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You searched for subject:(opera). Showing records 1 – 30 of 55 total matches.

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University of Victoria

1. Debly, Patricia Anne. Joseph Haydn and the dramma giocoso.

Degree: School of Music, 2018, University of Victoria

 Haydn's thirteen extant Esterhazy operas, composed from 1762-85, represent a microcosm of the various trends in Italian opera during the eighteenth century. His early operas… (more)

Subjects/Keywords: Opera; 18th century

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APA (6th Edition):

Debly, P. A. (2018). Joseph Haydn and the dramma giocoso. (Thesis). University of Victoria. Retrieved from https://dspace.library.uvic.ca//handle/1828/9655

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Debly, Patricia Anne. “Joseph Haydn and the dramma giocoso.” 2018. Thesis, University of Victoria. Accessed October 17, 2019. https://dspace.library.uvic.ca//handle/1828/9655.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Debly, Patricia Anne. “Joseph Haydn and the dramma giocoso.” 2018. Web. 17 Oct 2019.

Vancouver:

Debly PA. Joseph Haydn and the dramma giocoso. [Internet] [Thesis]. University of Victoria; 2018. [cited 2019 Oct 17]. Available from: https://dspace.library.uvic.ca//handle/1828/9655.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Debly PA. Joseph Haydn and the dramma giocoso. [Thesis]. University of Victoria; 2018. Available from: https://dspace.library.uvic.ca//handle/1828/9655

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Dalhousie University

2. Zhang, Nan. Neo-orientalism in the Operas of Tan Dun.

Degree: MA, Fountain School of Performing Arts, 2015, Dalhousie University

 As the most active neo-orientalist composer, Tan Dun is known for using instruments constructed from organic materials, and fusing Western avant-garde compositional techniques with Asian… (more)

Subjects/Keywords: Tan Dun; Neo-orientalism; Opera

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APA (6th Edition):

Zhang, N. (2015). Neo-orientalism in the Operas of Tan Dun. (Masters Thesis). Dalhousie University. Retrieved from http://hdl.handle.net/10222/56305

Chicago Manual of Style (16th Edition):

Zhang, Nan. “Neo-orientalism in the Operas of Tan Dun.” 2015. Masters Thesis, Dalhousie University. Accessed October 17, 2019. http://hdl.handle.net/10222/56305.

MLA Handbook (7th Edition):

Zhang, Nan. “Neo-orientalism in the Operas of Tan Dun.” 2015. Web. 17 Oct 2019.

Vancouver:

Zhang N. Neo-orientalism in the Operas of Tan Dun. [Internet] [Masters thesis]. Dalhousie University; 2015. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10222/56305.

Council of Science Editors:

Zhang N. Neo-orientalism in the Operas of Tan Dun. [Masters Thesis]. Dalhousie University; 2015. Available from: http://hdl.handle.net/10222/56305


University of Western Ontario

3. McMahon, Colin. Antoinette, an Opera in One Act.

Degree: 2017, University of Western Ontario

 Antoinette is a chamber opera in one act. It is a dramatization of the events leading to the execution of Marie Antoinette and is 30… (more)

Subjects/Keywords: composition; opera; Canadian opera; chamber music; vocal music; French Revolution; Composition

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APA (6th Edition):

McMahon, C. (2017). Antoinette, an Opera in One Act. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/4522

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McMahon, Colin. “Antoinette, an Opera in One Act.” 2017. Thesis, University of Western Ontario. Accessed October 17, 2019. https://ir.lib.uwo.ca/etd/4522.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McMahon, Colin. “Antoinette, an Opera in One Act.” 2017. Web. 17 Oct 2019.

Vancouver:

McMahon C. Antoinette, an Opera in One Act. [Internet] [Thesis]. University of Western Ontario; 2017. [cited 2019 Oct 17]. Available from: https://ir.lib.uwo.ca/etd/4522.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McMahon C. Antoinette, an Opera in One Act. [Thesis]. University of Western Ontario; 2017. Available from: https://ir.lib.uwo.ca/etd/4522

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

4. Richardson, Joshua L. The Donnelly Opera.

Degree: 2018, University of Western Ontario

 The Donnelly Opera is a one-act chamber opera based on an infamous Southwestern Ontario event: the murder of the Donnelly family in 1880. The libretto… (more)

Subjects/Keywords: Music; opera; Canadian Opera; the Donnellys; Canadian history; chamber music; Composition

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APA (6th Edition):

Richardson, J. L. (2018). The Donnelly Opera. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5316

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Richardson, Joshua L. “The Donnelly Opera.” 2018. Thesis, University of Western Ontario. Accessed October 17, 2019. https://ir.lib.uwo.ca/etd/5316.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Richardson, Joshua L. “The Donnelly Opera.” 2018. Web. 17 Oct 2019.

Vancouver:

Richardson JL. The Donnelly Opera. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2019 Oct 17]. Available from: https://ir.lib.uwo.ca/etd/5316.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Richardson JL. The Donnelly Opera. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5316

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of British Columbia

5. Feraru, Tudor. The piano teacher chamber opera in one act .

Degree: 2008, University of British Columbia

 The thesis for the Doctor of Musical Arts degree in Composition consists of an original musical work, accompanied by an analytical document. “The Piano Teacher”… (more)

Subjects/Keywords: Opera one act

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APA (6th Edition):

Feraru, T. (2008). The piano teacher chamber opera in one act . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/2522

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Feraru, Tudor. “The piano teacher chamber opera in one act .” 2008. Thesis, University of British Columbia. Accessed October 17, 2019. http://hdl.handle.net/2429/2522.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Feraru, Tudor. “The piano teacher chamber opera in one act .” 2008. Web. 17 Oct 2019.

