subject:(music industry)

1. Burgess, Richard James. Structural change in the music industry: the evolving role of the musician.

Degree: PhD, University of Glamorgan, 2015, University of South Wales

► The recording industry is little more than one hundred years old. In its short history there have been many changes that have redefined roles, enabled… (more)

Subjects/Keywords: music industry; musicians

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APA (6^th Edition):

Burgess, R. J. (2015). Structural change in the music industry: the evolving role of the musician. (Doctoral Dissertation). University of South Wales. Retrieved from http://hdl.handle.net/10265/755

Chicago Manual of Style (16^th Edition):

Burgess, Richard James. “Structural change in the music industry: the evolving role of the musician.” 2015. Doctoral Dissertation, University of South Wales. Accessed January 17, 2021. http://hdl.handle.net/10265/755.

MLA Handbook (7^th Edition):

Burgess, Richard James. “Structural change in the music industry: the evolving role of the musician.” 2015. Web. 17 Jan 2021.

Vancouver:

Burgess RJ. Structural change in the music industry: the evolving role of the musician. [Internet] [Doctoral dissertation]. University of South Wales; 2015. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10265/755.

Council of Science Editors:

Burgess RJ. Structural change in the music industry: the evolving role of the musician. [Doctoral Dissertation]. University of South Wales; 2015. Available from: http://hdl.handle.net/10265/755

Queensland University of Technology

2. Brown, Hugh. It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century.

Degree: 2010, Queensland University of Technology

URL: https://eprints.qut.edu.au/47034/

► This thesis explores the business environment for self-publishing musicians at the end of the 20th century and the start of the 21st century from theoretical… (more)

▼ This thesis explores the business environment for self-publishing musicians at the end of the 20th century and the start of the 21st century from theoretical and empirical standpoints. The exploration begins by asking three research questions: what are the factors affecting the sustainability of an Independent music business; how many of those factors can be directly influenced by an Independent musician in the day-to-day operations of their musical enterprise; and how can those factors be best manipulated to maximise the benefit generated from digital music assets? It answers these questions by considering the nature of value in the music business in light of theories of political economy, then quantitative and qualitative examinations of the nature of participation in the music business, and then auto-ethnographic approaches to the application of two technologically enabled tools available to Independent musicians. By analyzing the results of five different examinations of the topic it answers each research question with reference to four sets of recurring issues that affect the operations of a 21st century music business: the musicians’ personal characteristics, their ability to address their business’s informational needs; their ability to manage the relationships upon which their business depends; and their ability to resolve the remaining technological problems that confront them. It discusses ways in which Independent self-publishing musicians can and cannot deal with these four issues on a day-to-day basis and highlights aspects for which technological solutions do not exist as well as ways in which technology is not as effective as has been claimed. It then presents a self-critique and proposes some directions for further study before concluding by suggesting some common features of 21st century Independent music businesses. This thesis makes three contributions to knowledge. First, it provides a new understanding of the sources of musical value, shows how this explains changes in the music industries over the past 30 years, and provides a framework for predicting future developments in those industries. Second, it shows how the technological discontinuity that has occurred around the start of the 21st century has and has not affected the production and distribution of digital cultural artefacts and thus the attitudes, approaches, and business prospects of Independent musicians. Third, it argues for new understandings of two methods by which self-publishing musicians can grow a business using production methods that are only beginning to be more broadly understood: home studio recording and fan-sourced production. Developed from the perspective of working musicians themselves, this thesis identifies four sets of issues that determine the probable success of musicians’ efforts to adopt new technologies to capture the value of the musicians’ creativity and thereby foster growth that will sustain an Independent music business in the 21st century.

Subjects/Keywords: self-publishing musician; music industry

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APA (6^th Edition):

Brown, H. (2010). It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/47034/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Brown, Hugh. “It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century.” 2010. Thesis, Queensland University of Technology. Accessed January 17, 2021. https://eprints.qut.edu.au/47034/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Brown, Hugh. “It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century.” 2010. Web. 17 Jan 2021.

Vancouver:

Brown H. It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century. [Internet] [Thesis]. Queensland University of Technology; 2010. [cited 2021 Jan 17]. Available from: https://eprints.qut.edu.au/47034/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown H. It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century. [Thesis]. Queensland University of Technology; 2010. Available from: https://eprints.qut.edu.au/47034/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Technology, Sydney

3. Sotheran, JM. Can creativity be accommodated In the competency paradigm? : a music industry case study.

Degree: 2012, University of Technology, Sydney

URL: http://hdl.handle.net/10453/21901

► The primary question of this research is; can creativity be accommodated in the competency system? A number of enquiries underpin consideration of this question. Two… (more)

Subjects/Keywords: Creativity.; Competency.; Music industry.

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APA (6^th Edition):

Sotheran, J. (2012). Can creativity be accommodated In the competency paradigm? : a music industry case study. (Thesis). University of Technology, Sydney. Retrieved from http://hdl.handle.net/10453/21901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Sotheran, JM. “Can creativity be accommodated In the competency paradigm? : a music industry case study.” 2012. Thesis, University of Technology, Sydney. Accessed January 17, 2021. http://hdl.handle.net/10453/21901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Sotheran, JM. “Can creativity be accommodated In the competency paradigm? : a music industry case study.” 2012. Web. 17 Jan 2021.

Vancouver:

Sotheran J. Can creativity be accommodated In the competency paradigm? : a music industry case study. [Internet] [Thesis]. University of Technology, Sydney; 2012. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10453/21901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sotheran J. Can creativity be accommodated In the competency paradigm? : a music industry case study. [Thesis]. University of Technology, Sydney; 2012. Available from: http://hdl.handle.net/10453/21901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Ghana

4. Akakpo, P.K. Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana .

Degree: 2019, University of Ghana

URL: http://ugspace.ug.edu.gh/handle/123456789/33462

► The purpose of this study is to explore how the use of digital technology has impacted value creation in the music industry with focus on… (more)

Subjects/Keywords: Ghana Music Industry; Digitization; Music; Digital Technology

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APA (6^th Edition):

Akakpo, P. K. (2019). Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana . (Masters Thesis). University of Ghana. Retrieved from http://ugspace.ug.edu.gh/handle/123456789/33462

Chicago Manual of Style (16^th Edition):

Akakpo, P K. “Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana .” 2019. Masters Thesis, University of Ghana. Accessed January 17, 2021. http://ugspace.ug.edu.gh/handle/123456789/33462.

MLA Handbook (7^th Edition):

Akakpo, P K. “Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana .” 2019. Web. 17 Jan 2021.

Vancouver:

Akakpo PK. Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana . [Internet] [Masters thesis]. University of Ghana; 2019. [cited 2021 Jan 17]. Available from: http://ugspace.ug.edu.gh/handle/123456789/33462.

