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You searched for subject:(parody). Showing records 1 – 30 of 251 total matches.

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University of Georgia

1. Heflin, Kristen Marie. Parody for the public sphere: The Daily Show's narrative on democracy inaction.

Degree: MA, Journalism, 2005, University of Georgia

Parody is a narrative device that twists the conventions of an original work to create a new and typically subversive form of the original. Literary… (more)

Subjects/Keywords: Parody

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APA (6th Edition):

Heflin, K. M. (2005). Parody for the public sphere: The Daily Show's narrative on democracy inaction. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/heflin_kristen_m_200505_ma

Chicago Manual of Style (16th Edition):

Heflin, Kristen Marie. “Parody for the public sphere: The Daily Show's narrative on democracy inaction.” 2005. Masters Thesis, University of Georgia. Accessed August 04, 2020. http://purl.galileo.usg.edu/uga_etd/heflin_kristen_m_200505_ma.

MLA Handbook (7th Edition):

Heflin, Kristen Marie. “Parody for the public sphere: The Daily Show's narrative on democracy inaction.” 2005. Web. 04 Aug 2020.

Vancouver:

Heflin KM. Parody for the public sphere: The Daily Show's narrative on democracy inaction. [Internet] [Masters thesis]. University of Georgia; 2005. [cited 2020 Aug 04]. Available from: http://purl.galileo.usg.edu/uga_etd/heflin_kristen_m_200505_ma.

Council of Science Editors:

Heflin KM. Parody for the public sphere: The Daily Show's narrative on democracy inaction. [Masters Thesis]. University of Georgia; 2005. Available from: http://purl.galileo.usg.edu/uga_etd/heflin_kristen_m_200505_ma


Univerzitet u Beogradu

2. Kalaba, Jovanka D., 1981-. Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare.

Degree: Filološki fakultet, 2018, Univerzitet u Beogradu

Književnost - Američka književnost, srpska književnost, komparativna književnost / Literature - North-American Literature, Serbian Literature, Comparative Literature

Rad se bavi komparativnim tumačenjem dela tipskih predstavnika… (more)

Subjects/Keywords: postmodern novel; parody; social commentary; general parody; specific parody; metafiction; lyricism; melancholy

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APA (6th Edition):

Kalaba, Jovanka D., 1. (2018). Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:16866/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kalaba, Jovanka D., 1981-. “Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare.” 2018. Thesis, Univerzitet u Beogradu. Accessed August 04, 2020. https://fedorabg.bg.ac.rs/fedora/get/o:16866/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kalaba, Jovanka D., 1981-. “Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare.” 2018. Web. 04 Aug 2020.

Vancouver:

Kalaba, Jovanka D. 1. Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare. [Internet] [Thesis]. Univerzitet u Beogradu; 2018. [cited 2020 Aug 04]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:16866/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kalaba, Jovanka D. 1. Komparativna analiza parodijskih narativa u romanima Objava broja 49 Tomasa Pinčona i Fama o biciklistima Svetislava Basare. [Thesis]. Univerzitet u Beogradu; 2018. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:16866/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas A&M University

3. Mallikarjunaiah, Bhuvana. Cartoon Noir: A Comparative Study of Visual Parody.

Degree: 2011, Texas A&M University

 American film parody can be characterized as a distorted, comical and yet affectionate imitation of a given genre or specific work. Film noir as a… (more)

Subjects/Keywords: American film parody; Film Noir; Looney Tunes

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APA (6th Edition):

Mallikarjunaiah, B. (2011). Cartoon Noir: A Comparative Study of Visual Parody. (Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8592

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mallikarjunaiah, Bhuvana. “Cartoon Noir: A Comparative Study of Visual Parody.” 2011. Thesis, Texas A&M University. Accessed August 04, 2020. http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8592.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mallikarjunaiah, Bhuvana. “Cartoon Noir: A Comparative Study of Visual Parody.” 2011. Web. 04 Aug 2020.

Vancouver:

Mallikarjunaiah B. Cartoon Noir: A Comparative Study of Visual Parody. [Internet] [Thesis]. Texas A&M University; 2011. [cited 2020 Aug 04]. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8592.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mallikarjunaiah B. Cartoon Noir: A Comparative Study of Visual Parody. [Thesis]. Texas A&M University; 2011. Available from: http://hdl.handle.net/1969.1/ETD-TAMU-2010-12-8592

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Miami University

4. Seibel, George L., IV. Being a Poet.

Degree: MA, English, 2012, Miami University

 This thesis is a parodic ars poetica wherein the social role of poetry is explored and exploded satirically through a variety of methods, including process-based… (more)

Subjects/Keywords: poetics; ars poetica; humor; parody; satire

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APA (6th Edition):

Seibel, George L., I. (2012). Being a Poet. (Masters Thesis). Miami University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172

Chicago Manual of Style (16th Edition):

Seibel, George L., IV. “Being a Poet.” 2012. Masters Thesis, Miami University. Accessed August 04, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172.

MLA Handbook (7th Edition):

Seibel, George L., IV. “Being a Poet.” 2012. Web. 04 Aug 2020.

Vancouver:

Seibel, George L. I. Being a Poet. [Internet] [Masters thesis]. Miami University; 2012. [cited 2020 Aug 04]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172.

