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You searched for subject:(painting). Showing records 1 – 30 of 3004 total matches.

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University of Victoria

1. Nabavi Nejad, Behrang. The Simurgh: representations and meaning in Persian painting.

Degree: Department of Art History and Visual Studies, 2019, University of Victoria

 The fantastic Simurgh, the mythical bird of ancient Persia, has maintained a significant presence in Persian culture. The visual and textual references to this bird… (more)

Subjects/Keywords: Simurgh; Persian Painting; Shahlnama; Divine Glory

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APA (6th Edition):

Nabavi Nejad, B. (2019). The Simurgh: representations and meaning in Persian painting. (Thesis). University of Victoria. Retrieved from https://dspace.library.uvic.ca//handle/1828/8968

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nabavi Nejad, Behrang. “The Simurgh: representations and meaning in Persian painting.” 2019. Thesis, University of Victoria. Accessed January 17, 2019. https://dspace.library.uvic.ca//handle/1828/8968.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nabavi Nejad, Behrang. “The Simurgh: representations and meaning in Persian painting.” 2019. Web. 17 Jan 2019.

Vancouver:

Nabavi Nejad B. The Simurgh: representations and meaning in Persian painting. [Internet] [Thesis]. University of Victoria; 2019. [cited 2019 Jan 17]. Available from: https://dspace.library.uvic.ca//handle/1828/8968.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nabavi Nejad B. The Simurgh: representations and meaning in Persian painting. [Thesis]. University of Victoria; 2019. Available from: https://dspace.library.uvic.ca//handle/1828/8968

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

2. Bartel, Jens. Style, Space and Meaning in the Large-Scale Landscape Paintings of Maruyama Ōkyo (1733-1795).

Degree: 2019, Columbia University

 This thesis centers on groups of landscape paintings on sliding doors and wall panels for temples in and around Kyoto by the painter Maruyama Ōkyo… (more)

Subjects/Keywords: Art; Asians; Landscape painting, Japanese; Temples; Nature in art; Maruyama, Ōkyo, 1733-1795

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APA (6th Edition):

Bartel, J. (2019). Style, Space and Meaning in the Large-Scale Landscape Paintings of Maruyama Ōkyo (1733-1795). (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8FN2Q59

Chicago Manual of Style (16th Edition):

Bartel, Jens. “Style, Space and Meaning in the Large-Scale Landscape Paintings of Maruyama Ōkyo (1733-1795).” 2019. Doctoral Dissertation, Columbia University. Accessed January 17, 2019. https://doi.org/10.7916/D8FN2Q59.

MLA Handbook (7th Edition):

Bartel, Jens. “Style, Space and Meaning in the Large-Scale Landscape Paintings of Maruyama Ōkyo (1733-1795).” 2019. Web. 17 Jan 2019.

Vancouver:

Bartel J. Style, Space and Meaning in the Large-Scale Landscape Paintings of Maruyama Ōkyo (1733-1795). [Internet] [Doctoral dissertation]. Columbia University; 2019. [cited 2019 Jan 17]. Available from: https://doi.org/10.7916/D8FN2Q59.

Council of Science Editors:

Bartel J. Style, Space and Meaning in the Large-Scale Landscape Paintings of Maruyama Ōkyo (1733-1795). [Doctoral Dissertation]. Columbia University; 2019. Available from: https://doi.org/10.7916/D8FN2Q59

3. Kovács, Itaï. L'art de la bohème. L'art des Buveurs d'eau (1835-1855) : Bohemian art. The Water Drinkers' art (1835-1855).

Degree: Docteur es, Histoire de l'art, 2018, Sorbonne université

La présente thèse propose la première monographie sur la société des Buveurs d’eau. Cette association artistique de secours mutuels rassembla dans le Paris des années… (more)

Subjects/Keywords: Art et littérature; Cénacle; Bohème; Mythe et réalité; Genres picturaux; Buveurs d’eau; Henry Murger; Gustave Courbet; Art and literature; Group; Bohemia; Myth and reality; Genres of painting; Water Drinkers; Henry Murger; Gustave Courbet

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APA (6th Edition):

Kovács, I. (2018). L'art de la bohème. L'art des Buveurs d'eau (1835-1855) : Bohemian art. The Water Drinkers' art (1835-1855). (Doctoral Dissertation). Sorbonne université. Retrieved from http://www.theses.fr/2018SORUL155

Chicago Manual of Style (16th Edition):

Kovács, Itaï. “L'art de la bohème. L'art des Buveurs d'eau (1835-1855) : Bohemian art. The Water Drinkers' art (1835-1855).” 2018. Doctoral Dissertation, Sorbonne université. Accessed January 17, 2019. http://www.theses.fr/2018SORUL155.

MLA Handbook (7th Edition):

Kovács, Itaï. “L'art de la bohème. L'art des Buveurs d'eau (1835-1855) : Bohemian art. The Water Drinkers' art (1835-1855).” 2018. Web. 17 Jan 2019.

Vancouver:

Kovács I. L'art de la bohème. L'art des Buveurs d'eau (1835-1855) : Bohemian art. The Water Drinkers' art (1835-1855). [Internet] [Doctoral dissertation]. Sorbonne université; 2018. [cited 2019 Jan 17]. Available from: http://www.theses.fr/2018SORUL155.

Council of Science Editors:

Kovács I. L'art de la bohème. L'art des Buveurs d'eau (1835-1855) : Bohemian art. The Water Drinkers' art (1835-1855). [Doctoral Dissertation]. Sorbonne université; 2018. Available from: http://www.theses.fr/2018SORUL155


Univerzitet u Beogradu

4. Milanović, Vesna D., 1963-. Програм зидног сликарства у припратама српских цркава у XIII veku.

Degree: Filozofski fakultet, 2018, Univerzitet u Beogradu

Историја уметности - Српска средњовековна уметност / History of art - Serbian medieval art

Рад је посвећен истраживању зидног сликарства у припратама српских цркава у… (more)

Subjects/Keywords: fresco painting; iconographic programme (selection and arrangement of the themes; functional factors); narthex; 13th century art; endowments of the Nemanjic rulers; Serbian medieval tradition; Byzantine tradition

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APA (6th Edition):

Milanović, Vesna D., 1. (2018). Програм зидног сликарства у припратама српских цркава у XIII veku. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:18886/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Milanović, Vesna D., 1963-. “Програм зидног сликарства у припратама српских цркава у XIII veku.” 2018. Thesis, Univerzitet u Beogradu. Accessed January 17, 2019. https://fedorabg.bg.ac.rs/fedora/get/o:18886/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Milanović, Vesna D., 1963-. “Програм зидног сликарства у припратама српских цркава у XIII veku.” 2018. Web. 17 Jan 2019.

