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Dates: 1995 – 1999

You searched for subject:(opera). Showing records 1 – 21 of 21 total matches.

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University of North Texas

1. Friedman, Arnold Jacob. A Different Drummer: A Chamber Opera.

Degree: 1999, University of North Texas

 A Different Drummer is a chamber opera adaptation of Donald Davis's story "A Different Drummer" from his collection Listening for the Crack of Dawn, published… (more)

Subjects/Keywords: Operas.; opera; chamber opera

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APA (6th Edition):

Friedman, A. J. (1999). A Different Drummer: A Chamber Opera. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2193/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Friedman, Arnold Jacob. “A Different Drummer: A Chamber Opera.” 1999. Thesis, University of North Texas. Accessed October 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc2193/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Friedman, Arnold Jacob. “A Different Drummer: A Chamber Opera.” 1999. Web. 23 Oct 2019.

Vancouver:

Friedman AJ. A Different Drummer: A Chamber Opera. [Internet] [Thesis]. University of North Texas; 1999. [cited 2019 Oct 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2193/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Friedman AJ. A Different Drummer: A Chamber Opera. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc2193/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

2. Ottervik, Jennifer. The Use of Jazz in Opera.

Degree: 1995, University of North Texas

 Methods of incorporating jazz in opera range from using simple blue notes and fox-trot rhythms, to utilizing jazz instruments, to employing elaborate passages of improvisation.… (more)

Subjects/Keywords: jazz; opera; music; Opera.; Jazz.

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APA (6th Edition):

Ottervik, J. (1995). The Use of Jazz in Opera. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277623/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ottervik, Jennifer. “The Use of Jazz in Opera.” 1995. Thesis, University of North Texas. Accessed October 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc277623/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ottervik, Jennifer. “The Use of Jazz in Opera.” 1995. Web. 23 Oct 2019.

Vancouver:

Ottervik J. The Use of Jazz in Opera. [Internet] [Thesis]. University of North Texas; 1995. [cited 2019 Oct 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277623/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ottervik J. The Use of Jazz in Opera. [Thesis]. University of North Texas; 1995. Available from: https://digital.library.unt.edu/ark:/67531/metadc277623/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

3. Smith, MK. The mezzo-soprano voice : an attempt to qualify the voice through definition and examination of selected operatic repertoire.

Degree: 1997, University of Tasmania

 In female voices, 'soprano' and 'contralto' are terms readily used to describe the high and low voice respectively. The term 'mezzo-soprano', on the other hand,… (more)

Subjects/Keywords: Mezzo-sopranos; Women singers; Opera

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APA (6th Edition):

Smith, M. (1997). The mezzo-soprano voice : an attempt to qualify the voice through definition and examination of selected operatic repertoire. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/21620/1/whole_SmithMarilynKaye1997_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, MK. “The mezzo-soprano voice : an attempt to qualify the voice through definition and examination of selected operatic repertoire.” 1997. Thesis, University of Tasmania. Accessed October 23, 2019. https://eprints.utas.edu.au/21620/1/whole_SmithMarilynKaye1997_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, MK. “The mezzo-soprano voice : an attempt to qualify the voice through definition and examination of selected operatic repertoire.” 1997. Web. 23 Oct 2019.

Vancouver:

Smith M. The mezzo-soprano voice : an attempt to qualify the voice through definition and examination of selected operatic repertoire. [Internet] [Thesis]. University of Tasmania; 1997. [cited 2019 Oct 23]. Available from: https://eprints.utas.edu.au/21620/1/whole_SmithMarilynKaye1997_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith M. The mezzo-soprano voice : an attempt to qualify the voice through definition and examination of selected operatic repertoire. [Thesis]. University of Tasmania; 1997. Available from: https://eprints.utas.edu.au/21620/1/whole_SmithMarilynKaye1997_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad Andrés Bello

4. Lira Valdés, M. Isabel. La ópera en Chile: una expresión emergente. Radiografía de su desarrollo entre los años 1987-1998 .

