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You searched for subject:(painting). Showing records 2821 – 2850 of 2992 total matches.

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Southern Cross University

2821. Rhys, Gillian Lenin. Snakes in the grass: visual research into myth themes as a means of understanding and interpreting current environmental issues, and as a vehicle for generating art works in response to those issues : an exegesis of the serpent archetype in Mesopotamian/biblical and Aboriginal Australian belief systems.

Degree: 2007, Southern Cross University

 Snakes in the grass is a visual research endeavour that utilises an arts and science disciplinary interface, to develop a method for generating a series… (more)

Subjects/Keywords: earthwork; ophiolatry; Enuma Elish; bauxsol; Quee; Joseph Campbell; environment; remediation; sculpture; painting; allegory; romanticism; Indigenous; god; religion; Art Practice; Arts and Humanities; Religion; Social and Cultural Anthropology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rhys, G. L. (2007). Snakes in the grass: visual research into myth themes as a means of understanding and interpreting current environmental issues, and as a vehicle for generating art works in response to those issues : an exegesis of the serpent archetype in Mesopotamian/biblical and Aboriginal Australian belief systems. (Thesis). Southern Cross University. Retrieved from http://epubs.scu.edu.au/theses/63

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rhys, Gillian Lenin. “Snakes in the grass: visual research into myth themes as a means of understanding and interpreting current environmental issues, and as a vehicle for generating art works in response to those issues : an exegesis of the serpent archetype in Mesopotamian/biblical and Aboriginal Australian belief systems.” 2007. Thesis, Southern Cross University. Accessed December 12, 2018. http://epubs.scu.edu.au/theses/63.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rhys, Gillian Lenin. “Snakes in the grass: visual research into myth themes as a means of understanding and interpreting current environmental issues, and as a vehicle for generating art works in response to those issues : an exegesis of the serpent archetype in Mesopotamian/biblical and Aboriginal Australian belief systems.” 2007. Web. 12 Dec 2018.

Vancouver:

Rhys GL. Snakes in the grass: visual research into myth themes as a means of understanding and interpreting current environmental issues, and as a vehicle for generating art works in response to those issues : an exegesis of the serpent archetype in Mesopotamian/biblical and Aboriginal Australian belief systems. [Internet] [Thesis]. Southern Cross University; 2007. [cited 2018 Dec 12]. Available from: http://epubs.scu.edu.au/theses/63.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rhys GL. Snakes in the grass: visual research into myth themes as a means of understanding and interpreting current environmental issues, and as a vehicle for generating art works in response to those issues : an exegesis of the serpent archetype in Mesopotamian/biblical and Aboriginal Australian belief systems. [Thesis]. Southern Cross University; 2007. Available from: http://epubs.scu.edu.au/theses/63

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

2822. May, Virginia. Intuitive Inquiry and Creative Process: A Case Study of an Artistic Practice.

Degree: 2005, Queensland University of Technology

 This Master of Arts by research was comprised of two components: creative practice (60%) and a written thesis (40%). The creative practice was partially represented… (more)

Subjects/Keywords: Intuition; Intuitive inquiry; Creative practice as research; Creative process; Creativity; Transformation; Art; Artifact; Painting; Autobiography; Autoethnography; Subjectivity; Mindfulness; Hermeneutics; Journaling; Self observation; Stream of consciousness

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

May, V. (2005). Intuitive Inquiry and Creative Process: A Case Study of an Artistic Practice. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/16038/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

May, Virginia. “Intuitive Inquiry and Creative Process: A Case Study of an Artistic Practice.” 2005. Thesis, Queensland University of Technology. Accessed December 12, 2018. https://eprints.qut.edu.au/16038/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

May, Virginia. “Intuitive Inquiry and Creative Process: A Case Study of an Artistic Practice.” 2005. Web. 12 Dec 2018.

Vancouver:

May V. Intuitive Inquiry and Creative Process: A Case Study of an Artistic Practice. [Internet] [Thesis]. Queensland University of Technology; 2005. [cited 2018 Dec 12]. Available from: https://eprints.qut.edu.au/16038/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

May V. Intuitive Inquiry and Creative Process: A Case Study of an Artistic Practice. [Thesis]. Queensland University of Technology; 2005. Available from: https://eprints.qut.edu.au/16038/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of British Columbia

2823. Beer, Ruth Sulamith. Landscape and identity : three artists/teachers in British Columbia .

Degree: 1999, University of British Columbia

 In this interdisciplinary study, narrative portraiture is used as a methodology to depict three visual artists who draw on their lived experience, traditions and values… (more)

Subjects/Keywords: Yoon, Jin-me  – 1960-; Paul, Lawrence  – 1957-; Bancroft, Marian Penner; Artists and community  – British Columbia; Identity (Psychology) in art; Landscape painting, Canadian  – British Columbia

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Beer, R. S. (1999). Landscape and identity : three artists/teachers in British Columbia . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/9938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beer, Ruth Sulamith. “Landscape and identity : three artists/teachers in British Columbia .” 1999. Thesis, University of British Columbia. Accessed December 12, 2018. http://hdl.handle.net/2429/9938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beer, Ruth Sulamith. “Landscape and identity : three artists/teachers in British Columbia .” 1999. Web. 12 Dec 2018.

Vancouver:

Beer RS. Landscape and identity : three artists/teachers in British Columbia . [Internet] [Thesis]. University of British Columbia; 1999. [cited 2018 Dec 12]. Available from: http://hdl.handle.net/2429/9938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beer RS. Landscape and identity : three artists/teachers in British Columbia . [Thesis]. University of British Columbia; 1999. Available from: http://hdl.handle.net/2429/9938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kyoto University / 京都大学

2824. 伊藤, 俊樹. 「自我のための退行」に関する心理臨床学的研究~ロールシャッハ法 及び 「なぐり書き(Mess Painting)」法を通して~.

