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University: University of Cincinnati

You searched for subject:(opera). Showing records 1 – 22 of 22 total matches.

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University of Cincinnati

1. TAYLOR, LARRY C. HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES.

Degree: DMA, College-Conservatory of Music : Organ, 2007, University of Cincinnati

 In the operas of the nineteenth and twentieth centuries, organ was never a standard instrument. Composers employed it only on an occasional basis in religious… (more)

Subjects/Keywords: Music; organ; opera

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APA (6th Edition):

TAYLOR, L. C. (2007). HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172617068

Chicago Manual of Style (16th Edition):

TAYLOR, LARRY C. “HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172617068.

MLA Handbook (7th Edition):

TAYLOR, LARRY C. “HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES.” 2007. Web. 14 Oct 2019.

Vancouver:

TAYLOR LC. HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172617068.

Council of Science Editors:

TAYLOR LC. HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172617068


University of Cincinnati

2. Fernandez, Arturo. Windlife Vs. Let's Read.

Degree: DMA, College-Conservatory of Music: Composition, 2017, University of Cincinnati

Opera is a very exciting field in today’s world, and it is an environment that the author is keenly interested in entering. He is also… (more)

Subjects/Keywords: Music; Internet; Argument; Opera; One Act

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APA (6th Edition):

Fernandez, A. (2017). Windlife Vs. Let's Read. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1509983717956456

Chicago Manual of Style (16th Edition):

Fernandez, Arturo. “Windlife Vs. Let's Read.” 2017. Doctoral Dissertation, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1509983717956456.

MLA Handbook (7th Edition):

Fernandez, Arturo. “Windlife Vs. Let's Read.” 2017. Web. 14 Oct 2019.

Vancouver:

Fernandez A. Windlife Vs. Let's Read. [Internet] [Doctoral dissertation]. University of Cincinnati; 2017. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1509983717956456.

Council of Science Editors:

Fernandez A. Windlife Vs. Let's Read. [Doctoral Dissertation]. University of Cincinnati; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1509983717956456


University of Cincinnati

3. Stawiski, Eileen Beth. Ucieczka w Fantazi Opery (Escape-Fantasy Opera): Preserving the Heart of Poland.

Degree: DMA, College-Conservatory of Music : Voice, 2010, University of Cincinnati

 Serious, historical, traditional, philosophical, and/or religious tones, related to the country's intense history, usually come to mind when one thinks of Poland and its culture,… (more)

Subjects/Keywords: Music; opera; theater; marimba; ptaszynska; osiecka; fantasy

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APA (6th Edition):

Stawiski, E. B. (2010). Ucieczka w Fantazi Opery (Escape-Fantasy Opera): Preserving the Heart of Poland. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276532042

Chicago Manual of Style (16th Edition):

Stawiski, Eileen Beth. “Ucieczka w Fantazi Opery (Escape-Fantasy Opera): Preserving the Heart of Poland.” 2010. Doctoral Dissertation, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276532042.

MLA Handbook (7th Edition):

Stawiski, Eileen Beth. “Ucieczka w Fantazi Opery (Escape-Fantasy Opera): Preserving the Heart of Poland.” 2010. Web. 14 Oct 2019.

Vancouver:

Stawiski EB. Ucieczka w Fantazi Opery (Escape-Fantasy Opera): Preserving the Heart of Poland. [Internet] [Doctoral dissertation]. University of Cincinnati; 2010. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276532042.

Council of Science Editors:

Stawiski EB. Ucieczka w Fantazi Opery (Escape-Fantasy Opera): Preserving the Heart of Poland. [Doctoral Dissertation]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276532042


University of Cincinnati

4. MASSOL, JAMES. READING RELIGION: A MUSIC AND TEXT APPROACH TO RELIGIOUS THEMES IN <i>TOSCA</i>AND <i>SUOR ANGELICA</i>.

Degree: MM, College-Conservatory of Music : Music History, 2007, University of Cincinnati

 This thesis analyzes the treatment of religious themes in the librettos and scores of Giacomo Puccini’s operas Tosca and Suor Angelica and explores Puccini’s own… (more)

Subjects/Keywords: Music; Puccini; Opera; Religion; Tosca; Suor Angelica

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APA (6th Edition):

MASSOL, J. (2007). READING RELIGION: A MUSIC AND TEXT APPROACH TO RELIGIOUS THEMES IN <i>TOSCA</i>AND <i>SUOR ANGELICA</i>. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1196129960

Chicago Manual of Style (16th Edition):

MASSOL, JAMES. “READING RELIGION: A MUSIC AND TEXT APPROACH TO RELIGIOUS THEMES IN <i>TOSCA</i>AND <i>SUOR ANGELICA</i>.” 2007. Masters Thesis, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1196129960.