Council of Science Editors:

Seibel, George L. I. Being a Poet. [Masters Thesis]. Miami University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172

5. Thomerson, John P. Parody as a Borrowing Practice in American Music, 1965–2015.

Degree: PhD, College-Conservatory of Music: Music (Musicology), 2017, University of Cincinnati

Parody is the most commonly used structural borrowing technique in contemporary American vernacular music. This study investigates parody as a borrowing practice, as a type… (more)

Subjects/Keywords: Music; parody; musical borrowing; ethnicity; incongruity; humor

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APA (6th Edition):

Thomerson, J. P. (2017). Parody as a Borrowing Practice in American Music, 1965–2015. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1510063658786716

Chicago Manual of Style (16th Edition):

Thomerson, John P. “Parody as a Borrowing Practice in American Music, 1965–2015.” 2017. Doctoral Dissertation, University of Cincinnati. Accessed August 04, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1510063658786716.

MLA Handbook (7th Edition):

Thomerson, John P. “Parody as a Borrowing Practice in American Music, 1965–2015.” 2017. Web. 04 Aug 2020.

Vancouver:

Thomerson JP. Parody as a Borrowing Practice in American Music, 1965–2015. [Internet] [Doctoral dissertation]. University of Cincinnati; 2017. [cited 2020 Aug 04]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1510063658786716.

Council of Science Editors:

Thomerson JP. Parody as a Borrowing Practice in American Music, 1965–2015. [Doctoral Dissertation]. University of Cincinnati; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1510063658786716


University of Vermont

6. Zapkin, Phillip. “Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives.

Degree: MA, English, 2011, University of Vermont

 The main theoretical thrust of my project involves the political uses of parodically performing shame and shaming rituals in resisting normative regulation. I argue that… (more)

Subjects/Keywords: Judith Butler; homonormativity; Parody; Queer; Gay shame

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APA (6th Edition):

Zapkin, P. (2011). “Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives. (Thesis). University of Vermont. Retrieved from https://scholarworks.uvm.edu/graddis/245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zapkin, Phillip. ““Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives.” 2011. Thesis, University of Vermont. Accessed August 04, 2020. https://scholarworks.uvm.edu/graddis/245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zapkin, Phillip. ““Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives.” 2011. Web. 04 Aug 2020.

Vancouver:

Zapkin P. “Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives. [Internet] [Thesis]. University of Vermont; 2011. [cited 2020 Aug 04]. Available from: https://scholarworks.uvm.edu/graddis/245.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zapkin P. “Culturally Homeless”: Queer Parody and Negative Affect as Resistance to Normatives. [Thesis]. University of Vermont; 2011. Available from: https://scholarworks.uvm.edu/graddis/245

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston College

7. Briones-Manzano, Luisa. La parodia quijotesca en el cine = Quixotic Parody in Film.

Degree: PhD, Romance Languages and Literatures, 2013, Boston College

 Esta tesis analiza la función de la parodia en Don Quijote de La Mancha (1605, 1615). A partir de la cual se explora la manera… (more)

Subjects/Keywords: Adaptation; Gavaldón; Gil; Parody; Quijote; Welles

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APA (6th Edition):

Briones-Manzano, L. (2013). La parodia quijotesca en el cine = Quixotic Parody in Film. (Doctoral Dissertation). Boston College. Retrieved from http://dlib.bc.edu/islandora/object/bc-ir:104030

Chicago Manual of Style (16th Edition):

Briones-Manzano, Luisa. “La parodia quijotesca en el cine = Quixotic Parody in Film.” 2013. Doctoral Dissertation, Boston College. Accessed August 04, 2020. http://dlib.bc.edu/islandora/object/bc-ir:104030.

MLA Handbook (7th Edition):

Briones-Manzano, Luisa. “La parodia quijotesca en el cine = Quixotic Parody in Film.” 2013. Web. 04 Aug 2020.

Vancouver:

Briones-Manzano L. La parodia quijotesca en el cine = Quixotic Parody in Film. [Internet] [Doctoral dissertation]. Boston College; 2013. [cited 2020 Aug 04]. Available from: http://dlib.bc.edu/islandora/object/bc-ir:104030.

Council of Science Editors:

Briones-Manzano L. La parodia quijotesca en el cine = Quixotic Parody in Film. [Doctoral Dissertation]. Boston College; 2013. Available from: http://dlib.bc.edu/islandora/object/bc-ir:104030


University of North Texas

8. Glann, Kerry. Musical Borrowing in the Choral Music of Andrew Rindfleisch.

Degree: 2015, University of North Texas

 American composer Andrew Rindfleisch (b. 1963) has contributed twenty-one pieces to the repertoire of contemporary choral literature to date. His works have been commissioned, premiered,… (more)

Subjects/Keywords: Choral music; musical borrowing; parody in music

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APA (6th Edition):

Glann, K. (2015). Musical Borrowing in the Choral Music of Andrew Rindfleisch. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc822847/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Glann, Kerry. “Musical Borrowing in the Choral Music of Andrew Rindfleisch.” 2015. Thesis, University of North Texas. Accessed August 04, 2020. https://digital.library.unt.edu/ark:/67531/metadc822847/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Glann, Kerry. “Musical Borrowing in the Choral Music of Andrew Rindfleisch.” 2015. Web. 04 Aug 2020.

Vancouver:

Glann K. Musical Borrowing in the Choral Music of Andrew Rindfleisch. [Internet] [Thesis]. University of North Texas; 2015. [cited 2020 Aug 04]. Available from: https://digital.library.unt.edu/ark:/67531/metadc822847/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Glann K. Musical Borrowing in the Choral Music of Andrew Rindfleisch. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc822847/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oregon

9. Summers, Stephen. Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry.

Degree: PhD, Department of English, 2014, University of Oregon

 During and after the First World War, English-language poets employed various ironic techniques to address war's dark absurdities. These methods, I argue, have various degrees… (more)

Subjects/Keywords: Ethics; Irony; Modern; Parody; Poetry; Satire

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APA (6th Edition):

Summers, S. (2014). Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry. (Doctoral Dissertation). University of Oregon. Retrieved from http://hdl.handle.net/1794/18322

Chicago Manual of Style (16th Edition):

Summers, Stephen. “Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry.” 2014. Doctoral Dissertation, University of Oregon. Accessed August 04, 2020. http://hdl.handle.net/1794/18322.

