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You searched for subject:(music industry). Showing records 1 – 30 of 242 total matches.

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1. Burgess, Richard James. Structural change in the music industry: the evolving role of the musician.

Degree: PhD, University of Glamorgan, 2015, University of South Wales

 The recording industry is little more than one hundred years old. In its short history there have been many changes that have redefined roles, enabled… (more)

Subjects/Keywords: music industry; musicians

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Burgess, R. J. (2015). Structural change in the music industry: the evolving role of the musician. (Doctoral Dissertation). University of South Wales. Retrieved from http://hdl.handle.net/10265/755

Chicago Manual of Style (16th Edition):

Burgess, Richard James. “Structural change in the music industry: the evolving role of the musician.” 2015. Doctoral Dissertation, University of South Wales. Accessed January 17, 2021. http://hdl.handle.net/10265/755.

MLA Handbook (7th Edition):

Burgess, Richard James. “Structural change in the music industry: the evolving role of the musician.” 2015. Web. 17 Jan 2021.

Vancouver:

Burgess RJ. Structural change in the music industry: the evolving role of the musician. [Internet] [Doctoral dissertation]. University of South Wales; 2015. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10265/755.

Council of Science Editors:

Burgess RJ. Structural change in the music industry: the evolving role of the musician. [Doctoral Dissertation]. University of South Wales; 2015. Available from: http://hdl.handle.net/10265/755


Queensland University of Technology

2. Brown, Hugh. It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century.

Degree: 2010, Queensland University of Technology

 This thesis explores the business environment for self-publishing musicians at the end of the 20th century and the start of the 21st century from theoretical… (more)

Subjects/Keywords: self-publishing musician; music industry

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APA (6th Edition):

Brown, H. (2010). It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/47034/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brown, Hugh. “It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century.” 2010. Thesis, Queensland University of Technology. Accessed January 17, 2021. https://eprints.qut.edu.au/47034/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brown, Hugh. “It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century.” 2010. Web. 17 Jan 2021.

Vancouver:

Brown H. It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century. [Internet] [Thesis]. Queensland University of Technology; 2010. [cited 2021 Jan 17]. Available from: https://eprints.qut.edu.au/47034/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown H. It’s not me, it’s you : a participant observation case study of the self-publishing musician in the 21st century. [Thesis]. Queensland University of Technology; 2010. Available from: https://eprints.qut.edu.au/47034/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Technology, Sydney

3. Sotheran, JM. Can creativity be accommodated In the competency paradigm? : a music industry case study.

Degree: 2012, University of Technology, Sydney

 The primary question of this research is; can creativity be accommodated in the competency system? A number of enquiries underpin consideration of this question. Two… (more)

Subjects/Keywords: Creativity.; Competency.; Music industry.

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APA (6th Edition):

Sotheran, J. (2012). Can creativity be accommodated In the competency paradigm? : a music industry case study. (Thesis). University of Technology, Sydney. Retrieved from http://hdl.handle.net/10453/21901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sotheran, JM. “Can creativity be accommodated In the competency paradigm? : a music industry case study.” 2012. Thesis, University of Technology, Sydney. Accessed January 17, 2021. http://hdl.handle.net/10453/21901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sotheran, JM. “Can creativity be accommodated In the competency paradigm? : a music industry case study.” 2012. Web. 17 Jan 2021.

Vancouver:

Sotheran J. Can creativity be accommodated In the competency paradigm? : a music industry case study. [Internet] [Thesis]. University of Technology, Sydney; 2012. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10453/21901.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sotheran J. Can creativity be accommodated In the competency paradigm? : a music industry case study. [Thesis]. University of Technology, Sydney; 2012. Available from: http://hdl.handle.net/10453/21901

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Ghana

4. Akakpo, P.K. Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana .

Degree: 2019, University of Ghana

 The purpose of this study is to explore how the use of digital technology has impacted value creation in the music industry with focus on… (more)

Subjects/Keywords: Ghana Music Industry; Digitization; Music; Digital Technology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Akakpo, P. K. (2019). Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana . (Masters Thesis). University of Ghana. Retrieved from http://ugspace.ug.edu.gh/handle/123456789/33462

Chicago Manual of Style (16th Edition):

Akakpo, P K. “Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana .” 2019. Masters Thesis, University of Ghana. Accessed January 17, 2021. http://ugspace.ug.edu.gh/handle/123456789/33462.

