual of Style (16^th Edition):

Sharpe, Malcolm. “The masks of reality : an original ninety minute drama for television.” 1959. Masters Thesis, Michigan State University. Accessed January 27, 2021. http://etd.lib.msu.edu/islandora/object/etd:12956.

MLA Handbook (7^th Edition):

Sharpe, Malcolm. “The masks of reality : an original ninety minute drama for television.” 1959. Web. 27 Jan 2021.

Vancouver:

Sharpe M. The masks of reality : an original ninety minute drama for television. [Internet] [Masters thesis]. Michigan State University; 1959. [cited 2021 Jan 27]. Available from: http://etd.lib.msu.edu/islandora/object/etd:12956.

Council of Science Editors:

Sharpe M. The masks of reality : an original ninety minute drama for television. [Masters Thesis]. Michigan State University; 1959. Available from: http://etd.lib.msu.edu/islandora/object/etd:12956

Michigan State University

13. Stemen, Gregory Donald. Radio comedy : six original illustrative scripts.

Degree: MA, Dept. of Television and Radio, 1972, Michigan State University

URL: http://etd.lib.msu.edu/islandora/object/etd:15849

Subjects/Keywords: Radio plays

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APA (6^th Edition):

Stemen, G. D. (1972). Radio comedy : six original illustrative scripts. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:15849

Chicago Manual of Style (16^th Edition):

Stemen, Gregory Donald. “Radio comedy : six original illustrative scripts.” 1972. Masters Thesis, Michigan State University. Accessed January 27, 2021. http://etd.lib.msu.edu/islandora/object/etd:15849.

MLA Handbook (7^th Edition):

Stemen, Gregory Donald. “Radio comedy : six original illustrative scripts.” 1972. Web. 27 Jan 2021.

Vancouver:

Stemen GD. Radio comedy : six original illustrative scripts. [Internet] [Masters thesis]. Michigan State University; 1972. [cited 2021 Jan 27]. Available from: http://etd.lib.msu.edu/islandora/object/etd:15849.

Council of Science Editors:

Stemen GD. Radio comedy : six original illustrative scripts. [Masters Thesis]. Michigan State University; 1972. Available from: http://etd.lib.msu.edu/islandora/object/etd:15849

Michigan State University

14. Nebeker, Jolene. The evolution of the baker's dozen, an original play for children.

Degree: MA, 1960, Michigan State University

URL: http://etd.lib.msu.edu/islandora/object/etd:15946

Subjects/Keywords: Children's plays

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APA (6^th Edition):

Nebeker, J. (1960). The evolution of the baker's dozen, an original play for children. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:15946

Chicago Manual of Style (16^th Edition):

Nebeker, Jolene. “The evolution of the baker's dozen, an original play for children.” 1960. Masters Thesis, Michigan State University. Accessed January 27, 2021. http://etd.lib.msu.edu/islandora/object/etd:15946.

MLA Handbook (7^th Edition):

Nebeker, Jolene. “The evolution of the baker's dozen, an original play for children.” 1960. Web. 27 Jan 2021.

Vancouver:

Nebeker J. The evolution of the baker's dozen, an original play for children. [Internet] [Masters thesis]. Michigan State University; 1960. [cited 2021 Jan 27]. Available from: http://etd.lib.msu.edu/islandora/object/etd:15946.

Council of Science Editors:

Nebeker J. The evolution of the baker's dozen, an original play for children. [Masters Thesis]. Michigan State University; 1960. Available from: http://etd.lib.msu.edu/islandora/object/etd:15946

RMIT University

15. Maxwell, N. Black comedy and the principles of screenwriting: the actions.

Degree: 2008, RMIT University

URL: http://researchbank.rmit.edu.au/view/rmit:7859

► This exegesis will aim to research and analyse the conventions of writing a black comedy in a feature film script. As a screenwriter with a… (more)

Subjects/Keywords: Fields of Research; Comedy; Motion picture plays

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APA (6^th Edition):

Maxwell, N. (2008). Black comedy and the principles of screenwriting: the actions. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:7859

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Maxwell, N. “Black comedy and the principles of screenwriting: the actions.” 2008. Thesis, RMIT University. Accessed January 27, 2021. http://researchbank.rmit.edu.au/view/rmit:7859.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Maxwell, N. “Black comedy and the principles of screenwriting: the actions.” 2008. Web. 27 Jan 2021.

