subject:(photography)

Virginia Commonwealth University

1. Sarver, Abbey Lee. JPG Artifacts.

Degree: MFA, Fine Arts, 2016, Virginia Commonwealth University

URL: https://doi.org/10.25772/MBQH-2Y69 ; https://scholarscompass.vcu.edu/etd/4164

► This thesis examines my artistic practice over the past two years at Virginia Commonwealth University, which has led to the installation of my thesis… (more)

Subjects/Keywords: Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sarver, A. L. (2016). JPG Artifacts. (Thesis). Virginia Commonwealth University. Retrieved from https://doi.org/10.25772/MBQH-2Y69 ; https://scholarscompass.vcu.edu/etd/4164

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Sarver, Abbey Lee. “JPG Artifacts.” 2016. Thesis, Virginia Commonwealth University. Accessed March 01, 2021. https://doi.org/10.25772/MBQH-2Y69 ; https://scholarscompass.vcu.edu/etd/4164.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Sarver, Abbey Lee. “JPG Artifacts.” 2016. Web. 01 Mar 2021.

Vancouver:

Sarver AL. JPG Artifacts. [Internet] [Thesis]. Virginia Commonwealth University; 2016. [cited 2021 Mar 01]. Available from: https://doi.org/10.25772/MBQH-2Y69 ; https://scholarscompass.vcu.edu/etd/4164.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sarver AL. JPG Artifacts. [Thesis]. Virginia Commonwealth University; 2016. Available from: https://doi.org/10.25772/MBQH-2Y69 ; https://scholarscompass.vcu.edu/etd/4164

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Arts London

2. Love, Johanna. Dust: Exploring the relationship between contemporary modes of viewing the printed photographic image.

Degree: 2012, University of the Arts London

URL: https://ualresearchonline.arts.ac.uk/id/eprint/5887/

► This practice-based research project was initiated through and informed by my own fine art practice, and examines how dust may be used as a visual… (more)

▼ This practice-based research project was initiated through and informed by my own fine art practice, and examines how dust may be used as a visual element within contemporary image making to generate new modes of viewing and making. The practical work brings together the digital photographic print (as a landscape image) and images of dust to question how digital photographic surface and drawings of dust may sit together within the same pictorial surface to open up new possibilities of reading space and bringing about new apprehensions of temporality and mortality. Theoretical and philosophical context is considered through two contrasting notions of pictorial orientation, the vertical (Alberti, 1435), and the horizontal plane (Steinberg, 1972)and of the interruptive, physical and metaphorical reading of dust within the reading of the photographic printed image. An assertion of the importance of tactile touch and proximity during image creation is made, referencing the thinking of Aristotle, Heidegger, and Merleau-Ponty. Through an analysis of a number of key artists’ works, including Helen Chadwick’s The Oval Court, Carcass (1986); Man Ray and Duchamp’s Dust Breeding (1920); and Hiroshi Sugimoto’s Seascapes – along with a series of practical investigations using a digital flat bed scanner, the research explores how shifts in making and viewing occur as a consequence of changes in image orientation and materiality, and offer the potential of disruption or interruption in the viewer’s perception of photographic space. The experiments and analysis underpin the central argument of the research and demonstrate how materiality and orientation of making are key aspects of image creation, aspects which can be manipulated to create contradictory visual readings of surface and space. The tension brought about by this visual contradiction opens up new possibilities in the perceptions and meanings within the photographic print, tension further underlined by the significant symbolic and indexical presence of dust within the image.

Subjects/Keywords: Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Love, J. (2012). Dust: Exploring the relationship between contemporary modes of viewing the printed photographic image. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5887/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Love, Johanna. “Dust: Exploring the relationship between contemporary modes of viewing the printed photographic image.” 2012. Thesis, University of the Arts London. Accessed March 01, 2021. https://ualresearchonline.arts.ac.uk/id/eprint/5887/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Love, Johanna. “Dust: Exploring the relationship between contemporary modes of viewing the printed photographic image.” 2012. Web. 01 Mar 2021.

Vancouver:

Love J. Dust: Exploring the relationship between contemporary modes of viewing the printed photographic image. [Internet] [Thesis]. University of the Arts London; 2012. [cited 2021 Mar 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5887/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Love J. Dust: Exploring the relationship between contemporary modes of viewing the printed photographic image. [Thesis]. University of the Arts London; 2012. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5887/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Arts London

3. Bate, Jason. The Limits of Medical Discourse: Photography, Facial Disfiguration, and Reconstructive Surgery in England, 1916-1925.

Degree: 2015, University of the Arts London

URL: https://ualresearchonline.arts.ac.uk/id/eprint/7843/

► This thesis explores two albums of photographs of facial plastic surgery cases from the First World War. Drawing on the assumption that a photograph’s meaning… (more)

▼ This thesis explores two albums of photographs of facial plastic surgery cases from the First World War. Drawing on the assumption that a photograph’s meaning comes from its use and the context in which we view it, and emerging from the archive experience and the affect that this encounter has on me as a viewer, I examine how the photographs elicit readings, affect my historical consciousness, and shape their content for me as a viewer. The study begins with a definition of Foucault’s concept of medical discourse as a means of putting the photographs into their historical context. The use of photographs to illustrate and support surgical progress played a key part in shaping medical thinking and the dissemination of information on facial surgery. The previously separate discourses of dentistry and surgery began to integrate and ‘speak’ together; photographs facilitated exchanges between dentists and surgeons and functioned as conduits through which these professions could bridge their knowledge and skills. Reading the photographs through medical discourse only takes us so far in understanding what they mean today. During the course of this research I encountered a multiplicity of reinterpretations, including uses of these photographs as part of a re-evaluation of First World War history and some instances of being integrated into family history. These photographs raise difficult questions about their function within, and potentially, across historical discourses. These surgical images problematise Foucault’s claims to using coded ways of seeing to access the photograph’s past. The surgical photographs emerged from and in turn decisively shaped one specific medical discourse. The surgical images are historical photographs, meaningful within the kinds of discursive frameworks Foucault proposed. And yet these surgical photographs in particular can affect me —and not only me — in a way that seems to cut across time and cultural convention, that generates a spark of recognition, a connection—however brief — that cannot be discursively contained. I suggest that this kind of connection lies outside what Foucault calls history. The surgical photographs complicate, or even undermine, my own understanding of history. From one point of view they are important historical documents, but from another they function in a completely different way.

Subjects/Keywords: Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bate, J. (2015). The Limits of Medical Discourse: Photography, Facial Disfiguration, and Reconstructive Surgery in England, 1916-1925. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/7843/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bate, Jason. “The Limits of Medical Discourse: Photography, Facial Disfiguration, and Reconstructive Surgery in England, 1916-1925.” 2015. Thesis, University of the Arts London. Accessed March 01, 2021. https://ualresearchonline.arts.ac.uk/id/eprint/7843/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bate, Jason. “The Limits of Medical Discourse: Photography, Facial Disfiguration, and Reconstructive Surgery in England, 1916-1925.” 2015. Web. 01 Mar 2021.