MLA Handbook (7th Edition):

Akakpo, P K. “Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana .” 2019. Web. 17 Jan 2021.

Vancouver:

Akakpo PK. Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana . [Internet] [Masters thesis]. University of Ghana; 2019. [cited 2021 Jan 17]. Available from: http://ugspace.ug.edu.gh/handle/123456789/33462.

Council of Science Editors:

Akakpo PK. Impact of Digital Technology on the Christian Music Industry: Evidence from Ghana . [Masters Thesis]. University of Ghana; 2019. Available from: http://ugspace.ug.edu.gh/handle/123456789/33462


University of Southern California

5. Markell, Amanda. Public relations in the music business: how publicists continue to improve a changing industry.

Degree: MA, Strategic Public Relations, 2013, University of Southern California

 This paper examines public relations professionals and how vital they have grown to be within the music industry. ❧ More specifically, this thesis explores a… (more)

Subjects/Keywords: public relations; music; music industry; publicity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Markell, A. (2013). Public relations in the music business: how publicists continue to improve a changing industry. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/252313/rec/5331

Chicago Manual of Style (16th Edition):

Markell, Amanda. “Public relations in the music business: how publicists continue to improve a changing industry.” 2013. Masters Thesis, University of Southern California. Accessed January 17, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/252313/rec/5331.

MLA Handbook (7th Edition):

Markell, Amanda. “Public relations in the music business: how publicists continue to improve a changing industry.” 2013. Web. 17 Jan 2021.

Vancouver:

Markell A. Public relations in the music business: how publicists continue to improve a changing industry. [Internet] [Masters thesis]. University of Southern California; 2013. [cited 2021 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/252313/rec/5331.

Council of Science Editors:

Markell A. Public relations in the music business: how publicists continue to improve a changing industry. [Masters Thesis]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/252313/rec/5331


University of Pretoria

6. Leal, Sheldon, R. Tertiary music education in South Africa : meeting the needs of music students and the music industry.

Degree: Music, 2015, University of Pretoria

 This study attempted to determine how tertiary music education programmes are assisting graduates in their quest to enter the plethora of music careers available within… (more)

Subjects/Keywords: Music Business; Music; Music Education; Music Industry; Therapy Education; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leal, Sheldon, R. (2015). Tertiary music education in South Africa : meeting the needs of music students and the music industry. (Masters Thesis). University of Pretoria. Retrieved from http://hdl.handle.net/2263/44247

Chicago Manual of Style (16th Edition):

Leal, Sheldon, R. “Tertiary music education in South Africa : meeting the needs of music students and the music industry.” 2015. Masters Thesis, University of Pretoria. Accessed January 17, 2021. http://hdl.handle.net/2263/44247.

MLA Handbook (7th Edition):

Leal, Sheldon, R. “Tertiary music education in South Africa : meeting the needs of music students and the music industry.” 2015. Web. 17 Jan 2021.

Vancouver:

Leal, Sheldon R. Tertiary music education in South Africa : meeting the needs of music students and the music industry. [Internet] [Masters thesis]. University of Pretoria; 2015. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/2263/44247.

Council of Science Editors:

Leal, Sheldon R. Tertiary music education in South Africa : meeting the needs of music students and the music industry. [Masters Thesis]. University of Pretoria; 2015. Available from: http://hdl.handle.net/2263/44247


University of Southern California

7. Banner, Nicole Jeanelle. Pop music production.

Degree: MA, Journalism (Broadcast Journalism), 2012, University of Southern California

 The use of live instrument recordings in modern day studios is becoming an archaic form of pop music production. With the advancement of digital technology,… (more)

Subjects/Keywords: music; digital technology; music production; musicians; music industry; music studio; music engineer; music producer

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Banner, N. J. (2012). Pop music production. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5109

Chicago Manual of Style (16th Edition):

Banner, Nicole Jeanelle. “Pop music production.” 2012. Masters Thesis, University of Southern California. Accessed January 17, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5109.

MLA Handbook (7th Edition):

Banner, Nicole Jeanelle. “Pop music production.” 2012. Web. 17 Jan 2021.