Vancouver:

Maxwell N. Black comedy and the principles of screenwriting: the actions. [Internet] [Thesis]. RMIT University; 2008. [cited 2021 Jan 27]. Available from: http://researchbank.rmit.edu.au/view/rmit:7859.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Maxwell N. Black comedy and the principles of screenwriting: the actions. [Thesis]. RMIT University; 2008. Available from: http://researchbank.rmit.edu.au/view/rmit:7859

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Lamb, Ben. Investing a studio with meaning : the construction of fictional space in British Television drama and the police series of 1955-82.

Degree: PhD, 2014, University of South Wales

URL: https://pure.southwales.ac.uk/en/studentthesis/investing-a-studio-with-meaning-the-construction-of-fictional-space-in-british-television-drama-and-the-police-series-of-195582(aebd1477-db5a-4559-87b6-0f2521d0ce69).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.795279

► British television drama shot in the studio using videotape technology has traditionally been considered to have its own distinctive aesthetic throughout academic studies. The purpose… (more)

Subjects/Keywords: Television plays, English; Television programs; Great Britain

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APA (6^th Edition):

Lamb, B. (2014). Investing a studio with meaning : the construction of fictional space in British Television drama and the police series of 1955-82. (Doctoral Dissertation). University of South Wales. Retrieved from https://pure.southwales.ac.uk/en/studentthesis/investing-a-studio-with-meaning-the-construction-of-fictional-space-in-british-television-drama-and-the-police-series-of-195582(aebd1477-db5a-4559-87b6-0f2521d0ce69).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.795279

Chicago Manual of Style (16^th Edition):

Lamb, Ben. “Investing a studio with meaning : the construction of fictional space in British Television drama and the police series of 1955-82.” 2014. Doctoral Dissertation, University of South Wales. Accessed January 27, 2021. https://pure.southwales.ac.uk/en/studentthesis/investing-a-studio-with-meaning-the-construction-of-fictional-space-in-british-television-drama-and-the-police-series-of-195582(aebd1477-db5a-4559-87b6-0f2521d0ce69).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.795279.

MLA Handbook (7^th Edition):

Lamb, Ben. “Investing a studio with meaning : the construction of fictional space in British Television drama and the police series of 1955-82.” 2014. Web. 27 Jan 2021.

Vancouver:

Lamb B. Investing a studio with meaning : the construction of fictional space in British Television drama and the police series of 1955-82. [Internet] [Doctoral dissertation]. University of South Wales; 2014. [cited 2021 Jan 27]. Available from: https://pure.southwales.ac.uk/en/studentthesis/investing-a-studio-with-meaning-the-construction-of-fictional-space-in-british-television-drama-and-the-police-series-of-195582(aebd1477-db5a-4559-87b6-0f2521d0ce69).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.795279.

Council of Science Editors:

Lamb B. Investing a studio with meaning : the construction of fictional space in British Television drama and the police series of 1955-82. [Doctoral Dissertation]. University of South Wales; 2014. Available from: https://pure.southwales.ac.uk/en/studentthesis/investing-a-studio-with-meaning-the-construction-of-fictional-space-in-british-television-drama-and-the-police-series-of-195582(aebd1477-db5a-4559-87b6-0f2521d0ce69).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.795279

17. Thillaikarasi V. Phallo centric concerns in the select plays of Vijay Tendulkar;.

Degree: English, 2014, Periyar University

URL: http://shodhganga.inflibnet.ac.in/handle/10603/20620

►

Phallocentrism primarily responds to the way a woman is presented in literature by male writers from their viewpoint It stands for a belief that women… (more)