Vancouver:

Bate J. The Limits of Medical Discourse: Photography, Facial Disfiguration, and Reconstructive Surgery in England, 1916-1925. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2021 Mar 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7843/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bate J. The Limits of Medical Discourse: Photography, Facial Disfiguration, and Reconstructive Surgery in England, 1916-1925. [Thesis]. University of the Arts London; 2015. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7843/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Arts London

4. Lowe, Paul. Testimonies of Light: Bearing Witness, Photography and Genocide.

Degree: 2015, University of the Arts London

URL: https://ualresearchonline.arts.ac.uk/id/eprint/8750/

► This thesis explores how photojournalists and the images they produce can be used to enhance global and local understanding of genocide, and help in both… (more)

Subjects/Keywords: Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Lowe, P. (2015). Testimonies of Light: Bearing Witness, Photography and Genocide. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/8750/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lowe, Paul. “Testimonies of Light: Bearing Witness, Photography and Genocide.” 2015. Thesis, University of the Arts London. Accessed March 01, 2021. https://ualresearchonline.arts.ac.uk/id/eprint/8750/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lowe, Paul. “Testimonies of Light: Bearing Witness, Photography and Genocide.” 2015. Web. 01 Mar 2021.

Vancouver:

Lowe P. Testimonies of Light: Bearing Witness, Photography and Genocide. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2021 Mar 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/8750/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lowe P. Testimonies of Light: Bearing Witness, Photography and Genocide. [Thesis]. University of the Arts London; 2015. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/8750/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Arts London

5. Taylor, Allan S. Performance, Photography, Performativity: What performance 'does' in the still image.

Degree: 2017, University of the Arts London

URL: https://ualresearchonline.arts.ac.uk/id/eprint/13431/

► Auslander (2006) states that images generated from performance documentation and practices stemming from performance to camera could be considered ‘performative’ if they are meant to… (more)

▼ Auslander (2006) states that images generated from performance documentation and practices stemming from performance to camera could be considered ‘performative’ if they are meant to be seen as happening in the ‘now’ they are viewed, with the spectator as the current intended audience. This thesis takes Auslander’s supposition and situates the term performativity within an established academic discourse as a social, political or cultural ‘doing’ and questions what, apart from performing, performance ‘does’ in its transcription to a photographic image. I propose a ‘doing’ occurs because the intentional performance of a given act invokes the power of citation, in turn setting in motion broader cultural references. The contribution to knowledge this thesis makes is the proposition that aspects of the agency of performativity cannot be fully present in the moment of performance, but can be subsequently revealed by the photographic image as it affords the différance [distance/deferral] the spectator requires to consider the action within a wider structural unconsciousness. Originating from a conceptualist tradition of using ‘art as experiment’, the hypothesis is tested heuristically using a practice-based method of performance to camera. This is presented in the manner of autoethnographic fieldwork, which explores the time-based tensions between performance and photography in three different ways. Firstly, through instantaneous performance actions and the subsequent withdrawal of motion in the still image; secondly, the staging of one-off performance interventions and how they are perceived outside of the time and place in which they occurred via the photograph; and lastly, how repetition is used as a visual device to allow the spectator to ‘revisit’ their framework of understanding. By connecting critical reflection of these photographic investigations to theoretical perspectives, each chapter concludes how viewing the performance outside of the live act in the form of a photograph uncovers the ‘doing’ of its performativity. The final conclusion reviews why performativity surpasses the presence/absence binary previously perceived in photographic documentation, and how we might revise our usage of the term ‘performative’ in the area of performance to camera and studies of performance documentation in the light of these discoveries.

Subjects/Keywords: Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Taylor, A. S. (2017). Performance, Photography, Performativity: What performance 'does' in the still image. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/13431/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Taylor, Allan S. “Performance, Photography, Performativity: What performance 'does' in the still image.” 2017. Thesis, University of the Arts London. Accessed March 01, 2021. https://ualresearchonline.arts.ac.uk/id/eprint/13431/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Taylor, Allan S. “Performance, Photography, Performativity: What performance 'does' in the still image.” 2017. Web. 01 Mar 2021.

Vancouver:

Taylor AS. Performance, Photography, Performativity: What performance 'does' in the still image. [Internet] [Thesis]. University of the Arts London; 2017. [cited 2021 Mar 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/13431/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Taylor AS. Performance, Photography, Performativity: What performance 'does' in the still image. [Thesis]. University of the Arts London; 2017. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/13431/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Arts London

6. Lunt, Matthew. Harry Penhaul and the subject of the real : photographing post-war Cornish community through a Lacanian lens.

Degree: PhD, 2020, University of the Arts London

URL: https://ualresearchonline.arts.ac.uk/id/eprint/15832/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.814250

► Harry Penhaul was photographer for The Cornishman newspaper in the decade following the second World War. His images narrate the history of a West Penwith… (more)

▼ Harry Penhaul was photographer for The Cornishman newspaper in the decade following the second World War. His images narrate the history of a West Penwith Cornish community negotiating the social, cultural and economic upheavals of 1950s post-war modernity. In this study I argue that the discourse of Lacanian psychoanalysis provides a conceptual prism with which to encounter a less familiar narrative in Penhaul’s images, one which foregrounds an account of the subject figured as estranged and fragile. Lacan figures the image as the linchpin of key psychoanalytic processes and in particular the constitution of subjectivity and of the ego. In his Seminar XI of 1964 Lacan insists that visuality, the scopic field, is one of the main discursive modes by which the subject is disciplined and identity positioned. Lacan describes the ego of ‘imaginary capture’ in terms of being an illusory palimpsest of identifications, the imaginary register as fraught with rivalry and aggression, as conflictual, paranoid and relentlessly negative. Indeed, ten years previously during his second seminar series in 1954, Lacan had bemoaned the vulnerability of an increasing societal tendency to be ‘spellbound by our egos’. Lacan’s stance has been said to inform ‘an austere cultural politics’ (Iversen 2007: 9). It is a description of the interest of self-interest, of subjection to ‘the defiles of the signifier’1 and the misrecognitions of interpellation, as Margaret Iversen comments: ‘the sacrifice of ... being, a sort of suicide in the manner of Narcissus’ (Iversen 2007: 130). However, this study argues that such an iconoclastic portrayal can in turn inform what Geoffrey Batchen calls the ‘ontological project of photography’ (Batchen 2002: 18), that is, that Lacanian psychoanalysis opens up new discursive spaces with which to discuss and engage photographic representation. Lacan refuses the ideological closure of a unified, harmonious subject or society. Despite the insistence on a pessimistic dialectic from illusory mastery to the chaos of the subjective abyss, Lacan’s ‘tragedy of the subject’, such an account, this study argues, also gives rise to a redemptive ethics. In the seminar of 1957 Lacan maintained that the great insight of psychoanalysis was that if we take our bleak subjective fate into account, face up to who we are and how we constitute ourselves and others, then perhaps our relations in the social field can be different. Perhaps we can learn to resist the subversions of ideological interpellation, to challenge the illusory satisfactions of the imaginary, and to take a subjective position which figures that our perceptions and understandings can be other than they are; in short, one that allows us to see the familiar in new ways. This study argues that the Lacanian conceptual landscape suggested here facilitates just such a re-assessment of the familiar and enables normative photographic tropes such as in evidence throughout Penhaul’s photographic practice, to be also seen anew. Each week in the pages of The Cornishman Harry…

Subjects/Keywords: Photography

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Lunt, M. (2020). Harry Penhaul and the subject of the real : photographing post-war Cornish community through a Lacanian lens. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/15832/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.814250

Chicago Manual of Style (16^th Edition):

Lunt, Matthew. “Harry Penhaul and the subject of the real : photographing post-war Cornish community through a Lacanian lens.” 2020. Doctoral Dissertation, University of the Arts London. Accessed March 01, 2021. https://ualresearchonline.arts.ac.uk/id/eprint/15832/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.814250.

