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You searched for subject:(painting). Showing records 1 – 30 of 295 total matches.

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University of Arkansas

1. Buffington, Matthew Owen. Off the Grid.

Degree: MFA, Art (MFA), 2017, University of Arkansas

  Off the Grid explores the messy relationship between public and private perceptions of our urban spaces, especially the tensions created when lived experience runs… (more)

Subjects/Keywords: Cartography; Drawing; Painting; Illustration; Painting

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APA (6th Edition):

Buffington, M. O. (2017). Off the Grid. (Masters Thesis). University of Arkansas. Retrieved from http://scholarworks.uark.edu/etd/1977

Chicago Manual of Style (16th Edition):

Buffington, Matthew Owen. “Off the Grid.” 2017. Masters Thesis, University of Arkansas. Accessed August 16, 2018. http://scholarworks.uark.edu/etd/1977.

MLA Handbook (7th Edition):

Buffington, Matthew Owen. “Off the Grid.” 2017. Web. 16 Aug 2018.

Vancouver:

Buffington MO. Off the Grid. [Internet] [Masters thesis]. University of Arkansas; 2017. [cited 2018 Aug 16]. Available from: http://scholarworks.uark.edu/etd/1977.

Council of Science Editors:

Buffington MO. Off the Grid. [Masters Thesis]. University of Arkansas; 2017. Available from: http://scholarworks.uark.edu/etd/1977

2. García Fente, Lucía Oliva. La relación arte-industria en la colección propia del Museo Guggenheim Bilbao.

Degree: 2018, Universidad del País Vasco

 Las obras de arte de la Colección Propia del Museo Guggenheim Bilbao, como el edificio de esta institución, llevan la conciencia del espectador a la… (more)

Subjects/Keywords: painting; pintura

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APA (6th Edition):

García Fente, L. O. (2018). La relación arte-industria en la colección propia del Museo Guggenheim Bilbao. (Thesis). Universidad del País Vasco. Retrieved from http://hdl.handle.net/10810/26886

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

García Fente, Lucía Oliva. “La relación arte-industria en la colección propia del Museo Guggenheim Bilbao.” 2018. Thesis, Universidad del País Vasco. Accessed August 16, 2018. http://hdl.handle.net/10810/26886.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

García Fente, Lucía Oliva. “La relación arte-industria en la colección propia del Museo Guggenheim Bilbao.” 2018. Web. 16 Aug 2018.

Vancouver:

García Fente LO. La relación arte-industria en la colección propia del Museo Guggenheim Bilbao. [Internet] [Thesis]. Universidad del País Vasco; 2018. [cited 2018 Aug 16]. Available from: http://hdl.handle.net/10810/26886.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

García Fente LO. La relación arte-industria en la colección propia del Museo Guggenheim Bilbao. [Thesis]. Universidad del País Vasco; 2018. Available from: http://hdl.handle.net/10810/26886

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arkansas

3. Kurtzman, Alexis. Subject to Change.

Degree: MFA, Art (MFA), 2018, University of Arkansas

Subject to Change is comprised of a series of self-devised, ritually practiced free-associative action-mark-making strategies. Each procedure explores various degrees of chance operations and… (more)

Subjects/Keywords: Illustration; Painting

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APA (6th Edition):

Kurtzman, A. (2018). Subject to Change. (Masters Thesis). University of Arkansas. Retrieved from http://scholarworks.uark.edu/etd/2798

Chicago Manual of Style (16th Edition):

Kurtzman, Alexis. “Subject to Change.” 2018. Masters Thesis, University of Arkansas. Accessed August 16, 2018. http://scholarworks.uark.edu/etd/2798.

MLA Handbook (7th Edition):

Kurtzman, Alexis. “Subject to Change.” 2018. Web. 16 Aug 2018.

Vancouver:

Kurtzman A. Subject to Change. [Internet] [Masters thesis]. University of Arkansas; 2018. [cited 2018 Aug 16]. Available from: http://scholarworks.uark.edu/etd/2798.

Council of Science Editors:

Kurtzman A. Subject to Change. [Masters Thesis]. University of Arkansas; 2018. Available from: http://scholarworks.uark.edu/etd/2798


Tulane University

4. Maeyama, Kaori. Through a Glass Darkly.

Degree: 2017, Tulane University

1

Kaori Maeyama

Advisors/Committee Members: (author), Baab, Anthony (Thesis advisor), School of Liberal Arts Art (Degree granting institution).

Subjects/Keywords: painting

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APA (6th Edition):

Maeyama, K. (2017). Through a Glass Darkly. (Thesis). Tulane University. Retrieved from https://digitallibrary.tulane.edu/islandora/object/tulane:75415

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Maeyama, Kaori. “Through a Glass Darkly.” 2017. Thesis, Tulane University. Accessed August 16, 2018. https://digitallibrary.tulane.edu/islandora/object/tulane:75415.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Maeyama, Kaori. “Through a Glass Darkly.” 2017. Web. 16 Aug 2018.