Vancouver:

Milanović, Vesna D. 1. Програм зидног сликарства у припратама српских цркава у XIII veku. [Internet] [Thesis]. Univerzitet u Beogradu; 2018. [cited 2019 Jan 17]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:18886/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Milanović, Vesna D. 1. Програм зидног сликарства у припратама српских цркава у XIII veku. [Thesis]. Univerzitet u Beogradu; 2018. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:18886/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad Nacional de Colombia

5. Quintero Cerón, José Luis. Imágenes de memoria y resistencia: Creación de imagen por víctimas del conflicto armado colombiano en el departamento de Bolívar (2000 - 2018).

Degree: http://bdigital.unal.edu.co/70155/, 2018, Universidad Nacional de Colombia

Este trabajo busca explicar cómo las imágenes que crean algunas víctimas del conflicto armado colombiano, en el departamento de Bolívar, constituyen artefactos de memoria y… (more)

Subjects/Keywords: 36 Problemas y servicios sociales, asociaciones / Social problems & social services; 74 Dibujo y artes decorativas / Drawing & decorative arts; 75 Pintura y pinturas / Painting

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APA (6th Edition):

Quintero Cerón, J. L. (2018). Imágenes de memoria y resistencia: Creación de imagen por víctimas del conflicto armado colombiano en el departamento de Bolívar (2000 - 2018). (Thesis). Universidad Nacional de Colombia. Retrieved from http://bdigital.unal.edu.co/70155/1/80505376.2018.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Quintero Cerón, José Luis. “Imágenes de memoria y resistencia: Creación de imagen por víctimas del conflicto armado colombiano en el departamento de Bolívar (2000 - 2018).” 2018. Thesis, Universidad Nacional de Colombia. Accessed January 17, 2019. http://bdigital.unal.edu.co/70155/1/80505376.2018.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Quintero Cerón, José Luis. “Imágenes de memoria y resistencia: Creación de imagen por víctimas del conflicto armado colombiano en el departamento de Bolívar (2000 - 2018).” 2018. Web. 17 Jan 2019.

Vancouver:

Quintero Cerón JL. Imágenes de memoria y resistencia: Creación de imagen por víctimas del conflicto armado colombiano en el departamento de Bolívar (2000 - 2018). [Internet] [Thesis]. Universidad Nacional de Colombia; 2018. [cited 2019 Jan 17]. Available from: http://bdigital.unal.edu.co/70155/1/80505376.2018.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Quintero Cerón JL. Imágenes de memoria y resistencia: Creación de imagen por víctimas del conflicto armado colombiano en el departamento de Bolívar (2000 - 2018). [Thesis]. Universidad Nacional de Colombia; 2018. Available from: http://bdigital.unal.edu.co/70155/1/80505376.2018.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Poitevin, Ninon. La musicalité de la peinture : de la métaphore au concept, penser une forme silencieuse de musicalité : The musicality of the painting : from metaphor to concept, think of a silent form of musicality.

Degree: Docteur es, Philosophie, 2018, Lille 3

L’expression « musicalité de la peinture », et tous ses usages dérivés se sont multipliés dans les discours depuis la fin du XIXe siècle. La… (more)

Subjects/Keywords: Musicalité; Peinture; Musique; Métaphore; Expression; Représentation; Émotion; Silence; Écoute; Musicality; Painting; Music; Metaphor; Expression; Representation; Emotion; Silence; Listening

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Poitevin, N. (2018). La musicalité de la peinture : de la métaphore au concept, penser une forme silencieuse de musicalité : The musicality of the painting : from metaphor to concept, think of a silent form of musicality. (Doctoral Dissertation). Lille 3. Retrieved from http://www.theses.fr/2018LIL3H023

Chicago Manual of Style (16th Edition):

Poitevin, Ninon. “La musicalité de la peinture : de la métaphore au concept, penser une forme silencieuse de musicalité : The musicality of the painting : from metaphor to concept, think of a silent form of musicality.” 2018. Doctoral Dissertation, Lille 3. Accessed January 17, 2019. http://www.theses.fr/2018LIL3H023.

MLA Handbook (7th Edition):

Poitevin, Ninon. “La musicalité de la peinture : de la métaphore au concept, penser une forme silencieuse de musicalité : The musicality of the painting : from metaphor to concept, think of a silent form of musicality.” 2018. Web. 17 Jan 2019.

Vancouver:

Poitevin N. La musicalité de la peinture : de la métaphore au concept, penser une forme silencieuse de musicalité : The musicality of the painting : from metaphor to concept, think of a silent form of musicality. [Internet] [Doctoral dissertation]. Lille 3; 2018. [cited 2019 Jan 17]. Available from: http://www.theses.fr/2018LIL3H023.

Council of Science Editors:

Poitevin N. La musicalité de la peinture : de la métaphore au concept, penser une forme silencieuse de musicalité : The musicality of the painting : from metaphor to concept, think of a silent form of musicality. [Doctoral Dissertation]. Lille 3; 2018. Available from: http://www.theses.fr/2018LIL3H023


Victoria University of Wellington

7. Proby-Cautley, Elise Mary. A Foray into Play: An Adventure in the Forest of Kāpiti Island.

Degree: 2018, Victoria University of Wellington

 In New Zealand, there are numerous initiatives as to how we build in the landscape. On one hand, giant engineered infrastructures knit together a chaotic… (more)

Subjects/Keywords: play; architecture; playground; colour; watercolour painting

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APA (6th Edition):

Proby-Cautley, E. M. (2018). A Foray into Play: An Adventure in the Forest of Kāpiti Island. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/7878

Chicago Manual of Style (16th Edition):

Proby-Cautley, Elise Mary. “A Foray into Play: An Adventure in the Forest of Kāpiti Island.” 2018. Masters Thesis, Victoria University of Wellington. Accessed January 17, 2019. http://hdl.handle.net/10063/7878.

