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You searched for subject:(painting). Showing records 1 – 30 of 2994 total matches.

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Virginia Commonwealth University

1. Corcoran, Cecily. GENIUS LOCI.

Degree: Master of Interdisciplinary Studies, Interdisciplinary Studies, 2012, Virginia Commonwealth University

 I attempt to capture the simple and fleeting beauty of Washington, DC, before it folds into time. In my representational paintings and monotypes, I want… (more)

Subjects/Keywords: Painting

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APA (6th Edition):

Corcoran, C. (2012). GENIUS LOCI. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/2655

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Corcoran, Cecily. “GENIUS LOCI.” 2012. Thesis, Virginia Commonwealth University. Accessed December 18, 2018. https://scholarscompass.vcu.edu/etd/2655.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Corcoran, Cecily. “GENIUS LOCI.” 2012. Web. 18 Dec 2018.

Vancouver:

Corcoran C. GENIUS LOCI. [Internet] [Thesis]. Virginia Commonwealth University; 2012. [cited 2018 Dec 18]. Available from: https://scholarscompass.vcu.edu/etd/2655.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Corcoran C. GENIUS LOCI. [Thesis]. Virginia Commonwealth University; 2012. Available from: https://scholarscompass.vcu.edu/etd/2655

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

2. Hu, Frances D. My journey: eight thousand miles of clouds and moon.

Degree: MFA, Fine Arts, 2009, Louisiana State University

 This thesis explains the thoughts behind the body of art work that the artist produced for the MFA program. These three large paintings (72"x40") will… (more)

Subjects/Keywords: painting

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APA (6th Edition):

Hu, F. D. (2009). My journey: eight thousand miles of clouds and moon. (Masters Thesis). Louisiana State University. Retrieved from etd-04162009-161149 ; https://digitalcommons.lsu.edu/gradschool_theses/3250

Chicago Manual of Style (16th Edition):

Hu, Frances D. “My journey: eight thousand miles of clouds and moon.” 2009. Masters Thesis, Louisiana State University. Accessed December 18, 2018. etd-04162009-161149 ; https://digitalcommons.lsu.edu/gradschool_theses/3250.

MLA Handbook (7th Edition):

Hu, Frances D. “My journey: eight thousand miles of clouds and moon.” 2009. Web. 18 Dec 2018.

Vancouver:

Hu FD. My journey: eight thousand miles of clouds and moon. [Internet] [Masters thesis]. Louisiana State University; 2009. [cited 2018 Dec 18]. Available from: etd-04162009-161149 ; https://digitalcommons.lsu.edu/gradschool_theses/3250.

Council of Science Editors:

Hu FD. My journey: eight thousand miles of clouds and moon. [Masters Thesis]. Louisiana State University; 2009. Available from: etd-04162009-161149 ; https://digitalcommons.lsu.edu/gradschool_theses/3250


University of Texas – Austin

3. Shear, Laurel Katheryn. California dreaming.

Degree: Studio Art, 2015, University of Texas – Austin

 I make large, lush oil paintings that employ devices and conventions from different traditions of abstraction like Color Field Painting and Abstract Expressionism, alongside traditions… (more)

Subjects/Keywords: Painting

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APA (6th Edition):

Shear, L. K. (2015). California dreaming. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/32516

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shear, Laurel Katheryn. “California dreaming.” 2015. Thesis, University of Texas – Austin. Accessed December 18, 2018. http://hdl.handle.net/2152/32516.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shear, Laurel Katheryn. “California dreaming.” 2015. Web. 18 Dec 2018.

Vancouver:

Shear LK. California dreaming. [Internet] [Thesis]. University of Texas – Austin; 2015. [cited 2018 Dec 18]. Available from: http://hdl.handle.net/2152/32516.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shear LK. California dreaming. [Thesis]. University of Texas – Austin; 2015. Available from: http://hdl.handle.net/2152/32516

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Colorado State University

4. Edwards, Jeanette J. Presence of mind.

Degree: Master of Fine Arts (M.F.A.), Art, 2016, Colorado State University

 This body of work is a visual interpretation of my thought process. A combination of the present, the essence of stored memories and the intensity… (more)

Subjects/Keywords: Painting

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APA (6th Edition):

Edwards, J. J. (2016). Presence of mind. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/170637

Chicago Manual of Style (16th Edition):

Edwards, Jeanette J. “Presence of mind.” 2016. Masters Thesis, Colorado State University. Accessed December 18, 2018. http://hdl.handle.net/10217/170637.

MLA Handbook (7th Edition):

Edwards, Jeanette J. “Presence of mind.” 2016. Web. 18 Dec 2018.

Vancouver:

Edwards JJ. Presence of mind. [Internet] [Masters thesis]. Colorado State University; 2016. [cited 2018 Dec 18]. Available from: http://hdl.handle.net/10217/170637.

