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You searched for subject:(painting). Showing records 2821 – 2850 of 2906 total matches.

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2821. Prunés, Àlex. Praxis de la pintura de paisaje: Símbolo y emoción, en el umbral entre lo visible y lo espiritual.

Degree: Departament de Pintura, 2017, Universitat de Barcelona

 El presente trabajo de investigación parte de la idea de que la pintura de paisaje se resuelve, mediante la creación de una imagen del componente… (more)

Subjects/Keywords: Pintura de paisatges; Pintura de paisaje; Landscape painting; Paisatge en l'art; Paisaje en el arte; Landscape in art; Ciències Humanes i Socials; 75

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Prunés, . (2017). Praxis de la pintura de paisaje: Símbolo y emoción, en el umbral entre lo visible y lo espiritual. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/401649

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Prunés, Àlex. “Praxis de la pintura de paisaje: Símbolo y emoción, en el umbral entre lo visible y lo espiritual.” 2017. Thesis, Universitat de Barcelona. Accessed September 26, 2018. http://hdl.handle.net/10803/401649.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Prunés, Àlex. “Praxis de la pintura de paisaje: Símbolo y emoción, en el umbral entre lo visible y lo espiritual.” 2017. Web. 26 Sep 2018.

Vancouver:

Prunés . Praxis de la pintura de paisaje: Símbolo y emoción, en el umbral entre lo visible y lo espiritual. [Internet] [Thesis]. Universitat de Barcelona; 2017. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/10803/401649.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Prunés . Praxis de la pintura de paisaje: Símbolo y emoción, en el umbral entre lo visible y lo espiritual. [Thesis]. Universitat de Barcelona; 2017. Available from: http://hdl.handle.net/10803/401649

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2822. Antequera Lucas, José Luis. Tradición y vanguardia en la pintura española entre 1915 y 1926, a través de la obra "El Año Artístico" del crítico de arte José Francés.

Degree: Departamento de Historia del Arte, 2013, Universidad de Murcia

 This Thesis offers a new approach to the historiography of Spanish art in the early 20th Century, specifically to the landscape genre. The research draws… (more)

Subjects/Keywords: Pintura; Paisaje; Vanguardia; Arte Nuevo; Realismo; Generación; Painting; Landscape; Avant-garde; Arte Nuevo; Realism; Generation; Historia del Arte; 7; 75; 93

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APA (6th Edition):

Antequera Lucas, J. L. (2013). Tradición y vanguardia en la pintura española entre 1915 y 1926, a través de la obra "El Año Artístico" del crítico de arte José Francés. (Thesis). Universidad de Murcia. Retrieved from http://hdl.handle.net/10803/117327

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Antequera Lucas, José Luis. “Tradición y vanguardia en la pintura española entre 1915 y 1926, a través de la obra "El Año Artístico" del crítico de arte José Francés.” 2013. Thesis, Universidad de Murcia. Accessed September 26, 2018. http://hdl.handle.net/10803/117327.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Antequera Lucas, José Luis. “Tradición y vanguardia en la pintura española entre 1915 y 1926, a través de la obra "El Año Artístico" del crítico de arte José Francés.” 2013. Web. 26 Sep 2018.

Vancouver:

Antequera Lucas JL. Tradición y vanguardia en la pintura española entre 1915 y 1926, a través de la obra "El Año Artístico" del crítico de arte José Francés. [Internet] [Thesis]. Universidad de Murcia; 2013. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/10803/117327.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Antequera Lucas JL. Tradición y vanguardia en la pintura española entre 1915 y 1926, a través de la obra "El Año Artístico" del crítico de arte José Francés. [Thesis]. Universidad de Murcia; 2013. Available from: http://hdl.handle.net/10803/117327

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2823. Sangrà Boladeres, Antonio. El pintor Agustí Ferrer Pino (1884-1960).

Degree: Departament de Dibuix, 2014, Universitat de Barcelona

 Una primera aproximació d’aquest estudi, molt preliminar, la vam fer quan varem presentar la tesina l’any 2008. El resultat final, però, el presentem en aquest… (more)

Subjects/Keywords: Noucentisme; Novecentismo; Pintura mural; Mural painting and decoration; Dibuix; Dibujo; Drawing; Ferrer Pino, Agustí, 1884-1960; Ciències Humanes i Socials; 75

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APA (6th Edition):

Sangrà Boladeres, A. (2014). El pintor Agustí Ferrer Pino (1884-1960). (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/285168

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sangrà Boladeres, Antonio. “El pintor Agustí Ferrer Pino (1884-1960).” 2014. Thesis, Universitat de Barcelona. Accessed September 26, 2018. http://hdl.handle.net/10803/285168.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sangrà Boladeres, Antonio. “El pintor Agustí Ferrer Pino (1884-1960).” 2014. Web. 26 Sep 2018.

Vancouver:

Sangrà Boladeres A. El pintor Agustí Ferrer Pino (1884-1960). [Internet] [Thesis]. Universitat de Barcelona; 2014. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/10803/285168.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sangrà Boladeres A. El pintor Agustí Ferrer Pino (1884-1960). [Thesis]. Universitat de Barcelona; 2014. Available from: http://hdl.handle.net/10803/285168

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2824. Piscitelli, Mariapaola. Proposte creative intorno al viaggio e ai diari di viaggio, a partire dall’opera del pittore Luigi Capece = Propuestas creativas alrededor del viaje y de los diarios de viaje, a partir de la obra del pintor Luigi Capece.

Degree: Departament de Pintura, 2013, Universitat de Barcelona

 Il presente lavoro si modella attraverso la confluenza di tre punti fondamentali, tutti in consonanza con le caratteristiche dell’autrice e in relazione tra loro. Prima… (more)

Subjects/Keywords: Pintura; Painting; Capece, Luigi; Diaris de viatge; Diarios de viaje; Travel diaries; Apunts del natural; Apuntes del natural; Sketches from life; Ciències Humanes i Socials; 74

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APA (6th Edition):

Piscitelli, M. (2013). Proposte creative intorno al viaggio e ai diari di viaggio, a partire dall’opera del pittore Luigi Capece = Propuestas creativas alrededor del viaje y de los diarios de viaje, a partir de la obra del pintor Luigi Capece. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/145787

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Piscitelli, Mariapaola. “Proposte creative intorno al viaggio e ai diari di viaggio, a partire dall’opera del pittore Luigi Capece = Propuestas creativas alrededor del viaje y de los diarios de viaje, a partir de la obra del pintor Luigi Capece.” 2013. Thesis, Universitat de Barcelona. Accessed September 26, 2018. http://hdl.handle.net/10803/145787.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Piscitelli, Mariapaola. “Proposte creative intorno al viaggio e ai diari di viaggio, a partire dall’opera del pittore Luigi Capece = Propuestas creativas alrededor del viaje y de los diarios de viaje, a partir de la obra del pintor Luigi Capece.” 2013. Web. 26 Sep 2018.

