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You searched for subject:(opera). Showing records 1 – 30 of 1120 total matches.

[1] [2] [3] [4] [5] … [38]

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1. Sgouras, Ioannis. Η μουσική προετοιμασία της 'Οπερας.

Degree: 2019, Πανεπιστήμιο Μακεδονίας

Although Opera was born around 1600, the rules governing the musical preparation were already formulated by the Renaissance. During the Baroque and Classical periods, the… (more)

Subjects/Keywords: Όπερα; Opera

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APA (6th Edition):

Sgouras, I. (2019). Η μουσική προετοιμασία της 'Οπερας. (Thesis). Πανεπιστήμιο Μακεδονίας. Retrieved from http://hdl.handle.net/10442/hedi/45408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sgouras, Ioannis. “Η μουσική προετοιμασία της 'Οπερας.” 2019. Thesis, Πανεπιστήμιο Μακεδονίας. Accessed October 14, 2019. http://hdl.handle.net/10442/hedi/45408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sgouras, Ioannis. “Η μουσική προετοιμασία της 'Οπερας.” 2019. Web. 14 Oct 2019.

Vancouver:

Sgouras I. Η μουσική προετοιμασία της 'Οπερας. [Internet] [Thesis]. Πανεπιστήμιο Μακεδονίας; 2019. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10442/hedi/45408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sgouras I. Η μουσική προετοιμασία της 'Οπερας. [Thesis]. Πανεπιστήμιο Μακεδονίας; 2019. Available from: http://hdl.handle.net/10442/hedi/45408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aberystwyth University

2. Edwards-Behi, Nia. A Cognitive Approach to the Films of Dario Argento .

Degree: 2010, Aberystwyth University

 A man?s teeth smash onto a table edge, before he is stabbed through the neck. Another is dragged along a road by a truck before… (more)

Subjects/Keywords: Tenebrae; Terror at the Opera; Suspiria

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APA (6th Edition):

Edwards-Behi, N. (2010). A Cognitive Approach to the Films of Dario Argento . (Thesis). Aberystwyth University. Retrieved from http://hdl.handle.net/2160/7170

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Edwards-Behi, Nia. “A Cognitive Approach to the Films of Dario Argento .” 2010. Thesis, Aberystwyth University. Accessed October 14, 2019. http://hdl.handle.net/2160/7170.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Edwards-Behi, Nia. “A Cognitive Approach to the Films of Dario Argento .” 2010. Web. 14 Oct 2019.

Vancouver:

Edwards-Behi N. A Cognitive Approach to the Films of Dario Argento . [Internet] [Thesis]. Aberystwyth University; 2010. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/2160/7170.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Edwards-Behi N. A Cognitive Approach to the Films of Dario Argento . [Thesis]. Aberystwyth University; 2010. Available from: http://hdl.handle.net/2160/7170

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Eouzan, Fanny. Le fou et la magicienne : Réécritures de l'Arioste à l'opéra (1625-1796) : On Whitney (a) and Thom regular real and complex analytic stratifications.

Degree: Docteur es, Etudes romanes, 2013, Aix Marseille Université

Le Roland furieux constitue un réservoir d'intrigues inépuisable pour l'opéra baroque. Nous prenons en compte un corpus de quatre-vingts livrets mais aussi pièces de théâtre… (more)

Subjects/Keywords: Arioste; Opéra baroque; Livrets d'opéra; Réécriture; Folie; Magie; Ariosto; Opera librettos; Baroque opera; Madness; Rewritting; Magie

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APA (6th Edition):

Eouzan, F. (2013). Le fou et la magicienne : Réécritures de l'Arioste à l'opéra (1625-1796) : On Whitney (a) and Thom regular real and complex analytic stratifications. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2013AIXM3031

Chicago Manual of Style (16th Edition):

Eouzan, Fanny. “Le fou et la magicienne : Réécritures de l'Arioste à l'opéra (1625-1796) : On Whitney (a) and Thom regular real and complex analytic stratifications.” 2013. Doctoral Dissertation, Aix Marseille Université. Accessed October 14, 2019. http://www.theses.fr/2013AIXM3031.

MLA Handbook (7th Edition):

Eouzan, Fanny. “Le fou et la magicienne : Réécritures de l'Arioste à l'opéra (1625-1796) : On Whitney (a) and Thom regular real and complex analytic stratifications.” 2013. Web. 14 Oct 2019.

Vancouver:

Eouzan F. Le fou et la magicienne : Réécritures de l'Arioste à l'opéra (1625-1796) : On Whitney (a) and Thom regular real and complex analytic stratifications. [Internet] [Doctoral dissertation]. Aix Marseille Université 2013. [cited 2019 Oct 14]. Available from: http://www.theses.fr/2013AIXM3031.

Council of Science Editors:

Eouzan F. Le fou et la magicienne : Réécritures de l'Arioste à l'opéra (1625-1796) : On Whitney (a) and Thom regular real and complex analytic stratifications. [Doctoral Dissertation]. Aix Marseille Université 2013. Available from: http://www.theses.fr/2013AIXM3031

4. Delmas, Fabien. Rythmes, mouvements et double transfert : De Max Reinhardt à la Kapellmeisterregie hollywoodienne : Spoken language understanding and translation systems : a unified approach in a multilingual dialogue systems portability context.

Degree: Docteur es, Etudes cinématographiques, 2012, Aix Marseille Université

A partir de 1870, le théâtre européen est saisi d'un intense besoin de réformes. Sous l'impulsion d'une nouvelle génération de théoriciens et de scénographes un… (more)

Subjects/Keywords: William Dieterle; Théâtralisation; Kapellmeisterregie hollywoodienne; Opéra cinématographique; Double transfert; William Dieterle; Theatracality; Hollywoodian kapellmeisterregie; Double transfer; Cinematographical opera

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APA (6th Edition):

Delmas, F. (2012). Rythmes, mouvements et double transfert : De Max Reinhardt à la Kapellmeisterregie hollywoodienne : Spoken language understanding and translation systems : a unified approach in a multilingual dialogue systems portability context. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2012AIXM3132

Chicago Manual of Style (16th Edition):

Delmas, Fabien. “Rythmes, mouvements et double transfert : De Max Reinhardt à la Kapellmeisterregie hollywoodienne : Spoken language understanding and translation systems : a unified approach in a multilingual dialogue systems portability context.” 2012. Doctoral Dissertation, Aix Marseille Université. Accessed October 14, 2019. http://www.theses.fr/2012AIXM3132.

MLA Handbook (7th Edition):

Delmas, Fabien. “Rythmes, mouvements et double transfert : De Max Reinhardt à la Kapellmeisterregie hollywoodienne : Spoken language understanding and translation systems : a unified approach in a multilingual dialogue systems portability context.” 2012. Web. 14 Oct 2019.