Vancouver:

Feraru T. The piano teacher chamber opera in one act . [Internet] [Thesis]. University of British Columbia; 2008. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2429/2522.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Feraru T. The piano teacher chamber opera in one act . [Thesis]. University of British Columbia; 2008. Available from: http://hdl.handle.net/2429/2522

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Ottawa

6. Zhang, Jingwei. Respecting Tradition: A Practical Exercise Using Theatrical Stage Lighting to Enhance a Work from Traditional Beijing Opera .

Degree: 2014, University of Ottawa

 During the early 20th century, artists associated with Beijing Opera reformed various elements of the performance to reflect contemporary events. Attempts at reform were deemed… (more)

Subjects/Keywords: Beijing Opera; Stage Lighting; McCandless Method

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APA (6th Edition):

Zhang, J. (2014). Respecting Tradition: A Practical Exercise Using Theatrical Stage Lighting to Enhance a Work from Traditional Beijing Opera . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/31541

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zhang, Jingwei. “Respecting Tradition: A Practical Exercise Using Theatrical Stage Lighting to Enhance a Work from Traditional Beijing Opera .” 2014. Thesis, University of Ottawa. Accessed October 17, 2019. http://hdl.handle.net/10393/31541.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zhang, Jingwei. “Respecting Tradition: A Practical Exercise Using Theatrical Stage Lighting to Enhance a Work from Traditional Beijing Opera .” 2014. Web. 17 Oct 2019.

Vancouver:

Zhang J. Respecting Tradition: A Practical Exercise Using Theatrical Stage Lighting to Enhance a Work from Traditional Beijing Opera . [Internet] [Thesis]. University of Ottawa; 2014. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10393/31541.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zhang J. Respecting Tradition: A Practical Exercise Using Theatrical Stage Lighting to Enhance a Work from Traditional Beijing Opera . [Thesis]. University of Ottawa; 2014. Available from: http://hdl.handle.net/10393/31541

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Toronto

7. Leigh, Steven Alan. Testing an Approach to Teaching Italian Lyric Diction to Opera Singers: An Action Research Study.

Degree: 2016, University of Toronto

Using the qualitative framework of action research (AR), this thesis empirically tested my five session, Italian Lyric Diction Course for Opera Singers by examining the… (more)

Subjects/Keywords: Diction; Instruction; Lyric; Opera; Pedagogy; Pronunciation; 0456

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APA (6th Edition):

Leigh, S. A. (2016). Testing an Approach to Teaching Italian Lyric Diction to Opera Singers: An Action Research Study. (Masters Thesis). University of Toronto. Retrieved from http://hdl.handle.net/1807/72743

Chicago Manual of Style (16th Edition):

Leigh, Steven Alan. “Testing an Approach to Teaching Italian Lyric Diction to Opera Singers: An Action Research Study.” 2016. Masters Thesis, University of Toronto. Accessed October 17, 2019. http://hdl.handle.net/1807/72743.

MLA Handbook (7th Edition):

Leigh, Steven Alan. “Testing an Approach to Teaching Italian Lyric Diction to Opera Singers: An Action Research Study.” 2016. Web. 17 Oct 2019.

Vancouver:

Leigh SA. Testing an Approach to Teaching Italian Lyric Diction to Opera Singers: An Action Research Study. [Internet] [Masters thesis]. University of Toronto; 2016. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1807/72743.

Council of Science Editors:

Leigh SA. Testing an Approach to Teaching Italian Lyric Diction to Opera Singers: An Action Research Study. [Masters Thesis]. University of Toronto; 2016. Available from: http://hdl.handle.net/1807/72743


University of Alberta

8. Cheung, Helen Kwan Yee. The Social Functions of Cantonese Opera in the Edmonton Chinese Community 1890-2009: From Sojourners to Settlers.

Degree: MA, Department of East Asian Studies, 2013, University of Alberta

 This thesis expands prior academic studies on the social context of Cantonese opera by analyzing its social functions and the role it plays in the… (more)

Subjects/Keywords: Edmonton; settlers; sojourners; Chinese Community; social functions; Cantonese opera

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APA (6th Edition):

Cheung, H. K. Y. (2013). The Social Functions of Cantonese Opera in the Edmonton Chinese Community 1890-2009: From Sojourners to Settlers. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/d504rm87p

Chicago Manual of Style (16th Edition):

Cheung, Helen Kwan Yee. “The Social Functions of Cantonese Opera in the Edmonton Chinese Community 1890-2009: From Sojourners to Settlers.” 2013. Masters Thesis, University of Alberta. Accessed October 17, 2019. https://era.library.ualberta.ca/files/d504rm87p.

MLA Handbook (7th Edition):

Cheung, Helen Kwan Yee. “The Social Functions of Cantonese Opera in the Edmonton Chinese Community 1890-2009: From Sojourners to Settlers.” 2013. Web. 17 Oct 2019.

Vancouver:

Cheung HKY. The Social Functions of Cantonese Opera in the Edmonton Chinese Community 1890-2009: From Sojourners to Settlers. [Internet] [Masters thesis]. University of Alberta; 2013. [cited 2019 Oct 17]. Available from: https://era.library.ualberta.ca/files/d504rm87p.

Council of Science Editors:

Cheung HKY. The Social Functions of Cantonese Opera in the Edmonton Chinese Community 1890-2009: From Sojourners to Settlers. [Masters Thesis]. University of Alberta; 2013. Available from: https://era.library.ualberta.ca/files/d504rm87p


University of Alberta

9. Marks, Cynthia A. Translating a Short Story by Hans-Jürgen Greif: Cats, Opera and Proverbs.

Degree: MA, Department of Modern Languages and Cultural Studies, 2012, University of Alberta

 This thesis discusses the challenges encountered when translating Hans-Jürgen Greif’s short story “N’appelle pas le chat pour mettre d’accord deux oiseaux” into English. In the… (more)

Subjects/Keywords: translation; short story; German; proverb; Greif; opera; French; Hans-Jürgen Greif

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APA (6th Edition):

Marks, C. A. (2012). Translating a Short Story by Hans-Jürgen Greif: Cats, Opera and Proverbs. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/fn106z647

Chicago Manual of Style (16th Edition):

Marks, Cynthia A. “Translating a Short Story by Hans-Jürgen Greif: Cats, Opera and Proverbs.” 2012. Masters Thesis, University of Alberta. Accessed October 17, 2019. https://era.library.ualberta.ca/files/fn106z647.

