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You searched for subject:(music theater). Showing records 1 – 30 of 382 total matches.

[1] [2] [3] [4] [5] … [13]

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1. McDowell, Shelly. "Treemonisha"| A historical and character analysis.

Degree: 2010, California State University, Long Beach

  The amount of scholarly evaluation on the title role of Scott Joplin's opera <i>Treemonisha</i> is limited. This thesis observes the influence of historical events… (more)

Subjects/Keywords: Music; Theater

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McDowell, S. (2010). "Treemonisha"| A historical and character analysis. (Thesis). California State University, Long Beach. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1486508

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McDowell, Shelly. “"Treemonisha"| A historical and character analysis.” 2010. Thesis, California State University, Long Beach. Accessed December 10, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=1486508.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McDowell, Shelly. “"Treemonisha"| A historical and character analysis.” 2010. Web. 10 Dec 2019.

Vancouver:

McDowell S. "Treemonisha"| A historical and character analysis. [Internet] [Thesis]. California State University, Long Beach; 2010. [cited 2019 Dec 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1486508.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McDowell S. "Treemonisha"| A historical and character analysis. [Thesis]. California State University, Long Beach; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1486508

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. McLeod, Deborah J. From fear to freedom| Overcoming obstacles and living truthfully in a role.

Degree: 2010, California State University, Long Beach

  This project report examines the utilization of the psychophysical techniques of F. M. Alexander and Konstantin Stanislavski in overcoming singer and actor blocks to… (more)

Subjects/Keywords: Music; Theater

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APA (6th Edition):

McLeod, D. J. (2010). From fear to freedom| Overcoming obstacles and living truthfully in a role. (Thesis). California State University, Long Beach. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1486660

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McLeod, Deborah J. “From fear to freedom| Overcoming obstacles and living truthfully in a role.” 2010. Thesis, California State University, Long Beach. Accessed December 10, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=1486660.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McLeod, Deborah J. “From fear to freedom| Overcoming obstacles and living truthfully in a role.” 2010. Web. 10 Dec 2019.

Vancouver:

McLeod DJ. From fear to freedom| Overcoming obstacles and living truthfully in a role. [Internet] [Thesis]. California State University, Long Beach; 2010. [cited 2019 Dec 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1486660.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McLeod DJ. From fear to freedom| Overcoming obstacles and living truthfully in a role. [Thesis]. California State University, Long Beach; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1486660

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida State University

3. Bracken, Jillian L. Actualizing the (Im)Possible in Community Musical Theater: An Ethnography of a Tallahassee, Florida Production of Titanic.

Degree: MM, Music, 2010, Florida State University

Community musical theater actively engages individuals in music-making and dramatic performances across the United States. Musical experiences in the realm of community musical theater afford… (more)

Subjects/Keywords: Music; Theater

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APA (6th Edition):

Bracken, J. L. (2010). Actualizing the (Im)Possible in Community Musical Theater: An Ethnography of a Tallahassee, Florida Production of Titanic. (Masters Thesis). Florida State University. Retrieved from http://purl.flvc.org/fsu/fd/FSU_migr_etd-3422 ;

Chicago Manual of Style (16th Edition):

Bracken, Jillian L. “Actualizing the (Im)Possible in Community Musical Theater: An Ethnography of a Tallahassee, Florida Production of Titanic.” 2010. Masters Thesis, Florida State University. Accessed December 10, 2019. http://purl.flvc.org/fsu/fd/FSU_migr_etd-3422 ;.

MLA Handbook (7th Edition):

Bracken, Jillian L. “Actualizing the (Im)Possible in Community Musical Theater: An Ethnography of a Tallahassee, Florida Production of Titanic.” 2010. Web. 10 Dec 2019.

Vancouver:

Bracken JL. Actualizing the (Im)Possible in Community Musical Theater: An Ethnography of a Tallahassee, Florida Production of Titanic. [Internet] [Masters thesis]. Florida State University; 2010. [cited 2019 Dec 10]. Available from: http://purl.flvc.org/fsu/fd/FSU_migr_etd-3422 ;.

Council of Science Editors:

Bracken JL. Actualizing the (Im)Possible in Community Musical Theater: An Ethnography of a Tallahassee, Florida Production of Titanic. [Masters Thesis]. Florida State University; 2010. Available from: http://purl.flvc.org/fsu/fd/FSU_migr_etd-3422 ;


University of Nevada – Las Vegas

4. Bunt, Bonita Elissa. Finding the Shakespeare in Ambroise Thomas' Hamlet: A Comparison of Plot and Character in the Seventeenth-century English Play and the Nineteenth-century French Opera.

Degree: DMA, Music, 2017, University of Nevada – Las Vegas

  Although the 17th century play Hamlet by William Shakespeare was originally performed in English, its popularity grew throughout Europe, entering France’s robust theatre tradition… (more)

Subjects/Keywords: Music; Theatre History

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APA (6th Edition):

Bunt, B. E. (2017). Finding the Shakespeare in Ambroise Thomas' Hamlet: A Comparison of Plot and Character in the Seventeenth-century English Play and the Nineteenth-century French Opera. (Doctoral Dissertation). University of Nevada – Las Vegas. Retrieved from https://digitalscholarship.unlv.edu/thesesdissertations/2953

Chicago Manual of Style (16th Edition):

Bunt, Bonita Elissa. “Finding the Shakespeare in Ambroise Thomas' Hamlet: A Comparison of Plot and Character in the Seventeenth-century English Play and the Nineteenth-century French Opera.” 2017. Doctoral Dissertation, University of Nevada – Las Vegas. Accessed December 10, 2019. https://digitalscholarship.unlv.edu/thesesdissertations/2953.

MLA Handbook (7th Edition):

Bunt, Bonita Elissa. “Finding the Shakespeare in Ambroise Thomas' Hamlet: A Comparison of Plot and Character in the Seventeenth-century English Play and the Nineteenth-century French Opera.” 2017. Web. 10 Dec 2019.