Degree: 1998, Universidad Andrés Bello

 Existen únicamente dos publicaciones que entregan una recopilación de lo que ha sido el desarrollo del género operístico en nuestro país. La ópera en Chile… (more)

Subjects/Keywords: Opera; Chile; Historia - 1987-1998

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APA (6th Edition):

Lira Valdés, M. I. (1998). La ópera en Chile: una expresión emergente. Radiografía de su desarrollo entre los años 1987-1998 . (Thesis). Universidad Andrés Bello. Retrieved from http://repositorio.unab.cl/xmlui/handle/ria/3496

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lira Valdés, M Isabel. “La ópera en Chile: una expresión emergente. Radiografía de su desarrollo entre los años 1987-1998 .” 1998. Thesis, Universidad Andrés Bello. Accessed October 23, 2019. http://repositorio.unab.cl/xmlui/handle/ria/3496.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lira Valdés, M Isabel. “La ópera en Chile: una expresión emergente. Radiografía de su desarrollo entre los años 1987-1998 .” 1998. Web. 23 Oct 2019.

Vancouver:

Lira Valdés MI. La ópera en Chile: una expresión emergente. Radiografía de su desarrollo entre los años 1987-1998 . [Internet] [Thesis]. Universidad Andrés Bello; 1998. [cited 2019 Oct 23]. Available from: http://repositorio.unab.cl/xmlui/handle/ria/3496.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lira Valdés MI. La ópera en Chile: una expresión emergente. Radiografía de su desarrollo entre los años 1987-1998 . [Thesis]. Universidad Andrés Bello; 1998. Available from: http://repositorio.unab.cl/xmlui/handle/ria/3496

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

5. Kuniyasu, Kurt Kazuo, 1958-. Twin oaks: A Comic Opera in One Act.

Degree: 1995, University of North Texas

 Twin Oaks: A Comic Opera in One Act is a chamber opera approximately 60 minutes in length. Its accompanying ensemble is scored for flute (doubling… (more)

Subjects/Keywords: opera; Gilbert. W.S.; original composition

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APA (6th Edition):

Kuniyasu, Kurt Kazuo, 1. (1995). Twin oaks: A Comic Opera in One Act. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1038755/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kuniyasu, Kurt Kazuo, 1958-. “Twin oaks: A Comic Opera in One Act.” 1995. Thesis, University of North Texas. Accessed October 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc1038755/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kuniyasu, Kurt Kazuo, 1958-. “Twin oaks: A Comic Opera in One Act.” 1995. Web. 23 Oct 2019.

Vancouver:

Kuniyasu, Kurt Kazuo 1. Twin oaks: A Comic Opera in One Act. [Internet] [Thesis]. University of North Texas; 1995. [cited 2019 Oct 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038755/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kuniyasu, Kurt Kazuo 1. Twin oaks: A Comic Opera in One Act. [Thesis]. University of North Texas; 1995. Available from: https://digital.library.unt.edu/ark:/67531/metadc1038755/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

6. Salfen, Kevin McGregor. Paintings and Palaces, or the Lament of the Burger Flipper.

Degree: 1999, University of North Texas

 The opera is scored for chamber orchestra consisting of one oboe, two Bb clarinets, two horns in F, one trumpet in C, one tenor trombone,… (more)

Subjects/Keywords: Operas.; fast food; opera

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APA (6th Edition):

Salfen, K. M. (1999). Paintings and Palaces, or the Lament of the Burger Flipper. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2186/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Salfen, Kevin McGregor. “Paintings and Palaces, or the Lament of the Burger Flipper.” 1999. Thesis, University of North Texas. Accessed October 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc2186/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Salfen, Kevin McGregor. “Paintings and Palaces, or the Lament of the Burger Flipper.” 1999. Web. 23 Oct 2019.

Vancouver:

Salfen KM. Paintings and Palaces, or the Lament of the Burger Flipper. [Internet] [Thesis]. University of North Texas; 1999. [cited 2019 Oct 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2186/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Salfen KM. Paintings and Palaces, or the Lament of the Burger Flipper. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc2186/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

7. Stonehouse, Alison A. The attitude of the French towards Metastasio as poet and dramatist in the second half of the eighteenth century.

Degree: PhD, 1997, University of Western Ontario

Subjects/Keywords: Opera; Aesthetics, French; Opéra; Esthétique française

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APA (6th Edition):

Stonehouse, A. A. (1997). The attitude of the French towards Metastasio as poet and dramatist in the second half of the eighteenth century. (Doctoral Dissertation). University of Western Ontario. Retrieved from http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21318.pdf ;

Chicago Manual of Style (16th Edition):

Stonehouse, Alison A. “The attitude of the French towards Metastasio as poet and dramatist in the second half of the eighteenth century.” 1997. Doctoral Dissertation, University of Western Ontario. Accessed October 23, 2019. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21318.pdf ;.

MLA Handbook (7th Edition):

Stonehouse, Alison A. “The attitude of the French towards Metastasio as poet and dramatist in the second half of the eighteenth century.” 1997. Web. 23 Oct 2019.