Subjects/Keywords: Drama; Phallo-Centric; Plays; Vijay Tendulkar

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APA (6^th Edition):

V, T. (2014). Phallo centric concerns in the select plays of Vijay Tendulkar;. (Thesis). Periyar University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/20620

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

V, Thillaikarasi. “Phallo centric concerns in the select plays of Vijay Tendulkar;.” 2014. Thesis, Periyar University. Accessed January 27, 2021. http://shodhganga.inflibnet.ac.in/handle/10603/20620.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

V, Thillaikarasi. “Phallo centric concerns in the select plays of Vijay Tendulkar;.” 2014. Web. 27 Jan 2021.

Vancouver:

V T. Phallo centric concerns in the select plays of Vijay Tendulkar;. [Internet] [Thesis]. Periyar University; 2014. [cited 2021 Jan 27]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/20620.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

V T. Phallo centric concerns in the select plays of Vijay Tendulkar;. [Thesis]. Periyar University; 2014. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/20620

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Khairunnisa. Artistic concerns in the select plays of Asif Currimbhoy; None.

Degree: English, 2005, Periyar University

URL: http://shodhganga.inflibnet.ac.in/handle/10603/17918

►

Scientists expound on material issues, but artists ponder over the uniqueness of the whole gamut of human experience. Science analyses the external and arts open… (more)

Subjects/Keywords: Artistic concerns; Asif Currinbhoy; English; Plays

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APA (6^th Edition):

Khairunnisa. (2005). Artistic concerns in the select plays of Asif Currimbhoy; None. (Thesis). Periyar University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/17918

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Khairunnisa. “Artistic concerns in the select plays of Asif Currimbhoy; None.” 2005. Thesis, Periyar University. Accessed January 27, 2021. http://shodhganga.inflibnet.ac.in/handle/10603/17918.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Khairunnisa. “Artistic concerns in the select plays of Asif Currimbhoy; None.” 2005. Web. 27 Jan 2021.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Khairunnisa. Artistic concerns in the select plays of Asif Currimbhoy; None. [Internet] [Thesis]. Periyar University; 2005. [cited 2021 Jan 27]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/17918.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Khairunnisa. Artistic concerns in the select plays of Asif Currimbhoy; None. [Thesis]. Periyar University; 2005. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/17918

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

19. Kumaran S. An ecocritical analysis of select plays of chandrasekhar kambar and hs shivaprakash;.

Degree: An ecocritical analysis of select plays of chandrasekhar kambar and hs shivaprakash, 2014, Anna University

URL: http://shodhganga.inflibnet.ac.in/handle/10603/29627

►

Chandrasekhar Kambar and HSShivaprakash are the most newlinepromising contemporary dramatists of Karnataka who address the disturbing newlineglobal issues such as ecocatastrophe colonial aggression and the… (more)

Subjects/Keywords: ecocritical analysis; plays; science and humanities

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APA (6^th Edition):

S, K. (2014). An ecocritical analysis of select plays of chandrasekhar kambar and hs shivaprakash;. (Thesis). Anna University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/29627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

S, Kumaran. “An ecocritical analysis of select plays of chandrasekhar kambar and hs shivaprakash;.” 2014. Thesis, Anna University. Accessed January 27, 2021. http://shodhganga.inflibnet.ac.in/handle/10603/29627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

S, Kumaran. “An ecocritical analysis of select plays of chandrasekhar kambar and hs shivaprakash;.” 2014. Web. 27 Jan 2021.

Vancouver:

S K. An ecocritical analysis of select plays of chandrasekhar kambar and hs shivaprakash;. [Internet] [Thesis]. Anna University; 2014. [cited 2021 Jan 27]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/29627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

S K. An ecocritical analysis of select plays of chandrasekhar kambar and hs shivaprakash;. [Thesis]. Anna University; 2014. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/29627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Singh, Ruchi. Plays of Vijay Tendulkar; a critique.