MLA Handbook (7th Edition):

Marks, Cynthia A. “Translating a Short Story by Hans-Jürgen Greif: Cats, Opera and Proverbs.” 2012. Web. 17 Oct 2019.

Vancouver:

Marks CA. Translating a Short Story by Hans-Jürgen Greif: Cats, Opera and Proverbs. [Internet] [Masters thesis]. University of Alberta; 2012. [cited 2019 Oct 17]. Available from: https://era.library.ualberta.ca/files/fn106z647.

Council of Science Editors:

Marks CA. Translating a Short Story by Hans-Jürgen Greif: Cats, Opera and Proverbs. [Masters Thesis]. University of Alberta; 2012. Available from: https://era.library.ualberta.ca/files/fn106z647


University of Western Ontario

10. Fenton, Kathryn Marie. Frontiers, Borders, Boundaries: Cross-Cultural Encounters in the New York City Reception of La fanciulla del West.

Degree: 2012, University of Western Ontario

 This dissertation maps the responses to the world premiere of Puccini’s La fanciulla del West (10 December 1910, Metropolitan Opera House, New York City). It… (more)

Subjects/Keywords: Italian Opera; Cosmopolitan Nationalism; Nativism; Giacomo Puccini; Musical Criticism; Musicology

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APA (6th Edition):

Fenton, K. M. (2012). Frontiers, Borders, Boundaries: Cross-Cultural Encounters in the New York City Reception of La fanciulla del West. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/515

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fenton, Kathryn Marie. “Frontiers, Borders, Boundaries: Cross-Cultural Encounters in the New York City Reception of La fanciulla del West.” 2012. Thesis, University of Western Ontario. Accessed October 17, 2019. https://ir.lib.uwo.ca/etd/515.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fenton, Kathryn Marie. “Frontiers, Borders, Boundaries: Cross-Cultural Encounters in the New York City Reception of La fanciulla del West.” 2012. Web. 17 Oct 2019.

Vancouver:

Fenton KM. Frontiers, Borders, Boundaries: Cross-Cultural Encounters in the New York City Reception of La fanciulla del West. [Internet] [Thesis]. University of Western Ontario; 2012. [cited 2019 Oct 17]. Available from: https://ir.lib.uwo.ca/etd/515.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fenton KM. Frontiers, Borders, Boundaries: Cross-Cultural Encounters in the New York City Reception of La fanciulla del West. [Thesis]. University of Western Ontario; 2012. Available from: https://ir.lib.uwo.ca/etd/515

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of British Columbia

11. Farrell, Jennifer Heather. Ornament and the affections in the opera arias of George Frideric Handel .

Degree: 2008, University of British Columbia

 The performance of opera arias composed by George Frideric Handel in our modern day is complicated by the necessity of including improvised embellishments, which were… (more)

Subjects/Keywords: Ornamentation; Baroque affections; Opera; Handel

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APA (6th Edition):

Farrell, J. H. (2008). Ornament and the affections in the opera arias of George Frideric Handel . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/2470

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Farrell, Jennifer Heather. “Ornament and the affections in the opera arias of George Frideric Handel .” 2008. Thesis, University of British Columbia. Accessed October 17, 2019. http://hdl.handle.net/2429/2470.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Farrell, Jennifer Heather. “Ornament and the affections in the opera arias of George Frideric Handel .” 2008. Web. 17 Oct 2019.

Vancouver:

Farrell JH. Ornament and the affections in the opera arias of George Frideric Handel . [Internet] [Thesis]. University of British Columbia; 2008. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2429/2470.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Farrell JH. Ornament and the affections in the opera arias of George Frideric Handel . [Thesis]. University of British Columbia; 2008. Available from: http://hdl.handle.net/2429/2470

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manitoba

12. Ahmed, Shomi. Active magnetic compensation prototype for a neutron electric dipole moment experiment.

Degree: Physics and Astronomy, 2019, University of Manitoba

 The existence of a non-zero neutron electric dipole moment (nEDM) would violate parity and time-reversal symmetry. Extensions to the Standard Model predict the nEDM to… (more)

Subjects/Keywords: neutron electric dipole moment; active magnetic compensation; fluxgate magnetometers; OPERA simulation

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APA (6th Edition):

Ahmed, S. (2019). Active magnetic compensation prototype for a neutron electric dipole moment experiment. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/33914

Chicago Manual of Style (16th Edition):

Ahmed, Shomi. “Active magnetic compensation prototype for a neutron electric dipole moment experiment.” 2019. Masters Thesis, University of Manitoba. Accessed October 17, 2019. http://hdl.handle.net/1993/33914.

MLA Handbook (7th Edition):

Ahmed, Shomi. “Active magnetic compensation prototype for a neutron electric dipole moment experiment.” 2019. Web. 17 Oct 2019.

Vancouver:

Ahmed S. Active magnetic compensation prototype for a neutron electric dipole moment experiment. [Internet] [Masters thesis]. University of Manitoba; 2019. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1993/33914.

Council of Science Editors:

Ahmed S. Active magnetic compensation prototype for a neutron electric dipole moment experiment. [Masters Thesis]. University of Manitoba; 2019. Available from: http://hdl.handle.net/1993/33914


Université de Montréal

13. Bernard, Justin. Adapter l'opéra au cinéma, entre création et reproduction : étude sociologique de "La Flûte enchantée" de Bergman .

