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You searched for subject:(painting). Showing records 2821 – 2850 of 2860 total matches.

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AUT University

2821. Chance, Margreta. The cadaverous presence: Holbein's dead Christ and Maw's suspended Upritchard .

Degree: AUT University

 The Cadaverous Presence investigates two paintings: Hans Holbein the Younger’s "The Body of the Dead Christ in the Tomb", and Liz Maw’s "Francis Upritchard". Both… (more)

Subjects/Keywords: Deconstruction; Aporia; Mimesis; Death in the image; Cadaverous presence; Absence of presence; Jacques Derrida; Maurice Blanchot; Art history; Painting; Hans Holbein the Younger; Dead Christ in the tomb; Liz Maw; Francis Upritchard; Icon; Dead Christ; Man of sorrows (Vir Dolorum); Assumption of the Virgin Mary; Mother of sorrows (Mater Dolorosa); Photography; Joel-Peter Witkin

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APA (6th Edition):

Chance, M. (n.d.). The cadaverous presence: Holbein's dead Christ and Maw's suspended Upritchard . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/7480

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chance, Margreta. “The cadaverous presence: Holbein's dead Christ and Maw's suspended Upritchard .” Thesis, AUT University. Accessed July 20, 2018. http://hdl.handle.net/10292/7480.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chance, Margreta. “The cadaverous presence: Holbein's dead Christ and Maw's suspended Upritchard .” Web. 20 Jul 2018.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Chance M. The cadaverous presence: Holbein's dead Christ and Maw's suspended Upritchard . [Internet] [Thesis]. AUT University; [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10292/7480.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Chance M. The cadaverous presence: Holbein's dead Christ and Maw's suspended Upritchard . [Thesis]. AUT University; Available from: http://hdl.handle.net/10292/7480

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

2822. Kennedy, Shane Michael. Expressionist Art and Drama Before, During, and After the Weimar Republic.

Degree: MA, World Languages and Literatures, 2015, Portland State University

  Expressionism was the major literary and art form in Germany beginning in the early 20th century. It flourished before and during World War I… (more)

Subjects/Keywords: Expressionism (Art)  – Germany  – 20th century; Expressionism  – 20th century; Expressionism in motion pictures  – 20th century; Germany  – History  – 1918-1933  – Art; Germany  – History  – 1918-1933  – Drama; European History; German Literature; Painting

…objective style of painting (Weisstein, 264). Four Jugendstil architecture students… …x28;1912) paved the path for film to follow. Their new style of painting rejected the… …immigrated to Germany in 1896. His painting Der Blaue Reiter was the inspiration for the group… …division of art into Kunstgattungen, mixing poetry, prose, music, and painting. During and… …time frame. It is an offshoot or a counter movement to Realism and Naturalism. In painting… 

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APA (6th Edition):

Kennedy, S. M. (2015). Expressionist Art and Drama Before, During, and After the Weimar Republic. (Masters Thesis). Portland State University. Retrieved from https://pdxscholar.library.pdx.edu/open_access_etds/2508

Chicago Manual of Style (16th Edition):

Kennedy, Shane Michael. “Expressionist Art and Drama Before, During, and After the Weimar Republic.” 2015. Masters Thesis, Portland State University. Accessed July 20, 2018. https://pdxscholar.library.pdx.edu/open_access_etds/2508.

MLA Handbook (7th Edition):

Kennedy, Shane Michael. “Expressionist Art and Drama Before, During, and After the Weimar Republic.” 2015. Web. 20 Jul 2018.

Vancouver:

Kennedy SM. Expressionist Art and Drama Before, During, and After the Weimar Republic. [Internet] [Masters thesis]. Portland State University; 2015. [cited 2018 Jul 20]. Available from: https://pdxscholar.library.pdx.edu/open_access_etds/2508.

Council of Science Editors:

Kennedy SM. Expressionist Art and Drama Before, During, and After the Weimar Republic. [Masters Thesis]. Portland State University; 2015. Available from: https://pdxscholar.library.pdx.edu/open_access_etds/2508


Pontifical Catholic University of Rio de Janeiro

2823. MARIA BEATRIZ DA ROCHA LAGOA. [en] TRANSITIVE FORM: POETICS IN THE WORKS OF PAUL KLEE AND MIRA SCHENDEL.

Degree: 2006, Pontifical Catholic University of Rio de Janeiro

[pt] Os artistas Paul Klee (Berna, Suíça, 1879-1940) e Mira Schendel (Zurique, Suíça, 1919-1988) investigam os processos da forma, conjugando materiais e técnicas que tecem… (more)

Subjects/Keywords: [pt] ARTE CONTEMPORANEA; [en] CONTEMPORARY ART; [pt] DESENHO; [en] DRAWING; [pt] PINTURA; [en] PAINTING; [pt] ARTE MODERNA; [en] MODERN ART; [pt] HISTORIA DA ARTE; [en] ART HISTORY; [pt] PAUL KLEE; [en] PAUL KLEE; [pt] MIRA SCHENDEL; [en] MIRA SCHENDEL

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APA (6th Edition):

LAGOA, M. B. D. R. (2006). [en] TRANSITIVE FORM: POETICS IN THE WORKS OF PAUL KLEE AND MIRA SCHENDEL. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7671

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

LAGOA, MARIA BEATRIZ DA ROCHA. “[en] TRANSITIVE FORM: POETICS IN THE WORKS OF PAUL KLEE AND MIRA SCHENDEL.” 2006. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed July 20, 2018. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7671.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

LAGOA, MARIA BEATRIZ DA ROCHA. “[en] TRANSITIVE FORM: POETICS IN THE WORKS OF PAUL KLEE AND MIRA SCHENDEL.” 2006. Web. 20 Jul 2018.

Vancouver:

LAGOA MBDR. [en] TRANSITIVE FORM: POETICS IN THE WORKS OF PAUL KLEE AND MIRA SCHENDEL. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2006. [cited 2018 Jul 20]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7671.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

LAGOA MBDR. [en] TRANSITIVE FORM: POETICS IN THE WORKS OF PAUL KLEE AND MIRA SCHENDEL. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2006. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7671

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brno University of Technology

2824. Vozdecká, Eva. Návrh povrchové úpravy mokrým lakováním .

Degree: 2008, Brno University of Technology

 Diplomová práce shrnuje teoretické i praktické zkušenosti s povrchovou úpravou mokrým lakováním, kterou diplomantka nabyla jak po dobu studia tak v rámci praxe, kterou absolvovala… (more)

Subjects/Keywords: Kataforetické základové lakování; chemické předúpravy; mechanické předúpravy; vodou ředitelný lak; měření tloušťky laku; měření lesku vrchního laku; mřížková zkouška; ED-coat painting; chemical pre-treatments; mechanical pre-treatments; waterborne paint; paint thickness of measurement; measurement of surface paint; cross hatch test.

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APA (6th Edition):

Vozdecká, E. (2008). Návrh povrchové úpravy mokrým lakováním . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/13857

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vozdecká, Eva. “Návrh povrchové úpravy mokrým lakováním .” 2008. Thesis, Brno University of Technology. Accessed July 20, 2018. http://hdl.handle.net/11012/13857.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vozdecká, Eva. “Návrh povrchové úpravy mokrým lakováním .” 2008. Web. 20 Jul 2018.

Vancouver:

Vozdecká E. Návrh povrchové úpravy mokrým lakováním . [Internet] [Thesis]. Brno University of Technology; 2008. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/11012/13857.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vozdecká E. Návrh povrchové úpravy mokrým lakováním . [Thesis]. Brno University of Technology; 2008. Available from: http://hdl.handle.net/11012/13857

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat Pompeu Fabra

2825. Puigarnau Torelló, Alfons. Imago Dei y Lux Mundi en el siglo XII: La recepción de la teología de la luz en la iconografía del Pantocrátor en Cataluña.