Vancouver:

Delmas F. Rythmes, mouvements et double transfert : De Max Reinhardt à la Kapellmeisterregie hollywoodienne : Spoken language understanding and translation systems : a unified approach in a multilingual dialogue systems portability context. [Internet] [Doctoral dissertation]. Aix Marseille Université 2012. [cited 2019 Oct 14]. Available from: http://www.theses.fr/2012AIXM3132.

Council of Science Editors:

Delmas F. Rythmes, mouvements et double transfert : De Max Reinhardt à la Kapellmeisterregie hollywoodienne : Spoken language understanding and translation systems : a unified approach in a multilingual dialogue systems portability context. [Doctoral Dissertation]. Aix Marseille Université 2012. Available from: http://www.theses.fr/2012AIXM3132

5. Lübbe, Dorothea. Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France.

Degree: Docteur es, Arts du spectacle, 2017, Aix Marseille Université

Ce projet de recherche se concentre sur les conditions generales de politique culturelle sous lesquelles se créent les nouvelles formes artistiques du theatre musical contemporain… (more)

Subjects/Keywords: Contemporain; Politique culturelle; Franco-Allemand; France; Allemagne; Opera; Theatre musical; Processus d'innovation; Music theatre; Contemporary; German-French; France; Germany; Opera; Cultural policy; Innovation processus

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lübbe, D. (2017). Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2017AIXM0315

Chicago Manual of Style (16th Edition):

Lübbe, Dorothea. “Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France.” 2017. Doctoral Dissertation, Aix Marseille Université. Accessed October 14, 2019. http://www.theses.fr/2017AIXM0315.

MLA Handbook (7th Edition):

Lübbe, Dorothea. “Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France.” 2017. Web. 14 Oct 2019.

Vancouver:

Lübbe D. Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France. [Internet] [Doctoral dissertation]. Aix Marseille Université 2017. [cited 2019 Oct 14]. Available from: http://www.theses.fr/2017AIXM0315.

Council of Science Editors:

Lübbe D. Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France. [Doctoral Dissertation]. Aix Marseille Université 2017. Available from: http://www.theses.fr/2017AIXM0315

6. Βαλέτ, Ιωσήφ. Η επιρροή της ψυχανάλυσης και η έννοια της συμμετρίας στη σύνθεση όπερας: ιστορικό υπόβαθρο - ανάλυση της όπερας Ego.

Degree: 2010, Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH)

Subjects/Keywords: Φρόυντ, Ζίγκμουντ (1856-1939); Freud, Sigmund (1856-1939); Ψυχανάλυση; Όπερα; Ενορχήστρωση; Συμμετρία; Μουσική; Orchestration; Music; Symmetry; Opera; Psychoanalysis

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Βαλέτ, . (2010). Η επιρροή της ψυχανάλυσης και η έννοια της συμμετρίας στη σύνθεση όπερας: ιστορικό υπόβαθρο - ανάλυση της όπερας Ego. (Thesis). Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH). Retrieved from http://hdl.handle.net/10442/hedi/25446

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Βαλέτ, Ιωσήφ. “Η επιρροή της ψυχανάλυσης και η έννοια της συμμετρίας στη σύνθεση όπερας: ιστορικό υπόβαθρο - ανάλυση της όπερας Ego.” 2010. Thesis, Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH). Accessed October 14, 2019. http://hdl.handle.net/10442/hedi/25446.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Βαλέτ, Ιωσήφ. “Η επιρροή της ψυχανάλυσης και η έννοια της συμμετρίας στη σύνθεση όπερας: ιστορικό υπόβαθρο - ανάλυση της όπερας Ego.” 2010. Web. 14 Oct 2019.

Vancouver:

Βαλέτ . Η επιρροή της ψυχανάλυσης και η έννοια της συμμετρίας στη σύνθεση όπερας: ιστορικό υπόβαθρο - ανάλυση της όπερας Ego. [Internet] [Thesis]. Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH); 2010. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10442/hedi/25446.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Βαλέτ . Η επιρροή της ψυχανάλυσης και η έννοια της συμμετρίας στη σύνθεση όπερας: ιστορικό υπόβαθρο - ανάλυση της όπερας Ego. [Thesis]. Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); Aristotle University Of Thessaloniki (AUTH); 2010. Available from: http://hdl.handle.net/10442/hedi/25446

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

7. ΣΓΟΥΡΙΔΟΥ, ΜΑΡΙΑ. Η ΕΠΙΔΡΑΣΗ ΤΟΥ ΔΑΝΤΗ ΣΤΗ ΝΕΟΕΛΛΗΝΙΚΗ ΛΟΓΟΤΕΧΝΙΑ.

Degree: 1998, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

 δΓΙΝΕ ΜΙΑ ΠΡΟΣΠΑΘΕΙΑ ΝΑ ΕΝΤΟΠΙΣΤΟΥΝ ΟΙ ΚΥΡΙΟΤΕΡΕΣ ΕΠΙΔΡΑΣΕΙΣ ΑΠΟ ΤΗΝ "ΘΕΙΑ ΚΩΜΩΔΙΑ" ΤΟΥ ΔΑΝΤΗ ΣΤΑ ΛΟΓΟΤΕΧΝΙΚΑ ΔΡΩΜΕΝΑ ΤΗΣ ΕΛΛΑΔΑΣ .ΑΠΟ ΤΗΝ ΕΠΟΧΗ ΤΗΣ ΚΡΗΤΙΚΗΣ ΣΧΟΛΗΣ… (more)

Subjects/Keywords: Γλώσσες; ΔΑΝΤΗΣ; ΕΘΝΙΚΟΣ; Επίδραση; Έργο; Ιταλία; Λογοτεχνία; Ποίηση; DANTE; Influenza; ITALIA; LETTERATURA; LINGUA; NAZIONALE; Opera; Poesia

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

ΣΓΟΥΡΙΔΟΥ, . . (1998). Η ΕΠΙΔΡΑΣΗ ΤΟΥ ΔΑΝΤΗ ΣΤΗ ΝΕΟΕΛΛΗΝΙΚΗ ΛΟΓΟΤΕΧΝΙΑ. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/10499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

ΣΓΟΥΡΙΔΟΥ, ΜΑΡΙΑ. “Η ΕΠΙΔΡΑΣΗ ΤΟΥ ΔΑΝΤΗ ΣΤΗ ΝΕΟΕΛΛΗΝΙΚΗ ΛΟΓΟΤΕΧΝΙΑ.” 1998. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed October 14, 2019. http://hdl.handle.net/10442/hedi/10499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

ΣΓΟΥΡΙΔΟΥ, ΜΑΡΙΑ. “Η ΕΠΙΔΡΑΣΗ ΤΟΥ ΔΑΝΤΗ ΣΤΗ ΝΕΟΕΛΛΗΝΙΚΗ ΛΟΓΟΤΕΧΝΙΑ.” 1998. Web. 14 Oct 2019.