Degree: 2012, V. B. S. Purvanchal University

URL: http://shodhganga.inflibnet.ac.in/handle/10603/44275

newline

Advisors/Committee Members: Singh, P K, Singh, Vinod Kr.

Subjects/Keywords: plays; Vijay Tendulkar

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Singh, R. (2012). Plays of Vijay Tendulkar; a critique. (Thesis). V. B. S. Purvanchal University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/44275

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Singh, Ruchi. “Plays of Vijay Tendulkar; a critique.” 2012. Thesis, V. B. S. Purvanchal University. Accessed January 27, 2021. http://shodhganga.inflibnet.ac.in/handle/10603/44275.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Singh, Ruchi. “Plays of Vijay Tendulkar; a critique.” 2012. Web. 27 Jan 2021.

Vancouver:

Singh R. Plays of Vijay Tendulkar; a critique. [Internet] [Thesis]. V. B. S. Purvanchal University; 2012. [cited 2021 Jan 27]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/44275.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Singh R. Plays of Vijay Tendulkar; a critique. [Thesis]. V. B. S. Purvanchal University; 2012. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/44275

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Wisconsin – Oshkosh

21. Rutchik, Joseph J. BLUE: A TWO-ACT PLAY.

Degree: 2011, University of Wisconsin – Oshkosh

URL: http://digital.library.wisc.edu/1793/55780

A Thesis Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Arts - English Advisors/Committee Members: Kalinoski, Richard.

Subjects/Keywords: American drama; Family - drama; Substance abuse; Plays

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Rutchik, J. J. (2011). BLUE: A TWO-ACT PLAY. (Thesis). University of Wisconsin – Oshkosh. Retrieved from http://digital.library.wisc.edu/1793/55780

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Rutchik, Joseph J. “BLUE: A TWO-ACT PLAY.” 2011. Thesis, University of Wisconsin – Oshkosh. Accessed January 27, 2021. http://digital.library.wisc.edu/1793/55780.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Rutchik, Joseph J. “BLUE: A TWO-ACT PLAY.” 2011. Web. 27 Jan 2021.

Vancouver:

Rutchik JJ. BLUE: A TWO-ACT PLAY. [Internet] [Thesis]. University of Wisconsin – Oshkosh; 2011. [cited 2021 Jan 27]. Available from: http://digital.library.wisc.edu/1793/55780.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rutchik JJ. BLUE: A TWO-ACT PLAY. [Thesis]. University of Wisconsin – Oshkosh; 2011. Available from: http://digital.library.wisc.edu/1793/55780

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

AUT University

22. Lee, Melissa. Exegesis and screenplay for a film entitled: Stolen innocence .

Degree: AUT University

URL: http://hdl.handle.net/10292/11431

► This screenplay is a fictional representation of the holocaust-like atrocities the Japanese inflicted upon 200,000 Korean women during WWII. It is also a reaction to… (more)

Subjects/Keywords: Motion picture plays

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APA (6^th Edition):

Lee, M. (n.d.). Exegesis and screenplay for a film entitled: Stolen innocence . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/11431

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lee, Melissa. “Exegesis and screenplay for a film entitled: Stolen innocence .” Thesis, AUT University. Accessed January 27, 2021. http://hdl.handle.net/10292/11431.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lee, Melissa. “Exegesis and screenplay for a film entitled: Stolen innocence .” Web. 27 Jan 2021.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Lee M. Exegesis and screenplay for a film entitled: Stolen innocence . [Internet] [Thesis]. AUT University; [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10292/11431.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Lee M. Exegesis and screenplay for a film entitled: Stolen innocence . [Thesis]. AUT University; Available from: http://hdl.handle.net/10292/11431