Degree: 1999, Universitat Pompeu Fabra

 In the 12th century European context, predominates the iconography of Christ placed in a light mystic mandorla holding an open book containing inscriptions concerning a… (more)

Subjects/Keywords: 12th Century; Metaphors; Luz; Liturgia; Teología; Cataluña; Abstracción; Catalonia; Symbolism; Liturgy; Edad Media; Mística; Neoplatonismo; Escoto Eriúgena; Imagen; Estética; Románico; Logos; Metáfora. Siglo XII; Pintura mural; Pantocrator; Middle Ages; Scotus Eriugena; Iconology; Mysticism; Neoplatonism; Teología; Simbolismo; Light; Theology; Logos; Image; Pantocrator; Romanesque; Wall-Painting; Abstraction; Theology; Aesthetics; Iconología; 00; 2; 7

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APA (6th Edition):

Puigarnau Torelló, A. (1999). Imago Dei y Lux Mundi en el siglo XII: La recepción de la teología de la luz en la iconografía del Pantocrátor en Cataluña. (Thesis). Universitat Pompeu Fabra. Retrieved from http://hdl.handle.net/10803/7481

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Puigarnau Torelló, Alfons. “Imago Dei y Lux Mundi en el siglo XII: La recepción de la teología de la luz en la iconografía del Pantocrátor en Cataluña.” 1999. Thesis, Universitat Pompeu Fabra. Accessed July 20, 2018. http://hdl.handle.net/10803/7481.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Puigarnau Torelló, Alfons. “Imago Dei y Lux Mundi en el siglo XII: La recepción de la teología de la luz en la iconografía del Pantocrátor en Cataluña.” 1999. Web. 20 Jul 2018.

Vancouver:

Puigarnau Torelló A. Imago Dei y Lux Mundi en el siglo XII: La recepción de la teología de la luz en la iconografía del Pantocrátor en Cataluña. [Internet] [Thesis]. Universitat Pompeu Fabra; 1999. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10803/7481.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Puigarnau Torelló A. Imago Dei y Lux Mundi en el siglo XII: La recepción de la teología de la luz en la iconografía del Pantocrátor en Cataluña. [Thesis]. Universitat Pompeu Fabra; 1999. Available from: http://hdl.handle.net/10803/7481

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2826. Gil Farré, Núria. El taller de vitralls modernista Rigalt, Granell & Cia. (1890-1931).

Degree: Departament d'Història de l'Art, 2013, Universitat de Barcelona

 The PhD thesis "The workshop of modernist stained glass: Rigalt, Granell & Cia (1890- 1931)" is grounded on the investigation of the business association between… (more)

Subjects/Keywords: Vitralls; Vidrieras; Glass painting and staining; Arts decoratives; Artes decorativas; Decorative arts; Modernisme (Art); Modernismo (Arte); Modernism (Art); Granell i Manresa, Jeroni F., 1868-1931; Ciències Humanes i Socials; 74

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APA (6th Edition):

Gil Farré, N. (2013). El taller de vitralls modernista Rigalt, Granell & Cia. (1890-1931). (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/134966

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gil Farré, Núria. “El taller de vitralls modernista Rigalt, Granell & Cia. (1890-1931).” 2013. Thesis, Universitat de Barcelona. Accessed July 20, 2018. http://hdl.handle.net/10803/134966.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gil Farré, Núria. “El taller de vitralls modernista Rigalt, Granell & Cia. (1890-1931).” 2013. Web. 20 Jul 2018.

Vancouver:

Gil Farré N. El taller de vitralls modernista Rigalt, Granell & Cia. (1890-1931). [Internet] [Thesis]. Universitat de Barcelona; 2013. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10803/134966.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gil Farré N. El taller de vitralls modernista Rigalt, Granell & Cia. (1890-1931). [Thesis]. Universitat de Barcelona; 2013. Available from: http://hdl.handle.net/10803/134966

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2827. Marcos Guardiola, Mª Carmen. El horizonte como forma simbólica en las artes.

Degree: 2014, Universitat de Barcelona

 In the introductory chapter we review the meaning of the word "horizon" and its role in vision and perception of the physical space. In the… (more)

Subjects/Keywords: Pintura; Painting; Dibuix; Dibujo; Drawing; Percepció; Percepción; Perception; Percepció de l'espai; Percepción espacial; Space perception; Horitzó en l'art; Horizonte en el arte; Horizon in art; Ciències Humanes i Socials; 74

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APA (6th Edition):

Marcos Guardiola, M. C. (2014). El horizonte como forma simbólica en las artes. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/279312

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marcos Guardiola, Mª Carmen. “El horizonte como forma simbólica en las artes.” 2014. Thesis, Universitat de Barcelona. Accessed July 20, 2018. http://hdl.handle.net/10803/279312.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marcos Guardiola, Mª Carmen. “El horizonte como forma simbólica en las artes.” 2014. Web. 20 Jul 2018.

Vancouver:

Marcos Guardiola MC. El horizonte como forma simbólica en las artes. [Internet] [Thesis]. Universitat de Barcelona; 2014. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10803/279312.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marcos Guardiola MC. El horizonte como forma simbólica en las artes. [Thesis]. Universitat de Barcelona; 2014. Available from: http://hdl.handle.net/10803/279312

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2828. Bazzocchi, Flavia. Las vidrieras góticas mediterráneas: composición química, técnica y estilo. El caso concreto de Barcelona y Siena en el siglo XIV.

Degree: Departament d'Història de l'Art, 2012, Universitat de Barcelona

 In the text “Las vidrieras góticas mediterráneas: composición química, técnica, estilo. El caso concreto de Barcelona y Siena en el siglo XIV” is made a… (more)

Subjects/Keywords: Vitralls; Vidrieras; Glass painting and staining; Art medieval; Arte medieval; Medieval art; Monestir de Pedralbes; Monasterio de Pedralbes; Pedralbes Monastery; Siena (Itàlia); Siena (Italia); Siena (Italy); Ciències Humanes i Socials; 74

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APA (6th Edition):

Bazzocchi, F. (2012). Las vidrieras góticas mediterráneas: composición química, técnica y estilo. El caso concreto de Barcelona y Siena en el siglo XIV. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/97218

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bazzocchi, Flavia. “Las vidrieras góticas mediterráneas: composición química, técnica y estilo. El caso concreto de Barcelona y Siena en el siglo XIV.” 2012. Thesis, Universitat de Barcelona. Accessed July 20, 2018. http://hdl.handle.net/10803/97218.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bazzocchi, Flavia. “Las vidrieras góticas mediterráneas: composición química, técnica y estilo. El caso concreto de Barcelona y Siena en el siglo XIV.” 2012. Web. 20 Jul 2018.

Vancouver:

Bazzocchi F. Las vidrieras góticas mediterráneas: composición química, técnica y estilo. El caso concreto de Barcelona y Siena en el siglo XIV. [Internet] [Thesis]. Universitat de Barcelona; 2012. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10803/97218.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bazzocchi F. Las vidrieras góticas mediterráneas: composición química, técnica y estilo. El caso concreto de Barcelona y Siena en el siglo XIV. [Thesis]. Universitat de Barcelona; 2012. Available from: http://hdl.handle.net/10803/97218

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2829. Merino Serrat, Imma. Subjectivitat i autorepresentació en el cinema d'Agnès Varda.

Degree: Departament de Comunicació, 2013, Universitat Pompeu Fabra

 Agnès Varda has left visible imprints of her subjectivity in her filmography developed over the last six decades. The objective of this doctoral thesis is… (more)

Subjects/Keywords: Subjectivitat; Memòria; Narració; Fragmentació; Puzle; Real; Imaginari; Rêverie; Documental; Ficció; Collage; Fotografia; Pintura; Feminisme; Dol; Alteritat; Autoretrat; Autobiografia; Subjectivity; Memory; Narrative; Fragmentation; Puzzle; Reality; Imaginary; Documentary; fiction; Collage; Photography; Painting; Feminism; Mourning; Otherness; Self-portrait; Autobiography; 316

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APA (6th Edition):

Merino Serrat, I. (2013). Subjectivitat i autorepresentació en el cinema d'Agnès Varda. (Thesis). Universitat Pompeu Fabra. Retrieved from http://hdl.handle.net/10803/109378

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Merino Serrat, Imma. “Subjectivitat i autorepresentació en el cinema d'Agnès Varda.” 2013. Thesis, Universitat Pompeu Fabra. Accessed July 20, 2018. http://hdl.handle.net/10803/109378.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Merino Serrat, Imma. “Subjectivitat i autorepresentació en el cinema d'Agnès Varda.” 2013. Web. 20 Jul 2018.