Vancouver:

Piscitelli M. Proposte creative intorno al viaggio e ai diari di viaggio, a partire dall’opera del pittore Luigi Capece = Propuestas creativas alrededor del viaje y de los diarios de viaje, a partir de la obra del pintor Luigi Capece. [Internet] [Thesis]. Universitat de Barcelona; 2013. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/10803/145787.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Piscitelli M. Proposte creative intorno al viaggio e ai diari di viaggio, a partire dall’opera del pittore Luigi Capece = Propuestas creativas alrededor del viaje y de los diarios de viaje, a partir de la obra del pintor Luigi Capece. [Thesis]. Universitat de Barcelona; 2013. Available from: http://hdl.handle.net/10803/145787

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2825. Santos, Mariana Pinto dos. Inventários, Narrativas, Fragmentos. (Im)pertinência da historiografia da arte = Inventarios, Narrativas, Fragmentos. (Im)pertinencia de la historiografía del arte.

Degree: 2015, Universitat de Barcelona

 Starting with some important examples from the contemporary portuguese art history, this dissertation aims for a reflection about the crystallization of models of interpretation in… (more)

Subjects/Keywords: Història de l'art; Historia del arte; Art history; Art contemporani; Arte contemporáneo; Contemporary art; Estètica; Estética; Aesthetics; Pintura portuguesa; Portuguese painting; Ciències Humanes i Socials; 7

…an useful case-study, for it is the example of a practice in painting that avoids… 

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APA (6th Edition):

Santos, M. P. d. (2015). Inventários, Narrativas, Fragmentos. (Im)pertinência da historiografia da arte = Inventarios, Narrativas, Fragmentos. (Im)pertinencia de la historiografía del arte. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/298715

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Santos, Mariana Pinto dos. “Inventários, Narrativas, Fragmentos. (Im)pertinência da historiografia da arte = Inventarios, Narrativas, Fragmentos. (Im)pertinencia de la historiografía del arte.” 2015. Thesis, Universitat de Barcelona. Accessed September 26, 2018. http://hdl.handle.net/10803/298715.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Santos, Mariana Pinto dos. “Inventários, Narrativas, Fragmentos. (Im)pertinência da historiografia da arte = Inventarios, Narrativas, Fragmentos. (Im)pertinencia de la historiografía del arte.” 2015. Web. 26 Sep 2018.

Vancouver:

Santos MPd. Inventários, Narrativas, Fragmentos. (Im)pertinência da historiografia da arte = Inventarios, Narrativas, Fragmentos. (Im)pertinencia de la historiografía del arte. [Internet] [Thesis]. Universitat de Barcelona; 2015. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/10803/298715.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Santos MPd. Inventários, Narrativas, Fragmentos. (Im)pertinência da historiografia da arte = Inventarios, Narrativas, Fragmentos. (Im)pertinencia de la historiografía del arte. [Thesis]. Universitat de Barcelona; 2015. Available from: http://hdl.handle.net/10803/298715

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2826. Paredes Arnáiz, Anna Mª. Unamuno y las artes 1888-1936.

Degree: Departament de Filologia Hispànica, 2013, Universitat de Barcelona

 This research aims to reveal the possible links that existed between the paradigmatic thinker, Miguel de Unamuno, and art, according to their particularities and various… (more)

Subjects/Keywords: Unamuno, Miguel de, 1864-1936; País Basc; País Vasco; Estètica; Estética; Aesthetics; Pintura; Painting; Arts; Artes; Ciències Humanes i Socials; 82

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APA (6th Edition):

Paredes Arnáiz, A. M. (2013). Unamuno y las artes 1888-1936. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/110575

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Paredes Arnáiz, Anna Mª. “Unamuno y las artes 1888-1936.” 2013. Thesis, Universitat de Barcelona. Accessed September 26, 2018. http://hdl.handle.net/10803/110575.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Paredes Arnáiz, Anna Mª. “Unamuno y las artes 1888-1936.” 2013. Web. 26 Sep 2018.

Vancouver:

Paredes Arnáiz AM. Unamuno y las artes 1888-1936. [Internet] [Thesis]. Universitat de Barcelona; 2013. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/10803/110575.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Paredes Arnáiz AM. Unamuno y las artes 1888-1936. [Thesis]. Universitat de Barcelona; 2013. Available from: http://hdl.handle.net/10803/110575

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2827. Kattan, Lina M. The conflicted living beings: The performative aspect of female bodies’ representations in Saudi painting and photography.

Degree: 2015, Texas Tech University

 This dissertation demonstrates how the interrelated concepts of the Real, reality, art, and gender impact values attached to representing female ‘Living Beings’ in contemporary Saudi… (more)

Subjects/Keywords: Female body figuration; Islam; Islamic art; Saudi Arabia; Feminism; Living beings; Painting; Photography; Women artists; Islamic feminism; Transnational feminism; Panofsky; Gaze Theory

…5 Painting in Saudi Conception… …words, “painting a wrecked car is like icing a cake, as if beautifying the exterior would help… …Texas Tech University, Lina Kattan, August 2015 Therefore, Abdallah’s painting/performance… …contemporary Saudi painting and photography?6 In order to pursue this study, this research question… …and deconstruction. In regards to painting, Saudi culture integrates Islamic rules, personal… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kattan, L. M. (2015). The conflicted living beings: The performative aspect of female bodies’ representations in Saudi painting and photography. (Doctoral Dissertation). Texas Tech University. Retrieved from http://hdl.handle.net/2346/63583

Chicago Manual of Style (16th Edition):

Kattan, Lina M. “The conflicted living beings: The performative aspect of female bodies’ representations in Saudi painting and photography.” 2015. Doctoral Dissertation, Texas Tech University. Accessed September 26, 2018. http://hdl.handle.net/2346/63583.

MLA Handbook (7th Edition):

Kattan, Lina M. “The conflicted living beings: The performative aspect of female bodies’ representations in Saudi painting and photography.” 2015. Web. 26 Sep 2018.

Vancouver:

Kattan LM. The conflicted living beings: The performative aspect of female bodies’ representations in Saudi painting and photography. [Internet] [Doctoral dissertation]. Texas Tech University; 2015. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/2346/63583.

Council of Science Editors:

Kattan LM. The conflicted living beings: The performative aspect of female bodies’ representations in Saudi painting and photography. [Doctoral Dissertation]. Texas Tech University; 2015. Available from: http://hdl.handle.net/2346/63583


Queensland University of Technology

2828. Verdaasdonk, Maria Adriana. Living lens: exploring interdependencies between performing bodies, visual and sonic media in immersive installation.

Degree: 2007, Queensland University of Technology

 Living Lens is a practice-led study that explores interdependencies between performing bodies, visual images and sonic elements through two main areas of investigation: the propensity… (more)

Subjects/Keywords: performer-media interdependencies; immersive installation; poetic felt space; living painting; multi-sensory; butoh; dance/movement; body-as-texturiser; embodied visualisation; visual imagery; digital collage; sound palette; adaptable clusters; interactivity

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APA (6th Edition):

Verdaasdonk, M. A. (2007). Living lens: exploring interdependencies between performing bodies, visual and sonic media in immersive installation. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/16631/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Verdaasdonk, Maria Adriana. “Living lens: exploring interdependencies between performing bodies, visual and sonic media in immersive installation.” 2007. Thesis, Queensland University of Technology. Accessed September 26, 2018. https://eprints.qut.edu.au/16631/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Verdaasdonk, Maria Adriana. “Living lens: exploring interdependencies between performing bodies, visual and sonic media in immersive installation.” 2007. Web. 26 Sep 2018.