MLA Handbook (7th Edition):

MASSOL, JAMES. “READING RELIGION: A MUSIC AND TEXT APPROACH TO RELIGIOUS THEMES IN <i>TOSCA</i>AND <i>SUOR ANGELICA</i>.” 2007. Web. 14 Oct 2019.

Vancouver:

MASSOL J. READING RELIGION: A MUSIC AND TEXT APPROACH TO RELIGIOUS THEMES IN <i>TOSCA</i>AND <i>SUOR ANGELICA</i>. [Internet] [Masters thesis]. University of Cincinnati; 2007. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1196129960.

Council of Science Editors:

MASSOL J. READING RELIGION: A MUSIC AND TEXT APPROACH TO RELIGIOUS THEMES IN <i>TOSCA</i>AND <i>SUOR ANGELICA</i>. [Masters Thesis]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1196129960


University of Cincinnati

5. Hutchings, Sarah D. Styria.

Degree: DMA, College-Conservatory of Music: Composition, 2013, University of Cincinnati

 The objective of this dissertation is to compose an opera for nine voices and full orchestra using a libretto taken from a modern interpretation of… (more)

Subjects/Keywords: Music; vampire; opera; Carmilla; J Sheridan LeFanu

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APA (6th Edition):

Hutchings, S. D. (2013). Styria. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1527607350442061

Chicago Manual of Style (16th Edition):

Hutchings, Sarah D. “Styria.” 2013. Doctoral Dissertation, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1527607350442061.

MLA Handbook (7th Edition):

Hutchings, Sarah D. “Styria.” 2013. Web. 14 Oct 2019.

Vancouver:

Hutchings SD. Styria. [Internet] [Doctoral dissertation]. University of Cincinnati; 2013. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1527607350442061.

Council of Science Editors:

Hutchings SD. Styria. [Doctoral Dissertation]. University of Cincinnati; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1527607350442061


University of Cincinnati

6. Kroger, Alexander. Conversations with the Past: Hans Pfitzner's "Palestrina" as a Neo-Renaissance Opera.

Degree: MM, College-Conservatory of Music: Music History, 2019, University of Cincinnati

 This thesis examines Act I of Hans Pfitzner’s (1869-1949) seminal opera Palestrina (1916) and the ways in which the composer references and revives Renaissance style… (more)

Subjects/Keywords: Music; Hans Pfitzner; Palestrina; Neo Renaissance; Opera

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APA (6th Edition):

Kroger, A. (2019). Conversations with the Past: Hans Pfitzner's "Palestrina" as a Neo-Renaissance Opera. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554119570952662

Chicago Manual of Style (16th Edition):

Kroger, Alexander. “Conversations with the Past: Hans Pfitzner's "Palestrina" as a Neo-Renaissance Opera.” 2019. Masters Thesis, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554119570952662.

MLA Handbook (7th Edition):

Kroger, Alexander. “Conversations with the Past: Hans Pfitzner's "Palestrina" as a Neo-Renaissance Opera.” 2019. Web. 14 Oct 2019.

Vancouver:

Kroger A. Conversations with the Past: Hans Pfitzner's "Palestrina" as a Neo-Renaissance Opera. [Internet] [Masters thesis]. University of Cincinnati; 2019. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554119570952662.

Council of Science Editors:

Kroger A. Conversations with the Past: Hans Pfitzner's "Palestrina" as a Neo-Renaissance Opera. [Masters Thesis]. University of Cincinnati; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554119570952662

7. Shoaff, Adam. The Aesthetic Foundations of German Opera in Leipzig, 1766-1775.

Degree: PhD, College-Conservatory of Music: Music (Musicology), 2016, University of Cincinnati

 German public opera experienced a renaissance in the wake of the Seven Years’ War (1756–63). Leipzig played a crucial role in this rebirth because of… (more)

Subjects/Keywords: Music; German opera; Aesthetics; Leipzig; Singspiel; Johann Adam Hiller; Eigheenth-century opera

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APA (6th Edition):

Shoaff, A. (2016). The Aesthetic Foundations of German Opera in Leipzig, 1766-1775. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460444532

Chicago Manual of Style (16th Edition):

Shoaff, Adam. “The Aesthetic Foundations of German Opera in Leipzig, 1766-1775.” 2016. Doctoral Dissertation, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460444532.

