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Level: doctoral

You searched for subject:(opera). Showing records 1 – 30 of 294 total matches.

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University of Georgia

1. Skaggs, Carmen Trammell. Reverberating voices and spaces: overtones of opera from Whitman to Wharton.

Degree: PhD, English, 2006, University of Georgia

 By using the lens of opera to consider a broad range of American literature, this study seeks to escape from the boundaries of ordinary literary… (more)

Subjects/Keywords: opera

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APA (6th Edition):

Skaggs, C. T. (2006). Reverberating voices and spaces: overtones of opera from Whitman to Wharton. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/skaggs_carmen_t_200608_phd

Chicago Manual of Style (16th Edition):

Skaggs, Carmen Trammell. “Reverberating voices and spaces: overtones of opera from Whitman to Wharton.” 2006. Doctoral Dissertation, University of Georgia. Accessed October 14, 2019. http://purl.galileo.usg.edu/uga_etd/skaggs_carmen_t_200608_phd.

MLA Handbook (7th Edition):

Skaggs, Carmen Trammell. “Reverberating voices and spaces: overtones of opera from Whitman to Wharton.” 2006. Web. 14 Oct 2019.

Vancouver:

Skaggs CT. Reverberating voices and spaces: overtones of opera from Whitman to Wharton. [Internet] [Doctoral dissertation]. University of Georgia; 2006. [cited 2019 Oct 14]. Available from: http://purl.galileo.usg.edu/uga_etd/skaggs_carmen_t_200608_phd.

Council of Science Editors:

Skaggs CT. Reverberating voices and spaces: overtones of opera from Whitman to Wharton. [Doctoral Dissertation]. University of Georgia; 2006. Available from: http://purl.galileo.usg.edu/uga_etd/skaggs_carmen_t_200608_phd


University of Edinburgh

2. Tonia, Evangelia. Portfolio of compositions.

Degree: 2012, University of Edinburgh

Subjects/Keywords: opera

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APA (6th Edition):

Tonia, E. (2012). Portfolio of compositions. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/8304

Chicago Manual of Style (16th Edition):

Tonia, Evangelia. “Portfolio of compositions.” 2012. Doctoral Dissertation, University of Edinburgh. Accessed October 14, 2019. http://hdl.handle.net/1842/8304.

MLA Handbook (7th Edition):

Tonia, Evangelia. “Portfolio of compositions.” 2012. Web. 14 Oct 2019.

Vancouver:

Tonia E. Portfolio of compositions. [Internet] [Doctoral dissertation]. University of Edinburgh; 2012. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/1842/8304.

Council of Science Editors:

Tonia E. Portfolio of compositions. [Doctoral Dissertation]. University of Edinburgh; 2012. Available from: http://hdl.handle.net/1842/8304


Universitat de Valencia

3. Seguí Cosme, Maria José. La ópera en Valencia: 1982-2015. Análisis de las principales estructuras, organismos, unidades artísticas y protagonistas implicados.

Degree: 2015, Universitat de Valencia

 La ópera es una manifestación cultural en la que confluyen la música, el canto, la poesía, las artes plásticas y, en ocasiones, la danza, y… (more)

Subjects/Keywords: Opera; Valencia

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APA (6th Edition):

Seguí Cosme, M. J. (2015). La ópera en Valencia: 1982-2015. Análisis de las principales estructuras, organismos, unidades artísticas y protagonistas implicados. (Doctoral Dissertation). Universitat de Valencia. Retrieved from http://hdl.handle.net/10550/51520

Chicago Manual of Style (16th Edition):

Seguí Cosme, Maria José. “La ópera en Valencia: 1982-2015. Análisis de las principales estructuras, organismos, unidades artísticas y protagonistas implicados. ” 2015. Doctoral Dissertation, Universitat de Valencia. Accessed October 14, 2019. http://hdl.handle.net/10550/51520.

MLA Handbook (7th Edition):

Seguí Cosme, Maria José. “La ópera en Valencia: 1982-2015. Análisis de las principales estructuras, organismos, unidades artísticas y protagonistas implicados. ” 2015. Web. 14 Oct 2019.

Vancouver:

Seguí Cosme MJ. La ópera en Valencia: 1982-2015. Análisis de las principales estructuras, organismos, unidades artísticas y protagonistas implicados. [Internet] [Doctoral dissertation]. Universitat de Valencia; 2015. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10550/51520.

Council of Science Editors:

Seguí Cosme MJ. La ópera en Valencia: 1982-2015. Análisis de las principales estructuras, organismos, unidades artísticas y protagonistas implicados. [Doctoral Dissertation]. Universitat de Valencia; 2015. Available from: http://hdl.handle.net/10550/51520


Brunel University

4. Brignall, Oliver. Wonder, grain, silence and notation : commentary on a portfolio of compositions.

Degree: PhD, 2018, Brunel University

 This thesis includes a portfolio of written compositions and a written commentary. The compositions submitted present the development of a bespoke notation that reflects a… (more)

Subjects/Keywords: Contemporary opera

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APA (6th Edition):

Brignall, O. (2018). Wonder, grain, silence and notation : commentary on a portfolio of compositions. (Doctoral Dissertation). Brunel University. Retrieved from http://bura.brunel.ac.uk/handle/2438/17593 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767711

Chicago Manual of Style (16th Edition):

Brignall, Oliver. “Wonder, grain, silence and notation : commentary on a portfolio of compositions.” 2018. Doctoral Dissertation, Brunel University. Accessed October 14, 2019. http://bura.brunel.ac.uk/handle/2438/17593 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767711.