Vancouver:

Stonehouse AA. The attitude of the French towards Metastasio as poet and dramatist in the second half of the eighteenth century. [Internet] [Doctoral dissertation]. University of Western Ontario; 1997. [cited 2019 Oct 23]. Available from: http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21318.pdf ;.

Council of Science Editors:

Stonehouse AA. The attitude of the French towards Metastasio as poet and dramatist in the second half of the eighteenth century. [Doctoral Dissertation]. University of Western Ontario; 1997. Available from: http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21318.pdf ;


Universidade Estadual de Campinas

8. Pinto, Ivan Vilela. Do velho se faz o ovo .

Degree: 1999, Universidade Estadual de Campinas

 Resumo: Este trabalho pretende fazer wna. reflexão sobre a composição do musical, Cheiro de Mato e de Chão, obra baseada em um libreto, até aqui… (more)

Subjects/Keywords: Opera - Brasil; Cultura popular; Composição (Música); Música popular

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APA (6th Edition):

Pinto, I. V. (1999). Do velho se faz o ovo . (Thesis). Universidade Estadual de Campinas. Retrieved from http://repositorio.unicamp.br/jspui/handle/REPOSIP/284133

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pinto, Ivan Vilela. “Do velho se faz o ovo .” 1999. Thesis, Universidade Estadual de Campinas. Accessed October 23, 2019. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284133.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pinto, Ivan Vilela. “Do velho se faz o ovo .” 1999. Web. 23 Oct 2019.

Vancouver:

Pinto IV. Do velho se faz o ovo . [Internet] [Thesis]. Universidade Estadual de Campinas; 1999. [cited 2019 Oct 23]. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284133.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pinto IV. Do velho se faz o ovo . [Thesis]. Universidade Estadual de Campinas; 1999. Available from: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284133

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oxford

9. Aspden, Suzanne Elizabeth. Opera and nationalism in mid-eighteenth-century Britain.

Degree: 1999, University of Oxford

 Italian opera gained an odd resonance in eighteenth-century British sensibility. By turns loved and hated, it acted on the British imagination as a catalyst both… (more)

Subjects/Keywords: 800; Nationalism in music : Opera : Great Britain : 18th century

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APA (6th Edition):

Aspden, S. E. (1999). Opera and nationalism in mid-eighteenth-century Britain. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:157fe363-632a-469f-bb42-1ede235a6a33 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312624

Chicago Manual of Style (16th Edition):

Aspden, Suzanne Elizabeth. “Opera and nationalism in mid-eighteenth-century Britain.” 1999. Doctoral Dissertation, University of Oxford. Accessed October 23, 2019. http://ora.ox.ac.uk/objects/uuid:157fe363-632a-469f-bb42-1ede235a6a33 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312624.

MLA Handbook (7th Edition):

Aspden, Suzanne Elizabeth. “Opera and nationalism in mid-eighteenth-century Britain.” 1999. Web. 23 Oct 2019.

Vancouver:

Aspden SE. Opera and nationalism in mid-eighteenth-century Britain. [Internet] [Doctoral dissertation]. University of Oxford; 1999. [cited 2019 Oct 23]. Available from: http://ora.ox.ac.uk/objects/uuid:157fe363-632a-469f-bb42-1ede235a6a33 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312624.

Council of Science Editors:

Aspden SE. Opera and nationalism in mid-eighteenth-century Britain. [Doctoral Dissertation]. University of Oxford; 1999. Available from: http://ora.ox.ac.uk/objects/uuid:157fe363-632a-469f-bb42-1ede235a6a33 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312624


University of Iowa

10. Snyders, Theresa Lynne. History of the University of Iowa Opera Theater 1938-1998.

Degree: DMA, Music, 1998, University of Iowa

Subjects/Keywords: opera; theatre; Music; Theatre and Performance Studies

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APA (6th Edition):

Snyders, T. L. (1998). History of the University of Iowa Opera Theater 1938-1998. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/5362

Chicago Manual of Style (16th Edition):

Snyders, Theresa Lynne. “History of the University of Iowa Opera Theater 1938-1998.” 1998. Doctoral Dissertation, University of Iowa. Accessed October 23, 2019. https://ir.uiowa.edu/etd/5362.

MLA Handbook (7th Edition):

Snyders, Theresa Lynne. “History of the University of Iowa Opera Theater 1938-1998.” 1998. Web. 23 Oct 2019.