MLA Handbook (7th Edition):

Shoaff, Adam. “The Aesthetic Foundations of German Opera in Leipzig, 1766-1775.” 2016. Web. 14 Oct 2019.

Vancouver:

Shoaff A. The Aesthetic Foundations of German Opera in Leipzig, 1766-1775. [Internet] [Doctoral dissertation]. University of Cincinnati; 2016. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460444532.

Council of Science Editors:

Shoaff A. The Aesthetic Foundations of German Opera in Leipzig, 1766-1775. [Doctoral Dissertation]. University of Cincinnati; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460444532


University of Cincinnati

8. Sheridan, Dylan. The Curious Light of Mister Moon.

Degree: MM, College-Conservatory of Music: Composition, 2011, University of Cincinnati

An absurdist musical theater work for countertenor and percussion, based on the short stories of Japanese author Taruho Inagaki. Advisors/Committee Members: Hoffman, Joel (Committee Chair).

Subjects/Keywords: Music; opera; music theater; countertenor; percussion; Taruho Inagaki; Japan

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APA (6th Edition):

Sheridan, D. (2011). The Curious Light of Mister Moon. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305644808

Chicago Manual of Style (16th Edition):

Sheridan, Dylan. “The Curious Light of Mister Moon.” 2011. Masters Thesis, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305644808.

MLA Handbook (7th Edition):

Sheridan, Dylan. “The Curious Light of Mister Moon.” 2011. Web. 14 Oct 2019.

Vancouver:

Sheridan D. The Curious Light of Mister Moon. [Internet] [Masters thesis]. University of Cincinnati; 2011. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305644808.

Council of Science Editors:

Sheridan D. The Curious Light of Mister Moon. [Masters Thesis]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305644808


University of Cincinnati

9. Burke, Kevin R. Propagating a National Genre: German Writers on German Opera, 1798-1830.

Degree: PhD, College-Conservatory of Music : Music (Musicology), 2010, University of Cincinnati

 Standard histories of Western music have settled on the phrase “German Romantic opera” to characterize German operatic developments in the early part of the nineteenth… (more)

Subjects/Keywords: Music; German Opera; Music Criticism; Music Journalism; Nineteenth Century Music

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APA (6th Edition):

Burke, K. R. (2010). Propagating a National Genre: German Writers on German Opera, 1798-1830. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277145931

Chicago Manual of Style (16th Edition):

Burke, Kevin R. “Propagating a National Genre: German Writers on German Opera, 1798-1830.” 2010. Doctoral Dissertation, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277145931.

MLA Handbook (7th Edition):

Burke, Kevin R. “Propagating a National Genre: German Writers on German Opera, 1798-1830.” 2010. Web. 14 Oct 2019.

Vancouver:

Burke KR. Propagating a National Genre: German Writers on German Opera, 1798-1830. [Internet] [Doctoral dissertation]. University of Cincinnati; 2010. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277145931.

Council of Science Editors:

Burke KR. Propagating a National Genre: German Writers on German Opera, 1798-1830. [Doctoral Dissertation]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277145931


University of Cincinnati

10. Lourenco, Antonio Jose. Augusto Machado’s “La Borghesina”: A Study and Critical Edition.

Degree: DMA, College-Conservatory of Music : Conducting, Orchestral Emphasis, 2005, University of Cincinnati

 The purpose of this study and critical edition of the opera La Borghesina (1909) by Augusto Machado is to make available for performance a fair… (more)

Subjects/Keywords: Music; Music; Opera; Portugal; Scores

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APA (6th Edition):

Lourenco, A. J. (2005). Augusto Machado’s “La Borghesina”: A Study and Critical Edition. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123839643

Chicago Manual of Style (16th Edition):

Lourenco, Antonio Jose. “Augusto Machado’s “La Borghesina”: A Study and Critical Edition.” 2005. Doctoral Dissertation, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123839643.

MLA Handbook (7th Edition):

Lourenco, Antonio Jose. “Augusto Machado’s “La Borghesina”: A Study and Critical Edition.” 2005. Web. 14 Oct 2019.