Council of Science Editors:

Akakpo PK. Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana . [Masters Thesis]. University of Ghana; 2019. Available from: http://ugspace.ug.edu.gh/handle/123456789/33462

University of Southern California

5. Markell, Amanda. Public relations in the music business: how publicists continue to improve a changing industry.

Degree: MA, Strategic Public Relations, 2013, University of Southern California

URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/252313/rec/5331

► This paper examines public relations professionals and how vital they have grown to be within the music industry. ❧ More specifically, this thesis explores a… (more)

Subjects/Keywords: public relations; music; music industry; publicity

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APA (6^th Edition):

Markell, A. (2013). Public relations in the music business: how publicists continue to improve a changing industry. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/252313/rec/5331

Chicago Manual of Style (16^th Edition):

Markell, Amanda. “Public relations in the music business: how publicists continue to improve a changing industry.” 2013. Masters Thesis, University of Southern California. Accessed January 17, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/252313/rec/5331.

MLA Handbook (7^th Edition):

Markell, Amanda. “Public relations in the music business: how publicists continue to improve a changing industry.” 2013. Web. 17 Jan 2021.

Vancouver:

Markell A. Public relations in the music business: how publicists continue to improve a changing industry. [Internet] [Masters thesis]. University of Southern California; 2013. [cited 2021 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/252313/rec/5331.

Council of Science Editors:

Markell A. Public relations in the music business: how publicists continue to improve a changing industry. [Masters Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/252313/rec/5331

University of Pretoria

6. Leal, Sheldon, R. Tertiary music education in South Africa : meeting the needs of music students and the music industry.

Degree: Music, 2015, University of Pretoria

URL: http://hdl.handle.net/2263/44247

► This study attempted to determine how tertiary music education programmes are assisting graduates in their quest to enter the plethora of music careers available within… (more)

Subjects/Keywords: Music Business; Music; Music Education; Music Industry; Therapy Education; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Leal, Sheldon, R. (2015). Tertiary music education in South Africa : meeting the needs of music students and the music industry. (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/44247

Chicago Manual of Style (16^th Edition):

Leal, Sheldon, R. “Tertiary music education in South Africa : meeting the needs of music students and the music industry.” 2015. Masters Thesis, University of Pretoria. Accessed January 17, 2021. http://hdl.handle.net/2263/44247.

MLA Handbook (7^th Edition):

Leal, Sheldon, R. “Tertiary music education in South Africa : meeting the needs of music students and the music industry.” 2015. Web. 17 Jan 2021.

Vancouver:

Leal, Sheldon R. Tertiary music education in South Africa : meeting the needs of music students and the music industry. [Internet] [Masters thesis]. University of Pretoria; 2015. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/2263/44247.

Council of Science Editors:

Leal, Sheldon R. Tertiary music education in South Africa : meeting the needs of music students and the music industry. [Masters Thesis]. University of Pretoria; 2015. Available from: http://hdl.handle.net/2263/44247

University of Southern California

7. Banner, Nicole Jeanelle. Pop music production.

Degree: MA, Journalism (Broadcast Journalism), 2012, University of Southern California

URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5109

► The use of live instrument recordings in modern day studios is becoming an archaic form of pop music production. With the advancement of digital technology,… (more)

Subjects/Keywords: music; digital technology; music production; musicians; music industry; music studio; music engineer; music producer

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APA (6^th Edition):

Banner, N. J. (2012). Pop music production. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5109

Chicago Manual of Style (16^th Edition):

Banner, Nicole Jeanelle. “Pop music production.” 2012. Masters Thesis, University of Southern California. Accessed January 17, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5109.

MLA Handbook (7^th Edition):

Banner, Nicole Jeanelle. “Pop music production.” 2012. Web. 17 Jan 2021.

Vancouver:

Banner NJ. Pop music production. [Internet] [Masters thesis]. University of Southern California; 2012. [cited 2021 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5109.

Council of Science Editors:

Banner NJ. Pop music production. [Masters Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5109

NSYSU

8. Lin, Tai-wei. Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan.

Degree: Master, Business Management, 2016, NSYSU

URL: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205

► Recently, due to the phenomenon of digitization on popular music industry, the sales of the record decline severely. Besides, the digital music market also faces… (more)

Subjects/Keywords: Record store; Digital music; Music corporation; Popular music industry; Artist

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APA (6^th Edition):

Lin, T. (2016). Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lin, Tai-wei. “Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan.” 2016. Thesis, NSYSU. Accessed January 17, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lin, Tai-wei. “Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan.” 2016. Web. 17 Jan 2021.

Vancouver:

Lin T. Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan. [Internet] [Thesis]. NSYSU; 2016. [cited 2021 Jan 17]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lin T. Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan. [Thesis]. NSYSU; 2016. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Helsinki

9. Peltola, Juuso. Digitalization of music and Long Tail effect in Finnish music industry.

Degree: Department of Political and Economic Studies; Helsingfors universitet, Statsvetenskapliga fakulteten, Institutionen för politik och ekonomi, 2017, University of Helsinki

URL: http://hdl.handle.net/10138/232013

► In this thesis the existence of Long Tail effect in Finnish music industry is studied. The Long Tail effect is defined as the expansion of… (more)

▼ In this thesis the existence of Long Tail effect in Finnish music industry is studied. The Long Tail effect is defined as the expansion of music supply to include a higher number of niche products instead of focusing on fewer ‘superstar’ hits. Emergency of ‘superstar’ hits has been the trend in entertainment industry since the invention of mass media and music recording, but new technological innovations can start to challenge it. The source of the Long Tail effect is in newer technological innovations, such as online distribution services and digital production tools, which lower the cost of producing music and distributing it to customers. Previously the costs of production and distribution limited the amount of producers that entered the market, but with new technologies the barrier of entry is lower than ever. This allows higher number of producers to produce music and bring it to the market, thus expanding the variety of supply. The new products won’t take hits’ place on the top of the charts, but they can take bigger share of the market than before. The goal of this thesis is to study whether the Long Tail effect exists in Finnish music market or not. To do this the record companies are assumed to produce commercial and creative output, and production functions for both are defined. Then two hypotheses are formed regarding these outputs and digitalization. First hypothesis states that if the Long Tail effect exists, the creative output is higher for firms that have adapted to digitalization. Second hypothesis is that if the Long Tail effect exist, the commercial output is not affected by the adaption to digitalization. To test the hypotheses, empirical data for 52 record companies is collected and used. Business register data is used to measure companies commercial output, labor input and capital inputs. National Library legal deposit database is used to measure creative output and intangible capital input. A measurement for digitalization is created by observing the availability of companies’ releases in YouTube and Spotify. Commercial output is estimated from the empirical data with OLS regression model and creative output is estimated with Negative Binomial regression model. The significance of digitalization is tested for both outputs. The results for these estimations show that in case of commercial output, none of digitalization variables used in the estimation affects the output. This is in line with the hypothesis regarding commercial output, which supports the existence of Long Tail effect. In case of creative output, all digitalization variables have significant and positive effect on the output. This is in line with the hypothesis regarding creative output, which supports the existence of Long Tail effect. Similar estimations are also done for second dataset, where three largest companies are excluded as potential outliers. The results for this dataset are the same. Digitalization doesn’t affect commercial output, but it increases the creative output. Conclusions from the results of this thesis…

Subjects/Keywords: Long Tail; music industry; music market; digitalization; Taloustiede; Economics; Ekonomi; Long Tail; music industry; music market; digitalization

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APA (6^th Edition):

Peltola, J. (2017). Digitalization of music and Long Tail effect in Finnish music industry. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/232013

Chicago Manual of Style (16^th Edition):

Peltola, Juuso. “Digitalization of music and Long Tail effect in Finnish music industry.” 2017. Masters Thesis, University of Helsinki. Accessed January 17, 2021. http://hdl.handle.net/10138/232013.