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

University of Ghana

23. Appiah-Adjei, D. Sankcfa and Drama: A Study of Adinkra and Akan Clan Symbols in Modern Ghanaian Plays .

Degree: 2014, University of Ghana

URL: http://ugspace.ug.edu.gh/handle/123456789/8003

► The purpose of this research is to explore the use of traditional symbols, especially, the Sankcfa Theory which means: it is not forbidden to go… (more)

▼ The purpose of this research is to explore the use of traditional symbols, especially, the Sankcfa Theory which means: it is not forbidden to go into history to validate or reclaim the past, in its entirety as a conceptual foundation which Ghanaians and other African artists have engaged in their creative representations. Most Ghanaian playwrights, in particular, during the colonial and post-colonial periods, are known to have extensively employed this concept as the main thrust of their creative expressions. Rhetorically, one wonders to what extent the narratives in Adinkra symbols of which Sankcfa is canonical and Akan clan symbols (Totems) have been employed by Ghanaian playwrights. The plays used in this study include; 4 selected plays; The Legend of Aku Sika by Martin Owusu, in respect of the reclaiming of Ghanaian folktale as a valid resource for modern theatrical expression, In the Chest of a Woman by Efo Kodjo Mawugbe and The Dilemma of a Ghost by Ama Ata Aidoo, which espouse the dichotomies of modern and traditional Ghanaian societies and, Edufa by Efua Sutherland, a play adapted from the classical Greek play, Alcestis by Euripides, which reinforces the commonalities of world views of traditional or primeval societies, however, disparate. The method employed are one-on-one interviews on Adinkra and Akan Clan symbols, field notes, field letters, original play production (Death on Trial), essays and memory data. The study, therefore, is largely Qualitative (Content Analysis (CA), ethnographic and phenomenological). The methods are unique to this study as they provide a reflexive analysis document, complemented by recognition of symbolic events that emanate from Akan traditions. Findings from the study reveal several major thematic manifestations of physical objects, social norms and abstract ideas of the Akan traditions and cultural practices. The study also exposes the dramatic elements in the narratives in Adinkra and Akan Clan symbols. The final product is an amalgamation of academic and literary writing, profiles, pictorial representations of traditional symbols and narratives. Advisors/Committee Members: Owusu, M.O (advisor), Opong, R.K (advisor), Osei, A (advisor).

Subjects/Keywords: traditional symbols; Sankcfa; Drama; Ghana; Ghanaian Plays

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Appiah-Adjei, D. (2014). Sankcfa and Drama: A Study of Adinkra and Akan Clan Symbols in Modern Ghanaian Plays . (Doctoral Dissertation). University of Ghana. Retrieved from http://ugspace.ug.edu.gh/handle/123456789/8003

Chicago Manual of Style (16^th Edition):

Appiah-Adjei, D. “Sankcfa and Drama: A Study of Adinkra and Akan Clan Symbols in Modern Ghanaian Plays .” 2014. Doctoral Dissertation, University of Ghana. Accessed January 27, 2021. http://ugspace.ug.edu.gh/handle/123456789/8003.

MLA Handbook (7^th Edition):

Appiah-Adjei, D. “Sankcfa and Drama: A Study of Adinkra and Akan Clan Symbols in Modern Ghanaian Plays .” 2014. Web. 27 Jan 2021.

Vancouver:

Appiah-Adjei D. Sankcfa and Drama: A Study of Adinkra and Akan Clan Symbols in Modern Ghanaian Plays . [Internet] [Doctoral dissertation]. University of Ghana; 2014. [cited 2021 Jan 27]. Available from: http://ugspace.ug.edu.gh/handle/123456789/8003.

