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You searched for subject:(nontheatrical film AND video). Showing records 1 – 30 of 419 total matches.

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University of North Texas

1. Munde, Gail Marie. An Examination of Selected Product Characteristics Associated with the Sales Success of Nontheatrical Film and Video Works.

Degree: 1990, University of North Texas

 The purpose of this study was to test assumptions made about characteristics of nontheatrical film and video works that were thought to contribute to the… (more)

Subjects/Keywords: videos in education; sales success; film and video; nontheatrical film and video; film and video criticism; Motion pictures  – United States  – Distribution.; Motion pictures in education.; Video tapes in education.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Munde, G. M. (1990). An Examination of Selected Product Characteristics Associated with the Sales Success of Nontheatrical Film and Video Works. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc331458/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Munde, Gail Marie. “An Examination of Selected Product Characteristics Associated with the Sales Success of Nontheatrical Film and Video Works.” 1990. Thesis, University of North Texas. Accessed December 01, 2020. https://digital.library.unt.edu/ark:/67531/metadc331458/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Munde, Gail Marie. “An Examination of Selected Product Characteristics Associated with the Sales Success of Nontheatrical Film and Video Works.” 1990. Web. 01 Dec 2020.

Vancouver:

Munde GM. An Examination of Selected Product Characteristics Associated with the Sales Success of Nontheatrical Film and Video Works. [Internet] [Thesis]. University of North Texas; 1990. [cited 2020 Dec 01]. Available from: https://digital.library.unt.edu/ark:/67531/metadc331458/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Munde GM. An Examination of Selected Product Characteristics Associated with the Sales Success of Nontheatrical Film and Video Works. [Thesis]. University of North Texas; 1990. Available from: https://digital.library.unt.edu/ark:/67531/metadc331458/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

2. Fowler, Rosalind. Embodied Film and Experimental Ethnography: Place, Belonging and Performative Folk Traditions in England.

Degree: 2013, University of the Arts London

 This research addresses the ways in which film might be used to investigate senses of place and representations of place and ritual. It focuses on… (more)

Subjects/Keywords: Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fowler, R. (2013). Embodied Film and Experimental Ethnography: Place, Belonging and Performative Folk Traditions in England. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/7768/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fowler, Rosalind. “Embodied Film and Experimental Ethnography: Place, Belonging and Performative Folk Traditions in England.” 2013. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/7768/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fowler, Rosalind. “Embodied Film and Experimental Ethnography: Place, Belonging and Performative Folk Traditions in England.” 2013. Web. 01 Dec 2020.

Vancouver:

Fowler R. Embodied Film and Experimental Ethnography: Place, Belonging and Performative Folk Traditions in England. [Internet] [Thesis]. University of the Arts London; 2013. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7768/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fowler R. Embodied Film and Experimental Ethnography: Place, Belonging and Performative Folk Traditions in England. [Thesis]. University of the Arts London; 2013. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7768/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

3. Andersdotter, Sara. Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice.

Degree: 2015, University of the Arts London

 This practice-based thesis proposes radical, critical, creative reconsiderations of memory and how the mnemic may be expressed in art practice. The research took place through… (more)

Subjects/Keywords: Film & Video

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APA (6th Edition):

Andersdotter, S. (2015). Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/7841/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Andersdotter, Sara. “Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice.” 2015. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/7841/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Andersdotter, Sara. “Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice.” 2015. Web. 01 Dec 2020.

Vancouver:

Andersdotter S. Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7841/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Andersdotter S. Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice. [Thesis]. University of the Arts London; 2015. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7841/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

4. Carden, Jessica. The black body in Arctic space : revisioning racialised landscapes in the films of John Akomfrah and Isaac Julien.

Degree: PhD, 2018, University of the Arts London

 This thesis explores constructions of the Arctic as a literal and symbolic white space through an investigation of two films: John Akomfrah's The Nine Muses… (more)

Subjects/Keywords: Film & Video

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APA (6th Edition):

Carden, J. (2018). The black body in Arctic space : revisioning racialised landscapes in the films of John Akomfrah and Isaac Julien. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/14791/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782018

Chicago Manual of Style (16th Edition):

Carden, Jessica. “The black body in Arctic space : revisioning racialised landscapes in the films of John Akomfrah and Isaac Julien.” 2018. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/14791/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782018.