Degree: 博士(教育学), 2018, Kyoto University / 京都大学

新制・論文博士

乙第13137号

論教博第157号

Subjects/Keywords: 自我のための退行; なぐり描き(Mess Painting)法; ロールシャッハ・テスト; 芸術家; Holtのスコアリングシステム

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

伊藤, . (2018). 「自我のための退行」に関する心理臨床学的研究~ロールシャッハ法 及び 「なぐり書き(Mess Painting)」法を通して~. (Thesis). Kyoto University / 京都大学. Retrieved from http://hdl.handle.net/2433/230972 ; http://dx.doi.org/10.14989/doctor.r13137

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

伊藤, 俊樹. “「自我のための退行」に関する心理臨床学的研究~ロールシャッハ法 及び 「なぐり書き(Mess Painting)」法を通して~.” 2018. Thesis, Kyoto University / 京都大学. Accessed December 12, 2018. http://hdl.handle.net/2433/230972 ; http://dx.doi.org/10.14989/doctor.r13137.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

伊藤, 俊樹. “「自我のための退行」に関する心理臨床学的研究~ロールシャッハ法 及び 「なぐり書き(Mess Painting)」法を通して~.” 2018. Web. 12 Dec 2018.

Vancouver:

伊藤 . 「自我のための退行」に関する心理臨床学的研究~ロールシャッハ法 及び 「なぐり書き(Mess Painting)」法を通して~. [Internet] [Thesis]. Kyoto University / 京都大学; 2018. [cited 2018 Dec 12]. Available from: http://hdl.handle.net/2433/230972 ; http://dx.doi.org/10.14989/doctor.r13137.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

伊藤 . 「自我のための退行」に関する心理臨床学的研究~ロールシャッハ法 及び 「なぐり書き(Mess Painting)」法を通して~. [Thesis]. Kyoto University / 京都大学; 2018. Available from: http://hdl.handle.net/2433/230972 ; http://dx.doi.org/10.14989/doctor.r13137

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2825. Harclerode, Devin Kylie. Sweaty Mother Slow Groove.

Degree: MFA, Painting and Printmaking, 2016, Virginia Commonwealth University

  Sweaty Mother Slow Groove is an engagement in magical thinking that proposes a displacement of swamp methodologies into the virtual realm, existing during the… (more)

Subjects/Keywords: feminism; subversive reproduction; swamp; cyborg; goddess; disembodiment; painting + printmaking; Fine Arts; Other Feminist, Gender, and Sexuality Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Harclerode, D. K. (2016). Sweaty Mother Slow Groove. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/4241

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harclerode, Devin Kylie. “Sweaty Mother Slow Groove.” 2016. Thesis, Virginia Commonwealth University. Accessed December 12, 2018. https://scholarscompass.vcu.edu/etd/4241.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harclerode, Devin Kylie. “Sweaty Mother Slow Groove.” 2016. Web. 12 Dec 2018.

Vancouver:

Harclerode DK. Sweaty Mother Slow Groove. [Internet] [Thesis]. Virginia Commonwealth University; 2016. [cited 2018 Dec 12]. Available from: https://scholarscompass.vcu.edu/etd/4241.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harclerode DK. Sweaty Mother Slow Groove. [Thesis]. Virginia Commonwealth University; 2016. Available from: https://scholarscompass.vcu.edu/etd/4241

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kyoto University

2826. 伊藤, 俊樹. 「自我のための退行」に関する心理臨床学的研究~ロールシャッハ法 及び 「なぐり書き(Mess Painting)」法を通して~ .

Degree: 2018, Kyoto University

Subjects/Keywords: 自我のための退行; なぐり描き(Mess Painting)法; ロールシャッハ・テスト; 芸術家; Holtのスコアリングシステム

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

伊藤, . (2018). 「自我のための退行」に関する心理臨床学的研究~ロールシャッハ法 及び 「なぐり書き(Mess Painting)」法を通して~ . (Thesis). Kyoto University. Retrieved from http://hdl.handle.net/2433/230972

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

伊藤, 俊樹. “「自我のための退行」に関する心理臨床学的研究~ロールシャッハ法 及び 「なぐり書き(Mess Painting)」法を通して~ .” 2018. Thesis, Kyoto University. Accessed December 12, 2018. http://hdl.handle.net/2433/230972.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

伊藤, 俊樹. “「自我のための退行」に関する心理臨床学的研究~ロールシャッハ法 及び 「なぐり書き(Mess Painting)」法を通して~ .” 2018. Web. 12 Dec 2018.

Vancouver:

伊藤 . 「自我のための退行」に関する心理臨床学的研究~ロールシャッハ法 及び 「なぐり書き(Mess Painting)」法を通して~ . [Internet] [Thesis]. Kyoto University; 2018. [cited 2018 Dec 12]. Available from: http://hdl.handle.net/2433/230972.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

伊藤 . 「自我のための退行」に関する心理臨床学的研究~ロールシャッハ法 及び 「なぐり書き(Mess Painting)」法を通して~ . [Thesis]. Kyoto University; 2018. Available from: http://hdl.handle.net/2433/230972

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

2827. Rousseau, Leslie Corder. From the Edge.

Degree: Master of Interdisciplinary Studies, Interdisciplinary Art, 2006, Virginia Commonwealth University

 Paintings and drawings are the physical representations of my dialogue with the world around me. Art is how I connect to what is too large,… (more)

Subjects/Keywords: drawing; painting; canvas; oil; ambiguity; politics; abstract; mixed media; pastel; charcoal; gesso; chalk; Art and Design; Arts and Humanities; Interdisciplinary Arts and Media

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rousseau, L. C. (2006). From the Edge. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/918

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rousseau, Leslie Corder. “From the Edge.” 2006. Thesis, Virginia Commonwealth University. Accessed December 12, 2018. https://scholarscompass.vcu.edu/etd/918.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rousseau, Leslie Corder. “From the Edge.” 2006. Web. 12 Dec 2018.

Vancouver:

Rousseau LC. From the Edge. [Internet] [Thesis]. Virginia Commonwealth University; 2006. [cited 2018 Dec 12]. Available from: https://scholarscompass.vcu.edu/etd/918.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rousseau LC. From the Edge. [Thesis]. Virginia Commonwealth University; 2006. Available from: https://scholarscompass.vcu.edu/etd/918

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

2828. Inman, Brooke Ann. SAY YES TO WHO YOU ARE.

Degree: MFA, Painting and Printmaking, 2008, Virginia Commonwealth University

No abstract provided. Advisors/Committee Members: Richard Roth.