MLA Handbook (7th Edition):

Summers, Stephen. “Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry.” 2014. Web. 04 Aug 2020.

Vancouver:

Summers S. Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry. [Internet] [Doctoral dissertation]. University of Oregon; 2014. [cited 2020 Aug 04]. Available from: http://hdl.handle.net/1794/18322.

Council of Science Editors:

Summers S. Laughter Shared or the Games Poets Play: The Ethics and Aesthetics of Irony in Postwar American Poetry. [Doctoral Dissertation]. University of Oregon; 2014. Available from: http://hdl.handle.net/1794/18322


Rochester Institute of Technology

10. Walters, Whitney. Stuck.

Degree: MFA, School of Film and Animation (CIAS), 2017, Rochester Institute of Technology

  Stuck is six-minutes and five seconds in duration. The film starts in an artist’s studio, a blob creature gingerly applies paint to a canvas.… (more)

Subjects/Keywords: Blob; Bus stop; Interview; Jobs; Parody; Satire

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APA (6th Edition):

Walters, W. (2017). Stuck. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/9679

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walters, Whitney. “Stuck.” 2017. Thesis, Rochester Institute of Technology. Accessed August 04, 2020. https://scholarworks.rit.edu/theses/9679.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walters, Whitney. “Stuck.” 2017. Web. 04 Aug 2020.

Vancouver:

Walters W. Stuck. [Internet] [Thesis]. Rochester Institute of Technology; 2017. [cited 2020 Aug 04]. Available from: https://scholarworks.rit.edu/theses/9679.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walters W. Stuck. [Thesis]. Rochester Institute of Technology; 2017. Available from: https://scholarworks.rit.edu/theses/9679

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

11. Sandalska, Zlatina G. Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era.

Degree: PhD, Slavic Languages and Literatures, 2012, University of Southern California

 This dissertation aims to show that parodic male societies in Russian culture have shared a set of themes and behaviors across history and argues that… (more)

Subjects/Keywords: parody; male societies; dissident; drinking; monastic humor

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APA (6th Edition):

Sandalska, Z. G. (2012). Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71483/rec/4931

Chicago Manual of Style (16th Edition):

Sandalska, Zlatina G. “Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era.” 2012. Doctoral Dissertation, University of Southern California. Accessed August 04, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71483/rec/4931.

MLA Handbook (7th Edition):

Sandalska, Zlatina G. “Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era.” 2012. Web. 04 Aug 2020.

Vancouver:

Sandalska ZG. Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2020 Aug 04]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71483/rec/4931.

Council of Science Editors:

Sandalska ZG. Parodic male docieties in Russian culture: from the late Medieval period to the late Soviet era. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/71483/rec/4931


East Tennessee State University

12. Garber-Roberts, Scottie. Deconstructing the "Woman of Sentiment": Parody as Agency in the Poetry of Phoebe Cary.

Degree: MA, English, 2020, East Tennessee State University

  The work of nineteenth-century American poet Phoebe Cary presents a complex puzzle of exigence and purpose that combines social structure, political climate, and personal… (more)

Subjects/Keywords: Parody; Poetry; Sentimentalism; Women Writers; American Literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Garber-Roberts, S. (2020). Deconstructing the "Woman of Sentiment": Parody as Agency in the Poetry of Phoebe Cary. (Masters Thesis). East Tennessee State University. Retrieved from https://dc.etsu.edu/etd/3766

Chicago Manual of Style (16th Edition):

Garber-Roberts, Scottie. “Deconstructing the "Woman of Sentiment": Parody as Agency in the Poetry of Phoebe Cary.” 2020. Masters Thesis, East Tennessee State University. Accessed August 04, 2020. https://dc.etsu.edu/etd/3766.

MLA Handbook (7th Edition):

Garber-Roberts, Scottie. “Deconstructing the "Woman of Sentiment": Parody as Agency in the Poetry of Phoebe Cary.” 2020. Web. 04 Aug 2020.

Vancouver:

Garber-Roberts S. Deconstructing the "Woman of Sentiment": Parody as Agency in the Poetry of Phoebe Cary. [Internet] [Masters thesis]. East Tennessee State University; 2020. [cited 2020 Aug 04]. Available from: https://dc.etsu.edu/etd/3766.

Council of Science Editors:

Garber-Roberts S. Deconstructing the "Woman of Sentiment": Parody as Agency in the Poetry of Phoebe Cary. [Masters Thesis]. East Tennessee State University; 2020. Available from: https://dc.etsu.edu/etd/3766

13. Giovénal, Carine. « Du bestournement au renouvellement » : La construction du personnage chez Raoul de Houdenc (XIIIe siècle) : "Of the bestournement in the renewal" : the character’s building in Raoul de Houdenc, 13th century writer.

Degree: Docteur es, Langue et littérature françaises, 2011, Aix-Marseille 1

Considéré comme un continuateur de Chrétien de Troyes, Raoul de Houdenc s’inscrit dans la lignée des écrivains dits « arthuriens ». Avec son roman d’aventures… (more)

Subjects/Keywords: Moyen Âge; Personnage; Personne; Parodie; Apprentissage; Individu; Courtoisie; Satire; Allégorie; Middle Ages; Character; Person; Parody; Apprenticeship; Individual; Courtesy; Satire; Allegory; Parody

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Giovénal, C. (2011). « Du bestournement au renouvellement » : La construction du personnage chez Raoul de Houdenc (XIIIe siècle) : "Of the bestournement in the renewal" : the character’s building in Raoul de Houdenc, 13th century writer. (Doctoral Dissertation). Aix-Marseille 1. Retrieved from http://www.theses.fr/2011AIX10205

Chicago Manual of Style (16th Edition):

Giovénal, Carine. “« Du bestournement au renouvellement » : La construction du personnage chez Raoul de Houdenc (XIIIe siècle) : "Of the bestournement in the renewal" : the character’s building in Raoul de Houdenc, 13th century writer.” 2011. Doctoral Dissertation, Aix-Marseille 1. Accessed August 04, 2020. http://www.theses.fr/2011AIX10205.