MLA Handbook (7th Edition):

Carden, Jessica. “The black body in Arctic space : revisioning racialised landscapes in the films of John Akomfrah and Isaac Julien.” 2018. Web. 01 Dec 2020.

Vancouver:

Carden J. The black body in Arctic space : revisioning racialised landscapes in the films of John Akomfrah and Isaac Julien. [Internet] [Doctoral dissertation]. University of the Arts London; 2018. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/14791/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782018.

Council of Science Editors:

Carden J. The black body in Arctic space : revisioning racialised landscapes in the films of John Akomfrah and Isaac Julien. [Doctoral Dissertation]. University of the Arts London; 2018. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/14791/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782018


University of the Arts London

5. Carden, Jessica. The Black Body in Arctic Space: Revisioning Racialised Landscapes in the Films of John Akomfrah and Isaac Julien.

Degree: 2018, University of the Arts London

 This thesis explores constructions of the Arctic as a literal and symbolic white space through an investigation of two films: John Akomfrah’s The Nine Muses… (more)

Subjects/Keywords: Film & Video

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carden, J. (2018). The Black Body in Arctic Space: Revisioning Racialised Landscapes in the Films of John Akomfrah and Isaac Julien. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/14791/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carden, Jessica. “The Black Body in Arctic Space: Revisioning Racialised Landscapes in the Films of John Akomfrah and Isaac Julien.” 2018. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/14791/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carden, Jessica. “The Black Body in Arctic Space: Revisioning Racialised Landscapes in the Films of John Akomfrah and Isaac Julien.” 2018. Web. 01 Dec 2020.

Vancouver:

Carden J. The Black Body in Arctic Space: Revisioning Racialised Landscapes in the Films of John Akomfrah and Isaac Julien. [Internet] [Thesis]. University of the Arts London; 2018. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/14791/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carden J. The Black Body in Arctic Space: Revisioning Racialised Landscapes in the Films of John Akomfrah and Isaac Julien. [Thesis]. University of the Arts London; 2018. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/14791/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

6. McGill, Genevieve. Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.

Degree: 2013, University of the Arts London

 The main aim of this thesis is to provide a voice to a marginalised community on the island of Inishbofin off the North West coast… (more)

Subjects/Keywords: Film studies; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McGill, G. (2013). Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5888/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McGill, Genevieve. “Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5888/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McGill, Genevieve. “Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Web. 01 Dec 2020.

Vancouver:

McGill G. Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Internet] [Thesis]. University of the Arts London; 2013. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5888/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McGill G. Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Thesis]. University of the Arts London; 2013. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5888/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

7. Mackay, Jem. www.swarmtv.net: non-­hierarchy through open source approaches to distributed filmmaking.

Degree: 2015, University of the Arts London

 An increasing number of filmmaking projects borrow approaches from open source programming methodologies in the practical process of film production. The potential benefits of open… (more)

Subjects/Keywords: Film Production; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mackay, J. (2015). www.swarmtv.net: non-­hierarchy through open source approaches to distributed filmmaking. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/8756/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mackay, Jem. “www.swarmtv.net: non-­hierarchy through open source approaches to distributed filmmaking.” 2015. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/8756/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mackay, Jem. “www.swarmtv.net: non-­hierarchy through open source approaches to distributed filmmaking.” 2015. Web. 01 Dec 2020.

Vancouver:

Mackay J. www.swarmtv.net: non-­hierarchy through open source approaches to distributed filmmaking. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/8756/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mackay J. www.swarmtv.net: non-­hierarchy through open source approaches to distributed filmmaking. [Thesis]. University of the Arts London; 2015. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/8756/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

8. McGill, Genevieve. Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.

Degree: PhD, 2013, University of the Arts London

 The main aim of this thesis is to provide a voice to a marginalised community on the island of Inishbofin off the North West coast… (more)

Subjects/Keywords: 791.43; Film studies; Film & Video

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McGill, G. (2013). Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5888/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881

Chicago Manual of Style (16th Edition):

McGill, Genevieve. “Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5888/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881.