MLA Handbook (7^th Edition):

Lunt, Matthew. “Harry Penhaul and the subject of the real : photographing post-war Cornish community through a Lacanian lens.” 2020. Web. 01 Mar 2021.

Vancouver:

Lunt M. Harry Penhaul and the subject of the real : photographing post-war Cornish community through a Lacanian lens. [Internet] [Doctoral dissertation]. University of the Arts London; 2020. [cited 2021 Mar 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15832/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.814250.

Council of Science Editors:

Lunt M. Harry Penhaul and the subject of the real : photographing post-war Cornish community through a Lacanian lens. [Doctoral Dissertation]. University of the Arts London; 2020. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15832/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.814250

University of the Arts London

7. Lunt, Matthew. Harry Penhaul and the Subject of the Real: Photographing post-war Cornish community through a Lacanian lens.

Degree: 2020, University of the Arts London

URL: https://ualresearchonline.arts.ac.uk/id/eprint/15832/

► Harry Penhaul was photographer for The Cornishman newspaper in the decade following the second World War. His images narrate the history of a West Penwith… (more)

▼ Harry Penhaul was photographer for The Cornishman newspaper in the decade following the second World War. His images narrate the history of a West Penwith Cornish community negotiating the social, cultural and economic upheavals of 1950s post-war modernity. In this study I argue that the discourse of Lacanian psychoanalysis provides a conceptual prism with which to encounter a less familiar narrative in Penhaul’s images, one which foregrounds an account of the subject figured as estranged and fragile. Lacan figures the image as the linchpin of key psychoanalytic processes and in particular the constitution of subjectivity and of the ego. In his Seminar XI of 1964 Lacan insists that visuality, the scopic field, is one of the main discursive modes by which the subject is disciplined and identity positioned. Lacan describes the ego of ‘imaginary capture’ in terms of being an illusory palimpsest of identifications, the imaginary register as fraught with rivalry and aggression, as conflictual, paranoid and relentlessly negative. Indeed, ten years previously during his second seminar series in 1954, Lacan had bemoaned the vulnerability of an increasing societal tendency to be ‘spellbound by our egos’. Lacan’s stance has been said to inform ‘an austere cultural politics’ (Iversen 2007: 9). It is a description of the interest of self-interest, of subjection to ‘the defiles of the signifier’1 and the misrecognitions of interpellation, as Margaret Iversen comments: ‘the sacrifice of … being, a sort of suicide in the manner of Narcissus’ (Iversen 2007: 130). However, this study argues that such an iconoclastic portrayal can in turn inform what Geoffrey Batchen calls the ‘ontological project of photography’ (Batchen 2002: 18), that is, that Lacanian psychoanalysis opens up new discursive spaces with which to discuss and engage photographic representation. Lacan refuses the ideological closure of a unified, harmonious subject or society. Despite the insistence on a pessimistic dialectic from illusory mastery to the chaos of the subjective abyss, Lacan’s ‘tragedy of the subject’, such an account, this study argues, also gives rise to a redemptive ethics. In the seminar of 1957 Lacan maintained that the great insight of psychoanalysis was that if we take our bleak subjective fate into account, face up to who we are and how we constitute ourselves and others, then perhaps our relations in the social field can be different. Perhaps we can learn to resist the subversions of ideological interpellation, to challenge the illusory satisfactions of the imaginary, and to take a subjective position which figures that our perceptions and understandings can be other than they are; in short, one that allows us to see the familiar in new ways. This study argues that the Lacanian conceptual landscape suggested here facilitates just such a re-assessment of the familiar and enables normative photographic tropes such as in evidence throughout Penhaul’s photographic practice, to be also seen anew. Each week in the pages of The Cornishman Harry…

Subjects/Keywords: Photography

Record Details Similar Records Cite « Share

❌

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Lunt, M. (2020). Harry Penhaul and the Subject of the Real: Photographing post-war Cornish community through a Lacanian lens. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/15832/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lunt, Matthew. “Harry Penhaul and the Subject of the Real: Photographing post-war Cornish community through a Lacanian lens.” 2020. Thesis, University of the Arts London. Accessed March 01, 2021. https://ualresearchonline.arts.ac.uk/id/eprint/15832/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lunt, Matthew. “Harry Penhaul and the Subject of the Real: Photographing post-war Cornish community through a Lacanian lens.” 2020. Web. 01 Mar 2021.

Vancouver:

Lunt M. Harry Penhaul and the Subject of the Real: Photographing post-war Cornish community through a Lacanian lens. [Internet] [Thesis]. University of the Arts London; 2020. [cited 2021 Mar 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15832/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lunt M. Harry Penhaul and the Subject of the Real: Photographing post-war Cornish community through a Lacanian lens. [Thesis]. University of the Arts London; 2020. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15832/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Arts London

8. Kantas, Vasileios. Unfolding the act of photography.

Degree: 2014, University of the Arts London

URL: https://ualresearchonline.arts.ac.uk/id/eprint/6432/

► This thesis discusses the multifaceted status of the photograph, as a contribution to understanding the mechanics of the production of meaning within the photograph. In… (more)

▼ This thesis discusses the multifaceted status of the photograph, as a contribution to understanding the mechanics of the production of meaning within the photograph. In order to get a better view of how photographs function, I both revisit discourses that have dealt with medium specificity issues and use my own practice, designing an apprehension model which can assist in the achievement of a more rigorous conception of the photograph. An integrative literature review, based on Photography discourses and debates shaped by both theorists and practitioners, provides the tools needed for defining the medium’s unique and shared properties. Ontological synecdoches of the photograph, issues of representation, time, automatism, agency, the twofold nature –trace and picture- as well as depiction theories of the medium are put into scrutiny towards formulating an apprehension scheme. This body or knowledge, along with my visual practice’s research outcomes, informs the construction of an appropriate model for understanding the medium’s effect. In specific, this study designs and applies a synthesized model of thought which considers photographs as a fixed unity of interdependent links in the chain called ‘act of photography’. This model is based on the parameters that contribute towards a photograph’s apprehension –Operator, Apparatus, Scenery, Photograph, Viewer (OASPV). A thorough illustration of the application of this model onto a specific photograph is provided, showing how a verbal articulation of apprehending a photograph can take place in order for bad or poor readings to be avoided. An explanation of the working strategy I applied throughout my creative practice along with a discussion upon the images chosen for the portfolio accompanying this thesis, is offered. In specific, it is shown how the apprehension scheme is reflected in my practice, along with a contextualisation of my photographs -placing emphasis in notions such as the ordinary, ineffable, serendipity, trace and picture as well as similarities to the work of other practitioners. This thesis discusses the elements that formulate the encrypted information inscribed on the surface of photographs, namely it unfolds their layers throughout creating, perceiving and conceiving them.

