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Degree: DMA

You searched for subject:(opera). Showing records 1 – 30 of 61 total matches.

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University of Miami

1. Taylor, Matthew Evan. The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue.

Degree: DMA, Music Theory and Composition (Music), 2015, University of Miami

  The "Warrior's Wives" is a tragic opera in two acts that tells the stories of three women – Ikuku, Imiri, and Oku – married… (more)

Subjects/Keywords: opera; chamber opera; tragedy; destiny

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APA (6th Edition):

Taylor, M. E. (2015). The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Taylor, Matthew Evan. “The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue.” 2015. Thesis, University of Miami. Accessed October 17, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Taylor, Matthew Evan. “The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue.” 2015. Web. 17 Oct 2019.

Vancouver:

Taylor ME. The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue. [Internet] [Thesis]. University of Miami; 2015. [cited 2019 Oct 17]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Taylor ME. The Warrior's Wives: a Tragic Opera in Two Acts with a Prologue. [Thesis]. University of Miami; 2015. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Castro-Ramirez, Luis Gustavo. Doctoral thesis recital (opera coaching).

Degree: DMA, Opera coaching, 2012, University of Texas – Austin

Madama Butterfly / Giacomo Puccini. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Opera

Page 1

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APA (6th Edition):

Castro-Ramirez, L. G. (2012). Doctoral thesis recital (opera coaching). (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/23574

Chicago Manual of Style (16th Edition):

Castro-Ramirez, Luis Gustavo. “Doctoral thesis recital (opera coaching).” 2012. Doctoral Dissertation, University of Texas – Austin. Accessed October 17, 2019. http://hdl.handle.net/2152/23574.

MLA Handbook (7th Edition):

Castro-Ramirez, Luis Gustavo. “Doctoral thesis recital (opera coaching).” 2012. Web. 17 Oct 2019.

Vancouver:

Castro-Ramirez LG. Doctoral thesis recital (opera coaching). [Internet] [Doctoral dissertation]. University of Texas – Austin; 2012. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2152/23574.

Council of Science Editors:

Castro-Ramirez LG. Doctoral thesis recital (opera coaching). [Doctoral Dissertation]. University of Texas – Austin; 2012. Available from: http://hdl.handle.net/2152/23574

3. Yates, Richard George, III. The Undelivered: A Paul Robeson Chamber Opera.

Degree: DMA, Music Theory and Composition (Music), 2015, University of Miami

  In this essay, I describe my new chamber opera about Paul Robeson, The Undelivered. Scored for six singers and seven instrumentalists, the opera’s duration… (more)

Subjects/Keywords: Paul Robeson; HUAC; Opera; Chamber Opera

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APA (6th Edition):

Yates, Richard George, I. (2015). The Undelivered: A Paul Robeson Chamber Opera. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1400

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yates, Richard George, III. “The Undelivered: A Paul Robeson Chamber Opera.” 2015. Thesis, University of Miami. Accessed October 17, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1400.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yates, Richard George, III. “The Undelivered: A Paul Robeson Chamber Opera.” 2015. Web. 17 Oct 2019.

Vancouver:

Yates, Richard George I. The Undelivered: A Paul Robeson Chamber Opera. [Internet] [Thesis]. University of Miami; 2015. [cited 2019 Oct 17]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1400.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yates, Richard George I. The Undelivered: A Paul Robeson Chamber Opera. [Thesis]. University of Miami; 2015. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1400

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

4. TAYLOR, LARRY C. HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES.

Degree: DMA, College-Conservatory of Music : Organ, 2007, University of Cincinnati

 In the operas of the nineteenth and twentieth centuries, organ was never a standard instrument. Composers employed it only on an occasional basis in religious… (more)

Subjects/Keywords: Music; organ; opera

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APA (6th Edition):

TAYLOR, L. C. (2007). HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172617068

Chicago Manual of Style (16th Edition):

TAYLOR, LARRY C. “HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172617068.

MLA Handbook (7th Edition):

TAYLOR, LARRY C. “HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES.” 2007. Web. 17 Oct 2019.

Vancouver:

TAYLOR LC. HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172617068.

Council of Science Editors:

TAYLOR LC. HOLINESS AND DEVILRY: THE ORGAN IN OPERAS OF THE NINETEENTH AND TWENTIETH CENTURIES. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172617068


University of Georgia

5. Volk, David Paul. An analysis of A good man is hard to find, an original chamber opera in one-act based on the short story by Flannery O'Connor.

Degree: DMA, Music, 2004, University of Georgia

 The dissertation is in two parts. The first part is an original chamber opera in one act based on the short story A Good Man… (more)

Subjects/Keywords: Chamber Opera

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APA (6th Edition):

Volk, D. P. (2004). An analysis of A good man is hard to find, an original chamber opera in one-act based on the short story by Flannery O'Connor. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/volk_david_p_200412_dma

Chicago Manual of Style (16th Edition):

Volk, David Paul. “An analysis of A good man is hard to find, an original chamber opera in one-act based on the short story by Flannery O'Connor.” 2004. Doctoral Dissertation, University of Georgia. Accessed October 17, 2019. http://purl.galileo.usg.edu/uga_etd/volk_david_p_200412_dma.