Vancouver:

Bunt BE. Finding the Shakespeare in Ambroise Thomas' Hamlet: A Comparison of Plot and Character in the Seventeenth-century English Play and the Nineteenth-century French Opera. [Internet] [Doctoral dissertation]. University of Nevada – Las Vegas; 2017. [cited 2019 Dec 10]. Available from: https://digitalscholarship.unlv.edu/thesesdissertations/2953.

Council of Science Editors:

Bunt BE. Finding the Shakespeare in Ambroise Thomas' Hamlet: A Comparison of Plot and Character in the Seventeenth-century English Play and the Nineteenth-century French Opera. [Doctoral Dissertation]. University of Nevada – Las Vegas; 2017. Available from: https://digitalscholarship.unlv.edu/thesesdissertations/2953

5. Yamami, Wynn T. Enacting the canon| The dramatization of composers on the American stage and screen, 1910 – 1938.

Degree: 2009, New York University

  This dissertation explores the depiction of canonic composers on the American stage and screen, 1910-1938. Within these biographical productions (<i>bio-productions</i>), the composer reenacts the… (more)

Subjects/Keywords: Music; Theater; Cinema

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APA (6th Edition):

Yamami, W. T. (2009). Enacting the canon| The dramatization of composers on the American stage and screen, 1910 – 1938. (Thesis). New York University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3342372

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yamami, Wynn T. “Enacting the canon| The dramatization of composers on the American stage and screen, 1910 – 1938.” 2009. Thesis, New York University. Accessed December 10, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3342372.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yamami, Wynn T. “Enacting the canon| The dramatization of composers on the American stage and screen, 1910 – 1938.” 2009. Web. 10 Dec 2019.

Vancouver:

Yamami WT. Enacting the canon| The dramatization of composers on the American stage and screen, 1910 – 1938. [Internet] [Thesis]. New York University; 2009. [cited 2019 Dec 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3342372.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yamami WT. Enacting the canon| The dramatization of composers on the American stage and screen, 1910 – 1938. [Thesis]. New York University; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3342372

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


West Virginia University

6. Rudari, David Joseph. Opera at the Metropolitan: The 1896 – 1897 Damrosch Opera Season and Xaver Scharwenka's "Mataswintha".

Degree: DMA, School of Music, 2011, West Virginia University

 Franz Xaver Scharwenka (1850-1924), was an enterprising and successful pianist, composer, and teacher in nineteenth century Germany who in 1893 composed an opera, Mataswintha, based… (more)

Subjects/Keywords: Music; Theater history

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APA (6th Edition):

Rudari, D. J. (2011). Opera at the Metropolitan: The 1896 – 1897 Damrosch Opera Season and Xaver Scharwenka's "Mataswintha". (Thesis). West Virginia University. Retrieved from https://researchrepository.wvu.edu/etd/3546

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rudari, David Joseph. “Opera at the Metropolitan: The 1896 – 1897 Damrosch Opera Season and Xaver Scharwenka's "Mataswintha".” 2011. Thesis, West Virginia University. Accessed December 10, 2019. https://researchrepository.wvu.edu/etd/3546.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rudari, David Joseph. “Opera at the Metropolitan: The 1896 – 1897 Damrosch Opera Season and Xaver Scharwenka's "Mataswintha".” 2011. Web. 10 Dec 2019.

Vancouver:

Rudari DJ. Opera at the Metropolitan: The 1896 – 1897 Damrosch Opera Season and Xaver Scharwenka's "Mataswintha". [Internet] [Thesis]. West Virginia University; 2011. [cited 2019 Dec 10]. Available from: https://researchrepository.wvu.edu/etd/3546.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rudari DJ. Opera at the Metropolitan: The 1896 – 1897 Damrosch Opera Season and Xaver Scharwenka's "Mataswintha". [Thesis]. West Virginia University; 2011. Available from: https://researchrepository.wvu.edu/etd/3546

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

7. Lee, Siu Hei. The Music and Social Politics of Pierrot, 1884-1915.

Degree: Music, 2018, University of California – San Diego

 With few exceptions, the understanding of the commedia dell’arte character of Pierrot in musicology focuses on aesthetic progress and the representation of the lonely artist.… (more)

Subjects/Keywords: Music history; Music; Theater history; Carnival; Commedia dell'arte; Music history; Pierrot; Social history; Theatre

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APA (6th Edition):

Lee, S. H. (2018). The Music and Social Politics of Pierrot, 1884-1915. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/4tv9r5ts

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Siu Hei. “The Music and Social Politics of Pierrot, 1884-1915.” 2018. Thesis, University of California – San Diego. Accessed December 10, 2019. http://www.escholarship.org/uc/item/4tv9r5ts.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Siu Hei. “The Music and Social Politics of Pierrot, 1884-1915.” 2018. Web. 10 Dec 2019.

Vancouver:

Lee SH. The Music and Social Politics of Pierrot, 1884-1915. [Internet] [Thesis]. University of California – San Diego; 2018. [cited 2019 Dec 10]. Available from: http://www.escholarship.org/uc/item/4tv9r5ts.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee SH. The Music and Social Politics of Pierrot, 1884-1915. [Thesis]. University of California – San Diego; 2018. Available from: http://www.escholarship.org/uc/item/4tv9r5ts

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oregon

8. Ertz, Matilda Ann Butkas, 1979-. Nineteenth-century Italian ballet music before national unification: Sources, style, and context.