Subjects/Keywords: Photography

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Kantas, V. (2014). Unfolding the act of photography. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/6432/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kantas, Vasileios. “Unfolding the act of photography.” 2014. Thesis, University of the Arts London. Accessed March 01, 2021. https://ualresearchonline.arts.ac.uk/id/eprint/6432/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kantas, Vasileios. “Unfolding the act of photography.” 2014. Web. 01 Mar 2021.

Vancouver:

Kantas V. Unfolding the act of photography. [Internet] [Thesis]. University of the Arts London; 2014. [cited 2021 Mar 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/6432/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kantas V. Unfolding the act of photography. [Thesis]. University of the Arts London; 2014. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/6432/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Arts London

9. Robinson, Simon. Archipelagos of Interstitial Ground: A Filmic Investigation of the Thames Gateway’s Edgelands. How Can a Multimodal (Auto)ethnographic Methodology Be Deployed to Shape Geographic Imaginations of The Thames Gateway?.

Degree: 2017, University of the Arts London

URL: https://ualresearchonline.arts.ac.uk/id/eprint/13461/

► This thesis explores and documents the development of an adapted ethnographic methodology that is defined through its orientation towards the representation and production of landscape.… (more)

▼ This thesis explores and documents the development of an adapted ethnographic methodology that is defined through its orientation towards the representation and production of landscape. As a result of this methodology, I document the shift within my practice from a topographic photography tradition to a filmic, ‘more-than-visual’ (Jacobs, 2013: 714) mode of production, in response to ideas of creative ethnography as an immersive methodology. The resulting movement of films forms a ‘landscape ethnography’ (Ogden, 2011) that acts as both survey and auto-biogeography. Informed by the diversity of registers, and voices within landscape ethnography, and contemporary psychogeographic practice, the thesis and films shift tone to reflect this. To clarify, this work will inform a cross-disciplinary reading of place and landscape through an experiential methodology of both ethnographic and auto ethnographic methods. This practice-led body of research investigates the multi-layered interstitial spaces that occur in the areas between infrastructure and planned development known as edgelands in the Thames Gateway. My multimodal creative practice will be informed by existing literature relating to marginal/liminal landscapes in and beyond geography and landscape writing. The written thesis explores the contemporary landscape photography and new nature writing traditions, which I believe to be closely interconnected, through critique and production of new bodies of practice. Through a consideration of my own practice and others, I demonstrate a web of connections: between landscapes; between practitioners past and present; and, significantly, between theory and practice. Through examining both landscape theory and my own experience of an embodied approach to landscape, this research examines not only the potential of lens based practices to act as a portal to read and experience the landscape as a whole, but also the practice and process of making work. viii These sites will be seen and discussed as interconnected phenomena, stitching together ‘archipelagos of interstitial ground’. This along with the idea of landscape ethnography can then be adopted as a methodology to develop an immersive form of virtual exploration that can utilise developing forms of media dissemination to explore the audiences’ relationship to remote locations.

Subjects/Keywords: Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Robinson, S. (2017). Archipelagos of Interstitial Ground: A Filmic Investigation of the Thames Gateway’s Edgelands. How Can a Multimodal (Auto)ethnographic Methodology Be Deployed to Shape Geographic Imaginations of The Thames Gateway?. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/13461/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Robinson, Simon. “Archipelagos of Interstitial Ground: A Filmic Investigation of the Thames Gateway’s Edgelands. How Can a Multimodal (Auto)ethnographic Methodology Be Deployed to Shape Geographic Imaginations of The Thames Gateway?.” 2017. Thesis, University of the Arts London. Accessed March 01, 2021. https://ualresearchonline.arts.ac.uk/id/eprint/13461/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Robinson, Simon. “Archipelagos of Interstitial Ground: A Filmic Investigation of the Thames Gateway’s Edgelands. How Can a Multimodal (Auto)ethnographic Methodology Be Deployed to Shape Geographic Imaginations of The Thames Gateway?.” 2017. Web. 01 Mar 2021.

Vancouver:

Robinson S. Archipelagos of Interstitial Ground: A Filmic Investigation of the Thames Gateway’s Edgelands. How Can a Multimodal (Auto)ethnographic Methodology Be Deployed to Shape Geographic Imaginations of The Thames Gateway?. [Internet] [Thesis]. University of the Arts London; 2017. [cited 2021 Mar 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/13461/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robinson S. Archipelagos of Interstitial Ground: A Filmic Investigation of the Thames Gateway’s Edgelands. How Can a Multimodal (Auto)ethnographic Methodology Be Deployed to Shape Geographic Imaginations of The Thames Gateway?. [Thesis]. University of the Arts London; 2017. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/13461/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Arts London

10. Fahey, Kate. Unruly Encounters: Re-staging Images of Drone Warfare through an Embodied Art Practice.

Degree: 2020, University of the Arts London

URL: https://ualresearchonline.arts.ac.uk/id/eprint/16366/

► This practice-based research centres upon censored operative images uploaded to YouTube by the UK and US militaries. These images present drone warfare as disembodied, clean… (more)

▼ This practice-based research centres upon censored operative images uploaded to YouTube by the UK and US militaries. These images present drone warfare as disembodied, clean and precise. Through theoretical research and a fine art practice of writing, video, sculpture and installation, the project develops a response to the central question of the thesis: how can art practice create an embodied encounter with these military drone images? Employing and recalibrating Donna Haraway’s theory of ‘situated knowledges and partial perspectives’, the research engages with a range of methodological concerns; embodiment, fictioning, posthuman assemblages and new materialism. The generation of this research methodology has been iterative; each of the four bodies of practicebased research assimilated appropriate and useful concerns from the previous one. These decisions were reached through critical reflection enabled by the installation and public exhibition of the work, theoretical research and an ongoing dialogue with other artists working in the field. The hybrid and experimental nature of the practice engenders experiential sensory modes of encountering the re-staged images in an installation-based setting. In these encounters, the vulnerability of human and non-human bodies, materials, spaces, technical processes and sounds also emerge as markers of their agency, interrupting the ideology of technical precision and bodies as calculative entities. These vulnerabilities registered through subtle human and non-human frictions and resistances in the practice-based research generate unruly experiential registers with bodies resisting categorisation and establish an embodied encounter with the restaged operative image. Artistic production in this context opens momentary disruptions in the perception of bodiless and technically precise warfare propagated through these images online, creating the conditions for a relational response. Through exploring multiple instantiations of vulnerability, the research contributes an embodied, decentred feminist methodology and a body of artistic practice that intervenes in techno-scientific modes of visualising employed by the military and which have become prominent in art practice concerned with drone warfare.