MLA Handbook (7th Edition):

Proby-Cautley, Elise Mary. “A Foray into Play: An Adventure in the Forest of Kāpiti Island.” 2018. Web. 17 Jan 2019.

Vancouver:

Proby-Cautley EM. A Foray into Play: An Adventure in the Forest of Kāpiti Island. [Internet] [Masters thesis]. Victoria University of Wellington; 2018. [cited 2019 Jan 17]. Available from: http://hdl.handle.net/10063/7878.

Council of Science Editors:

Proby-Cautley EM. A Foray into Play: An Adventure in the Forest of Kāpiti Island. [Masters Thesis]. Victoria University of Wellington; 2018. Available from: http://hdl.handle.net/10063/7878


Victoria University of Wellington

8. Gill, Gabrielle. The Hyphenated Zone: Exploring the Connection Between Actual and Virtual Space.

Degree: 2018, Victoria University of Wellington

 This research operates at the nexus between actual and virtual space. In interior architecture we can use tools to produce virtual experience, being immersed in… (more)

Subjects/Keywords: Interior Architecture; Cinema; Virtual; Painting; Deleuze; Exhibition

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APA (6th Edition):

Gill, G. (2018). The Hyphenated Zone: Exploring the Connection Between Actual and Virtual Space. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/7854

Chicago Manual of Style (16th Edition):

Gill, Gabrielle. “The Hyphenated Zone: Exploring the Connection Between Actual and Virtual Space.” 2018. Masters Thesis, Victoria University of Wellington. Accessed January 17, 2019. http://hdl.handle.net/10063/7854.

MLA Handbook (7th Edition):

Gill, Gabrielle. “The Hyphenated Zone: Exploring the Connection Between Actual and Virtual Space.” 2018. Web. 17 Jan 2019.

Vancouver:

Gill G. The Hyphenated Zone: Exploring the Connection Between Actual and Virtual Space. [Internet] [Masters thesis]. Victoria University of Wellington; 2018. [cited 2019 Jan 17]. Available from: http://hdl.handle.net/10063/7854.

Council of Science Editors:

Gill G. The Hyphenated Zone: Exploring the Connection Between Actual and Virtual Space. [Masters Thesis]. Victoria University of Wellington; 2018. Available from: http://hdl.handle.net/10063/7854

9. Ayache, Elsa. L'informatique, outil et médium du peintre, vers une pratique du « lâcher-prise » : Computer processing, a painter’s tool and medium in attempting to let go.

Degree: Docteur es, Arts (Histoire, Théorie, Pratique), 2018, Université Michel de Montaigne – Bordeaux III

Je n’ai pas de rapport serein à la peinture. Si elle constitue un espace d’expression et d’appartenance à soi-même sans limites, j’appréhende l’immensité de cet… (more)

Subjects/Keywords: Peindre; Peinture; Lâcher-prise; Informatique; Numérique; Outil; Médium; Programme; Logiciel; Composition; Processus; Dynamique; Immatériel; Pensée plastique; Écart; Mutation; Paint; Painting; Letting go; Computer processing; Digital; Tool; Medium; Program; Software; Composition; Process; Dynamic; Immaterial; Plastic thinking; Gap; Mutation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ayache, E. (2018). L'informatique, outil et médium du peintre, vers une pratique du « lâcher-prise » : Computer processing, a painter’s tool and medium in attempting to let go. (Doctoral Dissertation). Université Michel de Montaigne – Bordeaux III. Retrieved from http://www.theses.fr/2018BOR30032

Chicago Manual of Style (16th Edition):

Ayache, Elsa. “L'informatique, outil et médium du peintre, vers une pratique du « lâcher-prise » : Computer processing, a painter’s tool and medium in attempting to let go.” 2018. Doctoral Dissertation, Université Michel de Montaigne – Bordeaux III. Accessed January 17, 2019. http://www.theses.fr/2018BOR30032.

MLA Handbook (7th Edition):

Ayache, Elsa. “L'informatique, outil et médium du peintre, vers une pratique du « lâcher-prise » : Computer processing, a painter’s tool and medium in attempting to let go.” 2018. Web. 17 Jan 2019.

Vancouver:

Ayache E. L'informatique, outil et médium du peintre, vers une pratique du « lâcher-prise » : Computer processing, a painter’s tool and medium in attempting to let go. [Internet] [Doctoral dissertation]. Université Michel de Montaigne – Bordeaux III; 2018. [cited 2019 Jan 17]. Available from: http://www.theses.fr/2018BOR30032.

Council of Science Editors:

Ayache E. L'informatique, outil et médium du peintre, vers une pratique du « lâcher-prise » : Computer processing, a painter’s tool and medium in attempting to let go. [Doctoral Dissertation]. Université Michel de Montaigne – Bordeaux III; 2018. Available from: http://www.theses.fr/2018BOR30032


University of Texas – Austin

10. Harton, George Maurice, V. An emperor for a master : slaves in the palaces of Augustus and Nero.

Degree: Art History, 2018, University of Texas – Austin

 Traditionally, scholars portray the palaces of imperial Rome as spaces for interaction between the emperor and his elite guests while erasing the majority of the… (more)

Subjects/Keywords: Roman slaves; Imperial Rome; Roman freedmen; Roman palace slaves; House of Augustus; House of Livia; Roman palace architecture; Domus Transitoria; Domus Aurea; Esquiline Wing; Augustus’ slaves; Nero’s slaves; Roman wall painting; Frescoes; Roman convivium; Roman archaeology; Roman domestic space; Scaenae frons; Roman theater; Familia Caesaris; Palatine; Ancient Rome

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APA (6th Edition):

Harton, George Maurice, V. (2018). An emperor for a master : slaves in the palaces of Augustus and Nero. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/68938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harton, George Maurice, V. “An emperor for a master : slaves in the palaces of Augustus and Nero.” 2018. Thesis, University of Texas – Austin. Accessed January 17, 2019. http://hdl.handle.net/2152/68938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harton, George Maurice, V. “An emperor for a master : slaves in the palaces of Augustus and Nero.” 2018. Web. 17 Jan 2019.