Vancouver:

Merino Serrat I. Subjectivitat i autorepresentació en el cinema d'Agnès Varda. [Internet] [Thesis]. Universitat Pompeu Fabra; 2013. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10803/109378.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Merino Serrat I. Subjectivitat i autorepresentació en el cinema d'Agnès Varda. [Thesis]. Universitat Pompeu Fabra; 2013. Available from: http://hdl.handle.net/10803/109378

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2830. Dorofeeva, Maria. Misery, alienation and "The Delinquent Gypsy" in the art of Isidre Nonell and his Spanish contemporaries.

Degree: MA, 0250, 2012, University of Illinois – Urbana-Champaign

 For centuries Roma people, popularly known as “Gypsies,” an ethnic group without a national territory of its own, faced persecution in Europe which contributed to… (more)

Subjects/Keywords: Isidre Nonell; Catalan Modernisme; gitano; gypsy representation in Spanish turn-of-the-century painting; Dolores; nineteenth-century criminology; Cesare Lombroso; Rafael Salillas; Santiago Rusiñol; Zuloaga; Anglada-Camarasa; Cretíns de Boi, Noucentisme.

…variety of visual media, including painting, engraving and opera. Thirdly, the popularity of the… …critics in Barcelona, precisely because the artist’s painting stepped outside of the established… …in painting. This thesis endeavors to set aside character statements about Nonell as proof… …of-the-century Spanish painting, a variety of discourses outside of art history, with… …painting of the period. As such, representations of gypsies both manifest traces of contemporary… 

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APA (6th Edition):

Dorofeeva, M. (2012). Misery, alienation and "The Delinquent Gypsy" in the art of Isidre Nonell and his Spanish contemporaries. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/31210

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dorofeeva, Maria. “Misery, alienation and "The Delinquent Gypsy" in the art of Isidre Nonell and his Spanish contemporaries.” 2012. Thesis, University of Illinois – Urbana-Champaign. Accessed July 20, 2018. http://hdl.handle.net/2142/31210.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dorofeeva, Maria. “Misery, alienation and "The Delinquent Gypsy" in the art of Isidre Nonell and his Spanish contemporaries.” 2012. Web. 20 Jul 2018.

Vancouver:

Dorofeeva M. Misery, alienation and "The Delinquent Gypsy" in the art of Isidre Nonell and his Spanish contemporaries. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2012. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/2142/31210.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dorofeeva M. Misery, alienation and "The Delinquent Gypsy" in the art of Isidre Nonell and his Spanish contemporaries. [Thesis]. University of Illinois – Urbana-Champaign; 2012. Available from: http://hdl.handle.net/2142/31210

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2831. Stitt, Amber C. American Images of Childhood in an Age of Educational and Social Reform, 1870-1915.

Degree: PhD, Art History, 2013, Case Western Reserve University

 During the period 1870-1915, painters and photographers created some of the most famous contributions to American imagery. More often than not, these images dealt with… (more)

Subjects/Keywords: American History; American Literature; Art History; Child Studies; Social history; History of American Art; children in American art; Progressive Era; childhood in American art; American painting; American photography; Winslow Homer; Robert Henri; John Singer Sargent; Alfred Stieglitz; Lewis Hine

…129. Oil on canvas, each painting 52 x 78 in. Munson… …for the larger oil painting The Boy Lincoln Reading (The… …188. Oil on canvas. Painting now lost. 2.66, John George Brown… 

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APA (6th Edition):

Stitt, A. C. (2013). American Images of Childhood in an Age of Educational and Social Reform, 1870-1915. (Doctoral Dissertation). Case Western Reserve University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=case1364908854

Chicago Manual of Style (16th Edition):

Stitt, Amber C. “American Images of Childhood in an Age of Educational and Social Reform, 1870-1915.” 2013. Doctoral Dissertation, Case Western Reserve University. Accessed July 20, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=case1364908854.

MLA Handbook (7th Edition):

Stitt, Amber C. “American Images of Childhood in an Age of Educational and Social Reform, 1870-1915.” 2013. Web. 20 Jul 2018.

Vancouver:

Stitt AC. American Images of Childhood in an Age of Educational and Social Reform, 1870-1915. [Internet] [Doctoral dissertation]. Case Western Reserve University; 2013. [cited 2018 Jul 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1364908854.

Council of Science Editors:

Stitt AC. American Images of Childhood in an Age of Educational and Social Reform, 1870-1915. [Doctoral Dissertation]. Case Western Reserve University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1364908854

2832. Miller, Shelby E. <p>"The Cult of Cézanne:" Marcel Duchamp, Clyfford Still, and Banksy</p>.

Degree: MA, Art/Art History, 2017, Bowling Green State University

  The works, doctrine, and persona of Paul Cézanne (1839-1906) have all heavily influenced successive generations of artists from both the modern and contemporary eras.… (more)

Subjects/Keywords: Art Criticism; Art History; Fine Arts; History; Museums; Museum Studies; Art; Art History; Modern Art; Contemporary Art; Impressionism; Post-Impressionism; Abstract Expressionism; The New York School; Public Art; Graffiti; Street Art; Painting; Paul Cezanne; Marcel Duchamp; Clyfford Still; Banksy

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APA (6th Edition):

Miller, S. E. (2017). <p>"The Cult of Cézanne:" Marcel Duchamp, Clyfford Still, and Banksy</p>. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu149471175808765

Chicago Manual of Style (16th Edition):

Miller, Shelby E. “<p>"The Cult of Cézanne:" Marcel Duchamp, Clyfford Still, and Banksy</p>.” 2017. Masters Thesis, Bowling Green State University. Accessed July 20, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu149471175808765.

MLA Handbook (7th Edition):

Miller, Shelby E. “<p>"The Cult of Cézanne:" Marcel Duchamp, Clyfford Still, and Banksy</p>.” 2017. Web. 20 Jul 2018.

Vancouver:

Miller SE. <p>"The Cult of Cézanne:" Marcel Duchamp, Clyfford Still, and Banksy</p>. [Internet] [Masters thesis]. Bowling Green State University; 2017. [cited 2018 Jul 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu149471175808765.

Council of Science Editors:

Miller SE. <p>"The Cult of Cézanne:" Marcel Duchamp, Clyfford Still, and Banksy</p>. [Masters Thesis]. Bowling Green State University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu149471175808765


Linköping University

2833. Malmborg, Solith af. Research: ROTHKO : - ett arbete om att lära känna sig själv genom någon annan.

Degree: Malmstens Linköping University, 2017, Linköping University

This thesis project examines both inner and outer circumstances of knowledge in an attempt to emphasize the importance of personal reflection. I search for… (more)

Subjects/Keywords: art; chair; immanuel kant; sublime; design process; alternative science; reflection; personal reflection; communication of feelings; abstract expressionism; color theory; painting; translation; translatability; design; alternative design; walter benjamin; kant; mark rothko; rothko; design; konst; måleri; stol; designprocess; alternativ designprocess; intuition; översättning; artisteri; process; handlag; färg; intention; färgteori; gerrit rietveld; rietveld; piet mondrian; mondrian; tate modern; tate; london; abstrakt expressionism; konstnärlig forskning; vasilij kandinsky; kandinsky; new yorksskolan; abstrakt konst; jackson pollock; pollock; reflekternade arbete; alternativa metoder; alternativ forskning; färggehör; formgehör; översättbarhet; det sublima; immanuel kant; estetik; Design; Design

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APA (6th Edition):

Malmborg, S. a. (2017). Research: ROTHKO : - ett arbete om att lära känna sig själv genom någon annan. (Thesis). Linköping University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-146095

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Malmborg, Solith af. “Research: ROTHKO : - ett arbete om att lära känna sig själv genom någon annan.” 2017. Thesis, Linköping University. Accessed July 20, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-146095.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Malmborg, Solith af. “Research: ROTHKO : - ett arbete om att lära känna sig själv genom någon annan.” 2017. Web. 20 Jul 2018.

