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Level: thesis

You searched for subject:(opera). Showing records 1 – 11 of 11 total matches.

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University of Tennessee – Knoxville

1. Whiteman, Megan Lynne. Mothers Who Live: Gender Subversion and Resilience in Leoš Janáček’s <i>Jenůfa</i>.

Degree: MM, Music, 2017, University of Tennessee – Knoxville

  Leoš Janáček’s opera Jenůfa, which premiered in 1904, takes place in a secluded Moravian village and details the story of two women, Jenůfa and… (more)

Subjects/Keywords: Leos Janacek; opera; women in opera; czech nationalism; czech opera; gabriela preissova; Musicology

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APA (6th Edition):

Whiteman, M. L. (2017). Mothers Who Live: Gender Subversion and Resilience in Leoš Janáček’s <i>Jenůfa</i>. (Thesis). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_gradthes/4912

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Whiteman, Megan Lynne. “Mothers Who Live: Gender Subversion and Resilience in Leoš Janáček’s <i>Jenůfa</i>.” 2017. Thesis, University of Tennessee – Knoxville. Accessed October 23, 2019. https://trace.tennessee.edu/utk_gradthes/4912.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Whiteman, Megan Lynne. “Mothers Who Live: Gender Subversion and Resilience in Leoš Janáček’s <i>Jenůfa</i>.” 2017. Web. 23 Oct 2019.

Vancouver:

Whiteman ML. Mothers Who Live: Gender Subversion and Resilience in Leoš Janáček’s <i>Jenůfa</i>. [Internet] [Thesis]. University of Tennessee – Knoxville; 2017. [cited 2019 Oct 23]. Available from: https://trace.tennessee.edu/utk_gradthes/4912.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Whiteman ML. Mothers Who Live: Gender Subversion and Resilience in Leoš Janáček’s <i>Jenůfa</i>. [Thesis]. University of Tennessee – Knoxville; 2017. Available from: https://trace.tennessee.edu/utk_gradthes/4912

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Stephenson, Emily L. If There's No "Fat Lady," When is the Opera Over?: An Exploration of Changing Physical Image Standards in Present-Day Opera.

Degree: MA, Music, 2012, U of Denver

  Though present-day American society generally assumes opera is one of the few remaining entertainment fields where talent matters more than physical appearance, as the… (more)

Subjects/Keywords: ethnography; image; music; opera

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APA (6th Edition):

Stephenson, E. L. (2012). If There's No "Fat Lady," When is the Opera Over?: An Exploration of Changing Physical Image Standards in Present-Day Opera. (Thesis). U of Denver. Retrieved from https://digitalcommons.du.edu/etd/627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stephenson, Emily L. “If There's No "Fat Lady," When is the Opera Over?: An Exploration of Changing Physical Image Standards in Present-Day Opera.” 2012. Thesis, U of Denver. Accessed October 23, 2019. https://digitalcommons.du.edu/etd/627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stephenson, Emily L. “If There's No "Fat Lady," When is the Opera Over?: An Exploration of Changing Physical Image Standards in Present-Day Opera.” 2012. Web. 23 Oct 2019.

Vancouver:

Stephenson EL. If There's No "Fat Lady," When is the Opera Over?: An Exploration of Changing Physical Image Standards in Present-Day Opera. [Internet] [Thesis]. U of Denver; 2012. [cited 2019 Oct 23]. Available from: https://digitalcommons.du.edu/etd/627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stephenson EL. If There's No "Fat Lady," When is the Opera Over?: An Exploration of Changing Physical Image Standards in Present-Day Opera. [Thesis]. U of Denver; 2012. Available from: https://digitalcommons.du.edu/etd/627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

3. Prendergast, Ryan Michael. A hero's work of peace: Richard Strauss's Friedenstag.

Degree: M.Mus., Music, 2015, University of Illinois – Urbana-Champaign

 Richard Strauss’s one-act opera FRIEDENSTAG (DAY OF PEACE) has received staunch criticism regarding its overt militaristic content and compositional merits. The opera is one of… (more)

Subjects/Keywords: Strauss, Richard; Friedenstag; opera; Third Reich; burlesque

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APA (6th Edition):

Prendergast, R. M. (2015). A hero's work of peace: Richard Strauss's Friedenstag. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/78675

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Prendergast, Ryan Michael. “A hero's work of peace: Richard Strauss's Friedenstag.” 2015. Thesis, University of Illinois – Urbana-Champaign. Accessed October 23, 2019. http://hdl.handle.net/2142/78675.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Prendergast, Ryan Michael. “A hero's work of peace: Richard Strauss's Friedenstag.” 2015. Web. 23 Oct 2019.