Council of Science Editors:

Edwards JJ. Presence of mind. [Masters Thesis]. Colorado State University; 2016. Available from: http://hdl.handle.net/10217/170637


University of Arkansas

5. Buffington, Matthew Owen. Off the Grid.

Degree: MFA, Art (MFA), 2017, University of Arkansas

  Off the Grid explores the messy relationship between public and private perceptions of our urban spaces, especially the tensions created when lived experience runs… (more)

Subjects/Keywords: Cartography; Drawing; Painting; Illustration; Painting

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APA (6th Edition):

Buffington, M. O. (2017). Off the Grid. (Masters Thesis). University of Arkansas. Retrieved from http://scholarworks.uark.edu/etd/1977

Chicago Manual of Style (16th Edition):

Buffington, Matthew Owen. “Off the Grid.” 2017. Masters Thesis, University of Arkansas. Accessed December 18, 2018. http://scholarworks.uark.edu/etd/1977.

MLA Handbook (7th Edition):

Buffington, Matthew Owen. “Off the Grid.” 2017. Web. 18 Dec 2018.

Vancouver:

Buffington MO. Off the Grid. [Internet] [Masters thesis]. University of Arkansas; 2017. [cited 2018 Dec 18]. Available from: http://scholarworks.uark.edu/etd/1977.

Council of Science Editors:

Buffington MO. Off the Grid. [Masters Thesis]. University of Arkansas; 2017. Available from: http://scholarworks.uark.edu/etd/1977


University of Arkansas

6. McDaniel, Jonathan Wade. Synthetic Constructive.

Degree: MFA, Art (MFA), 2014, University of Arkansas

  Synthetic Constructive is an exhibition of paintings and collages, both reflect the building and managing of synthetically constructed places and expose the human condition… (more)

Subjects/Keywords: Constructive; Painting; Synthetic; Painting

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APA (6th Edition):

McDaniel, J. W. (2014). Synthetic Constructive. (Masters Thesis). University of Arkansas. Retrieved from http://scholarworks.uark.edu/etd/2191

Chicago Manual of Style (16th Edition):

McDaniel, Jonathan Wade. “Synthetic Constructive.” 2014. Masters Thesis, University of Arkansas. Accessed December 18, 2018. http://scholarworks.uark.edu/etd/2191.

MLA Handbook (7th Edition):

McDaniel, Jonathan Wade. “Synthetic Constructive.” 2014. Web. 18 Dec 2018.

Vancouver:

McDaniel JW. Synthetic Constructive. [Internet] [Masters thesis]. University of Arkansas; 2014. [cited 2018 Dec 18]. Available from: http://scholarworks.uark.edu/etd/2191.

Council of Science Editors:

McDaniel JW. Synthetic Constructive. [Masters Thesis]. University of Arkansas; 2014. Available from: http://scholarworks.uark.edu/etd/2191


Louisiana State University

7. Wright, Jonathan Walker. Intimate Immensities.

Degree: MFA, Fine Arts, 2016, Louisiana State University

 The works in the “Intimate Immensities” series of landscape paintings function as “aporia,” or irresolvable contradictions. Using two aspects of Charles Sanders Peirce’s semiotic designations… (more)

Subjects/Keywords: Oil Painting; Romanticism; Landscape Painting

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APA (6th Edition):

Wright, J. W. (2016). Intimate Immensities. (Masters Thesis). Louisiana State University. Retrieved from etd-05252016-171313 ; https://digitalcommons.lsu.edu/gradschool_theses/95

Chicago Manual of Style (16th Edition):

Wright, Jonathan Walker. “Intimate Immensities.” 2016. Masters Thesis, Louisiana State University. Accessed December 18, 2018. etd-05252016-171313 ; https://digitalcommons.lsu.edu/gradschool_theses/95.

MLA Handbook (7th Edition):

Wright, Jonathan Walker. “Intimate Immensities.” 2016. Web. 18 Dec 2018.

Vancouver:

Wright JW. Intimate Immensities. [Internet] [Masters thesis]. Louisiana State University; 2016. [cited 2018 Dec 18]. Available from: etd-05252016-171313 ; https://digitalcommons.lsu.edu/gradschool_theses/95.

Council of Science Editors:

Wright JW. Intimate Immensities. [Masters Thesis]. Louisiana State University; 2016. Available from: etd-05252016-171313 ; https://digitalcommons.lsu.edu/gradschool_theses/95


Virginia Commonwealth University

8. Stikas, Marianne. THE DEVELOPMENT OF AN IDEA.

Degree: MFA, Painting and Printmaking, 1974, Virginia Commonwealth University

 Whereas certain people start with a recollection or an experience and paint that experience, to some of us the act of doing it becomes the… (more)

Subjects/Keywords: Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stikas, M. (1974). THE DEVELOPMENT OF AN IDEA. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/5512

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stikas, Marianne. “THE DEVELOPMENT OF AN IDEA.” 1974. Thesis, Virginia Commonwealth University. Accessed December 18, 2018. https://scholarscompass.vcu.edu/etd/5512.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stikas, Marianne. “THE DEVELOPMENT OF AN IDEA.” 1974. Web. 18 Dec 2018.