Subjects/Keywords: Photography

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Fahey, K. (2020). Unruly Encounters: Re-staging Images of Drone Warfare through an Embodied Art Practice. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/16366/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Fahey, Kate. “Unruly Encounters: Re-staging Images of Drone Warfare through an Embodied Art Practice.” 2020. Thesis, University of the Arts London. Accessed March 01, 2021. https://ualresearchonline.arts.ac.uk/id/eprint/16366/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Fahey, Kate. “Unruly Encounters: Re-staging Images of Drone Warfare through an Embodied Art Practice.” 2020. Web. 01 Mar 2021.

Vancouver:

Fahey K. Unruly Encounters: Re-staging Images of Drone Warfare through an Embodied Art Practice. [Internet] [Thesis]. University of the Arts London; 2020. [cited 2021 Mar 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/16366/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fahey K. Unruly Encounters: Re-staging Images of Drone Warfare through an Embodied Art Practice. [Thesis]. University of the Arts London; 2020. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/16366/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Cape Town

11. Pelser, Suraya. (De)Constructing worlds: high Modernism, architecture and photography.

Degree: Image, Michaelis School of Fine Art, 2018, University of Cape Town

URL: http://hdl.handle.net/11427/27852

► Since the last decade of the twentieth century, there has been renewed interest in photographing high Modernist structures and architectures. A significant portion of these… (more)

Subjects/Keywords: Photography

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Pelser, S. (2018). (De)Constructing worlds: high Modernism, architecture and photography. (Thesis). University of Cape Town. Retrieved from http://hdl.handle.net/11427/27852

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pelser, Suraya. “(De)Constructing worlds: high Modernism, architecture and photography.” 2018. Thesis, University of Cape Town. Accessed March 01, 2021. http://hdl.handle.net/11427/27852.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pelser, Suraya. “(De)Constructing worlds: high Modernism, architecture and photography.” 2018. Web. 01 Mar 2021.

Vancouver:

Pelser S. (De)Constructing worlds: high Modernism, architecture and photography. [Internet] [Thesis]. University of Cape Town; 2018. [cited 2021 Mar 01]. Available from: http://hdl.handle.net/11427/27852.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pelser S. (De)Constructing worlds: high Modernism, architecture and photography. [Thesis]. University of Cape Town; 2018. Available from: http://hdl.handle.net/11427/27852

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Arts London

12. Fahey, Kate. Unruly encounters : re-staging images of drone warfare through an embodied art practice.

Degree: PhD, 2020, University of the Arts London

URL: https://ualresearchonline.arts.ac.uk/id/eprint/16366/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.821247

► This practice-based research centres upon censored operative images uploaded to YouTube by the UK and US militaries. These images present drone warfare as disembodied, clean… (more)

▼ This practice-based research centres upon censored operative images uploaded to YouTube by the UK and US militaries. These images present drone warfare as disembodied, clean and precise. Through theoretical research and a fine art practice of writing, video, sculpture and installation, the project develops a response to the central question of the thesis: how can art practice create an embodied encounter with these military drone images? Employing and recalibrating Donna Haraway’s theory of ‘situated knowledges and partial perspectives’, the research engages with a range of methodological concerns; embodiment, fictioning, posthuman assemblages and new materialism. The generation of this research methodology has been iterative; each of the four bodies of practicebased research assimilated appropriate and useful concerns from the previous one. These decisions were reached through critical reflection enabled by the installation and public exhibition of the work, theoretical research and an ongoing dialogue with other artists working in the field. The hybrid and experimental nature of the practice engenders experiential sensory modes of encountering the re-staged images in an installation-based setting. In these encounters, the vulnerability of human and non-human bodies, materials, spaces, technical processes and sounds also emerge as markers of their agency, interrupting the ideology of technical precision and bodies as calculative entities. These vulnerabilities registered through subtle human and non-human frictions and resistances in the practice-based research generate unruly experiential registers with bodies resisting categorisation and establish an embodied encounter with the restaged operative image. Artistic production in this context opens momentary disruptions in the perception of bodiless and technically precise warfare propagated through these images online, creating the conditions for a relational response. Through exploring multiple instantiations of vulnerability, the research contributes an embodied, decentred feminist methodology and a body of artistic practice that intervenes in techno-scientific modes of visualising employed by the military and which have become prominent in art practice concerned with drone warfare.

Subjects/Keywords: Photography

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Fahey, K. (2020). Unruly encounters : re-staging images of drone warfare through an embodied art practice. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/16366/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.821247

Chicago Manual of Style (16^th Edition):

Fahey, Kate. “Unruly encounters : re-staging images of drone warfare through an embodied art practice.” 2020. Doctoral Dissertation, University of the Arts London. Accessed March 01, 2021. https://ualresearchonline.arts.ac.uk/id/eprint/16366/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.821247.

MLA Handbook (7^th Edition):

Fahey, Kate. “Unruly encounters : re-staging images of drone warfare through an embodied art practice.” 2020. Web. 01 Mar 2021.

Vancouver:

Fahey K. Unruly encounters : re-staging images of drone warfare through an embodied art practice. [Internet] [Doctoral dissertation]. University of the Arts London; 2020. [cited 2021 Mar 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/16366/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.821247.

Council of Science Editors:

Fahey K. Unruly encounters : re-staging images of drone warfare through an embodied art practice. [Doctoral Dissertation]. University of the Arts London; 2020. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/16366/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.821247

University of Arkansas

13. Barquist, Lindsy Caitlin. Anatomies of Melancholy.

Degree: MFA, Art (MFA), 2014, University of Arkansas

URL: https://scholarworks.uark.edu/etd/2242

► The works presented in "Anatomies of Melancholy" explore the residual affects of pain and trauma through photography. By combining personal stories with documentary photography… (more)

Subjects/Keywords: Photography; Photography

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APA (6^th Edition):

Barquist, L. C. (2014). Anatomies of Melancholy. (Masters Thesis). University of Arkansas. Retrieved from https://scholarworks.uark.edu/etd/2242

Chicago Manual of Style (16^th Edition):

Barquist, Lindsy Caitlin. “Anatomies of Melancholy.” 2014. Masters Thesis, University of Arkansas. Accessed March 01, 2021. https://scholarworks.uark.edu/etd/2242.

MLA Handbook (7^th Edition):

Barquist, Lindsy Caitlin. “Anatomies of Melancholy.” 2014. Web. 01 Mar 2021.

Vancouver:

Barquist LC. Anatomies of Melancholy. [Internet] [Masters thesis]. University of Arkansas; 2014. [cited 2021 Mar 01]. Available from: https://scholarworks.uark.edu/etd/2242.