Vancouver:

Maeyama K. Through a Glass Darkly. [Internet] [Thesis]. Tulane University; 2017. [cited 2018 Aug 16]. Available from: https://digitallibrary.tulane.edu/islandora/object/tulane:75415.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Maeyama K. Through a Glass Darkly. [Thesis]. Tulane University; 2017. Available from: https://digitallibrary.tulane.edu/islandora/object/tulane:75415

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

5. Scott, Rachel Maureen. ROMANCE PAINTING: l ' avant garde ne se rend pas .

Degree: 2016, University of Sydney

 What is the framework for discussing abstract painting in 2017? Is it modernism; art history; conceptual art; contemporary art; national or regional boundaries? All of… (more)

Subjects/Keywords: Abstract painting

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APA (6th Edition):

Scott, R. M. (2016). ROMANCE PAINTING: l ' avant garde ne se rend pas . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17794

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scott, Rachel Maureen. “ROMANCE PAINTING: l ' avant garde ne se rend pas .” 2016. Thesis, University of Sydney. Accessed August 16, 2018. http://hdl.handle.net/2123/17794.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scott, Rachel Maureen. “ROMANCE PAINTING: l ' avant garde ne se rend pas .” 2016. Web. 16 Aug 2018.

Vancouver:

Scott RM. ROMANCE PAINTING: l ' avant garde ne se rend pas . [Internet] [Thesis]. University of Sydney; 2016. [cited 2018 Aug 16]. Available from: http://hdl.handle.net/2123/17794.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scott RM. ROMANCE PAINTING: l ' avant garde ne se rend pas . [Thesis]. University of Sydney; 2016. Available from: http://hdl.handle.net/2123/17794

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Euskal Herriko Unibertsitatea / Universidad del País Vasco

6. Sádaba Murguía, Estíbaliz. Espacio doméstico, cuerpo domesticado. Una aproximación al ámbito doméstico desde la práctica artística feminista .

Degree: 2017, Euskal Herriko Unibertsitatea / Universidad del País Vasco

 El ámbito doméstico ha sido en nuestras culturas, desde tiempos inmemoriales, el espacio dereclusión y encierro de las mujeres, por distintas razones de tipo histórico,… (more)

Subjects/Keywords: painting; pintura

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sádaba Murguía, E. (2017). Espacio doméstico, cuerpo domesticado. Una aproximación al ámbito doméstico desde la práctica artística feminista . (Doctoral Dissertation). Euskal Herriko Unibertsitatea / Universidad del País Vasco. Retrieved from http://hdl.handle.net/10810/27152

Chicago Manual of Style (16th Edition):

Sádaba Murguía, Estíbaliz. “Espacio doméstico, cuerpo domesticado. Una aproximación al ámbito doméstico desde la práctica artística feminista .” 2017. Doctoral Dissertation, Euskal Herriko Unibertsitatea / Universidad del País Vasco. Accessed August 16, 2018. http://hdl.handle.net/10810/27152.

MLA Handbook (7th Edition):

Sádaba Murguía, Estíbaliz. “Espacio doméstico, cuerpo domesticado. Una aproximación al ámbito doméstico desde la práctica artística feminista .” 2017. Web. 16 Aug 2018.

Vancouver:

Sádaba Murguía E. Espacio doméstico, cuerpo domesticado. Una aproximación al ámbito doméstico desde la práctica artística feminista . [Internet] [Doctoral dissertation]. Euskal Herriko Unibertsitatea / Universidad del País Vasco; 2017. [cited 2018 Aug 16]. Available from: http://hdl.handle.net/10810/27152.

Council of Science Editors:

Sádaba Murguía E. Espacio doméstico, cuerpo domesticado. Una aproximación al ámbito doméstico desde la práctica artística feminista . [Doctoral Dissertation]. Euskal Herriko Unibertsitatea / Universidad del País Vasco; 2017. Available from: http://hdl.handle.net/10810/27152

7. Palin, Thomas. The condition of painting : reconsidering medium specificity.

Degree: PhD, 2018, Royal College of Art

 The aim of this investigation is to consider the extent to which the processes and material stuff of painting remain central to its identity and… (more)

Subjects/Keywords: W120 Painting

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APA (6th Edition):

Palin, T. (2018). The condition of painting : reconsidering medium specificity. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/3443/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742447

Chicago Manual of Style (16th Edition):

Palin, Thomas. “The condition of painting : reconsidering medium specificity.” 2018. Doctoral Dissertation, Royal College of Art. Accessed August 16, 2018. http://researchonline.rca.ac.uk/3443/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742447.

MLA Handbook (7th Edition):

Palin, Thomas. “The condition of painting : reconsidering medium specificity.” 2018. Web. 16 Aug 2018.

Vancouver:

Palin T. The condition of painting : reconsidering medium specificity. [Internet] [Doctoral dissertation]. Royal College of Art; 2018. [cited 2018 Aug 16]. Available from: http://researchonline.rca.ac.uk/3443/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742447.