Vancouver:

Lourenco AJ. Augusto Machado’s “La Borghesina”: A Study and Critical Edition. [Internet] [Doctoral dissertation]. University of Cincinnati; 2005. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123839643.

Council of Science Editors:

Lourenco AJ. Augusto Machado’s “La Borghesina”: A Study and Critical Edition. [Doctoral Dissertation]. University of Cincinnati; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123839643

11. Williams, Evan Michael. Jonestown: A Multimedia Chamber Opera – Act I.

Degree: DMA, College-Conservatory of Music: Composition, 2016, University of Cincinnati

 <i> Jonestown </i> is a multimedia chamber opera in four acts, which is based on the mass murder/suicide of the Peoples Temple Agricultural Project —… (more)

Subjects/Keywords: Music; opera; multimedia; Jonestown; chamber opera; Jim Jones

…ABOUT THIS OPERA Jonestown is a fictional retelling of the story of the life and mass… …characters are inspired by actual people, the opera is not biographical or meant to serve as a… …historical account. The opera focuses on three characters, Christine (based on Christine… …extensive tapes and videos are an intricate part of the opera, allowing these figures to “speak… …x22; for themselves. The opera begins around late September 1978, a few weeks before the… 

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APA (6th Edition):

Williams, E. M. (2016). Jonestown: A Multimedia Chamber Opera – Act I. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460444805

Chicago Manual of Style (16th Edition):

Williams, Evan Michael. “Jonestown: A Multimedia Chamber Opera – Act I.” 2016. Doctoral Dissertation, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460444805.

MLA Handbook (7th Edition):

Williams, Evan Michael. “Jonestown: A Multimedia Chamber Opera – Act I.” 2016. Web. 14 Oct 2019.

Vancouver:

Williams EM. Jonestown: A Multimedia Chamber Opera – Act I. [Internet] [Doctoral dissertation]. University of Cincinnati; 2016. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460444805.

Council of Science Editors:

Williams EM. Jonestown: A Multimedia Chamber Opera – Act I. [Doctoral Dissertation]. University of Cincinnati; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460444805


University of Cincinnati

12. Offret, Ashley. A Dozen Little Farinellos: A Reception History of Farinelli in London, 1734-37.

Degree: MM, College-Conservatory of Music : Music History, 2009, University of Cincinnati

 Farinelli’s arrival in London in 1734 to perform with the Opera of the Nobility marked a temporary rise in the declining popularity of Italian Opera(more)

Subjects/Keywords: Gender; Music; Farinelli; Castrati; Handel; London; Reception history; Baroque Opera; Gender Roles

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APA (6th Edition):

Offret, A. (2009). A Dozen Little Farinellos: A Reception History of Farinelli in London, 1734-37. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243307656

Chicago Manual of Style (16th Edition):

Offret, Ashley. “A Dozen Little Farinellos: A Reception History of Farinelli in London, 1734-37.” 2009. Masters Thesis, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243307656.

MLA Handbook (7th Edition):

Offret, Ashley. “A Dozen Little Farinellos: A Reception History of Farinelli in London, 1734-37.” 2009. Web. 14 Oct 2019.

Vancouver:

Offret A. A Dozen Little Farinellos: A Reception History of Farinelli in London, 1734-37. [Internet] [Masters thesis]. University of Cincinnati; 2009. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243307656.

Council of Science Editors:

Offret A. A Dozen Little Farinellos: A Reception History of Farinelli in London, 1734-37. [Masters Thesis]. University of Cincinnati; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243307656


University of Cincinnati

13. Branstetter, Leah Tallen. Angels and Arctic Monkeys: A Study of Pop-Opera Crossover.

Degree: MM, College-Conservatory of Music : Music History, 2009, University of Cincinnati

  This thesis explores crossover between pop music and opera, considering the phenomenon from both musical and cultural perspectives. Pop-opera crossover, often dubbed "popera" in… (more)

Subjects/Keywords: Music; opera; pop music; crossover; popera

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APA (6th Edition):

Branstetter, L. T. (2009). Angels and Arctic Monkeys: A Study of Pop-Opera Crossover. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1249493305

Chicago Manual of Style (16th Edition):

Branstetter, Leah Tallen. “Angels and Arctic Monkeys: A Study of Pop-Opera Crossover.” 2009. Masters Thesis, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1249493305.