MLA Handbook (7th Edition):

Brignall, Oliver. “Wonder, grain, silence and notation : commentary on a portfolio of compositions.” 2018. Web. 14 Oct 2019.

Vancouver:

Brignall O. Wonder, grain, silence and notation : commentary on a portfolio of compositions. [Internet] [Doctoral dissertation]. Brunel University; 2018. [cited 2019 Oct 14]. Available from: http://bura.brunel.ac.uk/handle/2438/17593 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767711.

Council of Science Editors:

Brignall O. Wonder, grain, silence and notation : commentary on a portfolio of compositions. [Doctoral Dissertation]. Brunel University; 2018. Available from: http://bura.brunel.ac.uk/handle/2438/17593 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.767711

5. Ronzani, Michela. "Melodramma," Market and Modernity: Opera in Late Nineteenth-Century Italy.

Degree: PhD, Italian Studies, 2015, Brown University

 Abstract of “MELODRAMMA,” MARKET AND MODERNITY: OPERA IN LATE NINETEENTH-CENTURY ITALY by MICHELA RONZANI, Ph.D., Brown University, May 2015. My dissertation “Melodramma,” Market, and Modernity:… (more)

Subjects/Keywords: Italian Opera

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APA (6th Edition):

Ronzani, M. (2015). "Melodramma," Market and Modernity: Opera in Late Nineteenth-Century Italy. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:419520/

Chicago Manual of Style (16th Edition):

Ronzani, Michela. “"Melodramma," Market and Modernity: Opera in Late Nineteenth-Century Italy.” 2015. Doctoral Dissertation, Brown University. Accessed October 14, 2019. https://repository.library.brown.edu/studio/item/bdr:419520/.

MLA Handbook (7th Edition):

Ronzani, Michela. “"Melodramma," Market and Modernity: Opera in Late Nineteenth-Century Italy.” 2015. Web. 14 Oct 2019.

Vancouver:

Ronzani M. "Melodramma," Market and Modernity: Opera in Late Nineteenth-Century Italy. [Internet] [Doctoral dissertation]. Brown University; 2015. [cited 2019 Oct 14]. Available from: https://repository.library.brown.edu/studio/item/bdr:419520/.

Council of Science Editors:

Ronzani M. "Melodramma," Market and Modernity: Opera in Late Nineteenth-Century Italy. [Doctoral Dissertation]. Brown University; 2015. Available from: https://repository.library.brown.edu/studio/item/bdr:419520/


University of New South Wales

6. Champion, Holly. Dramaturgical analysis of opera performance: four recent productions of Dido and Aeneas.

Degree: Arts and Media, 2016, University of New South Wales

 The scholarly analysis of the modern performance of opera is a rapidly expanding interdisciplinary field, yet so far this body of literature has consisted almost… (more)

Subjects/Keywords: Opera; Performance

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APA (6th Edition):

Champion, H. (2016). Dramaturgical analysis of opera performance: four recent productions of Dido and Aeneas. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/56739 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:41258/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Champion, Holly. “Dramaturgical analysis of opera performance: four recent productions of Dido and Aeneas.” 2016. Doctoral Dissertation, University of New South Wales. Accessed October 14, 2019. http://handle.unsw.edu.au/1959.4/56739 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:41258/SOURCE02?view=true.

MLA Handbook (7th Edition):

Champion, Holly. “Dramaturgical analysis of opera performance: four recent productions of Dido and Aeneas.” 2016. Web. 14 Oct 2019.

Vancouver:

Champion H. Dramaturgical analysis of opera performance: four recent productions of Dido and Aeneas. [Internet] [Doctoral dissertation]. University of New South Wales; 2016. [cited 2019 Oct 14]. Available from: http://handle.unsw.edu.au/1959.4/56739 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:41258/SOURCE02?view=true.

Council of Science Editors:

Champion H. Dramaturgical analysis of opera performance: four recent productions of Dido and Aeneas. [Doctoral Dissertation]. University of New South Wales; 2016. Available from: http://handle.unsw.edu.au/1959.4/56739 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:41258/SOURCE02?view=true

7. Castro-Ramirez, Luis Gustavo. Doctoral thesis recital (opera coaching).

Degree: DMA, Opera coaching, 2012, University of Texas – Austin

Madama Butterfly / Giacomo Puccini. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Opera

Page 1

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APA (6th Edition):

Castro-Ramirez, L. G. (2012). Doctoral thesis recital (opera coaching). (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23574

Chicago Manual of Style (16th Edition):

Castro-Ramirez, Luis Gustavo. “Doctoral thesis recital (opera coaching).” 2012. Doctoral Dissertation, University of Texas – Austin. Accessed October 14, 2019. http://hdl.handle.net/2152/23574.

MLA Handbook (7th Edition):

Castro-Ramirez, Luis Gustavo. “Doctoral thesis recital (opera coaching).” 2012. Web. 14 Oct 2019.

Vancouver:

Castro-Ramirez LG. Doctoral thesis recital (opera coaching). [Internet] [Doctoral dissertation]. University of Texas – Austin; 2012. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/2152/23574.

Council of Science Editors:

Castro-Ramirez LG. Doctoral thesis recital (opera coaching). [Doctoral Dissertation]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/23574


The Ohio State University

8. Lassowsky, Jaropolk. The dramatic function of poetic and musical forms in a Savoy opera prototype.

Degree: PhD, Graduate School, 1981, The Ohio State University

Subjects/Keywords: Music; Opera; Opera

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APA (6th Edition):

Lassowsky, J. (1981). The dramatic function of poetic and musical forms in a Savoy opera prototype. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487160321860202

Chicago Manual of Style (16th Edition):

Lassowsky, Jaropolk. “The dramatic function of poetic and musical forms in a Savoy opera prototype.” 1981. Doctoral Dissertation, The Ohio State University. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487160321860202.