Vancouver:

Banner NJ. Pop music production. [Internet] [Masters thesis]. University of Southern California; 2012. [cited 2021 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5109.

Council of Science Editors:

Banner NJ. Pop music production. [Masters Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/37565/rec/5109


NSYSU

8. Lin, Tai-wei. Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan.

Degree: Master, Business Management, 2016, NSYSU

 Recently, due to the phenomenon of digitization on popular music industry, the sales of the record decline severely. Besides, the digital music market also faces… (more)

Subjects/Keywords: Record store; Digital music; Music corporation; Popular music industry; Artist

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lin, T. (2016). Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lin, Tai-wei. “Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan.” 2016. Thesis, NSYSU. Accessed January 17, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lin, Tai-wei. “Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan.” 2016. Web. 17 Jan 2021.

Vancouver:

Lin T. Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan. [Internet] [Thesis]. NSYSU; 2016. [cited 2021 Jan 17]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lin T. Research on Responding Strategies for Popular Music Industry in the Digital Music Age in Taiwan. [Thesis]. NSYSU; 2016. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0524116-013205

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Helsinki

9. Peltola, Juuso. Digitalization of music and Long Tail effect in Finnish music industry.

Degree: Department of Political and Economic Studies; Helsingfors universitet, Statsvetenskapliga fakulteten, Institutionen för politik och ekonomi, 2017, University of Helsinki

 In this thesis the existence of Long Tail effect in Finnish music industry is studied. The Long Tail effect is defined as the expansion of… (more)

Subjects/Keywords: Long Tail; music industry; music market; digitalization; Taloustiede; Economics; Ekonomi; Long Tail; music industry; music market; digitalization

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Peltola, J. (2017). Digitalization of music and Long Tail effect in Finnish music industry. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/232013

Chicago Manual of Style (16th Edition):

Peltola, Juuso. “Digitalization of music and Long Tail effect in Finnish music industry.” 2017. Masters Thesis, University of Helsinki. Accessed January 17, 2021. http://hdl.handle.net/10138/232013.

MLA Handbook (7th Edition):

Peltola, Juuso. “Digitalization of music and Long Tail effect in Finnish music industry.” 2017. Web. 17 Jan 2021.

Vancouver:

Peltola J. Digitalization of music and Long Tail effect in Finnish music industry. [Internet] [Masters thesis]. University of Helsinki; 2017. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10138/232013.

Council of Science Editors:

Peltola J. Digitalization of music and Long Tail effect in Finnish music industry. [Masters Thesis]. University of Helsinki; 2017. Available from: http://hdl.handle.net/10138/232013


University of Vermont

10. Savicky, Jonathan M. Entertainment Law: Redefining the Role of Transactional Attorneys.

Degree: The Department of Music and Dance, 2017, University of Vermont

  This thesis will examine how the role of transactional lawyers and their relationships with artists in the music industry first developed and then have… (more)

Subjects/Keywords: Transactional Entertainment Attorneys in the Music Industry

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APA (6th Edition):

Savicky, J. M. (2017). Entertainment Law: Redefining the Role of Transactional Attorneys. (Thesis). University of Vermont. Retrieved from https://scholarworks.uvm.edu/hcoltheses/170

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Savicky, Jonathan M. “Entertainment Law: Redefining the Role of Transactional Attorneys.” 2017. Thesis, University of Vermont. Accessed January 17, 2021. https://scholarworks.uvm.edu/hcoltheses/170.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Savicky, Jonathan M. “Entertainment Law: Redefining the Role of Transactional Attorneys.” 2017. Web. 17 Jan 2021.

Vancouver:

Savicky JM. Entertainment Law: Redefining the Role of Transactional Attorneys. [Internet] [Thesis]. University of Vermont; 2017. [cited 2021 Jan 17]. Available from: https://scholarworks.uvm.edu/hcoltheses/170.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Savicky JM. Entertainment Law: Redefining the Role of Transactional Attorneys. [Thesis]. University of Vermont; 2017. Available from: https://scholarworks.uvm.edu/hcoltheses/170

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Dóra Eyland Garðarsdóttir 1975-. Iceland's house scene : accessing global markets? .