MLA Handbook (7th Edition):

Branstetter, Leah Tallen. “Angels and Arctic Monkeys: A Study of Pop-Opera Crossover.” 2009. Web. 14 Oct 2019.

Vancouver:

Branstetter LT. Angels and Arctic Monkeys: A Study of Pop-Opera Crossover. [Internet] [Masters thesis]. University of Cincinnati; 2009. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1249493305.

Council of Science Editors:

Branstetter LT. Angels and Arctic Monkeys: A Study of Pop-Opera Crossover. [Masters Thesis]. University of Cincinnati; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1249493305

14. Grimmer, Jessica H. From Femme Ideale to Femme Fatale: Contexts for the Exotic Archetype in Nineteenth-Century French Opera.

Degree: MM, College-Conservatory of Music: Music History, 2014, University of Cincinnati

 Chromatically meandering, even teasing, Carmen’s Seguidilla proves fatally seductive for Don Jose, luring him to an obsession that overrides his expected decorum. Equally alluring, Dalila… (more)

Subjects/Keywords: Music; Exoticism and Orientalism; Eighteenth-Century French Opera; Nineteenth-Century French Opera; Opera Archetypes; French Revolution; Exotic as Feminine

…and Lakmé (1883), eighteenthcentury exotic opera plot archetypes appear as a… …torture and death rather than infidelity to her hero, Belmonte. If eighteenth-century opera… …topics, 1 Jama Stilwell, “A New View of the Eighteenth-Century ‘Abduction’ Opera: Edification… …thesis explores eighteenth- and nineteenthcentury French exotic opera in relation to specific… …conflated with the female form. This results in a continuous lineage of French exotic opera rather… 

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APA (6th Edition):

Grimmer, J. H. (2014). From Femme Ideale to Femme Fatale: Contexts for the Exotic Archetype in Nineteenth-Century French Opera. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1384426378

Chicago Manual of Style (16th Edition):

Grimmer, Jessica H. “From Femme Ideale to Femme Fatale: Contexts for the Exotic Archetype in Nineteenth-Century French Opera.” 2014. Masters Thesis, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1384426378.

MLA Handbook (7th Edition):

Grimmer, Jessica H. “From Femme Ideale to Femme Fatale: Contexts for the Exotic Archetype in Nineteenth-Century French Opera.” 2014. Web. 14 Oct 2019.

Vancouver:

Grimmer JH. From Femme Ideale to Femme Fatale: Contexts for the Exotic Archetype in Nineteenth-Century French Opera. [Internet] [Masters thesis]. University of Cincinnati; 2014. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1384426378.

Council of Science Editors:

Grimmer JH. From Femme Ideale to Femme Fatale: Contexts for the Exotic Archetype in Nineteenth-Century French Opera. [Masters Thesis]. University of Cincinnati; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1384426378


University of Cincinnati

15. Burke, Kevin Robert. Opera, the Nation, and the Ideology of Genre in Early Nineteenth-Century Germany.

Degree: MM, College-Conservatory of Music : Music History, 2004, University of Cincinnati

 Historians have struggled with defining German opera of the early-nineteenth century. Those who adopt “German Romantic opera” as a sole designator tend to focus on… (more)

Subjects/Keywords: Music; Louis Spohr; Heinrich Marschner; Albert Lortzing; Jessonda; Hans Heiling; Czar und Zimmermann; German Opera; German Romantic Opera; Nineteenth-Century German Opera

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APA (6th Edition):

Burke, K. R. (2004). Opera, the Nation, and the Ideology of Genre in Early Nineteenth-Century Germany. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1100551588

Chicago Manual of Style (16th Edition):

Burke, Kevin Robert. “Opera, the Nation, and the Ideology of Genre in Early Nineteenth-Century Germany.” 2004. Masters Thesis, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1100551588.

MLA Handbook (7th Edition):

Burke, Kevin Robert. “Opera, the Nation, and the Ideology of Genre in Early Nineteenth-Century Germany.” 2004. Web. 14 Oct 2019.

Vancouver:

Burke KR. Opera, the Nation, and the Ideology of Genre in Early Nineteenth-Century Germany. [Internet] [Masters thesis]. University of Cincinnati; 2004. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1100551588.