MLA Handbook (7^th Edition):

Peltola, Juuso. “Digitalization of music and Long Tail effect in Finnish music industry.” 2017. Web. 17 Jan 2021.

Vancouver:

Peltola J. Digitalization of music and Long Tail effect in Finnish music industry. [Internet] [Masters thesis]. University of Helsinki; 2017. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10138/232013.

Council of Science Editors:

Peltola J. Digitalization of music and Long Tail effect in Finnish music industry. [Masters Thesis]. University of Helsinki; 2017. Available from: http://hdl.handle.net/10138/232013

University of Vermont

10. Savicky, Jonathan M. Entertainment Law: Redefining the Role of Transactional Attorneys.

Degree: The Department of Music and Dance, 2017, University of Vermont

URL: https://scholarworks.uvm.edu/hcoltheses/170

► This thesis will examine how the role of transactional lawyers and their relationships with artists in the music industry first developed and then have… (more)

Subjects/Keywords: Transactional Entertainment Attorneys in the Music Industry

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APA (6^th Edition):

Savicky, J. M. (2017). Entertainment Law: Redefining the Role of Transactional Attorneys. (Thesis). University of Vermont. Retrieved from https://scholarworks.uvm.edu/hcoltheses/170

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Savicky, Jonathan M. “Entertainment Law: Redefining the Role of Transactional Attorneys.” 2017. Thesis, University of Vermont. Accessed January 17, 2021. https://scholarworks.uvm.edu/hcoltheses/170.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Savicky, Jonathan M. “Entertainment Law: Redefining the Role of Transactional Attorneys.” 2017. Web. 17 Jan 2021.

Vancouver:

Savicky JM. Entertainment Law: Redefining the Role of Transactional Attorneys. [Internet] [Thesis]. University of Vermont; 2017. [cited 2021 Jan 17]. Available from: https://scholarworks.uvm.edu/hcoltheses/170.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Savicky JM. Entertainment Law: Redefining the Role of Transactional Attorneys. [Thesis]. University of Vermont; 2017. Available from: https://scholarworks.uvm.edu/hcoltheses/170

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Dóra Eyland Garðarsdóttir 1975-. Iceland's house scene : accessing global markets? .

Degree: 2013, University of Bifröst

URL: http://hdl.handle.net/1946/16167

► The aim of this research is to gain better understanding of how the music market structure is, on international level. The global market for electronic… (more)

Subjects/Keywords: Félagsvísindi; Tónlist; Music industry; Economic value

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APA (6^th Edition):

1975-, D. E. G. (2013). Iceland's house scene : accessing global markets? . (Thesis). University of Bifröst. Retrieved from http://hdl.handle.net/1946/16167

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

1975-, Dóra Eyland Garðarsdóttir. “Iceland's house scene : accessing global markets? .” 2013. Thesis, University of Bifröst. Accessed January 17, 2021. http://hdl.handle.net/1946/16167.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

1975-, Dóra Eyland Garðarsdóttir. “Iceland's house scene : accessing global markets? .” 2013. Web. 17 Jan 2021.

Vancouver:

1975- DEG. Iceland's house scene : accessing global markets? . [Internet] [Thesis]. University of Bifröst; 2013. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1946/16167.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

1975- DEG. Iceland's house scene : accessing global markets? . [Thesis]. University of Bifröst; 2013. Available from: http://hdl.handle.net/1946/16167

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Southern California

12. Escher, Anna. Women in the music industry: profiling female percussionists.

Degree: MA, Specialized Journalism (The Arts), 2014, University of Southern California

URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/374529/rec/7962

► The relevance of this project exists to investigate how women as artists have navigated musical careers throughout the 21st century. They have shared with me… (more)

Subjects/Keywords: percussion; drums; feminism; women; industry; music

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APA (6^th Edition):

Escher, A. (2014). Women in the music industry: profiling female percussionists. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/374529/rec/7962

Chicago Manual of Style (16^th Edition):

Escher, Anna. “Women in the music industry: profiling female percussionists.” 2014. Masters Thesis, University of Southern California. Accessed January 17, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/374529/rec/7962.

MLA Handbook (7^th Edition):

Escher, Anna. “Women in the music industry: profiling female percussionists.” 2014. Web. 17 Jan 2021.

Vancouver:

Escher A. Women in the music industry: profiling female percussionists. [Internet] [Masters thesis]. University of Southern California; 2014. [cited 2021 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/374529/rec/7962.

Council of Science Editors:

Escher A. Women in the music industry: profiling female percussionists. [Masters Thesis]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/374529/rec/7962

Queensland University of Technology

13. Rynderman, Benjamin. The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform.

Degree: 2016, Queensland University of Technology

URL: http://eprints.qut.edu.au/97527/

► This thesis identifies Australia’s place in the worldwide recorded music industries and seeks the reasons behind the delays of launches in Australia of online music… (more)

Subjects/Keywords: Australian music industry; Copyright; Music Licensing; Collection Societies; iTunes; Spotify; Pandora

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APA (6^th Edition):

Rynderman, B. (2016). The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform. (Thesis). Queensland University of Technology. Retrieved from http://eprints.qut.edu.au/97527/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Rynderman, Benjamin. “The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform.” 2016. Thesis, Queensland University of Technology. Accessed January 17, 2021. http://eprints.qut.edu.au/97527/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Rynderman, Benjamin. “The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform.” 2016. Web. 17 Jan 2021.

