subject:(painting)

Virginia Commonwealth University

1. Corcoran, Cecily. GENIUS LOCI.

Degree: Master of Interdisciplinary Studies, Interdisciplinary Studies, 2012, Virginia Commonwealth University

URL: https://scholarscompass.vcu.edu/etd/2655

► I attempt to capture the simple and fleeting beauty of Washington, DC, before it folds into time. In my representational paintings and monotypes, I want… (more)

Subjects/Keywords: Painting

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APA (6^th Edition):

Corcoran, C. (2012). GENIUS LOCI. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/2655

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Corcoran, Cecily. “GENIUS LOCI.” 2012. Thesis, Virginia Commonwealth University. Accessed December 18, 2018. https://scholarscompass.vcu.edu/etd/2655.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Corcoran, Cecily. “GENIUS LOCI.” 2012. Web. 18 Dec 2018.

Vancouver:

Corcoran C. GENIUS LOCI. [Internet] [Thesis]. Virginia Commonwealth University; 2012. [cited 2018 Dec 18]. Available from: https://scholarscompass.vcu.edu/etd/2655.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Corcoran C. GENIUS LOCI. [Thesis]. Virginia Commonwealth University; 2012. Available from: https://scholarscompass.vcu.edu/etd/2655

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Louisiana State University

2. Hu, Frances D. My journey: eight thousand miles of clouds and moon.

Degree: MFA, Fine Arts, 2009, Louisiana State University

URL: etd-04162009-161149 ; https://digitalcommons.lsu.edu/gradschool_theses/3250

► This thesis explains the thoughts behind the body of art work that the artist produced for the MFA program. These three large paintings (72"x40") will… (more)

Subjects/Keywords: painting

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APA (6^th Edition):

Hu, F. D. (2009). My journey: eight thousand miles of clouds and moon. (Masters Thesis). Louisiana State University. Retrieved from etd-04162009-161149 ; https://digitalcommons.lsu.edu/gradschool_theses/3250

Chicago Manual of Style (16^th Edition):

Hu, Frances D. “My journey: eight thousand miles of clouds and moon.” 2009. Masters Thesis, Louisiana State University. Accessed December 18, 2018. etd-04162009-161149 ; https://digitalcommons.lsu.edu/gradschool_theses/3250.

MLA Handbook (7^th Edition):

Hu, Frances D. “My journey: eight thousand miles of clouds and moon.” 2009. Web. 18 Dec 2018.

Vancouver:

Hu FD. My journey: eight thousand miles of clouds and moon. [Internet] [Masters thesis]. Louisiana State University; 2009. [cited 2018 Dec 18]. Available from: etd-04162009-161149 ; https://digitalcommons.lsu.edu/gradschool_theses/3250.

Council of Science Editors:

Hu FD. My journey: eight thousand miles of clouds and moon. [Masters Thesis]. Louisiana State University; 2009. Available from: etd-04162009-161149 ; https://digitalcommons.lsu.edu/gradschool_theses/3250

University of Texas – Austin

3. Shear, Laurel Katheryn. California dreaming.

Degree: Studio Art, 2015, University of Texas – Austin

URL: http://hdl.handle.net/2152/32516

► I make large, lush oil paintings that employ devices and conventions from different traditions of abstraction like Color Field Painting and Abstract Expressionism, alongside traditions… (more)

Subjects/Keywords: Painting

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APA (6^th Edition):

Shear, L. K. (2015). California dreaming. (Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/32516

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Shear, Laurel Katheryn. “California dreaming.” 2015. Thesis, University of Texas – Austin. Accessed December 18, 2018. http://hdl.handle.net/2152/32516.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Shear, Laurel Katheryn. “California dreaming.” 2015. Web. 18 Dec 2018.

Vancouver:

Shear LK. California dreaming. [Internet] [Thesis]. University of Texas – Austin; 2015. [cited 2018 Dec 18]. Available from: http://hdl.handle.net/2152/32516.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shear LK. California dreaming. [Thesis]. University of Texas – Austin; 2015. Available from: http://hdl.handle.net/2152/32516

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Colorado State University

4. Edwards, Jeanette J. Presence of mind.

Degree: Master of Fine Arts (M.F.A.), Art, 2016, Colorado State University

URL: http://hdl.handle.net/10217/170637

► This body of work is a visual interpretation of my thought process. A combination of the present, the essence of stored memories and the intensity… (more)

Subjects/Keywords: Painting

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APA (6^th Edition):

Edwards, J. J. (2016). Presence of mind. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/170637

Chicago Manual of Style (16^th Edition):

Edwards, Jeanette J. “Presence of mind.” 2016. Masters Thesis, Colorado State University. Accessed December 18, 2018. http://hdl.handle.net/10217/170637.

MLA Handbook (7^th Edition):

Edwards, Jeanette J. “Presence of mind.” 2016. Web. 18 Dec 2018.

Vancouver:

Edwards JJ. Presence of mind. [Internet] [Masters thesis]. Colorado State University; 2016. [cited 2018 Dec 18]. Available from: http://hdl.handle.net/10217/170637.

Council of Science Editors:

Edwards JJ. Presence of mind. [Masters Thesis]. Colorado State University; 2016. Available from: http://hdl.handle.net/10217/170637

University of Arkansas

5. Buffington, Matthew Owen. Off the Grid.

Degree: MFA, Art (MFA), 2017, University of Arkansas

URL: http://scholarworks.uark.edu/etd/1977

► Off the Grid explores the messy relationship between public and private perceptions of our urban spaces, especially the tensions created when lived experience runs… (more)

Subjects/Keywords: Cartography; Drawing; Painting; Illustration; Painting

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APA (6^th Edition):

Buffington, M. O. (2017). Off the Grid. (Masters Thesis). University of Arkansas. Retrieved from http://scholarworks.uark.edu/etd/1977

Chicago Manual of Style (16^th Edition):

Buffington, Matthew Owen. “Off the Grid.” 2017. Masters Thesis, University of Arkansas. Accessed December 18, 2018. http://scholarworks.uark.edu/etd/1977.