MLA Handbook (7th Edition):

Lassowsky, Jaropolk. “The dramatic function of poetic and musical forms in a Savoy opera prototype.” 1981. Web. 14 Oct 2019.

Vancouver:

Lassowsky J. The dramatic function of poetic and musical forms in a Savoy opera prototype. [Internet] [Doctoral dissertation]. The Ohio State University; 1981. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487160321860202.

Council of Science Editors:

Lassowsky J. The dramatic function of poetic and musical forms in a Savoy opera prototype. [Doctoral Dissertation]. The Ohio State University; 1981. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487160321860202


University of Oxford

9. Camp, Gregory Louis. Monteverdi on the modern stage.

Degree: PhD, 2012, University of Oxford

 Over the past hundred years, the operas of Claudio Monteverdi have become iconic symbols of the early music movement and have entered the canon of… (more)

Subjects/Keywords: 782.1092; Opera; Performance; opera; Monteverdi; performance

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APA (6th Edition):

Camp, G. L. (2012). Monteverdi on the modern stage. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:0262dfba-c174-4e5b-bc91-12e7f5fb6e83 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.568224

Chicago Manual of Style (16th Edition):

Camp, Gregory Louis. “Monteverdi on the modern stage.” 2012. Doctoral Dissertation, University of Oxford. Accessed October 14, 2019. http://ora.ox.ac.uk/objects/uuid:0262dfba-c174-4e5b-bc91-12e7f5fb6e83 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.568224.

MLA Handbook (7th Edition):

Camp, Gregory Louis. “Monteverdi on the modern stage.” 2012. Web. 14 Oct 2019.

Vancouver:

Camp GL. Monteverdi on the modern stage. [Internet] [Doctoral dissertation]. University of Oxford; 2012. [cited 2019 Oct 14]. Available from: http://ora.ox.ac.uk/objects/uuid:0262dfba-c174-4e5b-bc91-12e7f5fb6e83 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.568224.

Council of Science Editors:

Camp GL. Monteverdi on the modern stage. [Doctoral Dissertation]. University of Oxford; 2012. Available from: http://ora.ox.ac.uk/objects/uuid:0262dfba-c174-4e5b-bc91-12e7f5fb6e83 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.568224


University of Cincinnati

10. TAYLOR, LARRY C. HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES.

Degree: DMA, College-Conservatory of Music : Organ, 2007, University of Cincinnati

 In the operas of the nineteenth and twentieth centuries, organ was never a standard instrument. Composers employed it only on an occasional basis in religious… (more)

Subjects/Keywords: Music; organ; opera

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APA (6th Edition):

TAYLOR, L. C. (2007). HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172617068

Chicago Manual of Style (16th Edition):

TAYLOR, LARRY C. “HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172617068.

MLA Handbook (7th Edition):

TAYLOR, LARRY C. “HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES.” 2007. Web. 14 Oct 2019.

Vancouver:

TAYLOR LC. HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172617068.

Council of Science Editors:

TAYLOR LC. HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172617068


University of Southern California

11. Adolphe, Julia. Three musical compositions: Sylia, Between the accidental, I felt a cleaving.

Degree: MM, Composition, 2012, University of Southern California

 Composition portfolio submitted for degree. Sylia: a chamber opera with words by the composer (2012), Between the accidental (1 movement) for string quartet (2010), I… (more)

Subjects/Keywords: opera; quartet; voice

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APA (6th Edition):

Adolphe, J. (2012). Three musical compositions: Sylia, Between the accidental, I felt a cleaving. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/40509/rec/7460

Chicago Manual of Style (16th Edition):

Adolphe, Julia. “Three musical compositions: Sylia, Between the accidental, I felt a cleaving.” 2012. Doctoral Dissertation, University of Southern California. Accessed October 14, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/40509/rec/7460.

MLA Handbook (7th Edition):

Adolphe, Julia. “Three musical compositions: Sylia, Between the accidental, I felt a cleaving.” 2012. Web. 14 Oct 2019.

Vancouver:

Adolphe J. Three musical compositions: Sylia, Between the accidental, I felt a cleaving. [Internet] [Doctoral dissertation]. University of Southern California; 2012. [cited 2019 Oct 14]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/40509/rec/7460.

Council of Science Editors:

Adolphe J. Three musical compositions: Sylia, Between the accidental, I felt a cleaving. [Doctoral Dissertation]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/40509/rec/7460


Princeton University

12. Bonner, Elise. Catherine the Great and the Rise of Comic Opera in Late Eighteenth-Century St. Petersburg .

Degree: PhD, 2017, Princeton University

 This dissertation investigates the rise of comic opera in St. Petersburg during the reign of Catherine II “the Great” from her coup d’état in 1762… (more)

Subjects/Keywords: Enlightenment; Opera; Russia

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APA (6th Edition):

Bonner, E. (2017). Catherine the Great and the Rise of Comic Opera in Late Eighteenth-Century St. Petersburg . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01q237hv45p

Chicago Manual of Style (16th Edition):

Bonner, Elise. “Catherine the Great and the Rise of Comic Opera in Late Eighteenth-Century St. Petersburg .” 2017. Doctoral Dissertation, Princeton University. Accessed October 14, 2019. http://arks.princeton.edu/ark:/88435/dsp01q237hv45p.

MLA Handbook (7th Edition):

Bonner, Elise. “Catherine the Great and the Rise of Comic Opera in Late Eighteenth-Century St. Petersburg .” 2017. Web. 14 Oct 2019.