Vancouver:

ΣΓΟΥΡΙΔΟΥ . Η ΕΠΙΔΡΑΣΗ ΤΟΥ ΔΑΝΤΗ ΣΤΗ ΝΕΟΕΛΛΗΝΙΚΗ ΛΟΓΟΤΕΧΝΙΑ. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 1998. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10442/hedi/10499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

ΣΓΟΥΡΙΔΟΥ . Η ΕΠΙΔΡΑΣΗ ΤΟΥ ΔΑΝΤΗ ΣΤΗ ΝΕΟΕΛΛΗΝΙΚΗ ΛΟΓΟΤΕΧΝΙΑ. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 1998. Available from: http://hdl.handle.net/10442/hedi/10499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

8. MACRI', GABRIELLA. Η ΠΑΡΟΥΣΙΑ ΤΗΣ ΙΤΑΛΙΚΗΣ ΠΟΙΗΣΗΣ ΣΤΟ ΕΡΓΟ ΤΟΥ ΓΙΩΡΓΟΥ ΣΑΡΑΝΤΑΡΗ.

Degree: 1999, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

 ΣΚΟΠΟΣ ΤΗΣ ΠΑΡΟΥΣΑΣ ΕΡΓΑΣΙΑΣ ΕΙΝΑΙ ΝΑ ΔΙΕΡΕΥΝΗΘΕΙ Η ΠΑΡΟΥΣΙΑ ΤΗΣ ΙΤΑΛΙΚΗΣ ΛΟΓΟΤΕΧΝΙΑΣ ΣΤΟ ΠΟΙΗΤΙΚΟ ΕΡΓΟ ΤΟΥ ΓΙΩΡΓΟΥ ΣΑΡΑΝΤΑΡΗ . ΣΕ ΠΡΟΚΑΤΑΡΚΤΙΚΗ ΦΑΣΗ ΑΥΤΗΣ ΤΗΣ ΕΡΕΥΝΑΣ… (more)

Subjects/Keywords: Αναφορά; Διακειμενικότητα; Έργο; Θέμα; Ορός; Ποίηση; ΣΤΙΧΟΥΡΓΙΑ; Σύγκριση; COMPARAZIONE; INTERTESTUALITA'; Opera; Poesia; RIFERIMENTO; TERMINE; THEMATICA; VERSIFICAZIONE

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

MACRI', G. (1999). Η ΠΑΡΟΥΣΙΑ ΤΗΣ ΙΤΑΛΙΚΗΣ ΠΟΙΗΣΗΣ ΣΤΟ ΕΡΓΟ ΤΟΥ ΓΙΩΡΓΟΥ ΣΑΡΑΝΤΑΡΗ. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/10513

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

MACRI', GABRIELLA. “Η ΠΑΡΟΥΣΙΑ ΤΗΣ ΙΤΑΛΙΚΗΣ ΠΟΙΗΣΗΣ ΣΤΟ ΕΡΓΟ ΤΟΥ ΓΙΩΡΓΟΥ ΣΑΡΑΝΤΑΡΗ.” 1999. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed October 14, 2019. http://hdl.handle.net/10442/hedi/10513.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

MACRI', GABRIELLA. “Η ΠΑΡΟΥΣΙΑ ΤΗΣ ΙΤΑΛΙΚΗΣ ΠΟΙΗΣΗΣ ΣΤΟ ΕΡΓΟ ΤΟΥ ΓΙΩΡΓΟΥ ΣΑΡΑΝΤΑΡΗ.” 1999. Web. 14 Oct 2019.

Vancouver:

MACRI' G. Η ΠΑΡΟΥΣΙΑ ΤΗΣ ΙΤΑΛΙΚΗΣ ΠΟΙΗΣΗΣ ΣΤΟ ΕΡΓΟ ΤΟΥ ΓΙΩΡΓΟΥ ΣΑΡΑΝΤΑΡΗ. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 1999. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10442/hedi/10513.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MACRI' G. Η ΠΑΡΟΥΣΙΑ ΤΗΣ ΙΤΑΛΙΚΗΣ ΠΟΙΗΣΗΣ ΣΤΟ ΕΡΓΟ ΤΟΥ ΓΙΩΡΓΟΥ ΣΑΡΑΝΤΑΡΗ. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 1999. Available from: http://hdl.handle.net/10442/hedi/10513

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

9. Εφραιμίδου, Λευκοθέα. Το έργο του John Cage ως αφετηρία λειτουργικής και εννοιολογικής διερεύνησης των ορίων του σύγχρονου έργου τέχνης.

Degree: 2004, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

Subjects/Keywords: Καθολικό έργο τέχνης; Ταυτοχρονικές δράσεις διαφορετικών μορφών τέχνης; Ιστορικά πρωτοποριακά κινήματα; Σχολή της Νέας Υόρκης; Χρήση του τυχαίου στη δημιουργική διαδικασία; Performances ως μοντέλα κοινωνικής αναρχίας; Το τσίρκο ως εμπειρία ζωής; Ανακατασκευή της όπερας; Gesamtkunstwerk; Simultaneus and complex artactions; Avant-garde movements; New York school; Use of chance operations; Performances as model of social anarchy; Cirrcus as life experience; Reconstruction of the opera

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Εφραιμίδου, . . (2004). Το έργο του John Cage ως αφετηρία λειτουργικής και εννοιολογικής διερεύνησης των ορίων του σύγχρονου έργου τέχνης. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/14978

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Εφραιμίδου, Λευκοθέα. “Το έργο του John Cage ως αφετηρία λειτουργικής και εννοιολογικής διερεύνησης των ορίων του σύγχρονου έργου τέχνης.” 2004. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed October 14, 2019. http://hdl.handle.net/10442/hedi/14978.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Εφραιμίδου, Λευκοθέα. “Το έργο του John Cage ως αφετηρία λειτουργικής και εννοιολογικής διερεύνησης των ορίων του σύγχρονου έργου τέχνης.” 2004. Web. 14 Oct 2019.

Vancouver:

Εφραιμίδου . Το έργο του John Cage ως αφετηρία λειτουργικής και εννοιολογικής διερεύνησης των ορίων του σύγχρονου έργου τέχνης. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2004. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10442/hedi/14978.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Εφραιμίδου . Το έργο του John Cage ως αφετηρία λειτουργικής και εννοιολογικής διερεύνησης των ορίων του σύγχρονου έργου τέχνης. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2004. Available from: http://hdl.handle.net/10442/hedi/14978

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

10. Gerothanasi, Stamatia. Η μουσική δραματουργία της ελληνικής όπερας: αναλυτικές και ερμηνευτηκές προσεγγίσεις της δραματουργίας και των τεχνικών σύνθεσης σε επιλεγμένες όπερες των συνθετών Νικόλαου Χαλικιόπουλου Μάντζαρου, Παύλου Καρρέρ, Σπυρίδωνος Φιλίσκου Σαμαρά και Μάριου Βάρβογλη.