Vancouver:

Prendergast RM. A hero's work of peace: Richard Strauss's Friedenstag. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2015. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/2142/78675.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Prendergast RM. A hero's work of peace: Richard Strauss's Friedenstag. [Thesis]. University of Illinois – Urbana-Champaign; 2015. Available from: http://hdl.handle.net/2142/78675

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida International University

4. Mansilla, Juan F. Voces - Drama in One Act.

Degree: MM, Music, 2017, Florida International University

  This thesis consists of a chamber-staged composition for soprano, baritone, modified Pierrot ensemble (flute, clarinet, piano, violin, viola and cello), Colombian tiple, and fixed… (more)

Subjects/Keywords: music; composition; chamber; opera; drama; one act; chamber opera; Arts and Humanities; Music

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APA (6th Edition):

Mansilla, J. F. (2017). Voces - Drama in One Act. (Thesis). Florida International University. Retrieved from http://digitalcommons.fiu.edu/etd/3274 ; 10.25148/etd.FIDC001768 ; FIDC001768

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mansilla, Juan F. “Voces - Drama in One Act.” 2017. Thesis, Florida International University. Accessed October 23, 2019. http://digitalcommons.fiu.edu/etd/3274 ; 10.25148/etd.FIDC001768 ; FIDC001768.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mansilla, Juan F. “Voces - Drama in One Act.” 2017. Web. 23 Oct 2019.

Vancouver:

Mansilla JF. Voces - Drama in One Act. [Internet] [Thesis]. Florida International University; 2017. [cited 2019 Oct 23]. Available from: http://digitalcommons.fiu.edu/etd/3274 ; 10.25148/etd.FIDC001768 ; FIDC001768.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mansilla JF. Voces - Drama in One Act. [Thesis]. Florida International University; 2017. Available from: http://digitalcommons.fiu.edu/etd/3274 ; 10.25148/etd.FIDC001768 ; FIDC001768

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida International University

5. Nolan, Shanna. Extended Program Notes for Thesis Voice Recital.

Degree: MM, Music, 2012, Florida International University

  This thesis presents extended program notes for a sixty-minute vocal graduate recital consisting of the following repertoire for soprano: “How Beautiful are the Feet… (more)

Subjects/Keywords: Mozart; opera; soprano; Handel; Berlioz; Swedish; art; song; French; Messiah

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APA (6th Edition):

Nolan, S. (2012). Extended Program Notes for Thesis Voice Recital. (Thesis). Florida International University. Retrieved from http://digitalcommons.fiu.edu/etd/646 ; 10.25148/etd.FI12050212 ; FI12050212

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nolan, Shanna. “Extended Program Notes for Thesis Voice Recital.” 2012. Thesis, Florida International University. Accessed October 23, 2019. http://digitalcommons.fiu.edu/etd/646 ; 10.25148/etd.FI12050212 ; FI12050212.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nolan, Shanna. “Extended Program Notes for Thesis Voice Recital.” 2012. Web. 23 Oct 2019.

Vancouver:

Nolan S. Extended Program Notes for Thesis Voice Recital. [Internet] [Thesis]. Florida International University; 2012. [cited 2019 Oct 23]. Available from: http://digitalcommons.fiu.edu/etd/646 ; 10.25148/etd.FI12050212 ; FI12050212.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nolan S. Extended Program Notes for Thesis Voice Recital. [Thesis]. Florida International University; 2012. Available from: http://digitalcommons.fiu.edu/etd/646 ; 10.25148/etd.FI12050212 ; FI12050212

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Wisconsin – Milwaukee

6. Nielson, Brittany Anne. Winifred Wagner: Breaking Tradition at Bayreuth.

Degree: MM, Music, 2015, University of Wisconsin – Milwaukee

  Winifred (née Williams) Wagner (1897-1980) is notorious in history for her relationship with Adolf Hitler. Winifred married Siegfried, Richard Wagner's son, in 1915 and… (more)

Subjects/Keywords: Adolf Hiter; Bayreuth; Opera Reform; Parsifal; Richard Wagner; Winifred Wagner; Music

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APA (6th Edition):

Nielson, B. A. (2015). Winifred Wagner: Breaking Tradition at Bayreuth. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/825

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nielson, Brittany Anne. “Winifred Wagner: Breaking Tradition at Bayreuth.” 2015. Thesis, University of Wisconsin – Milwaukee. Accessed October 23, 2019. https://dc.uwm.edu/etd/825.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nielson, Brittany Anne. “Winifred Wagner: Breaking Tradition at Bayreuth.” 2015. Web. 23 Oct 2019.