Council of Science Editors:

Burke KR. Opera, the Nation, and the Ideology of Genre in Early Nineteenth-Century Germany. [Masters Thesis]. University of Cincinnati; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1100551588

16. Chew, Ellen C. Goethe’s "Gretchentragodie" in Song: A Multidimensional Woman, not Victim.

Degree: MA, Arts and Sciences: Germanic Languages and Literature, 2016, University of Cincinnati

 This paper is an exploration of several musical settings of the Gretchen character’s most poignant songs and scenes in Goethe’s "Faust." The purpose of this… (more)

Subjects/Keywords: Germanic Literature; Goethe; Faust; Gretchen; Music; Voice Opera; Performance

…Schubert, and Hugo Wolf, as well as composers who specialized in opera, Richard Wagner and… …as a Kunstballad (a song with music) through the mediums of Lieder and opera… …of his operatic adaptation. His opera, Faust, “outnumbered [performances] of… …almost every other opera” from the end of the nineteenth- to the mid-twentieth century (… …Print. 16 However, opera is a much different medium than the Lied. Perhaps the most… 

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APA (6th Edition):

Chew, E. C. (2016). Goethe’s "Gretchentragodie" in Song: A Multidimensional Woman, not Victim. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1458893328

Chicago Manual of Style (16th Edition):

Chew, Ellen C. “Goethe’s "Gretchentragodie" in Song: A Multidimensional Woman, not Victim.” 2016. Masters Thesis, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1458893328.

MLA Handbook (7th Edition):

Chew, Ellen C. “Goethe’s "Gretchentragodie" in Song: A Multidimensional Woman, not Victim.” 2016. Web. 14 Oct 2019.

Vancouver:

Chew EC. Goethe’s "Gretchentragodie" in Song: A Multidimensional Woman, not Victim. [Internet] [Masters thesis]. University of Cincinnati; 2016. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1458893328.

Council of Science Editors:

Chew EC. Goethe’s "Gretchentragodie" in Song: A Multidimensional Woman, not Victim. [Masters Thesis]. University of Cincinnati; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1458893328


University of Cincinnati

17. YORKE, SARAH KATHRYN. OPERA 15-18 OF ANTON WEBERN: MUSICAL CHOICES INSPIRED BY TEXT.

Degree: DMA, College-Conservatory of Music : Voice, 2003, University of Cincinnati

 This thesis approaches the works of Anton Webern's middle period, specifically Opera 15-18, by discussing the influence of text upon musical factors: a theoretical discourse… (more)

Subjects/Keywords: Music; Anton Weberns lieder; folktexts as lieder; Opera 15-18 of Anton Webern

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APA (6th Edition):

YORKE, S. K. (2003). OPERA 15-18 OF ANTON WEBERN: MUSICAL CHOICES INSPIRED BY TEXT. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1063120070

Chicago Manual of Style (16th Edition):

YORKE, SARAH KATHRYN. “OPERA 15-18 OF ANTON WEBERN: MUSICAL CHOICES INSPIRED BY TEXT.” 2003. Doctoral Dissertation, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1063120070.

MLA Handbook (7th Edition):

YORKE, SARAH KATHRYN. “OPERA 15-18 OF ANTON WEBERN: MUSICAL CHOICES INSPIRED BY TEXT.” 2003. Web. 14 Oct 2019.

Vancouver:

YORKE SK. OPERA 15-18 OF ANTON WEBERN: MUSICAL CHOICES INSPIRED BY TEXT. [Internet] [Doctoral dissertation]. University of Cincinnati; 2003. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1063120070.

Council of Science Editors:

YORKE SK. OPERA 15-18 OF ANTON WEBERN: MUSICAL CHOICES INSPIRED BY TEXT. [Doctoral Dissertation]. University of Cincinnati; 2003. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1063120070

18. Parks, Alexandra E. Werther vs. Werther: from print to the operatic stage.

Degree: MA, Arts and Sciences: Germanic Languages and Literature, 2011, University of Cincinnati

 Jules Massenet re-imagined Goethe’s novella Die Leiden des jungen Werthers as an opera. The audience gains great psychological intimacy with Goethe’s Werther because of the… (more)

Subjects/Keywords: Goethe; Massenet; Werther; opera; Die Leiden des jungen Werthers; comparison

…16 Werther as romantic opera… …interpretation that will be discussed at length in this paper is Jules Massenetʼs opera in four acts… …Goetheʼs original. " Basing an opera off a piece of German literature is nothing new… …case, there are many problems that preclude that method. Each opera is created in a different… …set of circumstances, so the problems of reinterpretation are wildly different. An opera… 

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APA (6th Edition):

Parks, A. E. (2011). Werther vs. Werther: from print to the operatic stage. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1307321082

Chicago Manual of Style (16th Edition):

Parks, Alexandra E. “Werther vs. Werther: from print to the operatic stage.” 2011. Masters Thesis, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1307321082.