Vancouver:

Rynderman B. The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform. [Internet] [Thesis]. Queensland University of Technology; 2016. [cited 2021 Jan 17]. Available from: http://eprints.qut.edu.au/97527/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rynderman B. The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform. [Thesis]. Queensland University of Technology; 2016. Available from: http://eprints.qut.edu.au/97527/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

NSYSU

14. Chen, Hsiu-Chun. A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry.

Degree: Master, Theatre Arts, 2015, NSYSU

URL: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334

► The music carriers and the business model of music industry have changed dramatically due to the internet development. It is true in many researches that… (more)

Subjects/Keywords: Business Model; Popular Music Industry; Music Carrier; Disruptive Innovation; Technology Innovation

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APA (6^th Edition):

Chen, H. (2015). A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Chen, Hsiu-Chun. “A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry.” 2015. Thesis, NSYSU. Accessed January 17, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Chen, Hsiu-Chun. “A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry.” 2015. Web. 17 Jan 2021.

Vancouver:

Chen H. A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry. [Internet] [Thesis]. NSYSU; 2015. [cited 2021 Jan 17]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen H. A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry. [Thesis]. NSYSU; 2015. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Indiana University

15. Moore, Rebekah Elizabeth. Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities .

Degree: 2015, Indiana University

URL: http://hdl.handle.net/2022/19720

► This dissertation focuses on music practices that have been largely uncharted in Balinese music studies. In the twelve years following the 2002 terrorist bombings, during… (more)

▼ This dissertation focuses on music practices that have been largely uncharted in Balinese music studies. In the twelve years following the 2002 terrorist bombings, during which time an economic downturn and subsequent accelerated tourism development and urbanization transformed southern Bali, several rock bands rose to national and international acclaim and, alongside other music professionals committed to the creative, professional, and social vitality of local music making, built a thriving independent music scene. By 2014, Bali was home to some of the most critically acclaimed and commercially successful bands in the Indonesian recording industry's history – though industry accolades were often tangential achievements for many music producers. What did preoccupy them is key to understanding the scene's historic growth and staying power. Shared preoccupations with style and genre, creativity, professional ethics, activism, and belonging deepened social bonds by coalescing attention around core social, environmental, and musical issues. Based on six years of knowing Bali's indie music producers as research interlocutors, colleagues, and friends, this study examines scene practices including rehearsals, performances, album production, tours, music activism, and "hanging out" (nongkrong) as conduits by which core ideals were created and shared. Research methods, derived from anthropology and ethnomusicology, included participation in scene practices, recorded interviews, casual conversations, and attention to "material culture," including hard copy and digital albums, music videos, and band merchandise. By applying theories derived from sociological phenomenology and symbolic interactionism, this study argues that habitual, music-related activities, as social interaction, establish subjective preoccupations that, as they come to be mutually valued, strengthen social alliances, sustain otherwise untenable music professions, and influence broader social and environmental issues. In post-bomb Bali, music-related practices were strategies for defining social relationships and inspiring collective action to both make a music scene happen and safeguard an island's diverse artistic, societal, and natural ecology. Advisors/Committee Members: Reed, Daniel B (advisor).

Subjects/Keywords: Applied Ethnomusicology; Bali; Ethnomusicology; Music Industry; Phenomenology; Popular Music

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APA (6^th Edition):

Moore, R. E. (2015). Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities . (Thesis). Indiana University. Retrieved from http://hdl.handle.net/2022/19720

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Moore, Rebekah Elizabeth. “Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities .” 2015. Thesis, Indiana University. Accessed January 17, 2021. http://hdl.handle.net/2022/19720.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Moore, Rebekah Elizabeth. “Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities .” 2015. Web. 17 Jan 2021.

Vancouver:

Moore RE. Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities . [Internet] [Thesis]. Indiana University; 2015. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/2022/19720.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moore RE. Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities . [Thesis]. Indiana University; 2015. Available from: http://hdl.handle.net/2022/19720

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Otago

16. Smith, Dianne Marie. Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand .

Degree: 2010, University of Otago

URL: http://hdl.handle.net/10523/373

► This thesis is a study in gender relations in sound engineering for contemporary rock music in New Zealand. I contend that music audiences and music… (more)

Subjects/Keywords: popular music; sound engineering; women; gender; power; technology; music industry; work

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APA (6^th Edition):

Smith, D. M. (2010). Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/373

Chicago Manual of Style (16^th Edition):

Smith, Dianne Marie. “Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand .” 2010. Doctoral Dissertation, University of Otago. Accessed January 17, 2021. http://hdl.handle.net/10523/373.

MLA Handbook (7^th Edition):

Smith, Dianne Marie. “Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand .” 2010. Web. 17 Jan 2021.

Vancouver:

Smith DM. Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand . [Internet] [Doctoral dissertation]. University of Otago; 2010. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10523/373.

Council of Science Editors:

Smith DM. Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand . [Doctoral Dissertation]. University of Otago; 2010. Available from: http://hdl.handle.net/10523/373

University of Wollongong

17. Gordon, Andrea. Community music, place and belonging in the Bega Valley, NSW, Australia.

Degree: MS- Research, 2012, University of Wollongong

URL: ; https://ro.uow.edu.au/theses/3718

► The uncertain future of country towns in Australia has triggered wide-ranging discussions of their social, environmental and economic sustainability. Another, ‘fourth pillar’ of sustainability… (more)

▼ The uncertain future of country towns in Australia has triggered wide-ranging discussions of their social, environmental and economic sustainability. Another, ‘fourth pillar’ of sustainability is cultural sustainability: encompassing questions of amenity, mobility, identity and belonging. These important aspects of rural living can have significant impacts on retaining populations and providing quality of life, yet cultural aspects of sustainability remain under-examined in research on rural areas. This thesis discusses the contributions that music makes to cultural sustainability in one Australian rural setting in transition – the Bega Valley, a rural area on the Far South Coast of NSW. Previous examinations of music’s contributions to regional development, studied predominantly in an urban context, have emphasised creative industries and commercial music markets. Music has become a popular means for cities – from Memphis to Liverpool and New Orleans – to rejuvenate economies and identities. In a rural Australian setting, however, low and sparse populations, physical distance and isolation combine to limit prospects for commercial music markets. In such locations musical creativity takes different forms. By looking beyond ideas of creativity forged within research on urban spaces, this thesis explores music in an Australian rural region, beyond commercial markets, where those markets have failed to be viable. Community-oriented music practices beyond the market economy are rooted in everyday, meaningful community engagement. Such rural musical practices reshape existing discussions surrounding cultural sustainability and creative industries. The specific aims of this thesis were: 1. to document the extent and significance of musical activities in an Australian rural region; 2. to illustrate the musical creativity that emerges in an Australian rural area where commercial markets fail (including a sub-case study of community choirs); 3. to highlight the particulars of place when considering the potential benefits of music for individuals and communities; and 4. to illustrate the importance to rural residents of music (and creative outlets) for fostering community, a sense of identity, and overall increased sense of wellbeing. Participant observations were combined with a mix of semi-structured and ‘vox pop’ interviews to gain an understanding of how music shapes individuals’ sense of self and belonging when living in a rural area. Results are framed in two sections. The first highlights the specifics of creating and participating in music in the Bega Valley, the limits to commercial music markets and opportunities, and the emergence of a non-market, community music scene. The second focuses on one type of community music, choir singing, and delves into the way in which choirs, and living in ‘The Valley’, have shaped the experiences and benefits of choir groups for participants. There are four key findings: first, individuals in the Valley use music as a way to carve out their identity and foster a sense of…

Subjects/Keywords: place; belonging; rurality; music; creative industry; community music

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APA (6^th Edition):

Gordon, A. (2012). Community music, place and belonging in the Bega Valley, NSW, Australia. (Masters Thesis). University of Wollongong. Retrieved from ; https://ro.uow.edu.au/theses/3718

Chicago Manual of Style (16^th Edition):

Gordon, Andrea. “Community music, place and belonging in the Bega Valley, NSW, Australia.” 2012. Masters Thesis, University of Wollongong. Accessed January 17, 2021. ; https://ro.uow.edu.au/theses/3718.