MLA Handbook (7th Edition):

McGill, Genevieve. “Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Web. 01 Dec 2020.

Vancouver:

McGill G. Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Internet] [Doctoral dissertation]. University of the Arts London; 2013. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5888/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881.

Council of Science Editors:

McGill G. Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Doctoral Dissertation]. University of the Arts London; 2013. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5888/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881


University of the Arts London

9. Pelling, Kate. Select Reject Reconfigure: Editing Speech in Artists’ Direct Address to Camera.

Degree: 2016, University of the Arts London

 This practice-based thesis offers a new approach to editing processes that take place during the recording and subsequent editing of an individual speaking directly to… (more)

Subjects/Keywords: Film & Video; Film & Sound Recording

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APA (6th Edition):

Pelling, K. (2016). Select Reject Reconfigure: Editing Speech in Artists’ Direct Address to Camera. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/10825/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pelling, Kate. “Select Reject Reconfigure: Editing Speech in Artists’ Direct Address to Camera.” 2016. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/10825/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pelling, Kate. “Select Reject Reconfigure: Editing Speech in Artists’ Direct Address to Camera.” 2016. Web. 01 Dec 2020.

Vancouver:

Pelling K. Select Reject Reconfigure: Editing Speech in Artists’ Direct Address to Camera. [Internet] [Thesis]. University of the Arts London; 2016. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/10825/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pelling K. Select Reject Reconfigure: Editing Speech in Artists’ Direct Address to Camera. [Thesis]. University of the Arts London; 2016. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/10825/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University of Wellington

10. Anderson, Duncan. Film and Video Censorship in New Zealand, 1976-1994.

Degree: 2017, Victoria University of Wellington

 This thesis is an historical analysis of cinema and video censorship in New Zealand focusing on the period from 1976 to 1994. This is bookended… (more)

Subjects/Keywords: Film; Video; Censorship

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Anderson, D. (2017). Film and Video Censorship in New Zealand, 1976-1994. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/6756

Chicago Manual of Style (16th Edition):

Anderson, Duncan. “Film and Video Censorship in New Zealand, 1976-1994.” 2017. Doctoral Dissertation, Victoria University of Wellington. Accessed December 01, 2020. http://hdl.handle.net/10063/6756.

MLA Handbook (7th Edition):

Anderson, Duncan. “Film and Video Censorship in New Zealand, 1976-1994.” 2017. Web. 01 Dec 2020.

Vancouver:

Anderson D. Film and Video Censorship in New Zealand, 1976-1994. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2017. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/10063/6756.

Council of Science Editors:

Anderson D. Film and Video Censorship in New Zealand, 1976-1994. [Doctoral Dissertation]. Victoria University of Wellington; 2017. Available from: http://hdl.handle.net/10063/6756


University of the Arts London

11. Fowler, Rosalind. Embodied film and experimental ethnography : place, belonging and performative folk traditions in England.

Degree: PhD, 2013, University of the Arts London

 This research addresses the ways in which film might be used to investigate senses of place and representations of place and ritual. It focuses on… (more)

Subjects/Keywords: 791.43; Film & Video

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fowler, R. (2013). Embodied film and experimental ethnography : place, belonging and performative folk traditions in England. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/7768/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.587499

Chicago Manual of Style (16th Edition):

Fowler, Rosalind. “Embodied film and experimental ethnography : place, belonging and performative folk traditions in England.” 2013. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/7768/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.587499.

MLA Handbook (7th Edition):

Fowler, Rosalind. “Embodied film and experimental ethnography : place, belonging and performative folk traditions in England.” 2013. Web. 01 Dec 2020.

Vancouver:

Fowler R. Embodied film and experimental ethnography : place, belonging and performative folk traditions in England. [Internet] [Doctoral dissertation]. University of the Arts London; 2013. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7768/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.587499.