Council of Science Editors:

Barquist LC. Anatomies of Melancholy. [Masters Thesis]. University of Arkansas; 2014. Available from: https://scholarworks.uark.edu/etd/2242

14. Pratt, Janice Marie. Nature Orchestrated.

Degree: MA, Art, 2011, Governors State University

URL: https://opus.govst.edu/theses/30

► The title of my show, "Nature Orchestrated", is about my recreation of nature by combining multiple images to create a completely different result. Picking… (more)

Subjects/Keywords: digital photography; nature photography; Photography

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APA (6^th Edition):

Pratt, J. M. (2011). Nature Orchestrated. (Thesis). Governors State University. Retrieved from https://opus.govst.edu/theses/30

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pratt, Janice Marie. “Nature Orchestrated.” 2011. Thesis, Governors State University. Accessed March 01, 2021. https://opus.govst.edu/theses/30.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pratt, Janice Marie. “Nature Orchestrated.” 2011. Web. 01 Mar 2021.

Vancouver:

Pratt JM. Nature Orchestrated. [Internet] [Thesis]. Governors State University; 2011. [cited 2021 Mar 01]. Available from: https://opus.govst.edu/theses/30.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pratt JM. Nature Orchestrated. [Thesis]. Governors State University; 2011. Available from: https://opus.govst.edu/theses/30

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. McCarthy-Weglewski, Alison Therese. A Walk in a Dream.

Degree: MA, Art, 2015, Governors State University

URL: https://opus.govst.edu/theses/67

► A Walk in a Dream is a body of work consisting of 25 16" x 16" color prints. The photos are of nature looking… (more)

Subjects/Keywords: Holga; photography; Photography

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APA (6^th Edition):

McCarthy-Weglewski, A. T. (2015). A Walk in a Dream. (Thesis). Governors State University. Retrieved from https://opus.govst.edu/theses/67

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

McCarthy-Weglewski, Alison Therese. “A Walk in a Dream.” 2015. Thesis, Governors State University. Accessed March 01, 2021. https://opus.govst.edu/theses/67.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

McCarthy-Weglewski, Alison Therese. “A Walk in a Dream.” 2015. Web. 01 Mar 2021.

Vancouver:

McCarthy-Weglewski AT. A Walk in a Dream. [Internet] [Thesis]. Governors State University; 2015. [cited 2021 Mar 01]. Available from: https://opus.govst.edu/theses/67.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McCarthy-Weglewski AT. A Walk in a Dream. [Thesis]. Governors State University; 2015. Available from: https://opus.govst.edu/theses/67

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

East Carolina University

16. Brines, Nathan. Presently Post Modern.

Degree: 2011, East Carolina University

URL: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14456

► The museum Fine Art and the viewer's idea of status within these institutions are all ideologies. These ideologies are reinforced through our participation in them… (more)

Subjects/Keywords: Composition (Photography); Photography

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APA (6^th Edition):

Brines, N. (2011). Presently Post Modern. (Masters Thesis). East Carolina University. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14456

Chicago Manual of Style (16^th Edition):

Brines, Nathan. “Presently Post Modern.” 2011. Masters Thesis, East Carolina University. Accessed March 01, 2021. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14456.

MLA Handbook (7^th Edition):

Brines, Nathan. “Presently Post Modern.” 2011. Web. 01 Mar 2021.

Vancouver:

Brines N. Presently Post Modern. [Internet] [Masters thesis]. East Carolina University; 2011. [cited 2021 Mar 01]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14456.

Council of Science Editors:

Brines N. Presently Post Modern. [Masters Thesis]. East Carolina University; 2011. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=14456

17. Malloy, Amanda Katherine. William Eggleston's Guide To The Suburban South.

Degree: MA, Southern Studies, 2016, University of Mississippi

URL: https://egrove.olemiss.edu/etd/890

► In 1976, Memphis, Tennessee, photographer, William Eggleston, had his first solo exhibition at the Museum of Modern Art in New York City. This exhibition was… (more)

Subjects/Keywords: Photography; South; Photography

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APA (6^th Edition):

Malloy, A. K. (2016). William Eggleston's Guide To The Suburban South. (Masters Thesis). University of Mississippi. Retrieved from https://egrove.olemiss.edu/etd/890

Chicago Manual of Style (16^th Edition):

Malloy, Amanda Katherine. “William Eggleston's Guide To The Suburban South.” 2016. Masters Thesis, University of Mississippi. Accessed March 01, 2021. https://egrove.olemiss.edu/etd/890.

MLA Handbook (7^th Edition):

Malloy, Amanda Katherine. “William Eggleston's Guide To The Suburban South.” 2016. Web. 01 Mar 2021.

Vancouver:

Malloy AK. William Eggleston's Guide To The Suburban South. [Internet] [Masters thesis]. University of Mississippi; 2016. [cited 2021 Mar 01]. Available from: https://egrove.olemiss.edu/etd/890.

Council of Science Editors:

Malloy AK. William Eggleston's Guide To The Suburban South. [Masters Thesis]. University of Mississippi; 2016. Available from: https://egrove.olemiss.edu/etd/890

University of New Orleans

18. Worden, Roderick. In Hiding….

Degree: M.F.A., Fine Arts, 2011, University of New Orleans

URL: https://scholarworks.uno.edu/td/1349

► The conceptual foundation for my work lies in the idea of "interaction." I work towards exposing this idea in its more basic and routine form,… (more)

Subjects/Keywords: Photography; Night Photography; Contemporary Photography; Exposure; Architectural Photography; Experiential; Street Photography

Record Details Similar Records Cite « Share

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APA (6^th Edition):

Worden, R. (2011). In Hiding…. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/1349

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Worden, Roderick. “In Hiding….” 2011. Thesis, University of New Orleans. Accessed March 01, 2021. https://scholarworks.uno.edu/td/1349.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Worden, Roderick. “In Hiding….” 2011. Web. 01 Mar 2021.

Vancouver:

Worden R. In Hiding…. [Internet] [Thesis]. University of New Orleans; 2011. [cited 2021 Mar 01]. Available from: https://scholarworks.uno.edu/td/1349.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Worden R. In Hiding…. [Thesis]. University of New Orleans; 2011. Available from: https://scholarworks.uno.edu/td/1349

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Arizona

19. Levens, Kiersten. Platforms of (In)visibility for the Life and Work of George Platt Lynes .

Degree: 2018, University of Arizona

URL: http://hdl.handle.net/10150/631409

► This thesis examines the ways in which a culture of censorship—whether as a threat or as an action— shaped the life and work of American… (more)

Subjects/Keywords: archive; dance photography; fashion photography; photography; Surrealism

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APA (6^th Edition):

Levens, K. (2018). Platforms of (In)visibility for the Life and Work of George Platt Lynes . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/631409

Chicago Manual of Style (16^th Edition):

Levens, Kiersten. “Platforms of (In)visibility for the Life and Work of George Platt Lynes .” 2018. Masters Thesis, University of Arizona. Accessed March 01, 2021. http://hdl.handle.net/10150/631409.