Vancouver:

Verdaasdonk MA. Living lens: exploring interdependencies between performing bodies, visual and sonic media in immersive installation. [Internet] [Thesis]. Queensland University of Technology; 2007. [cited 2018 Sep 26]. Available from: https://eprints.qut.edu.au/16631/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Verdaasdonk MA. Living lens: exploring interdependencies between performing bodies, visual and sonic media in immersive installation. [Thesis]. Queensland University of Technology; 2007. Available from: https://eprints.qut.edu.au/16631/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

2829. Kagan, Michal Lali. Wonderer : the life of Bruce Chatwin.

Degree: 2002, Queensland University of Technology

 Wonderer is a screenplay about the life of writer/traveler Bruce Chatwin. The screenplay examines not only Chatwin's travels and writing, but also the landscape which… (more)

Subjects/Keywords: Motion picture plays; art; art cinema; Australia; autobiography; biography; biopics; Brecht, Bertolt; Chatwin, Bruce; creative drive; classical narrative cinema; nomads; painting; travel; three act structure; Songlines; writing styles; thesis; masters

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APA (6th Edition):

Kagan, M. L. (2002). Wonderer : the life of Bruce Chatwin. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/36418/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kagan, Michal Lali. “Wonderer : the life of Bruce Chatwin.” 2002. Thesis, Queensland University of Technology. Accessed September 26, 2018. https://eprints.qut.edu.au/36418/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kagan, Michal Lali. “Wonderer : the life of Bruce Chatwin.” 2002. Web. 26 Sep 2018.

Vancouver:

Kagan ML. Wonderer : the life of Bruce Chatwin. [Internet] [Thesis]. Queensland University of Technology; 2002. [cited 2018 Sep 26]. Available from: https://eprints.qut.edu.au/36418/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kagan ML. Wonderer : the life of Bruce Chatwin. [Thesis]. Queensland University of Technology; 2002. Available from: https://eprints.qut.edu.au/36418/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2830. Crippa, Benedetta. World of Desire.

Degree: Graphic Design & Illustration, 2017, University College of Arts

  This project report offers an in-depth, detailed account of my creative process and work during my two-year Master in visual communication at Konstfack, Stockholm.… (more)

Subjects/Keywords: materialized hope; hope; visual culture; visual democracy; visual silence; plurality; feminism; graphic design; visual communication; drawing; book; artist's book; visual belonging; decoration; ornament; un-learning; re-learning; neutrality; femininity; imagination; desire; emotion; spirituality; complexity; communication; painting; folk art; circularity; writing; visual research; animation; narrative; book making; liberation; feminist practice; feminist future; practice of liberation; typography; material culture; craft; Humanities and the Arts; Humaniora och konst; Arts; Konst; Design; Design; Visual Arts; Bildkonst

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APA (6th Edition):

Crippa, B. (2017). World of Desire. (Thesis). University College of Arts. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5855

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crippa, Benedetta. “World of Desire.” 2017. Thesis, University College of Arts. Accessed September 26, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5855.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crippa, Benedetta. “World of Desire.” 2017. Web. 26 Sep 2018.

Vancouver:

Crippa B. World of Desire. [Internet] [Thesis]. University College of Arts; 2017. [cited 2018 Sep 26]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5855.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crippa B. World of Desire. [Thesis]. University College of Arts; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5855

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

2831. Pouy-Engler, Léonard. Luctor et Emergo. Développement et réception de la scène de corps de garde dans l’art néerlandais du XVIIe siècle : Luctor et Emergo. Development and Reception of the Guardroom Scene in XVIIth Century Netherlandish Art.

Degree: Docteur es, Histoire de l'art, 2017, Université Paris-Sorbonne – Paris IV

Dans un climat de réforme globale, touchant l’ensemble de la société hollandaise, émerge un certain nombre de compositions picturales nouvelles, peintes, au cours la première… (more)

Subjects/Keywords: Corps de garde; Duyster, Willem Cornelisz. (1599–1635); Codde, Pieter Jacobsz. (1599–1678); Palamedesz., Anthonie (1601–1673); David II Teniers (1610–1690); Dou, Gerrit (1613–1675); Rembrandt Harmensz. van Rijn (v. 1606–1669); Peinture de genre; Guardroom; Duyster, Willem Cornelisz. (1599–1635); Codde, Pieter Jacobsz. (1599–1678); Palamedesz., Anthonie (1601–1673); David II Teniers (1610–1690; Dou, Gerrit (1613–1675); Rembrandt Harmensz. van Rijn (v. 1606–1669); Genre Painting

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APA (6th Edition):

Pouy-Engler, L. (2017). Luctor et Emergo. Développement et réception de la scène de corps de garde dans l’art néerlandais du XVIIe siècle : Luctor et Emergo. Development and Reception of the Guardroom Scene in XVIIth Century Netherlandish Art. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2017PA040073

Chicago Manual of Style (16th Edition):

Pouy-Engler, Léonard. “Luctor et Emergo. Développement et réception de la scène de corps de garde dans l’art néerlandais du XVIIe siècle : Luctor et Emergo. Development and Reception of the Guardroom Scene in XVIIth Century Netherlandish Art.” 2017. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed September 26, 2018. http://www.theses.fr/2017PA040073.

MLA Handbook (7th Edition):

Pouy-Engler, Léonard. “Luctor et Emergo. Développement et réception de la scène de corps de garde dans l’art néerlandais du XVIIe siècle : Luctor et Emergo. Development and Reception of the Guardroom Scene in XVIIth Century Netherlandish Art.” 2017. Web. 26 Sep 2018.

Vancouver:

Pouy-Engler L. Luctor et Emergo. Développement et réception de la scène de corps de garde dans l’art néerlandais du XVIIe siècle : Luctor et Emergo. Development and Reception of the Guardroom Scene in XVIIth Century Netherlandish Art. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2017. [cited 2018 Sep 26]. Available from: http://www.theses.fr/2017PA040073.

Council of Science Editors:

Pouy-Engler L. Luctor et Emergo. Développement et réception de la scène de corps de garde dans l’art néerlandais du XVIIe siècle : Luctor et Emergo. Development and Reception of the Guardroom Scene in XVIIth Century Netherlandish Art. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2017. Available from: http://www.theses.fr/2017PA040073


Université de Montréal

2832. Bérubé, Patricia. Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles .

Degree: 2018, Université de Montréal

Subjects/Keywords: Histoire de l’art; Muséologie; peinture; handicap visuel; non-public; public empêché; accessibilité; médiation; numérique; impression 3D; Art history; Museology; painting; visual handicap; impeded audience; mediation; digital; 3D printing.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bérubé, P. (2018). Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/20689

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bérubé, Patricia. “Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles .” 2018. Thesis, Université de Montréal. Accessed September 26, 2018. http://hdl.handle.net/1866/20689.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bérubé, Patricia. “Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles .” 2018. Web. 26 Sep 2018.