Degree: 2013, Université de Montréal

 "La Flûte enchantée" (1975), téléfilm d’Ingmar Bergman, pose, dans une perspective sociologique, la question de l’adaptation de l’oeuvre alliée aux intentions esthétiques de son auteur.… (more)

Subjects/Keywords: Opéra; Opera; Mozart; Bergman; Cinéma; Cinema; Sociologie; Sociology; "Mondes de l'art"; "Worlds of art"; Publics; Audiences; Film-opéra; Opera-film; Esthétique; Aesthetics

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APA (6th Edition):

Bernard, J. (2013). Adapter l'opéra au cinéma, entre création et reproduction : étude sociologique de "La Flûte enchantée" de Bergman . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/9984

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bernard, Justin. “Adapter l'opéra au cinéma, entre création et reproduction : étude sociologique de "La Flûte enchantée" de Bergman .” 2013. Thesis, Université de Montréal. Accessed October 17, 2019. http://hdl.handle.net/1866/9984.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bernard, Justin. “Adapter l'opéra au cinéma, entre création et reproduction : étude sociologique de "La Flûte enchantée" de Bergman .” 2013. Web. 17 Oct 2019.

Vancouver:

Bernard J. Adapter l'opéra au cinéma, entre création et reproduction : étude sociologique de "La Flûte enchantée" de Bergman . [Internet] [Thesis]. Université de Montréal; 2013. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1866/9984.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bernard J. Adapter l'opéra au cinéma, entre création et reproduction : étude sociologique de "La Flûte enchantée" de Bergman . [Thesis]. Université de Montréal; 2013. Available from: http://hdl.handle.net/1866/9984

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Morse, Kevin. A Modest Proposal: A Chamber Opera in One Act.

Degree: 2012, University of Western Ontario

 A Modest Proposal is a chamber opera in one act adapted from the 1729 satirical essay of the same name by Jonathan Swift. The opera’s… (more)

Subjects/Keywords: Music; composition; opera; Canadian opera; musical quotation; Jonathan Swift; Composition

…four workshops of the opera-in-progress: Erin Bestvater, Neal Cabigon, Mike Carver, Steven… …for weeks on end. I hope you enjoy this opera as much as I have enjoyed creating it. vii… …chamber opera in one act Music by Kevin Morse Libretto by Lisa Codrington Story by Lisa… 

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APA (6th Edition):

Morse, K. (2012). A Modest Proposal: A Chamber Opera in One Act. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morse, Kevin. “A Modest Proposal: A Chamber Opera in One Act.” 2012. Thesis, University of Western Ontario. Accessed October 17, 2019. https://ir.lib.uwo.ca/etd/941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morse, Kevin. “A Modest Proposal: A Chamber Opera in One Act.” 2012. Web. 17 Oct 2019.

Vancouver:

Morse K. A Modest Proposal: A Chamber Opera in One Act. [Internet] [Thesis]. University of Western Ontario; 2012. [cited 2019 Oct 17]. Available from: https://ir.lib.uwo.ca/etd/941.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morse K. A Modest Proposal: A Chamber Opera in One Act. [Thesis]. University of Western Ontario; 2012. Available from: https://ir.lib.uwo.ca/etd/941

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Sherbrooke

15. Mesly, Olivier. Voyage au coeur de la prédation entre vendeurs et acheteurs une nouvelle théorie en vente et marketing .

Degree: 2010, Université de Sherbrooke

 There is an inherent tension between a seller and a buyer as their relationship progresses towards closing the deal.The salesperson fears that the buyer wastes… (more)

Subjects/Keywords: Dyade vendeur-acheteur; Grille Meslyª; Prédation; Modèle Opera; Modèle PARDU (Prédateur-proie); Seller-Buyer Dyad; Meslyª Grid; Predation; Opera Model; PARDU (Predator-Prey) Model

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mesly, O. (2010). Voyage au coeur de la prédation entre vendeurs et acheteurs une nouvelle théorie en vente et marketing . (Doctoral Dissertation). Université de Sherbrooke. Retrieved from http://savoirs.usherbrooke.ca/handle/11143/371

Chicago Manual of Style (16th Edition):

Mesly, Olivier. “Voyage au coeur de la prédation entre vendeurs et acheteurs une nouvelle théorie en vente et marketing .” 2010. Doctoral Dissertation, Université de Sherbrooke. Accessed October 17, 2019. http://savoirs.usherbrooke.ca/handle/11143/371.

MLA Handbook (7th Edition):

Mesly, Olivier. “Voyage au coeur de la prédation entre vendeurs et acheteurs une nouvelle théorie en vente et marketing .” 2010. Web. 17 Oct 2019.

Vancouver:

Mesly O. Voyage au coeur de la prédation entre vendeurs et acheteurs une nouvelle théorie en vente et marketing . [Internet] [Doctoral dissertation]. Université de Sherbrooke; 2010. [cited 2019 Oct 17]. Available from: http://savoirs.usherbrooke.ca/handle/11143/371.

Council of Science Editors:

Mesly O. Voyage au coeur de la prédation entre vendeurs et acheteurs une nouvelle théorie en vente et marketing . [Doctoral Dissertation]. Université de Sherbrooke; 2010. Available from: http://savoirs.usherbrooke.ca/handle/11143/371


Université de Sherbrooke

16. Mesly, Olivier. Voyage au coeur de la prédation entre vendeurs et acheteurs : une nouvelle théorie en vente et marketing .

Degree: 2010, Université de Sherbrooke

 Résumé : II existe une tension inhérente au sein de la relation en cours de développement entre un vendeur et un acheteur. Le vendeur craint… (more)

Subjects/Keywords: PARDU (predator-prey) model; OPERA model; Predation; MESLY® grid; Seller-buyer dyad; Modèle PARDU (prédateur-proie); Modèle OPERA; Prédation; Grille MESLY®; Dyade vendeur-acheteur

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APA (6th Edition):

Mesly, O. (2010). Voyage au coeur de la prédation entre vendeurs et acheteurs : une nouvelle théorie en vente et marketing . (Doctoral Dissertation). Université de Sherbrooke. Retrieved from http://hdl.handle.net/11143/9060

Chicago Manual of Style (16th Edition):

Mesly, Olivier. “Voyage au coeur de la prédation entre vendeurs et acheteurs : une nouvelle théorie en vente et marketing .” 2010. Doctoral Dissertation, Université de Sherbrooke. Accessed October 17, 2019. http://hdl.handle.net/11143/9060.