MLA Handbook (7^th Edition):

Levens, Kiersten. “Platforms of (In)visibility for the Life and Work of George Platt Lynes .” 2018. Web. 01 Mar 2021.

Vancouver:

Levens K. Platforms of (In)visibility for the Life and Work of George Platt Lynes . [Internet] [Masters thesis]. University of Arizona; 2018. [cited 2021 Mar 01]. Available from: http://hdl.handle.net/10150/631409.

Council of Science Editors:

Levens K. Platforms of (In)visibility for the Life and Work of George Platt Lynes . [Masters Thesis]. University of Arizona; 2018. Available from: http://hdl.handle.net/10150/631409

20. Bosy, Peter. Exploring and Expressing Points in Time through iPhoneography.

Degree: MFA, Independent Film and Digital Imaging, 2016, Governors State University

URL: https://opus.govst.edu/theses/78

► The purpose of this thesis is to examine how iPhoneography extends a personal expression of lights, lines, patterns previously captured on film and digital… (more)

Subjects/Keywords: iPhone photography; MFA; M.F.A.; Photography

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bosy, P. (2016). Exploring and Expressing Points in Time through iPhoneography. (Thesis). Governors State University. Retrieved from https://opus.govst.edu/theses/78

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bosy, Peter. “Exploring and Expressing Points in Time through iPhoneography.” 2016. Thesis, Governors State University. Accessed March 01, 2021. https://opus.govst.edu/theses/78.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bosy, Peter. “Exploring and Expressing Points in Time through iPhoneography.” 2016. Web. 01 Mar 2021.

Vancouver:

Bosy P. Exploring and Expressing Points in Time through iPhoneography. [Internet] [Thesis]. Governors State University; 2016. [cited 2021 Mar 01]. Available from: https://opus.govst.edu/theses/78.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bosy P. Exploring and Expressing Points in Time through iPhoneography. [Thesis]. Governors State University; 2016. Available from: https://opus.govst.edu/theses/78

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Symoniak, Joyce Speechley. Systems Failure.

Degree: MFA, Independent Film and Digital Imaging, 2016, Governors State University

URL: https://opus.govst.edu/theses/76

► “Systems Failure” is a substantial array of digitally created images centered on many social and ethical issues that go undetected for numerous people. Many… (more)

Subjects/Keywords: digital photography; MFA; M.F.A.; Photography

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Symoniak, J. S. (2016). Systems Failure. (Thesis). Governors State University. Retrieved from https://opus.govst.edu/theses/76

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Symoniak, Joyce Speechley. “Systems Failure.” 2016. Thesis, Governors State University. Accessed March 01, 2021. https://opus.govst.edu/theses/76.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Symoniak, Joyce Speechley. “Systems Failure.” 2016. Web. 01 Mar 2021.

Vancouver:

Symoniak JS. Systems Failure. [Internet] [Thesis]. Governors State University; 2016. [cited 2021 Mar 01]. Available from: https://opus.govst.edu/theses/76.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Symoniak JS. Systems Failure. [Thesis]. Governors State University; 2016. Available from: https://opus.govst.edu/theses/76

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of North Carolina – Greensboro

22. Holshouser, Hannah Louise. Darkland: an artist's statement.

Degree: 2012, University of North Carolina – Greensboro

URL: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8638

► My thesis is about an exploration of photographing at night. I use a digital SLR Nikon D5000 camera, and print 13" x 19" and 23"… (more)

Subjects/Keywords: Night photography; Landscape photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Holshouser, H. L. (2012). Darkland: an artist's statement. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8638

Chicago Manual of Style (16^th Edition):

Holshouser, Hannah Louise. “Darkland: an artist's statement.” 2012. Masters Thesis, University of North Carolina – Greensboro. Accessed March 01, 2021. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8638.

MLA Handbook (7^th Edition):

Holshouser, Hannah Louise. “Darkland: an artist's statement.” 2012. Web. 01 Mar 2021.

Vancouver:

Holshouser HL. Darkland: an artist's statement. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2012. [cited 2021 Mar 01]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8638.

Council of Science Editors:

Holshouser HL. Darkland: an artist's statement. [Masters Thesis]. University of North Carolina – Greensboro; 2012. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=8638

23. Holshouser, Hannah Louise. Darkland: an artist's statement.

Degree: 2012, NC Docks

URL: http://libres.uncg.edu/ir/uncg/f/Holshouser_uncg_0154M_10945.pdf

► My thesis is about an exploration of photographing at night. I use a digital SLR Nikon D5000 camera, and print 13" x 19" and 23"… (more)

Subjects/Keywords: Night photography; Landscape photography

Record Details Similar Records Cite « Share

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Holshouser, H. L. (2012). Darkland: an artist's statement. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Holshouser_uncg_0154M_10945.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Holshouser, Hannah Louise. “Darkland: an artist's statement.” 2012. Thesis, NC Docks. Accessed March 01, 2021. http://libres.uncg.edu/ir/uncg/f/Holshouser_uncg_0154M_10945.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Holshouser, Hannah Louise. “Darkland: an artist's statement.” 2012. Web. 01 Mar 2021.

Vancouver:

Holshouser HL. Darkland: an artist's statement. [Internet] [Thesis]. NC Docks; 2012. [cited 2021 Mar 01]. Available from: http://libres.uncg.edu/ir/uncg/f/Holshouser_uncg_0154M_10945.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Holshouser HL. Darkland: an artist's statement. [Thesis]. NC Docks; 2012. Available from: http://libres.uncg.edu/ir/uncg/f/Holshouser_uncg_0154M_10945.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Amornpashara, Nuttapoom. Phorec: Context-Aware Photography Support System : Phorec:コンテキストを考慮した撮影支援システム; Phorec: コンテキストオコウリョシタサツエイシエンシステム.

Degree: Nara Institute of Science and Technology / 奈良先端科学技術大学院大学

URL: http://hdl.handle.net/10061/10035

Subjects/Keywords: Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Amornpashara, N. (n.d.). Phorec: Context-Aware Photography Support System : Phorec:コンテキストを考慮した撮影支援システム; Phorec: コンテキストオコウリョシタサツエイシエンシステム. (Thesis). Nara Institute of Science and Technology / 奈良先端科学技術大学院大学. Retrieved from http://hdl.handle.net/10061/10035

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Amornpashara, Nuttapoom. “Phorec: Context-Aware Photography Support System : Phorec:コンテキストを考慮した撮影支援システム; Phorec: コンテキストオコウリョシタサツエイシエンシステム.” Thesis, Nara Institute of Science and Technology / 奈良先端科学技術大学院大学. Accessed March 01, 2021. http://hdl.handle.net/10061/10035.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Amornpashara, Nuttapoom. “Phorec: Context-Aware Photography Support System : Phorec:コンテキストを考慮した撮影支援システム; Phorec: コンテキストオコウリョシタサツエイシエンシステム.” Web. 01 Mar 2021.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Amornpashara N. Phorec: Context-Aware Photography Support System : Phorec:コンテキストを考慮した撮影支援システム; Phorec: コンテキストオコウリョシタサツエイシエンシステム. [Internet] [Thesis]. Nara Institute of Science and Technology / 奈良先端科学技術大学院大学; [cited 2021 Mar 01]. Available from: http://hdl.handle.net/10061/10035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Amornpashara N. Phorec: Context-Aware Photography Support System : Phorec:コンテキストを考慮した撮影支援システム; Phorec: コンテキストオコウリョシタサツエイシエンシステム. [Thesis]. Nara Institute of Science and Technology / 奈良先端科学技術大学院大学; Available from: http://hdl.handle.net/10061/10035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Rochester Institute of Technology

25. Dingilian, James. Scatterbrain.

Degree: School of Photographic Arts and Sciences (CIAS), 1996, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/5308

None provided. Advisors/Committee Members: Rubenstein, Elliott.