Degree: 2010, University of Oregon

 Though not widely acknowledged, ballet and its music were important to the nineteenth-century Italian theatre-goer. While much scholarship exists for Italian opera, less study is… (more)

Subjects/Keywords: Ballet  – Italy  – History  – 19th century; Italy; 19th century; Dance; Theatre; History; Music; Theater; Ballet music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ertz, Matilda Ann Butkas, 1. (2010). Nineteenth-century Italian ballet music before national unification: Sources, style, and context. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/11296

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ertz, Matilda Ann Butkas, 1979-. “Nineteenth-century Italian ballet music before national unification: Sources, style, and context.” 2010. Thesis, University of Oregon. Accessed December 10, 2019. http://hdl.handle.net/1794/11296.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ertz, Matilda Ann Butkas, 1979-. “Nineteenth-century Italian ballet music before national unification: Sources, style, and context.” 2010. Web. 10 Dec 2019.

Vancouver:

Ertz, Matilda Ann Butkas 1. Nineteenth-century Italian ballet music before national unification: Sources, style, and context. [Internet] [Thesis]. University of Oregon; 2010. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/1794/11296.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ertz, Matilda Ann Butkas 1. Nineteenth-century Italian ballet music before national unification: Sources, style, and context. [Thesis]. University of Oregon; 2010. Available from: http://hdl.handle.net/1794/11296

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Liberty University

9. Cox, Brandon. Theatre in Worship: A Curriculum for Teaching Theatre in the Local Church Music Ministry.

Degree: 2017, Liberty University

Music has been a part of church worship for many ages, and no doubt, music education programs can produce leaders within the church who are… (more)

Subjects/Keywords: Music and Theatre; Theatre Curriculum; Worship Leader; Music; Musicology; Music Performance; Music Practice; Other Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cox, B. (2017). Theatre in Worship: A Curriculum for Teaching Theatre in the Local Church Music Ministry. (Masters Thesis). Liberty University. Retrieved from http://digitalcommons.liberty.edu/masters/434

Chicago Manual of Style (16th Edition):

Cox, Brandon. “Theatre in Worship: A Curriculum for Teaching Theatre in the Local Church Music Ministry.” 2017. Masters Thesis, Liberty University. Accessed December 10, 2019. http://digitalcommons.liberty.edu/masters/434.

MLA Handbook (7th Edition):

Cox, Brandon. “Theatre in Worship: A Curriculum for Teaching Theatre in the Local Church Music Ministry.” 2017. Web. 10 Dec 2019.

Vancouver:

Cox B. Theatre in Worship: A Curriculum for Teaching Theatre in the Local Church Music Ministry. [Internet] [Masters thesis]. Liberty University; 2017. [cited 2019 Dec 10]. Available from: http://digitalcommons.liberty.edu/masters/434.

Council of Science Editors:

Cox B. Theatre in Worship: A Curriculum for Teaching Theatre in the Local Church Music Ministry. [Masters Thesis]. Liberty University; 2017. Available from: http://digitalcommons.liberty.edu/masters/434


Massey University

10. Shen, Nalin. The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition .

Degree: 2010, Massey University

 Almost fifty years ago Chinese composer Chou Wen-chung proposed a musical “re-merger” of East and West. For many Chinese composers of today a sense of… (more)

Subjects/Keywords: Chinese opera; Music theatre scores

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shen, N. (2010). The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/2535

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shen, Nalin. “The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition .” 2010. Thesis, Massey University. Accessed December 10, 2019. http://hdl.handle.net/10179/2535.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shen, Nalin. “The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition .” 2010. Web. 10 Dec 2019.

Vancouver:

Shen N. The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition . [Internet] [Thesis]. Massey University; 2010. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/10179/2535.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shen N. The integration of Chinese opera traditions into new musical compositions : thesis submitted to the the New Zealand School of Music in fulfilment of the requirements for the degree of Doctor of Philosophy of Music in Composition . [Thesis]. Massey University; 2010. Available from: http://hdl.handle.net/10179/2535

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Otago

11. Chapman, Ian C. David Bowie: Life is a Cabaret .

Degree: 2010, University of Otago

 David Bowie is regarded as a unique and pivotal performer within the field of popular music but little attempt has been made thus far to… (more)

Subjects/Keywords: Rock music; Theatre; Performance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chapman, I. C. (2010). David Bowie: Life is a Cabaret . (Masters Thesis). University of Otago. Retrieved from http://hdl.handle.net/10523/454

Chicago Manual of Style (16th Edition):

Chapman, Ian C. “David Bowie: Life is a Cabaret .” 2010. Masters Thesis, University of Otago. Accessed December 10, 2019. http://hdl.handle.net/10523/454.

MLA Handbook (7th Edition):

Chapman, Ian C. “David Bowie: Life is a Cabaret .” 2010. Web. 10 Dec 2019.

Vancouver:

Chapman IC. David Bowie: Life is a Cabaret . [Internet] [Masters thesis]. University of Otago; 2010. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/10523/454.

Council of Science Editors:

Chapman IC. David Bowie: Life is a Cabaret . [Masters Thesis]. University of Otago; 2010. Available from: http://hdl.handle.net/10523/454


Delft University of Technology

12. Zekveld, F.L. Performing Arts Centre | Stage for the City:.

Degree: 2011, Delft University of Technology

 The Performing Arts Centre is part of the Creative Centre Rotterdam (Masterplan designed with T. Froger and R. Anaityte) and has the goal to focus… (more)

Subjects/Keywords: Performing; Dance; Theatre; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zekveld, F. L. (2011). Performing Arts Centre | Stage for the City:. (Masters Thesis). Delft University of Technology. Retrieved from http://resolver.tudelft.nl/uuid:6e2a5f8d-9c9d-46c5-a3d1-95e13b54ed46

Chicago Manual of Style (16th Edition):

Zekveld, F L. “Performing Arts Centre | Stage for the City:.” 2011. Masters Thesis, Delft University of Technology. Accessed December 10, 2019. http://resolver.tudelft.nl/uuid:6e2a5f8d-9c9d-46c5-a3d1-95e13b54ed46.

MLA Handbook (7th Edition):

Zekveld, F L. “Performing Arts Centre | Stage for the City:.” 2011. Web. 10 Dec 2019.