Council of Science Editors:

Appiah-Adjei D. Sankcfa and Drama: A Study of Adinkra and Akan Clan Symbols in Modern Ghanaian Plays . [Doctoral Dissertation]. University of Ghana; 2014. Available from: http://ugspace.ug.edu.gh/handle/123456789/8003

Durham University

24. Scott, Paul Adam. The martyr-figure in French theatre, 1596-1675.

Degree: PhD, 2001, Durham University

URL: http://etheses.dur.ac.uk/4132/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249096

► This doctoral project is the first comprehensive study of plays about Christian martyrdom on the French stage from 1596 to 1675.1 have compiled a corpus… (more)

▼ This doctoral project is the first comprehensive study of plays about Christian martyrdom on the French stage from 1596 to 1675.1 have compiled a corpus of such tragedies (Appendix). In Chapter One, I argue that such plays should be treated as a characteristic tragic sub-genre, distinct from other forms of religious plays. I also examine the background to the appearance of the martyr-play, in particular the exaltation of martyrdom in both Protestant and Catholic communities in the sixteenth and seventeenth centuries, as well as other artistic representations of the martyr-hero. Religious literature has often been studied in the light of theological controversy. Since a martyr-play deals with an individual resisting lawful authority, I have concentrated on looking at plays from a political aspect: the depiction of revolt. Accordingly, at the end of Chapter One, I consider how the French king was widely portrayed under the traits of a Roman emperor in popular iconography, demonstrating that this allegory was so widespread, that an audience viewing an emperor on stage would see a link with their own monarch. In Chapters Two, Three and Four, I examine the extant tragedies from the period, with a particular emphasis on how authors treat the question of obedience and the martyr's struggle. Writers with court connections mellow and neutralise the martyr's refusal to obey, notably Comeille and Rotrou. Other dramatists emphasise and highlight the element of individual conscience, particularly La Serre and Desfontaines. The martyr-play peaks during the 1640s and early 1650s, that is to say during a time of civil war, and I believe that the play was a vehicle through which authors could express their discontent with contemporary authority, or even use the example of the martyr as a deterrent to active revolt (Gaspard Olivier is the most striking case).In Chapter Five, I explore the inherent ambivalence of the martyr, and look at the tragedies from the perspective of suicide and the portrayal of gender. I conclude that the martyr is always an ambiguous model, and that this is reflected in the French stage portrayals.

Subjects/Keywords: 842; Religious plays

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APA (6^th Edition):

Scott, P. A. (2001). The martyr-figure in French theatre, 1596-1675. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/4132/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249096

Chicago Manual of Style (16^th Edition):

Scott, Paul Adam. “The martyr-figure in French theatre, 1596-1675.” 2001. Doctoral Dissertation, Durham University. Accessed January 27, 2021. http://etheses.dur.ac.uk/4132/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249096.

MLA Handbook (7^th Edition):

Scott, Paul Adam. “The martyr-figure in French theatre, 1596-1675.” 2001. Web. 27 Jan 2021.

Vancouver:

Scott PA. The martyr-figure in French theatre, 1596-1675. [Internet] [Doctoral dissertation]. Durham University; 2001. [cited 2021 Jan 27]. Available from: http://etheses.dur.ac.uk/4132/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249096.

Council of Science Editors:

Scott PA. The martyr-figure in French theatre, 1596-1675. [Doctoral Dissertation]. Durham University; 2001. Available from: http://etheses.dur.ac.uk/4132/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249096

University of Bristol

25. Sakellari, Alexandra. The scenic presentation of the Electra-myth in Greek, German and American drama.

Degree: PhD, 1994, University of Bristol

URL: http://hdl.handle.net/1983/844c957b-a33e-4e4a-a6ba-a3b3bd83174d

Subjects/Keywords: 800; Theatrical plays

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APA (6^th Edition):

Sakellari, A. (1994). The scenic presentation of the Electra-myth in Greek, German and American drama. (Doctoral Dissertation). University of Bristol. Retrieved from http://hdl.handle.net/1983/844c957b-a33e-4e4a-a6ba-a3b3bd83174d

Chicago Manual of Style (16^th Edition):

Sakellari, Alexandra. “The scenic presentation of the Electra-myth in Greek, German and American drama.” 1994. Doctoral Dissertation, University of Bristol. Accessed January 27, 2021. http://hdl.handle.net/1983/844c957b-a33e-4e4a-a6ba-a3b3bd83174d.