Council of Science Editors:

Fowler R. Embodied film and experimental ethnography : place, belonging and performative folk traditions in England. [Doctoral Dissertation]. University of the Arts London; 2013. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7768/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.587499


Brno University of Technology

12. Marie, Lukáčová. Dokument: Document.

Degree: 2019, Brno University of Technology

 Mocumentary movie which is mapping the area of Czech border fortification, its quality and the current social situation. Movie consists of two parts, the first… (more)

Subjects/Keywords: Mokument; Video; Film; Mocumentary; Video art; movie

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Marie, L. (2019). Dokument: Document. (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/41242

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marie, Lukáčová. “Dokument: Document.” 2019. Thesis, Brno University of Technology. Accessed December 01, 2020. http://hdl.handle.net/11012/41242.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marie, Lukáčová. “Dokument: Document.” 2019. Web. 01 Dec 2020.

Vancouver:

Marie L. Dokument: Document. [Internet] [Thesis]. Brno University of Technology; 2019. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/11012/41242.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marie L. Dokument: Document. [Thesis]. Brno University of Technology; 2019. Available from: http://hdl.handle.net/11012/41242

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

13. Hogan, Romeal. Above the flesh.

Degree: School of Film and Animation (CIAS), 2012, Rochester Institute of Technology

 The goal of this paper is to outline the production of the film "Above the Flesh", from conceptualization to completion. Also included in this paper… (more)

Subjects/Keywords: Film; Horror; Pyschological; Twins; Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hogan, R. (2012). Above the flesh. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4959

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hogan, Romeal. “Above the flesh.” 2012. Thesis, Rochester Institute of Technology. Accessed December 01, 2020. https://scholarworks.rit.edu/theses/4959.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hogan, Romeal. “Above the flesh.” 2012. Web. 01 Dec 2020.

Vancouver:

Hogan R. Above the flesh. [Internet] [Thesis]. Rochester Institute of Technology; 2012. [cited 2020 Dec 01]. Available from: https://scholarworks.rit.edu/theses/4959.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hogan R. Above the flesh. [Thesis]. Rochester Institute of Technology; 2012. Available from: https://scholarworks.rit.edu/theses/4959

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

14. Valenti, John. Tech service.

Degree: School of Film and Animation (CIAS), 2012, Rochester Institute of Technology

 The graduate thesis film Tech Service is a 21- minute surreal memoir-parody of its creator's day at work in a tech support call center. Having… (more)

Subjects/Keywords: Artist statement; Film; Production; Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Valenti, J. (2012). Tech service. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4960

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Valenti, John. “Tech service.” 2012. Thesis, Rochester Institute of Technology. Accessed December 01, 2020. https://scholarworks.rit.edu/theses/4960.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Valenti, John. “Tech service.” 2012. Web. 01 Dec 2020.

Vancouver:

Valenti J. Tech service. [Internet] [Thesis]. Rochester Institute of Technology; 2012. [cited 2020 Dec 01]. Available from: https://scholarworks.rit.edu/theses/4960.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Valenti J. Tech service. [Thesis]. Rochester Institute of Technology; 2012. Available from: https://scholarworks.rit.edu/theses/4960

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Royal Holloway, University of London

15. Raspi, Eleonora. Antonioni in the 1980s : between art historical tradition and innovation.

Degree: PhD, 2016, Royal Holloway, University of London

 Key critical accounts on Michelangelo Antonioni's career continue to be carried out within various disciplines, spanning film studies, art history and cultural studies. While much… (more)

Subjects/Keywords: Antonioni; film; painting; video; interdisciplinary

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Raspi, E. (2016). Antonioni in the 1980s : between art historical tradition and innovation. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/antonioni-in-the-1980s-between-art-historical-tradition-and-innovation(d6332ae6-be0e-4bae-a9bd-387ddd600687).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792494

Chicago Manual of Style (16th Edition):

Raspi, Eleonora. “Antonioni in the 1980s : between art historical tradition and innovation.” 2016. Doctoral Dissertation, Royal Holloway, University of London. Accessed December 01, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/antonioni-in-the-1980s-between-art-historical-tradition-and-innovation(d6332ae6-be0e-4bae-a9bd-387ddd600687).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792494.