Vancouver:

Bonner E. Catherine the Great and the Rise of Comic Opera in Late Eighteenth-Century St. Petersburg . [Internet] [Doctoral dissertation]. Princeton University; 2017. [cited 2019 Oct 14]. Available from: http://arks.princeton.edu/ark:/88435/dsp01q237hv45p.

Council of Science Editors:

Bonner E. Catherine the Great and the Rise of Comic Opera in Late Eighteenth-Century St. Petersburg . [Doctoral Dissertation]. Princeton University; 2017. Available from: http://arks.princeton.edu/ark:/88435/dsp01q237hv45p


Brunel University

13. Tafreshipour, Amir Mahyar. From virtuoso solo to ensemble opera.

Degree: PhD, 2016, Brunel University

 Writing for solo instruments today offers composers an option to create a framework that results from the psychoacoustic interaction of composer, listener and performer. The… (more)

Subjects/Keywords: 782.1; First Iranian contemporary chamber opera; Iranian contemporary composer; Opera and Iran; Hedayat and opera

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APA (6th Edition):

Tafreshipour, A. M. (2016). From virtuoso solo to ensemble opera. (Doctoral Dissertation). Brunel University. Retrieved from http://bura.brunel.ac.uk/handle/2438/13552 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.699290

Chicago Manual of Style (16th Edition):

Tafreshipour, Amir Mahyar. “From virtuoso solo to ensemble opera.” 2016. Doctoral Dissertation, Brunel University. Accessed October 14, 2019. http://bura.brunel.ac.uk/handle/2438/13552 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.699290.

MLA Handbook (7th Edition):

Tafreshipour, Amir Mahyar. “From virtuoso solo to ensemble opera.” 2016. Web. 14 Oct 2019.

Vancouver:

Tafreshipour AM. From virtuoso solo to ensemble opera. [Internet] [Doctoral dissertation]. Brunel University; 2016. [cited 2019 Oct 14]. Available from: http://bura.brunel.ac.uk/handle/2438/13552 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.699290.

Council of Science Editors:

Tafreshipour AM. From virtuoso solo to ensemble opera. [Doctoral Dissertation]. Brunel University; 2016. Available from: http://bura.brunel.ac.uk/handle/2438/13552 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.699290


The Ohio State University

14. Herrig, Robert Arthur. Opera reviews as theatrical criticism.

Degree: PhD, Graduate School, 1985, The Ohio State University

Subjects/Keywords: Theater; Opera

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APA (6th Edition):

Herrig, R. A. (1985). Opera reviews as theatrical criticism. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487260531955269

Chicago Manual of Style (16th Edition):

Herrig, Robert Arthur. “Opera reviews as theatrical criticism.” 1985. Doctoral Dissertation, The Ohio State University. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487260531955269.

MLA Handbook (7th Edition):

Herrig, Robert Arthur. “Opera reviews as theatrical criticism.” 1985. Web. 14 Oct 2019.

Vancouver:

Herrig RA. Opera reviews as theatrical criticism. [Internet] [Doctoral dissertation]. The Ohio State University; 1985. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487260531955269.

Council of Science Editors:

Herrig RA. Opera reviews as theatrical criticism. [Doctoral Dissertation]. The Ohio State University; 1985. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487260531955269


University of Georgia

15. Volk, David Paul. An analysis of A good man is hard to find, an original chamber opera in one-act based on the short story by Flannery O'Connor.

Degree: DMA, Music, 2004, University of Georgia

 The dissertation is in two parts. The first part is an original chamber opera in one act based on the short story A Good Man… (more)

Subjects/Keywords: Chamber Opera

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APA (6th Edition):

Volk, D. P. (2004). An analysis of A good man is hard to find, an original chamber opera in one-act based on the short story by Flannery O'Connor. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/volk_david_p_200412_dma

Chicago Manual of Style (16th Edition):

Volk, David Paul. “An analysis of A good man is hard to find, an original chamber opera in one-act based on the short story by Flannery O'Connor.” 2004. Doctoral Dissertation, University of Georgia. Accessed October 14, 2019. http://purl.galileo.usg.edu/uga_etd/volk_david_p_200412_dma.

MLA Handbook (7th Edition):

Volk, David Paul. “An analysis of A good man is hard to find, an original chamber opera in one-act based on the short story by Flannery O'Connor.” 2004. Web. 14 Oct 2019.

Vancouver:

Volk DP. An analysis of A good man is hard to find, an original chamber opera in one-act based on the short story by Flannery O'Connor. [Internet] [Doctoral dissertation]. University of Georgia; 2004. [cited 2019 Oct 14]. Available from: http://purl.galileo.usg.edu/uga_etd/volk_david_p_200412_dma.

Council of Science Editors:

Volk DP. An analysis of A good man is hard to find, an original chamber opera in one-act based on the short story by Flannery O'Connor. [Doctoral Dissertation]. University of Georgia; 2004. Available from: http://purl.galileo.usg.edu/uga_etd/volk_david_p_200412_dma


King's College London (University of London)

16. Sellors, Anthony Paul. Expressing a certainty : musical and poetic imagery in Dallapiccola's Ulisse.

Degree: 2001, King's College London (University of London)

Subjects/Keywords: 800; Opera

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APA (6th Edition):

Sellors, A. P. (2001). Expressing a certainty : musical and poetic imagery in Dallapiccola's Ulisse. (Doctoral Dissertation). King's College London (University of London). Retrieved from https://kclpure.kcl.ac.uk/portal/en/theses/expressing-a-certainty – musical-and-poetic-imagery-in-dallapiccolas-ulisse(6f642492-c9a4-49ca-9add-d844733c2f0f).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251782

Chicago Manual of Style (16th Edition):

Sellors, Anthony Paul. “Expressing a certainty : musical and poetic imagery in Dallapiccola's Ulisse.” 2001. Doctoral Dissertation, King's College London (University of London). Accessed October 14, 2019. https://kclpure.kcl.ac.uk/portal/en/theses/expressing-a-certainty – musical-and-poetic-imagery-in-dallapiccolas-ulisse(6f642492-c9a4-49ca-9add-d844733c2f0f).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251782.