MLA Handbook (7th Edition):

Giovénal, Carine. “« Du bestournement au renouvellement » : La construction du personnage chez Raoul de Houdenc (XIIIe siècle) : "Of the bestournement in the renewal" : the character’s building in Raoul de Houdenc, 13th century writer.” 2011. Web. 04 Aug 2020.

Vancouver:

Giovénal C. « Du bestournement au renouvellement » : La construction du personnage chez Raoul de Houdenc (XIIIe siècle) : "Of the bestournement in the renewal" : the character’s building in Raoul de Houdenc, 13th century writer. [Internet] [Doctoral dissertation]. Aix-Marseille 1; 2011. [cited 2020 Aug 04]. Available from: http://www.theses.fr/2011AIX10205.

Council of Science Editors:

Giovénal C. « Du bestournement au renouvellement » : La construction du personnage chez Raoul de Houdenc (XIIIe siècle) : "Of the bestournement in the renewal" : the character’s building in Raoul de Houdenc, 13th century writer. [Doctoral Dissertation]. Aix-Marseille 1; 2011. Available from: http://www.theses.fr/2011AIX10205

14. Daniel, Marc. L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative.

Degree: Docteur es, Littérature française et comparée, 2012, Université Sorbonne Nouvelle – Paris III

Avec une œuvre déjà abondante (dix-sept romans publiés à ce jour, sans compter des recueils de textes brefs et quatre volumes de son blog quotidien,… (more)

Subjects/Keywords: Antiromanesque; Fantaisie; Ludique; Ironie; Parodie; Conscience; Playful; Whimsical; Irony; Parody; Consciousness

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APA (6th Edition):

Daniel, M. (2012). L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2012PA030075

Chicago Manual of Style (16th Edition):

Daniel, Marc. “L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative.” 2012. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed August 04, 2020. http://www.theses.fr/2012PA030075.

MLA Handbook (7th Edition):

Daniel, Marc. “L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative.” 2012. Web. 04 Aug 2020.

Vancouver:

Daniel M. L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2012. [cited 2020 Aug 04]. Available from: http://www.theses.fr/2012PA030075.

Council of Science Editors:

Daniel M. L'art du récit chez Éric Chevillard : Éric Chevillard's Art of Narrative. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2012. Available from: http://www.theses.fr/2012PA030075


Case Western Reserve University

15. Brownlee, Pamela Pender. “Changeably meaning vocable scriptsigns”: Protean parody in Joyce’s “Telemachiad”.

Degree: PhD, English, 1993, Case Western Reserve University

 Recent Joyce criticism makes clear that the richness and variety of his parody stems from traditional methods adapted to meet the needs of a modernist… (more)

Subjects/Keywords: parody; JOYCE; parodies; Buck; Dubliners

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APA (6th Edition):

Brownlee, P. P. (1993). “Changeably meaning vocable scriptsigns”: Protean parody in Joyce’s “Telemachiad”. (Doctoral Dissertation). Case Western Reserve University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=case1056657886

Chicago Manual of Style (16th Edition):

Brownlee, Pamela Pender. ““Changeably meaning vocable scriptsigns”: Protean parody in Joyce’s “Telemachiad”.” 1993. Doctoral Dissertation, Case Western Reserve University. Accessed August 04, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=case1056657886.

MLA Handbook (7th Edition):

Brownlee, Pamela Pender. ““Changeably meaning vocable scriptsigns”: Protean parody in Joyce’s “Telemachiad”.” 1993. Web. 04 Aug 2020.

Vancouver:

Brownlee PP. “Changeably meaning vocable scriptsigns”: Protean parody in Joyce’s “Telemachiad”. [Internet] [Doctoral dissertation]. Case Western Reserve University; 1993. [cited 2020 Aug 04]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1056657886.

Council of Science Editors:

Brownlee PP. “Changeably meaning vocable scriptsigns”: Protean parody in Joyce’s “Telemachiad”. [Doctoral Dissertation]. Case Western Reserve University; 1993. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1056657886


Louisiana State University

16. Boyd, Lani. The Yes Men and activism in the information age.

Degree: MA, Arts and Humanities, 2005, Louisiana State University

 Western history is filled with pranks and trickery intent on enlightening audiences by blending fiction with reality. The Yes Men, an Internet-based activist group, did… (more)

Subjects/Keywords: hacktivism; activist art; globalization; parody

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APA (6th Edition):

Boyd, L. (2005). The Yes Men and activism in the information age. (Masters Thesis). Louisiana State University. Retrieved from etd-04142005-174336 ; https://digitalcommons.lsu.edu/gradschool_theses/3689

Chicago Manual of Style (16th Edition):

Boyd, Lani. “The Yes Men and activism in the information age.” 2005. Masters Thesis, Louisiana State University. Accessed August 04, 2020. etd-04142005-174336 ; https://digitalcommons.lsu.edu/gradschool_theses/3689.

MLA Handbook (7th Edition):

Boyd, Lani. “The Yes Men and activism in the information age.” 2005. Web. 04 Aug 2020.