MLA Handbook (7th Edition):

Raspi, Eleonora. “Antonioni in the 1980s : between art historical tradition and innovation.” 2016. Web. 01 Dec 2020.

Vancouver:

Raspi E. Antonioni in the 1980s : between art historical tradition and innovation. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2016. [cited 2020 Dec 01]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/antonioni-in-the-1980s-between-art-historical-tradition-and-innovation(d6332ae6-be0e-4bae-a9bd-387ddd600687).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792494.

Council of Science Editors:

Raspi E. Antonioni in the 1980s : between art historical tradition and innovation. [Doctoral Dissertation]. Royal Holloway, University of London; 2016. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/antonioni-in-the-1980s-between-art-historical-tradition-and-innovation(d6332ae6-be0e-4bae-a9bd-387ddd600687).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792494


University of the Arts London

16. Kelland, Dean. Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice.

Degree: PhD, 2016, University of the Arts London

 This practice-based PhD has at its core six short films, made by and featuring the author (Dean Kelland), which take as their inspiration certain male… (more)

Subjects/Keywords: 791.45; Television studies; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kelland, D. (2016). Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/9189/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683491

Chicago Manual of Style (16th Edition):

Kelland, Dean. “Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice.” 2016. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/9189/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683491.

MLA Handbook (7th Edition):

Kelland, Dean. “Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice.” 2016. Web. 01 Dec 2020.

Vancouver:

Kelland D. Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice. [Internet] [Doctoral dissertation]. University of the Arts London; 2016. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/9189/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683491.

Council of Science Editors:

Kelland D. Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice. [Doctoral Dissertation]. University of the Arts London; 2016. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/9189/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683491


University of the Arts London

17. Bal, Gulsen. Negation of Complicated Mirrors: An Examination of Differential Structures within the “Production of Subject” Realised through Creative Practice.

Degree: 2010, University of the Arts London

 This research explores new methods for practice-based research in fine art (video and multi-media installation) and in curatorial practices, residing in specific readings of Deleuze.… (more)

Subjects/Keywords: Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bal, G. (2010). Negation of Complicated Mirrors: An Examination of Differential Structures within the “Production of Subject” Realised through Creative Practice. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/7766/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bal, Gulsen. “Negation of Complicated Mirrors: An Examination of Differential Structures within the “Production of Subject” Realised through Creative Practice.” 2010. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/7766/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bal, Gulsen. “Negation of Complicated Mirrors: An Examination of Differential Structures within the “Production of Subject” Realised through Creative Practice.” 2010. Web. 01 Dec 2020.

Vancouver:

Bal G. Negation of Complicated Mirrors: An Examination of Differential Structures within the “Production of Subject” Realised through Creative Practice. [Internet] [Thesis]. University of the Arts London; 2010. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7766/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bal G. Negation of Complicated Mirrors: An Examination of Differential Structures within the “Production of Subject” Realised through Creative Practice. [Thesis]. University of the Arts London; 2010. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7766/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

18. Kirkham, Neil. Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative.

Degree: 2011, University of the Arts London

 In The Secret Museum: Pornography and Modern Culture, Walter Kendrick demonstrates that whilst the term pornography remains a battleground of ideas and representations, its origins… (more)

Subjects/Keywords: French Literature; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kirkham, N. (2011). Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5137/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kirkham, Neil. “Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative.” 2011. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5137/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kirkham, Neil. “Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative.” 2011. Web. 01 Dec 2020.

Vancouver:

Kirkham N. Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5137/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kirkham N. Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative. [Thesis]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5137/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

19. Millett, Joanna. Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry.

Degree: 2013, University of the Arts London

 This thesis addresses temporal experience in moving image from the perspective of artists’ film and video and asks: "if material qualities are implicated in memory… (more)

Subjects/Keywords: Fine Art; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Millett, J. (2013). Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5649/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Millett, Joanna. “Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry.” 2013. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5649/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Millett, Joanna. “Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry.” 2013. Web. 01 Dec 2020.