Subjects/Keywords: aries; language; midwest; myspace; facebook; installation; drawing; printmaking; painting; book art; collections; obsession; organization; ex-boyfriends; text; Art and Design; Arts and Humanities

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Inman, B. A. (2008). SAY YES TO WHO YOU ARE. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/1014

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Inman, Brooke Ann. “SAY YES TO WHO YOU ARE.” 2008. Thesis, Virginia Commonwealth University. Accessed December 12, 2018. https://scholarscompass.vcu.edu/etd/1014.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Inman, Brooke Ann. “SAY YES TO WHO YOU ARE.” 2008. Web. 12 Dec 2018.

Vancouver:

Inman BA. SAY YES TO WHO YOU ARE. [Internet] [Thesis]. Virginia Commonwealth University; 2008. [cited 2018 Dec 12]. Available from: https://scholarscompass.vcu.edu/etd/1014.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Inman BA. SAY YES TO WHO YOU ARE. [Thesis]. Virginia Commonwealth University; 2008. Available from: https://scholarscompass.vcu.edu/etd/1014

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

2829. Langley, Jessica Danielle. THE AWW.

Degree: MFA, Painting and Printmaking, 2008, Virginia Commonwealth University

  Jessica Langley's work examines animals and nature through various media and form, including watercolor and oil painting, digitally manipulated photography, both large and small… (more)

Subjects/Keywords: humor; airbrush; American; kitsch; Hudson River School; monumental; banal; romantic; drawing; cat towers; painting; the aww; aura; Art and Design; Arts and Humanities

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APA (6th Edition):

Langley, J. D. (2008). THE AWW. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/1360

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Langley, Jessica Danielle. “THE AWW.” 2008. Thesis, Virginia Commonwealth University. Accessed December 12, 2018. https://scholarscompass.vcu.edu/etd/1360.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Langley, Jessica Danielle. “THE AWW.” 2008. Web. 12 Dec 2018.

Vancouver:

Langley JD. THE AWW. [Internet] [Thesis]. Virginia Commonwealth University; 2008. [cited 2018 Dec 12]. Available from: https://scholarscompass.vcu.edu/etd/1360.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Langley JD. THE AWW. [Thesis]. Virginia Commonwealth University; 2008. Available from: https://scholarscompass.vcu.edu/etd/1360

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oxford

2830. Fayers-Kerr, Kate Nialla. Beyond the social skin : healing arts and sacred clays among the Mun (Mursi) of Southwest Ethiopia.

Degree: PhD, 2013, University of Oxford

Subjects/Keywords: 305.8; Anthropology; Medical and ecological anthropology; Social anthropology; Visual and material anthropology; Mun; Mursi; East Africa; pastoralism; body painting; body art; earth; clay; traditional healing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fayers-Kerr, K. N. (2013). Beyond the social skin : healing arts and sacred clays among the Mun (Mursi) of Southwest Ethiopia. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:f0831040-95b1-4548-a1f6-ebe2dda62d87 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655017

Chicago Manual of Style (16th Edition):

Fayers-Kerr, Kate Nialla. “Beyond the social skin : healing arts and sacred clays among the Mun (Mursi) of Southwest Ethiopia.” 2013. Doctoral Dissertation, University of Oxford. Accessed December 12, 2018. http://ora.ox.ac.uk/objects/uuid:f0831040-95b1-4548-a1f6-ebe2dda62d87 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655017.

MLA Handbook (7th Edition):

Fayers-Kerr, Kate Nialla. “Beyond the social skin : healing arts and sacred clays among the Mun (Mursi) of Southwest Ethiopia.” 2013. Web. 12 Dec 2018.

Vancouver:

Fayers-Kerr KN. Beyond the social skin : healing arts and sacred clays among the Mun (Mursi) of Southwest Ethiopia. [Internet] [Doctoral dissertation]. University of Oxford; 2013. [cited 2018 Dec 12]. Available from: http://ora.ox.ac.uk/objects/uuid:f0831040-95b1-4548-a1f6-ebe2dda62d87 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655017.

Council of Science Editors:

Fayers-Kerr KN. Beyond the social skin : healing arts and sacred clays among the Mun (Mursi) of Southwest Ethiopia. [Doctoral Dissertation]. University of Oxford; 2013. Available from: http://ora.ox.ac.uk/objects/uuid:f0831040-95b1-4548-a1f6-ebe2dda62d87 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655017


Washington University in St. Louis

2831. Vosse, Paula. Literarische Filmsimulation: Heinrich Eduard Jacobs medienphilosophische Filmästhetik in "Blut und Zelluloid".

Degree: MA(AM/MA), Germanic Languages and Literatures, 2018, Washington University in St. Louis

  Heinrich Eduard Jacob´s novel Blut und Zelluloid was published in 1929 and therefore mostly reviewed as a critical artwork regarding European film-propaganda before the… (more)

Subjects/Keywords: Heinrich Eduard Jacob, Blut und Zelluloid, Weimarer Republik, Avantgardistische Literatur, 1929, Benjamin; Art Education; Art Practice; Continental Philosophy; Dramatic Literature, Criticism and Theory; European History; German Literature; Intellectual History; Modern Literature; Other Rhetoric and Composition; Painting; Philosophy of Language; Reading and Language; Rhetoric; Screenwriting; Theory and Criticism; Visual Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vosse, P. (2018). Literarische Filmsimulation: Heinrich Eduard Jacobs medienphilosophische Filmästhetik in "Blut und Zelluloid". (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/art_sci_etds/1293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vosse, Paula. “Literarische Filmsimulation: Heinrich Eduard Jacobs medienphilosophische Filmästhetik in "Blut und Zelluloid".” 2018. Thesis, Washington University in St. Louis. Accessed December 12, 2018. https://openscholarship.wustl.edu/art_sci_etds/1293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vosse, Paula. “Literarische Filmsimulation: Heinrich Eduard Jacobs medienphilosophische Filmästhetik in "Blut und Zelluloid".” 2018. Web. 12 Dec 2018.

