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You searched for subject:(opera). Showing records 61 – 90 of 1120 total matches.

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61. Stephenson, Emily L. If There's No "Fat Lady," When is the Opera Over?: An Exploration of Changing Physical Image Standards in Present-Day Opera.

Degree: MA, Music, 2012, U of Denver

  Though present-day American society generally assumes opera is one of the few remaining entertainment fields where talent matters more than physical appearance, as the… (more)

Subjects/Keywords: ethnography; image; music; opera

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APA (6th Edition):

Stephenson, E. L. (2012). If There's No "Fat Lady," When is the Opera Over?: An Exploration of Changing Physical Image Standards in Present-Day Opera. (Thesis). U of Denver. Retrieved from https://digitalcommons.du.edu/etd/627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stephenson, Emily L. “If There's No "Fat Lady," When is the Opera Over?: An Exploration of Changing Physical Image Standards in Present-Day Opera.” 2012. Thesis, U of Denver. Accessed October 17, 2019. https://digitalcommons.du.edu/etd/627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stephenson, Emily L. “If There's No "Fat Lady," When is the Opera Over?: An Exploration of Changing Physical Image Standards in Present-Day Opera.” 2012. Web. 17 Oct 2019.

Vancouver:

Stephenson EL. If There's No "Fat Lady," When is the Opera Over?: An Exploration of Changing Physical Image Standards in Present-Day Opera. [Internet] [Thesis]. U of Denver; 2012. [cited 2019 Oct 17]. Available from: https://digitalcommons.du.edu/etd/627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stephenson EL. If There's No "Fat Lady," When is the Opera Over?: An Exploration of Changing Physical Image Standards in Present-Day Opera. [Thesis]. U of Denver; 2012. Available from: https://digitalcommons.du.edu/etd/627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Cornell University

62. Duncan, Michelle. Freud And The Problem With Music: A History Of Listening At The Moment Of Psychoanalysis .

Degree: 2013, Cornell University

 An analysis of voice in performance and literary theory reveals a paradox: while voice is generally thought of as the vehicle through which one expresses… (more)

Subjects/Keywords: Opera; Richard Wagner; Max Graf

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APA (6th Edition):

Duncan, M. (2013). Freud And The Problem With Music: A History Of Listening At The Moment Of Psychoanalysis . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/34055

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Duncan, Michelle. “Freud And The Problem With Music: A History Of Listening At The Moment Of Psychoanalysis .” 2013. Thesis, Cornell University. Accessed October 17, 2019. http://hdl.handle.net/1813/34055.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Duncan, Michelle. “Freud And The Problem With Music: A History Of Listening At The Moment Of Psychoanalysis .” 2013. Web. 17 Oct 2019.

Vancouver:

Duncan M. Freud And The Problem With Music: A History Of Listening At The Moment Of Psychoanalysis . [Internet] [Thesis]. Cornell University; 2013. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1813/34055.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Duncan M. Freud And The Problem With Music: A History Of Listening At The Moment Of Psychoanalysis . [Thesis]. Cornell University; 2013. Available from: http://hdl.handle.net/1813/34055

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Chicago

63. Kulik, Ekaterina. The Testimony of Usher 22.

Degree: 2017, University of Illinois – Chicago

 Dissertation project The Testimony of Usher 22 is a novel that explores and subverts the subgenre of “opera novel” — the works of fiction in… (more)

Subjects/Keywords: fiction; novel; opera; music; obsession

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APA (6th Edition):

Kulik, E. (2017). The Testimony of Usher 22. (Thesis). University of Illinois – Chicago. Retrieved from http://hdl.handle.net/10027/21807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kulik, Ekaterina. “The Testimony of Usher 22.” 2017. Thesis, University of Illinois – Chicago. Accessed October 17, 2019. http://hdl.handle.net/10027/21807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kulik, Ekaterina. “The Testimony of Usher 22.” 2017. Web. 17 Oct 2019.

Vancouver:

Kulik E. The Testimony of Usher 22. [Internet] [Thesis]. University of Illinois – Chicago; 2017. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10027/21807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kulik E. The Testimony of Usher 22. [Thesis]. University of Illinois – Chicago; 2017. Available from: http://hdl.handle.net/10027/21807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University of Wellington

64. Chesney, Sarah. Gothic Imaginations in Primo Ottocento Opera.

Degree: 2010, Victoria University of Wellington

 Connections between the Gothic and opera remain a subsidiary concern to most writers on the Gothic and on opera, if they are even addressed at… (more)

Subjects/Keywords: Nineteenth century; Opera; Gothic

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APA (6th Edition):

Chesney, S. (2010). Gothic Imaginations in Primo Ottocento Opera. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/1983

Chicago Manual of Style (16th Edition):

Chesney, Sarah. “Gothic Imaginations in Primo Ottocento Opera.” 2010. Masters Thesis, Victoria University of Wellington. Accessed October 17, 2019. http://hdl.handle.net/10063/1983.

MLA Handbook (7th Edition):

Chesney, Sarah. “Gothic Imaginations in Primo Ottocento Opera.” 2010. Web. 17 Oct 2019.

