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You searched for subject:(painting). Showing records 1 – 30 of 2860 total matches.

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1. Martínez Hermoso, Juan Antonio. Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa.

Degree: 2018, Universidad de Córdoba, UCOPress

Subjects/Keywords: Antiguo Egipto; Reino Medio; Dinastía XII; Arquitectura funeraria; Complejo Funerario; Hipogeo; Patio exterior; Capilla funeraria; Cámara de enterramiento; Métodos de diseño; Sistemas constructivos; Sala hipóstila; Santuario; Pintura mural; Cuadrícula auxiliar; Canon egipcio; Necrópolis de Qubbet el-Hawa; Sarenput II; Funerary architecture; Ancient Egypt; Middle Kingdom; 12th Dynasty; Funeral Complex; Rock-cut tomb; Outer court; Funerary Chapel; Burial chamber; Design methods; Construction systems; Hypostyle hall; Sanctuary; Mural painting; Auxiliary Grid; Egyptian canon; Necropolis of Qubbet el-Hawa; Sarenput II

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Martínez Hermoso, J. A. (2018). Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa. (Thesis). Universidad de Córdoba, UCOPress. Retrieved from http://hdl.handle.net/10396/14783

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Martínez Hermoso, Juan Antonio. “Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa.” 2018. Thesis, Universidad de Córdoba, UCOPress. Accessed July 20, 2018. http://hdl.handle.net/10396/14783.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Martínez Hermoso, Juan Antonio. “Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa.” 2018. Web. 20 Jul 2018.

Vancouver:

Martínez Hermoso JA. Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa. [Internet] [Thesis]. Universidad de Córdoba, UCOPress; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10396/14783.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Martínez Hermoso JA. Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa. [Thesis]. Universidad de Córdoba, UCOPress; 2018. Available from: http://hdl.handle.net/10396/14783

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of St. Andrews

2. Labo, Nora. Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion .

Degree: 2018, University of St. Andrews

 While the role of photography in enforcing hegemonic ideologies has been amply studied, this thesis addresses the under-researched topic of how photography undermined dominant narratives… (more)

Subjects/Keywords: History of photography; Environmental history; Nineteenth-century photography; Botanical photography; Colonial history; Colonial photography; French photography; Belgian photography; Brazilian photography; History of the Amazon region; Barbizon school; Early environmentalism; Second Empire France; Amazonian rubber boom; Plants in photography; Fontainebleau; Belgium; Brazil; Amazon; Tropical representations; Tropics; Ecology; Jean Massart; Jacques Huber; Nature as spectacle; Hierarchies of nature; Exoticism; Nature conservation; Visual studies; Critique of anthropocentrism; Étude d'après nature; Colonial science; Familiarity; Banality; Resistances to ideology; Palm trees; Weeds; Botany; Tourism; Photography and painting

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APA (6th Edition):

Labo, N. (2018). Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/12807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Labo, Nora. “Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion .” 2018. Thesis, University of St. Andrews. Accessed July 20, 2018. http://hdl.handle.net/10023/12807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Labo, Nora. “Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion .” 2018. Web. 20 Jul 2018.

Vancouver:

Labo N. Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion . [Internet] [Thesis]. University of St. Andrews; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10023/12807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Labo N. Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion . [Thesis]. University of St. Andrews; 2018. Available from: http://hdl.handle.net/10023/12807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

3. Bérubé, Patricia. Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles .

Degree: 2018, Université de Montréal

Subjects/Keywords: Histoire de l’art; Muséologie; peinture; handicap visuel; non-public; public empêché; accessibilité; médiation; numérique; impression 3D; Art history; Museology; painting; visual handicap; impeded audience; mediation; digital; 3D printing.

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APA (6th Edition):

Bérubé, P. (2018). Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/20689

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bérubé, Patricia. “Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles .” 2018. Thesis, Université de Montréal. Accessed July 20, 2018. http://hdl.handle.net/1866/20689.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bérubé, Patricia. “Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles .” 2018. Web. 20 Jul 2018.

Vancouver:

Bérubé P. Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles . [Internet] [Thesis]. Université de Montréal; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/1866/20689.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bérubé P. Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles . [Thesis]. Université de Montréal; 2018. Available from: http://hdl.handle.net/1866/20689

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – San Bernardino

4. Schmidt, Daniel. White Gilt.

Degree: Master of Fine Arts in Studio Art, Art, 2018, California State University – San Bernardino

  White Gilt This exhibition is a dissection of American masculinity and institutional oppression. The systematic mistreatment of people within certain social identity groups is… (more)

Subjects/Keywords: art; painting; sculpture; masculinity; oppression; power; sexuality; power; Fine Arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schmidt, D. (2018). White Gilt. (Thesis). California State University – San Bernardino. Retrieved from http://scholarworks.lib.csusb.edu/etd/742

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schmidt, Daniel. “White Gilt.” 2018. Thesis, California State University – San Bernardino. Accessed July 20, 2018. http://scholarworks.lib.csusb.edu/etd/742.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schmidt, Daniel. “White Gilt.” 2018. Web. 20 Jul 2018.

Vancouver:

Schmidt D. White Gilt. [Internet] [Thesis]. California State University – San Bernardino; 2018. [cited 2018 Jul 20]. Available from: http://scholarworks.lib.csusb.edu/etd/742.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schmidt D. White Gilt. [Thesis]. California State University – San Bernardino; 2018. Available from: http://scholarworks.lib.csusb.edu/etd/742

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad Nacional de Colombia

5. Sánchez Bermúdez, Javier. De sobremesa: una escritura poética del modernismo latinoamericano en la órbita estética de José Asunción Silva 1865-1896.