Vancouver:

Bérubé P. Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles . [Internet] [Thesis]. Université de Montréal; 2018. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/1866/20689.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bérubé P. Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles . [Thesis]. Université de Montréal; 2018. Available from: http://hdl.handle.net/1866/20689

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brigham Young University

2833. Collins, Megan Marie. The Portrait of Citizen Jean-Baptiste Belley, Ex-Representative of the Colonies by Anne-Louis Girodet Trioson: Hybridity, History Painting, and the Grand Tour.

Degree: MA, 2006, Brigham Young University

  Anne-Louis Girodet Trioson's Portrait of C.[itizen] Jean-Baptiste Belley, ex-representative of the Colonies, is evidence of the changing ideological situation during the French Revolution. Girodet… (more)

Subjects/Keywords: Anne-Louis Girodet Trioson; Portrait of Citizen Jean-Baptiste Belley; Post-colonial Theory; Grand Tour; History Painting; Portraiture; French Revolution; Saint Domingue; Guillaume-Thomas Raynal; Images of Blacks; Neoclassicism; Art Practice; Visual Studies

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APA (6th Edition):

Collins, M. M. (2006). The Portrait of Citizen Jean-Baptiste Belley, Ex-Representative of the Colonies by Anne-Louis Girodet Trioson: Hybridity, History Painting, and the Grand Tour. (Masters Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=1377&context=etd

Chicago Manual of Style (16th Edition):

Collins, Megan Marie. “The Portrait of Citizen Jean-Baptiste Belley, Ex-Representative of the Colonies by Anne-Louis Girodet Trioson: Hybridity, History Painting, and the Grand Tour.” 2006. Masters Thesis, Brigham Young University. Accessed September 26, 2018. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=1377&context=etd.

MLA Handbook (7th Edition):

Collins, Megan Marie. “The Portrait of Citizen Jean-Baptiste Belley, Ex-Representative of the Colonies by Anne-Louis Girodet Trioson: Hybridity, History Painting, and the Grand Tour.” 2006. Web. 26 Sep 2018.

Vancouver:

Collins MM. The Portrait of Citizen Jean-Baptiste Belley, Ex-Representative of the Colonies by Anne-Louis Girodet Trioson: Hybridity, History Painting, and the Grand Tour. [Internet] [Masters thesis]. Brigham Young University; 2006. [cited 2018 Sep 26]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=1377&context=etd.

Council of Science Editors:

Collins MM. The Portrait of Citizen Jean-Baptiste Belley, Ex-Representative of the Colonies by Anne-Louis Girodet Trioson: Hybridity, History Painting, and the Grand Tour. [Masters Thesis]. Brigham Young University; 2006. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=1377&context=etd


University of St. Andrews

2834. Labo, Nora. Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion .

Degree: 2018, University of St. Andrews

 While the role of photography in enforcing hegemonic ideologies has been amply studied, this thesis addresses the under-researched topic of how photography undermined dominant narratives… (more)

Subjects/Keywords: History of photography; Environmental history; Nineteenth-century photography; Botanical photography; Colonial history; Colonial photography; French photography; Belgian photography; Brazilian photography; History of the Amazon region; Barbizon school; Early environmentalism; Second Empire France; Amazonian rubber boom; Plants in photography; Fontainebleau; Belgium; Brazil; Amazon; Tropical representations; Tropics; Ecology; Jean Massart; Jacques Huber; Nature as spectacle; Hierarchies of nature; Exoticism; Nature conservation; Visual studies; Critique of anthropocentrism; Étude d'après nature; Colonial science; Familiarity; Banality; Resistances to ideology; Palm trees; Weeds; Botany; Tourism; Photography and painting

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APA (6th Edition):

Labo, N. (2018). Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/12807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Labo, Nora. “Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion .” 2018. Thesis, University of St. Andrews. Accessed September 26, 2018. http://hdl.handle.net/10023/12807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Labo, Nora. “Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion .” 2018. Web. 26 Sep 2018.

Vancouver:

Labo N. Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion . [Internet] [Thesis]. University of St. Andrews; 2018. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/10023/12807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Labo N. Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion . [Thesis]. University of St. Andrews; 2018. Available from: http://hdl.handle.net/10023/12807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2835. Kuylenstierna, Ann. Ondskans ansikte : från brodermord och barnamord i medeltida konst till det onda skildrat av dagens konstnärer.

Degree: the Humanities and Social Science, 2013, Gotland University

  The study focuses the evil within human beings and evil actions against other humans and the human kind. The evil is defined as evil… (more)

Subjects/Keywords: medieval mural painting; reliefs in stone; Cain and Abel; the murder of the children of Bethlehem; modern artist; pictorial story telling

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APA (6th Edition):

Kuylenstierna, A. (2013). Ondskans ansikte : från brodermord och barnamord i medeltida konst till det onda skildrat av dagens konstnärer. (Thesis). Gotland University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-203492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kuylenstierna, Ann. “Ondskans ansikte : från brodermord och barnamord i medeltida konst till det onda skildrat av dagens konstnärer.” 2013. Thesis, Gotland University. Accessed September 26, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-203492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kuylenstierna, Ann. “Ondskans ansikte : från brodermord och barnamord i medeltida konst till det onda skildrat av dagens konstnärer.” 2013. Web. 26 Sep 2018.

Vancouver:

Kuylenstierna A. Ondskans ansikte : från brodermord och barnamord i medeltida konst till det onda skildrat av dagens konstnärer. [Internet] [Thesis]. Gotland University; 2013. [cited 2018 Sep 26]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-203492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kuylenstierna A. Ondskans ansikte : från brodermord och barnamord i medeltida konst till det onda skildrat av dagens konstnärer. [Thesis]. Gotland University; 2013. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-203492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2836. Oppenheimer, Hale Güngör. A Domestic Matter.

Degree: Textiles, 2013, University College of Arts

  This essay is an investigation of the phenomenon of home as an abstract idea. In the first chapter The space in between, I attempt… (more)

Subjects/Keywords: art; painting; textile; wallpaper; pattern; home; domestic; domesticity; installation; animals; collage; oilpainting; window; house; dwelling; belonging; immigration; ghost; migration; immigrant; stranger; foreigner; outsider; inbetween

…creation of the teapot that was used in my painting “Vault”, giving a body to the abstract idea… 

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APA (6th Edition):

Oppenheimer, H. G. (2013). A Domestic Matter. (Thesis). University College of Arts. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3961

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oppenheimer, Hale Güngör. “A Domestic Matter.” 2013. Thesis, University College of Arts. Accessed September 26, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3961.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oppenheimer, Hale Güngör. “A Domestic Matter.” 2013. Web. 26 Sep 2018.

Vancouver:

Oppenheimer HG. A Domestic Matter. [Internet] [Thesis]. University College of Arts; 2013. [cited 2018 Sep 26]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3961.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oppenheimer HG. A Domestic Matter. [Thesis]. University College of Arts; 2013. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3961

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2837. McAlpine, Lynley J. Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting.