MLA Handbook (7^th Edition):

Buffington, Matthew Owen. “Off the Grid.” 2017. Web. 18 Dec 2018.

Vancouver:

Buffington MO. Off the Grid. [Internet] [Masters thesis]. University of Arkansas; 2017. [cited 2018 Dec 18]. Available from: http://scholarworks.uark.edu/etd/1977.

Council of Science Editors:

Buffington MO. Off the Grid. [Masters Thesis]. University of Arkansas; 2017. Available from: http://scholarworks.uark.edu/etd/1977

University of Arkansas

6. McDaniel, Jonathan Wade. Synthetic Constructive.

Degree: MFA, Art (MFA), 2014, University of Arkansas

URL: http://scholarworks.uark.edu/etd/2191

► Synthetic Constructive is an exhibition of paintings and collages, both reflect the building and managing of synthetically constructed places and expose the human condition… (more)

Subjects/Keywords: Constructive; Painting; Synthetic; Painting

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APA (6^th Edition):

McDaniel, J. W. (2014). Synthetic Constructive. (Masters Thesis). University of Arkansas. Retrieved from http://scholarworks.uark.edu/etd/2191

Chicago Manual of Style (16^th Edition):

McDaniel, Jonathan Wade. “Synthetic Constructive.” 2014. Masters Thesis, University of Arkansas. Accessed December 18, 2018. http://scholarworks.uark.edu/etd/2191.

MLA Handbook (7^th Edition):

McDaniel, Jonathan Wade. “Synthetic Constructive.” 2014. Web. 18 Dec 2018.

Vancouver:

McDaniel JW. Synthetic Constructive. [Internet] [Masters thesis]. University of Arkansas; 2014. [cited 2018 Dec 18]. Available from: http://scholarworks.uark.edu/etd/2191.

Council of Science Editors:

McDaniel JW. Synthetic Constructive. [Masters Thesis]. University of Arkansas; 2014. Available from: http://scholarworks.uark.edu/etd/2191

Louisiana State University

7. Wright, Jonathan Walker. Intimate Immensities.

Degree: MFA, Fine Arts, 2016, Louisiana State University

URL: etd-05252016-171313 ; https://digitalcommons.lsu.edu/gradschool_theses/95

► The works in the “Intimate Immensities” series of landscape paintings function as “aporia,” or irresolvable contradictions. Using two aspects of Charles Sanders Peirce’s semiotic designations… (more)

Subjects/Keywords: Oil Painting; Romanticism; Landscape Painting

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APA (6^th Edition):

Wright, J. W. (2016). Intimate Immensities. (Masters Thesis). Louisiana State University. Retrieved from etd-05252016-171313 ; https://digitalcommons.lsu.edu/gradschool_theses/95

Chicago Manual of Style (16^th Edition):

Wright, Jonathan Walker. “Intimate Immensities.” 2016. Masters Thesis, Louisiana State University. Accessed December 18, 2018. etd-05252016-171313 ; https://digitalcommons.lsu.edu/gradschool_theses/95.

MLA Handbook (7^th Edition):

Wright, Jonathan Walker. “Intimate Immensities.” 2016. Web. 18 Dec 2018.

Vancouver:

Wright JW. Intimate Immensities. [Internet] [Masters thesis]. Louisiana State University; 2016. [cited 2018 Dec 18]. Available from: etd-05252016-171313 ; https://digitalcommons.lsu.edu/gradschool_theses/95.

Council of Science Editors:

Wright JW. Intimate Immensities. [Masters Thesis]. Louisiana State University; 2016. Available from: etd-05252016-171313 ; https://digitalcommons.lsu.edu/gradschool_theses/95

Virginia Commonwealth University

8. Stikas, Marianne. THE DEVELOPMENT OF AN IDEA.

Degree: MFA, Painting and Printmaking, 1974, Virginia Commonwealth University

URL: https://scholarscompass.vcu.edu/etd/5512

► Whereas certain people start with a recollection or an experience and paint that experience, to some of us the act of doing it becomes the… (more)

Subjects/Keywords: Painting

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APA (6^th Edition):

Stikas, M. (1974). THE DEVELOPMENT OF AN IDEA. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/5512

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Stikas, Marianne. “THE DEVELOPMENT OF AN IDEA.” 1974. Thesis, Virginia Commonwealth University. Accessed December 18, 2018. https://scholarscompass.vcu.edu/etd/5512.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Stikas, Marianne. “THE DEVELOPMENT OF AN IDEA.” 1974. Web. 18 Dec 2018.

Vancouver:

Stikas M. THE DEVELOPMENT OF AN IDEA. [Internet] [Thesis]. Virginia Commonwealth University; 1974. [cited 2018 Dec 18]. Available from: https://scholarscompass.vcu.edu/etd/5512.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stikas M. THE DEVELOPMENT OF AN IDEA. [Thesis]. Virginia Commonwealth University; 1974. Available from: https://scholarscompass.vcu.edu/etd/5512

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. García Fente, Lucía Oliva. La relación arte-industria en la colección propia del Museo Guggenheim Bilbao.

Degree: 2018, Universidad del País Vasco

URL: http://hdl.handle.net/10810/26886

► Las obras de arte de la Colección Propia del Museo Guggenheim Bilbao, como el edificio de esta institución, llevan la conciencia del espectador a la… (more)

Subjects/Keywords: painting; pintura

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APA (6^th Edition):

García Fente, L. O. (2018). La relación arte-industria en la colección propia del Museo Guggenheim Bilbao. (Thesis). Universidad del País Vasco. Retrieved from http://hdl.handle.net/10810/26886

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

García Fente, Lucía Oliva. “La relación arte-industria en la colección propia del Museo Guggenheim Bilbao.” 2018. Thesis, Universidad del País Vasco. Accessed December 18, 2018. http://hdl.handle.net/10810/26886.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

García Fente, Lucía Oliva. “La relación arte-industria en la colección propia del Museo Guggenheim Bilbao.” 2018. Web. 18 Dec 2018.