Vancouver:

Vosse P. Literarische Filmsimulation: Heinrich Eduard Jacobs medienphilosophische Filmästhetik in "Blut und Zelluloid". [Internet] [Thesis]. Washington University in St. Louis; 2018. [cited 2018 Dec 12]. Available from: https://openscholarship.wustl.edu/art_sci_etds/1293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vosse P. Literarische Filmsimulation: Heinrich Eduard Jacobs medienphilosophische Filmästhetik in "Blut und Zelluloid". [Thesis]. Washington University in St. Louis; 2018. Available from: https://openscholarship.wustl.edu/art_sci_etds/1293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Washington University in St. Louis

2832. Brown, Jenn. Misassembled Monsters.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2018, Washington University in St. Louis

  This thesis is a narrative of personal and material history. Through my work in painting, sculpture, and installation, I seek to share my story… (more)

Subjects/Keywords: monsters; armor; goth culture; gothic novel; psychological cage; mental barrier; Ancient, Medieval, Renaissance and Baroque Art and Architecture; Art and Design; Contemporary Art; Fiction; Fine Arts; Literature in English, Anglophone outside British Isles and North America; Literature in English, British Isles; Medieval Studies; Other English Language and Literature; Painting; Sculpture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brown, J. (2018). Misassembled Monsters. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brown, Jenn. “Misassembled Monsters.” 2018. Thesis, Washington University in St. Louis. Accessed December 12, 2018. https://openscholarship.wustl.edu/samfox_art_etds/113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brown, Jenn. “Misassembled Monsters.” 2018. Web. 12 Dec 2018.

Vancouver:

Brown J. Misassembled Monsters. [Internet] [Thesis]. Washington University in St. Louis; 2018. [cited 2018 Dec 12]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown J. Misassembled Monsters. [Thesis]. Washington University in St. Louis; 2018. Available from: https://openscholarship.wustl.edu/samfox_art_etds/113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

2833. Coetzee, Cyril Lawlor. Goethe's theory of colours: Rudolf Steiner's foundation for an impulse in painting.

Degree: Faculty of Humanities, Fine Art, 1984, Rhodes University

 From Introduction: In his influential treatise, Concerning the Spiritual in Art, Wassily Kandinsky refers to Goethe's "prophetic remark" made in connection with the relationship between… (more)

Subjects/Keywords: Goethe, Johann Wolfgang Von, 1749-1832  – Aesthetics; Steiner, Rudolf, 1861-1925; Color in art; Painting, Modern; Goethe, Johann Wolfgang Von, 1749-1832  – Knowledge  – Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Coetzee, C. L. (1984). Goethe's theory of colours: Rudolf Steiner's foundation for an impulse in painting. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1008571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Coetzee, Cyril Lawlor. “Goethe's theory of colours: Rudolf Steiner's foundation for an impulse in painting.” 1984. Thesis, Rhodes University. Accessed December 12, 2018. http://hdl.handle.net/10962/d1008571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Coetzee, Cyril Lawlor. “Goethe's theory of colours: Rudolf Steiner's foundation for an impulse in painting.” 1984. Web. 12 Dec 2018.

Vancouver:

Coetzee CL. Goethe's theory of colours: Rudolf Steiner's foundation for an impulse in painting. [Internet] [Thesis]. Rhodes University; 1984. [cited 2018 Dec 12]. Available from: http://hdl.handle.net/10962/d1008571.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Coetzee CL. Goethe's theory of colours: Rudolf Steiner's foundation for an impulse in painting. [Thesis]. Rhodes University; 1984. Available from: http://hdl.handle.net/10962/d1008571

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2834. Urbanik, Brian A. The Map is Not the Territory.

Degree: 2012, University of Waterloo

 Hi Donald, It just occurred to me that I might be finished with this fieldwork. I’m sitting at the side of the road looking over… (more)

Subjects/Keywords: Architecture; Architect; Map; Territory; Representation; Loss; Art; Drawing; Painting; Photography; Ontario; Southern Ontario; Pastoral; Landscape; Atlas; Journey

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Urbanik, B. A. (2012). The Map is Not the Territory. (Thesis). University of Waterloo. Retrieved from http://hdl.handle.net/10012/6518

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Urbanik, Brian A. “The Map is Not the Territory.” 2012. Thesis, University of Waterloo. Accessed December 12, 2018. http://hdl.handle.net/10012/6518.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Urbanik, Brian A. “The Map is Not the Territory.” 2012. Web. 12 Dec 2018.

Vancouver:

Urbanik BA. The Map is Not the Territory. [Internet] [Thesis]. University of Waterloo; 2012. [cited 2018 Dec 12]. Available from: http://hdl.handle.net/10012/6518.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Urbanik BA. The Map is Not the Territory. [Thesis]. University of Waterloo; 2012. Available from: http://hdl.handle.net/10012/6518

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Montana

2835. Huhtala, Elizabeth J. Subsurface.

Degree: MFA, 2016, University of Montana

Subjects/Keywords: panting; drawing; myth; storytelling; fable; family; Art and Materials Conservation; Art Practice; Ceramic Arts; Illustration; Interdisciplinary Arts and Media; Painting; Printmaking; Sculpture

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APA (6th Edition):

Huhtala, E. J. (2016). Subsurface. (Thesis). University of Montana. Retrieved from https://scholarworks.umt.edu/etd/10725

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Huhtala, Elizabeth J. “Subsurface.” 2016. Thesis, University of Montana. Accessed December 12, 2018. https://scholarworks.umt.edu/etd/10725.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Huhtala, Elizabeth J. “Subsurface.” 2016. Web. 12 Dec 2018.

Vancouver:

Huhtala EJ. Subsurface. [Internet] [Thesis]. University of Montana; 2016. [cited 2018 Dec 12]. Available from: https://scholarworks.umt.edu/etd/10725.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huhtala EJ. Subsurface. [Thesis]. University of Montana; 2016. Available from: https://scholarworks.umt.edu/etd/10725

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

2836. Papillon-Boisclair, Antoine. L'école du regard : poésie et peinture chez Saint-Denys Garneau, Roland Giguère et Robert Melançon.

Degree: PhD, Département de langue et littérature françaises., 2006, McGill University

From the artistic experience of Saint-Denys Garneau, who decided to devote himself to painting and writing at the beginning of the 1930's, to the poetry… (more)

Subjects/Keywords: Garneau, Saint-Denys, 1912-1943  – Criticism and interpretation.; Giguère, Roland, 1929-  – Criticism and interpretation.; Mélançon, Robert  – Criticism and interpretation.; Painting in literature.