Council of Science Editors:

Palin T. The condition of painting : reconsidering medium specificity. [Doctoral Dissertation]. Royal College of Art; 2018. Available from: http://researchonline.rca.ac.uk/3443/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742447

8. Mathus, Miguel. Monochrome and trace in contemporary painting.

Degree: PhD, 2018, Royal College of Art

 This project explicitly addresses the persistent question of the monochrome. I want to develop several figures of thought such as inscription, erasure and trace in… (more)

Subjects/Keywords: W120 Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mathus, M. (2018). Monochrome and trace in contemporary painting. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/3436/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742446

Chicago Manual of Style (16th Edition):

Mathus, Miguel. “Monochrome and trace in contemporary painting.” 2018. Doctoral Dissertation, Royal College of Art. Accessed August 16, 2018. http://researchonline.rca.ac.uk/3436/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742446.

MLA Handbook (7th Edition):

Mathus, Miguel. “Monochrome and trace in contemporary painting.” 2018. Web. 16 Aug 2018.

Vancouver:

Mathus M. Monochrome and trace in contemporary painting. [Internet] [Doctoral dissertation]. Royal College of Art; 2018. [cited 2018 Aug 16]. Available from: http://researchonline.rca.ac.uk/3436/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742446.

Council of Science Editors:

Mathus M. Monochrome and trace in contemporary painting. [Doctoral Dissertation]. Royal College of Art; 2018. Available from: http://researchonline.rca.ac.uk/3436/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742446


Euskal Herriko Unibertsitatea / Universidad del País Vasco

9. Gianardi, Gaia. La pintura en su devenir. Del impulso pictórico al proceso creativo.

Degree: 2017, Euskal Herriko Unibertsitatea / Universidad del País Vasco

 La tesis está construida sobre la hipótesis de base que afirma que la pintura es un rito por medio del cual se expresa una forma… (more)

Subjects/Keywords: painting; pintura

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gianardi, G. (2017). La pintura en su devenir. Del impulso pictórico al proceso creativo. (Doctoral Dissertation). Euskal Herriko Unibertsitatea / Universidad del País Vasco. Retrieved from http://hdl.handle.net/10810/24150

Chicago Manual of Style (16th Edition):

Gianardi, Gaia. “La pintura en su devenir. Del impulso pictórico al proceso creativo. ” 2017. Doctoral Dissertation, Euskal Herriko Unibertsitatea / Universidad del País Vasco. Accessed August 16, 2018. http://hdl.handle.net/10810/24150.

MLA Handbook (7th Edition):

Gianardi, Gaia. “La pintura en su devenir. Del impulso pictórico al proceso creativo. ” 2017. Web. 16 Aug 2018.

Vancouver:

Gianardi G. La pintura en su devenir. Del impulso pictórico al proceso creativo. [Internet] [Doctoral dissertation]. Euskal Herriko Unibertsitatea / Universidad del País Vasco; 2017. [cited 2018 Aug 16]. Available from: http://hdl.handle.net/10810/24150.

Council of Science Editors:

Gianardi G. La pintura en su devenir. Del impulso pictórico al proceso creativo. [Doctoral Dissertation]. Euskal Herriko Unibertsitatea / Universidad del País Vasco; 2017. Available from: http://hdl.handle.net/10810/24150


University of the Arts London

10. Goodyear, Alison. Privileged, unique and temporary : interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice.

Degree: PhD, 2017, University of the Arts London

 This practice led research examines the art historical hypotheses of Denis Diderot and Michael Fried on the role of aesthetic absorption in painting practice. It… (more)

Subjects/Keywords: Fine Art; Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Goodyear, A. (2017). Privileged, unique and temporary : interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12456/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738025

Chicago Manual of Style (16th Edition):

Goodyear, Alison. “Privileged, unique and temporary : interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice.” 2017. Doctoral Dissertation, University of the Arts London. Accessed August 16, 2018. http://ualresearchonline.arts.ac.uk/12456/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738025.

MLA Handbook (7th Edition):

Goodyear, Alison. “Privileged, unique and temporary : interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice.” 2017. Web. 16 Aug 2018.

Vancouver:

Goodyear A. Privileged, unique and temporary : interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice. [Internet] [Doctoral dissertation]. University of the Arts London; 2017. [cited 2018 Aug 16]. Available from: http://ualresearchonline.arts.ac.uk/12456/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738025.

Council of Science Editors:

Goodyear A. Privileged, unique and temporary : interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice. [Doctoral Dissertation]. University of the Arts London; 2017. Available from: http://ualresearchonline.arts.ac.uk/12456/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738025


University of the Arts London

11. Goodyear, Alison. Privileged, unique and temporary: interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice.

Degree: 2017, University of the Arts London

 This practice led research examines the art historical hypotheses of Denis Diderot and Michael Fried on the role of aesthetic absorption in painting practice. It… (more)

Subjects/Keywords: Fine Art; Painting

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Goodyear, A. (2017). Privileged, unique and temporary: interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12456/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Goodyear, Alison. “Privileged, unique and temporary: interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice.” 2017. Thesis, University of the Arts London. Accessed August 16, 2018. http://ualresearchonline.arts.ac.uk/12456/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Goodyear, Alison. “Privileged, unique and temporary: interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice.” 2017. Web. 16 Aug 2018.