Vancouver:

García Fente LO. La relación arte-industria en la colección propia del Museo Guggenheim Bilbao. [Internet] [Thesis]. Universidad del País Vasco; 2018. [cited 2018 Dec 18]. Available from: http://hdl.handle.net/10810/26886.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

García Fente LO. La relación arte-industria en la colección propia del Museo Guggenheim Bilbao. [Thesis]. Universidad del País Vasco; 2018. Available from: http://hdl.handle.net/10810/26886

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Eastern Illinois University

10. Murman, Ray. The "Illuminusion" Concept.

Degree: MA, Art, 1974, Eastern Illinois University

URL: http://thekeep.eiu.edu/theses/3657

► My intention in painting and drawing is to demonstrate luminous effects in an atmospheric field. In painting, attention is directed to various color impressions.… (more)

Subjects/Keywords: Painting

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APA (6^th Edition):

Murman, R. (1974). The "Illuminusion" Concept. (Masters Thesis). Eastern Illinois University. Retrieved from http://thekeep.eiu.edu/theses/3657

Chicago Manual of Style (16^th Edition):

Murman, Ray. “The "Illuminusion" Concept.” 1974. Masters Thesis, Eastern Illinois University. Accessed December 18, 2018. http://thekeep.eiu.edu/theses/3657.

MLA Handbook (7^th Edition):

Murman, Ray. “The "Illuminusion" Concept.” 1974. Web. 18 Dec 2018.

Vancouver:

Murman R. The "Illuminusion" Concept. [Internet] [Masters thesis]. Eastern Illinois University; 1974. [cited 2018 Dec 18]. Available from: http://thekeep.eiu.edu/theses/3657.

Council of Science Editors:

Murman R. The "Illuminusion" Concept. [Masters Thesis]. Eastern Illinois University; 1974. Available from: http://thekeep.eiu.edu/theses/3657

University of Arkansas

11. Kurtzman, Alexis. Subject to Change.

Degree: MFA, Art (MFA), 2018, University of Arkansas

URL: http://scholarworks.uark.edu/etd/2798

► Subject to Change is comprised of a series of self-devised, ritually practiced free-associative action-mark-making strategies. Each procedure explores various degrees of chance operations and… (more)

Subjects/Keywords: Illustration; Painting

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APA (6^th Edition):

Kurtzman, A. (2018). Subject to Change. (Masters Thesis). University of Arkansas. Retrieved from http://scholarworks.uark.edu/etd/2798

Chicago Manual of Style (16^th Edition):

Kurtzman, Alexis. “Subject to Change.” 2018. Masters Thesis, University of Arkansas. Accessed December 18, 2018. http://scholarworks.uark.edu/etd/2798.

MLA Handbook (7^th Edition):

Kurtzman, Alexis. “Subject to Change.” 2018. Web. 18 Dec 2018.

Vancouver:

Kurtzman A. Subject to Change. [Internet] [Masters thesis]. University of Arkansas; 2018. [cited 2018 Dec 18]. Available from: http://scholarworks.uark.edu/etd/2798.

Council of Science Editors:

Kurtzman A. Subject to Change. [Masters Thesis]. University of Arkansas; 2018. Available from: http://scholarworks.uark.edu/etd/2798

Eastern Illinois University

12. Barnfield, Larry S. A Comparative Study of the Concept of Man as Revealed in the Works of Certain Contemporary Painters.

Degree: MSEd, Art, 1967, Eastern Illinois University

URL: https://thekeep.eiu.edu/theses/4164

Subjects/Keywords: Painting

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APA (6^th Edition):

Barnfield, L. S. (1967). A Comparative Study of the Concept of Man as Revealed in the Works of Certain Contemporary Painters. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/4164

Chicago Manual of Style (16^th Edition):

Barnfield, Larry S. “A Comparative Study of the Concept of Man as Revealed in the Works of Certain Contemporary Painters.” 1967. Masters Thesis, Eastern Illinois University. Accessed December 18, 2018. https://thekeep.eiu.edu/theses/4164.

MLA Handbook (7^th Edition):

Barnfield, Larry S. “A Comparative Study of the Concept of Man as Revealed in the Works of Certain Contemporary Painters.” 1967. Web. 18 Dec 2018.

Vancouver:

Barnfield LS. A Comparative Study of the Concept of Man as Revealed in the Works of Certain Contemporary Painters. [Internet] [Masters thesis]. Eastern Illinois University; 1967. [cited 2018 Dec 18]. Available from: https://thekeep.eiu.edu/theses/4164.

Council of Science Editors:

Barnfield LS. A Comparative Study of the Concept of Man as Revealed in the Works of Certain Contemporary Painters. [Masters Thesis]. Eastern Illinois University; 1967. Available from: https://thekeep.eiu.edu/theses/4164

Eastern Illinois University

13. Collie, Renee. A Painting Style Derived from Action Painting and Calligraphy.

Degree: MSEd, Art, 1966, Eastern Illinois University

URL: https://thekeep.eiu.edu/theses/4217

Subjects/Keywords: Painting

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APA (6^th Edition):

Collie, R. (1966). A Painting Style Derived from Action Painting and Calligraphy. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/4217

Chicago Manual of Style (16^th Edition):

Collie, Renee. “A Painting Style Derived from Action Painting and Calligraphy.” 1966. Masters Thesis, Eastern Illinois University. Accessed December 18, 2018. https://thekeep.eiu.edu/theses/4217.