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APA (6th Edition):

Papillon-Boisclair, A. (2006). L'école du regard : poésie et peinture chez Saint-Denys Garneau, Roland Giguère et Robert Melançon. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile102821.pdf

Chicago Manual of Style (16th Edition):

Papillon-Boisclair, Antoine. “L'école du regard : poésie et peinture chez Saint-Denys Garneau, Roland Giguère et Robert Melançon.” 2006. Doctoral Dissertation, McGill University. Accessed December 12, 2018. http://digitool.library.mcgill.ca/thesisfile102821.pdf.

MLA Handbook (7th Edition):

Papillon-Boisclair, Antoine. “L'école du regard : poésie et peinture chez Saint-Denys Garneau, Roland Giguère et Robert Melançon.” 2006. Web. 12 Dec 2018.

Vancouver:

Papillon-Boisclair A. L'école du regard : poésie et peinture chez Saint-Denys Garneau, Roland Giguère et Robert Melançon. [Internet] [Doctoral dissertation]. McGill University; 2006. [cited 2018 Dec 12]. Available from: http://digitool.library.mcgill.ca/thesisfile102821.pdf.

Council of Science Editors:

Papillon-Boisclair A. L'école du regard : poésie et peinture chez Saint-Denys Garneau, Roland Giguère et Robert Melançon. [Doctoral Dissertation]. McGill University; 2006. Available from: http://digitool.library.mcgill.ca/thesisfile102821.pdf


McGill University

2837. Brendel, Maria Lydia. Allegorical truth-telling via the feminine Baroque : Rubens' material reality : reframing Het pelsken.

Degree: PhD, Department of Art History., 1999, McGill University

Rubens' material reality culminates in the tableau which he named Het Pelsken (Flemish for 'The little Fur,' known also as La Pelisse). Of his vast… (more)

Subjects/Keywords: Rubens, Peter Paul, Sir, 1577-1640. Fur cloak; Rubens, Peter Paul, Sir, 1577-1640.  – Appreciation; Female nude in art; Painting, Flemish  – 17th century

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APA (6th Edition):

Brendel, M. L. (1999). Allegorical truth-telling via the feminine Baroque : Rubens' material reality : reframing Het pelsken. (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile35985.pdf

Chicago Manual of Style (16th Edition):

Brendel, Maria Lydia. “Allegorical truth-telling via the feminine Baroque : Rubens' material reality : reframing Het pelsken.” 1999. Doctoral Dissertation, McGill University. Accessed December 12, 2018. http://digitool.library.mcgill.ca/thesisfile35985.pdf.

MLA Handbook (7th Edition):

Brendel, Maria Lydia. “Allegorical truth-telling via the feminine Baroque : Rubens' material reality : reframing Het pelsken.” 1999. Web. 12 Dec 2018.

Vancouver:

Brendel ML. Allegorical truth-telling via the feminine Baroque : Rubens' material reality : reframing Het pelsken. [Internet] [Doctoral dissertation]. McGill University; 1999. [cited 2018 Dec 12]. Available from: http://digitool.library.mcgill.ca/thesisfile35985.pdf.

Council of Science Editors:

Brendel ML. Allegorical truth-telling via the feminine Baroque : Rubens' material reality : reframing Het pelsken. [Doctoral Dissertation]. McGill University; 1999. Available from: http://digitool.library.mcgill.ca/thesisfile35985.pdf


Rutgers University

2838. Giuffre, Joseph R. Design in Raphael's Roman workshop.

Degree: PhD, Art History, 2008, Rutgers University

This dissertation examines the frescoes of the Vatican Stanze and the altarpiece of the Transfiguration and all the drawings associated with them in an effort… (more)

Subjects/Keywords: Raphael, 1483-1520 – Criticism and interpretation; Raphael, 1483-1520 – Transfiguration; Stanze di Raffaelo (Vatican Palace, Vatican City); Mural painting and decoration, Italian

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APA (6th Edition):

Giuffre, J. R. (2008). Design in Raphael's Roman workshop. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17251

Chicago Manual of Style (16th Edition):

Giuffre, Joseph R. “Design in Raphael's Roman workshop.” 2008. Doctoral Dissertation, Rutgers University. Accessed December 12, 2018. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17251.

MLA Handbook (7th Edition):

Giuffre, Joseph R. “Design in Raphael's Roman workshop.” 2008. Web. 12 Dec 2018.

Vancouver:

Giuffre JR. Design in Raphael's Roman workshop. [Internet] [Doctoral dissertation]. Rutgers University; 2008. [cited 2018 Dec 12]. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17251.

Council of Science Editors:

Giuffre JR. Design in Raphael's Roman workshop. [Doctoral Dissertation]. Rutgers University; 2008. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17251


University of Queensland

2839. Butler, Sally. Emily Kngwarreye and the enigmatic object of discourse.

Degree: School of English, Media Studies and Art History, 2002, University of Queensland

Subjects/Keywords: Kngwarreye, Emily Kame, 1910-1996; Artists, Aboriginal Australian  – 20th century; Art, Aboriginal Australian  – 20th century; 410202 Fine Arts (incl. Sculpture and Painting); 420305 Aboriginal Cultural Studies; L

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APA (6th Edition):

Butler, S. (2002). Emily Kngwarreye and the enigmatic object of discourse. (Thesis). University of Queensland. Retrieved from http://espace.library.uq.edu.au/view/UQ:106210

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Butler, Sally. “Emily Kngwarreye and the enigmatic object of discourse.” 2002. Thesis, University of Queensland. Accessed December 12, 2018. http://espace.library.uq.edu.au/view/UQ:106210.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Butler, Sally. “Emily Kngwarreye and the enigmatic object of discourse.” 2002. Web. 12 Dec 2018.

Vancouver:

Butler S. Emily Kngwarreye and the enigmatic object of discourse. [Internet] [Thesis]. University of Queensland; 2002. [cited 2018 Dec 12]. Available from: http://espace.library.uq.edu.au/view/UQ:106210.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Butler S. Emily Kngwarreye and the enigmatic object of discourse. [Thesis]. University of Queensland; 2002. Available from: http://espace.library.uq.edu.au/view/UQ:106210

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brno University of Technology

2840. Siegl, Pavel. Optimalizace procesu lakování .

Degree: 2008, Brno University of Technology

 Diplomová práce je zaměřena na optimalizaci nanášení práškové barvy během procesu lakování pomocí experimentálních metod a statistické analýzy. Popis studie současného stavu procesu lakování, analýza… (more)

Subjects/Keywords: Optimalizace; práškové lakování; plánovaný experiment; ishikawův diagram; regulační diagramy; způsobilost procesu; lisování; svařování.; Optimizing; painting process; design of experiment; ishikawa diagram; control chart; process capability; pressing; welding.