MLA Handbook (7^th Edition):

Sakellari, Alexandra. “The scenic presentation of the Electra-myth in Greek, German and American drama.” 1994. Web. 27 Jan 2021.

Vancouver:

Sakellari A. The scenic presentation of the Electra-myth in Greek, German and American drama. [Internet] [Doctoral dissertation]. University of Bristol; 1994. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/1983/844c957b-a33e-4e4a-a6ba-a3b3bd83174d.

Council of Science Editors:

Sakellari A. The scenic presentation of the Electra-myth in Greek, German and American drama. [Doctoral Dissertation]. University of Bristol; 1994. Available from: http://hdl.handle.net/1983/844c957b-a33e-4e4a-a6ba-a3b3bd83174d

University of Sheffield

26. Ledbury, Helen Burke. The tragedies of Maria Rosa Galvez de Cabrera (1768-1806).

Degree: PhD, 2000, University of Sheffield

URL: http://etheses.whiterose.ac.uk/3061/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327627

► The aim of this thesis is to advance an understanding of the author's corpus of tragic plays, eight in total. Chapter One explores continuities and… (more)

Subjects/Keywords: 800; Tragic plays

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APA (6^th Edition):

Ledbury, H. B. (2000). The tragedies of Maria Rosa Galvez de Cabrera (1768-1806). (Doctoral Dissertation). University of Sheffield. Retrieved from http://etheses.whiterose.ac.uk/3061/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327627

Chicago Manual of Style (16^th Edition):

Ledbury, Helen Burke. “The tragedies of Maria Rosa Galvez de Cabrera (1768-1806).” 2000. Doctoral Dissertation, University of Sheffield. Accessed January 27, 2021. http://etheses.whiterose.ac.uk/3061/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327627.

MLA Handbook (7^th Edition):

Ledbury, Helen Burke. “The tragedies of Maria Rosa Galvez de Cabrera (1768-1806).” 2000. Web. 27 Jan 2021.

Vancouver:

Ledbury HB. The tragedies of Maria Rosa Galvez de Cabrera (1768-1806). [Internet] [Doctoral dissertation]. University of Sheffield; 2000. [cited 2021 Jan 27]. Available from: http://etheses.whiterose.ac.uk/3061/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327627.

Council of Science Editors:

Ledbury HB. The tragedies of Maria Rosa Galvez de Cabrera (1768-1806). [Doctoral Dissertation]. University of Sheffield; 2000. Available from: http://etheses.whiterose.ac.uk/3061/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327627

27. Ankerhag, Maria. Den närvarande pedagogen : en empirisk undersökning av förskolepedagogens förhållningssätt till den fria leken.

Degree: Lärarutbildningen, 2011, Södertörn University College

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-10684

► In this empirical study I have investigated how preschool teachers relate to the free play at the preschool. At the same time I have… (more)

Subjects/Keywords: preschool; preschool teacher; free plays; participation

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APA (6^th Edition):

Ankerhag, M. (2011). Den närvarande pedagogen : en empirisk undersökning av förskolepedagogens förhållningssätt till den fria leken. (Thesis). Södertörn University College. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-10684

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Ankerhag, Maria. “Den närvarande pedagogen : en empirisk undersökning av förskolepedagogens förhållningssätt till den fria leken.” 2011. Thesis, Södertörn University College. Accessed January 27, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-10684.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Ankerhag, Maria. “Den närvarande pedagogen : en empirisk undersökning av förskolepedagogens förhållningssätt till den fria leken.” 2011. Web. 27 Jan 2021.

Vancouver:

Ankerhag M. Den närvarande pedagogen : en empirisk undersökning av förskolepedagogens förhållningssätt till den fria leken. [Internet] [Thesis]. Södertörn University College; 2011. [cited 2021 Jan 27]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-10684.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ankerhag M. Den närvarande pedagogen : en empirisk undersökning av förskolepedagogens förhållningssätt till den fria leken. [Thesis]. Södertörn University College; 2011. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-10684

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Busch, Ella Adeline. Die theorie des einakters.

