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You searched for subject:(painting). Showing records 1 – 30 of 2938 total matches.

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University of Texas – Austin

1. Harton, George Maurice, V. An emperor for a master : slaves in the palaces of Augustus and Nero.

Degree: Art History, 2018, University of Texas – Austin

 Traditionally, scholars portray the palaces of imperial Rome as spaces for interaction between the emperor and his elite guests while erasing the majority of the… (more)

Subjects/Keywords: Roman slaves; Imperial Rome; Roman freedmen; Roman palace slaves; House of Augustus; House of Livia; Roman palace architecture; Domus Transitoria; Domus Aurea; Esquiline Wing; Augustus’ slaves; Nero’s slaves; Roman wall painting; Frescoes; Roman convivium; Roman archaeology; Roman domestic space; Scaenae frons; Roman theater; Familia Caesaris; Palatine; Ancient Rome

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APA (6th Edition):

Harton, George Maurice, V. (2018). An emperor for a master : slaves in the palaces of Augustus and Nero. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/68938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harton, George Maurice, V. “An emperor for a master : slaves in the palaces of Augustus and Nero.” 2018. Thesis, University of Texas – Austin. Accessed October 21, 2018. http://hdl.handle.net/2152/68938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harton, George Maurice, V. “An emperor for a master : slaves in the palaces of Augustus and Nero.” 2018. Web. 21 Oct 2018.

Vancouver:

Harton, George Maurice V. An emperor for a master : slaves in the palaces of Augustus and Nero. [Internet] [Thesis]. University of Texas – Austin; 2018. [cited 2018 Oct 21]. Available from: http://hdl.handle.net/2152/68938.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harton, George Maurice V. An emperor for a master : slaves in the palaces of Augustus and Nero. [Thesis]. University of Texas – Austin; 2018. Available from: http://hdl.handle.net/2152/68938

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

2. Norris, Jacob. 1981: One or Several Aesthetics?.

Degree: 2018, University of Western Ontario

 Gilles Deleuze’s monograph on Francis Bacon, The Logic of Sensation (1981), proposes a theory of aesthetic experience that prioritizes the material depths of sensation over… (more)

Subjects/Keywords: Gilles Deleuze; aesthetics; painting; hysteria; music; schizophrenia; Francis Bacon; Marcel Proust; time; sensation; depths; heights; molecular; refrain; territory; Antonin Artaud; Pierre Boulez; Olivier Messiaen; spirit; immateriality; modernism; Comparative Literature; Contemporary Art; Fine Arts; Musicology; Theory and Criticism

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APA (6th Edition):

Norris, J. (2018). 1981: One or Several Aesthetics?. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Norris, Jacob. “1981: One or Several Aesthetics?.” 2018. Thesis, University of Western Ontario. Accessed October 21, 2018. https://ir.lib.uwo.ca/etd/5723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Norris, Jacob. “1981: One or Several Aesthetics?.” 2018. Web. 21 Oct 2018.

Vancouver:

Norris J. 1981: One or Several Aesthetics?. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2018 Oct 21]. Available from: https://ir.lib.uwo.ca/etd/5723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Norris J. 1981: One or Several Aesthetics?. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Univerzitet u Beogradu

3. Rakić, Ana S., 1982-. Уметничка збирка Рајка Мамузића.

Degree: Filozofski fakultet, 2018, Univerzitet u Beogradu

Историја уметности - Историја модерне уметности / Art History - Modern Art History

Збирка Рајка Мамузића је настала сакупљачким радом колекционара Рајка Мамузића у периоду… (more)

Subjects/Keywords: Serbian post-war art; modern painting; legacy house; gallery; Yugoslavia; art of the 20th century; fifties; sixties; Belgrade; Novi Sad

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APA (6th Edition):

Rakić, Ana S., 1. (2018). Уметничка збирка Рајка Мамузића. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:18179/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rakić, Ana S., 1982-. “Уметничка збирка Рајка Мамузића.” 2018. Thesis, Univerzitet u Beogradu. Accessed October 21, 2018. https://fedorabg.bg.ac.rs/fedora/get/o:18179/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rakić, Ana S., 1982-. “Уметничка збирка Рајка Мамузића.” 2018. Web. 21 Oct 2018.

Vancouver:

Rakić, Ana S. 1. Уметничка збирка Рајка Мамузића. [Internet] [Thesis]. Univerzitet u Beogradu; 2018. [cited 2018 Oct 21]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:18179/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rakić, Ana S. 1. Уметничка збирка Рајка Мамузића. [Thesis]. Univerzitet u Beogradu; 2018. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:18179/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Salamanca

4. Luca de Tena Navarro, Manuel. La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental.

Degree: 2018, Universidad de Salamanca

Subjects/Keywords: Arte contemporáneo; Vacío en el arte; Arte y espacio; Pintura moderna; Pensamiento oriental; Contemporary art; Vacuum in art; Art and space; Modern painting; Oriental thought

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APA (6th Edition):

Luca de Tena Navarro, M. (2018). La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental. (Thesis). Universidad de Salamanca. Retrieved from http://hdl.handle.net/10366/19498

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Luca de Tena Navarro, Manuel. “La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental.” 2018. Thesis, Universidad de Salamanca. Accessed October 21, 2018. http://hdl.handle.net/10366/19498.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Luca de Tena Navarro, Manuel. “La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental.” 2018. Web. 21 Oct 2018.