Degree: http://bdigital.unal.edu.co/63781/, 2018, Universidad Nacional de Colombia

El objetivo de esta investigación se define en una lectura otra de De sobremesa, única novela del poeta y narrador bogotano José Asunción Silva, con… (more)

Subjects/Keywords: 7 Las artes; Bellas artes y artes decorativas / Arts & recreation; 75 Pintura y pinturas / Painting; 8 Literatura y retórica / Literature

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APA (6th Edition):

Sánchez Bermúdez, J. (2018). De sobremesa: una escritura poética del modernismo latinoamericano en la órbita estética de José Asunción Silva 1865-1896. (Thesis). Universidad Nacional de Colombia. Retrieved from http://bdigital.unal.edu.co/63781/1/Tesis%20Maestria%20Terminada%2C%20Javier%20S%C3%A1nchez%20Berm%C3%BAdez.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sánchez Bermúdez, Javier. “De sobremesa: una escritura poética del modernismo latinoamericano en la órbita estética de José Asunción Silva 1865-1896.” 2018. Thesis, Universidad Nacional de Colombia. Accessed July 20, 2018. http://bdigital.unal.edu.co/63781/1/Tesis%20Maestria%20Terminada%2C%20Javier%20S%C3%A1nchez%20Berm%C3%BAdez.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sánchez Bermúdez, Javier. “De sobremesa: una escritura poética del modernismo latinoamericano en la órbita estética de José Asunción Silva 1865-1896.” 2018. Web. 20 Jul 2018.

Vancouver:

Sánchez Bermúdez J. De sobremesa: una escritura poética del modernismo latinoamericano en la órbita estética de José Asunción Silva 1865-1896. [Internet] [Thesis]. Universidad Nacional de Colombia; 2018. [cited 2018 Jul 20]. Available from: http://bdigital.unal.edu.co/63781/1/Tesis%20Maestria%20Terminada%2C%20Javier%20S%C3%A1nchez%20Berm%C3%BAdez.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sánchez Bermúdez J. De sobremesa: una escritura poética del modernismo latinoamericano en la órbita estética de José Asunción Silva 1865-1896. [Thesis]. Universidad Nacional de Colombia; 2018. Available from: http://bdigital.unal.edu.co/63781/1/Tesis%20Maestria%20Terminada%2C%20Javier%20S%C3%A1nchez%20Berm%C3%BAdez.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Dupuis-Desormeaux, Nathalie. TUTTI! - Music Composition as Dialogue.

Degree: PhD, Music, 2018, York University

 As an engineer, when I could not comprehend a physical phenomenon, I turned to mathematics. As a mathematician, when I could not link sciences to… (more)

Subjects/Keywords: Cognitive psychology; Music composition; Polyphonic music composition; Cognitively informed polyphonic music composition; Dialogical Music Composition Method; Dialogic music composition method; Music theory; Dialogic contrapuntal harmony; Orchestration; Melody; Harmony; Polyphony; Counterpoint; Rhythm; Form; Growth; Music architecture; Music analysis; Dialogue; Music dialogue; Dialog; Music dialog; Dialogism; Bakhtin; Reception theory; Gadamer; Kant; Hegel; Adorno; Schoenberg; Stravinsky; Hindemith; Toch; Huron; Bregman; Francès; Dialogic communication; Music communication; Musical communication; Compelling music; Inclusion; Inclusivity; Inclusiveness; Participation; Participatory music; Music as society; Music as community; Music sociology; Engaging music; Engagement; Collaboration; Balanced dialogue in music; Biophony; Niche discrimination; Krause; Communication studies; Language; Music aesthetics; Aesthetics; Philosophy of music; Musicology; Cognitive psychology; Auditory perception; Music cognition; Cognition; Psychology of perception; Reception; Music reception; Auditory streaming; Auditory scene analysis; Gestalt psychology; Authorship; Imagination; Intertextuality; Mimesis; Appropriation; Appropriative authorship; Authoring; Re-authoring; Imagination as creation; Psychoacoustics; Expectation theory; Theory of expectation; Expectation; Psychology of expectation; Tutti; Music arousal; Intellectual arousal; Emotional arousal; Sensory arousal; Entrainment; Physicality; Stability; Variety; Closure; Uniqueness; Sequential dialogue; Collaborative dialogue; Disjoint dialogue; Surprise; Drama; Dramatic structure; Structure of drama; Dramatic work; Freitag; Representation; Memory; Repetition; Experience; Anticipation; Pointing; Anchoring; Anchor; Tonality; Tonal anchor; Close neighbors; Individuality; Collectivity; Formalism; Functionalism; Subjectivity; Structuralism; Cohen; Marburg; Auditory learning; Style; Conventions; Acculturation; Semiotics; Dynamic expectation; Schematic expectation; Veridical expectation; Symmetry; Motivic repetition; Thematic repetition; Style analysis; Modulation; Modulation tools; Memory as experience; Familiarity; Redundancy; Compositional acculturation; Rimsky-Korsakov; Gevaert; Rameau; Bimodality; Bi-modality; Diatonic; Overtones; Perceptual motion; Pitch proximities; Harmonic motion; Polytonality; Polyrhythm; Contemporary music; Art-music; Western art music; Neoclassicism; Modernism; Inclusive dialogue; What makes music compelling?; Selection and Structuring of Music Parameters to Create Inclusive; Engaging and Participatory Dialogue in Music Composition; Performance; Performativity; Small; Musicking; DeNora; Include; Engage; Listener; Audience; Interpretation; Play; Interaction; Interactive; Performer; Conductor; Orchestra; Orchestral music; Instrumental music; Absolute music; Tone painting; Word painting; Singing; Empathy; Mirror neuron; Music meaning; Music expression; Hanslick; Meyer; Langer

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dupuis-Desormeaux, N. (2018). TUTTI! - Music Composition as Dialogue. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/34488

Chicago Manual of Style (16th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Doctoral Dissertation, York University. Accessed July 20, 2018. http://hdl.handle.net/10315/34488.