Vancouver:

Chesney S. Gothic Imaginations in Primo Ottocento Opera. [Internet] [Masters thesis]. Victoria University of Wellington; 2010. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10063/1983.

Council of Science Editors:

Chesney S. Gothic Imaginations in Primo Ottocento Opera. [Masters Thesis]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/1983


King's College London (University of London)

65. Sellors, Anthony Paul. Expressing a certainty : musical and poetic imagery in Dallapiccola's Ulisse.

Degree: 2001, King's College London (University of London)

Subjects/Keywords: 800; Opera

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APA (6th Edition):

Sellors, A. P. (2001). Expressing a certainty : musical and poetic imagery in Dallapiccola's Ulisse. (Doctoral Dissertation). King's College London (University of London). Retrieved from https://kclpure.kcl.ac.uk/portal/en/theses/expressing-a-certainty – musical-and-poetic-imagery-in-dallapiccolas-ulisse(6f642492-c9a4-49ca-9add-d844733c2f0f).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251782

Chicago Manual of Style (16th Edition):

Sellors, Anthony Paul. “Expressing a certainty : musical and poetic imagery in Dallapiccola's Ulisse.” 2001. Doctoral Dissertation, King's College London (University of London). Accessed October 17, 2019. https://kclpure.kcl.ac.uk/portal/en/theses/expressing-a-certainty – musical-and-poetic-imagery-in-dallapiccolas-ulisse(6f642492-c9a4-49ca-9add-d844733c2f0f).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251782.

MLA Handbook (7th Edition):

Sellors, Anthony Paul. “Expressing a certainty : musical and poetic imagery in Dallapiccola's Ulisse.” 2001. Web. 17 Oct 2019.

Vancouver:

Sellors AP. Expressing a certainty : musical and poetic imagery in Dallapiccola's Ulisse. [Internet] [Doctoral dissertation]. King's College London (University of London); 2001. [cited 2019 Oct 17]. Available from: https://kclpure.kcl.ac.uk/portal/en/theses/expressing-a-certainty – musical-and-poetic-imagery-in-dallapiccolas-ulisse(6f642492-c9a4-49ca-9add-d844733c2f0f).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251782.

Council of Science Editors:

Sellors AP. Expressing a certainty : musical and poetic imagery in Dallapiccola's Ulisse. [Doctoral Dissertation]. King's College London (University of London); 2001. Available from: https://kclpure.kcl.ac.uk/portal/en/theses/expressing-a-certainty – musical-and-poetic-imagery-in-dallapiccolas-ulisse(6f642492-c9a4-49ca-9add-d844733c2f0f).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251782


University of Hong Kong

66. 伍嘉麗.; Ng, Ka-lai, Clara. Oppositional forces as social commentary in Alban Berg's Wozzeck.

Degree: M. Phil., 2006, University of Hong Kong

published_or_final_version

abstract

Humanities

Master

Master of Philosophy

Subjects/Keywords: Opera - Austria.

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APA (6th Edition):

伍嘉麗.; Ng, Ka-lai, C. (2006). Oppositional forces as social commentary in Alban Berg's Wozzeck. (Masters Thesis). University of Hong Kong. Retrieved from Ng, K. C. [伍嘉麗]. (2006). Oppositional forces as social commentary in Alban Berg's Wozzeck. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3776814 ; http://dx.doi.org/10.5353/th_b3776814 ; http://hdl.handle.net/10722/53130

Chicago Manual of Style (16th Edition):

伍嘉麗.; Ng, Ka-lai, Clara. “Oppositional forces as social commentary in Alban Berg's Wozzeck.” 2006. Masters Thesis, University of Hong Kong. Accessed October 17, 2019. Ng, K. C. [伍嘉麗]. (2006). Oppositional forces as social commentary in Alban Berg's Wozzeck. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3776814 ; http://dx.doi.org/10.5353/th_b3776814 ; http://hdl.handle.net/10722/53130.

MLA Handbook (7th Edition):

伍嘉麗.; Ng, Ka-lai, Clara. “Oppositional forces as social commentary in Alban Berg's Wozzeck.” 2006. Web. 17 Oct 2019.

Vancouver:

伍嘉麗.; Ng, Ka-lai C. Oppositional forces as social commentary in Alban Berg's Wozzeck. [Internet] [Masters thesis]. University of Hong Kong; 2006. [cited 2019 Oct 17]. Available from: Ng, K. C. [伍嘉麗]. (2006). Oppositional forces as social commentary in Alban Berg's Wozzeck. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3776814 ; http://dx.doi.org/10.5353/th_b3776814 ; http://hdl.handle.net/10722/53130.

Council of Science Editors:

伍嘉麗.; Ng, Ka-lai C. Oppositional forces as social commentary in Alban Berg's Wozzeck. [Masters Thesis]. University of Hong Kong; 2006. Available from: Ng, K. C. [伍嘉麗]. (2006). Oppositional forces as social commentary in Alban Berg's Wozzeck. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3776814 ; http://dx.doi.org/10.5353/th_b3776814 ; http://hdl.handle.net/10722/53130


Bowling Green State University

67. Sampson, Jamie Leigh. Wearing White.

Degree: MM, Music Composition, 2010, Bowling Green State University

  Wearing White is a forty-five minute chamber opera in one act. There are five characters: two sopranos (Woman and Other Woman), a mezzo-soprano (Best… (more)

Subjects/Keywords: Music; chamber opera; nonsense language

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APA (6th Edition):

Sampson, J. L. (2010). Wearing White. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1276718251

Chicago Manual of Style (16th Edition):

Sampson, Jamie Leigh. “Wearing White.” 2010. Masters Thesis, Bowling Green State University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1276718251.