MLA Handbook (7^th Edition):

Gordon, Andrea. “Community music, place and belonging in the Bega Valley, NSW, Australia.” 2012. Web. 17 Jan 2021.

Vancouver:

Gordon A. Community music, place and belonging in the Bega Valley, NSW, Australia. [Internet] [Masters thesis]. University of Wollongong; 2012. [cited 2021 Jan 17]. Available from: ; https://ro.uow.edu.au/theses/3718.

Council of Science Editors:

Gordon A. Community music, place and belonging in the Bega Valley, NSW, Australia. [Masters Thesis]. University of Wollongong; 2012. Available from: ; https://ro.uow.edu.au/theses/3718

University of Toronto

18. Zendel, Adam Michael. Living the Dream: Precarious Labour in the Live Music Industry.

Degree: 2014, University of Toronto

URL: http://hdl.handle.net/1807/68834

►

This thesis explores the precarious nature of backstage work within the live music industry. Live music is replacing recorded music as the economic core of… (more)

Subjects/Keywords: Cultural Economy; Labour; Live Music Industry; Music; Precarious Labour; 0366

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APA (6^th Edition):

Zendel, A. M. (2014). Living the Dream: Precarious Labour in the Live Music Industry. (Masters Thesis). University of Toronto. Retrieved from http://hdl.handle.net/1807/68834

Chicago Manual of Style (16^th Edition):

Zendel, Adam Michael. “Living the Dream: Precarious Labour in the Live Music Industry.” 2014. Masters Thesis, University of Toronto. Accessed January 17, 2021. http://hdl.handle.net/1807/68834.

MLA Handbook (7^th Edition):

Zendel, Adam Michael. “Living the Dream: Precarious Labour in the Live Music Industry.” 2014. Web. 17 Jan 2021.

Vancouver:

Zendel AM. Living the Dream: Precarious Labour in the Live Music Industry. [Internet] [Masters thesis]. University of Toronto; 2014. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1807/68834.

Council of Science Editors:

Zendel AM. Living the Dream: Precarious Labour in the Live Music Industry. [Masters Thesis]. University of Toronto; 2014. Available from: http://hdl.handle.net/1807/68834

University of Ghana

19. Brew, J.O. Career Sustainability in the Ghanaian Music Industry: The Case of Okyeame Kwame .

Degree: 2019, University of Ghana

URL: http://ugspace.ug.edu.gh/handle/123456789/34741

► The discourse on music sustainability within ethnomusicological circles has largely focused on the protection of the environment and the sustenance of both music traditions and… (more)

Subjects/Keywords: Music; Ghanaian Music Industry; Commerce; Marketing; Okyeame Kwame

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APA (6^th Edition):

Brew, J. O. (2019). Career Sustainability in the Ghanaian Music Industry: The Case of Okyeame Kwame . (Masters Thesis). University of Ghana. Retrieved from http://ugspace.ug.edu.gh/handle/123456789/34741

Chicago Manual of Style (16^th Edition):

Brew, J O. “Career Sustainability in the Ghanaian Music Industry: The Case of Okyeame Kwame .” 2019. Masters Thesis, University of Ghana. Accessed January 17, 2021. http://ugspace.ug.edu.gh/handle/123456789/34741.

MLA Handbook (7^th Edition):

Brew, J O. “Career Sustainability in the Ghanaian Music Industry: The Case of Okyeame Kwame .” 2019. Web. 17 Jan 2021.

Vancouver:

Brew JO. Career Sustainability in the Ghanaian Music Industry: The Case of Okyeame Kwame . [Internet] [Masters thesis]. University of Ghana; 2019. [cited 2021 Jan 17]. Available from: http://ugspace.ug.edu.gh/handle/123456789/34741.

Council of Science Editors:

Brew JO. Career Sustainability in the Ghanaian Music Industry: The Case of Okyeame Kwame . [Masters Thesis]. University of Ghana; 2019. Available from: http://ugspace.ug.edu.gh/handle/123456789/34741

University of Texas – Austin

20. Gloria, Marie Joan Tanedo. Considerations for creative commons : an examination for motivations of adoption or non-adoption of creative commons licenses: Examination for motivations of adoption or non-adoption of creative commons licenses.

Degree: MA, Radio-Television-Film, 2011, University of Texas – Austin

URL: http://hdl.handle.net/2152/ETD-UT-2011-05-3351

► This paper proposes an examination of Creative Commons (CC) licensing and considerations for adoption or non adoption among musicians. According to the Creative Commons Web… (more)

▼ This paper proposes an examination of Creative Commons (CC) licensing and considerations for adoption or non adoption among musicians. According to the Creative Commons Web site, the licenses were created to work alongside current copyright law allowing rights holders a “some rights reserved” copyright (“What is CC?”, Creative Commons, 2010). However, despite its current uptick in adoption, many remain hesitant and refuse to adopt the licenses to protect their work. Moreover, for those who have adopted the licenses, little is known about why they chose to adopt the licenses. Thus, the study answers the need for further research in understanding why musicians choose to use or not to use CC licenses. The study attempts to answer the following question: What considerations determine whether musicians adopt CC licenses for their work? In the pages that follow, I survey the historic and current position of copyright law. Specifically, the paper begins by problematizing current copyright law by demonstrating its economic and social inefficiencies in light of new advancements in technology. In other words, current copyright favors incumbent cultural industries who demand increased economic incentives at the expense of the public’s right to access these works. Moreover, it favors existing content holders who insist on creating laws that retain maximum control over their property. It then questions whether Creative Commons licenses can successfully reconcile these inefficiencies. Moreover, the overarching goal of this research is to examine the perceived viability of these licenses and to consider whether current advocacy efforts adequately address concerns of potential adopters. It analyze information gathered from multiple in-depth interviews of musicians who have and have not adopted the licenses. It will also examine advocacy efforts. The study hopes to contribute qualitative data that will shape future discussions on copyright, culture and new technologies by considering adequacies and or inadequacies of current licenses & advocacy efforts. Advisors/Committee Members: Stein, Laura Lynn, 1965- (advisor), Tyler, Kathleen (committee member).