Vancouver:

Zekveld FL. Performing Arts Centre | Stage for the City:. [Internet] [Masters thesis]. Delft University of Technology; 2011. [cited 2019 Dec 10]. Available from: http://resolver.tudelft.nl/uuid:6e2a5f8d-9c9d-46c5-a3d1-95e13b54ed46.

Council of Science Editors:

Zekveld FL. Performing Arts Centre | Stage for the City:. [Masters Thesis]. Delft University of Technology; 2011. Available from: http://resolver.tudelft.nl/uuid:6e2a5f8d-9c9d-46c5-a3d1-95e13b54ed46


University of Wollongong

13. Greenwell, Andrée. ‘Theatres of Music’: recent composition-led works by Andrée Greenwell.

Degree: Doctor of Creative Arts, Faculty of Creative Arts, 2012, University of Wollongong

  This exegesis provides an exposition of the theoretical basis for my two most recent music-theatre compositions The Hanging of Jean Lee and The Villainelles,… (more)

Subjects/Keywords: music theatre; composition; interdisciplinary; transcreation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Greenwell, A. (2012). ‘Theatres of Music’: recent composition-led works by Andrée Greenwell. (Doctoral Dissertation). University of Wollongong. Retrieved from ; https://ro.uow.edu.au/theses/3795

Chicago Manual of Style (16th Edition):

Greenwell, Andrée. “‘Theatres of Music’: recent composition-led works by Andrée Greenwell.” 2012. Doctoral Dissertation, University of Wollongong. Accessed December 10, 2019. ; https://ro.uow.edu.au/theses/3795.

MLA Handbook (7th Edition):

Greenwell, Andrée. “‘Theatres of Music’: recent composition-led works by Andrée Greenwell.” 2012. Web. 10 Dec 2019.

Vancouver:

Greenwell A. ‘Theatres of Music’: recent composition-led works by Andrée Greenwell. [Internet] [Doctoral dissertation]. University of Wollongong; 2012. [cited 2019 Dec 10]. Available from: ; https://ro.uow.edu.au/theses/3795.

Council of Science Editors:

Greenwell A. ‘Theatres of Music’: recent composition-led works by Andrée Greenwell. [Doctoral Dissertation]. University of Wollongong; 2012. Available from: ; https://ro.uow.edu.au/theses/3795


University of Wollongong

14. Kellaway, Nigel John. Abstraction, theatre and the musical frame.

Degree: Doctor of Creative Arts, School of the Arts, English and Media - Faculty of Law, Humanities and the Arts, 2015, University of Wollongong

  Brief Synopsis: a beautiful naked woman ‘of a certain age’ brutally stabs a young man to death is a practice-led research project that consists… (more)

Subjects/Keywords: Theatre; postdramatic; music; abstraction; space

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kellaway, N. J. (2015). Abstraction, theatre and the musical frame. (Doctoral Dissertation). University of Wollongong. Retrieved from ; https://ro.uow.edu.au/theses/4526

Chicago Manual of Style (16th Edition):

Kellaway, Nigel John. “Abstraction, theatre and the musical frame.” 2015. Doctoral Dissertation, University of Wollongong. Accessed December 10, 2019. ; https://ro.uow.edu.au/theses/4526.

MLA Handbook (7th Edition):

Kellaway, Nigel John. “Abstraction, theatre and the musical frame.” 2015. Web. 10 Dec 2019.

Vancouver:

Kellaway NJ. Abstraction, theatre and the musical frame. [Internet] [Doctoral dissertation]. University of Wollongong; 2015. [cited 2019 Dec 10]. Available from: ; https://ro.uow.edu.au/theses/4526.

Council of Science Editors:

Kellaway NJ. Abstraction, theatre and the musical frame. [Doctoral Dissertation]. University of Wollongong; 2015. Available from: ; https://ro.uow.edu.au/theses/4526


University of Nevada – Las Vegas

15. August Mccullough, William George. Models for Beethoven's An die ferne Geliebte, Op. 98: A Stylistic Analysis.

Degree: DMA, Music, 2015, University of Nevada – Las Vegas

  This document argues that the defining stylistic features of Beethoven’s An die ferne Geliebte, Op. 98 can be directly traced through an evolution of… (more)

Subjects/Keywords: Music; Theatre and Performance Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

August Mccullough, W. G. (2015). Models for Beethoven's An die ferne Geliebte, Op. 98: A Stylistic Analysis. (Doctoral Dissertation). University of Nevada – Las Vegas. Retrieved from https://digitalscholarship.unlv.edu/thesesdissertations/2514

Chicago Manual of Style (16th Edition):

August Mccullough, William George. “Models for Beethoven's An die ferne Geliebte, Op. 98: A Stylistic Analysis.” 2015. Doctoral Dissertation, University of Nevada – Las Vegas. Accessed December 10, 2019. https://digitalscholarship.unlv.edu/thesesdissertations/2514.

MLA Handbook (7th Edition):

August Mccullough, William George. “Models for Beethoven's An die ferne Geliebte, Op. 98: A Stylistic Analysis.” 2015. Web. 10 Dec 2019.

Vancouver:

August Mccullough WG. Models for Beethoven's An die ferne Geliebte, Op. 98: A Stylistic Analysis. [Internet] [Doctoral dissertation]. University of Nevada – Las Vegas; 2015. [cited 2019 Dec 10]. Available from: https://digitalscholarship.unlv.edu/thesesdissertations/2514.