Vancouver:

Boyd L. The Yes Men and activism in the information age. [Internet] [Masters thesis]. Louisiana State University; 2005. [cited 2020 Aug 04]. Available from: etd-04142005-174336 ; https://digitalcommons.lsu.edu/gradschool_theses/3689.

Council of Science Editors:

Boyd L. The Yes Men and activism in the information age. [Masters Thesis]. Louisiana State University; 2005. Available from: etd-04142005-174336 ; https://digitalcommons.lsu.edu/gradschool_theses/3689


University of California – Riverside

17. Ramey, Anamaria C. Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having".

Degree: Art History, 2014, University of California – Riverside

 Contemporary American photographer Catherine Opie's work Being and Having (1991) is a series of thirteen photographic extreme close-up portraits, resembling head-shots, of lesbian women wearing… (more)

Subjects/Keywords: Art history; color; gender; parody; photography; portraiture; queer theory

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APA (6th Edition):

Ramey, A. C. (2014). Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having". (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/3tf6v1xq

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ramey, Anamaria C. “Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having".” 2014. Thesis, University of California – Riverside. Accessed August 04, 2020. http://www.escholarship.org/uc/item/3tf6v1xq.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ramey, Anamaria C. “Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having".” 2014. Web. 04 Aug 2020.

Vancouver:

Ramey AC. Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having". [Internet] [Thesis]. University of California – Riverside; 2014. [cited 2020 Aug 04]. Available from: http://www.escholarship.org/uc/item/3tf6v1xq.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ramey AC. Portrait Paradox: Complicating Identity in Catherine Opie's "Being and Having". [Thesis]. University of California – Riverside; 2014. Available from: http://www.escholarship.org/uc/item/3tf6v1xq

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Bolfarine, Mariana. Espaço e metaficção em A house for Mr. Biswas, de V. S. Naipaul.

Degree: Mestrado, Estudos Lingüísticos e Literários em Inglês, 2011, University of São Paulo

A presente dissertação propõe um estudo do espaço literário no romance A House for Mr. Biswas (1961), do escritor indo-caribenho V. S. Naipaul. Num primeiro… (more)

Subjects/Keywords: Chronotope; Cronotopo; Espaço; Metaficção; Metafiction; Novel; Paródia; Parody; Romance; Space

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APA (6th Edition):

Bolfarine, M. (2011). Espaço e metaficção em A house for Mr. Biswas, de V. S. Naipaul. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8147/tde-26092011-123338/ ;

Chicago Manual of Style (16th Edition):

Bolfarine, Mariana. “Espaço e metaficção em A house for Mr. Biswas, de V. S. Naipaul.” 2011. Masters Thesis, University of São Paulo. Accessed August 04, 2020. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-26092011-123338/ ;.

MLA Handbook (7th Edition):

Bolfarine, Mariana. “Espaço e metaficção em A house for Mr. Biswas, de V. S. Naipaul.” 2011. Web. 04 Aug 2020.

Vancouver:

Bolfarine M. Espaço e metaficção em A house for Mr. Biswas, de V. S. Naipaul. [Internet] [Masters thesis]. University of São Paulo; 2011. [cited 2020 Aug 04]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8147/tde-26092011-123338/ ;.

Council of Science Editors:

Bolfarine M. Espaço e metaficção em A house for Mr. Biswas, de V. S. Naipaul. [Masters Thesis]. University of São Paulo; 2011. Available from: http://www.teses.usp.br/teses/disponiveis/8/8147/tde-26092011-123338/ ;


Universidade Presbiteriana Mackenzie

19. Silvana Perrella Brito. O diálogo entre os quadrinhos do Superman e do Overman.

Degree: 2007, Universidade Presbiteriana Mackenzie

Este trabalho pretende analisar a intertextualidade estabelecida entre os super-heróis Superman, criado por Joe Shuster e Jerry Siegel, e Overman, criado pelo cartunista brasileiro Laerte… (more)

Subjects/Keywords: intertextualidade; quadrinhos; carnavalização; paródia; intertextuality; comics; carnivalization; parody; LETRAS

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APA (6th Edition):

Brito, S. P. (2007). O diálogo entre os quadrinhos do Superman e do Overman. (Thesis). Universidade Presbiteriana Mackenzie. Retrieved from http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=542

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brito, Silvana Perrella. “O diálogo entre os quadrinhos do Superman e do Overman.” 2007. Thesis, Universidade Presbiteriana Mackenzie. Accessed August 04, 2020. http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=542.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brito, Silvana Perrella. “O diálogo entre os quadrinhos do Superman e do Overman.” 2007. Web. 04 Aug 2020.

Vancouver:

Brito SP. O diálogo entre os quadrinhos do Superman e do Overman. [Internet] [Thesis]. Universidade Presbiteriana Mackenzie; 2007. [cited 2020 Aug 04]. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=542.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brito SP. O diálogo entre os quadrinhos do Superman e do Overman. [Thesis]. Universidade Presbiteriana Mackenzie; 2007. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=542

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

20. Cummins, Melissa D. Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant.

Degree: PhD, Music, 2017, University of Kansas

 Abstract In past scholarship, Germaine Tailleferre has been briefly written about as the only female member of Les Six and as a composer of instrumental… (more)

Subjects/Keywords: Music; History; France; Offenbach; Opera; Parody; Radio; Tailleferre

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APA (6th Edition):

Cummins, M. D. (2017). Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/25233

Chicago Manual of Style (16th Edition):

Cummins, Melissa D. “Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant.” 2017. Doctoral Dissertation, University of Kansas. Accessed August 04, 2020. http://hdl.handle.net/1808/25233.

MLA Handbook (7th Edition):

Cummins, Melissa D. “Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant.” 2017. Web. 04 Aug 2020.