MLA Handbook (7^th Edition):

Collie, Renee. “A Painting Style Derived from Action Painting and Calligraphy.” 1966. Web. 18 Dec 2018.

Vancouver:

Collie R. A Painting Style Derived from Action Painting and Calligraphy. [Internet] [Masters thesis]. Eastern Illinois University; 1966. [cited 2018 Dec 18]. Available from: https://thekeep.eiu.edu/theses/4217.

Council of Science Editors:

Collie R. A Painting Style Derived from Action Painting and Calligraphy. [Masters Thesis]. Eastern Illinois University; 1966. Available from: https://thekeep.eiu.edu/theses/4217

14. Mishra, Meenal(मिश्रा, मीनल). Bharatiya chitrakala may matasaya kurm yom varaha awatar ek digdarsha(भारतीय चित्रकला में मत्स्य, कूर्म एवं वराह अवतार एक दिग्दर्शन ); -.

Degree: Fine Arts, 2006, Bundelkhand University

URL: http://shodhganga.inflibnet.ac.in/handle/10603/12270

None

References given

Advisors/Committee Members: Pandey, Sandhya(पण्डे, संध्या ).

Subjects/Keywords: Painting

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APA (6^th Edition):

Mishra, Meenal(मिश्रा, �. (2006). Bharatiya chitrakala may matasaya kurm yom varaha awatar ek digdarsha(भारतीय चित्रकला में मत्स्य, कूर्म एवं वराह अवतार एक दिग्दर्शन ); -. (Thesis). Bundelkhand University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/12270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Mishra, Meenal(मिश्रा, मीनल). “Bharatiya chitrakala may matasaya kurm yom varaha awatar ek digdarsha(भारतीय चित्रकला में मत्स्य, कूर्म एवं वराह अवतार एक दिग्दर्शन ); -.” 2006. Thesis, Bundelkhand University. Accessed December 18, 2018. http://shodhganga.inflibnet.ac.in/handle/10603/12270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Mishra, Meenal(मिश्रा, मीनल). “Bharatiya chitrakala may matasaya kurm yom varaha awatar ek digdarsha(भारतीय चित्रकला में मत्स्य, कूर्म एवं वराह अवतार एक दिग्दर्शन ); -.” 2006. Web. 18 Dec 2018.

Vancouver:

Mishra, Meenal(मिश्रा �. Bharatiya chitrakala may matasaya kurm yom varaha awatar ek digdarsha(भारतीय चित्रकला में मत्स्य, कूर्म एवं वराह अवतार एक दिग्दर्शन ); -. [Internet] [Thesis]. Bundelkhand University; 2006. [cited 2018 Dec 18]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/12270.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mishra, Meenal(मिश्रा �. Bharatiya chitrakala may matasaya kurm yom varaha awatar ek digdarsha(भारतीय चित्रकला में मत्स्य, कूर्म एवं वराह अवतार एक दिग्दर्शन ); -. [Thesis]. Bundelkhand University; 2006. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/12270

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Singh, Shweta. Sapenish Chitrakar Al Griko ka palaukik kala jeevan; -.

Degree: Drawing and Painting, 2014, INFLIBNET

URL: http://shodhganga.inflibnet.ac.in/handle/10603/21833

None

-

Advisors/Committee Members: Tayagi, Namita.

Subjects/Keywords: Painting

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APA (6^th Edition):

Singh, S. (2014). Sapenish Chitrakar Al Griko ka palaukik kala jeevan; -. (Thesis). INFLIBNET. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/21833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Singh, Shweta. “Sapenish Chitrakar Al Griko ka palaukik kala jeevan; -.” 2014. Thesis, INFLIBNET. Accessed December 18, 2018. http://shodhganga.inflibnet.ac.in/handle/10603/21833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Singh, Shweta. “Sapenish Chitrakar Al Griko ka palaukik kala jeevan; -.” 2014. Web. 18 Dec 2018.

Vancouver:

Singh S. Sapenish Chitrakar Al Griko ka palaukik kala jeevan; -. [Internet] [Thesis]. INFLIBNET; 2014. [cited 2018 Dec 18]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/21833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Singh S. Sapenish Chitrakar Al Griko ka palaukik kala jeevan; -. [Thesis]. INFLIBNET; 2014. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/21833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

AUT University

16. Rayner, Lisa Anne. A New Narrative of Time: time and space mediated through the medium of painting .

Degree: 2011, AUT University

URL: http://hdl.handle.net/10292/1481

► Through a mediation across time and between images this project explores the many and varied perspectives thrown back and reflected onto a represented past. The… (more)

Subjects/Keywords: Painting; Time

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APA (6^th Edition):

Rayner, L. A. (2011). A New Narrative of Time: time and space mediated through the medium of painting . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/1481

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Rayner, Lisa Anne. “A New Narrative of Time: time and space mediated through the medium of painting .” 2011. Thesis, AUT University. Accessed December 18, 2018. http://hdl.handle.net/10292/1481.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Rayner, Lisa Anne. “A New Narrative of Time: time and space mediated through the medium of painting .” 2011. Web. 18 Dec 2018.