MLA Handbook (7th Edition):

Sampson, Jamie Leigh. “Wearing White.” 2010. Web. 17 Oct 2019.

Vancouver:

Sampson JL. Wearing White. [Internet] [Masters thesis]. Bowling Green State University; 2010. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1276718251.

Council of Science Editors:

Sampson JL. Wearing White. [Masters Thesis]. Bowling Green State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1276718251


Louisiana State University

68. Cortello, David Paul. Julie, & Aaron Copland's Development of The Opening Idea Through Quartal Harmonies, Pitch Space, and Register in the first movement of his Third Symphony.

Degree: PhD, Music, 2013, Louisiana State University

 ABSTRACT The first part of this dissertation is an original opera, Julie, composed on a libretto by Julia Carey. The opera consists of a prologue,… (more)

Subjects/Keywords: Copland; Symphony; Opera; Julie

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APA (6th Edition):

Cortello, D. P. (2013). Julie, & Aaron Copland's Development of The Opening Idea Through Quartal Harmonies, Pitch Space, and Register in the first movement of his Third Symphony. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-04152013-092715 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2363

Chicago Manual of Style (16th Edition):

Cortello, David Paul. “Julie, & Aaron Copland's Development of The Opening Idea Through Quartal Harmonies, Pitch Space, and Register in the first movement of his Third Symphony.” 2013. Doctoral Dissertation, Louisiana State University. Accessed October 17, 2019. etd-04152013-092715 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2363.

MLA Handbook (7th Edition):

Cortello, David Paul. “Julie, & Aaron Copland's Development of The Opening Idea Through Quartal Harmonies, Pitch Space, and Register in the first movement of his Third Symphony.” 2013. Web. 17 Oct 2019.

Vancouver:

Cortello DP. Julie, & Aaron Copland's Development of The Opening Idea Through Quartal Harmonies, Pitch Space, and Register in the first movement of his Third Symphony. [Internet] [Doctoral dissertation]. Louisiana State University; 2013. [cited 2019 Oct 17]. Available from: etd-04152013-092715 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2363.

Council of Science Editors:

Cortello DP. Julie, & Aaron Copland's Development of The Opening Idea Through Quartal Harmonies, Pitch Space, and Register in the first movement of his Third Symphony. [Doctoral Dissertation]. Louisiana State University; 2013. Available from: etd-04152013-092715 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2363


Massey University

69. Brackovic, Jasna. 'Poor, pale, Rusalka' : the polymorphic nature of the heroine of Dvořák's Rusalka : a thesis submitted to Massey University and Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Music in Musicology .

Degree: 2014, Massey University

 Rusalka, the protagonist of Antonín Dvořák’s eponymous opera, is probably one of the most unique operatic heroines. Rusalka’s burning desire to become human in order… (more)

Subjects/Keywords: Rusalka; Dvorak; Antonin Dvorak; Opera

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APA (6th Edition):

Brackovic, J. (2014). 'Poor, pale, Rusalka' : the polymorphic nature of the heroine of Dvořák's Rusalka : a thesis submitted to Massey University and Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Music in Musicology . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/5710

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brackovic, Jasna. “'Poor, pale, Rusalka' : the polymorphic nature of the heroine of Dvořák's Rusalka : a thesis submitted to Massey University and Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Music in Musicology .” 2014. Thesis, Massey University. Accessed October 17, 2019. http://hdl.handle.net/10179/5710.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brackovic, Jasna. “'Poor, pale, Rusalka' : the polymorphic nature of the heroine of Dvořák's Rusalka : a thesis submitted to Massey University and Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Music in Musicology .” 2014. Web. 17 Oct 2019.

Vancouver:

Brackovic J. 'Poor, pale, Rusalka' : the polymorphic nature of the heroine of Dvořák's Rusalka : a thesis submitted to Massey University and Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Music in Musicology . [Internet] [Thesis]. Massey University; 2014. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10179/5710.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brackovic J. 'Poor, pale, Rusalka' : the polymorphic nature of the heroine of Dvořák's Rusalka : a thesis submitted to Massey University and Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Music in Musicology . [Thesis]. Massey University; 2014. Available from: http://hdl.handle.net/10179/5710

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

70. Shen, Nalin. The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition .

Degree: 2010, Massey University

 Almost fifty years ago Chinese composer Chou Wen-chung proposed a musical “re-merger” of East and West. For many Chinese composers of today a sense of… (more)

Subjects/Keywords: Chinese opera; Music theatre scores

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APA (6th Edition):

Shen, N. (2010). The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/2535

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shen, Nalin. “The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition .” 2010. Thesis, Massey University. Accessed October 17, 2019. http://hdl.handle.net/10179/2535.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shen, Nalin. “The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition .” 2010. Web. 17 Oct 2019.