MLA Handbook (7th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Web. 20 Jul 2018.

Vancouver:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Internet] [Doctoral dissertation]. York University; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10315/34488.

Council of Science Editors:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Doctoral Dissertation]. York University; 2018. Available from: http://hdl.handle.net/10315/34488


Washington University in St. Louis

7. Fergeson, Cecily Ann. Four Sights of the Patient (Ophelia).

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2018, Washington University in St. Louis

  I make work in a variety of media, largely dealing with the imagery and material of the human body. My current work attempts to… (more)

Subjects/Keywords: body; illness; medicine; hospital; photography; drawing; Art and Design; Art Practice; Bioethics and Medical Ethics; Feminist Philosophy; Medical Humanities; Painting; Photography; Theory and Criticism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fergeson, C. A. (2018). Four Sights of the Patient (Ophelia). (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/101

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fergeson, Cecily Ann. “Four Sights of the Patient (Ophelia).” 2018. Thesis, Washington University in St. Louis. Accessed July 20, 2018. https://openscholarship.wustl.edu/samfox_art_etds/101.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fergeson, Cecily Ann. “Four Sights of the Patient (Ophelia).” 2018. Web. 20 Jul 2018.

Vancouver:

Fergeson CA. Four Sights of the Patient (Ophelia). [Internet] [Thesis]. Washington University in St. Louis; 2018. [cited 2018 Jul 20]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/101.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fergeson CA. Four Sights of the Patient (Ophelia). [Thesis]. Washington University in St. Louis; 2018. Available from: https://openscholarship.wustl.edu/samfox_art_etds/101

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Washington University in St. Louis

8. Norell, Charis Schneider. Observance | A Passage.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2018, Washington University in St. Louis

  My art practice consists of drawing with fibers within handcrafted frame looms. I position these drawings as expanded, three-dimensional “drawing spaces,” creating medium-scale installations.… (more)

Subjects/Keywords: Memory; Longing for Home; Fiber; Drawing; Landscape; Nostalgia; Art and Design; Fiber, Textile, and Weaving Arts; Interdisciplinary Arts and Media; Painting; Sculpture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Norell, C. S. (2018). Observance | A Passage. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/108

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Norell, Charis Schneider. “Observance | A Passage.” 2018. Thesis, Washington University in St. Louis. Accessed July 20, 2018. https://openscholarship.wustl.edu/samfox_art_etds/108.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Norell, Charis Schneider. “Observance | A Passage.” 2018. Web. 20 Jul 2018.

Vancouver:

Norell CS. Observance | A Passage. [Internet] [Thesis]. Washington University in St. Louis; 2018. [cited 2018 Jul 20]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/108.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Norell CS. Observance | A Passage. [Thesis]. Washington University in St. Louis; 2018. Available from: https://openscholarship.wustl.edu/samfox_art_etds/108

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Washington University in St. Louis

9. Park, Song. Strange Woods.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2018, Washington University in St. Louis

  I am interested in searching for images of women that have not been adequately represented in visual art. As a visual artist, I am… (more)

Subjects/Keywords: Contemporary Painting; Feminism; Art; Installation Art; Body Art; Performance Art; Art and Design; Art and Materials Conservation; Art Practice; Asian History; Asian Studies; Contemporary Art; Cultural History; Fine Arts; Modern Art and Architecture; Nonfiction; Painting; Performance Studies; Rhetoric; Sculpture; Theory and Criticism; Visual Studies; Women's Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Park, S. (2018). Strange Woods. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/99

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Park, Song. “Strange Woods.” 2018. Thesis, Washington University in St. Louis. Accessed July 20, 2018. https://openscholarship.wustl.edu/samfox_art_etds/99.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Park, Song. “Strange Woods.” 2018. Web. 20 Jul 2018.

Vancouver:

Park S. Strange Woods. [Internet] [Thesis]. Washington University in St. Louis; 2018. [cited 2018 Jul 20]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/99.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Park S. Strange Woods. [Thesis]. Washington University in St. Louis; 2018. Available from: https://openscholarship.wustl.edu/samfox_art_etds/99

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Washington University in St. Louis

10. Weininger, Sara. If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation of Objects, Encounters and The Passage of Time.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2018, Washington University in St. Louis

  The house is the structure. Within the house are rooms, spaces, hallways and corners. In those live the objects.The objects live on surfaces, surfaces… (more)

Subjects/Keywords: thesis; time; painting; objects; memory; superposition; Art and Design; Art Practice; Fine Arts; Philosophy; Psychology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Weininger, S. (2018). If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation of Objects, Encounters and The Passage of Time. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/106

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weininger, Sara. “If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation of Objects, Encounters and The Passage of Time.” 2018. Thesis, Washington University in St. Louis. Accessed July 20, 2018. https://openscholarship.wustl.edu/samfox_art_etds/106.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weininger, Sara. “If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation of Objects, Encounters and The Passage of Time.” 2018. Web. 20 Jul 2018.