Vancouver:

Cummins MD. Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant. [Internet] [Doctoral dissertation]. University of Kansas; 2017. [cited 2020 Aug 04]. Available from: http://hdl.handle.net/1808/25233.

Council of Science Editors:

Cummins MD. Use of Parody Techniques in Jacques Offenbach’s Opérettes and Germaine Tailleferre’s Du Style Galant au Style Méchant. [Doctoral Dissertation]. University of Kansas; 2017. Available from: http://hdl.handle.net/1808/25233


University of Cincinnati

21. Stewart, Julie M. The Rhetoric of <i>South Park</i>.

Degree: MA, Arts and Sciences : Communication, 2007, University of Cincinnati

 This study examines the rhetoric of the cartoon <i>South Park</i>. <i>South Park</i> is a popular culture artifact that deals with numerous contemporary social and political… (more)

Subjects/Keywords: Rhetoric; communication; politics; populism; South Park; Television; cartoons; parody

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APA (6th Edition):

Stewart, J. M. (2007). The Rhetoric of <i>South Park</i>. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185373368

Chicago Manual of Style (16th Edition):

Stewart, Julie M. “The Rhetoric of <i>South Park</i>.” 2007. Masters Thesis, University of Cincinnati. Accessed August 04, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185373368.

MLA Handbook (7th Edition):

Stewart, Julie M. “The Rhetoric of <i>South Park</i>.” 2007. Web. 04 Aug 2020.

Vancouver:

Stewart JM. The Rhetoric of <i>South Park</i>. [Internet] [Masters thesis]. University of Cincinnati; 2007. [cited 2020 Aug 04]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185373368.

Council of Science Editors:

Stewart JM. The Rhetoric of <i>South Park</i>. [Masters Thesis]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1185373368


Universiteit Utrecht

22. Lam, W.Y. The Gun Seller: A Parody of the Superhuman Spy.

Degree: 2010, Universiteit Utrecht

 This essay concentrates on the translation of The Gun Seller – chapter eighteen will serve as the source for illustrations – with particular attention to… (more)

Subjects/Keywords: Letteren; translation; parody; spy-fiction; The Gun Seller

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APA (6th Edition):

Lam, W. Y. (2010). The Gun Seller: A Parody of the Superhuman Spy. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/179454

Chicago Manual of Style (16th Edition):

Lam, W Y. “The Gun Seller: A Parody of the Superhuman Spy.” 2010. Masters Thesis, Universiteit Utrecht. Accessed August 04, 2020. http://dspace.library.uu.nl:8080/handle/1874/179454.

MLA Handbook (7th Edition):

Lam, W Y. “The Gun Seller: A Parody of the Superhuman Spy.” 2010. Web. 04 Aug 2020.

Vancouver:

Lam WY. The Gun Seller: A Parody of the Superhuman Spy. [Internet] [Masters thesis]. Universiteit Utrecht; 2010. [cited 2020 Aug 04]. Available from: http://dspace.library.uu.nl:8080/handle/1874/179454.

Council of Science Editors:

Lam WY. The Gun Seller: A Parody of the Superhuman Spy. [Masters Thesis]. Universiteit Utrecht; 2010. Available from: http://dspace.library.uu.nl:8080/handle/1874/179454


Université Paris-Sorbonne – Paris IV

23. Stavropoulou, Anna Magia. L’enfant lecteur et la parodie : Composantes et fonctions de la réception du parodique dans l’oeuvre d’Eugène Trivizas : The child reader and the parody : Components and functions of the perception of the element of parody in the work of Eugene Trivizas.

Degree: Docteur es, Études grecques, 2015, Université Paris-Sorbonne – Paris IV

L’objet de la présente recherche est l’étude de l’accessibilité des enfants lecteurs à la réception de l’élément parodique, présent dans les œuvres littéraires d’Eugène Trivizas,… (more)

Subjects/Keywords: Eugène Trivizas; Conte parodique; Parodie minimale; Parodie intertextuelle; Parodie par transposition/transcontextualisation; Jeu parodique; Réception du parodique; Enfant lecteur; Eugene Trivizas; Parodic tale; Minimalistic parody; Intertextual parody; Parody through transposition; Parodic game; Reception of parody; Child reader

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APA (6th Edition):

Stavropoulou, A. M. (2015). L’enfant lecteur et la parodie : Composantes et fonctions de la réception du parodique dans l’oeuvre d’Eugène Trivizas : The child reader and the parody : Components and functions of the perception of the element of parody in the work of Eugene Trivizas. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2015PA040207

Chicago Manual of Style (16th Edition):

Stavropoulou, Anna Magia. “L’enfant lecteur et la parodie : Composantes et fonctions de la réception du parodique dans l’oeuvre d’Eugène Trivizas : The child reader and the parody : Components and functions of the perception of the element of parody in the work of Eugene Trivizas.” 2015. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed August 04, 2020. http://www.theses.fr/2015PA040207.

MLA Handbook (7th Edition):

Stavropoulou, Anna Magia. “L’enfant lecteur et la parodie : Composantes et fonctions de la réception du parodique dans l’oeuvre d’Eugène Trivizas : The child reader and the parody : Components and functions of the perception of the element of parody in the work of Eugene Trivizas.” 2015. Web. 04 Aug 2020.

Vancouver:

Stavropoulou AM. L’enfant lecteur et la parodie : Composantes et fonctions de la réception du parodique dans l’oeuvre d’Eugène Trivizas : The child reader and the parody : Components and functions of the perception of the element of parody in the work of Eugene Trivizas. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2015. [cited 2020 Aug 04]. Available from: http://www.theses.fr/2015PA040207.