Vancouver:

Harton, George Maurice V. An emperor for a master : slaves in the palaces of Augustus and Nero. [Internet] [Thesis]. University of Texas – Austin; 2018. [cited 2019 Jan 17]. Available from: http://hdl.handle.net/2152/68938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harton, George Maurice V. An emperor for a master : slaves in the palaces of Augustus and Nero. [Thesis]. University of Texas – Austin; 2018. Available from: http://hdl.handle.net/2152/68938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

11. Norris, Jacob. 1981: One or Several Aesthetics?.

Degree: 2018, University of Western Ontario

 Gilles Deleuze’s monograph on Francis Bacon, The Logic of Sensation (1981), proposes a theory of aesthetic experience that prioritizes the material depths of sensation over… (more)

Subjects/Keywords: Gilles Deleuze; aesthetics; painting; hysteria; music; schizophrenia; Francis Bacon; Marcel Proust; time; sensation; depths; heights; molecular; refrain; territory; Antonin Artaud; Pierre Boulez; Olivier Messiaen; spirit; immateriality; modernism; Comparative Literature; Contemporary Art; Fine Arts; Musicology; Theory and Criticism

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APA (6th Edition):

Norris, J. (2018). 1981: One or Several Aesthetics?. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Norris, Jacob. “1981: One or Several Aesthetics?.” 2018. Thesis, University of Western Ontario. Accessed January 17, 2019. https://ir.lib.uwo.ca/etd/5723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Norris, Jacob. “1981: One or Several Aesthetics?.” 2018. Web. 17 Jan 2019.

Vancouver:

Norris J. 1981: One or Several Aesthetics?. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2019 Jan 17]. Available from: https://ir.lib.uwo.ca/etd/5723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Norris J. 1981: One or Several Aesthetics?. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Univerzitet u Beogradu

12. Rakić, Ana S., 1982-. Уметничка збирка Рајка Мамузића.

Degree: Filozofski fakultet, 2018, Univerzitet u Beogradu

Историја уметности - Историја модерне уметности / Art History - Modern Art History

Збирка Рајка Мамузића је настала сакупљачким радом колекционара Рајка Мамузића у периоду… (more)

Subjects/Keywords: Serbian post-war art; modern painting; legacy house; gallery; Yugoslavia; art of the 20th century; fifties; sixties; Belgrade; Novi Sad

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rakić, Ana S., 1. (2018). Уметничка збирка Рајка Мамузића. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:18179/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rakić, Ana S., 1982-. “Уметничка збирка Рајка Мамузића.” 2018. Thesis, Univerzitet u Beogradu. Accessed January 17, 2019. https://fedorabg.bg.ac.rs/fedora/get/o:18179/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rakić, Ana S., 1982-. “Уметничка збирка Рајка Мамузића.” 2018. Web. 17 Jan 2019.

Vancouver:

Rakić, Ana S. 1. Уметничка збирка Рајка Мамузића. [Internet] [Thesis]. Univerzitet u Beogradu; 2018. [cited 2019 Jan 17]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:18179/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rakić, Ana S. 1. Уметничка збирка Рајка Мамузића. [Thesis]. Univerzitet u Beogradu; 2018. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:18179/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Peerapornpisal, Supamon. Décors des résidences seigneuriales en Viennois et Grésivaudan du XIIIe au XVIe siècle : étude archéologique, stylistique et historique : Decoration of seigniorial residence in Grésivaudan and Viennois regions during the 13th- the 16th Centuries for archeological, stylistic and historical study.

Degree: Docteur es, Histoire, 2018, Lyon

 Aujourd’hui de nombreuses recherches sont menées sur les différents types de demeure aristocratiques. Notre étude porte sur un important corpus de résidences seigneuriales datées du… (more)

Subjects/Keywords: Résidence seigneuriale; Maison forte; Décor; Dauphiné; Architecture; Moyen-Âge; Symboles; Aristocrate; Peinture murale; Hiérarchie; Seignorial residence; Fortified manor house; Decoration; Dauphiné; Architecture; Middle Age; Symbols; Aristocracy; Mural painting; Hierarchy; 944

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Peerapornpisal, S. (2018). Décors des résidences seigneuriales en Viennois et Grésivaudan du XIIIe au XVIe siècle : étude archéologique, stylistique et historique : Decoration of seigniorial residence in Grésivaudan and Viennois regions during the 13th- the 16th Centuries for archeological, stylistic and historical study. (Doctoral Dissertation). Lyon. Retrieved from http://www.theses.fr/2018LYSE2055

Chicago Manual of Style (16th Edition):

Peerapornpisal, Supamon. “Décors des résidences seigneuriales en Viennois et Grésivaudan du XIIIe au XVIe siècle : étude archéologique, stylistique et historique : Decoration of seigniorial residence in Grésivaudan and Viennois regions during the 13th- the 16th Centuries for archeological, stylistic and historical study.” 2018. Doctoral Dissertation, Lyon. Accessed January 17, 2019. http://www.theses.fr/2018LYSE2055.

MLA Handbook (7th Edition):

Peerapornpisal, Supamon. “Décors des résidences seigneuriales en Viennois et Grésivaudan du XIIIe au XVIe siècle : étude archéologique, stylistique et historique : Decoration of seigniorial residence in Grésivaudan and Viennois regions during the 13th- the 16th Centuries for archeological, stylistic and historical study.” 2018. Web. 17 Jan 2019.

Vancouver:

Peerapornpisal S. Décors des résidences seigneuriales en Viennois et Grésivaudan du XIIIe au XVIe siècle : étude archéologique, stylistique et historique : Decoration of seigniorial residence in Grésivaudan and Viennois regions during the 13th- the 16th Centuries for archeological, stylistic and historical study. [Internet] [Doctoral dissertation]. Lyon; 2018. [cited 2019 Jan 17]. Available from: http://www.theses.fr/2018LYSE2055.