Council of Science Editors:

August Mccullough WG. Models for Beethoven's An die ferne Geliebte, Op. 98: A Stylistic Analysis. [Doctoral Dissertation]. University of Nevada – Las Vegas; 2015. Available from: https://digitalscholarship.unlv.edu/thesesdissertations/2514


University of Nevada – Las Vegas

16. Nelson, Daniel Edward. Incidental music: Enhancing the emotional experience of the audience.

Degree: MAin Theatre Arts, Theatre Arts, 2010, University of Nevada – Las Vegas

 Environmental psychologists, like Robert Gifford who study transactions between individuals and their physical settings, maintain that as an individual's environment is changed, the environment also… (more)

Subjects/Keywords: Music; Theatre and Performance Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nelson, D. E. (2010). Incidental music: Enhancing the emotional experience of the audience. (Masters Thesis). University of Nevada – Las Vegas. Retrieved from https://digitalscholarship.unlv.edu/thesesdissertations/353

Chicago Manual of Style (16th Edition):

Nelson, Daniel Edward. “Incidental music: Enhancing the emotional experience of the audience.” 2010. Masters Thesis, University of Nevada – Las Vegas. Accessed December 10, 2019. https://digitalscholarship.unlv.edu/thesesdissertations/353.

MLA Handbook (7th Edition):

Nelson, Daniel Edward. “Incidental music: Enhancing the emotional experience of the audience.” 2010. Web. 10 Dec 2019.

Vancouver:

Nelson DE. Incidental music: Enhancing the emotional experience of the audience. [Internet] [Masters thesis]. University of Nevada – Las Vegas; 2010. [cited 2019 Dec 10]. Available from: https://digitalscholarship.unlv.edu/thesesdissertations/353.

Council of Science Editors:

Nelson DE. Incidental music: Enhancing the emotional experience of the audience. [Masters Thesis]. University of Nevada – Las Vegas; 2010. Available from: https://digitalscholarship.unlv.edu/thesesdissertations/353


University of Sydney

17. Meurant, Cyrus Louis. The Bow and the Lyre: Harmonious structures and opposite tensions – collaboration and extramusical inspiration in composition .

Degree: 2019, University of Sydney

 This folio of compositions and accompanying exegesis represents a wide range of works often created in response to briefs from musicians, choreographers, directors and other… (more)

Subjects/Keywords: Music; Opera; Dance; theatre; Collaboration

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Meurant, C. L. (2019). The Bow and the Lyre: Harmonious structures and opposite tensions – collaboration and extramusical inspiration in composition . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/21143

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Meurant, Cyrus Louis. “The Bow and the Lyre: Harmonious structures and opposite tensions – collaboration and extramusical inspiration in composition .” 2019. Thesis, University of Sydney. Accessed December 10, 2019. http://hdl.handle.net/2123/21143.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Meurant, Cyrus Louis. “The Bow and the Lyre: Harmonious structures and opposite tensions – collaboration and extramusical inspiration in composition .” 2019. Web. 10 Dec 2019.

Vancouver:

Meurant CL. The Bow and the Lyre: Harmonious structures and opposite tensions – collaboration and extramusical inspiration in composition . [Internet] [Thesis]. University of Sydney; 2019. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/2123/21143.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Meurant CL. The Bow and the Lyre: Harmonious structures and opposite tensions – collaboration and extramusical inspiration in composition . [Thesis]. University of Sydney; 2019. Available from: http://hdl.handle.net/2123/21143

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Nevada – Las Vegas

18. Hunter Jr, Daniel Joseph. Florence B. Price's Compositional Style to Song Settings of Paul Laurence Dunbar's Dialect Poetry: A Performance Guide.

Degree: DMA, Music, 2019, University of Nevada – Las Vegas

  Florence B. Price (1887-1953) was an African-American composer from Little Rock, Arkansas. Ms. Price, who was a mixed-race female, was able to achieve unprecedented… (more)

Subjects/Keywords: Music; Theatre and Performance Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hunter Jr, D. J. (2019). Florence B. Price's Compositional Style to Song Settings of Paul Laurence Dunbar's Dialect Poetry: A Performance Guide. (Doctoral Dissertation). University of Nevada – Las Vegas. Retrieved from https://digitalscholarship.unlv.edu/thesesdissertations/3618

Chicago Manual of Style (16th Edition):

Hunter Jr, Daniel Joseph. “Florence B. Price's Compositional Style to Song Settings of Paul Laurence Dunbar's Dialect Poetry: A Performance Guide.” 2019. Doctoral Dissertation, University of Nevada – Las Vegas. Accessed December 10, 2019. https://digitalscholarship.unlv.edu/thesesdissertations/3618.

MLA Handbook (7th Edition):

Hunter Jr, Daniel Joseph. “Florence B. Price's Compositional Style to Song Settings of Paul Laurence Dunbar's Dialect Poetry: A Performance Guide.” 2019. Web. 10 Dec 2019.

Vancouver:

Hunter Jr DJ. Florence B. Price's Compositional Style to Song Settings of Paul Laurence Dunbar's Dialect Poetry: A Performance Guide. [Internet] [Doctoral dissertation]. University of Nevada – Las Vegas; 2019. [cited 2019 Dec 10]. Available from: https://digitalscholarship.unlv.edu/thesesdissertations/3618.

Council of Science Editors:

Hunter Jr DJ. Florence B. Price's Compositional Style to Song Settings of Paul Laurence Dunbar's Dialect Poetry: A Performance Guide. [Doctoral Dissertation]. University of Nevada – Las Vegas; 2019. Available from: https://digitalscholarship.unlv.edu/thesesdissertations/3618


Arizona State University

19. Bruton, Sara. Safe and Sound: A Resource Guide for Music Theater Technique and Literature.

Degree: Music, 2018, Arizona State University

 Since its inception, the American Broadway industry has flourished and grown to include numerous vocal styles and techniques. The early twenty-first century has seen a… (more)

Subjects/Keywords: Music; Pedagogy; Theater; Bel Canto; Broadway; Healthy Belt; Music Theater; Teaching Music Theater; Voice Pedagogy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bruton, S. (2018). Safe and Sound: A Resource Guide for Music Theater Technique and Literature. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/51786

Chicago Manual of Style (16th Edition):

Bruton, Sara. “Safe and Sound: A Resource Guide for Music Theater Technique and Literature.” 2018. Doctoral Dissertation, Arizona State University. Accessed December 10, 2019. http://repository.asu.edu/items/51786.