Degree: 2013, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

 This PhD thesis focuses on the analytical and interpretative approaches of dramaturgy and on the composition techniques of Greek opera. It is based on the… (more)

Subjects/Keywords: Μουσική δραματουργία; Ελληνική όπερα; 18ος-19ος-αρχές 20ου αιώνα; Musical dramaturgy; Greek opera; 18th-19th-beginning of 20ou centrury

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gerothanasi, S. (2013). Η μουσική δραματουργία της ελληνικής όπερας: αναλυτικές και ερμηνευτηκές προσεγγίσεις της δραματουργίας και των τεχνικών σύνθεσης σε επιλεγμένες όπερες των συνθετών Νικόλαου Χαλικιόπουλου Μάντζαρου, Παύλου Καρρέρ, Σπυρίδωνος Φιλίσκου Σαμαρά και Μάριου Βάρβογλη. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/37434

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gerothanasi, Stamatia. “Η μουσική δραματουργία της ελληνικής όπερας: αναλυτικές και ερμηνευτηκές προσεγγίσεις της δραματουργίας και των τεχνικών σύνθεσης σε επιλεγμένες όπερες των συνθετών Νικόλαου Χαλικιόπουλου Μάντζαρου, Παύλου Καρρέρ, Σπυρίδωνος Φιλίσκου Σαμαρά και Μάριου Βάρβογλη.” 2013. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed October 14, 2019. http://hdl.handle.net/10442/hedi/37434.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gerothanasi, Stamatia. “Η μουσική δραματουργία της ελληνικής όπερας: αναλυτικές και ερμηνευτηκές προσεγγίσεις της δραματουργίας και των τεχνικών σύνθεσης σε επιλεγμένες όπερες των συνθετών Νικόλαου Χαλικιόπουλου Μάντζαρου, Παύλου Καρρέρ, Σπυρίδωνος Φιλίσκου Σαμαρά και Μάριου Βάρβογλη.” 2013. Web. 14 Oct 2019.

Vancouver:

Gerothanasi S. Η μουσική δραματουργία της ελληνικής όπερας: αναλυτικές και ερμηνευτηκές προσεγγίσεις της δραματουργίας και των τεχνικών σύνθεσης σε επιλεγμένες όπερες των συνθετών Νικόλαου Χαλικιόπουλου Μάντζαρου, Παύλου Καρρέρ, Σπυρίδωνος Φιλίσκου Σαμαρά και Μάριου Βάρβογλη. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2013. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10442/hedi/37434.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gerothanasi S. Η μουσική δραματουργία της ελληνικής όπερας: αναλυτικές και ερμηνευτηκές προσεγγίσεις της δραματουργίας και των τεχνικών σύνθεσης σε επιλεγμένες όπερες των συνθετών Νικόλαου Χαλικιόπουλου Μάντζαρου, Παύλου Καρρέρ, Σπυρίδωνος Φιλίσκου Σαμαρά και Μάριου Βάρβογλη. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2013. Available from: http://hdl.handle.net/10442/hedi/37434

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

11. Δούσης, Γεώργιος. The Maids: μονόπρακτη όπερα.

Degree: 2011, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

 The purpose of my thesis was to create a modern opera, based on the theatrical version of Jean Genet «The Maids». I created a series… (more)

Subjects/Keywords: Σύνθεση; Όπερα; Σύγχρονη όπερα; Σκηνική όπερα; Composition; Opera; Contemporary opera; Scene opera

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Δούσης, . . (2011). The Maids: μονόπρακτη όπερα. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/27271

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Δούσης, Γεώργιος. “The Maids: μονόπρακτη όπερα.” 2011. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed October 14, 2019. http://hdl.handle.net/10442/hedi/27271.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Δούσης, Γεώργιος. “The Maids: μονόπρακτη όπερα.” 2011. Web. 14 Oct 2019.

Vancouver:

Δούσης . The Maids: μονόπρακτη όπερα. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2011. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10442/hedi/27271.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Δούσης . The Maids: μονόπρακτη όπερα. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2011. Available from: http://hdl.handle.net/10442/hedi/27271

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

12. Ρεντζεπέρη, Άννα-Μαρία. Η σχέση μουσικής και λόγου στο μελοδραματικό έργο των Ελλήνων συνθετών της πρώτης γενιάς της Εθνικής Μουσικής Σχολής Διονυσίου Λαυράγκα, Μανώλη Καλομοίρη και Μάριου Βάρβογλη.

Degree: 2002, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

The aim of this dissertation is the comparative study of the way of setting to music modern greek language in the operas "Dido" (1906-1909) by… (more)

Subjects/Keywords: Λαυράγκας, Διονύσιος; Καλομοίρης, Μανώλης; Βάρβογλης, Μάριος; Ιστορική μουσικολογία; Νεοελληνική μουσική; Ελληνική Εθνική Μουσική Σχολή; Πρώτη γενιά συνθετών; Όπερα; Όπερα Διδώ; Όπερα Ο Πρωτομάστορας; Όπερα Το Απόγευμα της Αγάπης; Μουσικοποιητική ανάλυση; Μουσικοδραματουργική ανάλυση; Συγκριτική εξέταση; Ελληνικές όπερες; Ευρωπαϊκές όπερες; Lavrangas, Dionysios; Kalomiris, Manolis; Varvoglis, Marios; Historical musicology; Modern greek music; Greek National School of Music; First generation of composers; Opera; Opera Dido; Opera The Master-Builder (Protomastoras); Opera The Afternoon of Love; Musicopoetical analysis; Musicodramaturgical analysis; Comparative study; Greek operas; European operas

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ρεντζεπέρη, . . (2002). Η σχέση μουσικής και λόγου στο μελοδραματικό έργο των Ελλήνων συνθετών της πρώτης γενιάς της Εθνικής Μουσικής Σχολής Διονυσίου Λαυράγκα, Μανώλη Καλομοίρη και Μάριου Βάρβογλη. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/20294

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ρεντζεπέρη, Άννα-Μαρία. “Η σχέση μουσικής και λόγου στο μελοδραματικό έργο των Ελλήνων συνθετών της πρώτης γενιάς της Εθνικής Μουσικής Σχολής Διονυσίου Λαυράγκα, Μανώλη Καλομοίρη και Μάριου Βάρβογλη.” 2002. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed October 14, 2019. http://hdl.handle.net/10442/hedi/20294.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ρεντζεπέρη, Άννα-Μαρία. “Η σχέση μουσικής και λόγου στο μελοδραματικό έργο των Ελλήνων συνθετών της πρώτης γενιάς της Εθνικής Μουσικής Σχολής Διονυσίου Λαυράγκα, Μανώλη Καλομοίρη και Μάριου Βάρβογλη.” 2002. Web. 14 Oct 2019.