Vancouver:

Weininger S. If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation of Objects, Encounters and The Passage of Time. [Internet] [Thesis]. Washington University in St. Louis; 2018. [cited 2018 Jul 20]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/106.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weininger S. If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation of Objects, Encounters and The Passage of Time. [Thesis]. Washington University in St. Louis; 2018. Available from: https://openscholarship.wustl.edu/samfox_art_etds/106

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Washington University in St. Louis

11. Brown, Jenn. Misassembled Monsters.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2018, Washington University in St. Louis

  This thesis is a narrative of personal and material history. Through my work in painting, sculpture, and installation, I seek to share my story… (more)

Subjects/Keywords: monsters; armor; goth culture; gothic novel; psychological cage; mental barrier; Ancient, Medieval, Renaissance and Baroque Art and Architecture; Art and Design; Contemporary Art; Fiction; Fine Arts; Literature in English, Anglophone outside British Isles and North America; Literature in English, British Isles; Medieval Studies; Other English Language and Literature; Painting; Sculpture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brown, J. (2018). Misassembled Monsters. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brown, Jenn. “Misassembled Monsters.” 2018. Thesis, Washington University in St. Louis. Accessed July 20, 2018. https://openscholarship.wustl.edu/samfox_art_etds/113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brown, Jenn. “Misassembled Monsters.” 2018. Web. 20 Jul 2018.

Vancouver:

Brown J. Misassembled Monsters. [Internet] [Thesis]. Washington University in St. Louis; 2018. [cited 2018 Jul 20]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown J. Misassembled Monsters. [Thesis]. Washington University in St. Louis; 2018. Available from: https://openscholarship.wustl.edu/samfox_art_etds/113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Washington University in St. Louis

12. Nakamoto, Brent. A Meditation in Three Parts.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2018, Washington University in St. Louis

  I’m interested in the way we read images—they way we see through an image’s surface in order to perceive its illusion, in the same… (more)

Subjects/Keywords: Zen Buddhism; Meditation; Japanese-American History; Portraiture; Self-Portraiture; Image Studies; Art and Design; Buddhist Studies; Fine Arts; Painting; Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nakamoto, B. (2018). A Meditation in Three Parts. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nakamoto, Brent. “A Meditation in Three Parts.” 2018. Thesis, Washington University in St. Louis. Accessed July 20, 2018. https://openscholarship.wustl.edu/samfox_art_etds/114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nakamoto, Brent. “A Meditation in Three Parts.” 2018. Web. 20 Jul 2018.

Vancouver:

Nakamoto B. A Meditation in Three Parts. [Internet] [Thesis]. Washington University in St. Louis; 2018. [cited 2018 Jul 20]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nakamoto B. A Meditation in Three Parts. [Thesis]. Washington University in St. Louis; 2018. Available from: https://openscholarship.wustl.edu/samfox_art_etds/114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Salamanca

13. Luca de Tena Navarro, Manuel. La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental.

Degree: 2018, Universidad de Salamanca

Subjects/Keywords: Arte contemporáneo; Vacío en el arte; Arte y espacio; Pintura moderna; Pensamiento oriental; Contemporary art; Vacuum in art; Art and space; Modern painting; Oriental thought

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Luca de Tena Navarro, M. (2018). La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental. (Thesis). Universidad de Salamanca. Retrieved from http://hdl.handle.net/10366/19498

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Luca de Tena Navarro, Manuel. “La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental.” 2018. Thesis, Universidad de Salamanca. Accessed July 20, 2018. http://hdl.handle.net/10366/19498.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Luca de Tena Navarro, Manuel. “La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental.” 2018. Web. 20 Jul 2018.

Vancouver:

Luca de Tena Navarro M. La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental. [Internet] [Thesis]. Universidad de Salamanca; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10366/19498.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Luca de Tena Navarro M. La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental. [Thesis]. Universidad de Salamanca; 2018. Available from: http://hdl.handle.net/10366/19498

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Salamanca

14. Ortiz Rodríguez, Raquel M. El arte de la identidad.

Degree: 2018, Universidad de Salamanca

Subjects/Keywords: Arte jibarista; Identidad jíbara; Jibarismo puertorriqueño; Jibarismo en la literatura; Jibarismo en la música; Jibarismo en la pintura; Resistencia cultural; Jibarism art; Jibarism identity; Puerto Rican jibarism; Jibarism in literature; Jibarism in music; Jibarism in painting; Cultural resistance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ortiz Rodríguez, R. M. (2018). El arte de la identidad. (Thesis). Universidad de Salamanca. Retrieved from http://hdl.handle.net/10366/22632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ortiz Rodríguez, Raquel M. “El arte de la identidad.” 2018. Thesis, Universidad de Salamanca. Accessed July 20, 2018. http://hdl.handle.net/10366/22632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ortiz Rodríguez, Raquel M. “El arte de la identidad.” 2018. Web. 20 Jul 2018.