Degree: 2013, University of Bifröst

 The aim of this research is to gain better understanding of how the music market structure is, on international level. The global market for electronic… (more)

Subjects/Keywords: Félagsvísindi; Tónlist; Music industry; Economic value

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APA (6th Edition):

1975-, D. E. G. (2013). Iceland's house scene : accessing global markets? . (Thesis). University of Bifröst. Retrieved from http://hdl.handle.net/1946/16167

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

1975-, Dóra Eyland Garðarsdóttir. “Iceland's house scene : accessing global markets? .” 2013. Thesis, University of Bifröst. Accessed January 17, 2021. http://hdl.handle.net/1946/16167.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

1975-, Dóra Eyland Garðarsdóttir. “Iceland's house scene : accessing global markets? .” 2013. Web. 17 Jan 2021.

Vancouver:

1975- DEG. Iceland's house scene : accessing global markets? . [Internet] [Thesis]. University of Bifröst; 2013. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1946/16167.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

1975- DEG. Iceland's house scene : accessing global markets? . [Thesis]. University of Bifröst; 2013. Available from: http://hdl.handle.net/1946/16167

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

12. Escher, Anna. Women in the music industry: profiling female percussionists.

Degree: MA, Specialized Journalism (The Arts), 2014, University of Southern California

 The relevance of this project exists to investigate how women as artists have navigated musical careers throughout the 21st century. They have shared with me… (more)

Subjects/Keywords: percussion; drums; feminism; women; industry; music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Escher, A. (2014). Women in the music industry: profiling female percussionists. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/374529/rec/7962

Chicago Manual of Style (16th Edition):

Escher, Anna. “Women in the music industry: profiling female percussionists.” 2014. Masters Thesis, University of Southern California. Accessed January 17, 2021. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/374529/rec/7962.

MLA Handbook (7th Edition):

Escher, Anna. “Women in the music industry: profiling female percussionists.” 2014. Web. 17 Jan 2021.

Vancouver:

Escher A. Women in the music industry: profiling female percussionists. [Internet] [Masters thesis]. University of Southern California; 2014. [cited 2021 Jan 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/374529/rec/7962.

Council of Science Editors:

Escher A. Women in the music industry: profiling female percussionists. [Masters Thesis]. University of Southern California; 2014. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/374529/rec/7962


Queensland University of Technology

13. Rynderman, Benjamin. The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform.

Degree: 2016, Queensland University of Technology

 This thesis identifies Australia’s place in the worldwide recorded music industries and seeks the reasons behind the delays of launches in Australia of online music(more)

Subjects/Keywords: Australian music industry; Copyright; Music Licensing; Collection Societies; iTunes; Spotify; Pandora

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rynderman, B. (2016). The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform. (Thesis). Queensland University of Technology. Retrieved from http://eprints.qut.edu.au/97527/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rynderman, Benjamin. “The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform.” 2016. Thesis, Queensland University of Technology. Accessed January 17, 2021. http://eprints.qut.edu.au/97527/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rynderman, Benjamin. “The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform.” 2016. Web. 17 Jan 2021.

Vancouver:

Rynderman B. The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform. [Internet] [Thesis]. Queensland University of Technology; 2016. [cited 2021 Jan 17]. Available from: http://eprints.qut.edu.au/97527/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rynderman B. The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform. [Thesis]. Queensland University of Technology; 2016. Available from: http://eprints.qut.edu.au/97527/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

14. Chen, Hsiu-Chun. A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry.

Degree: Master, Theatre Arts, 2015, NSYSU

 The music carriers and the business model of music industry have changed dramatically due to the internet development. It is true in many researches that… (more)

Subjects/Keywords: Business Model; Popular Music Industry; Music Carrier; Disruptive Innovation; Technology Innovation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chen, H. (2015). A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chen, Hsiu-Chun. “A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry.” 2015. Thesis, NSYSU. Accessed January 17, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chen, Hsiu-Chun. “A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry.” 2015. Web. 17 Jan 2021.