Degree: 1904, University of Missouri

URL: https://doi.org/10.32469/10355/15480

Discusses various dramas and the techniques of one-act plays.

Subjects/Keywords: One-act plays

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APA (6^th Edition):

Busch, E. A. (1904). Die theorie des einakters. (Thesis). University of Missouri. Retrieved from https://doi.org/10.32469/10355/15480

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Busch, Ella Adeline. “Die theorie des einakters.” 1904. Thesis, University of Missouri. Accessed January 27, 2021. https://doi.org/10.32469/10355/15480.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Busch, Ella Adeline. “Die theorie des einakters.” 1904. Web. 27 Jan 2021.

Vancouver:

Busch EA. Die theorie des einakters. [Internet] [Thesis]. University of Missouri; 1904. [cited 2021 Jan 27]. Available from: https://doi.org/10.32469/10355/15480.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Busch EA. Die theorie des einakters. [Thesis]. University of Missouri; 1904. Available from: https://doi.org/10.32469/10355/15480

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Hawaii – Manoa

29. Berberich, Junko Sakaba. Rapture in Kyōgen.

Degree: PhD, 2009, University of Hawaii – Manoa

URL: http://hdl.handle.net/10125/9572

English and Japanese.

Bibliography: leaves [225]-231.

Microfiche.

vii, 231 leaves, bound ill. 29 cm

Subjects/Keywords: Kyōgen; Kyōgen plays

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APA (6^th Edition):

Berberich, J. S. (2009). Rapture in Kyōgen. (Doctoral Dissertation). University of Hawaii – Manoa. Retrieved from http://hdl.handle.net/10125/9572

Chicago Manual of Style (16^th Edition):

Berberich, Junko Sakaba. “Rapture in Kyōgen.” 2009. Doctoral Dissertation, University of Hawaii – Manoa. Accessed January 27, 2021. http://hdl.handle.net/10125/9572.

MLA Handbook (7^th Edition):

Berberich, Junko Sakaba. “Rapture in Kyōgen.” 2009. Web. 27 Jan 2021.

Vancouver:

Berberich JS. Rapture in Kyōgen. [Internet] [Doctoral dissertation]. University of Hawaii – Manoa; 2009. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10125/9572.

Council of Science Editors:

Berberich JS. Rapture in Kyōgen. [Doctoral Dissertation]. University of Hawaii – Manoa; 2009. Available from: http://hdl.handle.net/10125/9572

California State University – Northridge

30. Schmidt, Toni Anne. Hansel and Gretel.

Degree: MA, Department of Theater, 1973, California State University – Northridge

URL: http://hdl.handle.net/10211.3/119515

► Each summer the Drama Department and the Foundation of California State University at Northridge sponsor a six-week Teenage Drama Workshop. Its program includes drama classes… (more)

Subjects/Keywords: Children's plays; American

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APA (6^th Edition):

Schmidt, T. A. (1973). Hansel and Gretel. (Masters Thesis). California State University – Northridge. Retrieved from http://hdl.handle.net/10211.3/119515

Chicago Manual of Style (16^th Edition):

Schmidt, Toni Anne. “Hansel and Gretel.” 1973. Masters Thesis, California State University – Northridge. Accessed January 27, 2021. http://hdl.handle.net/10211.3/119515.

MLA Handbook (7^th Edition):

Schmidt, Toni Anne. “Hansel and Gretel.” 1973. Web. 27 Jan 2021.

Vancouver:

Schmidt TA. Hansel and Gretel. [Internet] [Masters thesis]. California State University – Northridge; 1973. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10211.3/119515.

Council of Science Editors:

Schmidt TA. Hansel and Gretel. [Masters Thesis]. California State University – Northridge; 1973. Available from: http://hdl.handle.net/10211.3/119515

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Open Access Theses and Dissertations