Vancouver:

Rayner LA. A New Narrative of Time: time and space mediated through the medium of painting . [Internet] [Thesis]. AUT University; 2011. [cited 2018 Dec 18]. Available from: http://hdl.handle.net/10292/1481.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rayner LA. A New Narrative of Time: time and space mediated through the medium of painting . [Thesis]. AUT University; 2011. Available from: http://hdl.handle.net/10292/1481

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of the Arts London

17. Payne, Alistair J. Redefine and reterritorialise: painting as an interdisciplinary form.

Degree: 2005, University of the Arts London

URL: http://ualresearchonline.arts.ac.uk/5659/

► Any examination of painting as a practice or discipline must necessarily analyse the philosophical underpinning of formalist modes of thinking. Although contemporary practices are not… (more)

▼ Any examination of painting as a practice or discipline must necessarily analyse the philosophical underpinning of formalist modes of thinking. Although contemporary practices are not as driven by the inherent rules of the discipline, they are still dependent upon the theoretical foundations within which they work, and effectively this leads to a retention of medium and material specificity. In contrast, a different methodological approach potentially changes the way in which painting can be thought and is explored within the thesis. The proposition of a particular type of methodological investigation challenges painting, attempting to change its alignment with different mediums or disciplines, by locating the relationship of theoretical models and their direct paradigmatic constraints on practice. In contrast to an Hegelian philosophical approach, embedded within the formalist critique, Gilles Deleuze's philosophy is present throughout the thesis as a catalyst for re-negotiating both the spaces of theory and the realisation of a painting practice that shares a commonality with Bergsonian and Deleuzian motifs of the `virtual' rather than the boundaried rule-based and medium-specific limitations of previous formalisms. The notion of interdisciplinarity stems from this particular philosophical investigation, and proposes painting as an intrinsically interdisciplinary practice. The motivation is to locate the relationship of different theoretical and philosophical models - including the fold, the notion of `technique', memory, the virtual and duration - in order to establish new ways for thinking concerning painting, and importantly how it can operate in an interdisciplinary manner. In particular the idea of `change' and `the new' in relation to Deleuzian `becomings', in contrast to Hegelian dialectics, drives the theoretical investigation, and how this challenges the idea of painting now. The research thinks through these integral component elements in terms of painting and analyses various examples of artworks and architectural projects (stemming from Deleuze's ideas including Greg Lynn and Bernard Cache), incorporating a new alignment with notions of spatiality and duration, which in turn constitutes a reterritorialisation of both painting and thinking as practices.

Subjects/Keywords: Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Payne, A. J. (2005). Redefine and reterritorialise: painting as an interdisciplinary form. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/5659/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Payne, Alistair J. “Redefine and reterritorialise: painting as an interdisciplinary form.” 2005. Thesis, University of the Arts London. Accessed December 18, 2018. http://ualresearchonline.arts.ac.uk/5659/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Payne, Alistair J. “Redefine and reterritorialise: painting as an interdisciplinary form.” 2005. Web. 18 Dec 2018.

Vancouver:

Payne AJ. Redefine and reterritorialise: painting as an interdisciplinary form. [Internet] [Thesis]. University of the Arts London; 2005. [cited 2018 Dec 18]. Available from: http://ualresearchonline.arts.ac.uk/5659/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Payne AJ. Redefine and reterritorialise: painting as an interdisciplinary form. [Thesis]. University of the Arts London; 2005. Available from: http://ualresearchonline.arts.ac.uk/5659/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Sydney

18. Scott, Rachel Maureen. ROMANCE PAINTING: l ' avant garde ne se rend pas .

Degree: 2016, University of Sydney

URL: http://hdl.handle.net/2123/17794

► What is the framework for discussing abstract painting in 2017? Is it modernism; art history; conceptual art; contemporary art; national or regional boundaries? All of… (more)

Subjects/Keywords: Abstract painting

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APA (6^th Edition):

Scott, R. M. (2016). ROMANCE PAINTING: l ' avant garde ne se rend pas . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/17794

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Scott, Rachel Maureen. “ROMANCE PAINTING: l ' avant garde ne se rend pas .” 2016. Thesis, University of Sydney. Accessed December 18, 2018. http://hdl.handle.net/2123/17794.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Scott, Rachel Maureen. “ROMANCE PAINTING: l ' avant garde ne se rend pas .” 2016. Web. 18 Dec 2018.

Vancouver:

Scott RM. ROMANCE PAINTING: l ' avant garde ne se rend pas . [Internet] [Thesis]. University of Sydney; 2016. [cited 2018 Dec 18]. Available from: http://hdl.handle.net/2123/17794.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scott RM. ROMANCE PAINTING: l ' avant garde ne se rend pas . [Thesis]. University of Sydney; 2016. Available from: http://hdl.handle.net/2123/17794

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Sydney

19. Jarvis, Anna. The Affective Dimension .

Degree: 2013, University of Sydney

URL: http://hdl.handle.net/2123/11723

► This research paper explores the area of affect in relation to art. To investigate this area the paper will feature a select group of artists… (more)

Subjects/Keywords: Painting; Affect

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APA (6^th Edition):

Jarvis, A. (2013). The Affective Dimension . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/11723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Jarvis, Anna. “The Affective Dimension .” 2013. Thesis, University of Sydney. Accessed December 18, 2018. http://hdl.handle.net/2123/11723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Jarvis, Anna. “The Affective Dimension .” 2013. Web. 18 Dec 2018.

Vancouver:

Jarvis A. The Affective Dimension . [Internet] [Thesis]. University of Sydney; 2013. [cited 2018 Dec 18]. Available from: http://hdl.handle.net/2123/11723.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jarvis A. The Affective Dimension . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/11723

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Tasmania

20. Brookes, Wayne Anthony. Visual virtuosity : contemporary quadratura painting : an allegory of a portrait.

Degree: 2003, University of Tasmania

URL: https://eprints.utas.edu.au/19164/1/whole_BrookesWayneAnthony2003_thesis.pdf

► This research project generates a body of work, which represents an investigation into the physical, allegorical and historical narratives of Quadratura Painting in terms of… (more)