Vancouver:

Ρεντζεπέρη . Η σχέση μουσικής και λόγου στο μελοδραματικό έργο των Ελλήνων συνθετών της πρώτης γενιάς της Εθνικής Μουσικής Σχολής Διονυσίου Λαυράγκα, Μανώλη Καλομοίρη και Μάριου Βάρβογλη. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2002. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10442/hedi/20294.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ρεντζεπέρη . Η σχέση μουσικής και λόγου στο μελοδραματικό έργο των Ελλήνων συνθετών της πρώτης γενιάς της Εθνικής Μουσικής Σχολής Διονυσίου Λαυράγκα, Μανώλη Καλομοίρη και Μάριου Βάρβογλη. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2002. Available from: http://hdl.handle.net/10442/hedi/20294

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

13. Seglias, Zesses. Η δραματουργία και η χρήση της φωνής στην όπερα To the Lighthouse.

Degree: 2019, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

This paper supplements the main part of my doctoral dissertation, namely the composition of the opera To the Lighthouse and focuses on the dialectical relationship… (more)

Subjects/Keywords: Μουσική σύνθεση; Όπερα - μουσικό θέατρο; Music composition; Opera - music theatre

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APA (6th Edition):

Seglias, Z. (2019). Η δραματουργία και η χρήση της φωνής στην όπερα To the Lighthouse. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/45051

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seglias, Zesses. “Η δραματουργία και η χρήση της φωνής στην όπερα To the Lighthouse.” 2019. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed October 14, 2019. http://hdl.handle.net/10442/hedi/45051.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seglias, Zesses. “Η δραματουργία και η χρήση της φωνής στην όπερα To the Lighthouse.” 2019. Web. 14 Oct 2019.

Vancouver:

Seglias Z. Η δραματουργία και η χρήση της φωνής στην όπερα To the Lighthouse. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2019. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10442/hedi/45051.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seglias Z. Η δραματουργία και η χρήση της φωνής στην όπερα To the Lighthouse. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2019. Available from: http://hdl.handle.net/10442/hedi/45051

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Arizona State University

14. Curtis, Paul Josef. The Role of Extraversion and Introversion on a Singer’s Voice.

Degree: Music, 2017, Arizona State University

 The notion that a singer’s voice is an expression of their personality serves as the catalyst for an examination of the relationship between the continuum… (more)

Subjects/Keywords: Performing arts; Personality psychology; Music; Extraversion; Introversion; Opera; Performance Anxiety; Personality; Singer

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Curtis, P. J. (2017). The Role of Extraversion and Introversion on a Singer’s Voice. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/44033

Chicago Manual of Style (16th Edition):

Curtis, Paul Josef. “The Role of Extraversion and Introversion on a Singer’s Voice.” 2017. Doctoral Dissertation, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/44033.

MLA Handbook (7th Edition):

Curtis, Paul Josef. “The Role of Extraversion and Introversion on a Singer’s Voice.” 2017. Web. 14 Oct 2019.

Vancouver:

Curtis PJ. The Role of Extraversion and Introversion on a Singer’s Voice. [Internet] [Doctoral dissertation]. Arizona State University; 2017. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/44033.

Council of Science Editors:

Curtis PJ. The Role of Extraversion and Introversion on a Singer’s Voice. [Doctoral Dissertation]. Arizona State University; 2017. Available from: http://repository.asu.edu/items/44033


Arizona State University

15. Peck, Andrew David. Transforming Oratorio into Opera: The Conversion of James DeMars's Guadalupe, 2006-2015.

Degree: Music, 2018, Arizona State University

 In 2006, composer James DeMars conceived of an opera when he began setting the Aztec legend known as Nican Mopohua, the “legend of Guadalupe.” Many… (more)

Subjects/Keywords: Music; Musical composition; Guadalupe; Opera; Oratorio; Transformation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Peck, A. D. (2018). Transforming Oratorio into Opera: The Conversion of James DeMars's Guadalupe, 2006-2015. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/51709

Chicago Manual of Style (16th Edition):

Peck, Andrew David. “Transforming Oratorio into Opera: The Conversion of James DeMars's Guadalupe, 2006-2015.” 2018. Doctoral Dissertation, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/51709.

MLA Handbook (7th Edition):

Peck, Andrew David. “Transforming Oratorio into Opera: The Conversion of James DeMars's Guadalupe, 2006-2015.” 2018. Web. 14 Oct 2019.

Vancouver:

Peck AD. Transforming Oratorio into Opera: The Conversion of James DeMars's Guadalupe, 2006-2015. [Internet] [Doctoral dissertation]. Arizona State University; 2018. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/51709.

Council of Science Editors:

Peck AD. Transforming Oratorio into Opera: The Conversion of James DeMars's Guadalupe, 2006-2015. [Doctoral Dissertation]. Arizona State University; 2018. Available from: http://repository.asu.edu/items/51709


Arizona State University

16. O'Shaughnessy, Catherine. Windy City Opera's La Bohème: A Case Study of Producing Micro-Opera in Chicago.

Degree: Music, 2016, Arizona State University

Subjects/Keywords: Music; Chicago; Opera Production

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

O'Shaughnessy, C. (2016). Windy City Opera's La Bohème: A Case Study of Producing Micro-Opera in Chicago. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/38476

Chicago Manual of Style (16th Edition):

O'Shaughnessy, Catherine. “Windy City Opera's La Bohème: A Case Study of Producing Micro-Opera in Chicago.” 2016. Doctoral Dissertation, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/38476.

MLA Handbook (7th Edition):

O'Shaughnessy, Catherine. “Windy City Opera's La Bohème: A Case Study of Producing Micro-Opera in Chicago.” 2016. Web. 14 Oct 2019.

Vancouver:

O'Shaughnessy C. Windy City Opera's La Bohème: A Case Study of Producing Micro-Opera in Chicago. [Internet] [Doctoral dissertation]. Arizona State University; 2016. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/38476.

Council of Science Editors:

O'Shaughnessy C. Windy City Opera's La Bohème: A Case Study of Producing Micro-Opera in Chicago. [Doctoral Dissertation]. Arizona State University; 2016. Available from: http://repository.asu.edu/items/38476


Arizona State University

17. Jones, Jennifer E. Social Media, Marketing, and The Opera Singer.

Degree: Performance, 2016, Arizona State University

Subjects/Keywords: Music; Performing arts; Marketing; Branding; Marketing; Opera; Performance; Social Media; Technology

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APA (6th Edition):

Jones, J. E. (2016). Social Media, Marketing, and The Opera Singer. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/38389

Chicago Manual of Style (16th Edition):

Jones, Jennifer E. “Social Media, Marketing, and The Opera Singer.” 2016. Doctoral Dissertation, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/38389.