Vancouver:

Luca de Tena Navarro M. La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental. [Internet] [Thesis]. Universidad de Salamanca; 2018. [cited 2018 Oct 21]. Available from: http://hdl.handle.net/10366/19498.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Luca de Tena Navarro M. La presencia de lo ausente: el concepto y la expresión del vacío en los textos de los pintores contemporáneos occidentales a la luz del pensamiento extremo-oriental. [Thesis]. Universidad de Salamanca; 2018. Available from: http://hdl.handle.net/10366/19498

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Salamanca

5. Ortiz Rodríguez, Raquel M. El arte de la identidad.

Degree: 2018, Universidad de Salamanca

Subjects/Keywords: Arte jibarista; Identidad jíbara; Jibarismo puertorriqueño; Jibarismo en la literatura; Jibarismo en la música; Jibarismo en la pintura; Resistencia cultural; Jibarism art; Jibarism identity; Puerto Rican jibarism; Jibarism in literature; Jibarism in music; Jibarism in painting; Cultural resistance

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APA (6th Edition):

Ortiz Rodríguez, R. M. (2018). El arte de la identidad. (Thesis). Universidad de Salamanca. Retrieved from http://hdl.handle.net/10366/22632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ortiz Rodríguez, Raquel M. “El arte de la identidad.” 2018. Thesis, Universidad de Salamanca. Accessed October 21, 2018. http://hdl.handle.net/10366/22632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ortiz Rodríguez, Raquel M. “El arte de la identidad.” 2018. Web. 21 Oct 2018.

Vancouver:

Ortiz Rodríguez RM. El arte de la identidad. [Internet] [Thesis]. Universidad de Salamanca; 2018. [cited 2018 Oct 21]. Available from: http://hdl.handle.net/10366/22632.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ortiz Rodríguez RM. El arte de la identidad. [Thesis]. Universidad de Salamanca; 2018. Available from: http://hdl.handle.net/10366/22632

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

6. CLARA CAVENDISH WANDERLEY ROTH. [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART.

Degree: 2018, Pontifical Catholic University of Rio de Janeiro

[pt] As obras dos dois artistas alemães Anselm Kiefer e Georg Baselitz e sua importância na retomada da arte germânica e européia no cenário da… (more)

Subjects/Keywords: [pt] O MOTIVO HISTORICO; [en] HISTORICAL MOTIVATION; [pt] ARTE - PINTURA ALEMA CONTEMPORANEA; [en] ART - CONTEMPORANEOUS GERMAN PAINTING; [pt] NAZISMO - COMUNISMO; [en] NAZISM - COMMUNISM; [pt] PATHOS ROMANTICO; [en] ROMANTIC PATHOS

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APA (6th Edition):

ROTH, C. C. W. (2018). [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

ROTH, CLARA CAVENDISH WANDERLEY. “[en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART.” 2018. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed October 21, 2018. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

ROTH, CLARA CAVENDISH WANDERLEY. “[en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART.” 2018. Web. 21 Oct 2018.

Vancouver:

ROTH CCW. [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. [cited 2018 Oct 21]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

ROTH CCW. [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

7. Wong, Joy. Skim.

Degree: 2018, University of Western Ontario

 This thesis dossier provides the theoretical structure to my art production, and is presented alongside my thesis exhibition skim at McIntosh Gallery. This document is… (more)

Subjects/Keywords: Skin; corporeality; the body in art; bbject; grotesque; formless; painting; sculpture; Contemporary Art; Fine Arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wong, J. (2018). Skim. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5681

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wong, Joy. “Skim.” 2018. Thesis, University of Western Ontario. Accessed October 21, 2018. https://ir.lib.uwo.ca/etd/5681.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wong, Joy. “Skim.” 2018. Web. 21 Oct 2018.

Vancouver:

Wong J. Skim. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2018 Oct 21]. Available from: https://ir.lib.uwo.ca/etd/5681.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wong J. Skim. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5681

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

8. Little, Alicia E. Fragments are formless, as they do not hold together(things that are not touching).

Degree: MFA, Art, 2018, The Ohio State University

 Combining poems, research, and descriptions of my thesis exhibition entitled Touchless Threshold, this paper uses fragments to describe my work and thoughts surrounding it. I… (more)

Subjects/Keywords: Fine Arts; painting; sculpture; formless; fragments

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APA (6th Edition):

Little, A. E. (2018). Fragments are formless, as they do not hold together(things that are not touching). (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1523452860384935

Chicago Manual of Style (16th Edition):

Little, Alicia E. “Fragments are formless, as they do not hold together(things that are not touching).” 2018. Masters Thesis, The Ohio State University. Accessed October 21, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523452860384935.

MLA Handbook (7th Edition):

Little, Alicia E. “Fragments are formless, as they do not hold together(things that are not touching).” 2018. Web. 21 Oct 2018.

Vancouver:

Little AE. Fragments are formless, as they do not hold together(things that are not touching). [Internet] [Masters thesis]. The Ohio State University; 2018. [cited 2018 Oct 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1523452860384935.

Council of Science Editors:

Little AE. Fragments are formless, as they do not hold together(things that are not touching). [Masters Thesis]. The Ohio State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1523452860384935


University of New Orleans

9. Owens, Ruth M, MD. Visual Pleasure and Racial Ambiguity.

Degree: M.F.A., Fine Arts, 2018, University of New Orleans

  I struggle to present work that reflects a psychological expressivity which at the same time conveys intellectual concepts that are of concern to me.… (more)

Subjects/Keywords: painting, expressionism, racial identity, feminism, mixed race, identity; Art Practice; Arts and Humanities; Theory and Philosophy

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APA (6th Edition):

Owens, Ruth M, M. (2018). Visual Pleasure and Racial Ambiguity. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/2520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Owens, Ruth M, MD. “Visual Pleasure and Racial Ambiguity.” 2018. Thesis, University of New Orleans. Accessed October 21, 2018. https://scholarworks.uno.edu/td/2520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Owens, Ruth M, MD. “Visual Pleasure and Racial Ambiguity.” 2018. Web. 21 Oct 2018.