MLA Handbook (7th Edition):

Volk, David Paul. “An analysis of A good man is hard to find, an original chamber opera in one-act based on the short story by Flannery O'Connor.” 2004. Web. 17 Oct 2019.

Vancouver:

Volk DP. An analysis of A good man is hard to find, an original chamber opera in one-act based on the short story by Flannery O'Connor. [Internet] [Doctoral dissertation]. University of Georgia; 2004. [cited 2019 Oct 17]. Available from: http://purl.galileo.usg.edu/uga_etd/volk_david_p_200412_dma.

Council of Science Editors:

Volk DP. An analysis of A good man is hard to find, an original chamber opera in one-act based on the short story by Flannery O'Connor. [Doctoral Dissertation]. University of Georgia; 2004. Available from: http://purl.galileo.usg.edu/uga_etd/volk_david_p_200412_dma


University of Kansas

6. Burton, Christopher Douglas. Ransom.

Degree: DMA, Music, 2016, University of Kansas

 Ransom is an opera in two acts based on the short story The Ransom of Red Chief by O. Henry. A gang of robbers plot… (more)

Subjects/Keywords: Music; Chamber; Composition; Opera; Ransom; Vocal; Voice

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APA (6th Edition):

Burton, C. D. (2016). Ransom. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21616

Chicago Manual of Style (16th Edition):

Burton, Christopher Douglas. “Ransom.” 2016. Doctoral Dissertation, University of Kansas. Accessed October 17, 2019. http://hdl.handle.net/1808/21616.

MLA Handbook (7th Edition):

Burton, Christopher Douglas. “Ransom.” 2016. Web. 17 Oct 2019.

Vancouver:

Burton CD. Ransom. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1808/21616.

Council of Science Editors:

Burton CD. Ransom. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/21616


University of Kansas

7. Newbegin, Kristin. Goyescas: A Performer's Guide.

Degree: DMA, Music, 2016, University of Kansas

 Abstract Opera in Spain developed slowly in comparison to its European neighbors in Italy, France, and Germany, whose traditions of opera were present beginning in… (more)

Subjects/Keywords: Music; Goyescas; Granados; Majismo; Opera; Periquet; Spanish

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APA (6th Edition):

Newbegin, K. (2016). Goyescas: A Performer's Guide. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/21611

Chicago Manual of Style (16th Edition):

Newbegin, Kristin. “Goyescas: A Performer's Guide.” 2016. Doctoral Dissertation, University of Kansas. Accessed October 17, 2019. http://hdl.handle.net/1808/21611.

MLA Handbook (7th Edition):

Newbegin, Kristin. “Goyescas: A Performer's Guide.” 2016. Web. 17 Oct 2019.

Vancouver:

Newbegin K. Goyescas: A Performer's Guide. [Internet] [Doctoral dissertation]. University of Kansas; 2016. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1808/21611.

Council of Science Editors:

Newbegin K. Goyescas: A Performer's Guide. [Doctoral Dissertation]. University of Kansas; 2016. Available from: http://hdl.handle.net/1808/21611


University of Cincinnati

8. Fernandez, Arturo. Windlife Vs. Let's Read.

Degree: DMA, College-Conservatory of Music: Composition, 2017, University of Cincinnati

Opera is a very exciting field in today’s world, and it is an environment that the author is keenly interested in entering. He is also… (more)

Subjects/Keywords: Music; Internet; Argument; Opera; One Act

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APA (6th Edition):

Fernandez, A. (2017). Windlife Vs. Let's Read. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1509983717956456

Chicago Manual of Style (16th Edition):

Fernandez, Arturo. “Windlife Vs. Let's Read.” 2017. Doctoral Dissertation, University of Cincinnati. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1509983717956456.

MLA Handbook (7th Edition):

Fernandez, Arturo. “Windlife Vs. Let's Read.” 2017. Web. 17 Oct 2019.

Vancouver:

Fernandez A. Windlife Vs. Let's Read. [Internet] [Doctoral dissertation]. University of Cincinnati; 2017. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1509983717956456.

Council of Science Editors:

Fernandez A. Windlife Vs. Let's Read. [Doctoral Dissertation]. University of Cincinnati; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1509983717956456


University of Cincinnati

9. Stawiski, Eileen Beth. Ucieczka w Fantazi Opery (Escape-Fantasy Opera): Preserving the Heart of Poland.

Degree: DMA, College-Conservatory of Music : Voice, 2010, University of Cincinnati

 Serious, historical, traditional, philosophical, and/or religious tones, related to the country's intense history, usually come to mind when one thinks of Poland and its culture,… (more)

Subjects/Keywords: Music; opera; theater; marimba; ptaszynska; osiecka; fantasy

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APA (6th Edition):

Stawiski, E. B. (2010). Ucieczka w Fantazi Opery (Escape-Fantasy Opera): Preserving the Heart of Poland. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276532042

Chicago Manual of Style (16th Edition):

Stawiski, Eileen Beth. “Ucieczka w Fantazi Opery (Escape-Fantasy Opera): Preserving the Heart of Poland.” 2010. Doctoral Dissertation, University of Cincinnati. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276532042.

MLA Handbook (7th Edition):

Stawiski, Eileen Beth. “Ucieczka w Fantazi Opery (Escape-Fantasy Opera): Preserving the Heart of Poland.” 2010. Web. 17 Oct 2019.