MLA Handbook (7th Edition):

Sellors, Anthony Paul. “Expressing a certainty : musical and poetic imagery in Dallapiccola's Ulisse.” 2001. Web. 14 Oct 2019.

Vancouver:

Sellors AP. Expressing a certainty : musical and poetic imagery in Dallapiccola's Ulisse. [Internet] [Doctoral dissertation]. King's College London (University of London); 2001. [cited 2019 Oct 14]. Available from: https://kclpure.kcl.ac.uk/portal/en/theses/expressing-a-certainty – musical-and-poetic-imagery-in-dallapiccolas-ulisse(6f642492-c9a4-49ca-9add-d844733c2f0f).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251782.

Council of Science Editors:

Sellors AP. Expressing a certainty : musical and poetic imagery in Dallapiccola's Ulisse. [Doctoral Dissertation]. King's College London (University of London); 2001. Available from: https://kclpure.kcl.ac.uk/portal/en/theses/expressing-a-certainty – musical-and-poetic-imagery-in-dallapiccolas-ulisse(6f642492-c9a4-49ca-9add-d844733c2f0f).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251782


Louisiana State University

17. Cortello, David Paul. Julie, & Aaron Copland's Development of The Opening Idea Through Quartal Harmonies, Pitch Space, and Register in the first movement of his Third Symphony.

Degree: PhD, Music, 2013, Louisiana State University

 ABSTRACT The first part of this dissertation is an original opera, Julie, composed on a libretto by Julia Carey. The opera consists of a prologue,… (more)

Subjects/Keywords: Copland; Symphony; Opera; Julie

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APA (6th Edition):

Cortello, D. P. (2013). Julie, & Aaron Copland's Development of The Opening Idea Through Quartal Harmonies, Pitch Space, and Register in the first movement of his Third Symphony. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-04152013-092715 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2363

Chicago Manual of Style (16th Edition):

Cortello, David Paul. “Julie, & Aaron Copland's Development of The Opening Idea Through Quartal Harmonies, Pitch Space, and Register in the first movement of his Third Symphony.” 2013. Doctoral Dissertation, Louisiana State University. Accessed October 14, 2019. etd-04152013-092715 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2363.

MLA Handbook (7th Edition):

Cortello, David Paul. “Julie, & Aaron Copland's Development of The Opening Idea Through Quartal Harmonies, Pitch Space, and Register in the first movement of his Third Symphony.” 2013. Web. 14 Oct 2019.

Vancouver:

Cortello DP. Julie, & Aaron Copland's Development of The Opening Idea Through Quartal Harmonies, Pitch Space, and Register in the first movement of his Third Symphony. [Internet] [Doctoral dissertation]. Louisiana State University; 2013. [cited 2019 Oct 14]. Available from: etd-04152013-092715 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2363.

Council of Science Editors:

Cortello DP. Julie, & Aaron Copland's Development of The Opening Idea Through Quartal Harmonies, Pitch Space, and Register in the first movement of his Third Symphony. [Doctoral Dissertation]. Louisiana State University; 2013. Available from: etd-04152013-092715 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2363


University of Wollongong

18. Galea, Jeff. Wounding song: Integrating Maltese and Middle Eastern music into a western musical genre.

Degree: Doctor of Creative Arts - Research, Faculty of Creative Arts, 2012, University of Wollongong

  I am an Australian-born composer of Maltese heritage; my musical compositions are expressions that contain elements of my dual upbringing. Maltese folk music (ghana)… (more)

Subjects/Keywords: folk; ghana; makam; opera

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APA (6th Edition):

Galea, J. (2012). Wounding song: Integrating Maltese and Middle Eastern music into a western musical genre. (Doctoral Dissertation). University of Wollongong. Retrieved from 1904 PERFORMING ARTS AND CREATIVE WRITING ; https://ro.uow.edu.au/theses/3767

Chicago Manual of Style (16th Edition):

Galea, Jeff. “Wounding song: Integrating Maltese and Middle Eastern music into a western musical genre.” 2012. Doctoral Dissertation, University of Wollongong. Accessed October 14, 2019. 1904 PERFORMING ARTS AND CREATIVE WRITING ; https://ro.uow.edu.au/theses/3767.

MLA Handbook (7th Edition):

Galea, Jeff. “Wounding song: Integrating Maltese and Middle Eastern music into a western musical genre.” 2012. Web. 14 Oct 2019.

Vancouver:

Galea J. Wounding song: Integrating Maltese and Middle Eastern music into a western musical genre. [Internet] [Doctoral dissertation]. University of Wollongong; 2012. [cited 2019 Oct 14]. Available from: 1904 PERFORMING ARTS AND CREATIVE WRITING ; https://ro.uow.edu.au/theses/3767.