Vancouver:

Millett J. Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry. [Internet] [Thesis]. University of the Arts London; 2013. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5649/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Millett J. Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry. [Thesis]. University of the Arts London; 2013. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5649/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

20. fitzPatrick, Edwina. Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age.

Degree: 2014, University of the Arts London

40,000 word paper accompanying an AHRC funded collaborative PhD with the Forestry Commission at Grizedale and Glasgow School of Art

Subjects/Keywords: Fine Art; Sculpture; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

fitzPatrick, E. (2014). Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age. (Thesis). University of the Arts London. Retrieved from https://www.grizedalearchive.org

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

fitzPatrick, Edwina. “Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age.” 2014. Thesis, University of the Arts London. Accessed December 01, 2020. https://www.grizedalearchive.org.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

fitzPatrick, Edwina. “Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age.” 2014. Web. 01 Dec 2020.

Vancouver:

fitzPatrick E. Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age. [Internet] [Thesis]. University of the Arts London; 2014. [cited 2020 Dec 01]. Available from: https://www.grizedalearchive.org.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

fitzPatrick E. Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age. [Thesis]. University of the Arts London; 2014. Available from: https://www.grizedalearchive.org

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

21. Akça, Deniz. Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.

Degree: 2015, University of the Arts London

 This practice-led research investigates the problematic representations of women from ethnic minorities in the context of Turkey. It questions the ways in which Turkish cinema… (more)

Subjects/Keywords: History of Art; Film & Video

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Akça, D. (2015). Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/12373/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Akça, Deniz. “Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/12373/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Akça, Deniz. “Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Web. 01 Dec 2020.

Vancouver:

Akça D. Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/12373/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Akça D. Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Thesis]. University of the Arts London; 2015. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/12373/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

22. Millett, Joanna. Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry.

Degree: PhD, 2013, University of the Arts London

 This thesis addresses temporal experience in moving image from the perspective of artists’ film and video and asks: "if material qualities are implicated in memory… (more)

Subjects/Keywords: 777; Fine Art; Film & Video

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Millett, J. (2013). Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5649/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619202

Chicago Manual of Style (16th Edition):

Millett, Joanna. “Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry.” 2013. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5649/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619202.

MLA Handbook (7th Edition):

Millett, Joanna. “Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry.” 2013. Web. 01 Dec 2020.

Vancouver:

Millett J. Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry. [Internet] [Doctoral dissertation]. University of the Arts London; 2013. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5649/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619202.

Council of Science Editors:

Millett J. Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry. [Doctoral Dissertation]. University of the Arts London; 2013. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5649/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619202


University of the Arts London

23. Perry, Colin. Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990.

Degree: PhD, 2016, University of the Arts London

 This thesis looks at independent film and video cultures in Britain from the mid 1970s to late 1980s. It examines a period of time in… (more)

Subjects/Keywords: History of Art; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Perry, C. (2016). Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002

Chicago Manual of Style (16th Edition):

Perry, Colin. “Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990.” 2016. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002.

MLA Handbook (7th Edition):

Perry, Colin. “Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990.” 2016. Web. 01 Dec 2020.

Vancouver:

Perry C. Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990. [Internet] [Doctoral dissertation]. University of the Arts London; 2016. [cited 2020 Dec 01]. Available from: http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002.

Council of Science Editors:

Perry C. Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990. [Doctoral Dissertation]. University of the Arts London; 2016. Available from: http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002


University of the Arts London

24. Akça, Deniz. Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.

Degree: PhD, 2015, University of the Arts London

 This practice-led research investigates the problematic representations of women from ethnic minorities in the context of Turkey. It questions the ways in which Turkish cinema… (more)

Subjects/Keywords: History of Art; Film & Video

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Akça, D. (2015). Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000

Chicago Manual of Style (16th Edition):

Akça, Deniz. “Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000.

MLA Handbook (7th Edition):

Akça, Deniz. “Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Web. 01 Dec 2020.

Vancouver:

Akça D. Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Internet] [Doctoral dissertation]. University of the Arts London; 2015. [cited 2020 Dec 01]. Available from: http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000.