Vancouver:

Shen N. The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition . [Internet] [Thesis]. Massey University; 2010. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10179/2535.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shen N. The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition . [Thesis]. Massey University; 2010. Available from: http://hdl.handle.net/10179/2535

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

71. Rodríguez Picón, Irene. Contextos literarios de la ópera inglesa.

Degree: 2011, Universidad Complutense de Madrid, Servicio de Publicaciones

 El objeto de esta tesis consiste en estudiar la evolución de la ópera en Inglaterra a lo largo de cuatro siglos, establecer su relación con… (more)

Subjects/Keywords: Opera; Filología inglesa; Literatura

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APA (6th Edition):

Rodríguez Picón, I. (2011). Contextos literarios de la ópera inglesa. (Thesis). Universidad Complutense de Madrid, Servicio de Publicaciones. Retrieved from http://eprints.ucm.es/11848/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rodríguez Picón, Irene. “Contextos literarios de la ópera inglesa.” 2011. Thesis, Universidad Complutense de Madrid, Servicio de Publicaciones. Accessed October 17, 2019. http://eprints.ucm.es/11848/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rodríguez Picón, Irene. “Contextos literarios de la ópera inglesa.” 2011. Web. 17 Oct 2019.

Vancouver:

Rodríguez Picón I. Contextos literarios de la ópera inglesa. [Internet] [Thesis]. Universidad Complutense de Madrid, Servicio de Publicaciones; 2011. [cited 2019 Oct 17]. Available from: http://eprints.ucm.es/11848/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rodríguez Picón I. Contextos literarios de la ópera inglesa. [Thesis]. Universidad Complutense de Madrid, Servicio de Publicaciones; 2011. Available from: http://eprints.ucm.es/11848/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

72. Porto San Martín, Isabelle. De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856).

Degree: 2016, Universidad Complutense de Madrid

Subjects/Keywords: Opera; Zarzuela

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APA (6th Edition):

Porto San Martín, I. (2016). De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856). (Thesis). Universidad Complutense de Madrid. Retrieved from http://eprints.ucm.es/24621/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Porto San Martín, Isabelle. “De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856).” 2016. Thesis, Universidad Complutense de Madrid. Accessed October 17, 2019. http://eprints.ucm.es/24621/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Porto San Martín, Isabelle. “De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856).” 2016. Web. 17 Oct 2019.

Vancouver:

Porto San Martín I. De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856). [Internet] [Thesis]. Universidad Complutense de Madrid; 2016. [cited 2019 Oct 17]. Available from: http://eprints.ucm.es/24621/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Porto San Martín I. De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856). [Thesis]. Universidad Complutense de Madrid; 2016. Available from: http://eprints.ucm.es/24621/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Cornell University

73. Tong, Nguyet. At The Censor Interface: The Thai Television Lakorn, Its Spectators And Policing Bodies .

Degree: 2014, Cornell University

 My thesis investigates six cases of censorship of the television lakorn, Thailand's version of the soap opera, from 2005 to the present. The primetime lakorn… (more)

Subjects/Keywords: Thai lakorn; Soap opera; censorship

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APA (6th Edition):

Tong, N. (2014). At The Censor Interface: The Thai Television Lakorn, Its Spectators And Policing Bodies . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/37114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tong, Nguyet. “At The Censor Interface: The Thai Television Lakorn, Its Spectators And Policing Bodies .” 2014. Thesis, Cornell University. Accessed October 17, 2019. http://hdl.handle.net/1813/37114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tong, Nguyet. “At The Censor Interface: The Thai Television Lakorn, Its Spectators And Policing Bodies .” 2014. Web. 17 Oct 2019.

Vancouver:

Tong N. At The Censor Interface: The Thai Television Lakorn, Its Spectators And Policing Bodies . [Internet] [Thesis]. Cornell University; 2014. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1813/37114.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tong N. At The Censor Interface: The Thai Television Lakorn, Its Spectators And Policing Bodies . [Thesis]. Cornell University; 2014. Available from: http://hdl.handle.net/1813/37114

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kansas State University

74. Wakeley, Meghan A. An evolution of song: Opera, Oratorio, and Art Song.

Degree: MM, Department of Music, 2011, Kansas State University

 This master’s report is a discussion of the selections and composers presented on my graduate recital performed in All Faiths Chapel on Thursday, April 28,… (more)

Subjects/Keywords: Opera; Art Song; Music (0413)

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APA (6th Edition):

Wakeley, M. A. (2011). An evolution of song: Opera, Oratorio, and Art Song. (Thesis). Kansas State University. Retrieved from http://hdl.handle.net/2097/8864

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wakeley, Meghan A. “An evolution of song: Opera, Oratorio, and Art Song.” 2011. Thesis, Kansas State University. Accessed October 17, 2019. http://hdl.handle.net/2097/8864.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wakeley, Meghan A. “An evolution of song: Opera, Oratorio, and Art Song.” 2011. Web. 17 Oct 2019.