Council of Science Editors:

Peerapornpisal S. Décors des résidences seigneuriales en Viennois et Grésivaudan du XIIIe au XVIe siècle : étude archéologique, stylistique et historique : Decoration of seigniorial residence in Grésivaudan and Viennois regions during the 13th- the 16th Centuries for archeological, stylistic and historical study. [Doctoral Dissertation]. Lyon; 2018. Available from: http://www.theses.fr/2018LYSE2055


Universidad de Salamanca

14. Luca de Tena Navarro, Manuel. La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental.

Degree: 2018, Universidad de Salamanca

Subjects/Keywords: Arte contemporáneo; Vacío en el arte; Arte y espacio; Pintura moderna; Pensamiento oriental; Contemporary art; Vacuum in art; Art and space; Modern painting; Oriental thought

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APA (6th Edition):

Luca de Tena Navarro, M. (2018). La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental. (Thesis). Universidad de Salamanca. Retrieved from http://hdl.handle.net/10366/19498

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Luca de Tena Navarro, Manuel. “La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental.” 2018. Thesis, Universidad de Salamanca. Accessed January 17, 2019. http://hdl.handle.net/10366/19498.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Luca de Tena Navarro, Manuel. “La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental.” 2018. Web. 17 Jan 2019.

Vancouver:

Luca de Tena Navarro M. La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental. [Internet] [Thesis]. Universidad de Salamanca; 2018. [cited 2019 Jan 17]. Available from: http://hdl.handle.net/10366/19498.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Luca de Tena Navarro M. La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental. [Thesis]. Universidad de Salamanca; 2018. Available from: http://hdl.handle.net/10366/19498

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Salamanca

15. Ortiz Rodríguez, Raquel M. El arte de la identidad.

Degree: 2018, Universidad de Salamanca

Subjects/Keywords: Arte jibarista; Identidad jíbara; Jibarismo puertorriqueño; Jibarismo en la literatura; Jibarismo en la música; Jibarismo en la pintura; Resistencia cultural; Jibarism art; Jibarism identity; Puerto Rican jibarism; Jibarism in literature; Jibarism in music; Jibarism in painting; Cultural resistance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ortiz Rodríguez, R. M. (2018). El arte de la identidad. (Thesis). Universidad de Salamanca. Retrieved from http://hdl.handle.net/10366/22632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ortiz Rodríguez, Raquel M. “El arte de la identidad.” 2018. Thesis, Universidad de Salamanca. Accessed January 17, 2019. http://hdl.handle.net/10366/22632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ortiz Rodríguez, Raquel M. “El arte de la identidad.” 2018. Web. 17 Jan 2019.

Vancouver:

Ortiz Rodríguez RM. El arte de la identidad. [Internet] [Thesis]. Universidad de Salamanca; 2018. [cited 2019 Jan 17]. Available from: http://hdl.handle.net/10366/22632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ortiz Rodríguez RM. El arte de la identidad. [Thesis]. Universidad de Salamanca; 2018. Available from: http://hdl.handle.net/10366/22632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

16. Wong, Joy. Skim.

Degree: 2018, University of Western Ontario

 This thesis dossier provides the theoretical structure to my art production, and is presented alongside my thesis exhibition skim at McIntosh Gallery. This document is… (more)

Subjects/Keywords: Skin; corporeality; the body in art; bbject; grotesque; formless; painting; sculpture; Contemporary Art; Fine Arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wong, J. (2018). Skim. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5681

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wong, Joy. “Skim.” 2018. Thesis, University of Western Ontario. Accessed January 17, 2019. https://ir.lib.uwo.ca/etd/5681.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wong, Joy. “Skim.” 2018. Web. 17 Jan 2019.

Vancouver:

Wong J. Skim. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2019 Jan 17]. Available from: https://ir.lib.uwo.ca/etd/5681.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wong J. Skim. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5681

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

17. CLARA CAVENDISH WANDERLEY ROTH. [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART.

Degree: 2018, Pontifical Catholic University of Rio de Janeiro

[pt] As obras dos dois artistas alemães Anselm Kiefer e Georg Baselitz e sua importância na retomada da arte germânica e européia no cenário da… (more)

Subjects/Keywords: [pt] O MOTIVO HISTORICO; [en] HISTORICAL MOTIVATION; [pt] ARTE - PINTURA ALEMA CONTEMPORANEA; [en] ART - CONTEMPORANEOUS GERMAN PAINTING; [pt] NAZISMO - COMUNISMO; [en] NAZISM - COMMUNISM; [pt] PATHOS ROMANTICO; [en] ROMANTIC PATHOS

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APA (6th Edition):

ROTH, C. C. W. (2018). [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

ROTH, CLARA CAVENDISH WANDERLEY. “[en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART.” 2018. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed January 17, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

ROTH, CLARA CAVENDISH WANDERLEY. “[en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART.” 2018. Web. 17 Jan 2019.

Vancouver:

ROTH CCW. [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. [cited 2019 Jan 17]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

ROTH CCW. [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

18. Little, Alicia E. Fragments are formless, as they do not hold together(things that are not touching).

Degree: MFA, Art, 2018, The Ohio State University

 Combining poems, research, and descriptions of my thesis exhibition entitled Touchless Threshold, this paper uses fragments to describe my work and thoughts surrounding it. I… (more)

Subjects/Keywords: Fine Arts; painting; sculpture; formless; fragments

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Little, A. E. (2018). Fragments are formless, as they do not hold together(things that are not touching). (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1523452860384935

Chicago Manual of Style (16th Edition):

Little, Alicia E. “Fragments are formless, as they do not hold together(things that are not touching).” 2018. Masters Thesis, The Ohio State University. Accessed January 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523452860384935.

MLA Handbook (7th Edition):

Little, Alicia E. “Fragments are formless, as they do not hold together(things that are not touching).” 2018. Web. 17 Jan 2019.