Council of Science Editors:

Galea J. Wounding song: Integrating Maltese and Middle Eastern music into a western musical genre. [Doctoral Dissertation]. University of Wollongong; 2012. Available from: 1904 PERFORMING ARTS AND CREATIVE WRITING ; https://ro.uow.edu.au/theses/3767


Victoria University of Wellington

19. Shen, Nalin. The Integration of Chinese Opera Traditions into New Musical Compositions.

Degree: 2010, Victoria University of Wellington

 Almost fifty years ago Chinese composer Chou Wen-chung proposed a musical “re-merger” of East and West. For many Chinese composers of today a sense of… (more)

Subjects/Keywords: Chinese opera; New compositions

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APA (6th Edition):

Shen, N. (2010). The Integration of Chinese Opera Traditions into New Musical Compositions. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/1709

Chicago Manual of Style (16th Edition):

Shen, Nalin. “The Integration of Chinese Opera Traditions into New Musical Compositions.” 2010. Doctoral Dissertation, Victoria University of Wellington. Accessed October 14, 2019. http://hdl.handle.net/10063/1709.

MLA Handbook (7th Edition):

Shen, Nalin. “The Integration of Chinese Opera Traditions into New Musical Compositions.” 2010. Web. 14 Oct 2019.

Vancouver:

Shen N. The Integration of Chinese Opera Traditions into New Musical Compositions. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2010. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10063/1709.

Council of Science Editors:

Shen N. The Integration of Chinese Opera Traditions into New Musical Compositions. [Doctoral Dissertation]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/1709

20. Medlyn, Margaret. Embodying Voice: Singing Verdi, singing Wagner.

Degree: 2016, Victoria University of Wellington

 Writers from diverse disciplines have rhapsodised over the impact of the operatic voice on the listener, while musicologists such as Abbate, Duncan, and Risi have… (more)

Subjects/Keywords: Embodiment; Verdi; Wagner; Opera; Voice

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APA (6th Edition):

Medlyn, M. (2016). Embodying Voice: Singing Verdi, singing Wagner. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/5134

Chicago Manual of Style (16th Edition):

Medlyn, Margaret. “Embodying Voice: Singing Verdi, singing Wagner.” 2016. Doctoral Dissertation, Victoria University of Wellington. Accessed October 14, 2019. http://hdl.handle.net/10063/5134.

MLA Handbook (7th Edition):

Medlyn, Margaret. “Embodying Voice: Singing Verdi, singing Wagner.” 2016. Web. 14 Oct 2019.

Vancouver:

Medlyn M. Embodying Voice: Singing Verdi, singing Wagner. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2016. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10063/5134.

Council of Science Editors:

Medlyn M. Embodying Voice: Singing Verdi, singing Wagner. [Doctoral Dissertation]. Victoria University of Wellington; 2016. Available from: http://hdl.handle.net/10063/5134


Princeton University

21. Shanti, Aliyah Meena. Musical Descents: Creating and Re-Creating Hell in Italian Opera, 1600-1680 .

Degree: PhD, 2017, Princeton University

 Despite the prevalence of scenes set in the underworld in 17th-century opera, the infernal scene as a distinct phenomenon has received little scholarly attention. This… (more)

Subjects/Keywords: 17th Century; Hell; Italy; Opera

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APA (6th Edition):

Shanti, A. M. (2017). Musical Descents: Creating and Re-Creating Hell in Italian Opera, 1600-1680 . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp014t64gq84b

Chicago Manual of Style (16th Edition):

Shanti, Aliyah Meena. “Musical Descents: Creating and Re-Creating Hell in Italian Opera, 1600-1680 .” 2017. Doctoral Dissertation, Princeton University. Accessed October 14, 2019. http://arks.princeton.edu/ark:/88435/dsp014t64gq84b.

MLA Handbook (7th Edition):

Shanti, Aliyah Meena. “Musical Descents: Creating and Re-Creating Hell in Italian Opera, 1600-1680 .” 2017. Web. 14 Oct 2019.

Vancouver:

Shanti AM. Musical Descents: Creating and Re-Creating Hell in Italian Opera, 1600-1680 . [Internet] [Doctoral dissertation]. Princeton University; 2017. [cited 2019 Oct 14]. Available from: http://arks.princeton.edu/ark:/88435/dsp014t64gq84b.

Council of Science Editors:

Shanti AM. Musical Descents: Creating and Re-Creating Hell in Italian Opera, 1600-1680 . [Doctoral Dissertation]. Princeton University; 2017. Available from: http://arks.princeton.edu/ark:/88435/dsp014t64gq84b


Uniwersytet im. Adama Mickiewicza w Poznaniu

22. Straburzyński, Maciej. Meandry dialektyki i ironii. O operach Louisa Andriessena .

Degree: 2012, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Praca jest analizą twórczości operowej holenderskiego kompozytora Louisa Andriessena (ur. 1939) pod kątem występowania w niej dwóch kategorii, które sam kompozytor określa mianem dialektyki (jedności… (more)

Subjects/Keywords: Dialektyka; Dialectics; Ironia; Irony; Opera; Opera; Louis Andriessen

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APA (6th Edition):

Straburzyński, M. (2012). Meandry dialektyki i ironii. O operach Louisa Andriessena . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/2251

Chicago Manual of Style (16th Edition):

Straburzyński, Maciej. “Meandry dialektyki i ironii. O operach Louisa Andriessena .” 2012. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed October 14, 2019. http://hdl.handle.net/10593/2251.

MLA Handbook (7th Edition):

Straburzyński, Maciej. “Meandry dialektyki i ironii. O operach Louisa Andriessena .” 2012. Web. 14 Oct 2019.

Vancouver:

Straburzyński M. Meandry dialektyki i ironii. O operach Louisa Andriessena . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2012. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10593/2251.

Council of Science Editors:

Straburzyński M. Meandry dialektyki i ironii. O operach Louisa Andriessena . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2012. Available from: http://hdl.handle.net/10593/2251


Columbia University

23. Forshaw, Juliet. Dangerous Tenors, Heroic Basses, and Non-Ingénues: Singers and the Envoicing of Social Values in Russian Opera, 1836-1905.