MLA Handbook (7th Edition):

Jones, Jennifer E. “Social Media, Marketing, and The Opera Singer.” 2016. Web. 14 Oct 2019.

Vancouver:

Jones JE. Social Media, Marketing, and The Opera Singer. [Internet] [Doctoral dissertation]. Arizona State University; 2016. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/38389.

Council of Science Editors:

Jones JE. Social Media, Marketing, and The Opera Singer. [Doctoral Dissertation]. Arizona State University; 2016. Available from: http://repository.asu.edu/items/38389


Arizona State University

18. Minov, Jana. Stanislav Binicki's Opera Na Uranku: Genesis of Critical Analysis of the First Serbian Opera.

Degree: DMA, Music, 2011, Arizona State University

 The focus of this study was the first Serbian opera, Na Uranku (At Dawn). It was written by Stanislav Binièki (1872-1942) and was first performed… (more)

Subjects/Keywords: Music; Musical Performances; Atdawn; Binicki; First; Nauranku; Opera; Serbian

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APA (6th Edition):

Minov, J. (2011). Stanislav Binicki's Opera Na Uranku: Genesis of Critical Analysis of the First Serbian Opera. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/9072

Chicago Manual of Style (16th Edition):

Minov, Jana. “Stanislav Binicki's Opera Na Uranku: Genesis of Critical Analysis of the First Serbian Opera.” 2011. Doctoral Dissertation, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/9072.

MLA Handbook (7th Edition):

Minov, Jana. “Stanislav Binicki's Opera Na Uranku: Genesis of Critical Analysis of the First Serbian Opera.” 2011. Web. 14 Oct 2019.

Vancouver:

Minov J. Stanislav Binicki's Opera Na Uranku: Genesis of Critical Analysis of the First Serbian Opera. [Internet] [Doctoral dissertation]. Arizona State University; 2011. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/9072.

Council of Science Editors:

Minov J. Stanislav Binicki's Opera Na Uranku: Genesis of Critical Analysis of the First Serbian Opera. [Doctoral Dissertation]. Arizona State University; 2011. Available from: http://repository.asu.edu/items/9072


Arizona State University

19. Schildkret, Miriam R. Playing on Stage: The Evolution of Child Roles in Opera.

Degree: Music, 2017, Arizona State University

Subjects/Keywords: Music; Children; Child Roles; Opera; Trouser Roles

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APA (6th Edition):

Schildkret, M. R. (2017). Playing on Stage: The Evolution of Child Roles in Opera. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/44047

Chicago Manual of Style (16th Edition):

Schildkret, Miriam R. “Playing on Stage: The Evolution of Child Roles in Opera.” 2017. Doctoral Dissertation, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/44047.

MLA Handbook (7th Edition):

Schildkret, Miriam R. “Playing on Stage: The Evolution of Child Roles in Opera.” 2017. Web. 14 Oct 2019.

Vancouver:

Schildkret MR. Playing on Stage: The Evolution of Child Roles in Opera. [Internet] [Doctoral dissertation]. Arizona State University; 2017. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/44047.

Council of Science Editors:

Schildkret MR. Playing on Stage: The Evolution of Child Roles in Opera. [Doctoral Dissertation]. Arizona State University; 2017. Available from: http://repository.asu.edu/items/44047

20. Rocklein, Robyn Michele. Female Greek Virtue in the House of Atreus: Daughters of Agamemnon as depicted in Handel's Oreste, Gluck's Iphigénie en Tauride, and Strauss's Elektra.

Degree: DMA, Music, 2012, Arizona State University

 This doctoral project involves a multi-disciplined analysis concerning Agamemnon's daughters (Iphigenia, Electra, and Chrysothemis) and how these women's gender and virtues were depicted as compared… (more)

Subjects/Keywords: Music; Classical literature; Theater history; Gluck; Handel; myth; opera; Strauss; virtue

…Comparative Opera Chart .................................................... 141 Oreste (1734… …interpretations of myth, as reflected in popular opera, directly reflected ancient Greek societal values… …an analysis of gender roles and virtues as depicted in opera, these myths can yield an… …have been a preferred topic for librettists and opera composers and have served as a source… …librettists and opera composers. The Mycenaean House of Atreus, a dynasty which the ancient Greeks… 

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APA (6th Edition):

Rocklein, R. M. (2012). Female Greek Virtue in the House of Atreus: Daughters of Agamemnon as depicted in Handel's Oreste, Gluck's Iphigénie en Tauride, and Strauss's Elektra. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/15825

Chicago Manual of Style (16th Edition):

Rocklein, Robyn Michele. “Female Greek Virtue in the House of Atreus: Daughters of Agamemnon as depicted in Handel's Oreste, Gluck's Iphigénie en Tauride, and Strauss's Elektra.” 2012. Doctoral Dissertation, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/15825.

MLA Handbook (7th Edition):

Rocklein, Robyn Michele. “Female Greek Virtue in the House of Atreus: Daughters of Agamemnon as depicted in Handel's Oreste, Gluck's Iphigénie en Tauride, and Strauss's Elektra.” 2012. Web. 14 Oct 2019.

Vancouver:

Rocklein RM. Female Greek Virtue in the House of Atreus: Daughters of Agamemnon as depicted in Handel's Oreste, Gluck's Iphigénie en Tauride, and Strauss's Elektra. [Internet] [Doctoral dissertation]. Arizona State University; 2012. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/15825.

Council of Science Editors:

Rocklein RM. Female Greek Virtue in the House of Atreus: Daughters of Agamemnon as depicted in Handel's Oreste, Gluck's Iphigénie en Tauride, and Strauss's Elektra. [Doctoral Dissertation]. Arizona State University; 2012. Available from: http://repository.asu.edu/items/15825

21. Flores, Andrea. Florencia Grimaldi: Latin America's Soprano Heroine.

Degree: DMA, Music, 2013, Arizona State University

 Although opera is the last musical genre one typically associates with Latin America, Mexican composer Daniel Catán (1949-2011) found surprising success across the United States… (more)

Subjects/Keywords: Music; Daniel Catan; Florencia en el Amazonas; Latin America; Magical Realism; Opera

…music have transformed many into opera enthusiasts. Works by Mozart, Verdi, Puccini, Wagner… …Romance languages in the world, Spanish-language opera has been neither included in the operatic… …turned to the major Latin American writers for inspiration. His first successful opera, La hija… …this work in San Diego, California, in 1994 led to a commission from the Houston Grand Opera… …realism), the plot of opera is influenced by Márquez’s 1985 novel, El amor en los tiempos… 

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APA (6th Edition):

Flores, A. (2013). Florencia Grimaldi: Latin America's Soprano Heroine. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/17749

Chicago Manual of Style (16th Edition):

Flores, Andrea. “Florencia Grimaldi: Latin America's Soprano Heroine.” 2013. Doctoral Dissertation, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/17749.