Subjects/Keywords: Copyright; Creative commons; Music industry; Copyleft; Music; Musicians; Culture; Public domain

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APA (6^th Edition):

Gloria, M. J. T. (2011). Considerations for creative commons : an examination for motivations of adoption or non-adoption of creative commons licenses: Examination for motivations of adoption or non-adoption of creative commons licenses. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/ETD-UT-2011-05-3351

Chicago Manual of Style (16^th Edition):

Gloria, Marie Joan Tanedo. “Considerations for creative commons : an examination for motivations of adoption or non-adoption of creative commons licenses: Examination for motivations of adoption or non-adoption of creative commons licenses.” 2011. Masters Thesis, University of Texas – Austin. Accessed January 17, 2021. http://hdl.handle.net/2152/ETD-UT-2011-05-3351.

MLA Handbook (7^th Edition):

Gloria, Marie Joan Tanedo. “Considerations for creative commons : an examination for motivations of adoption or non-adoption of creative commons licenses: Examination for motivations of adoption or non-adoption of creative commons licenses.” 2011. Web. 17 Jan 2021.

Vancouver:

Gloria MJT. Considerations for creative commons : an examination for motivations of adoption or non-adoption of creative commons licenses: Examination for motivations of adoption or non-adoption of creative commons licenses. [Internet] [Masters thesis]. University of Texas – Austin; 2011. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/2152/ETD-UT-2011-05-3351.

Council of Science Editors:

Gloria MJT. Considerations for creative commons : an examination for motivations of adoption or non-adoption of creative commons licenses: Examination for motivations of adoption or non-adoption of creative commons licenses. [Masters Thesis]. University of Texas – Austin; 2011. Available from: http://hdl.handle.net/2152/ETD-UT-2011-05-3351

The Ohio State University

21. Tolley, David Lancaster. A Music Industry Program for Today's Colleges and Universities.

Degree: DMA, Music, 2008, The Ohio State University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=osu1204667945

► This paper describes the development of a new music industry program whose purpose is meant to meet the needs of the following three demands:… (more)

Subjects/Keywords: Music; music industry program

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APA (6^th Edition):

Tolley, D. L. (2008). A Music Industry Program for Today's Colleges and Universities. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1204667945

Chicago Manual of Style (16^th Edition):

Tolley, David Lancaster. “A Music Industry Program for Today's Colleges and Universities.” 2008. Doctoral Dissertation, The Ohio State University. Accessed January 17, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1204667945.

MLA Handbook (7^th Edition):

Tolley, David Lancaster. “A Music Industry Program for Today's Colleges and Universities.” 2008. Web. 17 Jan 2021.

Vancouver:

Tolley DL. A Music Industry Program for Today's Colleges and Universities. [Internet] [Doctoral dissertation]. The Ohio State University; 2008. [cited 2021 Jan 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1204667945.

Council of Science Editors:

Tolley DL. A Music Industry Program for Today's Colleges and Universities. [Doctoral Dissertation]. The Ohio State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1204667945

Columbia University

22. Kielman, Adam Joseph. Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China.

Degree: 2016, Columbia University

URL: https://doi.org/10.7916/D8TT4RGN

► This dissertation is an ethnography centered around two bands based in Guangzhou and their relationships with one of China’s largest record companies. Bridging ethnomusicology, popular… (more)

▼ This dissertation is an ethnography centered around two bands based in Guangzhou and their relationships with one of China’s largest record companies. Bridging ethnomusicology, popular music studies, cultural geography, media studies, vocal anthropology, and the anthropology of infrastructure, it examines emergent forms of musical creativity and modes of circulation as they relate to shifts in concepts of self, space, publics, and state instigated by China’s political and economic reforms. Chapter One discusses a long history of state-sponsored cartographic musical anthologies, as well as Confucian and Maoist ways of understanding the relationships between place, person, and music. These discussions provide a context for understanding contemporary musical cosmopolitanisms that both build upon and disrupt these histories; they also provoke a rethinking of ethnomusicological and related linguistic theorizations about music, place, and subjectivity. Through biographies of seven musicians working in present-day Guangzhou, Chapter Two outlines a concept of “musical subjectivity” that looks to the intersection of personal histories, national histories, and creativity as a means of exploring the role of individual agency and expressive culture in broader cultural shifts. Chapter Three focuses on the intertwining of actual corporeal mobilities and vicarious musical mobilities, and explores relationships between circulations of global popular musics, emergent forms of musical creativity, and an evolving geography of contemporary China. Chapter Four extends these concerns to a discussion of media systems in China, and outlines an approach to “sonic infrastructures” that puts sound studies in dialogue with the anthropology of infrastructure in order to understand how evolving modes of musical circulation and the listening practices associated with them are connected to broader economic, political, and cultural spatialities. Finally, Chapter Five examines the intersecting aesthetic and political implications of popular music sung in local languages (fangyan) by focusing on contemporary forms of articulation between music, language, listening, and place. Taken together, these chapters explore musical cosmopolitanisms as knowledge-making processes that are reconfiguring notions of self, state, publics, and space in contemporary China.

Subjects/Keywords: Sound recording industry; Popular music – Political aspects; Popular music – Economic aspects; Socialism and music; Popular music; Music; Ethnology; Asians

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APA (6^th Edition):

Kielman, A. J. (2016). Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8TT4RGN

Chicago Manual of Style (16^th Edition):

Kielman, Adam Joseph. “Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China.” 2016. Doctoral Dissertation, Columbia University. Accessed January 17, 2021. https://doi.org/10.7916/D8TT4RGN.

MLA Handbook (7^th Edition):

Kielman, Adam Joseph. “Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China.” 2016. Web. 17 Jan 2021.

Vancouver:

Kielman AJ. Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2021 Jan 17]. Available from: https://doi.org/10.7916/D8TT4RGN.

Council of Science Editors:

Kielman AJ. Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D8TT4RGN

University of Wisconsin – Milwaukee

23. Neibaur, Max. Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor.

Degree: MA, Media Studies, 2015, University of Wisconsin – Milwaukee

URL: https://dc.uwm.edu/etd/823

► This research builds on literature presenting ideas on the tension between business and art in the music industry and literature defining what a star… (more)

Subjects/Keywords: Art and Business; Music Industry; Pop Music; Social Networks; Star Image; Star Text; Communication; Music

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APA (6^th Edition):

Neibaur, M. (2015). Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/823

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Neibaur, Max. “Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor.” 2015. Thesis, University of Wisconsin – Milwaukee. Accessed January 17, 2021. https://dc.uwm.edu/etd/823.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Neibaur, Max. “Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor.” 2015. Web. 17 Jan 2021.