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APA (6th Edition):

Siegl, P. (2008). Optimalizace procesu lakování . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/1492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Siegl, Pavel. “Optimalizace procesu lakování .” 2008. Thesis, Brno University of Technology. Accessed December 12, 2018. http://hdl.handle.net/11012/1492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Siegl, Pavel. “Optimalizace procesu lakování .” 2008. Web. 12 Dec 2018.

Vancouver:

Siegl P. Optimalizace procesu lakování . [Internet] [Thesis]. Brno University of Technology; 2008. [cited 2018 Dec 12]. Available from: http://hdl.handle.net/11012/1492.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Siegl P. Optimalizace procesu lakování . [Thesis]. Brno University of Technology; 2008. Available from: http://hdl.handle.net/11012/1492

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2841. Rabier, Delphine. La pensée dévotionnelle et mystique dans la peinture des anciens Pays-Bas : XVè siècle - première moitié du XVIè siècle : Devotional and mystical thought in Early Netherlandish Painting : 15th century-first half of the half of the 16th century.

Degree: Docteur es, Histoire de l'Art, 2015, Université François-Rabelais de Tours

Cette étude se propose de dégager les liens étroits qui unissent la production picturale des anciens Pays-Bas des XVe et XVIe siècles avec la mystique… (more)

Subjects/Keywords: Peinture; Anciens Pays-Bas; XVe-XVIe siècles; Primitifs flamands; Mystique flamande; Pensée dévotionnelle; Vision; Contemplation; Désimagination; Vie commune; Mémoire; Méditation; Homo viator; Ruysbroeck l’Admirable (Ruusbroec); Dévotion moderne (devotio moderna); Painting; Early Netherlands; 15th and 16th centuries; Flemish Primitives; Flemish mysticism; Devotional thought; Vision; Contemplation; Disimagination; Common life; Memory; Meditation; Homo viator; Ruysbroeck the Admirable (Ruusbroec); Modern Devotion (devotio moderna)

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APA (6th Edition):

Rabier, D. (2015). La pensée dévotionnelle et mystique dans la peinture des anciens Pays-Bas : XVè siècle - première moitié du XVIè siècle : Devotional and mystical thought in Early Netherlandish Painting : 15th century-first half of the half of the 16th century. (Doctoral Dissertation). Université François-Rabelais de Tours. Retrieved from http://www.theses.fr/2015TOUR2018

Chicago Manual of Style (16th Edition):

Rabier, Delphine. “La pensée dévotionnelle et mystique dans la peinture des anciens Pays-Bas : XVè siècle - première moitié du XVIè siècle : Devotional and mystical thought in Early Netherlandish Painting : 15th century-first half of the half of the 16th century.” 2015. Doctoral Dissertation, Université François-Rabelais de Tours. Accessed December 12, 2018. http://www.theses.fr/2015TOUR2018.

MLA Handbook (7th Edition):

Rabier, Delphine. “La pensée dévotionnelle et mystique dans la peinture des anciens Pays-Bas : XVè siècle - première moitié du XVIè siècle : Devotional and mystical thought in Early Netherlandish Painting : 15th century-first half of the half of the 16th century.” 2015. Web. 12 Dec 2018.

Vancouver:

Rabier D. La pensée dévotionnelle et mystique dans la peinture des anciens Pays-Bas : XVè siècle - première moitié du XVIè siècle : Devotional and mystical thought in Early Netherlandish Painting : 15th century-first half of the half of the 16th century. [Internet] [Doctoral dissertation]. Université François-Rabelais de Tours; 2015. [cited 2018 Dec 12]. Available from: http://www.theses.fr/2015TOUR2018.

Council of Science Editors:

Rabier D. La pensée dévotionnelle et mystique dans la peinture des anciens Pays-Bas : XVè siècle - première moitié du XVIè siècle : Devotional and mystical thought in Early Netherlandish Painting : 15th century-first half of the half of the 16th century. [Doctoral Dissertation]. Université François-Rabelais de Tours; 2015. Available from: http://www.theses.fr/2015TOUR2018


University of Texas – Austin

2842. Harton, George Maurice, V. An emperor for a master : slaves in the palaces of Augustus and Nero.

Degree: Art History, 2018, University of Texas – Austin

 Traditionally, scholars portray the palaces of imperial Rome as spaces for interaction between the emperor and his elite guests while erasing the majority of the… (more)

Subjects/Keywords: Roman slaves; Imperial Rome; Roman freedmen; Roman palace slaves; House of Augustus; House of Livia; Roman palace architecture; Domus Transitoria; Domus Aurea; Esquiline Wing; Augustus’ slaves; Nero’s slaves; Roman wall painting; Frescoes; Roman convivium; Roman archaeology; Roman domestic space; Scaenae frons; Roman theater; Familia Caesaris; Palatine; Ancient Rome

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APA (6th Edition):

Harton, George Maurice, V. (2018). An emperor for a master : slaves in the palaces of Augustus and Nero. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/68938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harton, George Maurice, V. “An emperor for a master : slaves in the palaces of Augustus and Nero.” 2018. Thesis, University of Texas – Austin. Accessed December 12, 2018. http://hdl.handle.net/2152/68938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harton, George Maurice, V. “An emperor for a master : slaves in the palaces of Augustus and Nero.” 2018. Web. 12 Dec 2018.

Vancouver:

Harton, George Maurice V. An emperor for a master : slaves in the palaces of Augustus and Nero. [Internet] [Thesis]. University of Texas – Austin; 2018. [cited 2018 Dec 12]. Available from: http://hdl.handle.net/2152/68938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harton, George Maurice V. An emperor for a master : slaves in the palaces of Augustus and Nero. [Thesis]. University of Texas – Austin; 2018. Available from: http://hdl.handle.net/2152/68938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

2843. Vieregge, Michael. Die Bedeutung der Malerei in und für Theodor Storms Novellen : am Beispiel von Immensee, Eine Malerarbeit und Aquis Submersus.