MLA Handbook (7th Edition):

Flores, Andrea. “Florencia Grimaldi: Latin America's Soprano Heroine.” 2013. Web. 14 Oct 2019.

Vancouver:

Flores A. Florencia Grimaldi: Latin America's Soprano Heroine. [Internet] [Doctoral dissertation]. Arizona State University; 2013. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/17749.

Council of Science Editors:

Flores A. Florencia Grimaldi: Latin America's Soprano Heroine. [Doctoral Dissertation]. Arizona State University; 2013. Available from: http://repository.asu.edu/items/17749


Arizona State University

22. Miller, Rhea A. OperaTunity: Opera Education for the Community.

Degree: Music, 2016, Arizona State University

Opera education is a relatively new addition to opera companies in the United States, introducing children and adults to opera and spreading the message that… (more)

Subjects/Keywords: Music; Music education; Arizona; Education; Opera

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APA (6th Edition):

Miller, R. A. (2016). OperaTunity: Opera Education for the Community. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/38437

Chicago Manual of Style (16th Edition):

Miller, Rhea A. “OperaTunity: Opera Education for the Community.” 2016. Doctoral Dissertation, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/38437.

MLA Handbook (7th Edition):

Miller, Rhea A. “OperaTunity: Opera Education for the Community.” 2016. Web. 14 Oct 2019.

Vancouver:

Miller RA. OperaTunity: Opera Education for the Community. [Internet] [Doctoral dissertation]. Arizona State University; 2016. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/38437.

Council of Science Editors:

Miller RA. OperaTunity: Opera Education for the Community. [Doctoral Dissertation]. Arizona State University; 2016. Available from: http://repository.asu.edu/items/38437


Arizona State University

23. Shin, Jinhee. Hyun Jaemyeong’s Opera Chunhyang-Jeon: Ancient Traditions and Western Perspectives.

Degree: Music, 2017, Arizona State University

Subjects/Keywords: Music; Music education; Performing arts; CHANGJAK OPERA; CHUNHYANG-GA; CHUNHYANG-JEON; JAEMYEONG HYUN; PANSORI; TRADITIONAL MUSIC

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APA (6th Edition):

Shin, J. (2017). Hyun Jaemyeong’s Opera Chunhyang-Jeon: Ancient Traditions and Western Perspectives. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/43971

Chicago Manual of Style (16th Edition):

Shin, Jinhee. “Hyun Jaemyeong’s Opera Chunhyang-Jeon: Ancient Traditions and Western Perspectives.” 2017. Doctoral Dissertation, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/43971.

MLA Handbook (7th Edition):

Shin, Jinhee. “Hyun Jaemyeong’s Opera Chunhyang-Jeon: Ancient Traditions and Western Perspectives.” 2017. Web. 14 Oct 2019.

Vancouver:

Shin J. Hyun Jaemyeong’s Opera Chunhyang-Jeon: Ancient Traditions and Western Perspectives. [Internet] [Doctoral dissertation]. Arizona State University; 2017. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/43971.

Council of Science Editors:

Shin J. Hyun Jaemyeong’s Opera Chunhyang-Jeon: Ancient Traditions and Western Perspectives. [Doctoral Dissertation]. Arizona State University; 2017. Available from: http://repository.asu.edu/items/43971


Arizona State University

24. Scovasso, Stephen. Il Trittico:Giacomo Puccini's Enigmatic Farewell to Italian Opera.

Degree: Music, 2015, Arizona State University

Subjects/Keywords: Music; European history; Music education; Giacomo Puccini; Gianni Schicchi; Il Tabarro; Il Trittico; Italian Opera; Suor Angelica

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APA (6th Edition):

Scovasso, S. (2015). Il Trittico:Giacomo Puccini's Enigmatic Farewell to Italian Opera. (Masters Thesis). Arizona State University. Retrieved from http://repository.asu.edu/items/29739

Chicago Manual of Style (16th Edition):

Scovasso, Stephen. “Il Trittico:Giacomo Puccini's Enigmatic Farewell to Italian Opera.” 2015. Masters Thesis, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/29739.

MLA Handbook (7th Edition):

Scovasso, Stephen. “Il Trittico:Giacomo Puccini's Enigmatic Farewell to Italian Opera.” 2015. Web. 14 Oct 2019.

Vancouver:

Scovasso S. Il Trittico:Giacomo Puccini's Enigmatic Farewell to Italian Opera. [Internet] [Masters thesis]. Arizona State University; 2015. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/29739.

Council of Science Editors:

Scovasso S. Il Trittico:Giacomo Puccini's Enigmatic Farewell to Italian Opera. [Masters Thesis]. Arizona State University; 2015. Available from: http://repository.asu.edu/items/29739


Arizona State University

25. Berman, Lauren Rebecca. Pauline Viardot’s Cendrillon and its Relevancy for the Developing Opera Singer.

Degree: Music, 2017, Arizona State University

Subjects/Keywords: Music; History; Women's studies; Cendrillon; Opera; Operetta; Pauline Viardot

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APA (6th Edition):

Berman, L. R. (2017). Pauline Viardot’s Cendrillon and its Relevancy for the Developing Opera Singer. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/44042

Chicago Manual of Style (16th Edition):

Berman, Lauren Rebecca. “Pauline Viardot’s Cendrillon and its Relevancy for the Developing Opera Singer.” 2017. Doctoral Dissertation, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/44042.

MLA Handbook (7th Edition):

Berman, Lauren Rebecca. “Pauline Viardot’s Cendrillon and its Relevancy for the Developing Opera Singer.” 2017. Web. 14 Oct 2019.

Vancouver:

Berman LR. Pauline Viardot’s Cendrillon and its Relevancy for the Developing Opera Singer. [Internet] [Doctoral dissertation]. Arizona State University; 2017. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/44042.

Council of Science Editors:

Berman LR. Pauline Viardot’s Cendrillon and its Relevancy for the Developing Opera Singer. [Doctoral Dissertation]. Arizona State University; 2017. Available from: http://repository.asu.edu/items/44042


Arizona State University

26. Ip, Hoi Lam. Chen Yi's Song Set As in a Dream: The Merging of Chinese and Western Musical Idioms.

Degree: Music, 2015, Arizona State University

Subjects/Keywords: Music; As in a Dream; Beijing Opera Style; Chen Yi; Chinese Western; Fusion Vocal Technique; Qingzhao Li

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APA (6th Edition):

Ip, H. L. (2015). Chen Yi's Song Set As in a Dream: The Merging of Chinese and Western Musical Idioms. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/36477

Chicago Manual of Style (16th Edition):

Ip, Hoi Lam. “Chen Yi's Song Set As in a Dream: The Merging of Chinese and Western Musical Idioms.” 2015. Doctoral Dissertation, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/36477.