Vancouver:

Neibaur M. Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2015. [cited 2021 Jan 17]. Available from: https://dc.uwm.edu/etd/823.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Neibaur M. Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor. [Thesis]. University of Wisconsin – Milwaukee; 2015. Available from: https://dc.uwm.edu/etd/823

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

NSYSU

24. Wu, Yin-Ting. An empirical analysis on how concert promoters influence concert demands.

Degree: Master, Business Management, 2018, NSYSU

URL: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0605118-160448

► This study investigates the impact of promoters on the market demand of concerts. The aim of the study is to understand this relationship in music… (more)

Subjects/Keywords: instrumental variable; two-stage least square regression; promoter; music industry; concert industry

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APA (6^th Edition):

Wu, Y. (2018). An empirical analysis on how concert promoters influence concert demands. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0605118-160448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wu, Yin-Ting. “An empirical analysis on how concert promoters influence concert demands.” 2018. Thesis, NSYSU. Accessed January 17, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0605118-160448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wu, Yin-Ting. “An empirical analysis on how concert promoters influence concert demands.” 2018. Web. 17 Jan 2021.

Vancouver:

Wu Y. An empirical analysis on how concert promoters influence concert demands. [Internet] [Thesis]. NSYSU; 2018. [cited 2021 Jan 17]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0605118-160448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wu Y. An empirical analysis on how concert promoters influence concert demands. [Thesis]. NSYSU; 2018. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0605118-160448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Burgess, Richard James. Structural change in the music industry : the evolving role of the musician.

Degree: PhD, 2010, University of South Wales

URL: https://pure.southwales.ac.uk/en/studentthesis/structural-change-in-the-music-industry(9bc91707-aa31-4037-a303-0b0116b7d163).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666378

► The recording industry is little more than one hundred years old. In its short history there have been many changes that have redefined roles, enabled… (more)

Subjects/Keywords: 338.4; music industry; musicians; recording industry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Burgess, R. J. (2010). Structural change in the music industry : the evolving role of the musician. (Doctoral Dissertation). University of South Wales. Retrieved from https://pure.southwales.ac.uk/en/studentthesis/structural-change-in-the-music-industry(9bc91707-aa31-4037-a303-0b0116b7d163).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666378

Chicago Manual of Style (16^th Edition):

Burgess, Richard James. “Structural change in the music industry : the evolving role of the musician.” 2010. Doctoral Dissertation, University of South Wales. Accessed January 17, 2021. https://pure.southwales.ac.uk/en/studentthesis/structural-change-in-the-music-industry(9bc91707-aa31-4037-a303-0b0116b7d163).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666378.

MLA Handbook (7^th Edition):

Burgess, Richard James. “Structural change in the music industry : the evolving role of the musician.” 2010. Web. 17 Jan 2021.

Vancouver:

Burgess RJ. Structural change in the music industry : the evolving role of the musician. [Internet] [Doctoral dissertation]. University of South Wales; 2010. [cited 2021 Jan 17]. Available from: https://pure.southwales.ac.uk/en/studentthesis/structural-change-in-the-music-industry(9bc91707-aa31-4037-a303-0b0116b7d163).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666378.

Council of Science Editors:

Burgess RJ. Structural change in the music industry : the evolving role of the musician. [Doctoral Dissertation]. University of South Wales; 2010. Available from: https://pure.southwales.ac.uk/en/studentthesis/structural-change-in-the-music-industry(9bc91707-aa31-4037-a303-0b0116b7d163).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666378

University of New South Wales

26. Kim, Joseph. Interactive relationship between firms' activities and their environment: the case study of Korean music industry.

Degree: Management, 2014, University of New South Wales

URL: http://handle.unsw.edu.au/1959.4/54121 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:13163/SOURCE02?view=true

► This thesis analyses historical development of the interactive relationship between firms’ activities and their environment in the Korean music industry since the 1960s. It argues… (more)

▼ This thesis analyses historical development of the interactive relationship between firms’ activities and their environment in the Korean music industry since the 1960s. It argues that the current uprise of Korea’s cultural industries in the world market is the result of the historical interaction between firms’ activities and the environment.Prior to the early 1990s, the authoritarian government politically mobilised the activities of firms in the Korean music industry to achieve its economic objective, that is, rapid industrialisation of the Korean economy. Activities of firms in the music industry which fell outside the government’s political and economic agenda were strictly regulated and suppressed. On the other hand, those firms which adhered to the government’s political control, thereby promoted by the government, laid the foundation for the future development of the Korean music industry. Coming into the 1990s, the inauguration of democratic ruling of the government and increased music product consumption by more affluent youth consumers permitted firms in the music industry to more confidently pursue commercial gains. More importantly, there was a crucial paradigm shift in the government’s cultural industry policy, from regulation to promotion. The government revised its economic development policy and placed the information and communications technologies (ICT) at the core of its economic development strategies. Within the new economic development framework, the government also selected cultural industries including the music industry as one of key sectors for promotion for the increasingly digitalised national economy. In a highly digitalised environment, the market for digital music products expanded while a more conventional physical music record market collapsed. During this period, firms specialising in production of competitive market-oriented music products, musician management companies (MMCs), became the key driving force behind the development of the domestic music product market and these firms began to make entries into the world market. Since the early 2000s, the government provided more effective industrial policy to boost the global expansion of Korean music, K-pop, produced by MMCs. MMCs have made substantial global inroads and K-pop has emerged as one of major music genres in the world market. Theories on firm-environment relationship from the schools of business studies and social science studies were applied to the case of the Korean music industry. The thesis demonstrates that each theory has its own strengths and weaknesses. Therefore, it suggests that the theories need to be integrated flexibly to account for the relationship between the activities of firms and environment in order to explain the development of Korea’s cultural industries more comprehensively. Advisors/Committee Members: Suh, Chung-Sok, Organisation & Management, Australian School of Business, UNSW, Kwon, Seung-Ho, Korea-Australasia Research Centre, Australian School of Business, UNSW.

Subjects/Keywords: Korean music industry; Firm-environment relationship; Strategies of firms in cultural industry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Kim, J. (2014). Interactive relationship between firms' activities and their environment: the case study of Korean music industry. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/54121 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:13163/SOURCE02?view=true

Chicago Manual of Style (16^th Edition):

Kim, Joseph. “Interactive relationship between firms' activities and their environment: the case study of Korean music industry.” 2014. Doctoral Dissertation, University of New South Wales. Accessed January 17, 2021. http://handle.unsw.edu.au/1959.4/54121 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:13163/SOURCE02?view=true.

MLA Handbook (7^th Edition):

Kim, Joseph. “Interactive relationship between firms' activities and their environment: the case study of Korean music industry.” 2014. Web. 17 Jan 2021.