Vancouver:

Stikas M. THE DEVELOPMENT OF AN IDEA. [Internet] [Thesis]. Virginia Commonwealth University; 1974. [cited 2018 Dec 18]. Available from: https://scholarscompass.vcu.edu/etd/5512.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stikas M. THE DEVELOPMENT OF AN IDEA. [Thesis]. Virginia Commonwealth University; 1974. Available from: https://scholarscompass.vcu.edu/etd/5512

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. García Fente, Lucía Oliva. La relación arte-industria en la colección propia del Museo Guggenheim Bilbao.

Degree: 2018, Universidad del País Vasco

 Las obras de arte de la Colección Propia del Museo Guggenheim Bilbao, como el edificio de esta institución, llevan la conciencia del espectador a la… (more)

Subjects/Keywords: painting; pintura

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APA (6th Edition):

García Fente, L. O. (2018). La relación arte-industria en la colección propia del Museo Guggenheim Bilbao. (Thesis). Universidad del País Vasco. Retrieved from http://hdl.handle.net/10810/26886

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

García Fente, Lucía Oliva. “La relación arte-industria en la colección propia del Museo Guggenheim Bilbao.” 2018. Thesis, Universidad del País Vasco. Accessed December 18, 2018. http://hdl.handle.net/10810/26886.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

García Fente, Lucía Oliva. “La relación arte-industria en la colección propia del Museo Guggenheim Bilbao.” 2018. Web. 18 Dec 2018.

Vancouver:

García Fente LO. La relación arte-industria en la colección propia del Museo Guggenheim Bilbao. [Internet] [Thesis]. Universidad del País Vasco; 2018. [cited 2018 Dec 18]. Available from: http://hdl.handle.net/10810/26886.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

García Fente LO. La relación arte-industria en la colección propia del Museo Guggenheim Bilbao. [Thesis]. Universidad del País Vasco; 2018. Available from: http://hdl.handle.net/10810/26886

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Eastern Illinois University

10. Murman, Ray. The "Illuminusion" Concept.

Degree: MA, Art, 1974, Eastern Illinois University

  My intention in painting and drawing is to demonstrate luminous effects in an atmospheric field. In painting, attention is directed to various color impressions.… (more)

Subjects/Keywords: Painting

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APA (6th Edition):

Murman, R. (1974). The "Illuminusion" Concept. (Masters Thesis). Eastern Illinois University. Retrieved from http://thekeep.eiu.edu/theses/3657

Chicago Manual of Style (16th Edition):

Murman, Ray. “The "Illuminusion" Concept.” 1974. Masters Thesis, Eastern Illinois University. Accessed December 18, 2018. http://thekeep.eiu.edu/theses/3657.

MLA Handbook (7th Edition):

Murman, Ray. “The "Illuminusion" Concept.” 1974. Web. 18 Dec 2018.

Vancouver:

Murman R. The "Illuminusion" Concept. [Internet] [Masters thesis]. Eastern Illinois University; 1974. [cited 2018 Dec 18]. Available from: http://thekeep.eiu.edu/theses/3657.

Council of Science Editors:

Murman R. The "Illuminusion" Concept. [Masters Thesis]. Eastern Illinois University; 1974. Available from: http://thekeep.eiu.edu/theses/3657


University of Arkansas

11. Kurtzman, Alexis. Subject to Change.

Degree: MFA, Art (MFA), 2018, University of Arkansas

Subject to Change is comprised of a series of self-devised, ritually practiced free-associative action-mark-making strategies. Each procedure explores various degrees of chance operations and… (more)

Subjects/Keywords: Illustration; Painting

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APA (6th Edition):

Kurtzman, A. (2018). Subject to Change. (Masters Thesis). University of Arkansas. Retrieved from http://scholarworks.uark.edu/etd/2798

Chicago Manual of Style (16th Edition):

Kurtzman, Alexis. “Subject to Change.” 2018. Masters Thesis, University of Arkansas. Accessed December 18, 2018. http://scholarworks.uark.edu/etd/2798.

MLA Handbook (7th Edition):

Kurtzman, Alexis. “Subject to Change.” 2018. Web. 18 Dec 2018.

Vancouver:

Kurtzman A. Subject to Change. [Internet] [Masters thesis]. University of Arkansas; 2018. [cited 2018 Dec 18]. Available from: http://scholarworks.uark.edu/etd/2798.