Vancouver:

Stawiski EB. Ucieczka w Fantazi Opery (Escape-Fantasy Opera): Preserving the Heart of Poland. [Internet] [Doctoral dissertation]. University of Cincinnati; 2010. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276532042.

Council of Science Editors:

Stawiski EB. Ucieczka w Fantazi Opery (Escape-Fantasy Opera): Preserving the Heart of Poland. [Doctoral Dissertation]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276532042


University of Cincinnati

10. Hutchings, Sarah D. Styria.

Degree: DMA, College-Conservatory of Music: Composition, 2013, University of Cincinnati

 The objective of this dissertation is to compose an opera for nine voices and full orchestra using a libretto taken from a modern interpretation of… (more)

Subjects/Keywords: Music; vampire; opera; Carmilla; J Sheridan LeFanu

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APA (6th Edition):

Hutchings, S. D. (2013). Styria. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1527607350442061

Chicago Manual of Style (16th Edition):

Hutchings, Sarah D. “Styria.” 2013. Doctoral Dissertation, University of Cincinnati. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1527607350442061.

MLA Handbook (7th Edition):

Hutchings, Sarah D. “Styria.” 2013. Web. 17 Oct 2019.

Vancouver:

Hutchings SD. Styria. [Internet] [Doctoral dissertation]. University of Cincinnati; 2013. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1527607350442061.

Council of Science Editors:

Hutchings SD. Styria. [Doctoral Dissertation]. University of Cincinnati; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1527607350442061


The Ohio State University

11. Willis-Lynam, Keyona. The Crossover Opera Singer: Bridging the Gap Between Opera and Musical Theatre.

Degree: DMA, Music, 2015, The Ohio State University

 For decades, a divide has existed between opera and musical theatre, with the lesser value being placed upon the latter. Singers, from the start of… (more)

Subjects/Keywords: Music; Performing Arts; Opera; Performance; Musical Theatre

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APA (6th Edition):

Willis-Lynam, K. (2015). The Crossover Opera Singer: Bridging the Gap Between Opera and Musical Theatre. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1449161062

Chicago Manual of Style (16th Edition):

Willis-Lynam, Keyona. “The Crossover Opera Singer: Bridging the Gap Between Opera and Musical Theatre.” 2015. Doctoral Dissertation, The Ohio State University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1449161062.

MLA Handbook (7th Edition):

Willis-Lynam, Keyona. “The Crossover Opera Singer: Bridging the Gap Between Opera and Musical Theatre.” 2015. Web. 17 Oct 2019.

Vancouver:

Willis-Lynam K. The Crossover Opera Singer: Bridging the Gap Between Opera and Musical Theatre. [Internet] [Doctoral dissertation]. The Ohio State University; 2015. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1449161062.

Council of Science Editors:

Willis-Lynam K. The Crossover Opera Singer: Bridging the Gap Between Opera and Musical Theatre. [Doctoral Dissertation]. The Ohio State University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1449161062


Louisiana State University

12. Tucker, Jenna M. A survey of professional operatic entertainment in Little Rock, Arkansas: 1870-1900.

Degree: DMA, Music, 2010, Louisiana State University

 The late nineteenth century was a time of great political, economic, and social change in the state of Arkansas. The population of Little Rock, the… (more)

Subjects/Keywords: United States; Arkansas; 19th century; Opera

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APA (6th Edition):

Tucker, J. M. (2010). A survey of professional operatic entertainment in Little Rock, Arkansas: 1870-1900. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-04082010-105507 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3766

Chicago Manual of Style (16th Edition):

Tucker, Jenna M. “A survey of professional operatic entertainment in Little Rock, Arkansas: 1870-1900.” 2010. Doctoral Dissertation, Louisiana State University. Accessed October 17, 2019. etd-04082010-105507 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3766.

MLA Handbook (7th Edition):

Tucker, Jenna M. “A survey of professional operatic entertainment in Little Rock, Arkansas: 1870-1900.” 2010. Web. 17 Oct 2019.

Vancouver:

Tucker JM. A survey of professional operatic entertainment in Little Rock, Arkansas: 1870-1900. [Internet] [Doctoral dissertation]. Louisiana State University; 2010. [cited 2019 Oct 17]. Available from: etd-04082010-105507 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3766.

Council of Science Editors:

Tucker JM. A survey of professional operatic entertainment in Little Rock, Arkansas: 1870-1900. [Doctoral Dissertation]. Louisiana State University; 2010. Available from: etd-04082010-105507 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3766

13. Blanton, Kristen Teresa. Programming the collegiate opera workshop: a digital catalogue of short operatic works suitable for students.

Degree: DMA, Music, 2016, University of Georgia

 The purpose of this project was to develop a user-friendly computer database for collegiate opera workshop directors who wish to find operatic works, roles, and… (more)

Subjects/Keywords: Opera Workshop

opera ensembles allow students to learn even more repertoire and gain important performance… …experience within the all-encompassing art form that is opera. When presented with the appropriate… …information, an opera director can choose repertoire for his or her students that benefits them as… …of this project is to develop a user-friendly computer database for collegiate opera… …of an observed need within collegiate opera programs. There are multiple print and online… 

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APA (6th Edition):

Blanton, K. T. (2016). Programming the collegiate opera workshop: a digital catalogue of short operatic works suitable for students. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/blanton_kristen_t_201612_dma

Chicago Manual of Style (16th Edition):

Blanton, Kristen Teresa. “Programming the collegiate opera workshop: a digital catalogue of short operatic works suitable for students.” 2016. Doctoral Dissertation, University of Georgia. Accessed October 17, 2019. http://purl.galileo.usg.edu/uga_etd/blanton_kristen_t_201612_dma.