Council of Science Editors:

Stavropoulou AM. L’enfant lecteur et la parodie : Composantes et fonctions de la réception du parodique dans l’oeuvre d’Eugène Trivizas : The child reader and the parody : Components and functions of the perception of the element of parody in the work of Eugene Trivizas. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2015. Available from: http://www.theses.fr/2015PA040207


Queensland University of Technology

24. Loth, Joanne Marie. Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder.

Degree: 2011, Queensland University of Technology

 This PhD represents my attempt to make sense of my personal experiences of depression through the form of cabaret. I first experienced depression in 2006.… (more)

Subjects/Keywords: cabaret; depression; bipolar disorder; narrative therapy; persona; parody; provocateur; vamp

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APA (6th Edition):

Loth, J. M. (2011). Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/49434/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Loth, Joanne Marie. “Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder.” 2011. Thesis, Queensland University of Technology. Accessed August 04, 2020. https://eprints.qut.edu.au/49434/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Loth, Joanne Marie. “Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder.” 2011. Web. 04 Aug 2020.

Vancouver:

Loth JM. Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder. [Internet] [Thesis]. Queensland University of Technology; 2011. [cited 2020 Aug 04]. Available from: https://eprints.qut.edu.au/49434/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Loth JM. Mind games : applying White’s principles of narrative therapy to the creation of a cabaret about depression and bipolar disorder. [Thesis]. Queensland University of Technology; 2011. Available from: https://eprints.qut.edu.au/49434/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vytautas Magnus University

25. Stankevičius, Šarūnas. Reklama ir jos parodijos: sąsajos su tautosaka.

Degree: Master, Etnology, 2012, Vytautas Magnus University

Darbo objektas - reklamos parodija ir jos kūrimo būdai. Tikslas: nustatyti reklamos daromą įtaką žmogaus psichologijai ir ištirti juoko kūrimo principus reklamų parodijose. Išsikelti uždaviniai:… (more)

Subjects/Keywords: Reklama; Reklamų parodijos; Juokas; Advertisement; Parody of advertisement; Laugh

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APA (6th Edition):

Stankevičius, Šarūnas. (2012). Reklama ir jos parodijos: sąsajos su tautosaka. (Masters Thesis). Vytautas Magnus University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120625_092032-10509 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

Stankevičius, Šarūnas. “Reklama ir jos parodijos: sąsajos su tautosaka.” 2012. Masters Thesis, Vytautas Magnus University. Accessed August 04, 2020. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120625_092032-10509 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

Stankevičius, Šarūnas. “Reklama ir jos parodijos: sąsajos su tautosaka.” 2012. Web. 04 Aug 2020.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Stankevičius, Šarūnas. Reklama ir jos parodijos: sąsajos su tautosaka. [Internet] [Masters thesis]. Vytautas Magnus University; 2012. [cited 2020 Aug 04]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120625_092032-10509 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

Stankevičius, Šarūnas. Reklama ir jos parodijos: sąsajos su tautosaka. [Masters Thesis]. Vytautas Magnus University; 2012. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120625_092032-10509 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


Vilnius Pedagogical University

26. Didžiulytė, Margarita. Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija".

Degree: Master, Philology, 2006, Vilnius Pedagogical University

 The paper presents J. R. Fowles's novel "The French Lieutenants's Woman" as imitation and parody of Victorian novel.The epigraphs, duality of presentation and multiple endings… (more)

Subjects/Keywords: Parody; Imitation; Imitacija; Parodija

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APA (6th Edition):

Didžiulytė, Margarita. (2006). Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija". (Masters Thesis). Vilnius Pedagogical University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2006~D_20060612_080534-18599 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

Didžiulytė, Margarita. “Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija".” 2006. Masters Thesis, Vilnius Pedagogical University. Accessed August 04, 2020. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2006~D_20060612_080534-18599 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

Didžiulytė, Margarita. “Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija".” 2006. Web. 04 Aug 2020.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Didžiulytė, Margarita. Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija". [Internet] [Masters thesis]. Vilnius Pedagogical University; 2006. [cited 2020 Aug 04]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2006~D_20060612_080534-18599 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

Didžiulytė, Margarita. Džono Faulzo romanas "Prancūzų leitenanto moteris"kaip Viktorijos epochos romano imitacija ir parodija". [Masters Thesis]. Vilnius Pedagogical University; 2006. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2006~D_20060612_080534-18599 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

27. Koukoulas, Ioannis. Τα κόμικς ως παλίμψηστα: μίμηση, επέμβαση, παραλλαγή και παρωδία στην ένατη τέχνη.

Degree: 2019, Athens School of Fine Arts (ASFA); Ανωτάτη Σχολή Καλών Τεχνών (ΑΣΚΤ)

A mass produced cultural product with a wide public appeal since the late nineteenth century, comics have nevertheless faced harsh criticism from some conservative educators,… (more)

Subjects/Keywords: Κόμικς; Παλίμψηστα; Παρωδία; Comics; Palimpsests; Parody; Bandes dessinées

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APA (6th Edition):

Koukoulas, I. (2019). Τα κόμικς ως παλίμψηστα: μίμηση, επέμβαση, παραλλαγή και παρωδία στην ένατη τέχνη. (Thesis). Athens School of Fine Arts (ASFA); Ανωτάτη Σχολή Καλών Τεχνών (ΑΣΚΤ). Retrieved from http://hdl.handle.net/10442/hedi/47077

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Koukoulas, Ioannis. “Τα κόμικς ως παλίμψηστα: μίμηση, επέμβαση, παραλλαγή και παρωδία στην ένατη τέχνη.” 2019. Thesis, Athens School of Fine Arts (ASFA); Ανωτάτη Σχολή Καλών Τεχνών (ΑΣΚΤ). Accessed August 04, 2020. http://hdl.handle.net/10442/hedi/47077.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Koukoulas, Ioannis. “Τα κόμικς ως παλίμψηστα: μίμηση, επέμβαση, παραλλαγή και παρωδία στην ένατη τέχνη.” 2019. Web. 04 Aug 2020.