MLA Handbook (7th Edition):

Parks, Alexandra E. “Werther vs. Werther: from print to the operatic stage.” 2011. Web. 14 Oct 2019.

Vancouver:

Parks AE. Werther vs. Werther: from print to the operatic stage. [Internet] [Masters thesis]. University of Cincinnati; 2011. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1307321082.

Council of Science Editors:

Parks AE. Werther vs. Werther: from print to the operatic stage. [Masters Thesis]. University of Cincinnati; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1307321082

19. MARGETTS, JAMES ANOR. Echoes of Venice: The Origins of the Barcarolle for Solo Piano.

Degree: DMA, College-Conservatory of Music : Piano, 2008, University of Cincinnati

 This document traces the development of the solo keyboard barcarolle from its origins in late seventeenth-century opera through its establishment as a popular vehicle for… (more)

Subjects/Keywords: Music; barcarolle; Mendelssohn; Chopin; seventeenth-century opera; Gondellied; Venice

…seventeenth-century opera through its establishment as a popular vehicle for wordless musical… …expression at the dawn of the Romantic era. Opera composers that were initially inspired by… …barcarolle” first appears in print on some late seventeenth- and early eighteenth-century opera… …Cambridge Opera Journal 15 (November 2003): 298. 2 Ellen Rosand, “Commentary: 17th… …century Venetian Opera as Fondamente nuove,” Journal of Interdisciplinary History 36 (… 

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APA (6th Edition):

MARGETTS, J. A. (2008). Echoes of Venice: The Origins of the Barcarolle for Solo Piano. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1218894990

Chicago Manual of Style (16th Edition):

MARGETTS, JAMES ANOR. “Echoes of Venice: The Origins of the Barcarolle for Solo Piano.” 2008. Doctoral Dissertation, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1218894990.

MLA Handbook (7th Edition):

MARGETTS, JAMES ANOR. “Echoes of Venice: The Origins of the Barcarolle for Solo Piano.” 2008. Web. 14 Oct 2019.

Vancouver:

MARGETTS JA. Echoes of Venice: The Origins of the Barcarolle for Solo Piano. [Internet] [Doctoral dissertation]. University of Cincinnati; 2008. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1218894990.

Council of Science Editors:

MARGETTS JA. Echoes of Venice: The Origins of the Barcarolle for Solo Piano. [Doctoral Dissertation]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1218894990

20. McBrayer, Benjamin Marcus. The Specter of <i>Peter Grimes</i>: Aesthetics and Reception in the Renascence of English Opera, 1945-53.

Degree: MM, College-Conservatory of Music : Music History, 2008, University of Cincinnati

 In 1945 Benjamin Britten’s <i>Peter Grimes</i> contributed to a renascence of English opera.Critics praised Grimes for its realization of many aesthetic ideals of the traditional… (more)

Subjects/Keywords: Music; Benjamin Britten; Ralph Vaughan Williams; Peter Grimes; The Pilgrim&8217; s Progress; Gloriana; Aesthetics; Reception; Reception History; English Opera; Twentieth-Century English Opera

…CONTENTS CHAPTER ONE: THE POSTWAR RENASCENCE OF ENGLISH OPERA 1 CHAPTER TWO: SOURCES… …ENGLISH OPERA 39 CHAPTER FOUR: THE SPECTER OF PETER GRIMES 52 CHAPTER FIVE: REVIVALS AND… …RECONSIDERATIONS 70 BIBLIOGRAPHY 85 i CHAPTER ONE THE POSTWAR RENASCENCE OF ENGLISH OPERA In 1942… …Foundation, the Sadler‘s Wells Company‘s aspiration to ―tackle a new English opera,‖1 and the… …native opera in postwar England. In his survey The Rise of English Opera (1951), Eric… 

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APA (6th Edition):

McBrayer, B. M. (2008). The Specter of <i>Peter Grimes</i>: Aesthetics and Reception in the Renascence of English Opera, 1945-53. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1216694339

Chicago Manual of Style (16th Edition):

McBrayer, Benjamin Marcus. “The Specter of <i>Peter Grimes</i>: Aesthetics and Reception in the Renascence of English Opera, 1945-53.” 2008. Masters Thesis, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1216694339.