Vancouver:

Goodyear A. Privileged, unique and temporary: interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice. [Internet] [Thesis]. University of the Arts London; 2017. [cited 2018 Aug 16]. Available from: http://ualresearchonline.arts.ac.uk/12456/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goodyear A. Privileged, unique and temporary: interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice. [Thesis]. University of the Arts London; 2017. Available from: http://ualresearchonline.arts.ac.uk/12456/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Australian National University

12. Banks, Charlotte Susan. I Sing the Body Electric: Drawing and Painting Active Bodies in an Active Workplace .

Degree: 2017, Australian National University

 This project explores how drawing and painting based on extended observation can render vitality. Having embedded myself in my local automotive repair workshop, I made… (more)

Subjects/Keywords: gestural painting; figural painting; genre painting; vitality; embedded research; everyday; mechanics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Banks, C. S. (2017). I Sing the Body Electric: Drawing and Painting Active Bodies in an Active Workplace . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/143903

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Banks, Charlotte Susan. “I Sing the Body Electric: Drawing and Painting Active Bodies in an Active Workplace .” 2017. Thesis, Australian National University. Accessed August 16, 2018. http://hdl.handle.net/1885/143903.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Banks, Charlotte Susan. “I Sing the Body Electric: Drawing and Painting Active Bodies in an Active Workplace .” 2017. Web. 16 Aug 2018.

Vancouver:

Banks CS. I Sing the Body Electric: Drawing and Painting Active Bodies in an Active Workplace . [Internet] [Thesis]. Australian National University; 2017. [cited 2018 Aug 16]. Available from: http://hdl.handle.net/1885/143903.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Banks CS. I Sing the Body Electric: Drawing and Painting Active Bodies in an Active Workplace . [Thesis]. Australian National University; 2017. Available from: http://hdl.handle.net/1885/143903

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

13. Behrens, Monika. Reimaging seventeenth-century Dutch still life: a transformation into contemporary painting.

Degree: Art, 2017, University of New South Wales

 This research project reads seventeenth century Dutch still life through the lens of a contemporary painting practice. I contribute to the field of traditional seventeenth-century… (more)

Subjects/Keywords: Contemporary Painting; Painting; 17th Century Dutch Still Life; Composition; Still Life Painting; Art History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Behrens, M. (2017). Reimaging seventeenth-century Dutch still life: a transformation into contemporary painting. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/58810

Chicago Manual of Style (16th Edition):

Behrens, Monika. “Reimaging seventeenth-century Dutch still life: a transformation into contemporary painting.” 2017. Doctoral Dissertation, University of New South Wales. Accessed August 16, 2018. http://handle.unsw.edu.au/1959.4/58810.

MLA Handbook (7th Edition):

Behrens, Monika. “Reimaging seventeenth-century Dutch still life: a transformation into contemporary painting.” 2017. Web. 16 Aug 2018.

Vancouver:

Behrens M. Reimaging seventeenth-century Dutch still life: a transformation into contemporary painting. [Internet] [Doctoral dissertation]. University of New South Wales; 2017. [cited 2018 Aug 16]. Available from: http://handle.unsw.edu.au/1959.4/58810.

Council of Science Editors:

Behrens M. Reimaging seventeenth-century Dutch still life: a transformation into contemporary painting. [Doctoral Dissertation]. University of New South Wales; 2017. Available from: http://handle.unsw.edu.au/1959.4/58810


University of the Arts London

14. Phelps, Sharon. Agnes Martin : painting as making and its relation to contemporary practice.

Degree: PhD, 2017, University of the Arts London

 Can nuances of surface – by drawing the viewer close – offer contemplative experience, and enable art-making methods to be better understood? I investigate Agnes… (more)

Subjects/Keywords: History of Art; Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Phelps, S. (2017). Agnes Martin : painting as making and its relation to contemporary practice. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12401/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738024

Chicago Manual of Style (16th Edition):

Phelps, Sharon. “Agnes Martin : painting as making and its relation to contemporary practice.” 2017. Doctoral Dissertation, University of the Arts London. Accessed August 16, 2018. http://ualresearchonline.arts.ac.uk/12401/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738024.

MLA Handbook (7th Edition):

Phelps, Sharon. “Agnes Martin : painting as making and its relation to contemporary practice.” 2017. Web. 16 Aug 2018.

Vancouver:

Phelps S. Agnes Martin : painting as making and its relation to contemporary practice. [Internet] [Doctoral dissertation]. University of the Arts London; 2017. [cited 2018 Aug 16]. Available from: http://ualresearchonline.arts.ac.uk/12401/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738024.

Council of Science Editors:

Phelps S. Agnes Martin : painting as making and its relation to contemporary practice. [Doctoral Dissertation]. University of the Arts London; 2017. Available from: http://ualresearchonline.arts.ac.uk/12401/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738024


Texas A&M University

15. Castaneda, Saif Aymen. Shading with Painterly Filtered Layers: A Process to Obtain Painterly Portraits.

Degree: MS, Visualization, 2017, Texas A&M University

 In this thesis, I study how color data from different styles of paintings can be extracted from photography with the end result maintaining the artistic… (more)

Subjects/Keywords: photography; painting; color data

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Castaneda, S. A. (2017). Shading with Painterly Filtered Layers: A Process to Obtain Painterly Portraits. (Masters Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/165954

Chicago Manual of Style (16th Edition):

Castaneda, Saif Aymen. “Shading with Painterly Filtered Layers: A Process to Obtain Painterly Portraits.” 2017. Masters Thesis, Texas A&M University. Accessed August 16, 2018. http://hdl.handle.net/1969.1/165954.