Vancouver:

Malmborg Sa. Research: ROTHKO : - ett arbete om att lära känna sig själv genom någon annan. [Internet] [Thesis]. Linköping University; 2017. [cited 2018 Jul 20]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-146095.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Malmborg Sa. Research: ROTHKO : - ett arbete om att lära känna sig själv genom någon annan. [Thesis]. Linköping University; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-146095

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Queensland

2834. Osmond, Gillian. Zinc oxide-centred deterioration of modern artists’ oil paint and implications for the conservation of twentieth century paintings.

Degree: Australian Institute of Bioengineering and Nanotechnology, 2014, University of Queensland

Subjects/Keywords: Zinc oxide; Zinc stearate; zinc carboxylate; Zinc soap; Metal soap; Aluminium stearate; Painting conservation; Fourier transform infrared (FTIR) spectroscopy; Nguyen Trọng Kiệm; E Phillips Fox; 030301 Chemical Characterisation of Materials; 030606 Structural Chemistry and Spectroscopy; 210203 Materials Conservation

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APA (6th Edition):

Osmond, G. (2014). Zinc oxide-centred deterioration of modern artists’ oil paint and implications for the conservation of twentieth century paintings. (Thesis). University of Queensland. Retrieved from http://espace.library.uq.edu.au/view/UQ:347180

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Osmond, Gillian. “Zinc oxide-centred deterioration of modern artists’ oil paint and implications for the conservation of twentieth century paintings.” 2014. Thesis, University of Queensland. Accessed July 20, 2018. http://espace.library.uq.edu.au/view/UQ:347180.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Osmond, Gillian. “Zinc oxide-centred deterioration of modern artists’ oil paint and implications for the conservation of twentieth century paintings.” 2014. Web. 20 Jul 2018.

Vancouver:

Osmond G. Zinc oxide-centred deterioration of modern artists’ oil paint and implications for the conservation of twentieth century paintings. [Internet] [Thesis]. University of Queensland; 2014. [cited 2018 Jul 20]. Available from: http://espace.library.uq.edu.au/view/UQ:347180.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Osmond G. Zinc oxide-centred deterioration of modern artists’ oil paint and implications for the conservation of twentieth century paintings. [Thesis]. University of Queensland; 2014. Available from: http://espace.library.uq.edu.au/view/UQ:347180

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2835. Varga, Susan. the Wanderer.

Degree: 2013, University of Saskatchewan

 A reflective essay to accompany the thesis exhibition, the Wanderer, installed in the Gordon Snelgrove Gallery, 2013. An exploration of the questions and concepts informing… (more)

Subjects/Keywords: installation; drawing; painting; figurative abstraction; gesture; identity; body; history; place; women; topographical maps; construction of self; lived experiences; pop culture; female representation; geography; power; humanism; art history; archives; collecting.

…coalesced and given expression through mixed media drawing and painting that draws on various art… …historical traditions including botanical illustration, topographical watercolour painting and map… …additive) related to the process of drawing, painting and printmaking. In addition, 9 the… …fine art history of drawing and painting. In my practice, the surface of the drawing or… …painting is simultaneously a physical space and a field of inquiry where depth is created through… 

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APA (6th Edition):

Varga, S. (2013). the Wanderer. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/ETD-2013-01-906

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Varga, Susan. “the Wanderer.” 2013. Thesis, University of Saskatchewan. Accessed July 20, 2018. http://hdl.handle.net/10388/ETD-2013-01-906.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Varga, Susan. “the Wanderer.” 2013. Web. 20 Jul 2018.

Vancouver:

Varga S. the Wanderer. [Internet] [Thesis]. University of Saskatchewan; 2013. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10388/ETD-2013-01-906.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Varga S. the Wanderer. [Thesis]. University of Saskatchewan; 2013. Available from: http://hdl.handle.net/10388/ETD-2013-01-906

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

2836. Martin, Timothy Michael. Codes of Interaction.

Degree: MA, Painting and Printmaking, 2005, Virginia Commonwealth University

  The ideas within this thesis are meant to clarify my explorations, research and painting practice during my studies at Virginia Commonwealth University. I expand… (more)

Subjects/Keywords: painting; diagrams; schematics; sculpture; installation; interaction; codes; maps; mixed media; glitter; peter halley; panofsky; plumbing; construction industry; tennessee; norris; tn; oak ridge; jay searcy; foucault; narrative; minimal; geometric abstraction; hue; color; joseph albers; Art and Design; Arts and Humanities

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APA (6th Edition):

Martin, T. M. (2005). Codes of Interaction. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Martin, Timothy Michael. “Codes of Interaction.” 2005. Thesis, Virginia Commonwealth University. Accessed July 20, 2018. https://scholarscompass.vcu.edu/etd/849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Martin, Timothy Michael. “Codes of Interaction.” 2005. Web. 20 Jul 2018.

Vancouver:

Martin TM. Codes of Interaction. [Internet] [Thesis]. Virginia Commonwealth University; 2005. [cited 2018 Jul 20]. Available from: https://scholarscompass.vcu.edu/etd/849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Martin TM. Codes of Interaction. [Thesis]. Virginia Commonwealth University; 2005. Available from: https://scholarscompass.vcu.edu/etd/849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

2837. Tudor, RG. Looking out: an investigation of the visitor's experience of natural environment.

Degree: 2005, University of Tasmania

 A practical, aesthetic and philosophical examination of lookouts as found in Australian National Parks. Investigates the impact of landscape (as refering to both the actual… (more)

Subjects/Keywords: 410202 Fine Arts (incl. Sculpture and Painting); 440101 Aesthetics; 300902 Land and Parks Management; 370402 Social and Cultural Geography; 440104 Applied Ethics (incl. Bioethics and Environmental Ethics); lookout; national park; environment; nature; place; space; ethics; visual perception; landscape; scenery; sublime; photogenic; tourist; visitor; sightseer; conservation areas; aesthetics; art; knowledge; multisensory; Tasmania

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APA (6th Edition):

Tudor, R. (2005). Looking out: an investigation of the visitor's experience of natural environment. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/1982/1/Masters_of_Art%2C_Design_%26_Env_Research_Paper_-_Bec_Tudor.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tudor, RG. “Looking out: an investigation of the visitor's experience of natural environment.” 2005. Thesis, University of Tasmania. Accessed July 20, 2018. https://eprints.utas.edu.au/1982/1/Masters_of_Art%2C_Design_%26_Env_Research_Paper_-_Bec_Tudor.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tudor, RG. “Looking out: an investigation of the visitor's experience of natural environment.” 2005. Web. 20 Jul 2018.

Vancouver:

Tudor R. Looking out: an investigation of the visitor's experience of natural environment. [Internet] [Thesis]. University of Tasmania; 2005. [cited 2018 Jul 20]. Available from: https://eprints.utas.edu.au/1982/1/Masters_of_Art%2C_Design_%26_Env_Research_Paper_-_Bec_Tudor.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tudor R. Looking out: an investigation of the visitor's experience of natural environment. [Thesis]. University of Tasmania; 2005. Available from: https://eprints.utas.edu.au/1982/1/Masters_of_Art%2C_Design_%26_Env_Research_Paper_-_Bec_Tudor.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

2838. Ninacs, Anne-Marie. L’art comme pratique transformatrice au XXe siècle : la soma-esthétique de David B. Milne (1882–1953) .

Degree: 2018, Université de Montréal

Subjects/Keywords: David Brown Milne (1882–1953); Méliorisme; Soma-esthétique; Pragmatisme; Richard Shusterman; Création de soi; Art canadien; Art moderne; Peinture; Création artistique; David Brown Milne (1882–1953); Meliorism; Somaesthetics; Pragmatism; Richard Shusterman; Self-fashioning; Canadian art; Modern art; Painting; Artistic creation

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APA (6th Edition):

Ninacs, A. (2018). L’art comme pratique transformatrice au XXe siècle : la soma-esthétique de David B. Milne (1882–1953) . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/20474

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ninacs, Anne-Marie. “L’art comme pratique transformatrice au XXe siècle : la soma-esthétique de David B. Milne (1882–1953) .” 2018. Thesis, Université de Montréal. Accessed July 20, 2018. http://hdl.handle.net/1866/20474.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ninacs, Anne-Marie. “L’art comme pratique transformatrice au XXe siècle : la soma-esthétique de David B. Milne (1882–1953) .” 2018. Web. 20 Jul 2018.