MLA Handbook (7th Edition):

McBrayer, Benjamin Marcus. “The Specter of <i>Peter Grimes</i>: Aesthetics and Reception in the Renascence of English Opera, 1945-53.” 2008. Web. 14 Oct 2019.

Vancouver:

McBrayer BM. The Specter of <i>Peter Grimes</i>: Aesthetics and Reception in the Renascence of English Opera, 1945-53. [Internet] [Masters thesis]. University of Cincinnati; 2008. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1216694339.

Council of Science Editors:

McBrayer BM. The Specter of <i>Peter Grimes</i>: Aesthetics and Reception in the Renascence of English Opera, 1945-53. [Masters Thesis]. University of Cincinnati; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1216694339


University of Cincinnati

21. Schlicher, Jeremy T. A Multi-Genre Adaptive Performance Hall.

Degree: M. Arch., Design, Architecture, Art and Planning : Architecture (Master of), 2006, University of Cincinnati

 In today’s culture there are many different genres of music that require various stage settings, acoustical properties, type and amount of seating arrangements as well… (more)

Subjects/Keywords: Architecture; Music; Acoustics; Music; blues; rock n' roll; classical; opera; country; western; jazz; hip hop; rap; performance hall; sound; architecture

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APA (6th Edition):

Schlicher, J. T. (2006). A Multi-Genre Adaptive Performance Hall. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148489621

Chicago Manual of Style (16th Edition):

Schlicher, Jeremy T. “A Multi-Genre Adaptive Performance Hall.” 2006. Masters Thesis, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148489621.

MLA Handbook (7th Edition):

Schlicher, Jeremy T. “A Multi-Genre Adaptive Performance Hall.” 2006. Web. 14 Oct 2019.

Vancouver:

Schlicher JT. A Multi-Genre Adaptive Performance Hall. [Internet] [Masters thesis]. University of Cincinnati; 2006. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148489621.

Council of Science Editors:

Schlicher JT. A Multi-Genre Adaptive Performance Hall. [Masters Thesis]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148489621


University of Cincinnati

22. HOLLAND, ANYA B. BLURRING BOUNDARIES: ISSUES OF GENDER, MADNESS, AND IDENTITY IN LIBBY LARSEN'S OPERA 'MRS. DALLOWAY'.

Degree: MM, College-Conservatory of Music : Music History, 2005, University of Cincinnati

 Although Libby Larsen’s opera Mrs. Dalloway (1992) is not Larsen’s most frequently performed opera, its subject matter and musical content offer a wealth of cross-disciplinary… (more)

Subjects/Keywords: Music; Literature, English; Larsen, Libby; feminist criticism; feminist musicology; American opera; Woolf, Virginia; literary criticism

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APA (6th Edition):

HOLLAND, A. B. (2005). BLURRING BOUNDARIES: ISSUES OF GENDER, MADNESS, AND IDENTITY IN LIBBY LARSEN'S OPERA 'MRS. DALLOWAY'. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1122913675

Chicago Manual of Style (16th Edition):

HOLLAND, ANYA B. “BLURRING BOUNDARIES: ISSUES OF GENDER, MADNESS, AND IDENTITY IN LIBBY LARSEN'S OPERA 'MRS. DALLOWAY'.” 2005. Masters Thesis, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1122913675.

MLA Handbook (7th Edition):

HOLLAND, ANYA B. “BLURRING BOUNDARIES: ISSUES OF GENDER, MADNESS, AND IDENTITY IN LIBBY LARSEN'S OPERA 'MRS. DALLOWAY'.” 2005. Web. 14 Oct 2019.

Vancouver:

HOLLAND AB. BLURRING BOUNDARIES: ISSUES OF GENDER, MADNESS, AND IDENTITY IN LIBBY LARSEN'S OPERA 'MRS. DALLOWAY'. [Internet] [Masters thesis]. University of Cincinnati; 2005. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1122913675.

Council of Science Editors:

HOLLAND AB. BLURRING BOUNDARIES: ISSUES OF GENDER, MADNESS, AND IDENTITY IN LIBBY LARSEN'S OPERA 'MRS. DALLOWAY'. [Masters Thesis]. University of Cincinnati; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1122913675

.