Vancouver:

Snyders TL. History of the University of Iowa Opera Theater 1938-1998. [Internet] [Doctoral dissertation]. University of Iowa; 1998. [cited 2019 Oct 23]. Available from: https://ir.uiowa.edu/etd/5362.

Council of Science Editors:

Snyders TL. History of the University of Iowa Opera Theater 1938-1998. [Doctoral Dissertation]. University of Iowa; 1998. Available from: https://ir.uiowa.edu/etd/5362


University of North Texas

11. Miller, Robin A. (Robin Annette). The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters.

Degree: 1998, University of North Texas

 The Italian seicento has been considered a dead century by many literary scholars. As this study demonstrates, such a conclusion ignores important literary developments in… (more)

Subjects/Keywords: operas; libretto; literature; Opera  – Italy  – Venice  – 17th century.

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APA (6th Edition):

Miller, R. A. (. A. (1998). The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277705/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miller, Robin A (Robin Annette). “The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters.” 1998. Thesis, University of North Texas. Accessed October 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc277705/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miller, Robin A (Robin Annette). “The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters.” 1998. Web. 23 Oct 2019.

Vancouver:

Miller RA(A. The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters. [Internet] [Thesis]. University of North Texas; 1998. [cited 2019 Oct 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277705/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miller RA(A. The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters. [Thesis]. University of North Texas; 1998. Available from: https://digital.library.unt.edu/ark:/67531/metadc277705/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

12. Patino, Julio. Matador.

Degree: 1998, University of North Texas

 Matador is an opera scored for orchestra, mixed chorus and soloists (mezzosoprano, 3 tenors, 2 baritones). The work is in one act divided into two… (more)

Subjects/Keywords: Operas  – Scores.; Open form music.; opera; libretto

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APA (6th Edition):

Patino, J. (1998). Matador. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc279182/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Patino, Julio. “Matador.” 1998. Thesis, University of North Texas. Accessed October 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc279182/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Patino, Julio. “Matador.” 1998. Web. 23 Oct 2019.

Vancouver:

Patino J. Matador. [Internet] [Thesis]. University of North Texas; 1998. [cited 2019 Oct 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc279182/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Patino J. Matador. [Thesis]. University of North Texas; 1998. Available from: https://digital.library.unt.edu/ark:/67531/metadc279182/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

13. Thrasher, Michael, 1972-. The Use of the Clarinet in Selected Viennese Operas, 1786-1791, With Three Recitals of Selected Works by Brahms, Muczynski, Benjamin, Widor, Hindemith, and Others.

Degree: 1997, University of North Texas

 In an appendix section, three notable arias have been transcribed for two clarinets, voice, and piano. A further evaluation of Classical period opera orchestration will… (more)

Subjects/Keywords: Clarinet  – History.; Clarinet music  – History and criticism.; Music  – 18th century.; Instrumentation and orchestration.; Opera.; clarinet; Viennese opera

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APA (6th Edition):

Thrasher, Michael, 1. (1997). The Use of the Clarinet in Selected Viennese Operas, 1786-1791, With Three Recitals of Selected Works by Brahms, Muczynski, Benjamin, Widor, Hindemith, and Others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc278193/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thrasher, Michael, 1972-. “The Use of the Clarinet in Selected Viennese Operas, 1786-1791, With Three Recitals of Selected Works by Brahms, Muczynski, Benjamin, Widor, Hindemith, and Others.” 1997. Thesis, University of North Texas. Accessed October 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc278193/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thrasher, Michael, 1972-. “The Use of the Clarinet in Selected Viennese Operas, 1786-1791, With Three Recitals of Selected Works by Brahms, Muczynski, Benjamin, Widor, Hindemith, and Others.” 1997. Web. 23 Oct 2019.

Vancouver:

Thrasher, Michael 1. The Use of the Clarinet in Selected Viennese Operas, 1786-1791, With Three Recitals of Selected Works by Brahms, Muczynski, Benjamin, Widor, Hindemith, and Others. [Internet] [Thesis]. University of North Texas; 1997. [cited 2019 Oct 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc278193/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thrasher, Michael 1. The Use of the Clarinet in Selected Viennese Operas, 1786-1791, With Three Recitals of Selected Works by Brahms, Muczynski, Benjamin, Widor, Hindemith, and Others. [Thesis]. University of North Texas; 1997. Available from: https://digital.library.unt.edu/ark:/67531/metadc278193/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