Vancouver:

Ninacs A. L’art comme pratique transformatrice au XXe siècle : la soma-esthétique de David B. Milne (1882–1953) . [Internet] [Thesis]. Université de Montréal; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/1866/20474.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ninacs A. L’art comme pratique transformatrice au XXe siècle : la soma-esthétique de David B. Milne (1882–1953) . [Thesis]. Université de Montréal; 2018. Available from: http://hdl.handle.net/1866/20474

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2839. McKetta, Dorothy Jean. The Leo Castelli Gallery in Metro magazine : American approaches to post-abstract figuration in an Italian context.

Degree: Art History, 2012, University of Texas – Austin

 Between the years 1960 and 1970, New York gallerist Leo Castelli was closely involved with Milanese editor and publisher Bruno Alfieri's Metro magazine – an international… (more)

Subjects/Keywords: 1960s; Art; Informel; Neo-Dada; Castelli; Metro; Style; Italy; Criticism; Theory; Rauschenberg; Venice, Italy; Milan, Italy; Rome, Italy; Twombly; Lichtenstein; Dorfles; Higgins; Sculpture; Painting; Information theory; Open work; Steinberg; Ashton; Rosenblum; Dante; Figuration; Abstraction; Alfieri

painting at 4 the Venice Biennale, and in so doing, has heralded the end of Italy’s infatuation… …international grand prize for painting. The second phase of Metro’s activity (issues 9-12, years… …The Forests’ of Robert Helman: The 9 painting of an Independent and Isolated Artist; Armed… …in a style of painting that has become defunct: But little by little we have got the… …and that painter would be equally guilty of “acrobatic” painting (if that’s what the… 

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APA (6th Edition):

McKetta, D. J. (2012). The Leo Castelli Gallery in Metro magazine : American approaches to post-abstract figuration in an Italian context. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/18520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McKetta, Dorothy Jean. “The Leo Castelli Gallery in Metro magazine : American approaches to post-abstract figuration in an Italian context.” 2012. Thesis, University of Texas – Austin. Accessed July 20, 2018. http://hdl.handle.net/2152/18520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McKetta, Dorothy Jean. “The Leo Castelli Gallery in Metro magazine : American approaches to post-abstract figuration in an Italian context.” 2012. Web. 20 Jul 2018.

Vancouver:

McKetta DJ. The Leo Castelli Gallery in Metro magazine : American approaches to post-abstract figuration in an Italian context. [Internet] [Thesis]. University of Texas – Austin; 2012. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/2152/18520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McKetta DJ. The Leo Castelli Gallery in Metro magazine : American approaches to post-abstract figuration in an Italian context. [Thesis]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/18520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2840. Juan Ayala, Octavio de. La interrelación música pintura: un análisis comparativo actualizado de sus principales fundamentos técnicos y expresivos.

Degree: Departamento de Historia del Arte, 2010, Universidad de Murcia

 Fazit: Drei Wesentliche ideen: Das neuronales musicopictorisches korrelat, Mögliche universalien in musik und malerei und das phänomen der evocation zwischen musik und malerei Advisors/Committee Members:… (more)

Subjects/Keywords: emotional; technical resources; unity and plurality of thematic; Structural categories. Anthropological gradient; Autobiographical gradient; 16 Pairs of Concepts; Unidad y pluralidad temática; emocional y de recursos técnicos; Auditia Visibilia; Gradiente autobiográfico; Categorías estructurales; Gradiente antropológico; SAM (Self Assesstment Manikin); Resonance Imaging; Funtional Magnetic; Evocation Musicopictórica; Universals; Electroencefalography; Music- Painting; Pictomusicadelphy; Interaction Music- Painting; Resonancia magnética funcional; Electroencefalografía; Universales; evocación musicopictórica; interrelación música-pintura; Pictomusicadelfía; Psiconeurología Musicopictórica; 159.9; 616.8; 75; 78

…libro de Hajo Duchting Paul Klee: Painting Music se puede comprobar hasta qué punto su obra… …Duchting H, Paul Klee: Painting Music (Pegasus),1997 10 Denizeau G, Musique et arts… 

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APA (6th Edition):

Juan Ayala, O. d. (2010). La interrelación música pintura: un análisis comparativo actualizado de sus principales fundamentos técnicos y expresivos. (Thesis). Universidad de Murcia. Retrieved from http://hdl.handle.net/10803/10885

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Juan Ayala, Octavio de. “La interrelación música pintura: un análisis comparativo actualizado de sus principales fundamentos técnicos y expresivos.” 2010. Thesis, Universidad de Murcia. Accessed July 20, 2018. http://hdl.handle.net/10803/10885.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Juan Ayala, Octavio de. “La interrelación música pintura: un análisis comparativo actualizado de sus principales fundamentos técnicos y expresivos.” 2010. Web. 20 Jul 2018.

Vancouver:

Juan Ayala Od. La interrelación música pintura: un análisis comparativo actualizado de sus principales fundamentos técnicos y expresivos. [Internet] [Thesis]. Universidad de Murcia; 2010. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10803/10885.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Juan Ayala Od. La interrelación música pintura: un análisis comparativo actualizado de sus principales fundamentos técnicos y expresivos. [Thesis]. Universidad de Murcia; 2010. Available from: http://hdl.handle.net/10803/10885

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2841. Dupuis-Desormeaux, Nathalie. TUTTI! - Music Composition as Dialogue.

Degree: PhD, Music, 2018, York University

 As an engineer, when I could not comprehend a physical phenomenon, I turned to mathematics. As a mathematician, when I could not link sciences to… (more)

Subjects/Keywords: Cognitive psychology; Music composition; Polyphonic music composition; Cognitively informed polyphonic music composition; Dialogical Music Composition Method; Dialogic music composition method; Music theory; Dialogic contrapuntal harmony; Orchestration; Melody; Harmony; Polyphony; Counterpoint; Rhythm; Form; Growth; Music architecture; Music analysis; Dialogue; Music dialogue; Dialog; Music dialog; Dialogism; Bakhtin; Reception theory; Gadamer; Kant; Hegel; Adorno; Schoenberg; Stravinsky; Hindemith; Toch; Huron; Bregman; Francès; Dialogic communication; Music communication; Musical communication; Compelling music; Inclusion; Inclusivity; Inclusiveness; Participation; Participatory music; Music as society; Music as community; Music sociology; Engaging music; Engagement; Collaboration; Balanced dialogue in music; Biophony; Niche discrimination; Krause; Communication studies; Language; Music aesthetics; Aesthetics; Philosophy of music; Musicology; Cognitive psychology; Auditory perception; Music cognition; Cognition; Psychology of perception; Reception; Music reception; Auditory streaming; Auditory scene analysis; Gestalt psychology; Authorship; Imagination; Intertextuality; Mimesis; Appropriation; Appropriative authorship; Authoring; Re-authoring; Imagination as creation; Psychoacoustics; Expectation theory; Theory of expectation; Expectation; Psychology of expectation; Tutti; Music arousal; Intellectual arousal; Emotional arousal; Sensory arousal; Entrainment; Physicality; Stability; Variety; Closure; Uniqueness; Sequential dialogue; Collaborative dialogue; Disjoint dialogue; Surprise; Drama; Dramatic structure; Structure of drama; Dramatic work; Freitag; Representation; Memory; Repetition; Experience; Anticipation; Pointing; Anchoring; Anchor; Tonality; Tonal anchor; Close neighbors; Individuality; Collectivity; Formalism; Functionalism; Subjectivity; Structuralism; Cohen; Marburg; Auditory learning; Style; Conventions; Acculturation; Semiotics; Dynamic expectation; Schematic expectation; Veridical expectation; Symmetry; Motivic repetition; Thematic repetition; Style analysis; Modulation; Modulation tools; Memory as experience; Familiarity; Redundancy; Compositional acculturation; Rimsky-Korsakov; Gevaert; Rameau; Bimodality; Bi-modality; Diatonic; Overtones; Perceptual motion; Pitch proximities; Harmonic motion; Polytonality; Polyrhythm; Contemporary music; Art-music; Western art music; Neoclassicism; Modernism; Inclusive dialogue; What makes music compelling?; Selection and Structuring of Music Parameters to Create Inclusive; Engaging and Participatory Dialogue in Music Composition; Performance; Performativity; Small; Musicking; DeNora; Include; Engage; Listener; Audience; Interpretation; Play; Interaction; Interactive; Performer; Conductor; Orchestra; Orchestral music; Instrumental music; Absolute music; Tone painting; Word painting; Singing; Empathy; Mirror neuron; Music meaning; Music expression; Hanslick; Meyer; Langer

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dupuis-Desormeaux, N. (2018). TUTTI! - Music Composition as Dialogue. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/34488

Chicago Manual of Style (16th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Doctoral Dissertation, York University. Accessed July 20, 2018. http://hdl.handle.net/10315/34488.