Vancouver:

Owens, Ruth M M. Visual Pleasure and Racial Ambiguity. [Internet] [Thesis]. University of New Orleans; 2018. [cited 2018 Oct 21]. Available from: https://scholarworks.uno.edu/td/2520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Owens, Ruth M M. Visual Pleasure and Racial Ambiguity. [Thesis]. University of New Orleans; 2018. Available from: https://scholarworks.uno.edu/td/2520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Washington

10. BURR, DAVID Charles. Shorthanded.

Degree: 2018, University of Washington

 How can the development of personalized language be supported through a survey of visual experience? Interacting with any system asks us to formulate a reaction… (more)

Subjects/Keywords: Drawing; Film; Gestalt; Painting; Participation; Performance; Fine arts; Fine arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

BURR, D. C. (2018). Shorthanded. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/42351

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

BURR, DAVID Charles. “Shorthanded.” 2018. Thesis, University of Washington. Accessed October 21, 2018. http://hdl.handle.net/1773/42351.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

BURR, DAVID Charles. “Shorthanded.” 2018. Web. 21 Oct 2018.

Vancouver:

BURR DC. Shorthanded. [Internet] [Thesis]. University of Washington; 2018. [cited 2018 Oct 21]. Available from: http://hdl.handle.net/1773/42351.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

BURR DC. Shorthanded. [Thesis]. University of Washington; 2018. Available from: http://hdl.handle.net/1773/42351

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

11. Tai, Hung-Yu. A study of poetry and painting in Tang Dynasty.

Degree: Master, Chinese Literature, 2018, NSYSU

 Chinese poetries are excellent in both emotion and literary compositions. They flowed as time went on, inherited from different dynasties and generations, therefore have chanted… (more)

Subjects/Keywords: Landscape poetry-painting; ï¦ä»£åç«è¨; Zhuangzi; Wang Wei; Theory of landscape painting in the Six Dynasties

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tai, H. (2018). A study of poetry and painting in Tang Dynasty. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0430118-164944

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tai, Hung-Yu. “A study of poetry and painting in Tang Dynasty.” 2018. Thesis, NSYSU. Accessed October 21, 2018. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0430118-164944.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tai, Hung-Yu. “A study of poetry and painting in Tang Dynasty.” 2018. Web. 21 Oct 2018.

Vancouver:

Tai H. A study of poetry and painting in Tang Dynasty. [Internet] [Thesis]. NSYSU; 2018. [cited 2018 Oct 21]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0430118-164944.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tai H. A study of poetry and painting in Tang Dynasty. [Thesis]. NSYSU; 2018. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0430118-164944

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Victoria

12. Jessop, Lesley Patricia. Pictorial cycles of non-biblical saints: the evidence of the 8th century mural cycles in Rome.

Degree: Department of Art History and Visual Studies, 2018, University of Victoria

 Due to the influence of the Greek-speaking immigrants who flocked into the city of Rome over the course of the 7th and 8th centuries, there… (more)

Subjects/Keywords: Mural painting and decoration, Early Christian; Italy, Rome; Saints; Cult

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jessop, L. P. (2018). Pictorial cycles of non-biblical saints: the evidence of the 8th century mural cycles in Rome. (Thesis). University of Victoria. Retrieved from https://dspace.library.uvic.ca//handle/1828/9654

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jessop, Lesley Patricia. “Pictorial cycles of non-biblical saints: the evidence of the 8th century mural cycles in Rome.” 2018. Thesis, University of Victoria. Accessed October 21, 2018. https://dspace.library.uvic.ca//handle/1828/9654.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jessop, Lesley Patricia. “Pictorial cycles of non-biblical saints: the evidence of the 8th century mural cycles in Rome.” 2018. Web. 21 Oct 2018.

Vancouver:

Jessop LP. Pictorial cycles of non-biblical saints: the evidence of the 8th century mural cycles in Rome. [Internet] [Thesis]. University of Victoria; 2018. [cited 2018 Oct 21]. Available from: https://dspace.library.uvic.ca//handle/1828/9654.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jessop LP. Pictorial cycles of non-biblical saints: the evidence of the 8th century mural cycles in Rome. [Thesis]. University of Victoria; 2018. Available from: https://dspace.library.uvic.ca//handle/1828/9654

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Martínez Hermoso, Juan Antonio. Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa.

Degree: 2018, Universidad de Córdoba, UCOPress

Subjects/Keywords: Antiguo Egipto; Reino Medio; Dinastía XII; Arquitectura funeraria; Complejo Funerario; Hipogeo; Patio exterior; Capilla funeraria; Cámara de enterramiento; Métodos de diseño; Sistemas constructivos; Sala hipóstila; Santuario; Pintura mural; Cuadrícula auxiliar; Canon egipcio; Necrópolis de Qubbet el-Hawa; Sarenput II; Funerary architecture; Ancient Egypt; Middle Kingdom; 12th Dynasty; Funeral Complex; Rock-cut tomb; Outer court; Funerary Chapel; Burial chamber; Design methods; Construction systems; Hypostyle hall; Sanctuary; Mural painting; Auxiliary Grid; Egyptian canon; Necropolis of Qubbet el-Hawa; Sarenput II

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Martínez Hermoso, J. A. (2018). Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa. (Thesis). Universidad de Córdoba, UCOPress. Retrieved from http://hdl.handle.net/10396/14783

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Martínez Hermoso, Juan Antonio. “Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa.” 2018. Thesis, Universidad de Córdoba, UCOPress. Accessed October 21, 2018. http://hdl.handle.net/10396/14783.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Martínez Hermoso, Juan Antonio. “Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa.” 2018. Web. 21 Oct 2018.