Degree: PhD, Classical Art and Archaeology, 2014, University of Michigan

 This dissertation explores developments in the use of decorative marble and other stone and their representation in wall paintings from Roman domestic buildings in Campania… (more)

Subjects/Keywords: Roman Art; Roman Archaeology; Wall Painting; Pompeii; Memory Studies; Identity; Art History; Classical Studies; History (General); Anthropology and Archaeology; Arts; Humanities; Social Sciences

…Villa A at Oplontis. Second Style painting in Room 11 …....246 Villa dei Misteri, Pompeii… …Second Style painting in Room 5. Detail of alabaster panels …..246 Villa dei… …Misteri, Pompeii. Second Style painting in Room 6. Detail of turquoise (?) and… …alabaster panels ..247 Villa dei Misteri, Pompeii. Second Style painting in Room 5… …Second Style painting in Room 3 ..….248 Villa dei Misteri, Pompeii. Second Style painting in… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

McAlpine, L. J. (2014). Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/107074

Chicago Manual of Style (16th Edition):

McAlpine, Lynley J. “Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting.” 2014. Doctoral Dissertation, University of Michigan. Accessed September 26, 2018. http://hdl.handle.net/2027.42/107074.

MLA Handbook (7th Edition):

McAlpine, Lynley J. “Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting.” 2014. Web. 26 Sep 2018.

Vancouver:

McAlpine LJ. Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting. [Internet] [Doctoral dissertation]. University of Michigan; 2014. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/2027.42/107074.

Council of Science Editors:

McAlpine LJ. Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting. [Doctoral Dissertation]. University of Michigan; 2014. Available from: http://hdl.handle.net/2027.42/107074


McGill University

2838. Steinlauf, Eva. The frescoes of the Dura-Europos Synagogue : multicultural traits and Jewish identity.

Degree: MA, Department of Jewish Studies., 2004, McGill University

 This study concerns the multicultural influences which shaped the architectural form and artistic decoration of the Synagogue at Dura-Europos, an ancient city located on the… (more)

Subjects/Keywords: Mural painting and decoration  – Syria  – Dura-Europos (Extinct city); Synagogue art  – Syria  – Dura-Europos (Extinct city).; Jewish art and symbolism  – Syria  – Dura-Europos (Extinct city).; Dura-Europos (Extinct city)  – Religion; Synagogue of Dura-Europos (Dura-Europos)

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APA (6th Edition):

Steinlauf, E. (2004). The frescoes of the Dura-Europos Synagogue : multicultural traits and Jewish identity. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile83151.pdf

Chicago Manual of Style (16th Edition):

Steinlauf, Eva. “The frescoes of the Dura-Europos Synagogue : multicultural traits and Jewish identity.” 2004. Masters Thesis, McGill University. Accessed September 26, 2018. http://digitool.library.mcgill.ca/thesisfile83151.pdf.

MLA Handbook (7th Edition):

Steinlauf, Eva. “The frescoes of the Dura-Europos Synagogue : multicultural traits and Jewish identity.” 2004. Web. 26 Sep 2018.

Vancouver:

Steinlauf E. The frescoes of the Dura-Europos Synagogue : multicultural traits and Jewish identity. [Internet] [Masters thesis]. McGill University; 2004. [cited 2018 Sep 26]. Available from: http://digitool.library.mcgill.ca/thesisfile83151.pdf.

Council of Science Editors:

Steinlauf E. The frescoes of the Dura-Europos Synagogue : multicultural traits and Jewish identity. [Masters Thesis]. McGill University; 2004. Available from: http://digitool.library.mcgill.ca/thesisfile83151.pdf


McGill University

2839. Taylor, Chloë. The aesthetics of sadism and masochism in Italian renaissance painting.

Degree: MA, Department of Art History and Communication Studies., 2002, McGill University

 This thesis analyses selected paintings and aspects of life of the Italian Renaissance in terms of the aesthetic properties of sadistic and masochistic symptomatologies and… (more)

Subjects/Keywords: Titian, ca. 1488-1576  – Criticism and interpretation; Botticelli, Sandro, 1444 or 5-1510. Story of Nastaglio degli Onesti; Painting, Renaissance  – Italy  – Themes, motives.; Sex in art.; Sadism.; Masochism.; Rape in art.; Sex role  – Italy  – History  – 16th century.

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APA (6th Edition):

Taylor, C. (2002). The aesthetics of sadism and masochism in Italian renaissance painting. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile79810.pdf

Chicago Manual of Style (16th Edition):

Taylor, Chloë. “The aesthetics of sadism and masochism in Italian renaissance painting.” 2002. Masters Thesis, McGill University. Accessed September 26, 2018. http://digitool.library.mcgill.ca/thesisfile79810.pdf.

MLA Handbook (7th Edition):

Taylor, Chloë. “The aesthetics of sadism and masochism in Italian renaissance painting.” 2002. Web. 26 Sep 2018.

Vancouver:

Taylor C. The aesthetics of sadism and masochism in Italian renaissance painting. [Internet] [Masters thesis]. McGill University; 2002. [cited 2018 Sep 26]. Available from: http://digitool.library.mcgill.ca/thesisfile79810.pdf.

Council of Science Editors:

Taylor C. The aesthetics of sadism and masochism in Italian renaissance painting. [Masters Thesis]. McGill University; 2002. Available from: http://digitool.library.mcgill.ca/thesisfile79810.pdf

2840. Caldas, Natalia. Casta Painting and the Characterization of Colonial Mexican Identities.

Degree: 2014, University of Western Ontario

 This thesis will examine the emergence of the casta painting genre in eighteenth century New Spain and elements of identity formation in the characterization of… (more)

Subjects/Keywords: Casta painting; casta system; limpieza de sangre; colonial Mexico; New Spain; identity; Digital Humanities; Latin American Languages and Societies; Other History of Art, Architecture, and Archaeology

…87 Figure 25. Anonymous, casta painting, c. 1750… …88 Figure 26. (detail) Anonymous, casta painting, c. 1750… …appeared a new painting genre, exclusive to the Americas and arising out of colonial Mexico and… …when studying cultural objects, in this case casta painting, it is equally crucial to avoid… …painting genre, little documentation exists that can corroborate the function of these paintings… 

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APA (6th Edition):

Caldas, N. (2014). Casta Painting and the Characterization of Colonial Mexican Identities. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/2427

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Caldas, Natalia. “Casta Painting and the Characterization of Colonial Mexican Identities.” 2014. Thesis, University of Western Ontario. Accessed September 26, 2018. https://ir.lib.uwo.ca/etd/2427.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Caldas, Natalia. “Casta Painting and the Characterization of Colonial Mexican Identities.” 2014. Web. 26 Sep 2018.

Vancouver:

Caldas N. Casta Painting and the Characterization of Colonial Mexican Identities. [Internet] [Thesis]. University of Western Ontario; 2014. [cited 2018 Sep 26]. Available from: https://ir.lib.uwo.ca/etd/2427.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Caldas N. Casta Painting and the Characterization of Colonial Mexican Identities. [Thesis]. University of Western Ontario; 2014. Available from: https://ir.lib.uwo.ca/etd/2427

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2841. Caffey, Stephen Mark, 1962-. An heroics of empire : Benjamin West and Anglophone history painting, 1764-1774: Benjamin West and Anglophone history painting, 1764-1774.