Vancouver:

Wakeley MA. An evolution of song: Opera, Oratorio, and Art Song. [Internet] [Thesis]. Kansas State University; 2011. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2097/8864.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wakeley MA. An evolution of song: Opera, Oratorio, and Art Song. [Thesis]. Kansas State University; 2011. Available from: http://hdl.handle.net/2097/8864

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

75. Quijano Axle, Mario Roger. Zarzuela y ópera en Yucatán (1863-1930). Actividad del teatro lírico y creación local.

Degree: 2018, Universidad Complutense de Madrid

Subjects/Keywords: Opera; Zarzuela

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APA (6th Edition):

Quijano Axle, M. R. (2018). Zarzuela y ópera en Yucatán (1863-1930). Actividad del teatro lírico y creación local. (Thesis). Universidad Complutense de Madrid. Retrieved from http://eprints.ucm.es/39305/1/T37817.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Quijano Axle, Mario Roger. “Zarzuela y ópera en Yucatán (1863-1930). Actividad del teatro lírico y creación local.” 2018. Thesis, Universidad Complutense de Madrid. Accessed October 17, 2019. http://eprints.ucm.es/39305/1/T37817.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Quijano Axle, Mario Roger. “Zarzuela y ópera en Yucatán (1863-1930). Actividad del teatro lírico y creación local.” 2018. Web. 17 Oct 2019.

Vancouver:

Quijano Axle MR. Zarzuela y ópera en Yucatán (1863-1930). Actividad del teatro lírico y creación local. [Internet] [Thesis]. Universidad Complutense de Madrid; 2018. [cited 2019 Oct 17]. Available from: http://eprints.ucm.es/39305/1/T37817.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Quijano Axle MR. Zarzuela y ópera en Yucatán (1863-1930). Actividad del teatro lírico y creación local. [Thesis]. Universidad Complutense de Madrid; 2018. Available from: http://eprints.ucm.es/39305/1/T37817.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

76. Porto San Martín, Isabelle. De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856).

Degree: 2018, Universidad Complutense de Madrid

Subjects/Keywords: Opera; Zarzuela

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APA (6th Edition):

Porto San Martín, I. (2018). De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856). (Thesis). Universidad Complutense de Madrid. Retrieved from http://eprints.ucm.es/24621/1/T35131.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Porto San Martín, Isabelle. “De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856).” 2018. Thesis, Universidad Complutense de Madrid. Accessed October 17, 2019. http://eprints.ucm.es/24621/1/T35131.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Porto San Martín, Isabelle. “De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856).” 2018. Web. 17 Oct 2019.

Vancouver:

Porto San Martín I. De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856). [Internet] [Thesis]. Universidad Complutense de Madrid; 2018. [cited 2019 Oct 17]. Available from: http://eprints.ucm.es/24621/1/T35131.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Porto San Martín I. De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856). [Thesis]. Universidad Complutense de Madrid; 2018. Available from: http://eprints.ucm.es/24621/1/T35131.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

77. Porto San Martín, Isabelle. De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856).

Degree: 2018, Universidad Complutense de Madrid

Subjects/Keywords: Opera; Zarzuela

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APA (6th Edition):

Porto San Martín, I. (2018). De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856). (Thesis). Universidad Complutense de Madrid. Retrieved from http://eprints.ucm.es/24621/1/T35131.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Porto San Martín, Isabelle. “De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856).” 2018. Thesis, Universidad Complutense de Madrid. Accessed October 17, 2019. http://eprints.ucm.es/24621/1/T35131.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Porto San Martín, Isabelle. “De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856).” 2018. Web. 17 Oct 2019.

Vancouver:

Porto San Martín I. De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856). [Internet] [Thesis]. Universidad Complutense de Madrid; 2018. [cited 2019 Oct 17]. Available from: http://eprints.ucm.es/24621/1/T35131.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Porto San Martín I. De l'opéra-comique à la zarzuela : modalités et enjeux d'un trnasfert sur la scène madrilène, (1849-1856). [Thesis]. Universidad Complutense de Madrid; 2018. Available from: http://eprints.ucm.es/24621/1/T35131.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

78. Dahlberg, Mattias. Opera i Stockholm, Stadsgården.

Degree: Architecture and the Built Environment (ABE), 2011, KTHKTH

Opera i Stockholm vid stadsgårdskajen. Huvudsakligt koncept går ut på att exponera scenstrukturen.

Subjects/Keywords: Opera; Stadsgården; Stockholm; Architecture; Arkitektur

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dahlberg, M. (2011). Opera i Stockholm, Stadsgården. (Thesis). KTHKTH. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-34696

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dahlberg, Mattias. “Opera i Stockholm, Stadsgården.” 2011. Thesis, KTHKTH. Accessed October 17, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-34696.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dahlberg, Mattias. “Opera i Stockholm, Stadsgården.” 2011. Web. 17 Oct 2019.

Vancouver:

Dahlberg M. Opera i Stockholm, Stadsgården. [Internet] [Thesis]. KTHKTH; 2011. [cited 2019 Oct 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-34696.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dahlberg M. Opera i Stockholm, Stadsgården. [Thesis]. KTHKTH; 2011. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-34696

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

79. Boberg, Daniel. Opera i Stockholm, Galärvarvet.

Degree: Architecture and the Built Environment (ABE), 2011, KTHKTH

Opera på Galärvarvet i Stockholm. Byggnaden är uppdelad i segment vars höjd bestämms av underliggande funktion. Fasadmaterialet är kopparplåt.