Vancouver:

Martínez Hermoso JA. Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa. [Internet] [Thesis]. Universidad de Córdoba, UCOPress; 2018. [cited 2018 Oct 21]. Available from: http://hdl.handle.net/10396/14783.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Martínez Hermoso JA. Representación gráfica y diseño de la tumba de Sarenput II (QH31). Arquitectura funeraria de la necrópolis de Qubbet El-Hawa. [Thesis]. Universidad de Córdoba, UCOPress; 2018. Available from: http://hdl.handle.net/10396/14783

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

14. Zhang, Yue. Tactile Painting Easel: For people with limited vision.

Degree: MFA, School of Design (CAD), 2018, Rochester Institute of Technology

  Visual art is probably the oldest art. But people with vision challenges have been held back, perhaps for many years by avoiding making art.… (more)

Subjects/Keywords: Blind; Design; Easel; Painting; Visual disability

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zhang, Y. (2018). Tactile Painting Easel: For people with limited vision. (Thesis). Rochester Institute of Technology. Retrieved from http://scholarworks.rit.edu/theses/9850

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zhang, Yue. “Tactile Painting Easel: For people with limited vision.” 2018. Thesis, Rochester Institute of Technology. Accessed October 21, 2018. http://scholarworks.rit.edu/theses/9850.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zhang, Yue. “Tactile Painting Easel: For people with limited vision.” 2018. Web. 21 Oct 2018.

Vancouver:

Zhang Y. Tactile Painting Easel: For people with limited vision. [Internet] [Thesis]. Rochester Institute of Technology; 2018. [cited 2018 Oct 21]. Available from: http://scholarworks.rit.edu/theses/9850.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zhang Y. Tactile Painting Easel: For people with limited vision. [Thesis]. Rochester Institute of Technology; 2018. Available from: http://scholarworks.rit.edu/theses/9850

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

15. Boyd, Avery. Creatures of Wonder: Insects and small animals in early modern European art and studies of nature.

Degree: 2018, Leiden University

 Over the early modern period Europe saw great change in its practices of the studies of nature as a result of the invention of the… (more)

Subjects/Keywords: nature; insects; lifecasting; painting; science; natural studies; spontaneous generation; cabinet miniature; wunderkammer; cabinet of wonder

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Boyd, A. (2018). Creatures of Wonder: Insects and small animals in early modern European art and studies of nature. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/63583

Chicago Manual of Style (16th Edition):

Boyd, Avery. “Creatures of Wonder: Insects and small animals in early modern European art and studies of nature.” 2018. Masters Thesis, Leiden University. Accessed October 21, 2018. http://hdl.handle.net/1887/63583.

MLA Handbook (7th Edition):

Boyd, Avery. “Creatures of Wonder: Insects and small animals in early modern European art and studies of nature.” 2018. Web. 21 Oct 2018.

Vancouver:

Boyd A. Creatures of Wonder: Insects and small animals in early modern European art and studies of nature. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2018 Oct 21]. Available from: http://hdl.handle.net/1887/63583.

Council of Science Editors:

Boyd A. Creatures of Wonder: Insects and small animals in early modern European art and studies of nature. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/63583


University of St. Andrews

16. Labo, Nora. Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion .

Degree: 2018, University of St. Andrews

 While the role of photography in enforcing hegemonic ideologies has been amply studied, this thesis addresses the under-researched topic of how photography undermined dominant narratives… (more)

Subjects/Keywords: History of photography; Environmental history; Nineteenth-century photography; Botanical photography; Colonial history; Colonial photography; French photography; Belgian photography; Brazilian photography; History of the Amazon region; Barbizon school; Early environmentalism; Second Empire France; Amazonian rubber boom; Plants in photography; Fontainebleau; Belgium; Brazil; Amazon; Tropical representations; Tropics; Ecology; Jean Massart; Jacques Huber; Nature as spectacle; Hierarchies of nature; Exoticism; Nature conservation; Visual studies; Critique of anthropocentrism; Étude d'après nature; Colonial science; Familiarity; Banality; Resistances to ideology; Palm trees; Weeds; Botany; Tourism; Photography and painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Labo, N. (2018). Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/12807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Labo, Nora. “Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion .” 2018. Thesis, University of St. Andrews. Accessed October 21, 2018. http://hdl.handle.net/10023/12807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Labo, Nora. “Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion .” 2018. Web. 21 Oct 2018.

Vancouver:

Labo N. Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion . [Internet] [Thesis]. University of St. Andrews; 2018. [cited 2018 Oct 21]. Available from: http://hdl.handle.net/10023/12807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Labo N. Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion . [Thesis]. University of St. Andrews; 2018. Available from: http://hdl.handle.net/10023/12807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Euskal Herriko Unibertsitatea / Universidad del País Vasco

17. Yuan, Ruonan. El optimismo social y su plasmación pictórica. Desarrollo gráfico de fusión entre las utopías visuales chinas y occidentales.

Degree: 2018, Euskal Herriko Unibertsitatea / Universidad del País Vasco

 Relaciones estéticas entre China y Occidente. Influencias recíprocas en las diferentes fases de la historia. Occidentalización de la imagen popular en el siglo XX. Retórica… (more)

Subjects/Keywords: fine arts aesthetics; painting; photography; estética de las Bellas Artes; pintura; fotografía

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yuan, R. (2018). El optimismo social y su plasmación pictórica. Desarrollo gráfico de fusión entre las utopías visuales chinas y occidentales. (Doctoral Dissertation). Euskal Herriko Unibertsitatea / Universidad del País Vasco. Retrieved from http://hdl.handle.net/10810/28830

Chicago Manual of Style (16th Edition):

Yuan, Ruonan. “El optimismo social y su plasmación pictórica. Desarrollo gráfico de fusión entre las utopías visuales chinas y occidentales. ” 2018. Doctoral Dissertation, Euskal Herriko Unibertsitatea / Universidad del País Vasco. Accessed October 21, 2018. http://hdl.handle.net/10810/28830.

MLA Handbook (7th Edition):

Yuan, Ruonan. “El optimismo social y su plasmación pictórica. Desarrollo gráfico de fusión entre las utopías visuales chinas y occidentales. ” 2018. Web. 21 Oct 2018.