Council of Science Editors:

Akça D. Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Doctoral Dissertation]. University of the Arts London; 2015. Available from: http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000


University of the Arts London

25. Kirkham, Neil. Simple pornographers? : the Marquis de Sade and the evolution of the hard-core pornographic film narrative.

Degree: PhD, 2011, University of the Arts London

 In The Secret Museum: Pornography and Modern Culture, Walter Kendrick demonstrates that whilst the term pornography remains a battleground of ideas and representations, its origins… (more)

Subjects/Keywords: 700.4538; French Literature; Film & Video

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kirkham, N. (2011). Simple pornographers? : the Marquis de Sade and the evolution of the hard-core pornographic film narrative. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5137/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553892

Chicago Manual of Style (16th Edition):

Kirkham, Neil. “Simple pornographers? : the Marquis de Sade and the evolution of the hard-core pornographic film narrative.” 2011. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5137/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553892.

MLA Handbook (7th Edition):

Kirkham, Neil. “Simple pornographers? : the Marquis de Sade and the evolution of the hard-core pornographic film narrative.” 2011. Web. 01 Dec 2020.

Vancouver:

Kirkham N. Simple pornographers? : the Marquis de Sade and the evolution of the hard-core pornographic film narrative. [Internet] [Doctoral dissertation]. University of the Arts London; 2011. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5137/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553892.

Council of Science Editors:

Kirkham N. Simple pornographers? : the Marquis de Sade and the evolution of the hard-core pornographic film narrative. [Doctoral Dissertation]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5137/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553892


University of the Arts London

26. Kelland, Dean. Flawed Masculinities: “Rupturing” 1950s/60s/70s British TV Sitcom via a Performance-led Interdisciplinary Arts Practice.

Degree: 2016, University of the Arts London

 This practice-based PhD has at its core six short films, made by and featuring the author (Dean Kelland), which take as their inspiration certain male… (more)

Subjects/Keywords: Television studies; Film & Video

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kelland, D. (2016). Flawed Masculinities: “Rupturing” 1950s/60s/70s British TV Sitcom via a Performance-led Interdisciplinary Arts Practice. (Thesis). University of the Arts London. Retrieved from http://www.deankelland.com/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kelland, Dean. “Flawed Masculinities: “Rupturing” 1950s/60s/70s British TV Sitcom via a Performance-led Interdisciplinary Arts Practice.” 2016. Thesis, University of the Arts London. Accessed December 01, 2020. http://www.deankelland.com/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kelland, Dean. “Flawed Masculinities: “Rupturing” 1950s/60s/70s British TV Sitcom via a Performance-led Interdisciplinary Arts Practice.” 2016. Web. 01 Dec 2020.

Vancouver:

Kelland D. Flawed Masculinities: “Rupturing” 1950s/60s/70s British TV Sitcom via a Performance-led Interdisciplinary Arts Practice. [Internet] [Thesis]. University of the Arts London; 2016. [cited 2020 Dec 01]. Available from: http://www.deankelland.com/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kelland D. Flawed Masculinities: “Rupturing” 1950s/60s/70s British TV Sitcom via a Performance-led Interdisciplinary Arts Practice. [Thesis]. University of the Arts London; 2016. Available from: http://www.deankelland.com/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

27. Perry, Colin. Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990.

Degree: 2016, University of the Arts London

 This thesis looks at independent film and video cultures in Britain from the mid 1970s to late 1980s. It examines a period of time in… (more)

Subjects/Keywords: History of Art; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Perry, C. (2016). Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/11999/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Perry, Colin. “Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990.” 2016. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/11999/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Perry, Colin. “Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990.” 2016. Web. 01 Dec 2020.