MLA Handbook (7th Edition):

Blanton, Kristen Teresa. “Programming the collegiate opera workshop: a digital catalogue of short operatic works suitable for students.” 2016. Web. 17 Oct 2019.

Vancouver:

Blanton KT. Programming the collegiate opera workshop: a digital catalogue of short operatic works suitable for students. [Internet] [Doctoral dissertation]. University of Georgia; 2016. [cited 2019 Oct 17]. Available from: http://purl.galileo.usg.edu/uga_etd/blanton_kristen_t_201612_dma.

Council of Science Editors:

Blanton KT. Programming the collegiate opera workshop: a digital catalogue of short operatic works suitable for students. [Doctoral Dissertation]. University of Georgia; 2016. Available from: http://purl.galileo.usg.edu/uga_etd/blanton_kristen_t_201612_dma


University of Southern California

14. Brown, David Asher. The empress of many tongues.

Degree: DMA, Composition, 2014, University of Southern California

This is a collaborative project with music by David Asher Brown and text by Jessica Piazza. Advisors/Committee Members: Lauridsen, Morten (Committee Chair), Crockett, Donald (Committee Member), Ticheli, Frank (Committee Member).

Subjects/Keywords: opera; cantata; score

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APA (6th Edition):

Brown, D. A. (2014). The empress of many tongues. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/478103/rec/6679

Chicago Manual of Style (16th Edition):

Brown, David Asher. “The empress of many tongues.” 2014. Doctoral Dissertation, University of Southern California. Accessed October 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/478103/rec/6679.

MLA Handbook (7th Edition):

Brown, David Asher. “The empress of many tongues.” 2014. Web. 17 Oct 2019.

Vancouver:

Brown DA. The empress of many tongues. [Internet] [Doctoral dissertation]. University of Southern California; 2014. [cited 2019 Oct 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/478103/rec/6679.

Council of Science Editors:

Brown DA. The empress of many tongues. [Doctoral Dissertation]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/478103/rec/6679


University of Iowa

15. Warfield, Tara Diane. A voice teacher prepares: using art song as a teaching tool for the role of Sophie in Der Rosenkavalier.

Degree: DMA, Music, 2011, University of Iowa

  Research shows young singers are entering the professional world without the necessary skills to succeed. Students graduate from their respective colleges, yet lack experience… (more)

Subjects/Keywords: Lieder; Opera; Pedagogy; Performance; Strauss; Voice; Music

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APA (6th Edition):

Warfield, T. D. (2011). A voice teacher prepares: using art song as a teaching tool for the role of Sophie in Der Rosenkavalier. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/1103

Chicago Manual of Style (16th Edition):

Warfield, Tara Diane. “A voice teacher prepares: using art song as a teaching tool for the role of Sophie in Der Rosenkavalier.” 2011. Doctoral Dissertation, University of Iowa. Accessed October 17, 2019. https://ir.uiowa.edu/etd/1103.

MLA Handbook (7th Edition):

Warfield, Tara Diane. “A voice teacher prepares: using art song as a teaching tool for the role of Sophie in Der Rosenkavalier.” 2011. Web. 17 Oct 2019.

Vancouver:

Warfield TD. A voice teacher prepares: using art song as a teaching tool for the role of Sophie in Der Rosenkavalier. [Internet] [Doctoral dissertation]. University of Iowa; 2011. [cited 2019 Oct 17]. Available from: https://ir.uiowa.edu/etd/1103.

Council of Science Editors:

Warfield TD. A voice teacher prepares: using art song as a teaching tool for the role of Sophie in Der Rosenkavalier. [Doctoral Dissertation]. University of Iowa; 2011. Available from: https://ir.uiowa.edu/etd/1103

16. Love, Joel Daniel, III. Love at second sight.

Degree: DMA, Music, 2014, University of Texas – Austin

 Love at Second sight is a twenty-five-minute chamber opera in two scenes for soprano, tenor, baritone, and piano. The libretto was written by theorist Dr.… (more)

Subjects/Keywords: Chamber opera

…33! ix CHAPTER 1 Why a Chamber Opera? 1.1 Introduction In my years of pursuing… …opera came from studying with Dr. Robert Hatten in the spring of 2012. During the spring… …of his opera, Compassion, and through his exuberance for the genre and my desire to pursue… …libreto. The decision to use popular styles in the opera mainly came out of conversations that I… …into the opera. I decided to take his advice, and the product is an exploration of several… 

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APA (6th Edition):

Love, Joel Daniel, I. (2014). Love at second sight. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/25252

Chicago Manual of Style (16th Edition):

Love, Joel Daniel, III. “Love at second sight.” 2014. Doctoral Dissertation, University of Texas – Austin. Accessed October 17, 2019. http://hdl.handle.net/2152/25252.

MLA Handbook (7th Edition):

Love, Joel Daniel, III. “Love at second sight.” 2014. Web. 17 Oct 2019.

Vancouver:

Love, Joel Daniel I. Love at second sight. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2014. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2152/25252.