MLA Handbook (7th Edition):

Castaneda, Saif Aymen. “Shading with Painterly Filtered Layers: A Process to Obtain Painterly Portraits.” 2017. Web. 16 Aug 2018.

Vancouver:

Castaneda SA. Shading with Painterly Filtered Layers: A Process to Obtain Painterly Portraits. [Internet] [Masters thesis]. Texas A&M University; 2017. [cited 2018 Aug 16]. Available from: http://hdl.handle.net/1969.1/165954.

Council of Science Editors:

Castaneda SA. Shading with Painterly Filtered Layers: A Process to Obtain Painterly Portraits. [Masters Thesis]. Texas A&M University; 2017. Available from: http://hdl.handle.net/1969.1/165954


University of Hong Kong

16. 楊慶康; Yang, Qingkang. Pang Xunqin's wartime paintings, 1937-1946.

Degree: M. Phil., 2017, University of Hong Kong

 This study examines Pang Xunqin龐薰琹(1906-1985)’s wartime paintings created between 1937 and 1946. An artist who studied art in Paris in the 1920s, Pang actively promoted… (more)

Subjects/Keywords: Painting; Chinese - 20th century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

楊慶康; Yang, Q. (2017). Pang Xunqin's wartime paintings, 1937-1946. (Masters Thesis). University of Hong Kong. Retrieved from http://hdl.handle.net/10722/239934

Chicago Manual of Style (16th Edition):

楊慶康; Yang, Qingkang. “Pang Xunqin's wartime paintings, 1937-1946.” 2017. Masters Thesis, University of Hong Kong. Accessed August 16, 2018. http://hdl.handle.net/10722/239934.

MLA Handbook (7th Edition):

楊慶康; Yang, Qingkang. “Pang Xunqin's wartime paintings, 1937-1946.” 2017. Web. 16 Aug 2018.

Vancouver:

楊慶康; Yang Q. Pang Xunqin's wartime paintings, 1937-1946. [Internet] [Masters thesis]. University of Hong Kong; 2017. [cited 2018 Aug 16]. Available from: http://hdl.handle.net/10722/239934.

Council of Science Editors:

楊慶康; Yang Q. Pang Xunqin's wartime paintings, 1937-1946. [Masters Thesis]. University of Hong Kong; 2017. Available from: http://hdl.handle.net/10722/239934


University of Tasmania

17. Walch, MJ. The suspension of pictorial equilibrium : materialising mutability in the medium of paint.

Degree: 2017, University of Tasmania

 Paint’s fluid, plastic and viscous properties were used to renegotiate aspects of the painterly tradition in this studio-based research project. In the paintings that comprise… (more)

Subjects/Keywords: contemporary painting; plasticity; viscosity; materiality

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Walch, M. (2017). The suspension of pictorial equilibrium : materialising mutability in the medium of paint. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/23933/1/Walch_whole_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walch, MJ. “The suspension of pictorial equilibrium : materialising mutability in the medium of paint.” 2017. Thesis, University of Tasmania. Accessed August 16, 2018. https://eprints.utas.edu.au/23933/1/Walch_whole_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walch, MJ. “The suspension of pictorial equilibrium : materialising mutability in the medium of paint.” 2017. Web. 16 Aug 2018.

Vancouver:

Walch M. The suspension of pictorial equilibrium : materialising mutability in the medium of paint. [Internet] [Thesis]. University of Tasmania; 2017. [cited 2018 Aug 16]. Available from: https://eprints.utas.edu.au/23933/1/Walch_whole_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walch M. The suspension of pictorial equilibrium : materialising mutability in the medium of paint. [Thesis]. University of Tasmania; 2017. Available from: https://eprints.utas.edu.au/23933/1/Walch_whole_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Western Carolina University

18. Farmer, Paul Matthew. Never fully right.

Degree: 2016, Western Carolina University

 In my sculptural paintings, which I refer to as Hybrids, the covering/uncovering relationship between the beautiful and the repulsive elements is a metaphor for art’s… (more)

Subjects/Keywords: Sculpture; Painting; Video art; Ontology

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APA (6th Edition):

Farmer, P. M. (2016). Never fully right. (Masters Thesis). Western Carolina University. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21207

Chicago Manual of Style (16th Edition):

Farmer, Paul Matthew. “Never fully right.” 2016. Masters Thesis, Western Carolina University. Accessed August 16, 2018. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21207.

MLA Handbook (7th Edition):

Farmer, Paul Matthew. “Never fully right.” 2016. Web. 16 Aug 2018.

Vancouver:

Farmer PM. Never fully right. [Internet] [Masters thesis]. Western Carolina University; 2016. [cited 2018 Aug 16]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21207.