Vancouver:

Little AE. Fragments are formless, as they do not hold together(things that are not touching). [Internet] [Masters thesis]. The Ohio State University; 2018. [cited 2019 Jan 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1523452860384935.

Council of Science Editors:

Little AE. Fragments are formless, as they do not hold together(things that are not touching). [Masters Thesis]. The Ohio State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1523452860384935


University of New Orleans

19. Owens, Ruth M, MD. Visual Pleasure and Racial Ambiguity.

Degree: M.F.A., Fine Arts, 2018, University of New Orleans

  I struggle to present work that reflects a psychological expressivity which at the same time conveys intellectual concepts that are of concern to me.… (more)

Subjects/Keywords: painting, expressionism, racial identity, feminism, mixed race, identity; Art Practice; Arts and Humanities; Theory and Philosophy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Owens, Ruth M, M. (2018). Visual Pleasure and Racial Ambiguity. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/2520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Owens, Ruth M, MD. “Visual Pleasure and Racial Ambiguity.” 2018. Thesis, University of New Orleans. Accessed January 17, 2019. https://scholarworks.uno.edu/td/2520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Owens, Ruth M, MD. “Visual Pleasure and Racial Ambiguity.” 2018. Web. 17 Jan 2019.

Vancouver:

Owens, Ruth M M. Visual Pleasure and Racial Ambiguity. [Internet] [Thesis]. University of New Orleans; 2018. [cited 2019 Jan 17]. Available from: https://scholarworks.uno.edu/td/2520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Owens, Ruth M M. Visual Pleasure and Racial Ambiguity. [Thesis]. University of New Orleans; 2018. Available from: https://scholarworks.uno.edu/td/2520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

20. Wolfe, Julia J. Meet me in the sewers at dawn.

Degree: MFA (Master of Fine Arts), Art, 2018, University of Iowa

  I make installations, objects, paintings, drawings, prints, and arrangements of found words (which some have classified as poetry). I take note of ideas, imagery,… (more)

Subjects/Keywords: Drawing; Installation; Painting; Poetry; Printmaking; Sculpture; Art Practice

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wolfe, J. J. (2018). Meet me in the sewers at dawn. (Masters Thesis). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/6522

Chicago Manual of Style (16th Edition):

Wolfe, Julia J. “Meet me in the sewers at dawn.” 2018. Masters Thesis, University of Iowa. Accessed January 17, 2019. https://ir.uiowa.edu/etd/6522.

MLA Handbook (7th Edition):

Wolfe, Julia J. “Meet me in the sewers at dawn.” 2018. Web. 17 Jan 2019.

Vancouver:

Wolfe JJ. Meet me in the sewers at dawn. [Internet] [Masters thesis]. University of Iowa; 2018. [cited 2019 Jan 17]. Available from: https://ir.uiowa.edu/etd/6522.

Council of Science Editors:

Wolfe JJ. Meet me in the sewers at dawn. [Masters Thesis]. University of Iowa; 2018. Available from: https://ir.uiowa.edu/etd/6522


University of Washington

21. BURR, DAVID Charles. Shorthanded.

Degree: 2018, University of Washington

 How can the development of personalized language be supported through a survey of visual experience? Interacting with any system asks us to formulate a reaction… (more)

Subjects/Keywords: Drawing; Film; Gestalt; Painting; Participation; Performance; Fine arts; Fine arts

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APA (6th Edition):

BURR, D. C. (2018). Shorthanded. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/42351

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

BURR, DAVID Charles. “Shorthanded.” 2018. Thesis, University of Washington. Accessed January 17, 2019. http://hdl.handle.net/1773/42351.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

BURR, DAVID Charles. “Shorthanded.” 2018. Web. 17 Jan 2019.

Vancouver:

BURR DC. Shorthanded. [Internet] [Thesis]. University of Washington; 2018. [cited 2019 Jan 17]. Available from: http://hdl.handle.net/1773/42351.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

BURR DC. Shorthanded. [Thesis]. University of Washington; 2018. Available from: http://hdl.handle.net/1773/42351

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

22. Tai, Hung-Yu. A study of poetry and painting in Tang Dynasty.

Degree: Master, Chinese Literature, 2018, NSYSU

 Chinese poetries are excellent in both emotion and literary compositions. They flowed as time went on, inherited from different dynasties and generations, therefore have chanted… (more)

Subjects/Keywords: Landscape poetry-painting; ï¦ä»£åç«è¨; Zhuangzi; Wang Wei; Theory of landscape painting in the Six Dynasties

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tai, H. (2018). A study of poetry and painting in Tang Dynasty. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0430118-164944

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tai, Hung-Yu. “A study of poetry and painting in Tang Dynasty.” 2018. Thesis, NSYSU. Accessed January 17, 2019. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0430118-164944.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tai, Hung-Yu. “A study of poetry and painting in Tang Dynasty.” 2018. Web. 17 Jan 2019.

Vancouver:

Tai H. A study of poetry and painting in Tang Dynasty. [Internet] [Thesis]. NSYSU; 2018. [cited 2019 Jan 17]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0430118-164944.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tai H. A study of poetry and painting in Tang Dynasty. [Thesis]. NSYSU; 2018. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0430118-164944

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Victoria

23. Jessop, Lesley Patricia. Pictorial cycles of non-biblical saints: the evidence of the 8th century mural cycles in Rome.

Degree: Department of Art History and Visual Studies, 2018, University of Victoria

 Due to the influence of the Greek-speaking immigrants who flocked into the city of Rome over the course of the 7th and 8th centuries, there… (more)

Subjects/Keywords: Mural painting and decoration, Early Christian; Italy, Rome; Saints; Cult

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jessop, L. P. (2018). Pictorial cycles of non-biblical saints: the evidence of the 8th century mural cycles in Rome. (Thesis). University of Victoria. Retrieved from https://dspace.library.uvic.ca//handle/1828/9654

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jessop, Lesley Patricia. “Pictorial cycles of non-biblical saints: the evidence of the 8th century mural cycles in Rome.” 2018. Thesis, University of Victoria. Accessed January 17, 2019. https://dspace.library.uvic.ca//handle/1828/9654.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jessop, Lesley Patricia. “Pictorial cycles of non-biblical saints: the evidence of the 8th century mural cycles in Rome.” 2018. Web. 17 Jan 2019.