Council of Science Editors:

Love, Joel Daniel I. Love at second sight. [Doctoral Dissertation]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/25252


University of Miami

17. Smeltzer, Rebekah Kaye. Body Weight, Nutrition, and the Classical Singer: A Review of the Existing Literature.

Degree: DMA, Vocal Performance (Music), 2017, University of Miami

  The discussion of body weight and the classical singer is not new, but recent events, such as HD broadcasts of opera productions, along with… (more)

Subjects/Keywords: body weight; opera; classical singer; nutrition; obesity

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APA (6th Edition):

Smeltzer, R. K. (2017). Body Weight, Nutrition, and the Classical Singer: A Review of the Existing Literature. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1816

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smeltzer, Rebekah Kaye. “Body Weight, Nutrition, and the Classical Singer: A Review of the Existing Literature.” 2017. Thesis, University of Miami. Accessed October 17, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1816.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smeltzer, Rebekah Kaye. “Body Weight, Nutrition, and the Classical Singer: A Review of the Existing Literature.” 2017. Web. 17 Oct 2019.

Vancouver:

Smeltzer RK. Body Weight, Nutrition, and the Classical Singer: A Review of the Existing Literature. [Internet] [Thesis]. University of Miami; 2017. [cited 2019 Oct 17]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1816.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smeltzer RK. Body Weight, Nutrition, and the Classical Singer: A Review of the Existing Literature. [Thesis]. University of Miami; 2017. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1816

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

18. LaBonte, Hillary. Analyzing Gender Inequality in Contemporary Opera.

Degree: DMA, Contemporary Music, 2019, Bowling Green State University

 Gender inequality is pervasive in the world of performing arts. There are far more female dancers, actresses, and singers than there are male performers. This… (more)

Subjects/Keywords: Music; Performing Arts; Gender inequality; feminism; equal rights; contemporary opera; opera companies

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APA (6th Edition):

LaBonte, H. (2019). Analyzing Gender Inequality in Contemporary Opera. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1562758176443906

Chicago Manual of Style (16th Edition):

LaBonte, Hillary. “Analyzing Gender Inequality in Contemporary Opera.” 2019. Doctoral Dissertation, Bowling Green State University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1562758176443906.

MLA Handbook (7th Edition):

LaBonte, Hillary. “Analyzing Gender Inequality in Contemporary Opera.” 2019. Web. 17 Oct 2019.

Vancouver:

LaBonte H. Analyzing Gender Inequality in Contemporary Opera. [Internet] [Doctoral dissertation]. Bowling Green State University; 2019. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1562758176443906.

Council of Science Editors:

LaBonte H. Analyzing Gender Inequality in Contemporary Opera. [Doctoral Dissertation]. Bowling Green State University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1562758176443906


University of Kansas

19. Nawrot, Frank Charles Steen. Don Henry - A Chamber Opera in One Act.

Degree: DMA, Music, 2019, University of Kansas

 Don Henry is a chamber opera that tells the true story of a University of Kansas student who fought in the Spanish Civil War against… (more)

Subjects/Keywords: Musical composition; Music; History; Communism; Fascism; Music Composition; Opera; Rock Opera; Spanish Civil War

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APA (6th Edition):

Nawrot, F. C. S. (2019). Don Henry - A Chamber Opera in One Act. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/29592

Chicago Manual of Style (16th Edition):

Nawrot, Frank Charles Steen. “Don Henry - A Chamber Opera in One Act.” 2019. Doctoral Dissertation, University of Kansas. Accessed October 17, 2019. http://hdl.handle.net/1808/29592.

MLA Handbook (7th Edition):

Nawrot, Frank Charles Steen. “Don Henry - A Chamber Opera in One Act.” 2019. Web. 17 Oct 2019.

Vancouver:

Nawrot FCS. Don Henry - A Chamber Opera in One Act. [Internet] [Doctoral dissertation]. University of Kansas; 2019. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1808/29592.

Council of Science Editors:

Nawrot FCS. Don Henry - A Chamber Opera in One Act. [Doctoral Dissertation]. University of Kansas; 2019. Available from: http://hdl.handle.net/1808/29592


The Ohio State University

20. Purdy, Christopher C. Edward Downes: A Life in Music and the Media.

Degree: DMA, Music, 2008, The Ohio State University

  Edward Downes (1911-2001) was a broadcaster, critic and teacher. For several days in 1994 and 1995, I sat in the "servant's quarters" as he… (more)

Subjects/Keywords: Music; Edward Downes; Olin Downes; Bayreuth; opera; Metropolitan Opera boradcasts; Bayreuth; Flagstad; Lehmann; Pnselle; Chaliapin; Toscanini; Koussevitzky

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APA (6th Edition):

Purdy, C. C. (2008). Edward Downes: A Life in Music and the Media. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1204660078

Chicago Manual of Style (16th Edition):

Purdy, Christopher C. “Edward Downes: A Life in Music and the Media.” 2008. Doctoral Dissertation, The Ohio State University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1204660078.

MLA Handbook (7th Edition):

Purdy, Christopher C. “Edward Downes: A Life in Music and the Media.” 2008. Web. 17 Oct 2019.

Vancouver:

Purdy CC. Edward Downes: A Life in Music and the Media. [Internet] [Doctoral dissertation]. The Ohio State University; 2008. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1204660078.