MLA Handbook (7th Edition):

Bruton, Sara. “Safe and Sound: A Resource Guide for Music Theater Technique and Literature.” 2018. Web. 10 Dec 2019.

Vancouver:

Bruton S. Safe and Sound: A Resource Guide for Music Theater Technique and Literature. [Internet] [Doctoral dissertation]. Arizona State University; 2018. [cited 2019 Dec 10]. Available from: http://repository.asu.edu/items/51786.

Council of Science Editors:

Bruton S. Safe and Sound: A Resource Guide for Music Theater Technique and Literature. [Doctoral Dissertation]. Arizona State University; 2018. Available from: http://repository.asu.edu/items/51786

20. Ehrlich, Melinda. Updating "La voix humaine"| Authenticity and accessibility.

Degree: 2012, California State University, Long Beach

  The aim of this project report, in conjunction with my graduate recital, is to justify updating<i> La voix humaine</i> in a way that maintains… (more)

Subjects/Keywords: Music; Theater; Performing Arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ehrlich, M. (2012). Updating "La voix humaine"| Authenticity and accessibility. (Thesis). California State University, Long Beach. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1521581

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ehrlich, Melinda. “Updating "La voix humaine"| Authenticity and accessibility.” 2012. Thesis, California State University, Long Beach. Accessed December 10, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=1521581.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ehrlich, Melinda. “Updating "La voix humaine"| Authenticity and accessibility.” 2012. Web. 10 Dec 2019.

Vancouver:

Ehrlich M. Updating "La voix humaine"| Authenticity and accessibility. [Internet] [Thesis]. California State University, Long Beach; 2012. [cited 2019 Dec 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1521581.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ehrlich M. Updating "La voix humaine"| Authenticity and accessibility. [Thesis]. California State University, Long Beach; 2012. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1521581

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California, San Diego

21. Ponti, Carla M. The musical representation of Asian characters in the musicals of Richard Rodgers.

Degree: 2010, University of California, San Diego

  The study of the American musical is emerging in two different research streams. The first treats the musical as an aesthetic object and applies… (more)

Subjects/Keywords: American Studies; Music; Theater

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ponti, C. M. (2010). The musical representation of Asian characters in the musicals of Richard Rodgers. (Thesis). University of California, San Diego. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3408871

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ponti, Carla M. “The musical representation of Asian characters in the musicals of Richard Rodgers.” 2010. Thesis, University of California, San Diego. Accessed December 10, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3408871.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ponti, Carla M. “The musical representation of Asian characters in the musicals of Richard Rodgers.” 2010. Web. 10 Dec 2019.

Vancouver:

Ponti CM. The musical representation of Asian characters in the musicals of Richard Rodgers. [Internet] [Thesis]. University of California, San Diego; 2010. [cited 2019 Dec 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3408871.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ponti CM. The musical representation of Asian characters in the musicals of Richard Rodgers. [Thesis]. University of California, San Diego; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3408871

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Carolina

22. Pop, Nicolae. The birth of Romanian opera| The influence of folklore in Ciprian Porumbescu's work "Crai Nou".

Degree: 2009, University of South Carolina

  The purpose of this study is to demonstrate the impact that regional folklore had on Romanian musical arts, to provide a brief historical background… (more)

Subjects/Keywords: Music; Theater; Musical Performances

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pop, N. (2009). The birth of Romanian opera| The influence of folklore in Ciprian Porumbescu's work "Crai Nou". (Thesis). University of South Carolina. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3366551

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pop, Nicolae. “The birth of Romanian opera| The influence of folklore in Ciprian Porumbescu's work "Crai Nou".” 2009. Thesis, University of South Carolina. Accessed December 10, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3366551.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pop, Nicolae. “The birth of Romanian opera| The influence of folklore in Ciprian Porumbescu's work "Crai Nou".” 2009. Web. 10 Dec 2019.

Vancouver:

Pop N. The birth of Romanian opera| The influence of folklore in Ciprian Porumbescu's work "Crai Nou". [Internet] [Thesis]. University of South Carolina; 2009. [cited 2019 Dec 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3366551.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pop N. The birth of Romanian opera| The influence of folklore in Ciprian Porumbescu's work "Crai Nou". [Thesis]. University of South Carolina; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3366551

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

23. Easterling, Douglas. Authorial Voice and Agency in the Operas of Richard Strauss| A Study of Self-Referentiality.

Degree: 2014, University of Cincinnati

  Self-referentiality plays an important, but often overlooked, role in the works of Richard Strauss. The broad category of self-reference includes works of metafiction, which… (more)

Subjects/Keywords: Music; Theater; History, Modern

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Easterling, D. (2014). Authorial Voice and Agency in the Operas of Richard Strauss| A Study of Self-Referentiality. (Thesis). University of Cincinnati. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1561131

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Easterling, Douglas. “Authorial Voice and Agency in the Operas of Richard Strauss| A Study of Self-Referentiality.” 2014. Thesis, University of Cincinnati. Accessed December 10, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=1561131.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Easterling, Douglas. “Authorial Voice and Agency in the Operas of Richard Strauss| A Study of Self-Referentiality.” 2014. Web. 10 Dec 2019.

Vancouver:

Easterling D. Authorial Voice and Agency in the Operas of Richard Strauss| A Study of Self-Referentiality. [Internet] [Thesis]. University of Cincinnati; 2014. [cited 2019 Dec 10]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1561131.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Easterling D. Authorial Voice and Agency in the Operas of Richard Strauss| A Study of Self-Referentiality. [Thesis]. University of Cincinnati; 2014. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1561131

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

24. Ommen, Ann Elizabeth. Songs of the Ziegfeld Follies.

Degree: PhD, Music, 2007, The Ohio State University

 Enormously popular in their own time, the Ziegfeld Follies have become an icon of American popular culture. Produced annually by Florenz Ziegfeld, Jr. between 1907… (more)

Subjects/Keywords: Music; Theater; Ziegfeld Follies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ommen, A. E. (2007). Songs of the Ziegfeld Follies. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1179334149

Chicago Manual of Style (16th Edition):

Ommen, Ann Elizabeth. “Songs of the Ziegfeld Follies.” 2007. Doctoral Dissertation, The Ohio State University. Accessed December 10, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1179334149.