Subjects/Keywords: Opera; Stockholm; Galärvarvet; Architecture; Arkitektur

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APA (6th Edition):

Boberg, D. (2011). Opera i Stockholm, Galärvarvet. (Thesis). KTHKTH. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-35279

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Boberg, Daniel. “Opera i Stockholm, Galärvarvet.” 2011. Thesis, KTHKTH. Accessed October 17, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-35279.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Boberg, Daniel. “Opera i Stockholm, Galärvarvet.” 2011. Web. 17 Oct 2019.

Vancouver:

Boberg D. Opera i Stockholm, Galärvarvet. [Internet] [Thesis]. KTHKTH; 2011. [cited 2019 Oct 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-35279.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boberg D. Opera i Stockholm, Galärvarvet. [Thesis]. KTHKTH; 2011. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-35279

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


KTH

80. Jarlhäll, Emma. Opera i Stockholm, galärvarvet.

Degree: Architecture, 2011, KTH

  GALÄRVARVET har ett enastående läge vid Djurgårdens början och ligger i direkt närhet till några av Stockholms populäraste turistmål. Platsen är idag en öppen… (more)

Subjects/Keywords: Opera; galärvarvet; park; Architecture; Arkitektur

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APA (6th Edition):

Jarlhäll, E. (2011). Opera i Stockholm, galärvarvet. (Thesis). KTH. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-37509

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jarlhäll, Emma. “Opera i Stockholm, galärvarvet.” 2011. Thesis, KTH. Accessed October 17, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-37509.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jarlhäll, Emma. “Opera i Stockholm, galärvarvet.” 2011. Web. 17 Oct 2019.

Vancouver:

Jarlhäll E. Opera i Stockholm, galärvarvet. [Internet] [Thesis]. KTH; 2011. [cited 2019 Oct 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-37509.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jarlhäll E. Opera i Stockholm, galärvarvet. [Thesis]. KTH; 2011. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-37509

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


KTH

81. Sterner, Lukas. LIKE ROCK : En ny opera vid stadsgårdskajen.

Degree: Architecture, 2011, KTH

  En ny opera vid stadsgårdskajen. Formen av ett berg gör att byggnaden väl smälter in i sin fysiska kontext. Operan är uppbyggd likt terrasser,… (more)

Subjects/Keywords: opera; stockholm; stadsgårdskajen; berg

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APA (6th Edition):

Sterner, L. (2011). LIKE ROCK : En ny opera vid stadsgårdskajen. (Thesis). KTH. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-100828

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sterner, Lukas. “LIKE ROCK : En ny opera vid stadsgårdskajen.” 2011. Thesis, KTH. Accessed October 17, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-100828.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sterner, Lukas. “LIKE ROCK : En ny opera vid stadsgårdskajen.” 2011. Web. 17 Oct 2019.

Vancouver:

Sterner L. LIKE ROCK : En ny opera vid stadsgårdskajen. [Internet] [Thesis]. KTH; 2011. [cited 2019 Oct 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-100828.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sterner L. LIKE ROCK : En ny opera vid stadsgårdskajen. [Thesis]. KTH; 2011. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-100828

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Wollongong

82. Galea, Jeff. Wounding song: Integrating Maltese and Middle Eastern music into a western musical genre.

Degree: Doctor of Creative Arts - Research, Faculty of Creative Arts, 2012, University of Wollongong

  I am an Australian-born composer of Maltese heritage; my musical compositions are expressions that contain elements of my dual upbringing. Maltese folk music (ghana)… (more)

Subjects/Keywords: folk; ghana; makam; opera

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APA (6th Edition):

Galea, J. (2012). Wounding song: Integrating Maltese and Middle Eastern music into a western musical genre. (Doctoral Dissertation). University of Wollongong. Retrieved from 1904 PERFORMING ARTS AND CREATIVE WRITING ; https://ro.uow.edu.au/theses/3767

Chicago Manual of Style (16th Edition):

Galea, Jeff. “Wounding song: Integrating Maltese and Middle Eastern music into a western musical genre.” 2012. Doctoral Dissertation, University of Wollongong. Accessed October 17, 2019. 1904 PERFORMING ARTS AND CREATIVE WRITING ; https://ro.uow.edu.au/theses/3767.

MLA Handbook (7th Edition):

Galea, Jeff. “Wounding song: Integrating Maltese and Middle Eastern music into a western musical genre.” 2012. Web. 17 Oct 2019.

Vancouver:

Galea J. Wounding song: Integrating Maltese and Middle Eastern music into a western musical genre. [Internet] [Doctoral dissertation]. University of Wollongong; 2012. [cited 2019 Oct 17]. Available from: 1904 PERFORMING ARTS AND CREATIVE WRITING ; https://ro.uow.edu.au/theses/3767.