Vancouver:

Ortiz Rodríguez RM. El arte de la identidad. [Internet] [Thesis]. Universidad de Salamanca; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10366/22632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ortiz Rodríguez RM. El arte de la identidad. [Thesis]. Universidad de Salamanca; 2018. Available from: http://hdl.handle.net/10366/22632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat Politècnica de València

15. Furió Vita, Dolores. Posibilidades artísticas de la imagen electrónica: el Chroma-key.

Degree: 2018, Universitat Politècnica de València

Subjects/Keywords: Arte; Imagen en movimiento; Videoarte; Chroma-key; Audiovisual; Matte painting; Decorado virtual; Vídeo de creación; ESCULTURA; 620309 - Escultura

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APA (6th Edition):

Furió Vita, D. (2018). Posibilidades artísticas de la imagen electrónica: el Chroma-key. (Thesis). Universitat Politècnica de València. Retrieved from http://hdl.handle.net/10251/3343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Furió Vita, Dolores. “Posibilidades artísticas de la imagen electrónica: el Chroma-key.” 2018. Thesis, Universitat Politècnica de València. Accessed July 20, 2018. http://hdl.handle.net/10251/3343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Furió Vita, Dolores. “Posibilidades artísticas de la imagen electrónica: el Chroma-key.” 2018. Web. 20 Jul 2018.

Vancouver:

Furió Vita D. Posibilidades artísticas de la imagen electrónica: el Chroma-key. [Internet] [Thesis]. Universitat Politècnica de València; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10251/3343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Furió Vita D. Posibilidades artísticas de la imagen electrónica: el Chroma-key. [Thesis]. Universitat Politècnica de València; 2018. Available from: http://hdl.handle.net/10251/3343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Extremadura

16. Fernández Campón, Miguel. El concepto de tiempo en las vanguardias históricas: Futurismo, Pintura metafísica y Dadaísmo.

Degree: 2018, Universidad de Extremadura

Subjects/Keywords: Concepto de tiempo; Futurismo; Pintura metafísica; Dadaísmo; Concept of time; Futurism; Metaphysical Painting; Dadaism; 6203.05 Estética de las Bellas Artes

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fernández Campón, M. (2018). El concepto de tiempo en las vanguardias históricas: Futurismo, Pintura metafísica y Dadaísmo. (Thesis). Universidad de Extremadura. Retrieved from http://hdl.handle.net/10662/1626

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fernández Campón, Miguel. “El concepto de tiempo en las vanguardias históricas: Futurismo, Pintura metafísica y Dadaísmo.” 2018. Thesis, Universidad de Extremadura. Accessed July 20, 2018. http://hdl.handle.net/10662/1626.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fernández Campón, Miguel. “El concepto de tiempo en las vanguardias históricas: Futurismo, Pintura metafísica y Dadaísmo.” 2018. Web. 20 Jul 2018.

Vancouver:

Fernández Campón M. El concepto de tiempo en las vanguardias históricas: Futurismo, Pintura metafísica y Dadaísmo. [Internet] [Thesis]. Universidad de Extremadura; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10662/1626.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fernández Campón M. El concepto de tiempo en las vanguardias históricas: Futurismo, Pintura metafísica y Dadaísmo. [Thesis]. Universidad de Extremadura; 2018. Available from: http://hdl.handle.net/10662/1626

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Extremadura. Servicio de Publicaciones

17. Trinidad Muñoz, Antonio. Introducción al modernismo pictórico portugués: la originalidad de Domínguez Álvarez (1906-1942).

Degree: 2018, Universidad de Extremadura. Servicio de Publicaciones

Subjects/Keywords: Domínguez Álvarez, José Cándido, 1906-1942; Modernismo; Pintura; Portugal; Modernism; Painting; 6203.07 Pintura; 6203.05 Estética de las Bellas Artes

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Trinidad Muñoz, A. (2018). Introducción al modernismo pictórico portugués: la originalidad de Domínguez Álvarez (1906-1942). (Thesis). Universidad de Extremadura. Servicio de Publicaciones. Retrieved from http://hdl.handle.net/10662/587

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Trinidad Muñoz, Antonio. “Introducción al modernismo pictórico portugués: la originalidad de Domínguez Álvarez (1906-1942).” 2018. Thesis, Universidad de Extremadura. Servicio de Publicaciones. Accessed July 20, 2018. http://hdl.handle.net/10662/587.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Trinidad Muñoz, Antonio. “Introducción al modernismo pictórico portugués: la originalidad de Domínguez Álvarez (1906-1942).” 2018. Web. 20 Jul 2018.

Vancouver:

Trinidad Muñoz A. Introducción al modernismo pictórico portugués: la originalidad de Domínguez Álvarez (1906-1942). [Internet] [Thesis]. Universidad de Extremadura. Servicio de Publicaciones; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10662/587.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Trinidad Muñoz A. Introducción al modernismo pictórico portugués: la originalidad de Domínguez Álvarez (1906-1942). [Thesis]. Universidad de Extremadura. Servicio de Publicaciones; 2018. Available from: http://hdl.handle.net/10662/587

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. García Fente, Lucía Oliva. La relación arte-industria en la colección propia del Museo Guggenheim Bilbao.

Degree: 2018, Universidad del País Vasco

 Las obras de arte de la Colección Propia del Museo Guggenheim Bilbao, como el edificio de esta institución, llevan la conciencia del espectador a la… (more)

Subjects/Keywords: painting; pintura

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

García Fente, L. O. (2018). La relación arte-industria en la colección propia del Museo Guggenheim Bilbao. (Thesis). Universidad del País Vasco. Retrieved from http://hdl.handle.net/10810/26886

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

García Fente, Lucía Oliva. “La relación arte-industria en la colección propia del Museo Guggenheim Bilbao.” 2018. Thesis, Universidad del País Vasco. Accessed July 20, 2018. http://hdl.handle.net/10810/26886.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

García Fente, Lucía Oliva. “La relación arte-industria en la colección propia del Museo Guggenheim Bilbao.” 2018. Web. 20 Jul 2018.