14. Pollard, Carol J. Nobody's Fool: A Study of the Yrodivy in Boris Godunov.

Degree: 1999, University of North Texas

 Modest Musorgsky completed two versions of his opera Boris Godunov between 1869 and 1874, with significant changes in the second version. The second version adds… (more)

Subjects/Keywords: Mussorgsky, Modest Petrovich, 1839-1881. Boris Godunov (1872).; opera; russian history; Musorgsky

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pollard, C. J. (1999). Nobody's Fool: A Study of the Yrodivy in Boris Godunov. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc2242/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pollard, Carol J. “Nobody's Fool: A Study of the Yrodivy in Boris Godunov.” 1999. Thesis, University of North Texas. Accessed October 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc2242/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pollard, Carol J. “Nobody's Fool: A Study of the Yrodivy in Boris Godunov.” 1999. Web. 23 Oct 2019.

Vancouver:

Pollard CJ. Nobody's Fool: A Study of the Yrodivy in Boris Godunov. [Internet] [Thesis]. University of North Texas; 1999. [cited 2019 Oct 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc2242/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pollard CJ. Nobody's Fool: A Study of the Yrodivy in Boris Godunov. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc2242/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

15. Beard-Stradley, Cloyce (Cloyce May). A performer's analysis of Benjamin Britten's Phaedra, dramatic cantata for mezzo soprano and small orchestra, op. 93: a lecture recital, together with three recitals of selected works of H. Purcell, R. Schumann, R. Vaughan Williams, P. Tchaikovsky, G. Fauré, K. Löwe, G. Menotti, S. Barber and others.

Degree: 1999, University of North Texas

 A little-known chamber work by Benjamin Britten is the dramatic cantata Phaedra, op.93, for mezzo-soprano and small orchestra. Among his chamber works, the solo cantata… (more)

Subjects/Keywords: Benjamin Britten; music analysis; opera; Britten, Benjamin, 1913-1976.  – Phaedra.

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APA (6th Edition):

Beard-Stradley, C. (. M. (1999). A performer's analysis of Benjamin Britten's Phaedra, dramatic cantata for mezzo soprano and small orchestra, op. 93: a lecture recital, together with three recitals of selected works of H. Purcell, R. Schumann, R. Vaughan Williams, P. Tchaikovsky, G. Fauré, K. Löwe, G. Menotti, S. Barber and others. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935558/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beard-Stradley, Cloyce (Cloyce May). “A performer's analysis of Benjamin Britten's Phaedra, dramatic cantata for mezzo soprano and small orchestra, op. 93: a lecture recital, together with three recitals of selected works of H. Purcell, R. Schumann, R. Vaughan Williams, P. Tchaikovsky, G. Fauré, K. Löwe, G. Menotti, S. Barber and others.” 1999. Thesis, University of North Texas. Accessed October 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc935558/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beard-Stradley, Cloyce (Cloyce May). “A performer's analysis of Benjamin Britten's Phaedra, dramatic cantata for mezzo soprano and small orchestra, op. 93: a lecture recital, together with three recitals of selected works of H. Purcell, R. Schumann, R. Vaughan Williams, P. Tchaikovsky, G. Fauré, K. Löwe, G. Menotti, S. Barber and others.” 1999. Web. 23 Oct 2019.

Vancouver:

Beard-Stradley C(M. A performer's analysis of Benjamin Britten's Phaedra, dramatic cantata for mezzo soprano and small orchestra, op. 93: a lecture recital, together with three recitals of selected works of H. Purcell, R. Schumann, R. Vaughan Williams, P. Tchaikovsky, G. Fauré, K. Löwe, G. Menotti, S. Barber and others. [Internet] [Thesis]. University of North Texas; 1999. [cited 2019 Oct 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935558/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beard-Stradley C(M. A performer's analysis of Benjamin Britten's Phaedra, dramatic cantata for mezzo soprano and small orchestra, op. 93: a lecture recital, together with three recitals of selected works of H. Purcell, R. Schumann, R. Vaughan Williams, P. Tchaikovsky, G. Fauré, K. Löwe, G. Menotti, S. Barber and others. [Thesis]. University of North Texas; 1999. Available from: https://digital.library.unt.edu/ark:/67531/metadc935558/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

16. ΣΓΟΥΡΙΔΟΥ, ΜΑΡΙΑ. Η ΕΠΙΔΡΑΣΗ ΤΟΥ ΔΑΝΤΗ ΣΤΗ ΝΕΟΕΛΛΗΝΙΚΗ ΛΟΓΟΤΕΧΝΙΑ.