MLA Handbook (7th Edition):

Ip, Hoi Lam. “Chen Yi's Song Set As in a Dream: The Merging of Chinese and Western Musical Idioms.” 2015. Web. 14 Oct 2019.

Vancouver:

Ip HL. Chen Yi's Song Set As in a Dream: The Merging of Chinese and Western Musical Idioms. [Internet] [Doctoral dissertation]. Arizona State University; 2015. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/36477.

Council of Science Editors:

Ip HL. Chen Yi's Song Set As in a Dream: The Merging of Chinese and Western Musical Idioms. [Doctoral Dissertation]. Arizona State University; 2015. Available from: http://repository.asu.edu/items/36477


Arizona State University

27. Leyva, Elizabeth. Comparison of the Original Operetta Arizona Lady, by Emmerich Kálmán, with its 2015 Adaptation Performed by Arizona Opera.

Degree: Performance, 2019, Arizona State University

Subjects/Keywords: Music; Theater history; Arizona Lady; Arizona Opera; Kálmán; Emmerich; Kelly; Kathleen; operetta; operetta adaptation

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APA (6th Edition):

Leyva, E. (2019). Comparison of the Original Operetta Arizona Lady, by Emmerich Kálmán, with its 2015 Adaptation Performed by Arizona Opera. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/53809

Chicago Manual of Style (16th Edition):

Leyva, Elizabeth. “Comparison of the Original Operetta Arizona Lady, by Emmerich Kálmán, with its 2015 Adaptation Performed by Arizona Opera.” 2019. Doctoral Dissertation, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/53809.

MLA Handbook (7th Edition):

Leyva, Elizabeth. “Comparison of the Original Operetta Arizona Lady, by Emmerich Kálmán, with its 2015 Adaptation Performed by Arizona Opera.” 2019. Web. 14 Oct 2019.

Vancouver:

Leyva E. Comparison of the Original Operetta Arizona Lady, by Emmerich Kálmán, with its 2015 Adaptation Performed by Arizona Opera. [Internet] [Doctoral dissertation]. Arizona State University; 2019. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/53809.

Council of Science Editors:

Leyva E. Comparison of the Original Operetta Arizona Lady, by Emmerich Kálmán, with its 2015 Adaptation Performed by Arizona Opera. [Doctoral Dissertation]. Arizona State University; 2019. Available from: http://repository.asu.edu/items/53809


Arizona State University

28. Jiang, Zhou. A Study of Two Selected Chamber Works for Piano and Violin by Bright Sheng A Night at the Chinese Opera and Three Fantasies.

Degree: Music, 2018, Arizona State University

Subjects/Keywords: Music; A Night at the Chinese Opera; Bright Sheng; Piano and Violin; Three Fantasies

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APA (6th Edition):

Jiang, Z. (2018). A Study of Two Selected Chamber Works for Piano and Violin by Bright Sheng A Night at the Chinese Opera and Three Fantasies. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/49234

Chicago Manual of Style (16th Edition):

Jiang, Zhou. “A Study of Two Selected Chamber Works for Piano and Violin by Bright Sheng A Night at the Chinese Opera and Three Fantasies.” 2018. Doctoral Dissertation, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/49234.

MLA Handbook (7th Edition):

Jiang, Zhou. “A Study of Two Selected Chamber Works for Piano and Violin by Bright Sheng A Night at the Chinese Opera and Three Fantasies.” 2018. Web. 14 Oct 2019.

Vancouver:

Jiang Z. A Study of Two Selected Chamber Works for Piano and Violin by Bright Sheng A Night at the Chinese Opera and Three Fantasies. [Internet] [Doctoral dissertation]. Arizona State University; 2018. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/49234.

Council of Science Editors:

Jiang Z. A Study of Two Selected Chamber Works for Piano and Violin by Bright Sheng A Night at the Chinese Opera and Three Fantasies. [Doctoral Dissertation]. Arizona State University; 2018. Available from: http://repository.asu.edu/items/49234

29. Yekel, Amy Louise. Bringing Opera to a Small Community.

Degree: DMA, Music, 2012, Arizona State University

 ABSTRACT The purpose of this research project is to provide participants with a personal experience in opera, to change their perceptions and provoke further interest… (more)

Subjects/Keywords: Music; Community Theater; opera

…with a personal experience in opera, to change their perceptions and provoke further interest… …in the art form. By introducing community opera into a society, we can educate and perhaps… …expand the acceptance of opera in a population. By following the steps outlined in this paper… …similar events in other communities may lead to a general revitalization of interest in opera as… …theaters or opera houses in the area. In rural America where opera is less accessible, the… 

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APA (6th Edition):

Yekel, A. L. (2012). Bringing Opera to a Small Community. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/15035

Chicago Manual of Style (16th Edition):

Yekel, Amy Louise. “Bringing Opera to a Small Community.” 2012. Doctoral Dissertation, Arizona State University. Accessed October 14, 2019. http://repository.asu.edu/items/15035.

MLA Handbook (7th Edition):

Yekel, Amy Louise. “Bringing Opera to a Small Community.” 2012. Web. 14 Oct 2019.

Vancouver:

Yekel AL. Bringing Opera to a Small Community. [Internet] [Doctoral dissertation]. Arizona State University; 2012. [cited 2019 Oct 14]. Available from: http://repository.asu.edu/items/15035.

Council of Science Editors:

Yekel AL. Bringing Opera to a Small Community. [Doctoral Dissertation]. Arizona State University; 2012. Available from: http://repository.asu.edu/items/15035

30. Laskar, Kaifia Ancer. Mediated mythical discourses; A Critical study of select Indian television soap operas.

Degree: 2015, Assam University

newline

Television in India, Soap Opera, Doordarshan

Advisors/Committee Members: Guha, Silajit.

Subjects/Keywords: Television in India; Soap Opera; Doordarshan

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APA (6th Edition):

Laskar, K. A. (2015). Mediated mythical discourses; A Critical study of select Indian television soap operas. (Thesis). Assam University. Retrieved from http://shodhganga.inflibnet.ac.in/handle/10603/36480

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Laskar, Kaifia Ancer. “Mediated mythical discourses; A Critical study of select Indian television soap operas.” 2015. Thesis, Assam University. Accessed October 14, 2019. http://shodhganga.inflibnet.ac.in/handle/10603/36480.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Laskar, Kaifia Ancer. “Mediated mythical discourses; A Critical study of select Indian television soap operas.” 2015. Web. 14 Oct 2019.

Vancouver:

Laskar KA. Mediated mythical discourses; A Critical study of select Indian television soap operas. [Internet] [Thesis]. Assam University; 2015. [cited 2019 Oct 14]. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/36480.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Laskar KA. Mediated mythical discourses; A Critical study of select Indian television soap operas. [Thesis]. Assam University; 2015. Available from: http://shodhganga.inflibnet.ac.in/handle/10603/36480

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2] [3] [4] [5] … [38]

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