Vancouver:

García Fente LO. La relación arte-industria en la colección propia del Museo Guggenheim Bilbao. [Internet] [Thesis]. Universidad del País Vasco; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10810/26886.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

García Fente LO. La relación arte-industria en la colección propia del Museo Guggenheim Bilbao. [Thesis]. Universidad del País Vasco; 2018. Available from: http://hdl.handle.net/10810/26886

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Unitec New Zealand

19. Treadwell, Sarah. Keeping watch : fabricating a space of hesitation.

Degree: 2018, Unitec New Zealand

 In 2011 the MV Rena struck the Astrolabe Reef in the Bay of Plenty, Aotearoa New Zealand. Stacks of containers fell from the ship and… (more)

Subjects/Keywords: Aotearoa / New Zealand; Bay of Plenty (New Zealand); MV Rena; oil spills; Astrolabe Reef (New Zealand); Cixous, Hélène (1937-); painting; 190502 Fine Arts (incl. Sculpture and Painting); Aituā (Taiao); Waituhi

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Treadwell, S. (2018). Keeping watch : fabricating a space of hesitation. (Thesis). Unitec New Zealand. Retrieved from http://hdl.handle.net/10652/4227

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Treadwell, Sarah. “Keeping watch : fabricating a space of hesitation.” 2018. Thesis, Unitec New Zealand. Accessed July 20, 2018. http://hdl.handle.net/10652/4227.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Treadwell, Sarah. “Keeping watch : fabricating a space of hesitation.” 2018. Web. 20 Jul 2018.

Vancouver:

Treadwell S. Keeping watch : fabricating a space of hesitation. [Internet] [Thesis]. Unitec New Zealand; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10652/4227.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Treadwell S. Keeping watch : fabricating a space of hesitation. [Thesis]. Unitec New Zealand; 2018. Available from: http://hdl.handle.net/10652/4227

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Idom, Bailey. A Shift in Silence.

Degree: MFA, Art, 2018, Stephen F. Austin State University

  A Shift in Silence is a body of work that emerged because of a key shift in my life. Using the formal components of… (more)

Subjects/Keywords: drawing; painting; abstract; line; contemporary; modern; Art Practice; Fine Arts; Painting

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APA (6th Edition):

Idom, B. (2018). A Shift in Silence. (Masters Thesis). Stephen F. Austin State University. Retrieved from https://scholarworks.sfasu.edu/etds/152

Chicago Manual of Style (16th Edition):

Idom, Bailey. “A Shift in Silence.” 2018. Masters Thesis, Stephen F. Austin State University. Accessed July 20, 2018. https://scholarworks.sfasu.edu/etds/152.

MLA Handbook (7th Edition):

Idom, Bailey. “A Shift in Silence.” 2018. Web. 20 Jul 2018.

Vancouver:

Idom B. A Shift in Silence. [Internet] [Masters thesis]. Stephen F. Austin State University; 2018. [cited 2018 Jul 20]. Available from: https://scholarworks.sfasu.edu/etds/152.

Council of Science Editors:

Idom B. A Shift in Silence. [Masters Thesis]. Stephen F. Austin State University; 2018. Available from: https://scholarworks.sfasu.edu/etds/152


University of Colorado

21. Welsh, Johnathan. Staying Tuned.

Degree: MFA, Art & Art History, 2018, University of Colorado

  This thesis examines the connection of current political outrage and it’s relationship to the use of social media. The composition of news reporting through… (more)

Subjects/Keywords: painting; emoji; social media; facebook; news media; stay tuned; Art Practice

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APA (6th Edition):

Welsh, J. (2018). Staying Tuned. (Thesis). University of Colorado. Retrieved from https://scholar.colorado.edu/art_mfa/8

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Welsh, Johnathan. “Staying Tuned.” 2018. Thesis, University of Colorado. Accessed July 20, 2018. https://scholar.colorado.edu/art_mfa/8.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Welsh, Johnathan. “Staying Tuned.” 2018. Web. 20 Jul 2018.

Vancouver:

Welsh J. Staying Tuned. [Internet] [Thesis]. University of Colorado; 2018. [cited 2018 Jul 20]. Available from: https://scholar.colorado.edu/art_mfa/8.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Welsh J. Staying Tuned. [Thesis]. University of Colorado; 2018. Available from: https://scholar.colorado.edu/art_mfa/8

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kent State University

22. Anderson, Emma Elizebeth. "If She Could Relax, Don't You Think She Would?".

Degree: MFA, College of the Arts / School of Art, 2018, Kent State University

 My artwork functions as a personal expression of repressed emotions. I convey various negative emotions through the use of formal elements in my paintings and… (more)

Subjects/Keywords: Fine Arts; Painting; Neo-Expressionism; Emotions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Anderson, E. E. (2018). "If She Could Relax, Don't You Think She Would?". (Masters Thesis). Kent State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=kent1524494193426543

Chicago Manual of Style (16th Edition):

Anderson, Emma Elizebeth. “"If She Could Relax, Don't You Think She Would?".” 2018. Masters Thesis, Kent State University. Accessed July 20, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1524494193426543.

MLA Handbook (7th Edition):

Anderson, Emma Elizebeth. “"If She Could Relax, Don't You Think She Would?".” 2018. Web. 20 Jul 2018.

Vancouver:

Anderson EE. "If She Could Relax, Don't You Think She Would?". [Internet] [Masters thesis]. Kent State University; 2018. [cited 2018 Jul 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1524494193426543.