MLA Handbook (7th Edition):

Ommen, Ann Elizabeth. “Songs of the Ziegfeld Follies.” 2007. Web. 10 Dec 2019.

Vancouver:

Ommen AE. Songs of the Ziegfeld Follies. [Internet] [Doctoral dissertation]. The Ohio State University; 2007. [cited 2019 Dec 10]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1179334149.

Council of Science Editors:

Ommen AE. Songs of the Ziegfeld Follies. [Doctoral Dissertation]. The Ohio State University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1179334149


University of California – Riverside

25. Proulx, Angela Yuki. Decolonizing the Stage: An Analysis of Edward Sakamoto’s Pilgrimage and Jay Kuo, Lorenzo Thione, and Marc Acito’s Allegiance.

Degree: Music, 2017, University of California – Riverside

 My thesis examines the use of music and theater as methods of corporeal decolonization through an analysis of two theatrical productions that address Japanese American… (more)

Subjects/Keywords: Theater; Music; Asian American studies

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APA (6th Edition):

Proulx, A. Y. (2017). Decolonizing the Stage: An Analysis of Edward Sakamoto’s Pilgrimage and Jay Kuo, Lorenzo Thione, and Marc Acito’s Allegiance. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/0m25v8r9

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Proulx, Angela Yuki. “Decolonizing the Stage: An Analysis of Edward Sakamoto’s Pilgrimage and Jay Kuo, Lorenzo Thione, and Marc Acito’s Allegiance.” 2017. Thesis, University of California – Riverside. Accessed December 10, 2019. http://www.escholarship.org/uc/item/0m25v8r9.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Proulx, Angela Yuki. “Decolonizing the Stage: An Analysis of Edward Sakamoto’s Pilgrimage and Jay Kuo, Lorenzo Thione, and Marc Acito’s Allegiance.” 2017. Web. 10 Dec 2019.

Vancouver:

Proulx AY. Decolonizing the Stage: An Analysis of Edward Sakamoto’s Pilgrimage and Jay Kuo, Lorenzo Thione, and Marc Acito’s Allegiance. [Internet] [Thesis]. University of California – Riverside; 2017. [cited 2019 Dec 10]. Available from: http://www.escholarship.org/uc/item/0m25v8r9.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Proulx AY. Decolonizing the Stage: An Analysis of Edward Sakamoto’s Pilgrimage and Jay Kuo, Lorenzo Thione, and Marc Acito’s Allegiance. [Thesis]. University of California – Riverside; 2017. Available from: http://www.escholarship.org/uc/item/0m25v8r9

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Saxon, Katherine. Part One: The Dramatic Function of Off-Stage Music in Bizet's Carmen Part Two: A Portfolio of Compositions.

Degree: 2014, University of California – eScholarship, University of California

 Part One:Why does everyone love George Bizet's Carmen? What does Bizet do, both musically and dramatically, to make this timeless work of art so effective?… (more)

Subjects/Keywords: Music; Performing arts; Theater

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APA (6th Edition):

Saxon, K. (2014). Part One: The Dramatic Function of Off-Stage Music in Bizet's Carmen Part Two: A Portfolio of Compositions. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/5475q1vn

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Saxon, Katherine. “Part One: The Dramatic Function of Off-Stage Music in Bizet's Carmen Part Two: A Portfolio of Compositions.” 2014. Thesis, University of California – eScholarship, University of California. Accessed December 10, 2019. http://www.escholarship.org/uc/item/5475q1vn.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Saxon, Katherine. “Part One: The Dramatic Function of Off-Stage Music in Bizet's Carmen Part Two: A Portfolio of Compositions.” 2014. Web. 10 Dec 2019.

Vancouver:

Saxon K. Part One: The Dramatic Function of Off-Stage Music in Bizet's Carmen Part Two: A Portfolio of Compositions. [Internet] [Thesis]. University of California – eScholarship, University of California; 2014. [cited 2019 Dec 10]. Available from: http://www.escholarship.org/uc/item/5475q1vn.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Saxon K. Part One: The Dramatic Function of Off-Stage Music in Bizet's Carmen Part Two: A Portfolio of Compositions. [Thesis]. University of California – eScholarship, University of California; 2014. Available from: http://www.escholarship.org/uc/item/5475q1vn

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida State University

27. Dunning, Amy L. Eclecticism and Ephemerality in Postwar Paris: The Ballets Suédois and the Art of the "Everyday".

Degree: PhD, College of Music, 2016, Florida State University

Rolf de Maré’s Ballets Suédois was at the forefront of the Parisian avant-garde between 1920 and 1925. The company produced twenty-four distinctive, innovative works that… (more)

Subjects/Keywords: Music; Dance; Theater; History

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APA (6th Edition):

Dunning, A. L. (2016). Eclecticism and Ephemerality in Postwar Paris: The Ballets Suédois and the Art of the "Everyday". (Doctoral Dissertation). Florida State University. Retrieved from http://purl.flvc.org/fsu/fd/FSU_2016SU_Dunning_fsu_0071E_13430 ;

Chicago Manual of Style (16th Edition):

Dunning, Amy L. “Eclecticism and Ephemerality in Postwar Paris: The Ballets Suédois and the Art of the "Everyday".” 2016. Doctoral Dissertation, Florida State University. Accessed December 10, 2019. http://purl.flvc.org/fsu/fd/FSU_2016SU_Dunning_fsu_0071E_13430 ;.

MLA Handbook (7th Edition):

Dunning, Amy L. “Eclecticism and Ephemerality in Postwar Paris: The Ballets Suédois and the Art of the "Everyday".” 2016. Web. 10 Dec 2019.