Vancouver:

Nielson BA. Winifred Wagner: Breaking Tradition at Bayreuth. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2015. [cited 2019 Oct 23]. Available from: https://dc.uwm.edu/etd/825.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nielson BA. Winifred Wagner: Breaking Tradition at Bayreuth. [Thesis]. University of Wisconsin – Milwaukee; 2015. Available from: https://dc.uwm.edu/etd/825

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Iwamoto, Tabita C. Trouser Roles - The development of the role in opera from the seventeenth to twentieth century.

Degree: MMu, Music, 2012, Georgia State University

  This document presents the development trouser role. The first part is concentrated in the seventeenth century when the use of castrati was the main… (more)

Subjects/Keywords: Opera; Castrati; Women in opera; Trouser role; Breeches role

…1 2 HISTORICAL OPERA DEVELOPMENT OF THE CIRCUMCISION PRACTICE AND WOMEN IN OPERA… …4 2.1.2 Opera for the Castrati… …7 2.2 Women in Opera… …9 3 DEVELOPMENT OF THE TROUSER ROLE IN OPERA… …40 vii 5 LIST OF TROUSER ROLES IN OPERA… 

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APA (6th Edition):

Iwamoto, T. C. (2012). Trouser Roles - The development of the role in opera from the seventeenth to twentieth century. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/music_theses/3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Iwamoto, Tabita C. “Trouser Roles - The development of the role in opera from the seventeenth to twentieth century.” 2012. Thesis, Georgia State University. Accessed October 23, 2019. https://scholarworks.gsu.edu/music_theses/3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Iwamoto, Tabita C. “Trouser Roles - The development of the role in opera from the seventeenth to twentieth century.” 2012. Web. 23 Oct 2019.

Vancouver:

Iwamoto TC. Trouser Roles - The development of the role in opera from the seventeenth to twentieth century. [Internet] [Thesis]. Georgia State University; 2012. [cited 2019 Oct 23]. Available from: https://scholarworks.gsu.edu/music_theses/3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Iwamoto TC. Trouser Roles - The development of the role in opera from the seventeenth to twentieth century. [Thesis]. Georgia State University; 2012. Available from: https://scholarworks.gsu.edu/music_theses/3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


SUNY College at Brockport

8. Oakes, Jane E. Opera Houses of the Genesee Country: Perceived Indicators of Economic and Cultural Success.

Degree: MA, History, 2003, SUNY College at Brockport

  During the half-century following the end of the Civil War, over fifty opera houses were built across the Genesee Country of New York State-… (more)

Subjects/Keywords: western NY; opera houses; economics; cultural history; American Popular Culture; History

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APA (6th Edition):

Oakes, J. E. (2003). Opera Houses of the Genesee Country: Perceived Indicators of Economic and Cultural Success. (Thesis). SUNY College at Brockport. Retrieved from https://digitalcommons.brockport.edu/hst_theses/25

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oakes, Jane E. “Opera Houses of the Genesee Country: Perceived Indicators of Economic and Cultural Success.” 2003. Thesis, SUNY College at Brockport. Accessed October 23, 2019. https://digitalcommons.brockport.edu/hst_theses/25.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oakes, Jane E. “Opera Houses of the Genesee Country: Perceived Indicators of Economic and Cultural Success.” 2003. Web. 23 Oct 2019.

Vancouver:

Oakes JE. Opera Houses of the Genesee Country: Perceived Indicators of Economic and Cultural Success. [Internet] [Thesis]. SUNY College at Brockport; 2003. [cited 2019 Oct 23]. Available from: https://digitalcommons.brockport.edu/hst_theses/25.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oakes JE. Opera Houses of the Genesee Country: Perceived Indicators of Economic and Cultural Success. [Thesis]. SUNY College at Brockport; 2003. Available from: https://digitalcommons.brockport.edu/hst_theses/25

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tennessee – Knoxville

9. Mitchell, Tyler Cole. Unmasking Wagner's Grail: Homoeroticism, Androgyny, and Anxiety in <i>Parsifal</i>.

Degree: MM, Music, 2014, University of Tennessee – Knoxville

  Most readings of Wagner’s final music drama Parsifal seek to illumine a clandestine presentation of Wagner’s racist doctrine or make sense of a less-shrouded… (more)

Subjects/Keywords: Wagner; Gender; Sexuality; Opera; Anti-Semitism; Parsifal; German Literature; Lesbian, Gay, Bisexual, and Transgender Studies; Musicology; Other Feminist, Gender, and Sexuality Studies