Degree: Art History, 2008, University of Texas – Austin

 This dissertation interrogates correlations between imperial expansion and the history paintings produced for London audiences by the American-born artist Benjamin West (1738-1820) during his first… (more)

Subjects/Keywords: West, Benjamin, – 1738-1820; History in art; Imperialism in art; Painting, British – 18th century; Great Britain – History – George III, 1760-1820

…An Heroics of Empire: Benjamin West and Anglophone History Painting 1764-1774… …Within that ten-year span, Grand Manner academic history painting shaped and reflected the… …recombined history painting, portraiture, landscape and genre to formulate the iconographically… …afforded history painting its short-lived relevance among English-speaking audiences during the… …heroics of empire, Benjamin West established history painting as a viable form of Anglophone… 

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APA (6th Edition):

Caffey, Stephen Mark, 1. (2008). An heroics of empire : Benjamin West and Anglophone history painting, 1764-1774: Benjamin West and Anglophone history painting, 1764-1774. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/17949

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Caffey, Stephen Mark, 1962-. “An heroics of empire : Benjamin West and Anglophone history painting, 1764-1774: Benjamin West and Anglophone history painting, 1764-1774.” 2008. Thesis, University of Texas – Austin. Accessed September 26, 2018. http://hdl.handle.net/2152/17949.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Caffey, Stephen Mark, 1962-. “An heroics of empire : Benjamin West and Anglophone history painting, 1764-1774: Benjamin West and Anglophone history painting, 1764-1774.” 2008. Web. 26 Sep 2018.

Vancouver:

Caffey, Stephen Mark 1. An heroics of empire : Benjamin West and Anglophone history painting, 1764-1774: Benjamin West and Anglophone history painting, 1764-1774. [Internet] [Thesis]. University of Texas – Austin; 2008. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/2152/17949.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Caffey, Stephen Mark 1. An heroics of empire : Benjamin West and Anglophone history painting, 1764-1774: Benjamin West and Anglophone history painting, 1764-1774. [Thesis]. University of Texas – Austin; 2008. Available from: http://hdl.handle.net/2152/17949

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2842. Costello, Eileen Elizabeth. Beyond the easel : the dissolution of abstract expressionist painting into the realm of architecture: Dissolution of abstract expressionist painting into the realm of architecture.

Degree: Art History, 2010, University of Texas – Austin

 A defining feature of American abstract expressionist painting is its enormous size and scale. Heroic ambition, the vast American landscape, and the sense of "something… (more)

Subjects/Keywords: Jackson Pollock; Tony Smith; Barnett Newman; Mark Rothko; Marcel Breuer; Philip Johnson; Frederick Kiesler; Peter Blake; Mural painting; Modernist architecture; Abstract expressionism

…would become a defining characteristic of advanced painting as “a persistent urge to go beyond… …had happened in American painting as determining factors in the greatly expanded size of the… …influential painters—which effectively achieve the dissolution of easel painting into the realm of… …the architectural surfaces. These artists also shifted their painting toward the… …construction of architectural environments, thus promoting the transformation of painting from a… 

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APA (6th Edition):

Costello, E. E. (2010). Beyond the easel : the dissolution of abstract expressionist painting into the realm of architecture: Dissolution of abstract expressionist painting into the realm of architecture. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/19840

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Costello, Eileen Elizabeth. “Beyond the easel : the dissolution of abstract expressionist painting into the realm of architecture: Dissolution of abstract expressionist painting into the realm of architecture.” 2010. Thesis, University of Texas – Austin. Accessed September 26, 2018. http://hdl.handle.net/2152/19840.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Costello, Eileen Elizabeth. “Beyond the easel : the dissolution of abstract expressionist painting into the realm of architecture: Dissolution of abstract expressionist painting into the realm of architecture.” 2010. Web. 26 Sep 2018.

Vancouver:

Costello EE. Beyond the easel : the dissolution of abstract expressionist painting into the realm of architecture: Dissolution of abstract expressionist painting into the realm of architecture. [Internet] [Thesis]. University of Texas – Austin; 2010. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/2152/19840.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Costello EE. Beyond the easel : the dissolution of abstract expressionist painting into the realm of architecture: Dissolution of abstract expressionist painting into the realm of architecture. [Thesis]. University of Texas – Austin; 2010. Available from: http://hdl.handle.net/2152/19840

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

2843. Lopes De Barros Oliveira, Rodrigo. The artist among ruins: connecting catastrophes in Brazilian and Cuban cinema, painting, sculpture and literature.

Degree: Spanish and Portuguese, 2013, University of Texas – Austin

 This work is an attempt to create a constellation. In a constellation, some stars are greatly apart from each other. However, they appear on the… (more)

Subjects/Keywords: Néstor Almendros; Ramón Alejandro; Francisco Brennand; Brazilian sculpture; Cuban painting; Glauber Rocha; Nicolás Guillén Landrián; Antonio José Ponte; Tomás Gutiérrez Alea; Glauber Rocha; Orlando Jiménez Leal; Sabá Cabrera; Rogério Sganzerla; Ruins; Third world; Marvelous; Psychosis of the marvelous; Island of Brazil; Caribbean; PM; Memorias del subdesarrollo; Terra em transe; Coffea Arábiga; Mauvaise conduite; Nadie escuchaba; La fiesta vigilada; Cuban Art; Brazilian Art; Cuban Literature; Fernando Ortiz; Wifredo Lam; Clarice Lispector; Alejo Carpentier; Alain Resnais; Missile crisis; 1968

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APA (6th Edition):

Lopes De Barros Oliveira, R. (2013). The artist among ruins: connecting catastrophes in Brazilian and Cuban cinema, painting, sculpture and literature. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/33413

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lopes De Barros Oliveira, Rodrigo. “The artist among ruins: connecting catastrophes in Brazilian and Cuban cinema, painting, sculpture and literature.” 2013. Thesis, University of Texas – Austin. Accessed September 26, 2018. http://hdl.handle.net/2152/33413.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lopes De Barros Oliveira, Rodrigo. “The artist among ruins: connecting catastrophes in Brazilian and Cuban cinema, painting, sculpture and literature.” 2013. Web. 26 Sep 2018.

Vancouver:

Lopes De Barros Oliveira R. The artist among ruins: connecting catastrophes in Brazilian and Cuban cinema, painting, sculpture and literature. [Internet] [Thesis]. University of Texas – Austin; 2013. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/2152/33413.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lopes De Barros Oliveira R. The artist among ruins: connecting catastrophes in Brazilian and Cuban cinema, painting, sculpture and literature. [Thesis]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/33413

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2844. Gras, Samuel. La vallée de la Loire à l’époque de Jean Fouquet : la carrière de trois enlumineurs actifs entre 1460 et 1480 : The Loire Valley at the time of Jean Fouquet : the career of three illuminatorS between 1460 and 1480.