MLA Handbook (7th Edition):

Mesly, Olivier. “Voyage au coeur de la prédation entre vendeurs et acheteurs : une nouvelle théorie en vente et marketing .” 2010. Web. 17 Oct 2019.

Vancouver:

Mesly O. Voyage au coeur de la prédation entre vendeurs et acheteurs : une nouvelle théorie en vente et marketing . [Internet] [Doctoral dissertation]. Université de Sherbrooke; 2010. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11143/9060.

Council of Science Editors:

Mesly O. Voyage au coeur de la prédation entre vendeurs et acheteurs : une nouvelle théorie en vente et marketing . [Doctoral Dissertation]. Université de Sherbrooke; 2010. Available from: http://hdl.handle.net/11143/9060


University of Western Ontario

17. Stonehouse, Alison A. The attitude of the French towards Metastasio as poet and dramatist in the second half of the eighteenth century.

Degree: PhD, 1997, University of Western Ontario

Subjects/Keywords: Opera; Aesthetics, French; Opéra; Esthétique française

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APA (6th Edition):

Stonehouse, A. A. (1997). The attitude of the French towards Metastasio as poet and dramatist in the second half of the eighteenth century. (Doctoral Dissertation). University of Western Ontario. Retrieved from http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21318.pdf ;

Chicago Manual of Style (16th Edition):

Stonehouse, Alison A. “The attitude of the French towards Metastasio as poet and dramatist in the second half of the eighteenth century.” 1997. Doctoral Dissertation, University of Western Ontario. Accessed October 17, 2019. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21318.pdf ;.

MLA Handbook (7th Edition):

Stonehouse, Alison A. “The attitude of the French towards Metastasio as poet and dramatist in the second half of the eighteenth century.” 1997. Web. 17 Oct 2019.

Vancouver:

Stonehouse AA. The attitude of the French towards Metastasio as poet and dramatist in the second half of the eighteenth century. [Internet] [Doctoral dissertation]. University of Western Ontario; 1997. [cited 2019 Oct 17]. Available from: http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21318.pdf ;.

Council of Science Editors:

Stonehouse AA. The attitude of the French towards Metastasio as poet and dramatist in the second half of the eighteenth century. [Doctoral Dissertation]. University of Western Ontario; 1997. Available from: http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21318.pdf ;


Université de Montréal

18. Brown, Stacey. Trahisons liquides : la composition d’un opéra dans le contexte des productions multimédias actuelles .

Degree: 2012, Université de Montréal

 Mon projet de doctorat est en deux volets – recherche et création – et s’appuie sur l'interdépendance de ces deux aspects, car il s’agit d’un… (more)

Subjects/Keywords: Opéra; Composition; Multimédia; Recherche-Création; Terminologie; Opera; Composition; Multimedia; Research-Creation; Terminology

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APA (6th Edition):

Brown, S. (2012). Trahisons liquides : la composition d’un opéra dans le contexte des productions multimédias actuelles . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/6289

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brown, Stacey. “Trahisons liquides : la composition d’un opéra dans le contexte des productions multimédias actuelles .” 2012. Thesis, Université de Montréal. Accessed October 17, 2019. http://hdl.handle.net/1866/6289.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brown, Stacey. “Trahisons liquides : la composition d’un opéra dans le contexte des productions multimédias actuelles .” 2012. Web. 17 Oct 2019.

Vancouver:

Brown S. Trahisons liquides : la composition d’un opéra dans le contexte des productions multimédias actuelles . [Internet] [Thesis]. Université de Montréal; 2012. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1866/6289.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown S. Trahisons liquides : la composition d’un opéra dans le contexte des productions multimédias actuelles . [Thesis]. Université de Montréal; 2012. Available from: http://hdl.handle.net/1866/6289

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

19. Suchan, Paul E. Acoustic composition : exploring metaphorical and perceived connections between patterns of sound in the Opera The Beast in the Jungle .

Degree: 2012, Université de Montréal

 Les cinquante dernières années ont vues beaucoup de progrès dans la compréhension du comment nous comprenons et écoutons la musique. Malheureusement, la terminologie musicale ainsi… (more)

Subjects/Keywords: Patterns; Modèles; Opera; Opéra; Perceptibility; perceptibilité; Meaning in music; Sens musical; Form; Forme musicale

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APA (6th Edition):

Suchan, P. E. (2012). Acoustic composition : exploring metaphorical and perceived connections between patterns of sound in the Opera The Beast in the Jungle . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/8605

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Suchan, Paul E. “Acoustic composition : exploring metaphorical and perceived connections between patterns of sound in the Opera The Beast in the Jungle .” 2012. Thesis, Université de Montréal. Accessed October 17, 2019. http://hdl.handle.net/1866/8605.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Suchan, Paul E. “Acoustic composition : exploring metaphorical and perceived connections between patterns of sound in the Opera The Beast in the Jungle .” 2012. Web. 17 Oct 2019.

Vancouver:

Suchan PE. Acoustic composition : exploring metaphorical and perceived connections between patterns of sound in the Opera The Beast in the Jungle . [Internet] [Thesis]. Université de Montréal; 2012. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1866/8605.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Suchan PE. Acoustic composition : exploring metaphorical and perceived connections between patterns of sound in the Opera The Beast in the Jungle . [Thesis]. Université de Montréal; 2012. Available from: http://hdl.handle.net/1866/8605

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

20. Michaud, Pierre. La Métamorphose, un opéra en trois actes Genèse, analyse et formalisation d’une démarche compositionnelle .