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APA (6th Edition):

Mitchell, T. C. (2014). Unmasking Wagner's Grail: Homoeroticism, Androgyny, and Anxiety in <i>Parsifal</i>. (Thesis). University of Tennessee – Knoxville. Retrieved from https://trace.tennessee.edu/utk_gradthes/2834

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mitchell, Tyler Cole. “Unmasking Wagner's Grail: Homoeroticism, Androgyny, and Anxiety in <i>Parsifal</i>.” 2014. Thesis, University of Tennessee – Knoxville. Accessed October 23, 2019. https://trace.tennessee.edu/utk_gradthes/2834.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mitchell, Tyler Cole. “Unmasking Wagner's Grail: Homoeroticism, Androgyny, and Anxiety in <i>Parsifal</i>.” 2014. Web. 23 Oct 2019.

Vancouver:

Mitchell TC. Unmasking Wagner's Grail: Homoeroticism, Androgyny, and Anxiety in <i>Parsifal</i>. [Internet] [Thesis]. University of Tennessee – Knoxville; 2014. [cited 2019 Oct 23]. Available from: https://trace.tennessee.edu/utk_gradthes/2834.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mitchell TC. Unmasking Wagner's Grail: Homoeroticism, Androgyny, and Anxiety in <i>Parsifal</i>. [Thesis]. University of Tennessee – Knoxville; 2014. Available from: https://trace.tennessee.edu/utk_gradthes/2834

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

10. Dennis, Daniel C. Sing Together! Choral Singing as a Supplementary Training Method for Actors.

Degree: MFA, Theatre, 2008, Virginia Commonwealth University

 Voice and speech training for the actor has traditionally defined itself as distinct from the vocal training of the musical theatre or opera singer. The… (more)

Subjects/Keywords: voice and speech; Patsy Rodenburg; singing; acting; theatre; opera; musical theatre; breath; eurhythmics; Shakespeare; Arts and Humanities; Theatre and Performance Studies

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APA (6th Edition):

Dennis, D. C. (2008). Sing Together! Choral Singing as a Supplementary Training Method for Actors. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/1163

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dennis, Daniel C. “Sing Together! Choral Singing as a Supplementary Training Method for Actors.” 2008. Thesis, Virginia Commonwealth University. Accessed October 23, 2019. https://scholarscompass.vcu.edu/etd/1163.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dennis, Daniel C. “Sing Together! Choral Singing as a Supplementary Training Method for Actors.” 2008. Web. 23 Oct 2019.

Vancouver:

Dennis DC. Sing Together! Choral Singing as a Supplementary Training Method for Actors. [Internet] [Thesis]. Virginia Commonwealth University; 2008. [cited 2019 Oct 23]. Available from: https://scholarscompass.vcu.edu/etd/1163.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dennis DC. Sing Together! Choral Singing as a Supplementary Training Method for Actors. [Thesis]. Virginia Commonwealth University; 2008. Available from: https://scholarscompass.vcu.edu/etd/1163

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Pakrasi, Ishaan Lyngdoh. Towards expressive mobile robots.

Degree: MS, Mechanical Engineering, 2018, University of Illinois – Urbana-Champaign

 Given the increase in robotic systems for the household, it is imperative to design the expressive modes of these systems, that in turn engender likability,… (more)

Subjects/Keywords: Robotics; In-home Robots; social robotics; irobot create; parrot bebop; robot dance; dancing robot; robot opera; robots in performance; robots and art; ishaan pakrasi; robotic art.

…32 . . 33 . . 36 . . 37 . . 38 6.1 6.2 The characters used in the Robot Opera… …39 Poster used to advertise the Robot Opera (Wali Rizvi) . . . . 42 7.1 The… …recognizable character archetypes. In Chapter 6, we present the Robot Opera, a manifestation of this… 

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APA (6th Edition):

Pakrasi, I. L. (2018). Towards expressive mobile robots. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/101627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pakrasi, Ishaan Lyngdoh. “Towards expressive mobile robots.” 2018. Thesis, University of Illinois – Urbana-Champaign. Accessed October 23, 2019. http://hdl.handle.net/2142/101627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pakrasi, Ishaan Lyngdoh. “Towards expressive mobile robots.” 2018. Web. 23 Oct 2019.

Vancouver:

Pakrasi IL. Towards expressive mobile robots. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2018. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/2142/101627.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pakrasi IL. Towards expressive mobile robots. [Thesis]. University of Illinois – Urbana-Champaign; 2018. Available from: http://hdl.handle.net/2142/101627

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.