Degree: 1998, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

 δΓΙΝΕ ΜΙΑ ΠΡΟΣΠΑΘΕΙΑ ΝΑ ΕΝΤΟΠΙΣΤΟΥΝ ΟΙ ΚΥΡΙΟΤΕΡΕΣ ΕΠΙΔΡΑΣΕΙΣ ΑΠΟ ΤΗΝ "ΘΕΙΑ ΚΩΜΩΔΙΑ" ΤΟΥ ΔΑΝΤΗ ΣΤΑ ΛΟΓΟΤΕΧΝΙΚΑ ΔΡΩΜΕΝΑ ΤΗΣ ΕΛΛΑΔΑΣ .ΑΠΟ ΤΗΝ ΕΠΟΧΗ ΤΗΣ ΚΡΗΤΙΚΗΣ ΣΧΟΛΗΣ… (more)

Subjects/Keywords: Γλώσσες; ΔΑΝΤΗΣ; ΕΘΝΙΚΟΣ; Επίδραση; Έργο; Ιταλία; Λογοτεχνία; Ποίηση; DANTE; Influenza; ITALIA; LETTERATURA; LINGUA; NAZIONALE; Opera; Poesia

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

ΣΓΟΥΡΙΔΟΥ, . . (1998). Η ΕΠΙΔΡΑΣΗ ΤΟΥ ΔΑΝΤΗ ΣΤΗ ΝΕΟΕΛΛΗΝΙΚΗ ΛΟΓΟΤΕΧΝΙΑ. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/10499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

ΣΓΟΥΡΙΔΟΥ, ΜΑΡΙΑ. “Η ΕΠΙΔΡΑΣΗ ΤΟΥ ΔΑΝΤΗ ΣΤΗ ΝΕΟΕΛΛΗΝΙΚΗ ΛΟΓΟΤΕΧΝΙΑ.” 1998. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed October 23, 2019. http://hdl.handle.net/10442/hedi/10499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

ΣΓΟΥΡΙΔΟΥ, ΜΑΡΙΑ. “Η ΕΠΙΔΡΑΣΗ ΤΟΥ ΔΑΝΤΗ ΣΤΗ ΝΕΟΕΛΛΗΝΙΚΗ ΛΟΓΟΤΕΧΝΙΑ.” 1998. Web. 23 Oct 2019.

Vancouver:

ΣΓΟΥΡΙΔΟΥ . Η ΕΠΙΔΡΑΣΗ ΤΟΥ ΔΑΝΤΗ ΣΤΗ ΝΕΟΕΛΛΗΝΙΚΗ ΛΟΓΟΤΕΧΝΙΑ. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 1998. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10442/hedi/10499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

ΣΓΟΥΡΙΔΟΥ . Η ΕΠΙΔΡΑΣΗ ΤΟΥ ΔΑΝΤΗ ΣΤΗ ΝΕΟΕΛΛΗΝΙΚΗ ΛΟΓΟΤΕΧΝΙΑ. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 1998. Available from: http://hdl.handle.net/10442/hedi/10499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

17. MACRI', GABRIELLA. Η ΠΑΡΟΥΣΙΑ ΤΗΣ ΙΤΑΛΙΚΗΣ ΠΟΙΗΣΗΣ ΣΤΟ ΕΡΓΟ ΤΟΥ ΓΙΩΡΓΟΥ ΣΑΡΑΝΤΑΡΗ.

Degree: 1999, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

 ΣΚΟΠΟΣ ΤΗΣ ΠΑΡΟΥΣΑΣ ΕΡΓΑΣΙΑΣ ΕΙΝΑΙ ΝΑ ΔΙΕΡΕΥΝΗΘΕΙ Η ΠΑΡΟΥΣΙΑ ΤΗΣ ΙΤΑΛΙΚΗΣ ΛΟΓΟΤΕΧΝΙΑΣ ΣΤΟ ΠΟΙΗΤΙΚΟ ΕΡΓΟ ΤΟΥ ΓΙΩΡΓΟΥ ΣΑΡΑΝΤΑΡΗ . ΣΕ ΠΡΟΚΑΤΑΡΚΤΙΚΗ ΦΑΣΗ ΑΥΤΗΣ ΤΗΣ ΕΡΕΥΝΑΣ… (more)

Subjects/Keywords: Αναφορά; Διακειμενικότητα; Έργο; Θέμα; Ορός; Ποίηση; ΣΤΙΧΟΥΡΓΙΑ; Σύγκριση; COMPARAZIONE; INTERTESTUALITA'; Opera; Poesia; RIFERIMENTO; TERMINE; THEMATICA; VERSIFICAZIONE