Vancouver:

Jessop LP. Pictorial cycles of non-biblical saints: the evidence of the 8th century mural cycles in Rome. [Internet] [Thesis]. University of Victoria; 2018. [cited 2019 Jan 17]. Available from: https://dspace.library.uvic.ca//handle/1828/9654.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jessop LP. Pictorial cycles of non-biblical saints: the evidence of the 8th century mural cycles in Rome. [Thesis]. University of Victoria; 2018. Available from: https://dspace.library.uvic.ca//handle/1828/9654

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Martínez Hermoso, Juan Antonio. Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa.

Degree: 2018, Universidad de Córdoba, UCOPress

Subjects/Keywords: Antiguo Egipto; Reino Medio; Dinastía XII; Arquitectura funeraria; Complejo Funerario; Hipogeo; Patio exterior; Capilla funeraria; Cámara de enterramiento; Métodos de diseño; Sistemas constructivos; Sala hipóstila; Santuario; Pintura mural; Cuadrícula auxiliar; Canon egipcio; Necrópolis de Qubbet el-Hawa; Sarenput II; Funerary architecture; Ancient Egypt; Middle Kingdom; 12th Dynasty; Funeral Complex; Rock-cut tomb; Outer court; Funerary Chapel; Burial chamber; Design methods; Construction systems; Hypostyle hall; Sanctuary; Mural painting; Auxiliary Grid; Egyptian canon; Necropolis of Qubbet el-Hawa; Sarenput II

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APA (6th Edition):

Martínez Hermoso, J. A. (2018). Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa. (Thesis). Universidad de Córdoba, UCOPress. Retrieved from http://hdl.handle.net/10396/14783

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Martínez Hermoso, Juan Antonio. “Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa.” 2018. Thesis, Universidad de Córdoba, UCOPress. Accessed January 17, 2019. http://hdl.handle.net/10396/14783.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Martínez Hermoso, Juan Antonio. “Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa.” 2018. Web. 17 Jan 2019.

Vancouver:

Martínez Hermoso JA. Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa. [Internet] [Thesis]. Universidad de Córdoba, UCOPress; 2018. [cited 2019 Jan 17]. Available from: http://hdl.handle.net/10396/14783.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Martínez Hermoso JA. Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa. [Thesis]. Universidad de Córdoba, UCOPress; 2018. Available from: http://hdl.handle.net/10396/14783

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

25. Zhang, Yue. Tactile Painting Easel: For people with limited vision.

Degree: MFA, School of Design (CAD), 2018, Rochester Institute of Technology

  Visual art is probably the oldest art. But people with vision challenges have been held back, perhaps for many years by avoiding making art.… (more)

Subjects/Keywords: Blind; Design; Easel; Painting; Visual disability

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zhang, Y. (2018). Tactile Painting Easel: For people with limited vision. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/9850

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zhang, Yue. “Tactile Painting Easel: For people with limited vision.” 2018. Thesis, Rochester Institute of Technology. Accessed January 17, 2019. https://scholarworks.rit.edu/theses/9850.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zhang, Yue. “Tactile Painting Easel: For people with limited vision.” 2018. Web. 17 Jan 2019.

Vancouver:

Zhang Y. Tactile Painting Easel: For people with limited vision. [Internet] [Thesis]. Rochester Institute of Technology; 2018. [cited 2019 Jan 17]. Available from: https://scholarworks.rit.edu/theses/9850.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zhang Y. Tactile Painting Easel: For people with limited vision. [Thesis]. Rochester Institute of Technology; 2018. Available from: https://scholarworks.rit.edu/theses/9850

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

26. Keep, Rosemary Isabel. Facing the family: Group portraits and the construction of identity within early modern families.

Degree: School of History and Cultures, 2018, University of Birmingham

 This thesis draws together material and archival sources to investigate the long-overlooked portraits of English provincial gentry families commissioned between c.1550 and c.1680. Specifically, its… (more)

Subjects/Keywords: D204 Modern History; ND Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Keep, R. I. (2018). Facing the family: Group portraits and the construction of identity within early modern families. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/8463/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Keep, Rosemary Isabel. “Facing the family: Group portraits and the construction of identity within early modern families.” 2018. Thesis, University of Birmingham. Accessed January 17, 2019. http://etheses.bham.ac.uk/8463/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Keep, Rosemary Isabel. “Facing the family: Group portraits and the construction of identity within early modern families.” 2018. Web. 17 Jan 2019.

Vancouver:

Keep RI. Facing the family: Group portraits and the construction of identity within early modern families. [Internet] [Thesis]. University of Birmingham; 2018. [cited 2019 Jan 17]. Available from: http://etheses.bham.ac.uk/8463/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Keep RI. Facing the family: Group portraits and the construction of identity within early modern families. [Thesis]. University of Birmingham; 2018. Available from: http://etheses.bham.ac.uk/8463/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

27. Boyd, Avery. Creatures of Wonder: Insects and small animals in early modern European art and studies of nature.

Degree: 2018, Leiden University

 Over the early modern period Europe saw great change in its practices of the studies of nature as a result of the invention of the… (more)

Subjects/Keywords: nature; insects; lifecasting; painting; science; natural studies; spontaneous generation; cabinet miniature; wunderkammer; cabinet of wonder

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Boyd, A. (2018). Creatures of Wonder: Insects and small animals in early modern European art and studies of nature. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/63583

Chicago Manual of Style (16th Edition):

Boyd, Avery. “Creatures of Wonder: Insects and small animals in early modern European art and studies of nature.” 2018. Masters Thesis, Leiden University. Accessed January 17, 2019. http://hdl.handle.net/1887/63583.

MLA Handbook (7th Edition):

Boyd, Avery. “Creatures of Wonder: Insects and small animals in early modern European art and studies of nature.” 2018. Web. 17 Jan 2019.

Vancouver:

Boyd A. Creatures of Wonder: Insects and small animals in early modern European art and studies of nature. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2019 Jan 17]. Available from: http://hdl.handle.net/1887/63583.