Council of Science Editors:

Kurtzman A. Subject to Change. [Masters Thesis]. University of Arkansas; 2018. Available from: http://scholarworks.uark.edu/etd/2798


Eastern Illinois University

12. Barnfield, Larry S. A Comparative Study of the Concept of Man as Revealed in the Works of Certain Contemporary Painters.

Degree: MSEd, Art, 1967, Eastern Illinois University

Subjects/Keywords: Painting

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APA (6th Edition):

Barnfield, L. S. (1967). A Comparative Study of the Concept of Man as Revealed in the Works of Certain Contemporary Painters. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/4164

Chicago Manual of Style (16th Edition):

Barnfield, Larry S. “A Comparative Study of the Concept of Man as Revealed in the Works of Certain Contemporary Painters.” 1967. Masters Thesis, Eastern Illinois University. Accessed December 18, 2018. https://thekeep.eiu.edu/theses/4164.

MLA Handbook (7th Edition):

Barnfield, Larry S. “A Comparative Study of the Concept of Man as Revealed in the Works of Certain Contemporary Painters.” 1967. Web. 18 Dec 2018.

Vancouver:

Barnfield LS. A Comparative Study of the Concept of Man as Revealed in the Works of Certain Contemporary Painters. [Internet] [Masters thesis]. Eastern Illinois University; 1967. [cited 2018 Dec 18]. Available from: https://thekeep.eiu.edu/theses/4164.

Council of Science Editors:

Barnfield LS. A Comparative Study of the Concept of Man as Revealed in the Works of Certain Contemporary Painters. [Masters Thesis]. Eastern Illinois University; 1967. Available from: https://thekeep.eiu.edu/theses/4164


Eastern Illinois University

13. Collie, Renee. A Painting Style Derived from Action Painting and Calligraphy.

Degree: MSEd, Art, 1966, Eastern Illinois University

Subjects/Keywords: Painting

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APA (6th Edition):

Collie, R. (1966). A Painting Style Derived from Action Painting and Calligraphy. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/4217

Chicago Manual of Style (16th Edition):

Collie, Renee. “A Painting Style Derived from Action Painting and Calligraphy.” 1966. Masters Thesis, Eastern Illinois University. Accessed December 18, 2018. https://thekeep.eiu.edu/theses/4217.

MLA Handbook (7th Edition):

Collie, Renee. “A Painting Style Derived from Action Painting and Calligraphy.” 1966. Web. 18 Dec 2018.

Vancouver:

Collie R. A Painting Style Derived from Action Painting and Calligraphy. [Internet] [Masters thesis]. Eastern Illinois University; 1966. [cited 2018 Dec 18]. Available from: https://thekeep.eiu.edu/theses/4217.

Council of Science Editors:

Collie R. A Painting Style Derived from Action Painting and Calligraphy. [Masters Thesis]. Eastern Illinois University; 1966. Available from: https://thekeep.eiu.edu/theses/4217

14. Mishra, Meenal(मिश्रा, मीनल). Bharatiya chitrakala may matasaya kurm yom varaha awatar ek digdarsha(भारतीय चित्रकला में मत्स्य, कूर्म एवं वराह अवतार एक दिग्दर्शन ); -.

Degree: Fine Arts, 2006, Bundelkhand University

None

References given

Advisors/Committee Members: Pandey, Sandhya(पण्डे, संध्या ).

Subjects/Keywords: Painting

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APA (6th Edition):

Mishra, Meenal(मिश्रा, . (2006). Bharatiya chitrakala may matasaya kurm yom varaha awatar ek digdarsha(भारतीय चित्रकला में मत्स्य, कूर्म एवं वराह अवतार एक दिग्दर्शन ); -. (Thesis). Bundelkhand University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/12270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mishra, Meenal(मिश्रा, मीनल). “Bharatiya chitrakala may matasaya kurm yom varaha awatar ek digdarsha(भारतीय चित्रकला में मत्स्य, कूर्म एवं वराह अवतार एक दिग्दर्शन ); -.” 2006. Thesis, Bundelkhand University. Accessed December 18, 2018. http://shodhganga.inflibnet.ac.in/handle/10603/12270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mishra, Meenal(मिश्रा, मीनल). “Bharatiya chitrakala may matasaya kurm yom varaha awatar ek digdarsha(भारतीय चित्रकला में मत्स्य, कूर्म एवं वराह अवतार एक दिग्दर्शन ); -.” 2006. Web. 18 Dec 2018.

Vancouver:

Mishra, Meenal(मिश्रा . Bharatiya chitrakala may matasaya kurm yom varaha awatar ek digdarsha(भारतीय चित्रकला में मत्स्य, कूर्म एवं वराह अवतार एक दिग्दर्शन ); -. [Internet] [Thesis]. Bundelkhand University; 2006. [cited 2018 Dec 18]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/12270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mishra, Meenal(मिश्रा . Bharatiya chitrakala may matasaya kurm yom varaha awatar ek digdarsha(भारतीय चित्रकला में मत्स्य, कूर्म एवं वराह अवतार एक दिग्दर्शन ); -. [Thesis]. Bundelkhand University; 2006. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/12270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Singh, Shweta. Sapenish Chitrakar Al Griko ka palaukik kala jeevan; -.