▼ This research project generates a body of work, which represents an investigation into the physical, allegorical and historical narratives of Quadratura Painting in terms of motif, genre and technical prowess. Specifically, it attempts to address the evolution of issues associated with the visual virtuosity of objects within a pictorial space and it's affiliation with contemporary Realist painting. It examines the physical apotheosis of ornament and attempts to establish a comparative relationship between painting, object and illusionistic space. While touching on the precedent of Hyper-realism and the Neo-Baroque, it addresses the integrity of obsession and the indolent fortitude of an abandoned schema gone ballistic. This project also attempts to rein in the concept of disembodiment as self-portraiture and the re-emergence of the image as an ocular gush, specifically the "The Wow Factor". This paper has a direct correlation to the body of work. It is an instruction kit that expurgates the vortex of peripheral issues that have plagued this project from its inception and gives it some order of sequence. While the project began as an historical anecdote of portraiture, the final images of the lavish interior of The Napoleon III apartments in The Louvre, are a translation of this experience and have become a distillation of self image. The paintings are constructed as hybrids of the original source and emerge as physical evidence of subjective witness. They are an examination of new breath in the old carcass of portraiture and much like the infamous Professor Gunther von Hagens with his "Korperwelten" cadaver carnival; the works are that of a plastic surgeon. They balance between a reconstruction of a Baroque archetype with a Neo-Classicist emblematic makeover and the showgirl closet of Liberace. All the images generated within this project are direct cosmetic appliances derived from endless self-examination and exist because of a prolonged reverence for the history of painting and the extant experience of these images. Much has been made of the lingering demise of painting. Originally this fear was initiated in the Nineteenth century by the onslaught of photography. Indeed Daguerre's belief that his invention would 'give a new impulse to the arts' was quickly followed by Turner's resolve that, "This is the end of Art". It is often referred to, as a relic with more recent criticism suggesting that painting is an anachronism, failing the brief of 'a new art for a new century'. While this sounds like a familiar echo, it has been the manifesto of artists and critics who believe in vapour, spent objects or the breathless heights of digital decoupage. While this emerges as "cutting edge", a more comforting biopsy appears to exist between factions of taste who recognise the absurdity of assigning mortality to physical disciplines. In this respect nothing is actually dead, it's merely ignored. The quintessence of practise must be visual or sensory sensation, authorship, the signature…

Subjects/Keywords: Painting

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APA (6^th Edition):

Brookes, W. A. (2003). Visual virtuosity : contemporary quadratura painting : an allegory of a portrait. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/19164/1/whole_BrookesWayneAnthony2003_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Brookes, Wayne Anthony. “Visual virtuosity : contemporary quadratura painting : an allegory of a portrait.” 2003. Thesis, University of Tasmania. Accessed December 18, 2018. https://eprints.utas.edu.au/19164/1/whole_BrookesWayneAnthony2003_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Brookes, Wayne Anthony. “Visual virtuosity : contemporary quadratura painting : an allegory of a portrait.” 2003. Web. 18 Dec 2018.

Vancouver:

Brookes WA. Visual virtuosity : contemporary quadratura painting : an allegory of a portrait. [Internet] [Thesis]. University of Tasmania; 2003. [cited 2018 Dec 18]. Available from: https://eprints.utas.edu.au/19164/1/whole_BrookesWayneAnthony2003_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brookes WA. Visual virtuosity : contemporary quadratura painting : an allegory of a portrait. [Thesis]. University of Tasmania; 2003. Available from: https://eprints.utas.edu.au/19164/1/whole_BrookesWayneAnthony2003_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Mathus, Miguel. Monochrome and trace in contemporary painting.

Degree: PhD, 2018, Royal College of Art

URL: http://researchonline.rca.ac.uk/3436/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742446

► This project explicitly addresses the persistent question of the monochrome. I want to develop several figures of thought such as inscription, erasure and trace in… (more)

▼ This project explicitly addresses the persistent question of the monochrome. I want to develop several figures of thought such as inscription, erasure and trace in order to examine new ways in which this question might find fresh trajectories of formulation. Historically, the monochrome has attracted discussions related to the autonomy of painting, the circularity of process, chromatic purity, repetition, limits, transcendence, the beyond of representation. The project does not aim to formulate the question of the identity of contemporary abstraction but instead explore the questions related to abstraction’s temporality. The monochrome appears to resist a pure art historical discourse because of the way that it has always been close to a speculative drive within philosophical aesthetics. In this regard I wish to test this relationship between ways of mediating the visual in terms of language and the schemas assumed by the modulation of the ‘seeable’ into the ‘sayable’. Jacques Derrida is an important figure for my research in terms of his thinking about the trace and the play of absence and presence. These concepts will be engaged with alongside accounts of the monochrome in contemporary art history. This intellectual project is anchored by the relationship to my own studio practice, which involves an overlapping of elements that are added and dismantled until a definitive form is achieved. The physical nature of the materials is, thus, central to the activity. Materials are added and removed; the latter process is frequently the more important. The surface is worked through a restrained process of making, trading one factor against another until a resolution becomes possible. By working with increased physicality, plus highly calibrated or austere means, the ambition is then to engage the viewer as a total sentient being as opposed to a receiver of images. The work thus resists the conventions that govern the presentation of image-based paintings and this implies the possibility that the work creates other schemas of both place and temporality.

Subjects/Keywords: W120 Painting

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APA (6^th Edition):

Mathus, M. (2018). Monochrome and trace in contemporary painting. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/3436/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742446

Chicago Manual of Style (16^th Edition):

Mathus, Miguel. “Monochrome and trace in contemporary painting.” 2018. Doctoral Dissertation, Royal College of Art. Accessed December 18, 2018. http://researchonline.rca.ac.uk/3436/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742446.

MLA Handbook (7^th Edition):

Mathus, Miguel. “Monochrome and trace in contemporary painting.” 2018. Web. 18 Dec 2018.

Vancouver:

Mathus M. Monochrome and trace in contemporary painting. [Internet] [Doctoral dissertation]. Royal College of Art; 2018. [cited 2018 Dec 18]. Available from: http://researchonline.rca.ac.uk/3436/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742446.