Council of Science Editors:

Galea J. Wounding song: Integrating Maltese and Middle Eastern music into a western musical genre. [Doctoral Dissertation]. University of Wollongong; 2012. Available from: 1904 PERFORMING ARTS AND CREATIVE WRITING ; https://ro.uow.edu.au/theses/3767


Victoria University of Wellington

83. Shen, Nalin. The Integration of Chinese Opera Traditions into New Musical Compositions.

Degree: 2010, Victoria University of Wellington

 Almost fifty years ago Chinese composer Chou Wen-chung proposed a musical “re-merger” of East and West. For many Chinese composers of today a sense of… (more)

Subjects/Keywords: Chinese opera; New compositions

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APA (6th Edition):

Shen, N. (2010). The Integration of Chinese Opera Traditions into New Musical Compositions. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/1709

Chicago Manual of Style (16th Edition):

Shen, Nalin. “The Integration of Chinese Opera Traditions into New Musical Compositions.” 2010. Doctoral Dissertation, Victoria University of Wellington. Accessed October 17, 2019. http://hdl.handle.net/10063/1709.

MLA Handbook (7th Edition):

Shen, Nalin. “The Integration of Chinese Opera Traditions into New Musical Compositions.” 2010. Web. 17 Oct 2019.

Vancouver:

Shen N. The Integration of Chinese Opera Traditions into New Musical Compositions. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2010. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10063/1709.

Council of Science Editors:

Shen N. The Integration of Chinese Opera Traditions into New Musical Compositions. [Doctoral Dissertation]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/1709

84. Medlyn, Margaret. Embodying Voice: Singing Verdi, singing Wagner.

Degree: 2016, Victoria University of Wellington

 Writers from diverse disciplines have rhapsodised over the impact of the operatic voice on the listener, while musicologists such as Abbate, Duncan, and Risi have… (more)

Subjects/Keywords: Embodiment; Verdi; Wagner; Opera; Voice

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APA (6th Edition):

Medlyn, M. (2016). Embodying Voice: Singing Verdi, singing Wagner. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/5134

Chicago Manual of Style (16th Edition):

Medlyn, Margaret. “Embodying Voice: Singing Verdi, singing Wagner.” 2016. Doctoral Dissertation, Victoria University of Wellington. Accessed October 17, 2019. http://hdl.handle.net/10063/5134.

MLA Handbook (7th Edition):

Medlyn, Margaret. “Embodying Voice: Singing Verdi, singing Wagner.” 2016. Web. 17 Oct 2019.

Vancouver:

Medlyn M. Embodying Voice: Singing Verdi, singing Wagner. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2016. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10063/5134.

Council of Science Editors:

Medlyn M. Embodying Voice: Singing Verdi, singing Wagner. [Doctoral Dissertation]. Victoria University of Wellington; 2016. Available from: http://hdl.handle.net/10063/5134


Montana State University

85. Skram, Knut. An opera house.

Degree: 1963, Montana State University

Subjects/Keywords: Opera.; Theaters.

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APA (6th Edition):

Skram, K. (1963). An opera house. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/11849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Skram, Knut. “An opera house.” 1963. Thesis, Montana State University. Accessed October 17, 2019. https://scholarworks.montana.edu/xmlui/handle/1/11849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Skram, Knut. “An opera house.” 1963. Web. 17 Oct 2019.

Vancouver:

Skram K. An opera house. [Internet] [Thesis]. Montana State University; 1963. [cited 2019 Oct 17]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/11849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Skram K. An opera house. [Thesis]. Montana State University; 1963. Available from: https://scholarworks.montana.edu/xmlui/handle/1/11849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Notre Dame

86. Sean M. Kelly. The Tension between Past and Present in the Chorus of Electra: Sophocles and Strauss</h1>.

Degree: MA, Classics, 2016, University of Notre Dame

  This thesis examines the dismantling of the chorus’ functions in Sophocles’ Electra in Hugo von Hofmannsthal and Richard Strauss’ opera adaptation of the play… (more)

Subjects/Keywords: Greek tragedy; Opera; Reception

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APA (6th Edition):

Kelly, S. M. (2016). The Tension between Past and Present in the Chorus of Electra: Sophocles and Strauss</h1>. (Masters Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/p5547p90s6t

Chicago Manual of Style (16th Edition):

Kelly, Sean M.. “The Tension between Past and Present in the Chorus of Electra: Sophocles and Strauss</h1>.” 2016. Masters Thesis, University of Notre Dame. Accessed October 17, 2019. https://curate.nd.edu/show/p5547p90s6t.

MLA Handbook (7th Edition):

Kelly, Sean M.. “The Tension between Past and Present in the Chorus of Electra: Sophocles and Strauss</h1>.” 2016. Web. 17 Oct 2019.

Vancouver:

Kelly SM. The Tension between Past and Present in the Chorus of Electra: Sophocles and Strauss</h1>. [Internet] [Masters thesis]. University of Notre Dame; 2016. [cited 2019 Oct 17]. Available from: https://curate.nd.edu/show/p5547p90s6t.