Vancouver:

Yuan R. El optimismo social y su plasmación pictórica. Desarrollo gráfico de fusión entre las utopías visuales chinas y occidentales. [Internet] [Doctoral dissertation]. Euskal Herriko Unibertsitatea / Universidad del País Vasco; 2018. [cited 2018 Oct 21]. Available from: http://hdl.handle.net/10810/28830.

Council of Science Editors:

Yuan R. El optimismo social y su plasmación pictórica. Desarrollo gráfico de fusión entre las utopías visuales chinas y occidentales. [Doctoral Dissertation]. Euskal Herriko Unibertsitatea / Universidad del País Vasco; 2018. Available from: http://hdl.handle.net/10810/28830

18. Rea, Giorgio. Imagines pictae. Il ritratto nella pittura romana : Imagines pictae. Portraits in Roman painting.

Degree: Docteur es, Théorie et pratique de l'archéologie, 2018, Sorbonne université; Università degli studi (Milan, Italie)

Ce projet vise à reconstruire le développement du portrait peint à Rome et l’utilisation de ce type de support figuré à Rome, à partir de… (more)

Subjects/Keywords: Portrait peint; Portrait du Fayum; Portrait romain; Peinture romaine; Painting Portrait; Fayum Portraits; Roman Portrait; Roman Painting; Ritratto dipinto; Ritratti romani; Ritratti del Fayum; Pittura romana

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rea, G. (2018). Imagines pictae. Il ritratto nella pittura romana : Imagines pictae. Portraits in Roman painting. (Doctoral Dissertation). Sorbonne université; Università degli studi (Milan, Italie). Retrieved from http://www.theses.fr/2018SORUL070

Chicago Manual of Style (16th Edition):

Rea, Giorgio. “Imagines pictae. Il ritratto nella pittura romana : Imagines pictae. Portraits in Roman painting.” 2018. Doctoral Dissertation, Sorbonne université; Università degli studi (Milan, Italie). Accessed October 21, 2018. http://www.theses.fr/2018SORUL070.

MLA Handbook (7th Edition):

Rea, Giorgio. “Imagines pictae. Il ritratto nella pittura romana : Imagines pictae. Portraits in Roman painting.” 2018. Web. 21 Oct 2018.

Vancouver:

Rea G. Imagines pictae. Il ritratto nella pittura romana : Imagines pictae. Portraits in Roman painting. [Internet] [Doctoral dissertation]. Sorbonne université; Università degli studi (Milan, Italie); 2018. [cited 2018 Oct 21]. Available from: http://www.theses.fr/2018SORUL070.

Council of Science Editors:

Rea G. Imagines pictae. Il ritratto nella pittura romana : Imagines pictae. Portraits in Roman painting. [Doctoral Dissertation]. Sorbonne université; Università degli studi (Milan, Italie); 2018. Available from: http://www.theses.fr/2018SORUL070


Université de Montréal

19. Bérubé, Patricia. Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles .

Degree: 2018, Université de Montréal

Subjects/Keywords: Histoire de l’art; Muséologie; peinture; handicap visuel; non-public; public empêché; accessibilité; médiation; numérique; impression 3D; Art history; Museology; painting; visual handicap; impeded audience; mediation; digital; 3D printing.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bérubé, P. (2018). Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/20689

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bérubé, Patricia. “Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles .” 2018. Thesis, Université de Montréal. Accessed October 21, 2018. http://hdl.handle.net/1866/20689.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bérubé, Patricia. “Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles .” 2018. Web. 21 Oct 2018.

Vancouver:

Bérubé P. Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles . [Internet] [Thesis]. Université de Montréal; 2018. [cited 2018 Oct 21]. Available from: http://hdl.handle.net/1866/20689.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bérubé P. Vers une muséographie numérique : l’impression 3D en tant que dispositif de traduction auprès de publics malvoyants et aveugles . [Thesis]. Université de Montréal; 2018. Available from: http://hdl.handle.net/1866/20689

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

20. Alleyne, John. Convenient Camouflage.

Degree: MFA, Painting, 2018, Louisiana State University

 <h1>ABSTRACT</h1> Major influences in my work are most notably derived from the collages of Romare Bearden, paintings done by abstract expressionists Jackson Pollock and Mark… (more)

Subjects/Keywords: Painting; Drawing; Fine Art; Art; Studio Art; Art Practice

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APA (6th Edition):

Alleyne, J. (2018). Convenient Camouflage. (Masters Thesis). Louisiana State University. Retrieved from https://digitalcommons.lsu.edu/gradschool_theses/4738

Chicago Manual of Style (16th Edition):

Alleyne, John. “Convenient Camouflage.” 2018. Masters Thesis, Louisiana State University. Accessed October 21, 2018. https://digitalcommons.lsu.edu/gradschool_theses/4738.

MLA Handbook (7th Edition):

Alleyne, John. “Convenient Camouflage.” 2018. Web. 21 Oct 2018.

Vancouver:

Alleyne J. Convenient Camouflage. [Internet] [Masters thesis]. Louisiana State University; 2018. [cited 2018 Oct 21]. Available from: https://digitalcommons.lsu.edu/gradschool_theses/4738.

Council of Science Editors:

Alleyne J. Convenient Camouflage. [Masters Thesis]. Louisiana State University; 2018. Available from: https://digitalcommons.lsu.edu/gradschool_theses/4738


California State University – San Bernardino

21. Schmidt, Daniel. White Gilt.

Degree: Master of Fine Arts in Studio Art, Art, 2018, California State University – San Bernardino

  White Gilt This exhibition is a dissection of American masculinity and institutional oppression. The systematic mistreatment of people within certain social identity groups is… (more)

Subjects/Keywords: art; painting; sculpture; masculinity; oppression; power; sexuality; power; Fine Arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schmidt, D. (2018). White Gilt. (Thesis). California State University – San Bernardino. Retrieved from http://scholarworks.lib.csusb.edu/etd/742

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schmidt, Daniel. “White Gilt.” 2018. Thesis, California State University – San Bernardino. Accessed October 21, 2018. http://scholarworks.lib.csusb.edu/etd/742.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schmidt, Daniel. “White Gilt.” 2018. Web. 21 Oct 2018.