Degree: Docteur es, Histoire de l'art, 2016, Lille 3

 Cette thèse s’attache à mettre en lumière plusieurs peintres ayant mené carrière à l’époque de Jean Fouquet (vers 1415/20-1478/81), peintre et enlumineur actif durant le… (more)

Subjects/Keywords: Peinture; Enluminure; Manuscrit; Maître de Macé Prestesaille; Maître de Jeanne de France; Maître de Christophe de Champagne; Maître du missel de Yale; Maître du Mamerot de Vienne; Guillaume Piqueau; Jean Fouquet; Tours; Vallée de la Loire; Painting; Illumination; Manuscrpit; Master of Macé Prestesaille; Master of Jeanne de France; Master of Christophe de Champagne; Master of the Yale Missal; Master of the Vienna Mamerot; Guillaume Piqueau; Jean Fouquet; Tours; Loire Valley

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APA (6th Edition):

Gras, S. (2016). La vallée de la Loire à l’époque de Jean Fouquet : la carrière de trois enlumineurs actifs entre 1460 et 1480 : The Loire Valley at the time of Jean Fouquet : the career of three illuminatorS between 1460 and 1480. (Doctoral Dissertation). Lille 3. Retrieved from http://www.theses.fr/2016LIL30021

Chicago Manual of Style (16th Edition):

Gras, Samuel. “La vallée de la Loire à l’époque de Jean Fouquet : la carrière de trois enlumineurs actifs entre 1460 et 1480 : The Loire Valley at the time of Jean Fouquet : the career of three illuminatorS between 1460 and 1480.” 2016. Doctoral Dissertation, Lille 3. Accessed September 26, 2018. http://www.theses.fr/2016LIL30021.

MLA Handbook (7th Edition):

Gras, Samuel. “La vallée de la Loire à l’époque de Jean Fouquet : la carrière de trois enlumineurs actifs entre 1460 et 1480 : The Loire Valley at the time of Jean Fouquet : the career of three illuminatorS between 1460 and 1480.” 2016. Web. 26 Sep 2018.

Vancouver:

Gras S. La vallée de la Loire à l’époque de Jean Fouquet : la carrière de trois enlumineurs actifs entre 1460 et 1480 : The Loire Valley at the time of Jean Fouquet : the career of three illuminatorS between 1460 and 1480. [Internet] [Doctoral dissertation]. Lille 3; 2016. [cited 2018 Sep 26]. Available from: http://www.theses.fr/2016LIL30021.

Council of Science Editors:

Gras S. La vallée de la Loire à l’époque de Jean Fouquet : la carrière de trois enlumineurs actifs entre 1460 et 1480 : The Loire Valley at the time of Jean Fouquet : the career of three illuminatorS between 1460 and 1480. [Doctoral Dissertation]. Lille 3; 2016. Available from: http://www.theses.fr/2016LIL30021

2845. Magnin, Lucile. "Un épisodio en la vida del pintor viajero" de César Aira : le peintre voyageur dans l'Amérique latine du 19è siècle entre littérature, art et science. : "Un episodio en la vida del pintor viajero" by César Aira : the traveller painter in the 19th century's Latin America between literature, art and science.

Degree: Docteur es, Langues étrangères appliquées, 2012, Université de Grenoble

Le roman de César Aira, l'un des plus grands écrivains argentins actuels, Un episodio en la vida del pintor viajero (Un épisode dans la vie… (more)

Subjects/Keywords: Peinture; Voyage; Amérique latine; XIXe siècle; Johann Moritz Rugendas; Alexandre von Humboldt; Painting; Travel; Latin America; 19th century; Johann Moritz Rugendas; Alexander von Humboldt

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APA (6th Edition):

Magnin, L. (2012). "Un épisodio en la vida del pintor viajero" de César Aira : le peintre voyageur dans l'Amérique latine du 19è siècle entre littérature, art et science. : "Un episodio en la vida del pintor viajero" by César Aira : the traveller painter in the 19th century's Latin America between literature, art and science. (Doctoral Dissertation). Université de Grenoble. Retrieved from http://www.theses.fr/2012GRENL002

Chicago Manual of Style (16th Edition):

Magnin, Lucile. “"Un épisodio en la vida del pintor viajero" de César Aira : le peintre voyageur dans l'Amérique latine du 19è siècle entre littérature, art et science. : "Un episodio en la vida del pintor viajero" by César Aira : the traveller painter in the 19th century's Latin America between literature, art and science.” 2012. Doctoral Dissertation, Université de Grenoble. Accessed September 26, 2018. http://www.theses.fr/2012GRENL002.

MLA Handbook (7th Edition):

Magnin, Lucile. “"Un épisodio en la vida del pintor viajero" de César Aira : le peintre voyageur dans l'Amérique latine du 19è siècle entre littérature, art et science. : "Un episodio en la vida del pintor viajero" by César Aira : the traveller painter in the 19th century's Latin America between literature, art and science.” 2012. Web. 26 Sep 2018.

Vancouver:

Magnin L. "Un épisodio en la vida del pintor viajero" de César Aira : le peintre voyageur dans l'Amérique latine du 19è siècle entre littérature, art et science. : "Un episodio en la vida del pintor viajero" by César Aira : the traveller painter in the 19th century's Latin America between literature, art and science. [Internet] [Doctoral dissertation]. Université de Grenoble; 2012. [cited 2018 Sep 26]. Available from: http://www.theses.fr/2012GRENL002.

Council of Science Editors:

Magnin L. "Un épisodio en la vida del pintor viajero" de César Aira : le peintre voyageur dans l'Amérique latine du 19è siècle entre littérature, art et science. : "Un episodio en la vida del pintor viajero" by César Aira : the traveller painter in the 19th century's Latin America between literature, art and science. [Doctoral Dissertation]. Université de Grenoble; 2012. Available from: http://www.theses.fr/2012GRENL002

2846. Allan, Michele Margaret. ‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space .

Degree: 2013, Australian National University

 Artworks produced in this studio-based research (option D) involve exploration of the ‘liquid space’ of the sea, not just in its physical and sensual nature… (more)

Subjects/Keywords: Australian contemporary painting; Micky Allan artist; contemporary metaphysical art; Engraved glass; theosophy and art; Jonah and the Whale; transcendental art; unity in diversity; the sea in painting; underwater spatial dynamics; poetic reality; death and renewal; transformation; interface of abstraction and representation; synthesis of inner and outer worlds

…might painting achieve a synthesis of the diverse through an experiential and metaphoric… …immersion in the sea? How can painting represent the complexity of its own processes and of life… …the geometric, the abstract and the real, be created in the visual language of painting? At… …transforms and expands. Through this research in painting both the sea and a contemporary… …Central argument On one level I assert that painting cannot be reduced to an “argument”, but can… 

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APA (6th Edition):

Allan, M. M. (2013). ‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/13491

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Allan, Michele Margaret. “‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space .” 2013. Thesis, Australian National University. Accessed September 26, 2018. http://hdl.handle.net/1885/13491.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Allan, Michele Margaret. “‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space .” 2013. Web. 26 Sep 2018.

Vancouver:

Allan MM. ‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space . [Internet] [Thesis]. Australian National University; 2013. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/1885/13491.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Allan MM. ‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space . [Thesis]. Australian National University; 2013. Available from: http://hdl.handle.net/1885/13491

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2847. Herlitz, Alexandra. Grez-sur-Loing revisited. The international artists' colony in a different light.