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

MACRI', G. (1999). Η ΠΑΡΟΥΣΙΑ ΤΗΣ ΙΤΑΛΙΚΗΣ ΠΟΙΗΣΗΣ ΣΤΟ ΕΡΓΟ ΤΟΥ ΓΙΩΡΓΟΥ ΣΑΡΑΝΤΑΡΗ. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/10513

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

MACRI', GABRIELLA. “Η ΠΑΡΟΥΣΙΑ ΤΗΣ ΙΤΑΛΙΚΗΣ ΠΟΙΗΣΗΣ ΣΤΟ ΕΡΓΟ ΤΟΥ ΓΙΩΡΓΟΥ ΣΑΡΑΝΤΑΡΗ.” 1999. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed October 23, 2019. http://hdl.handle.net/10442/hedi/10513.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

MACRI', GABRIELLA. “Η ΠΑΡΟΥΣΙΑ ΤΗΣ ΙΤΑΛΙΚΗΣ ΠΟΙΗΣΗΣ ΣΤΟ ΕΡΓΟ ΤΟΥ ΓΙΩΡΓΟΥ ΣΑΡΑΝΤΑΡΗ.” 1999. Web. 23 Oct 2019.

Vancouver:

MACRI' G. Η ΠΑΡΟΥΣΙΑ ΤΗΣ ΙΤΑΛΙΚΗΣ ΠΟΙΗΣΗΣ ΣΤΟ ΕΡΓΟ ΤΟΥ ΓΙΩΡΓΟΥ ΣΑΡΑΝΤΑΡΗ. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 1999. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10442/hedi/10513.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MACRI' G. Η ΠΑΡΟΥΣΙΑ ΤΗΣ ΙΤΑΛΙΚΗΣ ΠΟΙΗΣΗΣ ΣΤΟ ΕΡΓΟ ΤΟΥ ΓΙΩΡΓΟΥ ΣΑΡΑΝΤΑΡΗ. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 1999. Available from: http://hdl.handle.net/10442/hedi/10513

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Hong Kong

18. Lam, Fung-shan. A study of Cantonese opera scripts of the 1920s and1930s.

Degree: M. Phil., 1997, University of Hong Kong

published_or_final_version

Chinese

Master

Master of Philosophy

Subjects/Keywords: Opera - Librettos - Social aspects - China - Guangzhou.; Operas, Chinese - China - Guangzhou Shi - History and criticism.

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APA (6th Edition):

Lam, F. (1997). A study of Cantonese opera scripts of the 1920s and1930s. (Masters Thesis). University of Hong Kong. Retrieved from Lam, F. [林鳳珊]. (1997). A study of Cantonese opera scripts of the 1920s and 1930s = Er, san shi nian dai yue ju ju ben yan jiu. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3121545 ; http://dx.doi.org/10.5353/th_b3121545 ; http://hdl.handle.net/10722/33237

Chicago Manual of Style (16th Edition):

Lam, Fung-shan. “A study of Cantonese opera scripts of the 1920s and1930s.” 1997. Masters Thesis, University of Hong Kong. Accessed October 23, 2019. Lam, F. [林鳳珊]. (1997). A study of Cantonese opera scripts of the 1920s and 1930s = Er, san shi nian dai yue ju ju ben yan jiu. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3121545 ; http://dx.doi.org/10.5353/th_b3121545 ; http://hdl.handle.net/10722/33237.

MLA Handbook (7th Edition):

Lam, Fung-shan. “A study of Cantonese opera scripts of the 1920s and1930s.” 1997. Web. 23 Oct 2019.

Vancouver:

Lam F. A study of Cantonese opera scripts of the 1920s and1930s. [Internet] [Masters thesis]. University of Hong Kong; 1997. [cited 2019 Oct 23]. Available from: Lam, F. [林鳳珊]. (1997). A study of Cantonese opera scripts of the 1920s and 1930s = Er, san shi nian dai yue ju ju ben yan jiu. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3121545 ; http://dx.doi.org/10.5353/th_b3121545 ; http://hdl.handle.net/10722/33237.