Degree: 2014, Columbia University

 This dissertation explores the evolution of operatic idioms, especially vocal typecasting conventions, in response to social change in the volatile late Russian Empire. It complements… (more)

Subjects/Keywords: Music; Opera – Political aspects; Opera – Social aspects; Singers

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APA (6th Edition):

Forshaw, J. (2014). Dangerous Tenors, Heroic Basses, and Non-Ingénues: Singers and the Envoicing of Social Values in Russian Opera, 1836-1905. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8WM1BJ0

Chicago Manual of Style (16th Edition):

Forshaw, Juliet. “Dangerous Tenors, Heroic Basses, and Non-Ingénues: Singers and the Envoicing of Social Values in Russian Opera, 1836-1905.” 2014. Doctoral Dissertation, Columbia University. Accessed October 14, 2019. https://doi.org/10.7916/D8WM1BJ0.

MLA Handbook (7th Edition):

Forshaw, Juliet. “Dangerous Tenors, Heroic Basses, and Non-Ingénues: Singers and the Envoicing of Social Values in Russian Opera, 1836-1905.” 2014. Web. 14 Oct 2019.

Vancouver:

Forshaw J. Dangerous Tenors, Heroic Basses, and Non-Ingénues: Singers and the Envoicing of Social Values in Russian Opera, 1836-1905. [Internet] [Doctoral dissertation]. Columbia University; 2014. [cited 2019 Oct 14]. Available from: https://doi.org/10.7916/D8WM1BJ0.

Council of Science Editors:

Forshaw J. Dangerous Tenors, Heroic Basses, and Non-Ingénues: Singers and the Envoicing of Social Values in Russian Opera, 1836-1905. [Doctoral Dissertation]. Columbia University; 2014. Available from: https://doi.org/10.7916/D8WM1BJ0


Uniwersytet im. Adama Mickiewicza w Poznaniu

24. Jęcz, Jadwiga. Literacki portret Komandora. Dzieje, motywy, konteksty .

Degree: 2019, Uniwersytet im. Adama Mickiewicza w Poznaniu

 Ze względu na fakt, że mimo obfitości rozpraw i interpretacji mitu Don Juana wciąż pomija się znaczenie Komandora, zaś mnogość nawiązań literackich i kulturowo-społecznych udowadnia,… (more)

Subjects/Keywords: Komandor; Don Juan; opera; dramat; Commander; Don Juan; opera; drama

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APA (6th Edition):

Jęcz, J. (2019). Literacki portret Komandora. Dzieje, motywy, konteksty . (Doctoral Dissertation). Uniwersytet im. Adama Mickiewicza w Poznaniu. Retrieved from http://hdl.handle.net/10593/24845

Chicago Manual of Style (16th Edition):

Jęcz, Jadwiga. “Literacki portret Komandora. Dzieje, motywy, konteksty .” 2019. Doctoral Dissertation, Uniwersytet im. Adama Mickiewicza w Poznaniu. Accessed October 14, 2019. http://hdl.handle.net/10593/24845.

MLA Handbook (7th Edition):

Jęcz, Jadwiga. “Literacki portret Komandora. Dzieje, motywy, konteksty .” 2019. Web. 14 Oct 2019.

Vancouver:

Jęcz J. Literacki portret Komandora. Dzieje, motywy, konteksty . [Internet] [Doctoral dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2019. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/10593/24845.

Council of Science Editors:

Jęcz J. Literacki portret Komandora. Dzieje, motywy, konteksty . [Doctoral Dissertation]. Uniwersytet im. Adama Mickiewicza w Poznaniu; 2019. Available from: http://hdl.handle.net/10593/24845


The Ohio State University

25. Stoffel, David Neil. The rise and fall of the city of Mahagonny : an interpretive staging as applied to University Opera Theater productions .

Degree: PhD, Graduate School, 1984, The Ohio State University

Subjects/Keywords: Music; Weill; Opera

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APA (6th Edition):

Stoffel, D. N. (1984). The rise and fall of the city of Mahagonny : an interpretive staging as applied to University Opera Theater productions . (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487245320874264

Chicago Manual of Style (16th Edition):

Stoffel, David Neil. “The rise and fall of the city of Mahagonny : an interpretive staging as applied to University Opera Theater productions .” 1984. Doctoral Dissertation, The Ohio State University. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487245320874264.

MLA Handbook (7th Edition):

Stoffel, David Neil. “The rise and fall of the city of Mahagonny : an interpretive staging as applied to University Opera Theater productions .” 1984. Web. 14 Oct 2019.

Vancouver:

Stoffel DN. The rise and fall of the city of Mahagonny : an interpretive staging as applied to University Opera Theater productions . [Internet] [Doctoral dissertation]. The Ohio State University; 1984. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487245320874264.

Council of Science Editors:

Stoffel DN. The rise and fall of the city of Mahagonny : an interpretive staging as applied to University Opera Theater productions . [Doctoral Dissertation]. The Ohio State University; 1984. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487245320874264


The Ohio State University

26. Schiller, Mary Gilley. A study of vocal demands in selected early German romantic operas.

Degree: PhD, Graduate School, 1979, The Ohio State University

Subjects/Keywords: Education; Music; Opera

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APA (6th Edition):

Schiller, M. G. (1979). A study of vocal demands in selected early German romantic operas. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487084652615193

Chicago Manual of Style (16th Edition):

Schiller, Mary Gilley. “A study of vocal demands in selected early German romantic operas.” 1979. Doctoral Dissertation, The Ohio State University. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487084652615193.

MLA Handbook (7th Edition):

Schiller, Mary Gilley. “A study of vocal demands in selected early German romantic operas.” 1979. Web. 14 Oct 2019.