Council of Science Editors:

Purdy CC. Edward Downes: A Life in Music and the Media. [Doctoral Dissertation]. The Ohio State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1204660078

21. White, Jennifer. Preghiera in Italian Bel Canto Opera.

Degree: DMA, Music, 2014, University of Kansas

 This lecture explores the representation of prayer in opera during the bel canto era. During the operatic bel canto era, prayer scenes were featured with… (more)

Subjects/Keywords: Music; Opera; Prayer

…of Italian Opera (New York: W. W. Norton & Company, 1983), 48. 7 Francesco Izzo… …was socially and morally fairly conservative. It is not surprising that opera impresarios… …also in opera. There was an interest in Roman and Greek ideas and that was reflected in the… …choice of subject for opera librettos. Christoph Willibald Gluck (1714-1787) was a… …Iphigénie en Tauride (Iphigenia in Tauris, 1779) is one such opera. Since Gluck's… 

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APA (6th Edition):

White, J. (2014). Preghiera in Italian Bel Canto Opera. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/16799

Chicago Manual of Style (16th Edition):

White, Jennifer. “Preghiera in Italian Bel Canto Opera.” 2014. Doctoral Dissertation, University of Kansas. Accessed October 17, 2019. http://hdl.handle.net/1808/16799.

MLA Handbook (7th Edition):

White, Jennifer. “Preghiera in Italian Bel Canto Opera.” 2014. Web. 17 Oct 2019.

Vancouver:

White J. Preghiera in Italian Bel Canto Opera. [Internet] [Doctoral dissertation]. University of Kansas; 2014. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1808/16799.

Council of Science Editors:

White J. Preghiera in Italian Bel Canto Opera. [Doctoral Dissertation]. University of Kansas; 2014. Available from: http://hdl.handle.net/1808/16799


The Ohio State University

22. Dorgan, Peter Paul. Franz Liszt and his Verdi opera transcriptions.

Degree: DMA, Music, 1982, The Ohio State University

Subjects/Keywords: LISZT; VERDI; OPERA; piano; chant

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APA (6th Edition):

Dorgan, P. P. (1982). Franz Liszt and his Verdi opera transcriptions. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1108585082

Chicago Manual of Style (16th Edition):

Dorgan, Peter Paul. “Franz Liszt and his Verdi opera transcriptions.” 1982. Doctoral Dissertation, The Ohio State University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1108585082.

MLA Handbook (7th Edition):

Dorgan, Peter Paul. “Franz Liszt and his Verdi opera transcriptions.” 1982. Web. 17 Oct 2019.

Vancouver:

Dorgan PP. Franz Liszt and his Verdi opera transcriptions. [Internet] [Doctoral dissertation]. The Ohio State University; 1982. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1108585082.

Council of Science Editors:

Dorgan PP. Franz Liszt and his Verdi opera transcriptions. [Doctoral Dissertation]. The Ohio State University; 1982. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1108585082


The Ohio State University

23. Cordell, Laura Michele Portune. Bridging the Gap, Transitioning Vocalists from Academia to Career.

Degree: DMA, Music, 2011, The Ohio State University

  Each year, promising students graduate from universities with degree in hand and sights set on a career in the arts but without the necessary… (more)

Subjects/Keywords: Music; voice; opera; vocal career; vocal health; self employment; music opportunities

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APA (6th Edition):

Cordell, L. M. P. (2011). Bridging the Gap, Transitioning Vocalists from Academia to Career. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1311268981

Chicago Manual of Style (16th Edition):

Cordell, Laura Michele Portune. “Bridging the Gap, Transitioning Vocalists from Academia to Career.” 2011. Doctoral Dissertation, The Ohio State University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1311268981.

MLA Handbook (7th Edition):

Cordell, Laura Michele Portune. “Bridging the Gap, Transitioning Vocalists from Academia to Career.” 2011. Web. 17 Oct 2019.

Vancouver:

Cordell LMP. Bridging the Gap, Transitioning Vocalists from Academia to Career. [Internet] [Doctoral dissertation]. The Ohio State University; 2011. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1311268981.

Council of Science Editors:

Cordell LMP. Bridging the Gap, Transitioning Vocalists from Academia to Career. [Doctoral Dissertation]. The Ohio State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1311268981


University of Cincinnati

24. Lourenco, Antonio Jose. Augusto Machado’s “La Borghesina”: A Study and Critical Edition.

Degree: DMA, College-Conservatory of Music : Conducting, Orchestral Emphasis, 2005, University of Cincinnati

 The purpose of this study and critical edition of the opera La Borghesina (1909) by Augusto Machado is to make available for performance a fair… (more)

Subjects/Keywords: Music; Music; Opera; Portugal; Scores

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APA (6th Edition):

Lourenco, A. J. (2005). Augusto Machado’s “La Borghesina”: A Study and Critical Edition. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123839643

Chicago Manual of Style (16th Edition):

Lourenco, Antonio Jose. “Augusto Machado’s “La Borghesina”: A Study and Critical Edition.” 2005. Doctoral Dissertation, University of Cincinnati. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123839643.

MLA Handbook (7th Edition):

Lourenco, Antonio Jose. “Augusto Machado’s “La Borghesina”: A Study and Critical Edition.” 2005. Web. 17 Oct 2019.