Degree: Drawing and Painting, 2014, INFLIBNET

None

-

Advisors/Committee Members: Tayagi, Namita.

Subjects/Keywords: Painting

Page 1 Page 2

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APA (6th Edition):

Singh, S. (2014). Sapenish Chitrakar Al Griko ka palaukik kala jeevan; -. (Thesis). INFLIBNET. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/21833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Singh, Shweta. “Sapenish Chitrakar Al Griko ka palaukik kala jeevan; -.” 2014. Thesis, INFLIBNET. Accessed December 18, 2018. http://shodhganga.inflibnet.ac.in/handle/10603/21833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Singh, Shweta. “Sapenish Chitrakar Al Griko ka palaukik kala jeevan; -.” 2014. Web. 18 Dec 2018.

Vancouver:

Singh S. Sapenish Chitrakar Al Griko ka palaukik kala jeevan; -. [Internet] [Thesis]. INFLIBNET; 2014. [cited 2018 Dec 18]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/21833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Singh S. Sapenish Chitrakar Al Griko ka palaukik kala jeevan; -. [Thesis]. INFLIBNET; 2014. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/21833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


AUT University

16. Rayner, Lisa Anne. A New Narrative of Time: time and space mediated through the medium of painting .

Degree: 2011, AUT University

 Through a mediation across time and between images this project explores the many and varied perspectives thrown back and reflected onto a represented past. The… (more)

Subjects/Keywords: Painting; Time

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APA (6th Edition):

Rayner, L. A. (2011). A New Narrative of Time: time and space mediated through the medium of painting . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/1481

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rayner, Lisa Anne. “A New Narrative of Time: time and space mediated through the medium of painting .” 2011. Thesis, AUT University. Accessed December 18, 2018. http://hdl.handle.net/10292/1481.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rayner, Lisa Anne. “A New Narrative of Time: time and space mediated through the medium of painting .” 2011. Web. 18 Dec 2018.

Vancouver:

Rayner LA. A New Narrative of Time: time and space mediated through the medium of painting . [Internet] [Thesis]. AUT University; 2011. [cited 2018 Dec 18]. Available from: http://hdl.handle.net/10292/1481.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rayner LA. A New Narrative of Time: time and space mediated through the medium of painting . [Thesis]. AUT University; 2011. Available from: http://hdl.handle.net/10292/1481

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

17. Payne, Alistair J. Redefine and reterritorialise: painting as an interdisciplinary form.

Degree: 2005, University of the Arts London

 Any examination of painting as a practice or discipline must necessarily analyse the philosophical underpinning of formalist modes of thinking. Although contemporary practices are not… (more)

Subjects/Keywords: Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Payne, A. J. (2005). Redefine and reterritorialise: painting as an interdisciplinary form. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/5659/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Payne, Alistair J. “Redefine and reterritorialise: painting as an interdisciplinary form.” 2005. Thesis, University of the Arts London. Accessed December 18, 2018. http://ualresearchonline.arts.ac.uk/5659/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Payne, Alistair J. “Redefine and reterritorialise: painting as an interdisciplinary form.” 2005. Web. 18 Dec 2018.

Vancouver:

Payne AJ. Redefine and reterritorialise: painting as an interdisciplinary form. [Internet] [Thesis]. University of the Arts London; 2005. [cited 2018 Dec 18]. Available from: http://ualresearchonline.arts.ac.uk/5659/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Payne AJ. Redefine and reterritorialise: painting as an interdisciplinary form. [Thesis]. University of the Arts London; 2005. Available from: http://ualresearchonline.arts.ac.uk/5659/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

18. Scott, Rachel Maureen. ROMANCE PAINTING: l ' avant garde ne se rend pas .

Degree: 2016, University of Sydney

 What is the framework for discussing abstract painting in 2017? Is it modernism; art history; conceptual art; contemporary art; national or regional boundaries? All of… (more)

Subjects/Keywords: Abstract painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Scott, R. M. (2016). ROMANCE PAINTING: l ' avant garde ne se rend pas . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17794

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scott, Rachel Maureen. “ROMANCE PAINTING: l ' avant garde ne se rend pas .” 2016. Thesis, University of Sydney. Accessed December 18, 2018. http://hdl.handle.net/2123/17794.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scott, Rachel Maureen. “ROMANCE PAINTING: l ' avant garde ne se rend pas .” 2016. Web. 18 Dec 2018.