Degree: 2011, Université de Montréal

 Composé entre 2007 et 2009, l’opéra La Métamorphose est une œuvre ambitieuse en raison de sa taille, mais également par son intention première de vouloir… (more)

Subjects/Keywords: Kafka; Opéra; Composition; Collaboration; Technologie; Acadie; Kafka; Opera; Composition; Collaboration; Technology; Acadie

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APA (6th Edition):

Michaud, P. (2011). La Métamorphose, un opéra en trois actes Genèse, analyse et formalisation d’une démarche compositionnelle . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/4994

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Michaud, Pierre. “La Métamorphose, un opéra en trois actes Genèse, analyse et formalisation d’une démarche compositionnelle .” 2011. Thesis, Université de Montréal. Accessed October 17, 2019. http://hdl.handle.net/1866/4994.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Michaud, Pierre. “La Métamorphose, un opéra en trois actes Genèse, analyse et formalisation d’une démarche compositionnelle .” 2011. Web. 17 Oct 2019.

Vancouver:

Michaud P. La Métamorphose, un opéra en trois actes Genèse, analyse et formalisation d’une démarche compositionnelle . [Internet] [Thesis]. Université de Montréal; 2011. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1866/4994.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Michaud P. La Métamorphose, un opéra en trois actes Genèse, analyse et formalisation d’une démarche compositionnelle . [Thesis]. Université de Montréal; 2011. Available from: http://hdl.handle.net/1866/4994

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

21. Rethazi, Andrew. Teaching Prospective Verdi Baritones: A Repertoire-Based Approach.

Degree: 2018, University of Western Ontario

 The Verdi baritone is one of the most sought-after voice types in the professional operatic sphere due to its leading presence in the Verdi repertoire.… (more)

Subjects/Keywords: Giuseppe Verdi; Baritone; Vocal Pedagogy; Voice Classification; Repertoire Study; Opera; Music Pedagogy; Music Performance

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APA (6th Edition):

Rethazi, A. (2018). Teaching Prospective Verdi Baritones: A Repertoire-Based Approach. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rethazi, Andrew. “Teaching Prospective Verdi Baritones: A Repertoire-Based Approach.” 2018. Thesis, University of Western Ontario. Accessed October 17, 2019. https://ir.lib.uwo.ca/etd/5448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rethazi, Andrew. “Teaching Prospective Verdi Baritones: A Repertoire-Based Approach.” 2018. Web. 17 Oct 2019.

Vancouver:

Rethazi A. Teaching Prospective Verdi Baritones: A Repertoire-Based Approach. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2019 Oct 17]. Available from: https://ir.lib.uwo.ca/etd/5448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rethazi A. Teaching Prospective Verdi Baritones: A Repertoire-Based Approach. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McMaster University

22. Howard, Allison Rose. The Reproduction of Patriarchal Ideological Hegemony in Soap Opera: A Case Study.

Degree: MA, 1988, McMaster University

This research analyzes the reproduction of patriarchal ideological hegemony in the soap opera Another World using Stuart Hall's theory of the mass media and his… (more)

Subjects/Keywords: patriarchal; ideological; soap opera; mass media

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Howard, A. R. (1988). The Reproduction of Patriarchal Ideological Hegemony in Soap Opera: A Case Study. (Masters Thesis). McMaster University. Retrieved from http://hdl.handle.net/11375/16221

Chicago Manual of Style (16th Edition):

Howard, Allison Rose. “The Reproduction of Patriarchal Ideological Hegemony in Soap Opera: A Case Study.” 1988. Masters Thesis, McMaster University. Accessed October 17, 2019. http://hdl.handle.net/11375/16221.

MLA Handbook (7th Edition):

Howard, Allison Rose. “The Reproduction of Patriarchal Ideological Hegemony in Soap Opera: A Case Study.” 1988. Web. 17 Oct 2019.

Vancouver:

Howard AR. The Reproduction of Patriarchal Ideological Hegemony in Soap Opera: A Case Study. [Internet] [Masters thesis]. McMaster University; 1988. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11375/16221.

Council of Science Editors:

Howard AR. The Reproduction of Patriarchal Ideological Hegemony in Soap Opera: A Case Study. [Masters Thesis]. McMaster University; 1988. Available from: http://hdl.handle.net/11375/16221


University of Toronto

23. Kenny-Gardhouse, Alison. The Critical Attributes and Design of a Music Partnership Study Guide.

Degree: 2016, University of Toronto

Abstract Community Arts Organizations such as symphonies and opera companies play an important role as partners in school education through the provision of concerts, artist… (more)

Subjects/Keywords: arts integration; arts partnerships; concert study guides; music partnerships; opera; symphonies; 0515

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APA (6th Edition):

Kenny-Gardhouse, A. (2016). The Critical Attributes and Design of a Music Partnership Study Guide. (Masters Thesis). University of Toronto. Retrieved from http://hdl.handle.net/1807/72715

Chicago Manual of Style (16th Edition):

Kenny-Gardhouse, Alison. “The Critical Attributes and Design of a Music Partnership Study Guide.” 2016. Masters Thesis, University of Toronto. Accessed October 17, 2019. http://hdl.handle.net/1807/72715.

MLA Handbook (7th Edition):

Kenny-Gardhouse, Alison. “The Critical Attributes and Design of a Music Partnership Study Guide.” 2016. Web. 17 Oct 2019.

Vancouver:

Kenny-Gardhouse A. The Critical Attributes and Design of a Music Partnership Study Guide. [Internet] [Masters thesis]. University of Toronto; 2016. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1807/72715.

Council of Science Editors:

Kenny-Gardhouse A. The Critical Attributes and Design of a Music Partnership Study Guide. [Masters Thesis]. University of Toronto; 2016. Available from: http://hdl.handle.net/1807/72715


Université de Montréal

24. Vasquez-Castaneda, Harold. Processus de création et problématiques dans la composition d’un opéra contemporain : El Príncipe Tulicio, opéra de chambre avec dispositif électronique .