Vancouver:

Lourenco AJ. Augusto Machado’s “La Borghesina”: A Study and Critical Edition. [Internet] [Doctoral dissertation]. University of Cincinnati; 2005. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123839643.

Council of Science Editors:

Lourenco AJ. Augusto Machado’s “La Borghesina”: A Study and Critical Edition. [Doctoral Dissertation]. University of Cincinnati; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1123839643


Louisiana State University

25. Zyskowski, Rafal. A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory.

Degree: DMA, Music, 2014, Louisiana State University

 The purpose of this project is to present a violist with complete transcription and performer’s guide of Fryderyk Chopin’s Nocturne Op. 27, No. 2 originally… (more)

Subjects/Keywords: bel-canto opera; character piece; musical poem; viola transcription; piano nocturne

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APA (6th Edition):

Zyskowski, R. (2014). A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-04102014-232102 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3366

Chicago Manual of Style (16th Edition):

Zyskowski, Rafal. “A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory.” 2014. Doctoral Dissertation, Louisiana State University. Accessed October 17, 2019. etd-04102014-232102 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3366.

MLA Handbook (7th Edition):

Zyskowski, Rafal. “A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory.” 2014. Web. 17 Oct 2019.

Vancouver:

Zyskowski R. A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory. [Internet] [Doctoral dissertation]. Louisiana State University; 2014. [cited 2019 Oct 17]. Available from: etd-04102014-232102 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3366.

Council of Science Editors:

Zyskowski R. A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory. [Doctoral Dissertation]. Louisiana State University; 2014. Available from: etd-04102014-232102 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3366


University of Kansas

26. Phillips, Mackenzie. MID-TWENTIETH CENTURY AMERICAN OPERA AND THE RISE OF THE UNCONVENTIONAL LEADING MEZZO-SOPRANO.

Degree: DMA, Music, 2018, University of Kansas

 The lecture recital focuses on selections from leading mezzo-soprano roles from four mid-twentieth century American operas: Regina by Marc Blitzstein, Trouble in Tahiti by Leonard… (more)

Subjects/Keywords: Music; American Opera; Bernstein; Blitzstein; Mezzo-Soprano; Moore; Ward

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APA (6th Edition):

Phillips, M. (2018). MID-TWENTIETH CENTURY AMERICAN OPERA AND THE RISE OF THE UNCONVENTIONAL LEADING MEZZO-SOPRANO. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/27094

Chicago Manual of Style (16th Edition):

Phillips, Mackenzie. “MID-TWENTIETH CENTURY AMERICAN OPERA AND THE RISE OF THE UNCONVENTIONAL LEADING MEZZO-SOPRANO.” 2018. Doctoral Dissertation, University of Kansas. Accessed October 17, 2019. http://hdl.handle.net/1808/27094.

MLA Handbook (7th Edition):

Phillips, Mackenzie. “MID-TWENTIETH CENTURY AMERICAN OPERA AND THE RISE OF THE UNCONVENTIONAL LEADING MEZZO-SOPRANO.” 2018. Web. 17 Oct 2019.

Vancouver:

Phillips M. MID-TWENTIETH CENTURY AMERICAN OPERA AND THE RISE OF THE UNCONVENTIONAL LEADING MEZZO-SOPRANO. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1808/27094.

Council of Science Editors:

Phillips M. MID-TWENTIETH CENTURY AMERICAN OPERA AND THE RISE OF THE UNCONVENTIONAL LEADING MEZZO-SOPRANO. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/27094

27. Gullings, Kyle Stephen. String Quartet No. 1: At Best It Sometimes Rhymes; Oblivion; The Silence They Need; Lecture Recital.

Degree: DMA, Composition, 2011, The Catholic University of America

Degree awarded: D.M.A. Composition. The Catholic University of America

Abstract not available.

Made available in DSpace on 2011-06-24T17:12:06Z (GMT). No. of bitstreams: 1 Gullings_cua_0043A_10219display.pdf: 6693108 bytes, checksum: 28343fabe2298fc27dbcb57305e7bf36 (MD5)

Advisors/Committee Members: Strunk, Steven (Advisor), Simpson, Andrew (Other), Gorbos, Stephen (Other).

Subjects/Keywords: Music; chamber music; lecture recital; Oblivion; opera; original composition; String quartet

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APA (6th Edition):

Gullings, K. S. (2011). String Quartet No. 1: At Best It Sometimes Rhymes; Oblivion; The Silence They Need; Lecture Recital. (Doctoral Dissertation). The Catholic University of America. Retrieved from http://hdl.handle.net/1961/9725

Chicago Manual of Style (16th Edition):

Gullings, Kyle Stephen. “String Quartet No. 1: At Best It Sometimes Rhymes; Oblivion; The Silence They Need; Lecture Recital.” 2011. Doctoral Dissertation, The Catholic University of America. Accessed October 17, 2019. http://hdl.handle.net/1961/9725.

MLA Handbook (7th Edition):

Gullings, Kyle Stephen. “String Quartet No. 1: At Best It Sometimes Rhymes; Oblivion; The Silence They Need; Lecture Recital.” 2011. Web. 17 Oct 2019.

Vancouver:

Gullings KS. String Quartet No. 1: At Best It Sometimes Rhymes; Oblivion; The Silence They Need; Lecture Recital. [Internet] [Doctoral dissertation]. The Catholic University of America; 2011. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1961/9725.