Vancouver:

Scott RM. ROMANCE PAINTING: l ' avant garde ne se rend pas . [Internet] [Thesis]. University of Sydney; 2016. [cited 2018 Dec 18]. Available from: http://hdl.handle.net/2123/17794.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scott RM. ROMANCE PAINTING: l ' avant garde ne se rend pas . [Thesis]. University of Sydney; 2016. Available from: http://hdl.handle.net/2123/17794

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

19. Jarvis, Anna. The Affective Dimension .

Degree: 2013, University of Sydney

 This research paper explores the area of affect in relation to art. To investigate this area the paper will feature a select group of artists… (more)

Subjects/Keywords: Painting; Affect

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jarvis, A. (2013). The Affective Dimension . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/11723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jarvis, Anna. “The Affective Dimension .” 2013. Thesis, University of Sydney. Accessed December 18, 2018. http://hdl.handle.net/2123/11723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jarvis, Anna. “The Affective Dimension .” 2013. Web. 18 Dec 2018.

Vancouver:

Jarvis A. The Affective Dimension . [Internet] [Thesis]. University of Sydney; 2013. [cited 2018 Dec 18]. Available from: http://hdl.handle.net/2123/11723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jarvis A. The Affective Dimension . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/11723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

20. Brookes, Wayne Anthony. Visual virtuosity : contemporary quadratura painting : an allegory of a portrait.

Degree: 2003, University of Tasmania

 This research project generates a body of work, which represents an investigation into the physical, allegorical and historical narratives of Quadratura Painting in terms of… (more)

Subjects/Keywords: Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brookes, W. A. (2003). Visual virtuosity : contemporary quadratura painting : an allegory of a portrait. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/19164/1/whole_BrookesWayneAnthony2003_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brookes, Wayne Anthony. “Visual virtuosity : contemporary quadratura painting : an allegory of a portrait.” 2003. Thesis, University of Tasmania. Accessed December 18, 2018. https://eprints.utas.edu.au/19164/1/whole_BrookesWayneAnthony2003_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brookes, Wayne Anthony. “Visual virtuosity : contemporary quadratura painting : an allegory of a portrait.” 2003. Web. 18 Dec 2018.

Vancouver:

Brookes WA. Visual virtuosity : contemporary quadratura painting : an allegory of a portrait. [Internet] [Thesis]. University of Tasmania; 2003. [cited 2018 Dec 18]. Available from: https://eprints.utas.edu.au/19164/1/whole_BrookesWayneAnthony2003_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brookes WA. Visual virtuosity : contemporary quadratura painting : an allegory of a portrait. [Thesis]. University of Tasmania; 2003. Available from: https://eprints.utas.edu.au/19164/1/whole_BrookesWayneAnthony2003_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Mathus, Miguel. Monochrome and trace in contemporary painting.

Degree: PhD, 2018, Royal College of Art

 This project explicitly addresses the persistent question of the monochrome. I want to develop several figures of thought such as inscription, erasure and trace in… (more)

Subjects/Keywords: W120 Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mathus, M. (2018). Monochrome and trace in contemporary painting. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/3436/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742446

Chicago Manual of Style (16th Edition):

Mathus, Miguel. “Monochrome and trace in contemporary painting.” 2018. Doctoral Dissertation, Royal College of Art. Accessed December 18, 2018. http://researchonline.rca.ac.uk/3436/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742446.

MLA Handbook (7th Edition):

Mathus, Miguel. “Monochrome and trace in contemporary painting.” 2018. Web. 18 Dec 2018.

Vancouver:

Mathus M. Monochrome and trace in contemporary painting. [Internet] [Doctoral dissertation]. Royal College of Art; 2018. [cited 2018 Dec 18]. Available from: http://researchonline.rca.ac.uk/3436/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742446.

Council of Science Editors:

Mathus M. Monochrome and trace in contemporary painting. [Doctoral Dissertation]. Royal College of Art; 2018. Available from: http://researchonline.rca.ac.uk/3436/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742446


University of North Carolina – Greensboro

22. Porter, James Anthony. Dystopian dilemma.

Degree: 2009, University of North Carolina – Greensboro

This thesis consists of a text and a series of five oil paintings that explores the psychological complexities and relationships that exist within the 21st Century post-modern American society.; Oil paintings, 21st Century post-modern Advisors/Committee Members: Michael Ananian (advisor).

Subjects/Keywords: Art.; Painting.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Porter, J. A. (2009). Dystopian dilemma. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1918

Chicago Manual of Style (16th Edition):

Porter, James Anthony. “Dystopian dilemma.” 2009. Masters Thesis, University of North Carolina – Greensboro. Accessed December 18, 2018. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1918.

MLA Handbook (7th Edition):

Porter, James Anthony. “Dystopian dilemma.” 2009. Web. 18 Dec 2018.

Vancouver:

Porter JA. Dystopian dilemma. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2009. [cited 2018 Dec 18]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1918.