Vancouver:

Chen H. A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry. [Internet] [Thesis]. NSYSU; 2015. [cited 2021 Jan 17]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen H. A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry. [Thesis]. NSYSU; 2015. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Indiana University

15. Moore, Rebekah Elizabeth. Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities .

Degree: 2015, Indiana University

 This dissertation focuses on music practices that have been largely uncharted in Balinese music studies. In the twelve years following the 2002 terrorist bombings, during… (more)

Subjects/Keywords: Applied Ethnomusicology; Bali; Ethnomusicology; Music Industry; Phenomenology; Popular Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moore, R. E. (2015). Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities . (Thesis). Indiana University. Retrieved from http://hdl.handle.net/2022/19720

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moore, Rebekah Elizabeth. “Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities .” 2015. Thesis, Indiana University. Accessed January 17, 2021. http://hdl.handle.net/2022/19720.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moore, Rebekah Elizabeth. “Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities .” 2015. Web. 17 Jan 2021.

Vancouver:

Moore RE. Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities . [Internet] [Thesis]. Indiana University; 2015. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/2022/19720.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moore RE. Indie Music in Post-bomb Bali: Participant Practices, Scene Subjectivities . [Thesis]. Indiana University; 2015. Available from: http://hdl.handle.net/2022/19720

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Otago

16. Smith, Dianne Marie. Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand .

Degree: 2010, University of Otago

 This thesis is a study in gender relations in sound engineering for contemporary rock music in New Zealand. I contend that music audiences and music(more)

Subjects/Keywords: popular music; sound engineering; women; gender; power; technology; music industry; work

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smith, D. M. (2010). Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/373

Chicago Manual of Style (16th Edition):

Smith, Dianne Marie. “Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand .” 2010. Doctoral Dissertation, University of Otago. Accessed January 17, 2021. http://hdl.handle.net/10523/373.

MLA Handbook (7th Edition):

Smith, Dianne Marie. “Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand .” 2010. Web. 17 Jan 2021.

Vancouver:

Smith DM. Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand . [Internet] [Doctoral dissertation]. University of Otago; 2010. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10523/373.

Council of Science Editors:

Smith DM. Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand . [Doctoral Dissertation]. University of Otago; 2010. Available from: http://hdl.handle.net/10523/373


University of Wollongong

17. Gordon, Andrea. Community music, place and belonging in the Bega Valley, NSW, Australia.

Degree: MS- Research, 2012, University of Wollongong

  The uncertain future of country towns in Australia has triggered wide-ranging discussions of their social, environmental and economic sustainability. Another, ‘fourth pillar’ of sustainability… (more)

Subjects/Keywords: place; belonging; rurality; music; creative industry; community music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gordon, A. (2012). Community music, place and belonging in the Bega Valley, NSW, Australia. (Masters Thesis). University of Wollongong. Retrieved from ; https://ro.uow.edu.au/theses/3718

Chicago Manual of Style (16th Edition):

Gordon, Andrea. “Community music, place and belonging in the Bega Valley, NSW, Australia.” 2012. Masters Thesis, University of Wollongong. Accessed January 17, 2021. ; https://ro.uow.edu.au/theses/3718.

MLA Handbook (7th Edition):

Gordon, Andrea. “Community music, place and belonging in the Bega Valley, NSW, Australia.” 2012. Web. 17 Jan 2021.

Vancouver:

Gordon A. Community music, place and belonging in the Bega Valley, NSW, Australia. [Internet] [Masters thesis]. University of Wollongong; 2012. [cited 2021 Jan 17]. Available from: ; https://ro.uow.edu.au/theses/3718.

Council of Science Editors:

Gordon A. Community music, place and belonging in the Bega Valley, NSW, Australia. [Masters Thesis]. University of Wollongong; 2012. Available from: ; https://ro.uow.edu.au/theses/3718


University of Toronto

18. Zendel, Adam Michael. Living the Dream: Precarious Labour in the Live Music Industry.

Degree: 2014, University of Toronto

This thesis explores the precarious nature of backstage work within the live music industry. Live music is replacing recorded music as the economic core of… (more)

Subjects/Keywords: Cultural Economy; Labour; Live Music Industry; Music; Precarious Labour; 0366

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APA (6th Edition):

Zendel, A. M. (2014). Living the Dream: Precarious Labour in the Live Music Industry. (Masters Thesis). University of Toronto. Retrieved from http://hdl.handle.net/1807/68834

Chicago Manual of Style (16th Edition):

Zendel, Adam Michael. “Living the Dream: Precarious Labour in the Live Music Industry.” 2014. Masters Thesis, University of Toronto. Accessed January 17, 2021. http://hdl.handle.net/1807/68834.