Council of Science Editors:

Farmer PM. Never fully right. [Masters Thesis]. Western Carolina University; 2016. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21207


University of California – San Diego

19. Saunders, Joshua Martin. School's Out Forever.

Degree: Visual Arts, 2017, University of California – San Diego

 ABSTRACT OF THE THESISSchool’s Out ForeverbyJoshua SaundersMaster of Fine Arts in Visual ArtsUNIVERSITY OF CALIFORNIA, SAN DIEGO, 2017Professor Rubén Ortiz-Torres, ChairThis writing attempts to use… (more)

Subjects/Keywords: Fine arts; color; painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Saunders, J. M. (2017). School's Out Forever. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/6w17x332

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Saunders, Joshua Martin. “School's Out Forever.” 2017. Thesis, University of California – San Diego. Accessed August 16, 2018. http://www.escholarship.org/uc/item/6w17x332.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Saunders, Joshua Martin. “School's Out Forever.” 2017. Web. 16 Aug 2018.

Vancouver:

Saunders JM. School's Out Forever. [Internet] [Thesis]. University of California – San Diego; 2017. [cited 2018 Aug 16]. Available from: http://www.escholarship.org/uc/item/6w17x332.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Saunders JM. School's Out Forever. [Thesis]. University of California – San Diego; 2017. Available from: http://www.escholarship.org/uc/item/6w17x332

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Huddersfield

20. [No author]. Narrative through texture: shaping sound through abstract painting in my practice of ambient music.

Degree: other, School of Music, Humanities and Media, 2017, University of Huddersfield

 In an aesthetic of ambient music, this research investigates the creation of musical narrative through texture. The author finds varying results by experimenting with two… (more)

Subjects/Keywords: M Music; ND Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

author], [. (2017). Narrative through texture: shaping sound through abstract painting in my practice of ambient music. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/31211/

Chicago Manual of Style (16th Edition):

author], [No. “Narrative through texture: shaping sound through abstract painting in my practice of ambient music.” 2017. Masters Thesis, University of Huddersfield. Accessed August 16, 2018. http://eprints.hud.ac.uk/id/eprint/31211/.

MLA Handbook (7th Edition):

author], [No. “Narrative through texture: shaping sound through abstract painting in my practice of ambient music.” 2017. Web. 16 Aug 2018.

Vancouver:

author] [. Narrative through texture: shaping sound through abstract painting in my practice of ambient music. [Internet] [Masters thesis]. University of Huddersfield; 2017. [cited 2018 Aug 16]. Available from: http://eprints.hud.ac.uk/id/eprint/31211/.

Council of Science Editors:

author] [. Narrative through texture: shaping sound through abstract painting in my practice of ambient music. [Masters Thesis]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/31211/


University of Victoria

21. Wang, Siying. Aesthetics of colours in Japanese traditional paintings and woodblock prints in the Edo Period.

Degree: Department of Pacific and Asian Studies, 2017, University of Victoria

 The aim of this thesis is to examine and study Japanese traditional colours: gold and red for the Kanō school, blue and purple for the… (more)

Subjects/Keywords: Color; Asian art; Japanese painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wang, S. (2017). Aesthetics of colours in Japanese traditional paintings and woodblock prints in the Edo Period. (Masters Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/7730

Chicago Manual of Style (16th Edition):

Wang, Siying. “Aesthetics of colours in Japanese traditional paintings and woodblock prints in the Edo Period.” 2017. Masters Thesis, University of Victoria. Accessed August 16, 2018. http://hdl.handle.net/1828/7730.

MLA Handbook (7th Edition):

Wang, Siying. “Aesthetics of colours in Japanese traditional paintings and woodblock prints in the Edo Period.” 2017. Web. 16 Aug 2018.

Vancouver:

Wang S. Aesthetics of colours in Japanese traditional paintings and woodblock prints in the Edo Period. [Internet] [Masters thesis]. University of Victoria; 2017. [cited 2018 Aug 16]. Available from: http://hdl.handle.net/1828/7730.

Council of Science Editors:

Wang S. Aesthetics of colours in Japanese traditional paintings and woodblock prints in the Edo Period. [Masters Thesis]. University of Victoria; 2017. Available from: http://hdl.handle.net/1828/7730


University of the Arts London

22. Phelps, Sharon. Agnes Martin: painting as making and its relation to contemporary practice.

Degree: 2017, University of the Arts London

 Can nuances of surface – by drawing the viewer close – offer contemplative experience, and enable art-making methods to be better understood? I investigate Agnes… (more)

Subjects/Keywords: History of Art; Painting

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APA (6th Edition):

Phelps, S. (2017). Agnes Martin: painting as making and its relation to contemporary practice. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12401/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Phelps, Sharon. “Agnes Martin: painting as making and its relation to contemporary practice.” 2017. Thesis, University of the Arts London. Accessed August 16, 2018. http://ualresearchonline.arts.ac.uk/12401/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Phelps, Sharon. “Agnes Martin: painting as making and its relation to contemporary practice.” 2017. Web. 16 Aug 2018.

Vancouver:

Phelps S. Agnes Martin: painting as making and its relation to contemporary practice. [Internet] [Thesis]. University of the Arts London; 2017. [cited 2018 Aug 16]. Available from: http://ualresearchonline.arts.ac.uk/12401/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Phelps S. Agnes Martin: painting as making and its relation to contemporary practice. [Thesis]. University of the Arts London; 2017. Available from: http://ualresearchonline.arts.ac.uk/12401/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

23. Fornies Camer, Jorge. Between Volume and Non-Matter: the autonomy of painting and the intersection of sound and materiality .