Vancouver:

Koukoulas I. Τα κόμικς ως παλίμψηστα: μίμηση, επέμβαση, παραλλαγή και παρωδία στην ένατη τέχνη. [Internet] [Thesis]. Athens School of Fine Arts (ASFA); Ανωτάτη Σχολή Καλών Τεχνών (ΑΣΚΤ); 2019. [cited 2020 Aug 04]. Available from: http://hdl.handle.net/10442/hedi/47077.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Koukoulas I. Τα κόμικς ως παλίμψηστα: μίμηση, επέμβαση, παραλλαγή και παρωδία στην ένατη τέχνη. [Thesis]. Athens School of Fine Arts (ASFA); Ανωτάτη Σχολή Καλών Τεχνών (ΑΣΚΤ); 2019. Available from: http://hdl.handle.net/10442/hedi/47077

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Univerzitet u Beogradu

28. Srdić, Srđan. 1977-. Odnos stvarnosti i fikcije u prozi Džonatana Svifta.

Degree: Filološki fakultet, 2016, Univerzitet u Beogradu

Nauka o književnosti - Teorija književnosti / Literary studies - Theory of literature

Rad se bavi odnosima stvarnosti i fikcije u prozi Džonatana Svifta. Teorijsko… (more)

Subjects/Keywords: fiction; truth; reality; possible worlds; fictional worlds; satire; parody; irony

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APA (6th Edition):

Srdić, S. 1. (2016). Odnos stvarnosti i fikcije u prozi Džonatana Svifta. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:12608/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Srdić, Srđan 1977-. “Odnos stvarnosti i fikcije u prozi Džonatana Svifta.” 2016. Thesis, Univerzitet u Beogradu. Accessed August 04, 2020. https://fedorabg.bg.ac.rs/fedora/get/o:12608/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Srdić, Srđan 1977-. “Odnos stvarnosti i fikcije u prozi Džonatana Svifta.” 2016. Web. 04 Aug 2020.

Vancouver:

Srdić S1. Odnos stvarnosti i fikcije u prozi Džonatana Svifta. [Internet] [Thesis]. Univerzitet u Beogradu; 2016. [cited 2020 Aug 04]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:12608/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Srdić S1. Odnos stvarnosti i fikcije u prozi Džonatana Svifta. [Thesis]. Univerzitet u Beogradu; 2016. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:12608/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

29. Fauzetdinova, Adel Ramilevna. Translation as cultural contraband: translating and writing Russian literature in Argentina.

Degree: PhD, Hispanic Language & Literatures, 2017, Boston University

 My dissertation examines the role Russian literature translations played in the shaping of Argentine literature during the first three decades of the twentieth century. By… (more)

Subjects/Keywords: Literature; Parody; Realism; Translation; Argentine avant-garde; Argentine literature; Russian literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fauzetdinova, A. R. (2017). Translation as cultural contraband: translating and writing Russian literature in Argentina. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/27068

Chicago Manual of Style (16th Edition):

Fauzetdinova, Adel Ramilevna. “Translation as cultural contraband: translating and writing Russian literature in Argentina.” 2017. Doctoral Dissertation, Boston University. Accessed August 04, 2020. http://hdl.handle.net/2144/27068.

MLA Handbook (7th Edition):

Fauzetdinova, Adel Ramilevna. “Translation as cultural contraband: translating and writing Russian literature in Argentina.” 2017. Web. 04 Aug 2020.

Vancouver:

Fauzetdinova AR. Translation as cultural contraband: translating and writing Russian literature in Argentina. [Internet] [Doctoral dissertation]. Boston University; 2017. [cited 2020 Aug 04]. Available from: http://hdl.handle.net/2144/27068.

Council of Science Editors:

Fauzetdinova AR. Translation as cultural contraband: translating and writing Russian literature in Argentina. [Doctoral Dissertation]. Boston University; 2017. Available from: http://hdl.handle.net/2144/27068


Boston University

30. Davis, Richard Carroll. Self parody among the cantatas of Johann Sebastian Bach.

Degree: PhD, Music, 1962, Boston University

 Many of Bach's greatest masterpieces contain movements based on music from earlier compositions. These parodies of previously composed works seemed to require as much, if… (more)

Subjects/Keywords: Bach, Johann Sebastian; Cantatas; Parody

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Davis, R. C. (1962). Self parody among the cantatas of Johann Sebastian Bach. (Doctoral Dissertation). Boston University. Retrieved from http://hdl.handle.net/2144/29091

Chicago Manual of Style (16th Edition):

Davis, Richard Carroll. “Self parody among the cantatas of Johann Sebastian Bach.” 1962. Doctoral Dissertation, Boston University. Accessed August 04, 2020. http://hdl.handle.net/2144/29091.

MLA Handbook (7th Edition):

Davis, Richard Carroll. “Self parody among the cantatas of Johann Sebastian Bach.” 1962. Web. 04 Aug 2020.

Vancouver:

Davis RC. Self parody among the cantatas of Johann Sebastian Bach. [Internet] [Doctoral dissertation]. Boston University; 1962. [cited 2020 Aug 04]. Available from: http://hdl.handle.net/2144/29091.

Council of Science Editors:

Davis RC. Self parody among the cantatas of Johann Sebastian Bach. [Doctoral Dissertation]. Boston University; 1962. Available from: http://hdl.handle.net/2144/29091

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