Vancouver:

Dunning AL. Eclecticism and Ephemerality in Postwar Paris: The Ballets Suédois and the Art of the "Everyday". [Internet] [Doctoral dissertation]. Florida State University; 2016. [cited 2019 Dec 10]. Available from: http://purl.flvc.org/fsu/fd/FSU_2016SU_Dunning_fsu_0071E_13430 ;.

Council of Science Editors:

Dunning AL. Eclecticism and Ephemerality in Postwar Paris: The Ballets Suédois and the Art of the "Everyday". [Doctoral Dissertation]. Florida State University; 2016. Available from: http://purl.flvc.org/fsu/fd/FSU_2016SU_Dunning_fsu_0071E_13430 ;


University of Arizona

28. Gordon, Wendy A. The marriage of musical theater and the avant-garde: The musical theater of Tina Landau as experimental theater .

Degree: 2004, University of Arizona

 Tina Landau's writing and directing work has gained increasing prominence over the last decade. She has made strides in both the experimental and the musical… (more)

Subjects/Keywords: Music.; Theater.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gordon, W. A. (2004). The marriage of musical theater and the avant-garde: The musical theater of Tina Landau as experimental theater . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/292018

Chicago Manual of Style (16th Edition):

Gordon, Wendy A. “The marriage of musical theater and the avant-garde: The musical theater of Tina Landau as experimental theater .” 2004. Masters Thesis, University of Arizona. Accessed December 10, 2019. http://hdl.handle.net/10150/292018.

MLA Handbook (7th Edition):

Gordon, Wendy A. “The marriage of musical theater and the avant-garde: The musical theater of Tina Landau as experimental theater .” 2004. Web. 10 Dec 2019.

Vancouver:

Gordon WA. The marriage of musical theater and the avant-garde: The musical theater of Tina Landau as experimental theater . [Internet] [Masters thesis]. University of Arizona; 2004. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/10150/292018.

Council of Science Editors:

Gordon WA. The marriage of musical theater and the avant-garde: The musical theater of Tina Landau as experimental theater . [Masters Thesis]. University of Arizona; 2004. Available from: http://hdl.handle.net/10150/292018


University of Otago

29. Kennerley, Philippa Jane. "We always know when we are acting wong": Performance and Theatricality in Jane Austen's Works .

Degree: 2013, University of Otago

 This study examines how Jane Austen’s knowledge of theatricality and performance influenced her work. Scholarship of the last two decades has revised the once popular… (more)

Subjects/Keywords: Jane Austen; theatre; theater; 19th century theatre; 18th century theatre; 19th century; 18th century; Sense and Sensibility; Pride and Prejudice; Mansfield Park; music in Jane Austen; theatre in Jane Austen; theater in Jane Austen; illegitimate theatre; illegitimate theater; performance; theatricality; social performance; spectatorship; spectatorship in Jane Austen

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kennerley, P. J. (2013). "We always know when we are acting wong": Performance and Theatricality in Jane Austen's Works . (Masters Thesis). University of Otago. Retrieved from http://hdl.handle.net/10523/3961

Chicago Manual of Style (16th Edition):

Kennerley, Philippa Jane. “"We always know when we are acting wong": Performance and Theatricality in Jane Austen's Works .” 2013. Masters Thesis, University of Otago. Accessed December 10, 2019. http://hdl.handle.net/10523/3961.

MLA Handbook (7th Edition):

Kennerley, Philippa Jane. “"We always know when we are acting wong": Performance and Theatricality in Jane Austen's Works .” 2013. Web. 10 Dec 2019.

Vancouver:

Kennerley PJ. "We always know when we are acting wong": Performance and Theatricality in Jane Austen's Works . [Internet] [Masters thesis]. University of Otago; 2013. [cited 2019 Dec 10]. Available from: http://hdl.handle.net/10523/3961.

Council of Science Editors:

Kennerley PJ. "We always know when we are acting wong": Performance and Theatricality in Jane Austen's Works . [Masters Thesis]. University of Otago; 2013. Available from: http://hdl.handle.net/10523/3961


Wayne State University

30. Edwartowski, John. Filling The Gaps: Playing The Semiotic Network In The Extemporization Of Scores For Improvisational Theater.

Degree: M.M., Music, 2013, Wayne State University

  The Art of Scoring for Improvisational Theater draws on traditions whose origins are obscured by the fog of History and Myth. With no prior… (more)

Subjects/Keywords: improvisation; music; scoring; semiotics; theater; theory; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Edwartowski, J. (2013). Filling The Gaps: Playing The Semiotic Network In The Extemporization Of Scores For Improvisational Theater. (Masters Thesis). Wayne State University. Retrieved from https://digitalcommons.wayne.edu/oa_theses/262

Chicago Manual of Style (16th Edition):

Edwartowski, John. “Filling The Gaps: Playing The Semiotic Network In The Extemporization Of Scores For Improvisational Theater.” 2013. Masters Thesis, Wayne State University. Accessed December 10, 2019. https://digitalcommons.wayne.edu/oa_theses/262.

MLA Handbook (7th Edition):

Edwartowski, John. “Filling The Gaps: Playing The Semiotic Network In The Extemporization Of Scores For Improvisational Theater.” 2013. Web. 10 Dec 2019.

Vancouver:

Edwartowski J. Filling The Gaps: Playing The Semiotic Network In The Extemporization Of Scores For Improvisational Theater. [Internet] [Masters thesis]. Wayne State University; 2013. [cited 2019 Dec 10]. Available from: https://digitalcommons.wayne.edu/oa_theses/262.

Council of Science Editors:

Edwartowski J. Filling The Gaps: Playing The Semiotic Network In The Extemporization Of Scores For Improvisational Theater. [Masters Thesis]. Wayne State University; 2013. Available from: https://digitalcommons.wayne.edu/oa_theses/262

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