Subjects/Keywords: Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Dingilian, J. (1996). Scatterbrain. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/5308

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Dingilian, James. “Scatterbrain.” 1996. Thesis, Rochester Institute of Technology. Accessed March 01, 2021. https://scholarworks.rit.edu/theses/5308.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Dingilian, James. “Scatterbrain.” 1996. Web. 01 Mar 2021.

Vancouver:

Dingilian J. Scatterbrain. [Internet] [Thesis]. Rochester Institute of Technology; 1996. [cited 2021 Mar 01]. Available from: https://scholarworks.rit.edu/theses/5308.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dingilian J. Scatterbrain. [Thesis]. Rochester Institute of Technology; 1996. Available from: https://scholarworks.rit.edu/theses/5308

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rochester Institute of Technology

26. Takashima, Aya. Between.

Degree: School of Photographic Arts and Sciences (CIAS), 2001, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/5265

None provided. Advisors/Committee Members: O'Neil, Elaine.

Subjects/Keywords: Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Takashima, A. (2001). Between. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/5265

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Takashima, Aya. “Between.” 2001. Thesis, Rochester Institute of Technology. Accessed March 01, 2021. https://scholarworks.rit.edu/theses/5265.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Takashima, Aya. “Between.” 2001. Web. 01 Mar 2021.

Vancouver:

Takashima A. Between. [Internet] [Thesis]. Rochester Institute of Technology; 2001. [cited 2021 Mar 01]. Available from: https://scholarworks.rit.edu/theses/5265.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Takashima A. Between. [Thesis]. Rochester Institute of Technology; 2001. Available from: https://scholarworks.rit.edu/theses/5265

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rochester Institute of Technology

27. Friedland, Nancy. Sixes & Sevens: Photography, distance, and memory.

Degree: School of Photographic Arts and Sciences (CIAS), 2001, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/5260

None provided. Advisors/Committee Members: O'Neil, Elaine.

Subjects/Keywords: Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Friedland, N. (2001). Sixes & Sevens: Photography, distance, and memory. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/5260

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Friedland, Nancy. “Sixes & Sevens: Photography, distance, and memory.” 2001. Thesis, Rochester Institute of Technology. Accessed March 01, 2021. https://scholarworks.rit.edu/theses/5260.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Friedland, Nancy. “Sixes & Sevens: Photography, distance, and memory.” 2001. Web. 01 Mar 2021.

Vancouver:

Friedland N. Sixes & Sevens: Photography, distance, and memory. [Internet] [Thesis]. Rochester Institute of Technology; 2001. [cited 2021 Mar 01]. Available from: https://scholarworks.rit.edu/theses/5260.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Friedland N. Sixes & Sevens: Photography, distance, and memory. [Thesis]. Rochester Institute of Technology; 2001. Available from: https://scholarworks.rit.edu/theses/5260

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rochester Institute of Technology

28. Yoon, Jun ku. Understanding "photograph A".

Degree: School of Photographic Arts and Sciences (CIAS), 2003, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/695

Not provided. Advisors/Committee Members: Rubenstein, Elliott.

Subjects/Keywords: Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Yoon, J. k. (2003). Understanding "photograph A". (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/695

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Yoon, Jun ku. “Understanding "photograph A".” 2003. Thesis, Rochester Institute of Technology. Accessed March 01, 2021. https://scholarworks.rit.edu/theses/695.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Yoon, Jun ku. “Understanding "photograph A".” 2003. Web. 01 Mar 2021.

Vancouver:

Yoon Jk. Understanding "photograph A". [Internet] [Thesis]. Rochester Institute of Technology; 2003. [cited 2021 Mar 01]. Available from: https://scholarworks.rit.edu/theses/695.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yoon Jk. Understanding "photograph A". [Thesis]. Rochester Institute of Technology; 2003. Available from: https://scholarworks.rit.edu/theses/695

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rochester Institute of Technology

29. Zinn, Edward. The Effects of atmospheric pollutants on library microforms.

Degree: School of Photographic Arts and Sciences (CIAS), 1994, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/5293

None provided. Advisors/Committee Members: Reilly, James.

Subjects/Keywords: Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Zinn, E. (1994). The Effects of atmospheric pollutants on library microforms. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/5293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Zinn, Edward. “The Effects of atmospheric pollutants on library microforms.” 1994. Thesis, Rochester Institute of Technology. Accessed March 01, 2021. https://scholarworks.rit.edu/theses/5293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Zinn, Edward. “The Effects of atmospheric pollutants on library microforms.” 1994. Web. 01 Mar 2021.

Vancouver:

Zinn E. The Effects of atmospheric pollutants on library microforms. [Internet] [Thesis]. Rochester Institute of Technology; 1994. [cited 2021 Mar 01]. Available from: https://scholarworks.rit.edu/theses/5293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zinn E. The Effects of atmospheric pollutants on library microforms. [Thesis]. Rochester Institute of Technology; 1994. Available from: https://scholarworks.rit.edu/theses/5293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rochester Institute of Technology

30. Stanforth, Gregory Owen. Turret envy.

Degree: School of Photographic Arts and Sciences (CIAS), 1991, Rochester Institute of Technology

URL: https://scholarworks.rit.edu/theses/491

Not provided. Advisors/Committee Members: Leinroth, Martha.

Subjects/Keywords: Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Stanforth, G. O. (1991). Turret envy. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/491

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Stanforth, Gregory Owen. “Turret envy.” 1991. Thesis, Rochester Institute of Technology. Accessed March 01, 2021. https://scholarworks.rit.edu/theses/491.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Stanforth, Gregory Owen. “Turret envy.” 1991. Web. 01 Mar 2021.

Vancouver:

Stanforth GO. Turret envy. [Internet] [Thesis]. Rochester Institute of Technology; 1991. [cited 2021 Mar 01]. Available from: https://scholarworks.rit.edu/theses/491.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stanforth GO. Turret envy. [Thesis]. Rochester Institute of Technology; 1991. Available from: https://scholarworks.rit.edu/theses/491

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Open Access Theses and Dissertations