MLA Handbook (7th Edition):

Zendel, Adam Michael. “Living the Dream: Precarious Labour in the Live Music Industry.” 2014. Web. 17 Jan 2021.

Vancouver:

Zendel AM. Living the Dream: Precarious Labour in the Live Music Industry. [Internet] [Masters thesis]. University of Toronto; 2014. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/1807/68834.

Council of Science Editors:

Zendel AM. Living the Dream: Precarious Labour in the Live Music Industry. [Masters Thesis]. University of Toronto; 2014. Available from: http://hdl.handle.net/1807/68834


University of Ghana

19. Brew, J.O. Career Sustainability in the Ghanaian Music Industry: The Case of Okyeame Kwame .

Degree: 2019, University of Ghana

 The discourse on music sustainability within ethnomusicological circles has largely focused on the protection of the environment and the sustenance of both music traditions and… (more)

Subjects/Keywords: Music; Ghanaian Music Industry; Commerce; Marketing; Okyeame Kwame

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APA (6th Edition):

Brew, J. O. (2019). Career Sustainability in the Ghanaian Music Industry: The Case of Okyeame Kwame . (Masters Thesis). University of Ghana. Retrieved from http://ugspace.ug.edu.gh/handle/123456789/34741

Chicago Manual of Style (16th Edition):

Brew, J O. “Career Sustainability in the Ghanaian Music Industry: The Case of Okyeame Kwame .” 2019. Masters Thesis, University of Ghana. Accessed January 17, 2021. http://ugspace.ug.edu.gh/handle/123456789/34741.

MLA Handbook (7th Edition):

Brew, J O. “Career Sustainability in the Ghanaian Music Industry: The Case of Okyeame Kwame .” 2019. Web. 17 Jan 2021.

Vancouver:

Brew JO. Career Sustainability in the Ghanaian Music Industry: The Case of Okyeame Kwame . [Internet] [Masters thesis]. University of Ghana; 2019. [cited 2021 Jan 17]. Available from: http://ugspace.ug.edu.gh/handle/123456789/34741.

Council of Science Editors:

Brew JO. Career Sustainability in the Ghanaian Music Industry: The Case of Okyeame Kwame . [Masters Thesis]. University of Ghana; 2019. Available from: http://ugspace.ug.edu.gh/handle/123456789/34741


University of Texas – Austin

20. Gloria, Marie Joan Tanedo. Considerations for creative commons : an examination for motivations of adoption or non-adoption of creative commons licenses: Examination for motivations of adoption or non-adoption of creative commons licenses.

Degree: MA, Radio-Television-Film, 2011, University of Texas – Austin

 This paper proposes an examination of Creative Commons (CC) licensing and considerations for adoption or non adoption among musicians. According to the Creative Commons Web… (more)

Subjects/Keywords: Copyright; Creative commons; Music industry; Copyleft; Music; Musicians; Culture; Public domain

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APA (6th Edition):

Gloria, M. J. T. (2011). Considerations for creative commons : an examination for motivations of adoption or non-adoption of creative commons licenses: Examination for motivations of adoption or non-adoption of creative commons licenses. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/ETD-UT-2011-05-3351

Chicago Manual of Style (16th Edition):

Gloria, Marie Joan Tanedo. “Considerations for creative commons : an examination for motivations of adoption or non-adoption of creative commons licenses: Examination for motivations of adoption or non-adoption of creative commons licenses.” 2011. Masters Thesis, University of Texas – Austin. Accessed January 17, 2021. http://hdl.handle.net/2152/ETD-UT-2011-05-3351.

MLA Handbook (7th Edition):

Gloria, Marie Joan Tanedo. “Considerations for creative commons : an examination for motivations of adoption or non-adoption of creative commons licenses: Examination for motivations of adoption or non-adoption of creative commons licenses.” 2011. Web. 17 Jan 2021.

Vancouver:

Gloria MJT. Considerations for creative commons : an examination for motivations of adoption or non-adoption of creative commons licenses: Examination for motivations of adoption or non-adoption of creative commons licenses. [Internet] [Masters thesis]. University of Texas – Austin; 2011. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/2152/ETD-UT-2011-05-3351.