Council of Science Editors:

Mathus M. Monochrome and trace in contemporary painting. [Doctoral Dissertation]. Royal College of Art; 2018. Available from: http://researchonline.rca.ac.uk/3436/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742446

University of North Carolina – Greensboro

22. Porter, James Anthony. Dystopian dilemma.

Degree: 2009, University of North Carolina – Greensboro

URL: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1918

This thesis consists of a text and a series of five oil paintings that explores the psychological complexities and relationships that exist within the 21st Century post-modern American society.; Oil paintings, 21st Century post-modern Advisors/Committee Members: Michael Ananian (advisor).

Subjects/Keywords: Art.; Painting.

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APA (6^th Edition):

Porter, J. A. (2009). Dystopian dilemma. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1918

Chicago Manual of Style (16^th Edition):

Porter, James Anthony. “Dystopian dilemma.” 2009. Masters Thesis, University of North Carolina – Greensboro. Accessed December 18, 2018. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1918.

MLA Handbook (7^th Edition):

Porter, James Anthony. “Dystopian dilemma.” 2009. Web. 18 Dec 2018.

Vancouver:

Porter JA. Dystopian dilemma. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2009. [cited 2018 Dec 18]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1918.

Council of Science Editors:

Porter JA. Dystopian dilemma. [Masters Thesis]. University of North Carolina – Greensboro; 2009. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1918

University of North Carolina – Greensboro

23. Rochon, Julie. Knowing the unknown (unknowing the known).

Degree: 2009, University of North Carolina – Greensboro

URL: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1926

This thesis addresses the ways my work questions how painting is experiential both for the artist and the viewer. The paintings are based on the space where there is no distinction between states of matter and energy.; Painting Advisors/Committee Members: Mariam Stephan (advisor).

Subjects/Keywords: Art.; Painting.

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APA (6^th Edition):

Rochon, J. (2009). Knowing the unknown (unknowing the known). (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1926

Chicago Manual of Style (16^th Edition):

Rochon, Julie. “Knowing the unknown (unknowing the known).” 2009. Masters Thesis, University of North Carolina – Greensboro. Accessed December 18, 2018. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1926.

MLA Handbook (7^th Edition):

Rochon, Julie. “Knowing the unknown (unknowing the known).” 2009. Web. 18 Dec 2018.

Vancouver:

Rochon J. Knowing the unknown (unknowing the known). [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2009. [cited 2018 Dec 18]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1926.

Council of Science Editors:

Rochon J. Knowing the unknown (unknowing the known). [Masters Thesis]. University of North Carolina – Greensboro; 2009. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=1926

University of Birmingham

24. Naylor, Aileen Elizabeth. Simeon Solomon's work before 1873: interpretation and identity.

Degree: School of Languages, Cultures, Art History and Music, Department of History of Art, 2010, University of Birmingham

URL: http://etheses.bham.ac.uk/714/

► This thesis has two aims. The first is to demonstrate that commentaries on the work produced by Simeon Solomon (1840-1905) before 1873, an artist who… (more)

Subjects/Keywords: ND Painting

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APA (6^th Edition):

Naylor, A. E. (2010). Simeon Solomon's work before 1873: interpretation and identity. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/714/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Naylor, Aileen Elizabeth. “Simeon Solomon's work before 1873: interpretation and identity.” 2010. Thesis, University of Birmingham. Accessed December 18, 2018. http://etheses.bham.ac.uk/714/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Naylor, Aileen Elizabeth. “Simeon Solomon's work before 1873: interpretation and identity.” 2010. Web. 18 Dec 2018.

Vancouver:

Naylor AE. Simeon Solomon's work before 1873: interpretation and identity. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2018 Dec 18]. Available from: http://etheses.bham.ac.uk/714/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Naylor AE. Simeon Solomon's work before 1873: interpretation and identity. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/714/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Birmingham

25. Weston, Hazel. Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art.

Degree: Department of History of Art, 2010, University of Birmingham

URL: http://etheses.bham.ac.uk/1181/

► This dissertation will focus on a painting in the Bristol City Art Gallery and Museum entitled Christ’s Descent into Limbo, attributed to Giovanni Bellini (c.1430-1516)… (more)

Subjects/Keywords: ND Painting

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APA (6^th Edition):

Weston, H. (2010). Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/1181/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Weston, Hazel. “Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art.” 2010. Thesis, University of Birmingham. Accessed December 18, 2018. http://etheses.bham.ac.uk/1181/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Weston, Hazel. “Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art.” 2010. Web. 18 Dec 2018.

Vancouver:

Weston H. Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2018 Dec 18]. Available from: http://etheses.bham.ac.uk/1181/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weston H. Christ’s Descent into Limbo at the Bristol City Art Gallery and Museum: a singular work of art. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/1181/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Birmingham

26. Foulkes, Tamsin. The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762).

Degree: History of Art, 2011, University of Birmingham

URL: http://etheses.bham.ac.uk/1737/

► This study examines Voltaire’s (1694-1778) poem La Pucelle d’Orléans (The Maid of Orléans) of 1762 and the accompanying illustrations by Gravelot (1699-1773) as an adaptation… (more)

Subjects/Keywords: ND Painting

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APA (6^th Edition):

Foulkes, T. (2011). The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/1737/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Foulkes, Tamsin. “The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762).” 2011. Thesis, University of Birmingham. Accessed December 18, 2018. http://etheses.bham.ac.uk/1737/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Foulkes, Tamsin. “The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762).” 2011. Web. 18 Dec 2018.

Vancouver:

Foulkes T. The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762). [Internet] [Thesis]. University of Birmingham; 2011. [cited 2018 Dec 18]. Available from: http://etheses.bham.ac.uk/1737/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Foulkes T. The legend of Jeanne d’Arc: illustrations by Gravelot for Voltaire’s La Pucelle d’Orleans (1762). [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk/1737/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Edwards, Jamie Lee. Still looking for Pieter Bruegel the Elder.