Degree: Germanic Studies, 1982, University of Texas – Austin

Subjects/Keywords: Storm, Theodor, 1817-1888. Immensee; Storm, Theodor, 1817-1888. Malerarbeit; Storm, Theodor, 1817-1888. Aquis Submersus; Storm, Theodor, 1817-1888; Painting in literature

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APA (6th Edition):

Vieregge, M. (1982). Die Bedeutung der Malerei in und für Theodor Storms Novellen : am Beispiel von Immensee, Eine Malerarbeit und Aquis Submersus. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/38087

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vieregge, Michael. “Die Bedeutung der Malerei in und für Theodor Storms Novellen : am Beispiel von Immensee, Eine Malerarbeit und Aquis Submersus.” 1982. Thesis, University of Texas – Austin. Accessed December 12, 2018. http://hdl.handle.net/2152/38087.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vieregge, Michael. “Die Bedeutung der Malerei in und für Theodor Storms Novellen : am Beispiel von Immensee, Eine Malerarbeit und Aquis Submersus.” 1982. Web. 12 Dec 2018.

Vancouver:

Vieregge M. Die Bedeutung der Malerei in und für Theodor Storms Novellen : am Beispiel von Immensee, Eine Malerarbeit und Aquis Submersus. [Internet] [Thesis]. University of Texas – Austin; 1982. [cited 2018 Dec 12]. Available from: http://hdl.handle.net/2152/38087.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vieregge M. Die Bedeutung der Malerei in und für Theodor Storms Novellen : am Beispiel von Immensee, Eine Malerarbeit und Aquis Submersus. [Thesis]. University of Texas – Austin; 1982. Available from: http://hdl.handle.net/2152/38087

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

2844. Toillon, Valérie I. Corps et âme en mouvement. Expression et signification du mouvement dans la peinture de vases en Grèce ancienne (VIe-IVe s. av. J.-C.). Ivresse, possession divine et mort .

Degree: 2015, Université de Montréal

Subjects/Keywords: Mouvement; peinture ancienne; corps; âme; peinture de vases; iconographie; Dionysos; ivresse; mort; ménades; Movement; ancient greek vase painting; soul; body; iconography; Death; drunkeness; maenads

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APA (6th Edition):

Toillon, V. I. (2015). Corps et âme en mouvement. Expression et signification du mouvement dans la peinture de vases en Grèce ancienne (VIe-IVe s. av. J.-C.). Ivresse, possession divine et mort . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/11412

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Toillon, Valérie I. “Corps et âme en mouvement. Expression et signification du mouvement dans la peinture de vases en Grèce ancienne (VIe-IVe s. av. J.-C.). Ivresse, possession divine et mort .” 2015. Thesis, Université de Montréal. Accessed December 12, 2018. http://hdl.handle.net/1866/11412.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Toillon, Valérie I. “Corps et âme en mouvement. Expression et signification du mouvement dans la peinture de vases en Grèce ancienne (VIe-IVe s. av. J.-C.). Ivresse, possession divine et mort .” 2015. Web. 12 Dec 2018.

Vancouver:

Toillon VI. Corps et âme en mouvement. Expression et signification du mouvement dans la peinture de vases en Grèce ancienne (VIe-IVe s. av. J.-C.). Ivresse, possession divine et mort . [Internet] [Thesis]. Université de Montréal; 2015. [cited 2018 Dec 12]. Available from: http://hdl.handle.net/1866/11412.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Toillon VI. Corps et âme en mouvement. Expression et signification du mouvement dans la peinture de vases en Grèce ancienne (VIe-IVe s. av. J.-C.). Ivresse, possession divine et mort . [Thesis]. Université de Montréal; 2015. Available from: http://hdl.handle.net/1866/11412

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan State University

2845. Farness, Sherly F. Maya feudal society and the frescoes at Bonampak.

Degree: MA, Dept. of Art, 1967, Michigan State University

Subjects/Keywords: Bonampak frescoes – Analysis; Maya mural painting and decoration – Mexico – Bonampak – Analysis; Maya art – Analysis; Mayas – Social life and customs; Bonampak (Mexico) – Civilization – History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Farness, S. F. (1967). Maya feudal society and the frescoes at Bonampak. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:15035

Chicago Manual of Style (16th Edition):

Farness, Sherly F. “Maya feudal society and the frescoes at Bonampak.” 1967. Masters Thesis, Michigan State University. Accessed December 12, 2018. http://etd.lib.msu.edu/islandora/object/etd:15035.

MLA Handbook (7th Edition):

Farness, Sherly F. “Maya feudal society and the frescoes at Bonampak.” 1967. Web. 12 Dec 2018.

Vancouver:

Farness SF. Maya feudal society and the frescoes at Bonampak. [Internet] [Masters thesis]. Michigan State University; 1967. [cited 2018 Dec 12]. Available from: http://etd.lib.msu.edu/islandora/object/etd:15035.

Council of Science Editors:

Farness SF. Maya feudal society and the frescoes at Bonampak. [Masters Thesis]. Michigan State University; 1967. Available from: http://etd.lib.msu.edu/islandora/object/etd:15035


Universidad de Salamanca

2846. Luca de Tena Navarro, Manuel. La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental.

Degree: 2018, Universidad de Salamanca

Subjects/Keywords: Arte contemporáneo; Vacío en el arte; Arte y espacio; Pintura moderna; Pensamiento oriental; Contemporary art; Vacuum in art; Art and space; Modern painting; Oriental thought

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APA (6th Edition):

Luca de Tena Navarro, M. (2018). La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental. (Thesis). Universidad de Salamanca. Retrieved from http://hdl.handle.net/10366/19498

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Luca de Tena Navarro, Manuel. “La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental.” 2018. Thesis, Universidad de Salamanca. Accessed December 12, 2018. http://hdl.handle.net/10366/19498.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Luca de Tena Navarro, Manuel. “La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental.” 2018. Web. 12 Dec 2018.