Degree: 2017, University of Sydney

 The problem with the correlation between painting’s flat surface and three-dimensionality of depicted objects has been one of the central issues in the history of… (more)

Subjects/Keywords: Painting; Sculpture; 3D printing; Materiality

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APA (6th Edition):

Fornies Camer, J. (2017). Between Volume and Non-Matter: the autonomy of painting and the intersection of sound and materiality . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17357

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fornies Camer, Jorge. “Between Volume and Non-Matter: the autonomy of painting and the intersection of sound and materiality .” 2017. Thesis, University of Sydney. Accessed August 16, 2018. http://hdl.handle.net/2123/17357.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fornies Camer, Jorge. “Between Volume and Non-Matter: the autonomy of painting and the intersection of sound and materiality .” 2017. Web. 16 Aug 2018.

Vancouver:

Fornies Camer J. Between Volume and Non-Matter: the autonomy of painting and the intersection of sound and materiality . [Internet] [Thesis]. University of Sydney; 2017. [cited 2018 Aug 16]. Available from: http://hdl.handle.net/2123/17357.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fornies Camer J. Between Volume and Non-Matter: the autonomy of painting and the intersection of sound and materiality . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/17357

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Valdez, Jason Lucas. The vocational artist .

Degree: 2017, Texas A&M University – Corpus Christi

 Artists are vocational workers in the truest sense of the term. Contrary to the popular stereotype of “waiting for inspiration to strike”, they spend long… (more)

Subjects/Keywords: Drawing; Painting; Printmaking; Studio Art

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APA (6th Edition):

Valdez, J. L. (2017). The vocational artist . (Thesis). Texas A&M University – Corpus Christi. Retrieved from http://hdl.handle.net/1969.6/5634

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Valdez, Jason Lucas. “The vocational artist .” 2017. Thesis, Texas A&M University – Corpus Christi. Accessed August 16, 2018. http://hdl.handle.net/1969.6/5634.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Valdez, Jason Lucas. “The vocational artist .” 2017. Web. 16 Aug 2018.

Vancouver:

Valdez JL. The vocational artist . [Internet] [Thesis]. Texas A&M University – Corpus Christi; 2017. [cited 2018 Aug 16]. Available from: http://hdl.handle.net/1969.6/5634.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Valdez JL. The vocational artist . [Thesis]. Texas A&M University – Corpus Christi; 2017. Available from: http://hdl.handle.net/1969.6/5634

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

25. -5835-9476. Ulysses in the bathroom.

Degree: Studio Art, 2017, University of Texas – Austin

 I make paintings where imaginary characters function as possible cyphers made in reaction to my life experience. I’ve provided in this paper a concise introduction… (more)

Subjects/Keywords: Painting; Studio art; Fine art

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APA (6th Edition):

-5835-9476. (2017). Ulysses in the bathroom. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/62811

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-5835-9476. “Ulysses in the bathroom.” 2017. Thesis, University of Texas – Austin. Accessed August 16, 2018. http://hdl.handle.net/2152/62811.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-5835-9476. “Ulysses in the bathroom.” 2017. Web. 16 Aug 2018.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-5835-9476. Ulysses in the bathroom. [Internet] [Thesis]. University of Texas – Austin; 2017. [cited 2018 Aug 16]. Available from: http://hdl.handle.net/2152/62811.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

-5835-9476. Ulysses in the bathroom. [Thesis]. University of Texas – Austin; 2017. Available from: http://hdl.handle.net/2152/62811

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation


University of Manitoba

26. Zhang, Yan. When painting meets garden design: designing a Chinese garden in Greater Vancouver, British Columbia.

Degree: Landscape Architecture, 2018, University of Manitoba

 The Classical Chinese landscape design owns a high reputation with its distinctive style around the world. It embodies the integration of Chinese philosophy, aesthetics, and… (more)

Subjects/Keywords: Painting; Garden design; Vancouver

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APA (6th Edition):

Zhang, Y. (2018). When painting meets garden design: designing a Chinese garden in Greater Vancouver, British Columbia. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/32988

Chicago Manual of Style (16th Edition):

Zhang, Yan. “When painting meets garden design: designing a Chinese garden in Greater Vancouver, British Columbia.” 2018. Masters Thesis, University of Manitoba. Accessed August 16, 2018. http://hdl.handle.net/1993/32988.

MLA Handbook (7th Edition):

Zhang, Yan. “When painting meets garden design: designing a Chinese garden in Greater Vancouver, British Columbia.” 2018. Web. 16 Aug 2018.

Vancouver:

Zhang Y. When painting meets garden design: designing a Chinese garden in Greater Vancouver, British Columbia. [Internet] [Masters thesis]. University of Manitoba; 2018. [cited 2018 Aug 16]. Available from: http://hdl.handle.net/1993/32988.