Council of Science Editors:

Porter JA. Dystopian dilemma. [Masters Thesis]. University of North Carolina – Greensboro; 2009. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1918


University of North Carolina – Greensboro

23. Rochon, Julie. Knowing the unknown (unknowing the known).

Degree: 2009, University of North Carolina – Greensboro

This thesis addresses the ways my work questions how painting is experiential both for the artist and the viewer. The paintings are based on the space where there is no distinction between states of matter and energy.; Painting Advisors/Committee Members: Mariam Stephan (advisor).

Subjects/Keywords: Art.; Painting.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rochon, J. (2009). Knowing the unknown (unknowing the known). (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1926

Chicago Manual of Style (16th Edition):

Rochon, Julie. “Knowing the unknown (unknowing the known).” 2009. Masters Thesis, University of North Carolina – Greensboro. Accessed December 18, 2018. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1926.

MLA Handbook (7th Edition):

Rochon, Julie. “Knowing the unknown (unknowing the known).” 2009. Web. 18 Dec 2018.

Vancouver:

Rochon J. Knowing the unknown (unknowing the known). [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2009. [cited 2018 Dec 18]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1926.

Council of Science Editors:

Rochon J. Knowing the unknown (unknowing the known). [Masters Thesis]. University of North Carolina – Greensboro; 2009. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1926


University of Birmingham

24. Naylor, Aileen Elizabeth. Simeon Solomon's work before 1873: interpretation and identity.

Degree: School of Languages, Cultures, Art History and Music, Department of History of Art, 2010, University of Birmingham

 This thesis has two aims. The first is to demonstrate that commentaries on the work produced by Simeon Solomon (1840-1905) before 1873, an artist who… (more)

Subjects/Keywords: ND Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Naylor, A. E. (2010). Simeon Solomon's work before 1873: interpretation and identity. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/714/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Naylor, Aileen Elizabeth. “Simeon Solomon's work before 1873: interpretation and identity.” 2010. Thesis, University of Birmingham. Accessed December 18, 2018. http://etheses.bham.ac.uk/714/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Naylor, Aileen Elizabeth. “Simeon Solomon's work before 1873: interpretation and identity.” 2010. Web. 18 Dec 2018.

Vancouver:

Naylor AE. Simeon Solomon's work before 1873: interpretation and identity. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2018 Dec 18]. Available from: http://etheses.bham.ac.uk/714/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Naylor AE. Simeon Solomon's work before 1873: interpretation and identity. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/714/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

25. Weston, Hazel. Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art.

Degree: Department of History of Art, 2010, University of Birmingham

 This dissertation will focus on a painting in the Bristol City Art Gallery and Museum entitled Christ’s Descent into Limbo, attributed to Giovanni Bellini (c.1430-1516)… (more)

Subjects/Keywords: ND Painting

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APA (6th Edition):

Weston, H. (2010). Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/1181/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weston, Hazel. “Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art.” 2010. Thesis, University of Birmingham. Accessed December 18, 2018. http://etheses.bham.ac.uk/1181/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weston, Hazel. “Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art.” 2010. Web. 18 Dec 2018.

Vancouver:

Weston H. Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2018 Dec 18]. Available from: http://etheses.bham.ac.uk/1181/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weston H. Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/1181/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

26. Foulkes, Tamsin. The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762).

Degree: History of Art, 2011, University of Birmingham

 This study examines Voltaire’s (1694-1778) poem La Pucelle d’Orléans (The Maid of Orléans) of 1762 and the accompanying illustrations by Gravelot (1699-1773) as an adaptation… (more)

Subjects/Keywords: ND Painting

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APA (6th Edition):

Foulkes, T. (2011). The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/1737/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Foulkes, Tamsin. “The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762).” 2011. Thesis, University of Birmingham. Accessed December 18, 2018. http://etheses.bham.ac.uk/1737/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Foulkes, Tamsin. “The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762).” 2011. Web. 18 Dec 2018.

Vancouver:

Foulkes T. The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762). [Internet] [Thesis]. University of Birmingham; 2011. [cited 2018 Dec 18]. Available from: http://etheses.bham.ac.uk/1737/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Foulkes T. The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762). [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk/1737/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Edwards, Jamie Lee. Still looking for Pieter Bruegel the Elder.

Degree: School of Languages, Cultures, Art History and Music, 2013, University of Birmingham

 Pieter Bruegel the Elder (c.1526-69) is one of the most renowned sixteenth-century Netherlandish artists. Paradoxically, however, he is also one of the most mysterious and… (more)

Subjects/Keywords: ND Painting

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APA (6th Edition):

Edwards, J. L. (2013). Still looking for Pieter Bruegel the Elder. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4164/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Edwards, Jamie Lee. “Still looking for Pieter Bruegel the Elder.” 2013. Thesis, University of Birmingham. Accessed December 18, 2018. http://etheses.bham.ac.uk/4164/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Edwards, Jamie Lee. “Still looking for Pieter Bruegel the Elder.” 2013. Web. 18 Dec 2018.