MLA Handbook (7th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Web. 20 Jul 2018.

Vancouver:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Internet] [Doctoral dissertation]. York University; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10315/34488.

Council of Science Editors:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Doctoral Dissertation]. York University; 2018. Available from: http://hdl.handle.net/10315/34488


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

2842. Φώτα, Όλγα. Έγχρωμα σχέδια του Ιβάν Κλιουν σε χάρτινο υπόστρωμα: μια συμβολή στη χημική προσέγγιση έργων της συλλογής Κ. Κωστάκη.

Degree: 2007, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

Subjects/Keywords: Κλιουν, Ιβάν; Έγχρωμα σχέδια σε χάρτινο υπόστρωμα; Τεχνική μελέτη επιλεγμένων έγχρωμων σχεδίων; Χημικές αναλύσεις χρωστικών; Ιστορία χρωμάτων; Υλικά ζωγραφικής; Σύνθεση και παράγοντες φθοράς; Συμπεράσματα χημικών αναλύσεων; Kliun, Ivan; Coloured sketches on paper; Technical approach of selected coloured sketses; Chemical analyses of the pigments; History of pigments; Painting elements; Synthesis and causes of degradation; Results of the chemical analyses

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APA (6th Edition):

Φώτα, . . (2007). Έγχρωμα σχέδια του Ιβάν Κλιουν σε χάρτινο υπόστρωμα: μια συμβολή στη χημική προσέγγιση έργων της συλλογής Κ. Κωστάκη. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/19199

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Φώτα, Όλγα. “Έγχρωμα σχέδια του Ιβάν Κλιουν σε χάρτινο υπόστρωμα: μια συμβολή στη χημική προσέγγιση έργων της συλλογής Κ. Κωστάκη.” 2007. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed July 20, 2018. http://hdl.handle.net/10442/hedi/19199.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Φώτα, Όλγα. “Έγχρωμα σχέδια του Ιβάν Κλιουν σε χάρτινο υπόστρωμα: μια συμβολή στη χημική προσέγγιση έργων της συλλογής Κ. Κωστάκη.” 2007. Web. 20 Jul 2018.

Vancouver:

Φώτα . Έγχρωμα σχέδια του Ιβάν Κλιουν σε χάρτινο υπόστρωμα: μια συμβολή στη χημική προσέγγιση έργων της συλλογής Κ. Κωστάκη. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2007. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10442/hedi/19199.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Φώτα . Έγχρωμα σχέδια του Ιβάν Κλιουν σε χάρτινο υπόστρωμα: μια συμβολή στη χημική προσέγγιση έργων της συλλογής Κ. Κωστάκη. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2007. Available from: http://hdl.handle.net/10442/hedi/19199

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2843. Χαΐνη, Νεκταρία. Η ζωγραφική του Νίκου Εγγονόπουλου.

Degree: 2007, National Technical University of Athens (NTUA); Εθνικό Μετσόβιο Πολυτεχνείο (ΕΜΠ)

Subjects/Keywords: Εγγονόπουλος, Νίκος; Μεταφυσική; Ζωγραφική; Ντανταϊσμός; Σουρεαλισμός; Ελληνικός υπερρεαλισμός; Γενιά του τριάντα; Εικονογραφική ανάλυση πινάκων; Πρότυπα έργων; Θεματική από ελληνική μυθολογία; Αρχαιότητα; Βίβλος; Εθνεγερσία; Νεότερη ελληνική ιστορία; Πορτρέτα; Αγιογραφίες; Ελληνικά σπίτια; Σκηνογραφία; Ενδυματολογία; Ελληνική τεχνοτροπία; Eggonopoulos, Nikos; Erust; De Chirico, Giorgio; Metaphysic painting; Dadaism; Surrealism; Greek surrealism; Generation of thirties; Pictorial analysis of works; Themes of paintings; Greek mythology; Greek ancienty; Bible; Modern greek history; Portrats; Hagiographies; Still life; Greek houses; Stage Design; Costume versions

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APA (6th Edition):

Χαΐνη, . . (2007). Η ζωγραφική του Νίκου Εγγονόπουλου. (Thesis). National Technical University of Athens (NTUA); Εθνικό Μετσόβιο Πολυτεχνείο (ΕΜΠ). Retrieved from http://hdl.handle.net/10442/hedi/17020

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Χαΐνη, Νεκταρία. “Η ζωγραφική του Νίκου Εγγονόπουλου.” 2007. Thesis, National Technical University of Athens (NTUA); Εθνικό Μετσόβιο Πολυτεχνείο (ΕΜΠ). Accessed July 20, 2018. http://hdl.handle.net/10442/hedi/17020.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Χαΐνη, Νεκταρία. “Η ζωγραφική του Νίκου Εγγονόπουλου.” 2007. Web. 20 Jul 2018.

Vancouver:

Χαΐνη . Η ζωγραφική του Νίκου Εγγονόπουλου. [Internet] [Thesis]. National Technical University of Athens (NTUA); Εθνικό Μετσόβιο Πολυτεχνείο (ΕΜΠ); 2007. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10442/hedi/17020.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Χαΐνη . Η ζωγραφική του Νίκου Εγγονόπουλου. [Thesis]. National Technical University of Athens (NTUA); Εθνικό Μετσόβιο Πολυτεχνείο (ΕΜΠ); 2007. Available from: http://hdl.handle.net/10442/hedi/17020

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

2844. International Congress of Anthropological and Ethnological Sciences (9th : 1973 : Chicago, Ill.). [Works on the Australian Aborigines by Charles P. Mountford]: Aboriginal paintings from Australia: Records of the American-Australian scientific expedition to Arnhem Land. Vol. 1, Art, myth and symbolism: Ayers Rock : its people, their beliefs and their art: Conception beliefs of the Australian Aborigines [manuscript]: Nomads of the Australian desert [manuscript]: Rainbow serpent myths of Australia: Tiwi : their art, myth and ceremony: Winbaraku and the myth of Jarapiri.

Degree: 1976, University of Adelaide

 A collection of monographs, created by a dedicated amateur ethnologist and anthropologist. Mountford developed his appreciation of Australian Aboriginal people and their customs, beliefs and… (more)

Subjects/Keywords: American-Australian Scientific Expedition to Arnhem Land 1948.; Anthropology Northern Territory Arnhem Land.; Aboriginal Australians Social life and customs.; Aboriginal Australians Rites and ceremonies.; Aboriginal Australians Religion.; Aboriginal Australians Northern Territory Arnhem Land Art.; Art, Australian Northern Territory Arnhem Land Aboriginal artists.; Bark painting Northern Territory Arnhem Land; Aboriginal Australians Northern Territory Ayers Rock.; Pitjantjatjara (Australian people); Conception Mythology.; Mythology, Aboriginal Australian.; Aboriginal Australians Folklore.; Serpents (in religion, folk-lore, etc.); Rainbow serpent.; Tiwi (Australian people)

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APA (6th Edition):

International Congress of Anthropological and Ethnological Sciences (9th : 1973 : Chicago, I. ). (1976). [Works on the Australian Aborigines by Charles P. Mountford]: Aboriginal paintings from Australia: Records of the American-Australian scientific expedition to Arnhem Land. Vol. 1, Art, myth and symbolism: Ayers Rock : its people, their beliefs and their art: Conception beliefs of the Australian Aborigines [manuscript]: Nomads of the Australian desert [manuscript]: Rainbow serpent myths of Australia: Tiwi : their art, myth and ceremony: Winbaraku and the myth of Jarapiri. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/38224