Council of Science Editors:

Zhang Y. When painting meets garden design: designing a Chinese garden in Greater Vancouver, British Columbia. [Masters Thesis]. University of Manitoba; 2018. Available from: http://hdl.handle.net/1993/32988


University of Arkansas

27. Pennekamp, Michael Tyler. To the Moon and Back.

Degree: MFA, Art (MFA), 2017, University of Arkansas

  Almost fifty years after the Apollo 11 mission, the moon landing remains one of humankind’s most remarkable technological achievements. On the lunar surface, the… (more)

Subjects/Keywords: Conspiracy; Fine Art; NASA; Painting and Drawing; Printmaking; Illustration; Painting; Printmaking

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APA (6th Edition):

Pennekamp, M. T. (2017). To the Moon and Back. (Masters Thesis). University of Arkansas. Retrieved from http://scholarworks.uark.edu/etd/1965

Chicago Manual of Style (16th Edition):

Pennekamp, Michael Tyler. “To the Moon and Back.” 2017. Masters Thesis, University of Arkansas. Accessed August 16, 2018. http://scholarworks.uark.edu/etd/1965.

MLA Handbook (7th Edition):

Pennekamp, Michael Tyler. “To the Moon and Back.” 2017. Web. 16 Aug 2018.

Vancouver:

Pennekamp MT. To the Moon and Back. [Internet] [Masters thesis]. University of Arkansas; 2017. [cited 2018 Aug 16]. Available from: http://scholarworks.uark.edu/etd/1965.

Council of Science Editors:

Pennekamp MT. To the Moon and Back. [Masters Thesis]. University of Arkansas; 2017. Available from: http://scholarworks.uark.edu/etd/1965


California State University – San Bernardino

28. McGuire, Tanner J. Domestic Disturbance.

Degree: Master of Fine Arts in Studio Art, Art, 2017, California State University – San Bernardino

  My work explores domesticity, the role reversal happening in the family dynamics, the banality of home life, and the common escapism that occurs in… (more)

Subjects/Keywords: painting; figurative; domestic; pattern; utility; gender role reversal; Painting

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APA (6th Edition):

McGuire, T. J. (2017). Domestic Disturbance. (Thesis). California State University – San Bernardino. Retrieved from http://scholarworks.lib.csusb.edu/etd/569

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McGuire, Tanner J. “Domestic Disturbance.” 2017. Thesis, California State University – San Bernardino. Accessed August 16, 2018. http://scholarworks.lib.csusb.edu/etd/569.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McGuire, Tanner J. “Domestic Disturbance.” 2017. Web. 16 Aug 2018.

Vancouver:

McGuire TJ. Domestic Disturbance. [Internet] [Thesis]. California State University – San Bernardino; 2017. [cited 2018 Aug 16]. Available from: http://scholarworks.lib.csusb.edu/etd/569.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McGuire TJ. Domestic Disturbance. [Thesis]. California State University – San Bernardino; 2017. Available from: http://scholarworks.lib.csusb.edu/etd/569

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Idom, Bailey. A Shift in Silence.

Degree: MFA, Art, 2018, Stephen F. Austin State University

  A Shift in Silence is a body of work that emerged because of a key shift in my life. Using the formal components of… (more)

Subjects/Keywords: drawing; painting; abstract; line; contemporary; modern; Art Practice; Fine Arts; Painting

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APA (6th Edition):

Idom, B. (2018). A Shift in Silence. (Masters Thesis). Stephen F. Austin State University. Retrieved from https://scholarworks.sfasu.edu/etds/152

Chicago Manual of Style (16th Edition):

Idom, Bailey. “A Shift in Silence.” 2018. Masters Thesis, Stephen F. Austin State University. Accessed August 16, 2018. https://scholarworks.sfasu.edu/etds/152.

MLA Handbook (7th Edition):

Idom, Bailey. “A Shift in Silence.” 2018. Web. 16 Aug 2018.

Vancouver:

Idom B. A Shift in Silence. [Internet] [Masters thesis]. Stephen F. Austin State University; 2018. [cited 2018 Aug 16]. Available from: https://scholarworks.sfasu.edu/etds/152.

Council of Science Editors:

Idom B. A Shift in Silence. [Masters Thesis]. Stephen F. Austin State University; 2018. Available from: https://scholarworks.sfasu.edu/etds/152


University of Texas – Austin

30. -5512-6853. Reality is having a hard time.

Degree: Studio Art, 2017, University of Texas – Austin

 This report outlines some of the questions, thoughts, and references I have recorded about the paintings made during my time at the University of Texas… (more)

Subjects/Keywords: Contemporary art; Painting; Abstract painting; Fine art; Abstract art; Egg tempera

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

-5512-6853. (2017). Reality is having a hard time. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/62813

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-5512-6853. “Reality is having a hard time.” 2017. Thesis, University of Texas – Austin. Accessed August 16, 2018. http://hdl.handle.net/2152/62813.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-5512-6853. “Reality is having a hard time.” 2017. Web. 16 Aug 2018.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-5512-6853. Reality is having a hard time. [Internet] [Thesis]. University of Texas – Austin; 2017. [cited 2018 Aug 16]. Available from: http://hdl.handle.net/2152/62813.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

-5512-6853. Reality is having a hard time. [Thesis]. University of Texas – Austin; 2017. Available from: http://hdl.handle.net/2152/62813

Note: this citation may be lacking information needed for this citation format:
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