Council of Science Editors:

Gullings KS. String Quartet No. 1: At Best It Sometimes Rhymes; Oblivion; The Silence They Need; Lecture Recital. [Doctoral Dissertation]. The Catholic University of America; 2011. Available from: http://hdl.handle.net/1961/9725


University of South Carolina

28. Wentz, Joshua R. The Remaking of an American Opera: A Detailed Look at Carlisle Floyd's Grand Opera 'The Passion of Jonathan Wade'.

Degree: DMA, School of Music, 2014, University of South Carolina

  Carlisle Floyd's single grand opera, The Passion of Jonathan Wade, premiered in 1962 in New York City only to be placed on a shelf… (more)

Subjects/Keywords: Arts and Humanities; Music; Carlisle Floyd; Jonathan Wade; opera

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APA (6th Edition):

Wentz, J. R. (2014). The Remaking of an American Opera: A Detailed Look at Carlisle Floyd's Grand Opera 'The Passion of Jonathan Wade'. (Doctoral Dissertation). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/2656

Chicago Manual of Style (16th Edition):

Wentz, Joshua R. “The Remaking of an American Opera: A Detailed Look at Carlisle Floyd's Grand Opera 'The Passion of Jonathan Wade'.” 2014. Doctoral Dissertation, University of South Carolina. Accessed October 17, 2019. https://scholarcommons.sc.edu/etd/2656.

MLA Handbook (7th Edition):

Wentz, Joshua R. “The Remaking of an American Opera: A Detailed Look at Carlisle Floyd's Grand Opera 'The Passion of Jonathan Wade'.” 2014. Web. 17 Oct 2019.

Vancouver:

Wentz JR. The Remaking of an American Opera: A Detailed Look at Carlisle Floyd's Grand Opera 'The Passion of Jonathan Wade'. [Internet] [Doctoral dissertation]. University of South Carolina; 2014. [cited 2019 Oct 17]. Available from: https://scholarcommons.sc.edu/etd/2656.

Council of Science Editors:

Wentz JR. The Remaking of an American Opera: A Detailed Look at Carlisle Floyd's Grand Opera 'The Passion of Jonathan Wade'. [Doctoral Dissertation]. University of South Carolina; 2014. Available from: https://scholarcommons.sc.edu/etd/2656


University of Southern California

29. Gross, Robert Dale. Two Hamlet scenes.

Degree: DMA, Composition, 2008, University of Southern California

 This composition is an operatic setting of Hamlet, Act IV, Scene 5; a transitory excerpt of Act IV, Scene 6 (Gertrude announces Ophelia's demise); and… (more)

Subjects/Keywords: hamlet; chamber; opera; composition; shakespeare

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APA (6th Edition):

Gross, R. D. (2008). Two Hamlet scenes. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/87911/rec/7626

Chicago Manual of Style (16th Edition):

Gross, Robert Dale. “Two Hamlet scenes.” 2008. Doctoral Dissertation, University of Southern California. Accessed October 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/87911/rec/7626.

MLA Handbook (7th Edition):

Gross, Robert Dale. “Two Hamlet scenes.” 2008. Web. 17 Oct 2019.

Vancouver:

Gross RD. Two Hamlet scenes. [Internet] [Doctoral dissertation]. University of Southern California; 2008. [cited 2019 Oct 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/87911/rec/7626.

Council of Science Editors:

Gross RD. Two Hamlet scenes. [Doctoral Dissertation]. University of Southern California; 2008. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/87911/rec/7626


Arizona State University

30. Minov, Jana. Stanislav Binicki's Opera Na Uranku: Genesis of Critical Analysis of the First Serbian Opera.

Degree: DMA, Music, 2011, Arizona State University

 The focus of this study was the first Serbian opera, Na Uranku (At Dawn). It was written by Stanislav Binièki (1872-1942) and was first performed… (more)

Subjects/Keywords: Music; Musical Performances; Atdawn; Binicki; First; Nauranku; Opera; Serbian

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APA (6th Edition):

Minov, J. (2011). Stanislav Binicki's Opera Na Uranku: Genesis of Critical Analysis of the First Serbian Opera. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/9072

Chicago Manual of Style (16th Edition):

Minov, Jana. “Stanislav Binicki's Opera Na Uranku: Genesis of Critical Analysis of the First Serbian Opera.” 2011. Doctoral Dissertation, Arizona State University. Accessed October 17, 2019. http://repository.asu.edu/items/9072.

MLA Handbook (7th Edition):

Minov, Jana. “Stanislav Binicki's Opera Na Uranku: Genesis of Critical Analysis of the First Serbian Opera.” 2011. Web. 17 Oct 2019.

Vancouver:

Minov J. Stanislav Binicki's Opera Na Uranku: Genesis of Critical Analysis of the First Serbian Opera. [Internet] [Doctoral dissertation]. Arizona State University; 2011. [cited 2019 Oct 17]. Available from: http://repository.asu.edu/items/9072.

Council of Science Editors:

Minov J. Stanislav Binicki's Opera Na Uranku: Genesis of Critical Analysis of the First Serbian Opera. [Doctoral Dissertation]. Arizona State University; 2011. Available from: http://repository.asu.edu/items/9072

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