Council of Science Editors:

Anderson EE. "If She Could Relax, Don't You Think She Would?". [Masters Thesis]. Kent State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1524494193426543


Kent State University

23. Palencar, Christian L. Puppet Master.

Degree: MFA, College of the Arts / School of Art, 2018, Kent State University

 The landscapes I depict are meant to create a space that we can inhabit. Although the work is only a painting or a drawing, the… (more)

Subjects/Keywords: Fine Arts; christian; palencar; kit; landscape; figure; puppet; master; painting; MFA; drawing; wyeth

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Palencar, C. L. (2018). Puppet Master. (Masters Thesis). Kent State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=kent1524495452335687

Chicago Manual of Style (16th Edition):

Palencar, Christian L. “Puppet Master.” 2018. Masters Thesis, Kent State University. Accessed July 20, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1524495452335687.

MLA Handbook (7th Edition):

Palencar, Christian L. “Puppet Master.” 2018. Web. 20 Jul 2018.

Vancouver:

Palencar CL. Puppet Master. [Internet] [Masters thesis]. Kent State University; 2018. [cited 2018 Jul 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1524495452335687.

Council of Science Editors:

Palencar CL. Puppet Master. [Masters Thesis]. Kent State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1524495452335687


East Tennessee State University

24. Risner, Maria. Undesirable Forms.

Degree: MFA (Master of Fine Arts), Art, 2018, East Tennessee State University

  The Master of Fine Arts exhibition, Undesirable Forms, presents a collection of paintings and sculptures that focus on the repulsion and discomfort a woman… (more)

Subjects/Keywords: painting; sculpture; encaustic; female; bodies; discomfort; Art and Design

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APA (6th Edition):

Risner, M. (2018). Undesirable Forms. (Masters Thesis). East Tennessee State University. Retrieved from https://dc.etsu.edu/etd/3427

Chicago Manual of Style (16th Edition):

Risner, Maria. “Undesirable Forms.” 2018. Masters Thesis, East Tennessee State University. Accessed July 20, 2018. https://dc.etsu.edu/etd/3427.

MLA Handbook (7th Edition):

Risner, Maria. “Undesirable Forms.” 2018. Web. 20 Jul 2018.

Vancouver:

Risner M. Undesirable Forms. [Internet] [Masters thesis]. East Tennessee State University; 2018. [cited 2018 Jul 20]. Available from: https://dc.etsu.edu/etd/3427.

Council of Science Editors:

Risner M. Undesirable Forms. [Masters Thesis]. East Tennessee State University; 2018. Available from: https://dc.etsu.edu/etd/3427

25. Ochando-Melgarejo, Francisco-Javier. Salvador Dalí: siete poemas sobre lienzo. Un estudio de las relaciones entre su pintura y su poesía (1923-1950).

Degree: 2018, Universidad de Jaén

Subjects/Keywords: Dalí, Salvador; Pintura; Poesía; Vanguardia; Painting; Poetry; Avant-garde; Ut pictura poses

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ochando-Melgarejo, F. (2018). Salvador Dalí: siete poemas sobre lienzo. Un estudio de las relaciones entre su pintura y su poesía (1923-1950). (Thesis). Universidad de Jaén. Retrieved from http://hdl.handle.net/10953/696

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ochando-Melgarejo, Francisco-Javier. “Salvador Dalí: siete poemas sobre lienzo. Un estudio de las relaciones entre su pintura y su poesía (1923-1950).” 2018. Thesis, Universidad de Jaén. Accessed July 20, 2018. http://hdl.handle.net/10953/696.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ochando-Melgarejo, Francisco-Javier. “Salvador Dalí: siete poemas sobre lienzo. Un estudio de las relaciones entre su pintura y su poesía (1923-1950).” 2018. Web. 20 Jul 2018.

Vancouver:

Ochando-Melgarejo F. Salvador Dalí: siete poemas sobre lienzo. Un estudio de las relaciones entre su pintura y su poesía (1923-1950). [Internet] [Thesis]. Universidad de Jaén; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/10953/696.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ochando-Melgarejo F. Salvador Dalí: siete poemas sobre lienzo. Un estudio de las relaciones entre su pintura y su poesía (1923-1950). [Thesis]. Universidad de Jaén; 2018. Available from: http://hdl.handle.net/10953/696

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Univerzitet u Beogradu

26. Mišić, Snežana V., 1975-. Сликарство Ђуре Јакшића.

Degree: Filozofski fakultet, 2018, Univerzitet u Beogradu

Историја уметности - Историја уметности и визуелне културе новог века / History of Art - History of Art and Visual Culture of the Modern Period… (more)

Subjects/Keywords: Djura Jaksic; painting; the 19th century; religious art; portrait; historical painting; national idea.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mišić, Snežana V., 1. (2018). Сликарство Ђуре Јакшића. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:17559/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mišić, Snežana V., 1975-. “Сликарство Ђуре Јакшића.” 2018. Thesis, Univerzitet u Beogradu. Accessed July 20, 2018. https://fedorabg.bg.ac.rs/fedora/get/o:17559/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mišić, Snežana V., 1975-. “Сликарство Ђуре Јакшића.” 2018. Web. 20 Jul 2018.