Degree: 2013, University of Gothenburg / Göteborgs Universitet

 This thesis examines the rural artists’ colony in Grez-sur-Loing and its art from the heyday of the community, 1875–1885, when artists from North America, England,… (more)

Subjects/Keywords: French rural artists’ colony; international artists’ community; the Grez Style; the Grez School; nineteenth century painting; juste milieu painting; historiography; factoids; cultural geography; nationalism; lieu de mémoire; Swedish art history of the nineteenth century; Opponents’ Society (‘Opponentförbundet’); actor-network; Grez-sur-Loing

Page 1 Page 2

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APA (6th Edition):

Herlitz, A. (2013). Grez-sur-Loing revisited. The international artists' colony in a different light. (Thesis). University of Gothenburg / Göteborgs Universitet. Retrieved from http://hdl.handle.net/2077/33752

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Herlitz, Alexandra. “Grez-sur-Loing revisited. The international artists' colony in a different light.” 2013. Thesis, University of Gothenburg / Göteborgs Universitet. Accessed September 26, 2018. http://hdl.handle.net/2077/33752.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Herlitz, Alexandra. “Grez-sur-Loing revisited. The international artists' colony in a different light.” 2013. Web. 26 Sep 2018.

Vancouver:

Herlitz A. Grez-sur-Loing revisited. The international artists' colony in a different light. [Internet] [Thesis]. University of Gothenburg / Göteborgs Universitet; 2013. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/2077/33752.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Herlitz A. Grez-sur-Loing revisited. The international artists' colony in a different light. [Thesis]. University of Gothenburg / Göteborgs Universitet; 2013. Available from: http://hdl.handle.net/2077/33752

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Australia

2848. Fazakerley, Ruth. Negotiating public space : discourses of public art.

Degree: 2008, University of South Australia

 This thesis is concerned with placing public art within the broader modernist spatialisation of social relations. The research takes place around two related enquiries. The… (more)

Subjects/Keywords: History of the Built Environment; Social and Cultural Geography; Fine Arts (incl. Sculpture and Painting); Art History and Appreciation; Cultural Policy Studies; Cultural Theory; visual culture; cultural history; urban design; Rundle Mall; Adelaide Festival Centre; Gateway to Adelaide; public art; governmentality

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fazakerley, R. (2008). Negotiating public space : discourses of public art. (Thesis). University of South Australia. Retrieved from http://arrow.unisa.edu.au:8081/1959.8/40585 ; http://arrow.unisa.edu.au/vital/access/manager/Repository/unisa:28847

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fazakerley, Ruth. “Negotiating public space : discourses of public art.” 2008. Thesis, University of South Australia. Accessed September 26, 2018. http://arrow.unisa.edu.au:8081/1959.8/40585 ; http://arrow.unisa.edu.au/vital/access/manager/Repository/unisa:28847.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fazakerley, Ruth. “Negotiating public space : discourses of public art.” 2008. Web. 26 Sep 2018.

Vancouver:

Fazakerley R. Negotiating public space : discourses of public art. [Internet] [Thesis]. University of South Australia; 2008. [cited 2018 Sep 26]. Available from: http://arrow.unisa.edu.au:8081/1959.8/40585 ; http://arrow.unisa.edu.au/vital/access/manager/Repository/unisa:28847.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fazakerley R. Negotiating public space : discourses of public art. [Thesis]. University of South Australia; 2008. Available from: http://arrow.unisa.edu.au:8081/1959.8/40585 ; http://arrow.unisa.edu.au/vital/access/manager/Repository/unisa:28847

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2849. Gendron-Bouchard, Pierre-David. La subjectivité poétique face à la peinture : le cas de L'Atelier contemporain de Francis Ponge .

Degree: 2015, Université de Montréal

 L’Atelier contemporain recueille la plupart des textes sur l’art de Francis Ponge. Malgré sa réputation de « poète des choses », celui-ci n’y écrit pourtant… (more)

Subjects/Keywords: Francis Ponge; L'Atelier contemporain; Littérature française du XXe siècle; Subjectivité poétique; Rapports entre écriture et peinture; Critique d'art; Philosophie; French literature of the XXth century; Poetic subject; Relations between writing and painting; Art criticism; Philosophy

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APA (6th Edition):

Gendron-Bouchard, P. (2015). La subjectivité poétique face à la peinture : le cas de L'Atelier contemporain de Francis Ponge . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/12559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gendron-Bouchard, Pierre-David. “La subjectivité poétique face à la peinture : le cas de L'Atelier contemporain de Francis Ponge .” 2015. Thesis, Université de Montréal. Accessed September 26, 2018. http://hdl.handle.net/1866/12559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gendron-Bouchard, Pierre-David. “La subjectivité poétique face à la peinture : le cas de L'Atelier contemporain de Francis Ponge .” 2015. Web. 26 Sep 2018.

Vancouver:

Gendron-Bouchard P. La subjectivité poétique face à la peinture : le cas de L'Atelier contemporain de Francis Ponge . [Internet] [Thesis]. Université de Montréal; 2015. [cited 2018 Sep 26]. Available from: http://hdl.handle.net/1866/12559.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gendron-Bouchard P. La subjectivité poétique face à la peinture : le cas de L'Atelier contemporain de Francis Ponge . [Thesis]. Université de Montréal; 2015. Available from: http://hdl.handle.net/1866/12559

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2850. Flach, Eva-Lotta Holm. Konstens olika horisonter : Ett möte med bildkonst från Senegal, Mali och Moçambique.

Degree: Culture and Education, 2015, Södertörn University

I följande essä, Konstens olika horisonter – ett möte med bildkonst från Senegal, Mali och Mocambique, diskuterar jag rollen som gallerist och curator i… (more)

Subjects/Keywords: Horizon; distance; alienation; the well-known; space; culture; visual arts; gallery; gallery owner; curator; West Africa; Mali; Mozambique; sculpture; painting; photography.; Horisont; avstånd; främlingsskap; det välkända; mellanrum; kultur; bildkonst; galleri; gallerist; kurator; Västafrika; Mali; Moçambique; skulptur; måleri; fotografi

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APA (6th Edition):

Flach, E. H. (2015). Konstens olika horisonter : Ett möte med bildkonst från Senegal, Mali och Moçambique. (Thesis). Södertörn University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28755

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Flach, Eva-Lotta Holm. “Konstens olika horisonter : Ett möte med bildkonst från Senegal, Mali och Moçambique.” 2015. Thesis, Södertörn University. Accessed September 26, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28755.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Flach, Eva-Lotta Holm. “Konstens olika horisonter : Ett möte med bildkonst från Senegal, Mali och Moçambique.” 2015. Web. 26 Sep 2018.

Vancouver:

Flach EH. Konstens olika horisonter : Ett möte med bildkonst från Senegal, Mali och Moçambique. [Internet] [Thesis]. Södertörn University; 2015. [cited 2018 Sep 26]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28755.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Flach EH. Konstens olika horisonter : Ett möte med bildkonst från Senegal, Mali och Moçambique. [Thesis]. Södertörn University; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28755

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] … [92] [93] [94] [95] [96] [97]

.