Degree: 2018, Université de Montréal

Subjects/Keywords: composer un opéra; opéra contemporain; opéra électronique; musique mixte; musique contemporaine; voix contemporaine; composing an opera; contemporary opera; electronic opera; mixed music; contemporary music; contemporary voice

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APA (6th Edition):

Vasquez-Castaneda, H. (2018). Processus de création et problématiques dans la composition d’un opéra contemporain : El Príncipe Tulicio, opéra de chambre avec dispositif électronique . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/20740

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vasquez-Castaneda, Harold. “Processus de création et problématiques dans la composition d’un opéra contemporain : El Príncipe Tulicio, opéra de chambre avec dispositif électronique .” 2018. Thesis, Université de Montréal. Accessed October 17, 2019. http://hdl.handle.net/1866/20740.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vasquez-Castaneda, Harold. “Processus de création et problématiques dans la composition d’un opéra contemporain : El Príncipe Tulicio, opéra de chambre avec dispositif électronique .” 2018. Web. 17 Oct 2019.

Vancouver:

Vasquez-Castaneda H. Processus de création et problématiques dans la composition d’un opéra contemporain : El Príncipe Tulicio, opéra de chambre avec dispositif électronique . [Internet] [Thesis]. Université de Montréal; 2018. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1866/20740.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vasquez-Castaneda H. Processus de création et problématiques dans la composition d’un opéra contemporain : El Príncipe Tulicio, opéra de chambre avec dispositif électronique . [Thesis]. Université de Montréal; 2018. Available from: http://hdl.handle.net/1866/20740

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Alberta

25. Robichaud, Nancy. The Singer acts.

Degree: MA, Department of Drama, 1994, University of Alberta

Subjects/Keywords: Opera – Dramaturgy.; Singing – Methodology.; Dramatic music – Performance.

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APA (6th Edition):

Robichaud, N. (1994). The Singer acts. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/gf06g508v

Chicago Manual of Style (16th Edition):

Robichaud, Nancy. “The Singer acts.” 1994. Masters Thesis, University of Alberta. Accessed October 17, 2019. https://era.library.ualberta.ca/files/gf06g508v.

MLA Handbook (7th Edition):

Robichaud, Nancy. “The Singer acts.” 1994. Web. 17 Oct 2019.

Vancouver:

Robichaud N. The Singer acts. [Internet] [Masters thesis]. University of Alberta; 1994. [cited 2019 Oct 17]. Available from: https://era.library.ualberta.ca/files/gf06g508v.

Council of Science Editors:

Robichaud N. The Singer acts. [Masters Thesis]. University of Alberta; 1994. Available from: https://era.library.ualberta.ca/files/gf06g508v


Université de Montréal

26. Cochran, Zoey M. Loquit, ridet, et vincit : l’intégration du toscan dans la commedeja pe ‘mmuseca et sa mise en musique : une forme de résistance contre la domination étrangère .

Degree: 2013, Université de Montréal

 Au début du dix-huitième siècle, un nouveau genre opératique en « langue napolitaine » se développe à Naples, la commedeja pe ‘mmuseca (« comédie en… (more)

Subjects/Keywords: Opéra; Opera; Federico; Pergolesi; Toscan; Tuscan; Napolitain; Neapolitan; Langue; Language; Dialecte; Dialect; Naples; Histoire; History; Résistance; Resistance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cochran, Z. M. (2013). Loquit, ridet, et vincit : l’intégration du toscan dans la commedeja pe ‘mmuseca et sa mise en musique : une forme de résistance contre la domination étrangère . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/8964

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cochran, Zoey M. “Loquit, ridet, et vincit : l’intégration du toscan dans la commedeja pe ‘mmuseca et sa mise en musique : une forme de résistance contre la domination étrangère .” 2013. Thesis, Université de Montréal. Accessed October 17, 2019. http://hdl.handle.net/1866/8964.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cochran, Zoey M. “Loquit, ridet, et vincit : l’intégration du toscan dans la commedeja pe ‘mmuseca et sa mise en musique : une forme de résistance contre la domination étrangère .” 2013. Web. 17 Oct 2019.

Vancouver:

Cochran ZM. Loquit, ridet, et vincit : l’intégration du toscan dans la commedeja pe ‘mmuseca et sa mise en musique : une forme de résistance contre la domination étrangère . [Internet] [Thesis]. Université de Montréal; 2013. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1866/8964.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cochran ZM. Loquit, ridet, et vincit : l’intégration du toscan dans la commedeja pe ‘mmuseca et sa mise en musique : une forme de résistance contre la domination étrangère . [Thesis]. Université de Montréal; 2013. Available from: http://hdl.handle.net/1866/8964

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

27. Ariyan, Ashot. Bilgamesh, un ballet-opéra en deux actes. Symbiose d’un genre oublié, une mythologie archaïque et une langue morte .

Degree: 2013, Université de Montréal

 Composé entre 2009 et 2012, le ballet-opéra Bilgamesh constitue un projet d’envergure à deux titres. D’abord, il y a la tentative de ressusciter un genre… (more)

Subjects/Keywords: Opéra-ballet; Gilgamesh; Langues mortes; Symbiose; Sumer; Babylon; Mythologie; Opera-ballet; Gilgamesh; Dead languages; Symbiosis; Sumer; Babylon; Mythology

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APA (6th Edition):

Ariyan, A. (2013). Bilgamesh, un ballet-opéra en deux actes. Symbiose d’un genre oublié, une mythologie archaïque et une langue morte . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/9049

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ariyan, Ashot. “Bilgamesh, un ballet-opéra en deux actes. Symbiose d’un genre oublié, une mythologie archaïque et une langue morte .” 2013. Thesis, Université de Montréal. Accessed October 17, 2019. http://hdl.handle.net/1866/9049.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ariyan, Ashot. “Bilgamesh, un ballet-opéra en deux actes. Symbiose d’un genre oublié, une mythologie archaïque et une langue morte .” 2013. Web. 17 Oct 2019.