Vancouver:

Mišić, Snežana V. 1. Сликарство Ђуре Јакшића. [Internet] [Thesis]. Univerzitet u Beogradu; 2018. [cited 2018 Jul 20]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:17559/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mišić, Snežana V. 1. Сликарство Ђуре Јакшића. [Thesis]. Univerzitet u Beogradu; 2018. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:17559/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manitoba

27. Zhang, Yan. When painting meets garden design: designing a Chinese garden in Greater Vancouver, British Columbia.

Degree: Landscape Architecture, 2018, University of Manitoba

 The Classical Chinese landscape design owns a high reputation with its distinctive style around the world. It embodies the integration of Chinese philosophy, aesthetics, and… (more)

Subjects/Keywords: Painting; Garden design; Vancouver

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zhang, Y. (2018). When painting meets garden design: designing a Chinese garden in Greater Vancouver, British Columbia. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/32988

Chicago Manual of Style (16th Edition):

Zhang, Yan. “When painting meets garden design: designing a Chinese garden in Greater Vancouver, British Columbia.” 2018. Masters Thesis, University of Manitoba. Accessed July 20, 2018. http://hdl.handle.net/1993/32988.

MLA Handbook (7th Edition):

Zhang, Yan. “When painting meets garden design: designing a Chinese garden in Greater Vancouver, British Columbia.” 2018. Web. 20 Jul 2018.

Vancouver:

Zhang Y. When painting meets garden design: designing a Chinese garden in Greater Vancouver, British Columbia. [Internet] [Masters thesis]. University of Manitoba; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/1993/32988.

Council of Science Editors:

Zhang Y. When painting meets garden design: designing a Chinese garden in Greater Vancouver, British Columbia. [Masters Thesis]. University of Manitoba; 2018. Available from: http://hdl.handle.net/1993/32988


Bowling Green State University

28. Reeder, Kory Ray. The Location of Lines.

Degree: MM, Music Composition, 2018, Bowling Green State University

 The Location of Lines is a nine-minute work for orchestra theoretically and structurally based the piece on the wall murals of Sol LeWitt. The piece… (more)

Subjects/Keywords: Music; orchestra; symphony orchestra; full orchestra; painting; LeWitt; Sol; mural; music theory

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Reeder, K. R. (2018). The Location of Lines. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1521462083959007

Chicago Manual of Style (16th Edition):

Reeder, Kory Ray. “The Location of Lines.” 2018. Masters Thesis, Bowling Green State University. Accessed July 20, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1521462083959007.

MLA Handbook (7th Edition):

Reeder, Kory Ray. “The Location of Lines.” 2018. Web. 20 Jul 2018.

Vancouver:

Reeder KR. The Location of Lines. [Internet] [Masters thesis]. Bowling Green State University; 2018. [cited 2018 Jul 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1521462083959007.

Council of Science Editors:

Reeder KR. The Location of Lines. [Masters Thesis]. Bowling Green State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1521462083959007


Louisiana State University

29. Thames, Jessica B. scavenge.

Degree: MFA, Fine Arts, 2018, Louisiana State University

  Scavenge is an installment that blurs the boundaries of found and altered materials. What I define as "Left-overs" are abandoned materials taken from an… (more)

Subjects/Keywords: fine arts installation three dimensional painting

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APA (6th Edition):

Thames, J. B. (2018). scavenge. (Masters Thesis). Louisiana State University. Retrieved from https://digitalcommons.lsu.edu/gradschool_theses/4705

Chicago Manual of Style (16th Edition):

Thames, Jessica B. “scavenge.” 2018. Masters Thesis, Louisiana State University. Accessed July 20, 2018. https://digitalcommons.lsu.edu/gradschool_theses/4705.

MLA Handbook (7th Edition):

Thames, Jessica B. “scavenge.” 2018. Web. 20 Jul 2018.

Vancouver:

Thames JB. scavenge. [Internet] [Masters thesis]. Louisiana State University; 2018. [cited 2018 Jul 20]. Available from: https://digitalcommons.lsu.edu/gradschool_theses/4705.

Council of Science Editors:

Thames JB. scavenge. [Masters Thesis]. Louisiana State University; 2018. Available from: https://digitalcommons.lsu.edu/gradschool_theses/4705


Université de Montréal

30. Ninacs, Anne-Marie. L’art comme pratique transformatrice au XXe siècle : la soma-esthétique de David B. Milne (1882–1953) .

Degree: 2018, Université de Montréal

Subjects/Keywords: David Brown Milne (1882–1953); Méliorisme; Soma-esthétique; Pragmatisme; Richard Shusterman; Création de soi; Art canadien; Art moderne; Peinture; Création artistique; David Brown Milne (1882–1953); Meliorism; Somaesthetics; Pragmatism; Richard Shusterman; Self-fashioning; Canadian art; Modern art; Painting; Artistic creation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ninacs, A. (2018). L’art comme pratique transformatrice au XXe siècle : la soma-esthétique de David B. Milne (1882–1953) . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/20474

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ninacs, Anne-Marie. “L’art comme pratique transformatrice au XXe siècle : la soma-esthétique de David B. Milne (1882–1953) .” 2018. Thesis, Université de Montréal. Accessed July 20, 2018. http://hdl.handle.net/1866/20474.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ninacs, Anne-Marie. “L’art comme pratique transformatrice au XXe siècle : la soma-esthétique de David B. Milne (1882–1953) .” 2018. Web. 20 Jul 2018.

Vancouver:

Ninacs A. L’art comme pratique transformatrice au XXe siècle : la soma-esthétique de David B. Milne (1882–1953) . [Internet] [Thesis]. Université de Montréal; 2018. [cited 2018 Jul 20]. Available from: http://hdl.handle.net/1866/20474.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ninacs A. L’art comme pratique transformatrice au XXe siècle : la soma-esthétique de David B. Milne (1882–1953) . [Thesis]. Université de Montréal; 2018. Available from: http://hdl.handle.net/1866/20474

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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