Vancouver:

Schmidt D. White Gilt. [Internet] [Thesis]. California State University – San Bernardino; 2018. [cited 2018 Oct 21]. Available from: http://scholarworks.lib.csusb.edu/etd/742.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schmidt D. White Gilt. [Thesis]. California State University – San Bernardino; 2018. Available from: http://scholarworks.lib.csusb.edu/etd/742

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Sádaba Murguía, Estíbaliz. Espacio doméstico, cuerpo domesticado. Una aproximación al ámbito doméstico desde la práctica artística feminista.

Degree: 2018, Universidad del País Vasco

 El ámbito doméstico ha sido en nuestras culturas, desde tiempos inmemoriales, el espacio dereclusión y encierro de las mujeres, por distintas razones de tipo histórico,… (more)

Subjects/Keywords: painting; pintura

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APA (6th Edition):

Sádaba Murguía, E. (2018). Espacio doméstico, cuerpo domesticado. Una aproximación al ámbito doméstico desde la práctica artística feminista. (Thesis). Universidad del País Vasco. Retrieved from http://hdl.handle.net/10810/27152

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sádaba Murguía, Estíbaliz. “Espacio doméstico, cuerpo domesticado. Una aproximación al ámbito doméstico desde la práctica artística feminista.” 2018. Thesis, Universidad del País Vasco. Accessed October 21, 2018. http://hdl.handle.net/10810/27152.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sádaba Murguía, Estíbaliz. “Espacio doméstico, cuerpo domesticado. Una aproximación al ámbito doméstico desde la práctica artística feminista.” 2018. Web. 21 Oct 2018.

Vancouver:

Sádaba Murguía E. Espacio doméstico, cuerpo domesticado. Una aproximación al ámbito doméstico desde la práctica artística feminista. [Internet] [Thesis]. Universidad del País Vasco; 2018. [cited 2018 Oct 21]. Available from: http://hdl.handle.net/10810/27152.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sádaba Murguía E. Espacio doméstico, cuerpo domesticado. Una aproximación al ámbito doméstico desde la práctica artística feminista. [Thesis]. Universidad del País Vasco; 2018. Available from: http://hdl.handle.net/10810/27152

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad Nacional de Colombia

23. Sánchez Bermúdez, Javier. De sobremesa: una escritura poética del modernismo latinoamericano en la órbita estética de José Asunción Silva 1865-1896.

Degree: http://bdigital.unal.edu.co/63781/, 2018, Universidad Nacional de Colombia

El objetivo de esta investigación se define en una lectura otra de De sobremesa, única novela del poeta y narrador bogotano José Asunción Silva, con… (more)

Subjects/Keywords: 7 Las artes; Bellas artes y artes decorativas / Arts & recreation; 75 Pintura y pinturas / Painting; 8 Literatura y retórica / Literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sánchez Bermúdez, J. (2018). De sobremesa: una escritura poética del modernismo latinoamericano en la órbita estética de José Asunción Silva 1865-1896. (Thesis). Universidad Nacional de Colombia. Retrieved from http://bdigital.unal.edu.co/63781/1/Tesis%20Maestria%20Terminada%2C%20Javier%20S%C3%A1nchez%20Berm%C3%BAdez.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sánchez Bermúdez, Javier. “De sobremesa: una escritura poética del modernismo latinoamericano en la órbita estética de José Asunción Silva 1865-1896.” 2018. Thesis, Universidad Nacional de Colombia. Accessed October 21, 2018. http://bdigital.unal.edu.co/63781/1/Tesis%20Maestria%20Terminada%2C%20Javier%20S%C3%A1nchez%20Berm%C3%BAdez.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sánchez Bermúdez, Javier. “De sobremesa: una escritura poética del modernismo latinoamericano en la órbita estética de José Asunción Silva 1865-1896.” 2018. Web. 21 Oct 2018.

Vancouver:

Sánchez Bermúdez J. De sobremesa: una escritura poética del modernismo latinoamericano en la órbita estética de José Asunción Silva 1865-1896. [Internet] [Thesis]. Universidad Nacional de Colombia; 2018. [cited 2018 Oct 21]. Available from: http://bdigital.unal.edu.co/63781/1/Tesis%20Maestria%20Terminada%2C%20Javier%20S%C3%A1nchez%20Berm%C3%BAdez.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sánchez Bermúdez J. De sobremesa: una escritura poética del modernismo latinoamericano en la órbita estética de José Asunción Silva 1865-1896. [Thesis]. Universidad Nacional de Colombia; 2018. Available from: http://bdigital.unal.edu.co/63781/1/Tesis%20Maestria%20Terminada%2C%20Javier%20S%C3%A1nchez%20Berm%C3%BAdez.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Dupuis-Desormeaux, Nathalie. TUTTI! - Music Composition as Dialogue.