Vancouver:

Edwards JL. Still looking for Pieter Bruegel the Elder. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2018 Dec 18]. Available from: http://etheses.bham.ac.uk/4164/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Edwards JL. Still looking for Pieter Bruegel the Elder. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4164/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Eastern Illinois University

28. Crotchett, Susan. The Influence of Structural Painters on My Work.

Degree: MA, Art, 1981, Eastern Illinois University

  The purpose of this thesis is to analyze influence exerted on my painting by Charles Sheeler and Edward Hopper, and to pursue the development… (more)

Subjects/Keywords: Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Crotchett, S. (1981). The Influence of Structural Painters on My Work. (Masters Thesis). Eastern Illinois University. Retrieved from http://thekeep.eiu.edu/theses/2962

Chicago Manual of Style (16th Edition):

Crotchett, Susan. “The Influence of Structural Painters on My Work.” 1981. Masters Thesis, Eastern Illinois University. Accessed December 18, 2018. http://thekeep.eiu.edu/theses/2962.

MLA Handbook (7th Edition):

Crotchett, Susan. “The Influence of Structural Painters on My Work.” 1981. Web. 18 Dec 2018.

Vancouver:

Crotchett S. The Influence of Structural Painters on My Work. [Internet] [Masters thesis]. Eastern Illinois University; 1981. [cited 2018 Dec 18]. Available from: http://thekeep.eiu.edu/theses/2962.

Council of Science Editors:

Crotchett S. The Influence of Structural Painters on My Work. [Masters Thesis]. Eastern Illinois University; 1981. Available from: http://thekeep.eiu.edu/theses/2962


Eastern Illinois University

29. Sullan, Brian. The Work of Brian Sullan in Relation to Contemporary Non-Objective Painting, 1979-1980.

Degree: MA, Art, 1980, Eastern Illinois University

  The purpose of this thesis is to explain my current body of work in terms of both personal interpretation and by means of relating… (more)

Subjects/Keywords: Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sullan, B. (1980). The Work of Brian Sullan in Relation to Contemporary Non-Objective Painting, 1979-1980. (Masters Thesis). Eastern Illinois University. Retrieved from http://thekeep.eiu.edu/theses/3027

Chicago Manual of Style (16th Edition):

Sullan, Brian. “The Work of Brian Sullan in Relation to Contemporary Non-Objective Painting, 1979-1980.” 1980. Masters Thesis, Eastern Illinois University. Accessed December 18, 2018. http://thekeep.eiu.edu/theses/3027.

MLA Handbook (7th Edition):

Sullan, Brian. “The Work of Brian Sullan in Relation to Contemporary Non-Objective Painting, 1979-1980.” 1980. Web. 18 Dec 2018.

Vancouver:

Sullan B. The Work of Brian Sullan in Relation to Contemporary Non-Objective Painting, 1979-1980. [Internet] [Masters thesis]. Eastern Illinois University; 1980. [cited 2018 Dec 18]. Available from: http://thekeep.eiu.edu/theses/3027.

Council of Science Editors:

Sullan B. The Work of Brian Sullan in Relation to Contemporary Non-Objective Painting, 1979-1980. [Masters Thesis]. Eastern Illinois University; 1980. Available from: http://thekeep.eiu.edu/theses/3027


Eastern Illinois University

30. Graves, John T. Expressionism for Painting Sports.

Degree: MA, Art, 1980, Eastern Illinois University

  This thesis is an attempt to show that the Expressionistic style of painting lends itself to the Sports figure. The action and dynamic movement… (more)

Subjects/Keywords: Painting

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APA (6th Edition):

Graves, J. T. (1980). Expressionism for Painting Sports. (Masters Thesis). Eastern Illinois University. Retrieved from http://thekeep.eiu.edu/theses/3029

Chicago Manual of Style (16th Edition):

Graves, John T. “Expressionism for Painting Sports.” 1980. Masters Thesis, Eastern Illinois University. Accessed December 18, 2018. http://thekeep.eiu.edu/theses/3029.

MLA Handbook (7th Edition):

Graves, John T. “Expressionism for Painting Sports.” 1980. Web. 18 Dec 2018.

Vancouver:

Graves JT. Expressionism for Painting Sports. [Internet] [Masters thesis]. Eastern Illinois University; 1980. [cited 2018 Dec 18]. Available from: http://thekeep.eiu.edu/theses/3029.

Council of Science Editors:

Graves JT. Expressionism for Painting Sports. [Masters Thesis]. Eastern Illinois University; 1980. Available from: http://thekeep.eiu.edu/theses/3029

[1] [2] [3] [4] [5] … [100]

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