Council of Science Editors:

Boyd A. Creatures of Wonder: Insects and small animals in early modern European art and studies of nature. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/63583


University of St. Andrews

28. Labo, Nora. Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion .

Degree: 2018, University of St. Andrews

 While the role of photography in enforcing hegemonic ideologies has been amply studied, this thesis addresses the under-researched topic of how photography undermined dominant narratives… (more)

Subjects/Keywords: History of photography; Environmental history; Nineteenth-century photography; Botanical photography; Colonial history; Colonial photography; French photography; Belgian photography; Brazilian photography; History of the Amazon region; Barbizon school; Early environmentalism; Second Empire France; Amazonian rubber boom; Plants in photography; Fontainebleau; Belgium; Brazil; Amazon; Tropical representations; Tropics; Ecology; Jean Massart; Jacques Huber; Nature as spectacle; Hierarchies of nature; Exoticism; Nature conservation; Visual studies; Critique of anthropocentrism; Étude d'après nature; Colonial science; Familiarity; Banality; Resistances to ideology; Palm trees; Weeds; Botany; Tourism; Photography and painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Labo, N. (2018). Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/12807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Labo, Nora. “Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion .” 2018. Thesis, University of St. Andrews. Accessed January 17, 2019. http://hdl.handle.net/10023/12807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Labo, Nora. “Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion .” 2018. Web. 17 Jan 2019.

Vancouver:

Labo N. Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion . [Internet] [Thesis]. University of St. Andrews; 2018. [cited 2019 Jan 17]. Available from: http://hdl.handle.net/10023/12807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Labo N. Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion . [Thesis]. University of St. Andrews; 2018. Available from: http://hdl.handle.net/10023/12807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Euskal Herriko Unibertsitatea / Universidad del País Vasco

29. Yuan, Ruonan. El optimismo social y su plasmación pictórica. Desarrollo gráfico de fusión entre las utopías visuales chinas y occidentales.

Degree: 2018, Euskal Herriko Unibertsitatea / Universidad del País Vasco

 Relaciones estéticas entre China y Occidente. Influencias recíprocas en las diferentes fases de la historia. Occidentalización de la imagen popular en el siglo XX. Retórica… (more)

Subjects/Keywords: fine arts aesthetics; painting; photography; estética de las Bellas Artes; pintura; fotografía

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yuan, R. (2018). El optimismo social y su plasmación pictórica. Desarrollo gráfico de fusión entre las utopías visuales chinas y occidentales. (Doctoral Dissertation). Euskal Herriko Unibertsitatea / Universidad del País Vasco. Retrieved from http://hdl.handle.net/10810/28830

Chicago Manual of Style (16th Edition):

Yuan, Ruonan. “El optimismo social y su plasmación pictórica. Desarrollo gráfico de fusión entre las utopías visuales chinas y occidentales. ” 2018. Doctoral Dissertation, Euskal Herriko Unibertsitatea / Universidad del País Vasco. Accessed January 17, 2019. http://hdl.handle.net/10810/28830.

MLA Handbook (7th Edition):

Yuan, Ruonan. “El optimismo social y su plasmación pictórica. Desarrollo gráfico de fusión entre las utopías visuales chinas y occidentales. ” 2018. Web. 17 Jan 2019.

Vancouver:

Yuan R. El optimismo social y su plasmación pictórica. Desarrollo gráfico de fusión entre las utopías visuales chinas y occidentales. [Internet] [Doctoral dissertation]. Euskal Herriko Unibertsitatea / Universidad del País Vasco; 2018. [cited 2019 Jan 17]. Available from: http://hdl.handle.net/10810/28830.

Council of Science Editors:

Yuan R. El optimismo social y su plasmación pictórica. Desarrollo gráfico de fusión entre las utopías visuales chinas y occidentales. [Doctoral Dissertation]. Euskal Herriko Unibertsitatea / Universidad del País Vasco; 2018. Available from: http://hdl.handle.net/10810/28830

30. Rea, Giorgio. Imagines pictae. Il ritratto nella pittura romana : Imagines pictae. Portraits in Roman painting.

Degree: Docteur es, Théorie et pratique de l'archéologie, 2018, Sorbonne université; Università degli studi (Milan, Italie)

Ce projet vise à reconstruire le développement du portrait peint à Rome et l’utilisation de ce type de support figuré à Rome, à partir de… (more)

Subjects/Keywords: Portrait peint; Portrait du Fayum; Portrait romain; Peinture romaine; Painting Portrait; Fayum Portraits; Roman Portrait; Roman Painting; Ritratto dipinto; Ritratti romani; Ritratti del Fayum; Pittura romana

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rea, G. (2018). Imagines pictae. Il ritratto nella pittura romana : Imagines pictae. Portraits in Roman painting. (Doctoral Dissertation). Sorbonne université; Università degli studi (Milan, Italie). Retrieved from http://www.theses.fr/2018SORUL070

Chicago Manual of Style (16th Edition):

Rea, Giorgio. “Imagines pictae. Il ritratto nella pittura romana : Imagines pictae. Portraits in Roman painting.” 2018. Doctoral Dissertation, Sorbonne université; Università degli studi (Milan, Italie). Accessed January 17, 2019. http://www.theses.fr/2018SORUL070.

MLA Handbook (7th Edition):

Rea, Giorgio. “Imagines pictae. Il ritratto nella pittura romana : Imagines pictae. Portraits in Roman painting.” 2018. Web. 17 Jan 2019.

Vancouver:

Rea G. Imagines pictae. Il ritratto nella pittura romana : Imagines pictae. Portraits in Roman painting. [Internet] [Doctoral dissertation]. Sorbonne université; Università degli studi (Milan, Italie); 2018. [cited 2019 Jan 17]. Available from: http://www.theses.fr/2018SORUL070.

Council of Science Editors:

Rea G. Imagines pictae. Il ritratto nella pittura romana : Imagines pictae. Portraits in Roman painting. [Doctoral Dissertation]. Sorbonne université; Università degli studi (Milan, Italie); 2018. Available from: http://www.theses.fr/2018SORUL070

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