Degree: PhD, Music, 2018, York University

 As an engineer, when I could not comprehend a physical phenomenon, I turned to mathematics. As a mathematician, when I could not link sciences to… (more)

Subjects/Keywords: Cognitive psychology; Music composition; Polyphonic music composition; Cognitively informed polyphonic music composition; Dialogical Music Composition Method; Dialogic music composition method; Music theory; Dialogic contrapuntal harmony; Orchestration; Melody; Harmony; Polyphony; Counterpoint; Rhythm; Form; Growth; Music architecture; Music analysis; Dialogue; Music dialogue; Dialog; Music dialog; Dialogism; Bakhtin; Reception theory; Gadamer; Kant; Hegel; Adorno; Schoenberg; Stravinsky; Hindemith; Toch; Huron; Bregman; Francès; Dialogic communication; Music communication; Musical communication; Compelling music; Inclusion; Inclusivity; Inclusiveness; Participation; Participatory music; Music as society; Music as community; Music sociology; Engaging music; Engagement; Collaboration; Balanced dialogue in music; Biophony; Niche discrimination; Krause; Communication studies; Language; Music aesthetics; Aesthetics; Philosophy of music; Musicology; Cognitive psychology; Auditory perception; Music cognition; Cognition; Psychology of perception; Reception; Music reception; Auditory streaming; Auditory scene analysis; Gestalt psychology; Authorship; Imagination; Intertextuality; Mimesis; Appropriation; Appropriative authorship; Authoring; Re-authoring; Imagination as creation; Psychoacoustics; Expectation theory; Theory of expectation; Expectation; Psychology of expectation; Tutti; Music arousal; Intellectual arousal; Emotional arousal; Sensory arousal; Entrainment; Physicality; Stability; Variety; Closure; Uniqueness; Sequential dialogue; Collaborative dialogue; Disjoint dialogue; Surprise; Drama; Dramatic structure; Structure of drama; Dramatic work; Freitag; Representation; Memory; Repetition; Experience; Anticipation; Pointing; Anchoring; Anchor; Tonality; Tonal anchor; Close neighbors; Individuality; Collectivity; Formalism; Functionalism; Subjectivity; Structuralism; Cohen; Marburg; Auditory learning; Style; Conventions; Acculturation; Semiotics; Dynamic expectation; Schematic expectation; Veridical expectation; Symmetry; Motivic repetition; Thematic repetition; Style analysis; Modulation; Modulation tools; Memory as experience; Familiarity; Redundancy; Compositional acculturation; Rimsky-Korsakov; Gevaert; Rameau; Bimodality; Bi-modality; Diatonic; Overtones; Perceptual motion; Pitch proximities; Harmonic motion; Polytonality; Polyrhythm; Contemporary music; Art-music; Western art music; Neoclassicism; Modernism; Inclusive dialogue; What makes music compelling?; Selection and Structuring of Music Parameters to Create Inclusive; Engaging and Participatory Dialogue in Music Composition; Performance; Performativity; Small; Musicking; DeNora; Include; Engage; Listener; Audience; Interpretation; Play; Interaction; Interactive; Performer; Conductor; Orchestra; Orchestral music; Instrumental music; Absolute music; Tone painting; Word painting; Singing; Empathy; Mirror neuron; Music meaning; Music expression; Hanslick; Meyer; Langer

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dupuis-Desormeaux, N. (2018). TUTTI! - Music Composition as Dialogue. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/34488

Chicago Manual of Style (16th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Doctoral Dissertation, York University. Accessed October 21, 2018. http://hdl.handle.net/10315/34488.

MLA Handbook (7th Edition):

Dupuis-Desormeaux, Nathalie. “TUTTI! - Music Composition as Dialogue.” 2018. Web. 21 Oct 2018.

Vancouver:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Internet] [Doctoral dissertation]. York University; 2018. [cited 2018 Oct 21]. Available from: http://hdl.handle.net/10315/34488.

Council of Science Editors:

Dupuis-Desormeaux N. TUTTI! - Music Composition as Dialogue. [Doctoral Dissertation]. York University; 2018. Available from: http://hdl.handle.net/10315/34488


Washington University in St. Louis

25. Vosse, Paula. Literarische Filmsimulation: Heinrich Eduard Jacobs medienphilosophische Filmästhetik in "Blut und Zelluloid".

Degree: MA(AM/MA), Germanic Languages and Literatures, 2018, Washington University in St. Louis

  Heinrich Eduard Jacob´s novel Blut und Zelluloid was published in 1929 and therefore mostly reviewed as a critical artwork regarding European film-propaganda before the… (more)

Subjects/Keywords: Heinrich Eduard Jacob, Blut und Zelluloid, Weimarer Republik, Avantgardistische Literatur, 1929, Benjamin; Art Education; Art Practice; Continental Philosophy; Dramatic Literature, Criticism and Theory; European History; German Literature; Intellectual History; Modern Literature; Other Rhetoric and Composition; Painting; Philosophy of Language; Reading and Language; Rhetoric; Screenwriting; Theory and Criticism; Visual Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vosse, P. (2018). Literarische Filmsimulation: Heinrich Eduard Jacobs medienphilosophische Filmästhetik in "Blut und Zelluloid". (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/art_sci_etds/1293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vosse, Paula. “Literarische Filmsimulation: Heinrich Eduard Jacobs medienphilosophische Filmästhetik in "Blut und Zelluloid".” 2018. Thesis, Washington University in St. Louis. Accessed October 21, 2018. https://openscholarship.wustl.edu/art_sci_etds/1293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vosse, Paula. “Literarische Filmsimulation: Heinrich Eduard Jacobs medienphilosophische Filmästhetik in "Blut und Zelluloid".” 2018. Web. 21 Oct 2018.

Vancouver:

Vosse P. Literarische Filmsimulation: Heinrich Eduard Jacobs medienphilosophische Filmästhetik in "Blut und Zelluloid". [Internet] [Thesis]. Washington University in St. Louis; 2018. [cited 2018 Oct 21]. Available from: https://openscholarship.wustl.edu/art_sci_etds/1293.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vosse P. Literarische Filmsimulation: Heinrich Eduard Jacobs medienphilosophische Filmästhetik in "Blut und Zelluloid". [Thesis]. Washington University in St. Louis; 2018. Available from: https://openscholarship.wustl.edu/art_sci_etds/1293

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Washington University in St. Louis

26. Fergeson, Cecily Ann. Four Sights of the Patient (Ophelia).

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2018, Washington University in St. Louis

  I make work in a variety of media, largely dealing with the imagery and material of the human body. My current work attempts to… (more)

Subjects/Keywords: body; illness; medicine; hospital; photography; drawing; Art and Design; Art Practice; Bioethics and Medical Ethics; Feminist Philosophy; Medical Humanities; Painting; Photography; Theory and Criticism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fergeson, C. A. (2018). Four Sights of the Patient (Ophelia). (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/101

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fergeson, Cecily Ann. “Four Sights of the Patient (Ophelia).” 2018. Thesis, Washington University in St. Louis. Accessed October 21, 2018. https://openscholarship.wustl.edu/samfox_art_etds/101.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fergeson, Cecily Ann. “Four Sights of the Patient (Ophelia).” 2018. Web. 21 Oct 2018.