Vancouver:

Luca de Tena Navarro M. La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental. [Internet] [Thesis]. Universidad de Salamanca; 2018. [cited 2018 Dec 12]. Available from: http://hdl.handle.net/10366/19498.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Luca de Tena Navarro M. La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental. [Thesis]. Universidad de Salamanca; 2018. Available from: http://hdl.handle.net/10366/19498

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Iowa State University

2847. Trowbridge, Norma Thomsen. Creativity in children in art classes.

Degree: 1964, Iowa State University

Subjects/Keywords: Creative thinking; Creation (Literary; artistic; etc); Painting – Study and teaching; Experimental psychology; Art education; Experimental Analysis of Behavior; Psychiatry and Psychology; Psychology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Trowbridge, N. T. (1964). Creativity in children in art classes. (Thesis). Iowa State University. Retrieved from https://lib.dr.iastate.edu/rtd/3013

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Trowbridge, Norma Thomsen. “Creativity in children in art classes.” 1964. Thesis, Iowa State University. Accessed December 12, 2018. https://lib.dr.iastate.edu/rtd/3013.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Trowbridge, Norma Thomsen. “Creativity in children in art classes.” 1964. Web. 12 Dec 2018.

Vancouver:

Trowbridge NT. Creativity in children in art classes. [Internet] [Thesis]. Iowa State University; 1964. [cited 2018 Dec 12]. Available from: https://lib.dr.iastate.edu/rtd/3013.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Trowbridge NT. Creativity in children in art classes. [Thesis]. Iowa State University; 1964. Available from: https://lib.dr.iastate.edu/rtd/3013

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Sydney

2848. Walsh, Kerry Patricia. Potions and painting.

Degree: 2003, University of Western Sydney

 This study traces the adaptation of the traditional gathering practices of Anglo/Celtic women to the landscape of Colonial Australia, thus developing a context for contemporary… (more)

Subjects/Keywords: Master of Arts (Hons) (Creative Arts); women artists; Australia; women in art; women immigrants; women; herbs; naturalism in art; plants in art; painting; dyes and dyeing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Walsh, K. P. (2003). Potions and painting. (Thesis). University of Western Sydney. Retrieved from http://handle.uws.edu.au:8081/1959.7/27666

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walsh, Kerry Patricia. “Potions and painting.” 2003. Thesis, University of Western Sydney. Accessed December 12, 2018. http://handle.uws.edu.au:8081/1959.7/27666.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walsh, Kerry Patricia. “Potions and painting.” 2003. Web. 12 Dec 2018.

Vancouver:

Walsh KP. Potions and painting. [Internet] [Thesis]. University of Western Sydney; 2003. [cited 2018 Dec 12]. Available from: http://handle.uws.edu.au:8081/1959.7/27666.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walsh KP. Potions and painting. [Thesis]. University of Western Sydney; 2003. Available from: http://handle.uws.edu.au:8081/1959.7/27666

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2849. Crandall, Alison M. The Painted Cities of Vesuvius: Pigments, Application, and Conservation of Roman Wall Paintings from the Bay of Naples.

Degree: 2015, Brandeis University

 Wall paintings decorated the majority of space in both Roman households and public buildings, depicting everything from the objects and scenes of daily life to… (more)

Subjects/Keywords: Rome; Roman Wall Paintings; Roman Painting; Pigments; Pompeii; Herculaneum; Archaeological Science; Archaeochemistry; pXRF; GC-MS; FT-IR; Roman Frescoes

…development of solutions for future application. The first instance of painting in ancient times… …x27;s claim to have invented painting six thousand years prior to his contemporary time… …painting started as an art, he suggests the common origin began 1 Pliny the Elder. Natural… …achieved such pigmentation, he claims that painting had been perfected in Italy by the… …painting as an art, Pliny describes the basic colors, separating them into bright colors and dark… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Crandall, A. M. (2015). The Painted Cities of Vesuvius: Pigments, Application, and Conservation of Roman Wall Paintings from the Bay of Naples. (Thesis). Brandeis University. Retrieved from http://hdl.handle.net/10192/30517

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crandall, Alison M. “The Painted Cities of Vesuvius: Pigments, Application, and Conservation of Roman Wall Paintings from the Bay of Naples.” 2015. Thesis, Brandeis University. Accessed December 12, 2018. http://hdl.handle.net/10192/30517.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crandall, Alison M. “The Painted Cities of Vesuvius: Pigments, Application, and Conservation of Roman Wall Paintings from the Bay of Naples.” 2015. Web. 12 Dec 2018.

Vancouver:

Crandall AM. The Painted Cities of Vesuvius: Pigments, Application, and Conservation of Roman Wall Paintings from the Bay of Naples. [Internet] [Thesis]. Brandeis University; 2015. [cited 2018 Dec 12]. Available from: http://hdl.handle.net/10192/30517.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crandall AM. The Painted Cities of Vesuvius: Pigments, Application, and Conservation of Roman Wall Paintings from the Bay of Naples. [Thesis]. Brandeis University; 2015. Available from: http://hdl.handle.net/10192/30517

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

2850. Chaitow, Tanya. Nothing personal.

Degree: Art, 2007, University of New South Wales

 The autobiographical nature of my work deals with the space between the innocence of childhood and the wisdom of adulthood. I explore the complexities of… (more)

Subjects/Keywords: Creation (Literary, artistic, etc; Artists  – Psychology; Symbolism in art; Art and mythology; Figurative painting, Australian; Chaitow, Tanya  – Symbolism; Chaitow, Tanya  – Themes, motives

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chaitow, T. (2007). Nothing personal. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/44254 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1463/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Chaitow, Tanya. “Nothing personal.” 2007. Masters Thesis, University of New South Wales. Accessed December 12, 2018. http://handle.unsw.edu.au/1959.4/44254 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1463/SOURCE02?view=true.

MLA Handbook (7th Edition):

Chaitow, Tanya. “Nothing personal.” 2007. Web. 12 Dec 2018.

Vancouver:

Chaitow T. Nothing personal. [Internet] [Masters thesis]. University of New South Wales; 2007. [cited 2018 Dec 12]. Available from: http://handle.unsw.edu.au/1959.4/44254 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1463/SOURCE02?view=true.

Council of Science Editors:

Chaitow T. Nothing personal. [Masters Thesis]. University of New South Wales; 2007. Available from: http://handle.unsw.edu.au/1959.4/44254 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1463/SOURCE02?view=true

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