Degree: School of Languages, Cultures, Art History and Music, 2013, University of Birmingham

URL: http://etheses.bham.ac.uk/4164/

► Pieter Bruegel the Elder (c.1526-69) is one of the most renowned sixteenth-century Netherlandish artists. Paradoxically, however, he is also one of the most mysterious and… (more)

Subjects/Keywords: ND Painting

10 more images…

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APA (6^th Edition):

Edwards, J. L. (2013). Still looking for Pieter Bruegel the Elder. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4164/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Edwards, Jamie Lee. “Still looking for Pieter Bruegel the Elder.” 2013. Thesis, University of Birmingham. Accessed December 18, 2018. http://etheses.bham.ac.uk/4164/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Edwards, Jamie Lee. “Still looking for Pieter Bruegel the Elder.” 2013. Web. 18 Dec 2018.

Vancouver:

Edwards JL. Still looking for Pieter Bruegel the Elder. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2018 Dec 18]. Available from: http://etheses.bham.ac.uk/4164/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Edwards JL. Still looking for Pieter Bruegel the Elder. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4164/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Eastern Illinois University

28. Crotchett, Susan. The Influence of Structural Painters on My Work.

Degree: MA, Art, 1981, Eastern Illinois University

URL: http://thekeep.eiu.edu/theses/2962

► The purpose of this thesis is to analyze influence exerted on my painting by Charles Sheeler and Edward Hopper, and to pursue the development… (more)

Subjects/Keywords: Painting

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APA (6^th Edition):

Crotchett, S. (1981). The Influence of Structural Painters on My Work. (Masters Thesis). Eastern Illinois University. Retrieved from http://thekeep.eiu.edu/theses/2962

Chicago Manual of Style (16^th Edition):

Crotchett, Susan. “The Influence of Structural Painters on My Work.” 1981. Masters Thesis, Eastern Illinois University. Accessed December 18, 2018. http://thekeep.eiu.edu/theses/2962.

MLA Handbook (7^th Edition):

Crotchett, Susan. “The Influence of Structural Painters on My Work.” 1981. Web. 18 Dec 2018.

Vancouver:

Crotchett S. The Influence of Structural Painters on My Work. [Internet] [Masters thesis]. Eastern Illinois University; 1981. [cited 2018 Dec 18]. Available from: http://thekeep.eiu.edu/theses/2962.

Council of Science Editors:

Crotchett S. The Influence of Structural Painters on My Work. [Masters Thesis]. Eastern Illinois University; 1981. Available from: http://thekeep.eiu.edu/theses/2962

Eastern Illinois University

29. Sullan, Brian. The Work of Brian Sullan in Relation to Contemporary Non-Objective Painting, 1979-1980.

Degree: MA, Art, 1980, Eastern Illinois University

URL: http://thekeep.eiu.edu/theses/3027

► The purpose of this thesis is to explain my current body of work in terms of both personal interpretation and by means of relating… (more)

Subjects/Keywords: Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sullan, B. (1980). The Work of Brian Sullan in Relation to Contemporary Non-Objective Painting, 1979-1980. (Masters Thesis). Eastern Illinois University. Retrieved from http://thekeep.eiu.edu/theses/3027

Chicago Manual of Style (16^th Edition):

Sullan, Brian. “The Work of Brian Sullan in Relation to Contemporary Non-Objective Painting, 1979-1980.” 1980. Masters Thesis, Eastern Illinois University. Accessed December 18, 2018. http://thekeep.eiu.edu/theses/3027.

MLA Handbook (7^th Edition):

Sullan, Brian. “The Work of Brian Sullan in Relation to Contemporary Non-Objective Painting, 1979-1980.” 1980. Web. 18 Dec 2018.

Vancouver:

Sullan B. The Work of Brian Sullan in Relation to Contemporary Non-Objective Painting, 1979-1980. [Internet] [Masters thesis]. Eastern Illinois University; 1980. [cited 2018 Dec 18]. Available from: http://thekeep.eiu.edu/theses/3027.

Council of Science Editors:

Sullan B. The Work of Brian Sullan in Relation to Contemporary Non-Objective Painting, 1979-1980. [Masters Thesis]. Eastern Illinois University; 1980. Available from: http://thekeep.eiu.edu/theses/3027

Eastern Illinois University

30. Graves, John T. Expressionism for Painting Sports.

Degree: MA, Art, 1980, Eastern Illinois University

URL: http://thekeep.eiu.edu/theses/3029

► This thesis is an attempt to show that the Expressionistic style of painting lends itself to the Sports figure. The action and dynamic movement… (more)

Subjects/Keywords: Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Graves, J. T. (1980). Expressionism for Painting Sports. (Masters Thesis). Eastern Illinois University. Retrieved from http://thekeep.eiu.edu/theses/3029

Chicago Manual of Style (16^th Edition):

Graves, John T. “Expressionism for Painting Sports.” 1980. Masters Thesis, Eastern Illinois University. Accessed December 18, 2018. http://thekeep.eiu.edu/theses/3029.

MLA Handbook (7^th Edition):

Graves, John T. “Expressionism for Painting Sports.” 1980. Web. 18 Dec 2018.

Vancouver:

Graves JT. Expressionism for Painting Sports. [Internet] [Masters thesis]. Eastern Illinois University; 1980. [cited 2018 Dec 18]. Available from: http://thekeep.eiu.edu/theses/3029.

Council of Science Editors:

Graves JT. Expressionism for Painting Sports. [Masters Thesis]. Eastern Illinois University; 1980. Available from: http://thekeep.eiu.edu/theses/3029

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Open Access Theses and Dissertations