Vancouver:

Fergeson CA. Four Sights of the Patient (Ophelia). [Internet] [Thesis]. Washington University in St. Louis; 2018. [cited 2018 Oct 21]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/101.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fergeson CA. Four Sights of the Patient (Ophelia). [Thesis]. Washington University in St. Louis; 2018. Available from: https://openscholarship.wustl.edu/samfox_art_etds/101

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Washington University in St. Louis

27. Norell, Charis Schneider. Observance | A Passage.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2018, Washington University in St. Louis

  My art practice consists of drawing with fibers within handcrafted frame looms. I position these drawings as expanded, three-dimensional “drawing spaces,” creating medium-scale installations.… (more)

Subjects/Keywords: Memory; Longing for Home; Fiber; Drawing; Landscape; Nostalgia; Art and Design; Fiber, Textile, and Weaving Arts; Interdisciplinary Arts and Media; Painting; Sculpture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Norell, C. S. (2018). Observance | A Passage. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/108

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Norell, Charis Schneider. “Observance | A Passage.” 2018. Thesis, Washington University in St. Louis. Accessed October 21, 2018. https://openscholarship.wustl.edu/samfox_art_etds/108.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Norell, Charis Schneider. “Observance | A Passage.” 2018. Web. 21 Oct 2018.

Vancouver:

Norell CS. Observance | A Passage. [Internet] [Thesis]. Washington University in St. Louis; 2018. [cited 2018 Oct 21]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/108.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Norell CS. Observance | A Passage. [Thesis]. Washington University in St. Louis; 2018. Available from: https://openscholarship.wustl.edu/samfox_art_etds/108

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Washington University in St. Louis

28. Nakamoto, Brent. A Meditation in Three Parts.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2018, Washington University in St. Louis

  I’m interested in the way we read images—they way we see through an image’s surface in order to perceive its illusion, in the same… (more)

Subjects/Keywords: Zen Buddhism; Meditation; Japanese-American History; Portraiture; Self-Portraiture; Image Studies; Art and Design; Buddhist Studies; Fine Arts; Painting; Photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nakamoto, B. (2018). A Meditation in Three Parts. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nakamoto, Brent. “A Meditation in Three Parts.” 2018. Thesis, Washington University in St. Louis. Accessed October 21, 2018. https://openscholarship.wustl.edu/samfox_art_etds/114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nakamoto, Brent. “A Meditation in Three Parts.” 2018. Web. 21 Oct 2018.

Vancouver:

Nakamoto B. A Meditation in Three Parts. [Internet] [Thesis]. Washington University in St. Louis; 2018. [cited 2018 Oct 21]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nakamoto B. A Meditation in Three Parts. [Thesis]. Washington University in St. Louis; 2018. Available from: https://openscholarship.wustl.edu/samfox_art_etds/114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Washington University in St. Louis

29. Brown, Jenn. Misassembled Monsters.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2018, Washington University in St. Louis

  This thesis is a narrative of personal and material history. Through my work in painting, sculpture, and installation, I seek to share my story… (more)

Subjects/Keywords: monsters; armor; goth culture; gothic novel; psychological cage; mental barrier; Ancient, Medieval, Renaissance and Baroque Art and Architecture; Art and Design; Contemporary Art; Fiction; Fine Arts; Literature in English, Anglophone outside British Isles and North America; Literature in English, British Isles; Medieval Studies; Other English Language and Literature; Painting; Sculpture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brown, J. (2018). Misassembled Monsters. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brown, Jenn. “Misassembled Monsters.” 2018. Thesis, Washington University in St. Louis. Accessed October 21, 2018. https://openscholarship.wustl.edu/samfox_art_etds/113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brown, Jenn. “Misassembled Monsters.” 2018. Web. 21 Oct 2018.

Vancouver:

Brown J. Misassembled Monsters. [Internet] [Thesis]. Washington University in St. Louis; 2018. [cited 2018 Oct 21]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown J. Misassembled Monsters. [Thesis]. Washington University in St. Louis; 2018. Available from: https://openscholarship.wustl.edu/samfox_art_etds/113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Washington University in St. Louis

30. Weininger, Sara. If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation of Objects, Encounters and The Passage of Time.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2018, Washington University in St. Louis

  The house is the structure. Within the house are rooms, spaces, hallways and corners. In those live the objects.The objects live on surfaces, surfaces… (more)

Subjects/Keywords: thesis; time; painting; objects; memory; superposition; Art and Design; Art Practice; Fine Arts; Philosophy; Psychology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Weininger, S. (2018). If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation of Objects, Encounters and The Passage of Time. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/106

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weininger, Sara. “If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation of Objects, Encounters and The Passage of Time.” 2018. Thesis, Washington University in St. Louis. Accessed October 21, 2018. https://openscholarship.wustl.edu/samfox_art_etds/106.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weininger, Sara. “If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation of Objects, Encounters and The Passage of Time.” 2018. Web. 21 Oct 2018.

Vancouver:

Weininger S. If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation of Objects, Encounters and The Passage of Time. [Internet] [Thesis]. Washington University in St. Louis; 2018. [cited 2018 Oct 21]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/106.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weininger S. If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation of Objects, Encounters and The Passage of Time. [Thesis]. Washington University in St. Louis; 2018. Available from: https://openscholarship.wustl.edu/samfox_art_etds/106

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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