Vancouver:

Perry C. Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990. [Internet] [Thesis]. University of the Arts London; 2016. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/11999/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Perry C. Into the Mainstream: Independent Film and Video Counterpublics and Television in Britain, 1974–1990. [Thesis]. University of the Arts London; 2016. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/11999/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

28. Doing, Karel Sidney. Ambient Poetics and Critical Posthumanism in Expanded Cinema.

Degree: 2017, University of the Arts London

 Posthumanism is a contested term, seen by some as leading towards a merging of human bodies and technology and by others, more critically, as a… (more)

Subjects/Keywords: Film & Video; Digital Media Design

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Doing, K. S. (2017). Ambient Poetics and Critical Posthumanism in Expanded Cinema. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/12393/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Doing, Karel Sidney. “Ambient Poetics and Critical Posthumanism in Expanded Cinema.” 2017. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/12393/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Doing, Karel Sidney. “Ambient Poetics and Critical Posthumanism in Expanded Cinema.” 2017. Web. 01 Dec 2020.

Vancouver:

Doing KS. Ambient Poetics and Critical Posthumanism in Expanded Cinema. [Internet] [Thesis]. University of the Arts London; 2017. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/12393/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Doing KS. Ambient Poetics and Critical Posthumanism in Expanded Cinema. [Thesis]. University of the Arts London; 2017. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/12393/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

29. Pelling, Kate. Select, reject, reconfigure : editing speech in artists' direct address to camera.

Degree: PhD, 2016, University of the Arts London

 This practice-based thesis offers a new approach to editing processes that take place during the recording and subsequent editing of an individual speaking directly to… (more)

Subjects/Keywords: 791.43; Film & Video; Film & Sound Recording

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pelling, K. (2016). Select, reject, reconfigure : editing speech in artists' direct address to camera. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/10825/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707530

Chicago Manual of Style (16th Edition):

Pelling, Kate. “Select, reject, reconfigure : editing speech in artists' direct address to camera.” 2016. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/10825/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707530.

MLA Handbook (7th Edition):

Pelling, Kate. “Select, reject, reconfigure : editing speech in artists' direct address to camera.” 2016. Web. 01 Dec 2020.

Vancouver:

Pelling K. Select, reject, reconfigure : editing speech in artists' direct address to camera. [Internet] [Doctoral dissertation]. University of the Arts London; 2016. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/10825/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707530.

Council of Science Editors:

Pelling K. Select, reject, reconfigure : editing speech in artists' direct address to camera. [Doctoral Dissertation]. University of the Arts London; 2016. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/10825/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707530


Brno University of Technology

30. Svoboda, Jonáš. Metody kontingence / Hladové oči a Psí duše / Zkus si zavázat tkaničku během chůze: Contingency Methods / Hungry eyes and Dog soul / Bind your laces while walking.

Degree: 2019, Brno University of Technology

 The camera, as a creature, wanders through space, takes action. We feel tense, every moment of time. In everything. Dance of particles, screaming in unreal… (more)

Subjects/Keywords: film; video; pohyblivý obraz; hudba; vlnění; film; video; moving picture; music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Svoboda, J. (2019). Metody kontingence / Hladové oči a Psí duše / Zkus si zavázat tkaničku během chůze: Contingency Methods / Hungry eyes and Dog soul / Bind your laces while walking. (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/81020

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Svoboda, Jonáš. “Metody kontingence / Hladové oči a Psí duše / Zkus si zavázat tkaničku během chůze: Contingency Methods / Hungry eyes and Dog soul / Bind your laces while walking.” 2019. Thesis, Brno University of Technology. Accessed December 01, 2020. http://hdl.handle.net/11012/81020.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Svoboda, Jonáš. “Metody kontingence / Hladové oči a Psí duše / Zkus si zavázat tkaničku během chůze: Contingency Methods / Hungry eyes and Dog soul / Bind your laces while walking.” 2019. Web. 01 Dec 2020.

Vancouver:

Svoboda J. Metody kontingence / Hladové oči a Psí duše / Zkus si zavázat tkaničku během chůze: Contingency Methods / Hungry eyes and Dog soul / Bind your laces while walking. [Internet] [Thesis]. Brno University of Technology; 2019. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/11012/81020.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Svoboda J. Metody kontingence / Hladové oči a Psí duše / Zkus si zavázat tkaničku během chůze: Contingency Methods / Hungry eyes and Dog soul / Bind your laces while walking. [Thesis]. Brno University of Technology; 2019. Available from: http://hdl.handle.net/11012/81020

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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