Vancouver:

Ariyan A. Bilgamesh, un ballet-opéra en deux actes. Symbiose d’un genre oublié, une mythologie archaïque et une langue morte . [Internet] [Thesis]. Université de Montréal; 2013. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1866/9049.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ariyan A. Bilgamesh, un ballet-opéra en deux actes. Symbiose d’un genre oublié, une mythologie archaïque et une langue morte . [Thesis]. Université de Montréal; 2013. Available from: http://hdl.handle.net/1866/9049

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

28. Lazos, John G. José Antonio Gómez’s Ynvitatorio, Himno y 8 Responsorios : historical context and music analysis of a manuscript ; José Antonio Gómez y Olguín, Ynvitatorio, Himno y 8 Responsorios, orchestral score .

Degree: 2010, Université de Montréal

 Cette thèse se veut une étude historique et une mise en contexte de l’œuvre de José Antonio Gómez y Olguín (1805-1876), compositeur du début de… (more)

Subjects/Keywords: 19ème Siècle; Le Mexique Indépendant; Église; Musique; Opéra; Chiapas; Nineteenth Century; Independent Mexico; Church; Music; Opera; Chiapas

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APA (6th Edition):

Lazos, J. G. (2010). José Antonio Gómez’s Ynvitatorio, Himno y 8 Responsorios : historical context and music analysis of a manuscript ; José Antonio Gómez y Olguín, Ynvitatorio, Himno y 8 Responsorios, orchestral score . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/4676

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lazos, John G. “José Antonio Gómez’s Ynvitatorio, Himno y 8 Responsorios : historical context and music analysis of a manuscript ; José Antonio Gómez y Olguín, Ynvitatorio, Himno y 8 Responsorios, orchestral score .” 2010. Thesis, Université de Montréal. Accessed October 17, 2019. http://hdl.handle.net/1866/4676.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lazos, John G. “José Antonio Gómez’s Ynvitatorio, Himno y 8 Responsorios : historical context and music analysis of a manuscript ; José Antonio Gómez y Olguín, Ynvitatorio, Himno y 8 Responsorios, orchestral score .” 2010. Web. 17 Oct 2019.

Vancouver:

Lazos JG. José Antonio Gómez’s Ynvitatorio, Himno y 8 Responsorios : historical context and music analysis of a manuscript ; José Antonio Gómez y Olguín, Ynvitatorio, Himno y 8 Responsorios, orchestral score . [Internet] [Thesis]. Université de Montréal; 2010. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1866/4676.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lazos JG. José Antonio Gómez’s Ynvitatorio, Himno y 8 Responsorios : historical context and music analysis of a manuscript ; José Antonio Gómez y Olguín, Ynvitatorio, Himno y 8 Responsorios, orchestral score . [Thesis]. Université de Montréal; 2010. Available from: http://hdl.handle.net/1866/4676

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Kirton, Eleanora Lee. Leonardo Vinci's Didone Abbandonata (1726): an exercise in rhetoric.

Degree: School of Music, 2013, University of Victoria

 This thesis is concerned with the discernment of rhetorical technique within the eighteenth-century opera seria. An oration and an opera seria are both carefully planned… (more)

Subjects/Keywords: Didone abbandonata; Leonardo Vinci; Pietro Metastasio; Opera

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kirton, E. L. (2013). Leonardo Vinci's Didone Abbandonata (1726): an exercise in rhetoric. (Masters Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/4507

Chicago Manual of Style (16th Edition):

Kirton, Eleanora Lee. “Leonardo Vinci's Didone Abbandonata (1726): an exercise in rhetoric.” 2013. Masters Thesis, University of Victoria. Accessed October 17, 2019. http://hdl.handle.net/1828/4507.

MLA Handbook (7th Edition):

Kirton, Eleanora Lee. “Leonardo Vinci's Didone Abbandonata (1726): an exercise in rhetoric.” 2013. Web. 17 Oct 2019.

Vancouver:

Kirton EL. Leonardo Vinci's Didone Abbandonata (1726): an exercise in rhetoric. [Internet] [Masters thesis]. University of Victoria; 2013. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1828/4507.

Council of Science Editors:

Kirton EL. Leonardo Vinci's Didone Abbandonata (1726): an exercise in rhetoric. [Masters Thesis]. University of Victoria; 2013. Available from: http://hdl.handle.net/1828/4507


University of Victoria

30. Smith, Donnalee. Examining the Canadian Opera Company's role in opera education in Ontario schools, 1950-1990.

Degree: Dept. of Curriculum and Instruction, 2008, University of Victoria

Subjects/Keywords: Canadian Opera Company; Music  – Instruction and study  – Ontario

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smith, D. (2008). Examining the Canadian Opera Company's role in opera education in Ontario schools, 1950-1990. (Thesis). University of Victoria. Retrieved from http://hdl.handle.net/1828/738

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Donnalee. “Examining the Canadian Opera Company's role in opera education in Ontario schools, 1950-1990.” 2008. Thesis, University of Victoria. Accessed October 17, 2019. http://hdl.handle.net/1828/738.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Donnalee. “Examining the Canadian Opera Company's role in opera education in Ontario schools, 1950-1990.” 2008. Web. 17 Oct 2019.

Vancouver:

Smith D. Examining the Canadian Opera Company's role in opera education in Ontario schools, 1950-1990. [Internet] [Thesis]. University of Victoria; 2008. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1828/738.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith D. Examining the Canadian Opera Company's role in opera education in Ontario schools, 1950-1990. [Thesis]. University of Victoria; 2008. Available from: http://hdl.handle.net/1828/738

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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