Council of Science Editors:

Kelly SM. The Tension between Past and Present in the Chorus of Electra: Sophocles and Strauss</h1>. [Masters Thesis]. University of Notre Dame; 2016. Available from: https://curate.nd.edu/show/p5547p90s6t


Brigham Young University

87. Rogers, Daniel T. Fedra ed Hippolito by Francesco Vannarelli: A Critical Edition.

Degree: MA, 2009, Brigham Young University

  The biography of the Italian composer Francesco Vannarelli (c.1616–1679) is limited to a series of places and dates listed in scattered documents throughout the… (more)

Subjects/Keywords: Vannarelli; opera; tragicommedia; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rogers, D. T. (2009). Fedra ed Hippolito by Francesco Vannarelli: A Critical Edition. (Masters Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=3318&context=etd

Chicago Manual of Style (16th Edition):

Rogers, Daniel T. “Fedra ed Hippolito by Francesco Vannarelli: A Critical Edition.” 2009. Masters Thesis, Brigham Young University. Accessed October 17, 2019. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=3318&context=etd.

MLA Handbook (7th Edition):

Rogers, Daniel T. “Fedra ed Hippolito by Francesco Vannarelli: A Critical Edition.” 2009. Web. 17 Oct 2019.

Vancouver:

Rogers DT. Fedra ed Hippolito by Francesco Vannarelli: A Critical Edition. [Internet] [Masters thesis]. Brigham Young University; 2009. [cited 2019 Oct 17]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=3318&context=etd.

Council of Science Editors:

Rogers DT. Fedra ed Hippolito by Francesco Vannarelli: A Critical Edition. [Masters Thesis]. Brigham Young University; 2009. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=3318&context=etd

88. Whiteman, Lauren A. (Lauren Ann). She Had No Peer: A Chamber Opera.

Degree: 1987, North Texas State University

 The work is a chamber opera in five movements. The vocal forces include soprano, mezzo-soprano and baritone solos and a small mixed chorus. The instrumental… (more)

Subjects/Keywords: opera; scores

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Whiteman, L. A. (. A. (1987). She Had No Peer: A Chamber Opera. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1038873/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Whiteman, Lauren A (Lauren Ann). “She Had No Peer: A Chamber Opera.” 1987. Thesis, North Texas State University. Accessed October 17, 2019. https://digital.library.unt.edu/ark:/67531/metadc1038873/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Whiteman, Lauren A (Lauren Ann). “She Had No Peer: A Chamber Opera.” 1987. Web. 17 Oct 2019.

Vancouver:

Whiteman LA(A. She Had No Peer: A Chamber Opera. [Internet] [Thesis]. North Texas State University; 1987. [cited 2019 Oct 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038873/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Whiteman LA(A. She Had No Peer: A Chamber Opera. [Thesis]. North Texas State University; 1987. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038873/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

89. Beard, Cynthia C. Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956).

Degree: 2011, University of North Texas

 Francis Poulenc’s three-act opera Dialogues des Carmélites (1953-1956) depicts the struggles of the novice nun Blanche de la Force during the Reign of Terror of… (more)

Subjects/Keywords: Opera; Poulenc; liturgy; French Revolution

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Beard, C. C. (2011). Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956). (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc103288/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beard, Cynthia C. “Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956).” 2011. Thesis, University of North Texas. Accessed October 17, 2019. https://digital.library.unt.edu/ark:/67531/metadc103288/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beard, Cynthia C. “Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956).” 2011. Web. 17 Oct 2019.

Vancouver:

Beard CC. Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956). [Internet] [Thesis]. University of North Texas; 2011. [cited 2019 Oct 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc103288/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beard CC. Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956). [Thesis]. University of North Texas; 2011. Available from: https://digital.library.unt.edu/ark:/67531/metadc103288/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

90. Zheng, Qiongzi. Performance Techniques, Aesthetic Principles and the Role of the Folk Music Tradition in Enhancing Expressiveness in Performance of the Contemporary Zheng Repertoire .

Degree: 2018, University of Sydney

 The zheng is a Chinese string instrument classified as a plucked zither. Since the 1950s, when the instrument began to be taught in music conservatories… (more)

Subjects/Keywords: quzheng; performance; techniques; expressiveness; opera

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zheng, Q. (2018). Performance Techniques, Aesthetic Principles and the Role of the Folk Music Tradition in Enhancing Expressiveness in Performance of the Contemporary Zheng Repertoire . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/20317

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zheng, Qiongzi. “Performance Techniques, Aesthetic Principles and the Role of the Folk Music Tradition in Enhancing Expressiveness in Performance of the Contemporary Zheng Repertoire .” 2018. Thesis, University of Sydney. Accessed October 17, 2019. http://hdl.handle.net/2123/20317.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zheng, Qiongzi. “Performance Techniques, Aesthetic Principles and the Role of the Folk Music Tradition in Enhancing Expressiveness in Performance of the Contemporary Zheng Repertoire .” 2018. Web. 17 Oct 2019.

Vancouver:

Zheng Q. Performance Techniques, Aesthetic Principles and the Role of the Folk Music Tradition in Enhancing Expressiveness in Performance of the Contemporary Zheng Repertoire . [Internet] [Thesis]. University of Sydney; 2018. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2123/20317.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zheng Q. Performance Techniques, Aesthetic Principles and the Role of the Folk Music Tradition in Enhancing Expressiveness in Performance of the Contemporary Zheng Repertoire . [Thesis]. University of Sydney; 2018. Available from: http://hdl.handle.net/2123/20317

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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