Council of Science Editors:

Lam F. A study of Cantonese opera scripts of the 1920s and1930s. [Masters Thesis]. University of Hong Kong; 1997. Available from: Lam, F. [林鳳珊]. (1997). A study of Cantonese opera scripts of the 1920s and 1930s = Er, san shi nian dai yue ju ju ben yan jiu. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b3121545 ; http://dx.doi.org/10.5353/th_b3121545 ; http://hdl.handle.net/10722/33237


Universitat de Barcelona

19. Radigales, Jaume, 1969-. Representacions operístiques a Barcelona (1837-1852).

Degree: Departament d'Història de l'Art, 1998, Universitat de Barcelona

 Desde la desamortización de conventos a partir de 1835, la ciudad de Barcelona vivió una ingente eclosión teatral a partir de los edificios religiosos convertidos… (more)

Subjects/Keywords: Òpera; Ópera; Opera; Barcelona (Catalunya); Barcelona (Cataluña); Barcelona (Catalonia); 1837-1852; Ciències Humanes i Socials; 78

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APA (6th Edition):

Radigales, Jaume, 1. (1998). Representacions operístiques a Barcelona (1837-1852). (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/666068

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Radigales, Jaume, 1969-. “Representacions operístiques a Barcelona (1837-1852).” 1998. Thesis, Universitat de Barcelona. Accessed October 23, 2019. http://hdl.handle.net/10803/666068.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Radigales, Jaume, 1969-. “Representacions operístiques a Barcelona (1837-1852).” 1998. Web. 23 Oct 2019.

Vancouver:

Radigales, Jaume 1. Representacions operístiques a Barcelona (1837-1852). [Internet] [Thesis]. Universitat de Barcelona; 1998. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10803/666068.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Radigales, Jaume 1. Representacions operístiques a Barcelona (1837-1852). [Thesis]. Universitat de Barcelona; 1998. Available from: http://hdl.handle.net/10803/666068

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Freie Universität Berlin

20. Cercelovic, Sabrina. Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism.

Degree: 1999, Freie Universität Berlin

 Although the subject of time is a very important aspect of impressionistic art, the complexity of this subject is ignored by most of the authors… (more)

Subjects/Keywords: Paul Cezanne; aspects of time; opera; impressionism;

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APA (6th Edition):

Cercelovic, S. (1999). Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism. (Thesis). Freie Universität Berlin. Retrieved from http://dx.doi.org/10.17169/refubium-12520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cercelovic, Sabrina. “Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism.” 1999. Thesis, Freie Universität Berlin. Accessed October 23, 2019. http://dx.doi.org/10.17169/refubium-12520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cercelovic, Sabrina. “Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism.” 1999. Web. 23 Oct 2019.

Vancouver:

Cercelovic S. Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism. [Internet] [Thesis]. Freie Universität Berlin; 1999. [cited 2019 Oct 23]. Available from: http://dx.doi.org/10.17169/refubium-12520.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cercelovic S. Aspects of time in the art of Paul Cezanne and his contemporaries. An analysis of the representation and illusion of time in the art of French Impressionism. [Thesis]. Freie Universität Berlin; 1999. Available from: http://dx.doi.org/10.17169/refubium-12520

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Michigan State University

21. Foster, Dina Grundemann. Manon Lescaut and her representation in nineteenth-century literature, criticism and opera.

Degree: PhD, Department of Romance and Classical Languages, 1998, Michigan State University

Subjects/Keywords: Prévost, abbé, 1697-1763 – History and criticism; Manon Lescaut; Women in literature; Women in opera

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Foster, D. G. (1998). Manon Lescaut and her representation in nineteenth-century literature, criticism and opera. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:27320

Chicago Manual of Style (16th Edition):

Foster, Dina Grundemann. “Manon Lescaut and her representation in nineteenth-century literature, criticism and opera.” 1998. Doctoral Dissertation, Michigan State University. Accessed October 23, 2019. http://etd.lib.msu.edu/islandora/object/etd:27320.

MLA Handbook (7th Edition):

Foster, Dina Grundemann. “Manon Lescaut and her representation in nineteenth-century literature, criticism and opera.” 1998. Web. 23 Oct 2019.

Vancouver:

Foster DG. Manon Lescaut and her representation in nineteenth-century literature, criticism and opera. [Internet] [Doctoral dissertation]. Michigan State University; 1998. [cited 2019 Oct 23]. Available from: http://etd.lib.msu.edu/islandora/object/etd:27320.

Council of Science Editors:

Foster DG. Manon Lescaut and her representation in nineteenth-century literature, criticism and opera. [Doctoral Dissertation]. Michigan State University; 1998. Available from: http://etd.lib.msu.edu/islandora/object/etd:27320

.