Vancouver:

Kim J. Interactive relationship between firms' activities and their environment: the case study of Korean music industry. [Internet] [Doctoral dissertation]. University of New South Wales; 2014. [cited 2021 Jan 17]. Available from: http://handle.unsw.edu.au/1959.4/54121 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:13163/SOURCE02?view=true.

Council of Science Editors:

Kim J. Interactive relationship between firms' activities and their environment: the case study of Korean music industry. [Doctoral Dissertation]. University of New South Wales; 2014. Available from: http://handle.unsw.edu.au/1959.4/54121 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:13163/SOURCE02?view=true

University of Georgia

27. Terry, Joseph Leigh. State of independence?.

Degree: 2014, University of Georgia

URL: http://hdl.handle.net/10724/21999

► This study questions the conceptualization of independent record labels in the popular music industry as providing a cultural and economic alternative to the major label… (more)

Subjects/Keywords: Independent labels; Major labels; Record labels; Music industry; Recording industry; Popular music; Political economy; Cultural industries; Spatialization

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Terry, J. L. (2014). State of independence?. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/21999

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Terry, Joseph Leigh. “State of independence?.” 2014. Thesis, University of Georgia. Accessed January 17, 2021. http://hdl.handle.net/10724/21999.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Terry, Joseph Leigh. “State of independence?.” 2014. Web. 17 Jan 2021.

Vancouver:

Terry JL. State of independence?. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10724/21999.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Terry JL. State of independence?. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/21999

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Cambridge

28. Colbourne, Rick. Practice, power and learning in UK recorded music companies.

Degree: PhD, 2011, University of Cambridge

URL: http://www.dspace.cam.ac.uk/handle/1810/240608https://www.repository.cam.ac.uk/bitstream/1810/240608/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/5/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/6/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.jpg

► This thesis adopts a practice-based approach to understanding how power, knowledge and knowing intermingle in organizations to facilitate/constrain individual access to opportunities for knowing-in-practice (learning).… (more)

Subjects/Keywords: Organizational learning; Power; Music industry; Major record label; Music industry career; Practice based theorizing; Social learning; Case study

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Colbourne, R. (2011). Practice, power and learning in UK recorded music companies. (Doctoral Dissertation). University of Cambridge. Retrieved from http://www.dspace.cam.ac.uk/handle/1810/240608https://www.repository.cam.ac.uk/bitstream/1810/240608/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/5/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/6/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.jpg

Chicago Manual of Style (16^th Edition):

Colbourne, Rick. “Practice, power and learning in UK recorded music companies.” 2011. Doctoral Dissertation, University of Cambridge. Accessed January 17, 2021. http://www.dspace.cam.ac.uk/handle/1810/240608https://www.repository.cam.ac.uk/bitstream/1810/240608/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/5/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/6/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.jpg.

MLA Handbook (7^th Edition):

Colbourne, Rick. “Practice, power and learning in UK recorded music companies.” 2011. Web. 17 Jan 2021.

Vancouver:

Colbourne R. Practice, power and learning in UK recorded music companies. [Internet] [Doctoral dissertation]. University of Cambridge; 2011. [cited 2021 Jan 17]. Available from: http://www.dspace.cam.ac.uk/handle/1810/240608https://www.repository.cam.ac.uk/bitstream/1810/240608/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/5/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/6/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.jpg.

Council of Science Editors:

Colbourne R. Practice, power and learning in UK recorded music companies. [Doctoral Dissertation]. University of Cambridge; 2011. Available from: http://www.dspace.cam.ac.uk/handle/1810/240608https://www.repository.cam.ac.uk/bitstream/1810/240608/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/5/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/6/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.jpg

University of Cambridge

29. Colbourne, Rick. Practice, power and learning in UK recorded music companies.

Degree: PhD, 2011, University of Cambridge

URL: https://doi.org/10.17863/CAM.16456 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541935

► This thesis adopts a practice-based approach to understanding how power, knowledge and knowing intermingle in organizations to facilitate/constrain individual access to opportunities for knowing-in-practice (learning).… (more)

Subjects/Keywords: 658.3; Organizational learning; Power; Music industry; Major record label; Music industry career; Practice based theorizing; Social learning; Case study

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Colbourne, R. (2011). Practice, power and learning in UK recorded music companies. (Doctoral Dissertation). University of Cambridge. Retrieved from https://doi.org/10.17863/CAM.16456 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541935

Chicago Manual of Style (16^th Edition):

Colbourne, Rick. “Practice, power and learning in UK recorded music companies.” 2011. Doctoral Dissertation, University of Cambridge. Accessed January 17, 2021. https://doi.org/10.17863/CAM.16456 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541935.

MLA Handbook (7^th Edition):

Colbourne, Rick. “Practice, power and learning in UK recorded music companies.” 2011. Web. 17 Jan 2021.

Vancouver:

Colbourne R. Practice, power and learning in UK recorded music companies. [Internet] [Doctoral dissertation]. University of Cambridge; 2011. [cited 2021 Jan 17]. Available from: https://doi.org/10.17863/CAM.16456 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541935.

Council of Science Editors:

Colbourne R. Practice, power and learning in UK recorded music companies. [Doctoral Dissertation]. University of Cambridge; 2011. Available from: https://doi.org/10.17863/CAM.16456 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541935

Universiteit Utrecht

30. Burcáková, B. Witch house, 'a digital neo-tribe': digitalization of a postmodern theroy.

Degree: 2014, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/290223

► The field of youth cultures’ studies has experienced intense academic discussions in the last three decades, notably because of the increasing importance of the leisure… (more)

Subjects/Keywords: youth culture; neo-tribes; witch house; digital music; participatory culture; DIY music industry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Burcáková, B. (2014). Witch house, 'a digital neo-tribe': digitalization of a postmodern theroy. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/290223

Chicago Manual of Style (16^th Edition):

Burcáková, B. “Witch house, 'a digital neo-tribe': digitalization of a postmodern theroy.” 2014. Masters Thesis, Universiteit Utrecht. Accessed January 17, 2021. http://dspace.library.uu.nl:8080/handle/1874/290223.

MLA Handbook (7^th Edition):

Burcáková, B. “Witch house, 'a digital neo-tribe': digitalization of a postmodern theroy.” 2014. Web. 17 Jan 2021.

Vancouver:

Burcáková B. Witch house, 'a digital neo-tribe': digitalization of a postmodern theroy. [Internet] [Masters thesis]. Universiteit Utrecht; 2014. [cited 2021 Jan 17]. Available from: http://dspace.library.uu.nl:8080/handle/1874/290223.

Council of Science Editors:

Burcáková B. Witch house, 'a digital neo-tribe': digitalization of a postmodern theroy. [Masters Thesis]. Universiteit Utrecht; 2014. Available from: http://dspace.library.uu.nl:8080/handle/1874/290223

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Open Access Theses and Dissertations