Vancouver:

Schiller MG. A study of vocal demands in selected early German romantic operas. [Internet] [Doctoral dissertation]. The Ohio State University; 1979. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487084652615193.

Council of Science Editors:

Schiller MG. A study of vocal demands in selected early German romantic operas. [Doctoral Dissertation]. The Ohio State University; 1979. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487084652615193


The Ohio State University

27. McClure, Theron. A reconstruction of theatrical and musical practice in the production of Italian opera in the eighteenth century.

Degree: PhD, Graduate School, 1956, The Ohio State University

Subjects/Keywords: Theater; Opera; Operas

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APA (6th Edition):

McClure, T. (1956). A reconstruction of theatrical and musical practice in the production of Italian opera in the eighteenth century. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1485855839776704

Chicago Manual of Style (16th Edition):

McClure, Theron. “A reconstruction of theatrical and musical practice in the production of Italian opera in the eighteenth century.” 1956. Doctoral Dissertation, The Ohio State University. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1485855839776704.

MLA Handbook (7th Edition):

McClure, Theron. “A reconstruction of theatrical and musical practice in the production of Italian opera in the eighteenth century.” 1956. Web. 14 Oct 2019.

Vancouver:

McClure T. A reconstruction of theatrical and musical practice in the production of Italian opera in the eighteenth century. [Internet] [Doctoral dissertation]. The Ohio State University; 1956. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1485855839776704.

Council of Science Editors:

McClure T. A reconstruction of theatrical and musical practice in the production of Italian opera in the eighteenth century. [Doctoral Dissertation]. The Ohio State University; 1956. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1485855839776704


The Ohio State University

28. Cobes, Jon P. The court theatres of the Farnese from 1618 to 1690 .

Degree: PhD, Graduate School, 1968, The Ohio State University

Subjects/Keywords: Theater; Opera; Theaters

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APA (6th Edition):

Cobes, J. P. (1968). The court theatres of the Farnese from 1618 to 1690 . (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1486643490002918

Chicago Manual of Style (16th Edition):

Cobes, Jon P. “The court theatres of the Farnese from 1618 to 1690 .” 1968. Doctoral Dissertation, The Ohio State University. Accessed October 14, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486643490002918.

MLA Handbook (7th Edition):

Cobes, Jon P. “The court theatres of the Farnese from 1618 to 1690 .” 1968. Web. 14 Oct 2019.

Vancouver:

Cobes JP. The court theatres of the Farnese from 1618 to 1690 . [Internet] [Doctoral dissertation]. The Ohio State University; 1968. [cited 2019 Oct 14]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486643490002918.

Council of Science Editors:

Cobes JP. The court theatres of the Farnese from 1618 to 1690 . [Doctoral Dissertation]. The Ohio State University; 1968. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1486643490002918

29. Porto, Cesar Henrique de Queiroz. Uma Reflexão do Islã na Mídia Brasileira: Televisão e Mundo Muçulmano, 2001-2002.

Degree: PhD, História Social, 2012, University of São Paulo

Esta tese consiste em um estudo das representações do islã, de árabes e muçulmanos veiculadas pela telenovela O Clone. Seu objetivo principal é verificar como… (more)

Subjects/Keywords: Islã; Islam; Representação; Representations; Soap opera; Telenovela

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APA (6th Edition):

Porto, C. H. d. Q. (2012). Uma Reflexão do Islã na Mídia Brasileira: Televisão e Mundo Muçulmano, 2001-2002. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8138/tde-27022013-101905/ ;

Chicago Manual of Style (16th Edition):

Porto, Cesar Henrique de Queiroz. “Uma Reflexão do Islã na Mídia Brasileira: Televisão e Mundo Muçulmano, 2001-2002.” 2012. Doctoral Dissertation, University of São Paulo. Accessed October 14, 2019. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-27022013-101905/ ;.

MLA Handbook (7th Edition):

Porto, Cesar Henrique de Queiroz. “Uma Reflexão do Islã na Mídia Brasileira: Televisão e Mundo Muçulmano, 2001-2002.” 2012. Web. 14 Oct 2019.

Vancouver:

Porto CHdQ. Uma Reflexão do Islã na Mídia Brasileira: Televisão e Mundo Muçulmano, 2001-2002. [Internet] [Doctoral dissertation]. University of São Paulo; 2012. [cited 2019 Oct 14]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8138/tde-27022013-101905/ ;.

Council of Science Editors:

Porto CHdQ. Uma Reflexão do Islã na Mídia Brasileira: Televisão e Mundo Muçulmano, 2001-2002. [Doctoral Dissertation]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/8/8138/tde-27022013-101905/ ;


University of Kansas

30. Burton, Christopher Douglas. Ransom.

Degree: DMA, Music, 2016, University of Kansas

 Ransom is an opera in two acts based on the short story The Ransom of Red Chief by O. Henry. A gang of robbers plot… (more)

Subjects/Keywords: Music; Chamber; Composition; Opera; Ransom; Vocal; Voice

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Burton, C. D. (2016). Ransom. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21616

Chicago Manual of Style (16th Edition):

Burton, Christopher Douglas. “Ransom.” 2016. Doctoral Dissertation, University of Kansas. Accessed October 14, 2019. http://hdl.handle.net/1808/21616.

MLA Handbook (7th Edition):

Burton, Christopher Douglas. “Ransom.” 2016. Web. 14 Oct 2019.

Vancouver:

Burton CD. Ransom. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Oct 14]. Available from: http://hdl.handle.net/1808/21616.

Council of Science Editors:

Burton CD. Ransom. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/21616

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