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

International Congress of Anthropological and Ethnological Sciences (9th : 1973 : Chicago, Ill ). “[Works on the Australian Aborigines by Charles P. Mountford]: Aboriginal paintings from Australia: Records of the American-Australian scientific expedition to Arnhem Land. Vol. 1, Art, myth and symbolism: Ayers Rock : its people, their beliefs and their art: Conception beliefs of the Australian Aborigines [manuscript]: Nomads of the Australian desert [manuscript]: Rainbow serpent myths of Australia: Tiwi : their art, myth and ceremony: Winbaraku and the myth of Jarapiri.” 1976. Thesis, University of Adelaide. Accessed July 20, 2018. http://hdl.handle.net/2440/38224.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

International Congress of Anthropological and Ethnological Sciences (9th : 1973 : Chicago, Ill ). “[Works on the Australian Aborigines by Charles P. Mountford]: Aboriginal paintings from Australia: Records of the American-Australian scientific expedition to Arnhem Land. Vol. 1, Art, myth and symbolism: Ayers Rock : its people, their beliefs and their art: Conception beliefs of the Australian Aborigines [manuscript]: Nomads of the Australian desert [manuscript]: Rainbow serpent myths of Australia: Tiwi : their art, myth and ceremony: Winbaraku and the myth of Jarapiri.” 1976. Web. 20 Jul 2018.

Vancouver:

International Congress of Anthropological and Ethnological Sciences (9th : 1973 : Chicago I). [Works on the Australian Aborigines by Charles P. Mountford]: Aboriginal paintings from Australia: Records of the American-Australian scientific expedition to Arnhem Land. Vol. 1, Art, myth and symbolism: Ayers Rock : its people, their beliefs and their art: Conception beliefs of the Australian Aborigines [manuscript]: Nomads of the Australian desert [manuscript]: Rainbow serpent myths of Australia: Tiwi : their art, myth and ceremony: Winbaraku and the myth of Jarapiri. [Internet] [Thesis]. University of Adelaide; 1976. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/2440/38224.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

International Congress of Anthropological and Ethnological Sciences (9th : 1973 : Chicago I). [Works on the Australian Aborigines by Charles P. Mountford]: Aboriginal paintings from Australia: Records of the American-Australian scientific expedition to Arnhem Land. Vol. 1, Art, myth and symbolism: Ayers Rock : its people, their beliefs and their art: Conception beliefs of the Australian Aborigines [manuscript]: Nomads of the Australian desert [manuscript]: Rainbow serpent myths of Australia: Tiwi : their art, myth and ceremony: Winbaraku and the myth of Jarapiri. [Thesis]. University of Adelaide; 1976. Available from: http://hdl.handle.net/2440/38224

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Canterbury

2845. Eggleton, D. Shaking Loose the Resonances.

Degree: School of Humanities and Creative Arts; University of Canterbury. School of Fine Arts, 2014, University of Canterbury

Subjects/Keywords: Field of Research::19 - Studies in the Creative Arts and Writing::1901 - Art Theory and Criticism::190104 - Visual Cultures; Field of Research::19 - Studies in the Creative Arts and Writing::1902 - Film, Television and Digital Media::190203 - Electronic Media Art; Field of Research::19 - Studies in the Creative Arts and Writing::1905 - Visual Arts and Crafts::190502 - Fine Arts (incl. Sculpture and Painting)

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APA (6th Edition):

Eggleton, D. (2014). Shaking Loose the Resonances. (Thesis). University of Canterbury. Retrieved from http://hdl.handle.net/10092/12461

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Eggleton, D. “Shaking Loose the Resonances.” 2014. Thesis, University of Canterbury. Accessed July 20, 2018. http://hdl.handle.net/10092/12461.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Eggleton, D. “Shaking Loose the Resonances.” 2014. Web. 20 Jul 2018.

Vancouver:

Eggleton D. Shaking Loose the Resonances. [Internet] [Thesis]. University of Canterbury; 2014. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10092/12461.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Eggleton D. Shaking Loose the Resonances. [Thesis]. University of Canterbury; 2014. Available from: http://hdl.handle.net/10092/12461

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2846. Furlow, Claudia L. The Anatomy of Disgust and the Sublime in Metamodern Painting.

Degree: Master of Fine Arts (M.F.A.), Department of Art, 2015, Georgia Southern University

  The works in this series explore the application of Platonic binary oppositions of life/death and attraction/repulsion using Renaissance painting techniques that include the application… (more)

Subjects/Keywords: ETD; Renaissance; painting Plato; binary opposition; death; repulsion; flesh; animals; Jenny Saville; Joel-Peter Witkin; Victoria Reynolds; Francis Bacon; Dutch Golden Age; Flemish Baroque; suffering empathy viscera; anatomy; Art Practice; Jack N. Averitt College of Graduate Studies, Electronic Theses & Dissertations, ETDs, Student Research

…20 Figure 2.6: Rob and Nick Carter, Transforming Vanitas Painting… …a response to inspiration. Painting is not only image and technique; it is also genre and… …painting drew inspiration from an amalgam of recalled memories in the form of animal bodies lying… …discerning the link between attraction and repulsion in painting such subject matter. The use of… …Renaissance painting technique seemed a likely analogy for binary extremes since its associations… 

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APA (6th Edition):

Furlow, C. L. (2015). The Anatomy of Disgust and the Sublime in Metamodern Painting. (Masters Thesis). Georgia Southern University. Retrieved from https://digitalcommons.georgiasouthern.edu/etd/1217

Chicago Manual of Style (16th Edition):

Furlow, Claudia L. “The Anatomy of Disgust and the Sublime in Metamodern Painting.” 2015. Masters Thesis, Georgia Southern University. Accessed July 20, 2018. https://digitalcommons.georgiasouthern.edu/etd/1217.

MLA Handbook (7th Edition):

Furlow, Claudia L. “The Anatomy of Disgust and the Sublime in Metamodern Painting.” 2015. Web. 20 Jul 2018.

Vancouver:

Furlow CL. The Anatomy of Disgust and the Sublime in Metamodern Painting. [Internet] [Masters thesis]. Georgia Southern University; 2015. [cited 2018 Jul 20]. Available from: https://digitalcommons.georgiasouthern.edu/etd/1217.

Council of Science Editors:

Furlow CL. The Anatomy of Disgust and the Sublime in Metamodern Painting. [Masters Thesis]. Georgia Southern University; 2015. Available from: https://digitalcommons.georgiasouthern.edu/etd/1217

2847. Polendo, Arthur J. Examining working class Chicano identities in San Antonio and Chicago as portrayed in The Banner Project by Juan Miguel Ramos, David Botello’s Arte por Vida/Art for Life and The Children of Quetzalcoatl by Ricardo Santos Hernandez.

Degree: School of Art, 2011, Texas Tech University

 This dissertation examines how contemporary Chicano working class identities are imagined and portrayed within three public art examples in Chicago, Illinois and San Antonio, Texas:… (more)

Subjects/Keywords: Chicano; Chicano art; Polendo; Latino art; Chicago (Ill.); San Antonio (Tex.); Mural; Mel Casas; Banner; Chicago art; Tattoo; San Antonio art; Mexican; Mexican American art; Polendo, Arthur; Ramos, Juan Miguel; Hernandez, Ricardo Santos; Botello, David; Contemporary painting; Contemporary art; Contemporary Chicano art; Contemporary Mexican American art; Contemporary Latino art

…active community establishment. The third artwork featured is the painting, The Children of… …art. This may include sculpture, video projections, large-scale painting and tattoos amongst… …Hernandez, who holds a Master of Fine Arts degree in Painting and Drawing from the School of the… …Painting and Drawing at the School of the Art Institute of Chicago. Because my neighborhood (… 

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APA (6th Edition):

Polendo, A. J. (2011). Examining working class Chicano identities in San Antonio and Chicago as portrayed in The Banner Project by Juan Miguel Ramos, David Botello’s Arte por Vida/Art for Life and The Children of Quetzalcoatl by Ricardo Santos Hernandez. (Doctoral Dissertation). Texas Tech University. Retrieved from http://hdl.handle.net/2346/ETD-TTU-2011-08-1811

Chicago Manual of Style (16th Edition):

Polendo, Arthur J. “Examining working class Chicano identities in San Antonio and Chicago as portrayed in The Banner Project by Juan Miguel Ramos, David Botello’s Arte por Vida/Art for Life and The Children of Quetzalcoatl by Ricardo Santos Hernandez.” 2011. Doctoral Dissertation, Texas Tech University. Accessed July 20, 2018. http://hdl.handle.net/2346/ETD-TTU-2011-08-1811.

MLA Handbook (7th Edition):

Polendo, Arthur J. “Examining working class Chicano identities in San Antonio and Chicago as portrayed in The Banner Project by Juan Miguel Ramos, David Botello’s Arte por Vida/Art for Life and The Children of Quetzalcoatl by Ricardo Santos Hernandez.” 2011. Web. 20 Jul 2018.

Vancouver:

Polendo AJ. Examining working class Chicano identities in San Antonio and Chicago as portrayed in The Banner Project by Juan Miguel Ramos, David Botello’s Arte por Vida/Art for Life and The Children of Quetzalcoatl by Ricardo Santos Hernandez. [Internet] [Doctoral dissertation]. Texas Tech University; 2011. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/2346/ETD-TTU-2011-08-1811.

Council of Science Editors:

Polendo AJ. Examining working class Chicano identities in San Antonio and Chicago as portrayed in The Banner Project by Juan Miguel Ramos, David Botello’s Arte por Vida/Art for Life and The Children of Quetzalcoatl by Ricardo Santos Hernandez. [Doctoral Dissertation]. Texas Tech University; 2011. Available from: http://hdl.handle.net/2346/ETD-TTU-2011-08-1811


ETH Zürich

2848. Dietemann, Patrick. Towards more stable natural resin varnishes for paintings: the aging of triterpenoid resins and varnishes.

Degree: 2003, ETH Zürich

Subjects/Keywords: TAFELMALEREI + ALTARBILDER; LACKE (FARBENINDUSTRIE); TRITERPENE (ORGANISCHE CHEMIE); OXIDATION (CHEMISCHE REAKTIONEN); RADIKALREAKTIONEN (CHEMISCHE REAKTIONEN); ORGANISCHE PHOTOCHEMIE; MATRIXUNTERSTÜTZTE LASER-DESORPTIONS-IONISATIONS-MASSENSPEKTROMETRIE; ESR-SPEKTROSKOPIE; PANEL PAINTING + ALTARPIECES; LACQUERS (COLOUR INDUSTRIES); TRITERPENES (ORGANIC CHEMISTRY); OXIDATION (CHEMICAL REACTIONS); RADICAL REACTIONS (CHEMICAL REACTIONS); ORGANIC PHOTOCHEMISTRY; MATRIX ASSISTED LASER DESORPTION-IONIZATION MASS SPECTROMETRY; EPR SPECTROSCOPY; info:eu-repo/classification/ddc/540; info:eu-repo/classification/ddc/540; Chemistry; Chemistry

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APA (6th Edition):

Dietemann, P. (2003). Towards more stable natural resin varnishes for paintings: the aging of triterpenoid resins and varnishes. (Doctoral Dissertation). ETH Zürich. Retrieved from http://hdl.handle.net/20.500.11850/147741

Chicago Manual of Style (16th Edition):

Dietemann, Patrick. “Towards more stable natural resin varnishes for paintings: the aging of triterpenoid resins and varnishes.” 2003. Doctoral Dissertation, ETH Zürich. Accessed July 20, 2018. http://hdl.handle.net/20.500.11850/147741.

MLA Handbook (7th Edition):

Dietemann, Patrick. “Towards more stable natural resin varnishes for paintings: the aging of triterpenoid resins and varnishes.” 2003. Web. 20 Jul 2018.

Vancouver:

Dietemann P. Towards more stable natural resin varnishes for paintings: the aging of triterpenoid resins and varnishes. [Internet] [Doctoral dissertation]. ETH Zürich; 2003. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/20.500.11850/147741.

Council of Science Editors:

Dietemann P. Towards more stable natural resin varnishes for paintings: the aging of triterpenoid resins and varnishes. [Doctoral Dissertation]. ETH Zürich; 2003. Available from: http://hdl.handle.net/20.500.11850/147741

2849. Rey Benito, Endika. Los títulos de crédito como marco de la obra fílmica: [1958-1969].

Degree: Departament de Tecnologies de la Informació i les Comunicacions, 2016, Universitat Pompeu Fabra

 Film titles are sequences that fulfill a structural function on the narration of the film. They are at the same time a representative part of… (more)

Subjects/Keywords: títulos de crédito; secuencia; marco; frame; paratexto; cuadro; ventana; espejo; umbral; apertura; clausura; cine del periodo 1958-69; relato; íncipit; firma; The End; Film titles; credits; sequence; paratext; painting; window; mirror; threshold; opening; closing; films of the period from 1958 to 1969; story; signature; 79

…period from 1958 to 1969. Keywords: Film titles, credits, sequence, frame, paratext, painting… 

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APA (6th Edition):

Rey Benito, E. (2016). Los títulos de crédito como marco de la obra fílmica: [1958-1969]. (Thesis). Universitat Pompeu Fabra. Retrieved from http://hdl.handle.net/10803/350566

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rey Benito, Endika. “Los títulos de crédito como marco de la obra fílmica: [1958-1969].” 2016. Thesis, Universitat Pompeu Fabra. Accessed July 20, 2018. http://hdl.handle.net/10803/350566.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rey Benito, Endika. “Los títulos de crédito como marco de la obra fílmica: [1958-1969].” 2016. Web. 20 Jul 2018.

Vancouver:

Rey Benito E. Los títulos de crédito como marco de la obra fílmica: [1958-1969]. [Internet] [Thesis]. Universitat Pompeu Fabra; 2016. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10803/350566.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rey Benito E. Los títulos de crédito como marco de la obra fílmica: [1958-1969]. [Thesis]. Universitat Pompeu Fabra; 2016. Available from: http://hdl.handle.net/10803/350566

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Luleå University of Technology

2850. Forsman, Samuel. Heat treated wood : the concept house development.

Degree: 2008, Luleå University of Technology

This thesis has been carried out at the division of Wood Physics at Luleå University of Technology, Skellefteå (LTU). In communicating and introducing new… (more)

Subjects/Keywords: Technology; Heat Treated Wood; ThermoWood; Concept house; Development; Communicate New Technology; Material Experience; Further; processing of Wood; Network; Properties heat treated wood; Durability; Environmental friendly alternative; Thermo-S; Thermo-D; House framework; Integration of new material; Massive wood; Sticker marks; Glueing heat treated wood; Wooden cladding; Wooden roof system; capillary suction; avoidance; Heat treated window material; Electro static; painting of heat treated wood; Enhanced dimensional stability; Test of dimensional stability on heat treated hardwoods; Climate chambers; Load bearing heat treated wood; Pre glued; heat treated wood; Heat treatment process control; Wood; drying; Water transport in wood; Wood drying tensions; Wood; equilibrium moisture content; Convective Heat and Energy; transfer; Heat treatment process scheduling tool; High; temperature drying; Temperature drop analyses; Adaptive kiln; drying; Temperature drop energy equation commersialization; of new material; Teknik

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Forsman, S. (2008). Heat treated wood : the concept house development. (Thesis). Luleå University of Technology. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-59464

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Forsman, Samuel. “Heat treated wood : the concept house development.” 2008. Thesis, Luleå University of Technology. Accessed July 20, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-59464.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Forsman, Samuel. “Heat treated wood : the concept house development.” 2008. Web. 20 Jul 2018.

Vancouver:

Forsman S. Heat treated wood : the concept house development. [Internet] [Thesis]. Luleå University of Technology; 2008. [cited 2018 Jul 20]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-59464.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Forsman S. Heat treated wood : the concept house development. [Thesis]. Luleå University of Technology; 2008. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-59464

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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