Council of Science Editors:

Gloria MJT. Considerations for creative commons : an examination for motivations of adoption or non-adoption of creative commons licenses: Examination for motivations of adoption or non-adoption of creative commons licenses. [Masters Thesis]. University of Texas – Austin; 2011. Available from: http://hdl.handle.net/2152/ETD-UT-2011-05-3351


The Ohio State University

21. Tolley, David Lancaster. A Music Industry Program for Today's Colleges and Universities.

Degree: DMA, Music, 2008, The Ohio State University

  This paper describes the development of a new music industry program whose purpose is meant to meet the needs of the following three demands:… (more)

Subjects/Keywords: Music; music industry program

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APA (6th Edition):

Tolley, D. L. (2008). A Music Industry Program for Today's Colleges and Universities. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1204667945

Chicago Manual of Style (16th Edition):

Tolley, David Lancaster. “A Music Industry Program for Today's Colleges and Universities.” 2008. Doctoral Dissertation, The Ohio State University. Accessed January 17, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1204667945.

MLA Handbook (7th Edition):

Tolley, David Lancaster. “A Music Industry Program for Today's Colleges and Universities.” 2008. Web. 17 Jan 2021.

Vancouver:

Tolley DL. A Music Industry Program for Today's Colleges and Universities. [Internet] [Doctoral dissertation]. The Ohio State University; 2008. [cited 2021 Jan 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1204667945.

Council of Science Editors:

Tolley DL. A Music Industry Program for Today's Colleges and Universities. [Doctoral Dissertation]. The Ohio State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1204667945


Columbia University

22. Kielman, Adam Joseph. Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China.

Degree: 2016, Columbia University

 This dissertation is an ethnography centered around two bands based in Guangzhou and their relationships with one of China’s largest record companies. Bridging ethnomusicology, popular… (more)

Subjects/Keywords: Sound recording industry; Popular music – Political aspects; Popular music – Economic aspects; Socialism and music; Popular music; Music; Ethnology; Asians

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kielman, A. J. (2016). Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8TT4RGN

Chicago Manual of Style (16th Edition):

Kielman, Adam Joseph. “Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China.” 2016. Doctoral Dissertation, Columbia University. Accessed January 17, 2021. https://doi.org/10.7916/D8TT4RGN.

MLA Handbook (7th Edition):

Kielman, Adam Joseph. “Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China.” 2016. Web. 17 Jan 2021.

Vancouver:

Kielman AJ. Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2021 Jan 17]. Available from: https://doi.org/10.7916/D8TT4RGN.

Council of Science Editors:

Kielman AJ. Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D8TT4RGN


University of Wisconsin – Milwaukee

23. Neibaur, Max. Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor.

Degree: MA, Media Studies, 2015, University of Wisconsin – Milwaukee

  This research builds on literature presenting ideas on the tension between business and art in the music industry and literature defining what a star… (more)

Subjects/Keywords: Art and Business; Music Industry; Pop Music; Social Networks; Star Image; Star Text; Communication; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Neibaur, M. (2015). Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/823

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Neibaur, Max. “Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor.” 2015. Thesis, University of Wisconsin – Milwaukee. Accessed January 17, 2021. https://dc.uwm.edu/etd/823.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Neibaur, Max. “Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor.” 2015. Web. 17 Jan 2021.

Vancouver:

Neibaur M. Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2015. [cited 2021 Jan 17]. Available from: https://dc.uwm.edu/etd/823.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Neibaur M. Balancing Business and Art in Music: Gazing into the Star Texts of Michelle Branch and Regina Spektor. [Thesis]. University of Wisconsin – Milwaukee; 2015. Available from: https://dc.uwm.edu/etd/823

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

24. Wu, Yin-Ting. An empirical analysis on how concert promoters influence concert demands.

Degree: Master, Business Management, 2018, NSYSU

 This study investigates the impact of promoters on the market demand of concerts. The aim of the study is to understand this relationship in music(more)

Subjects/Keywords: instrumental variable; two-stage least square regression; promoter; music industry; concert industry

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APA (6th Edition):

Wu, Y. (2018). An empirical analysis on how concert promoters influence concert demands. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0605118-160448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wu, Yin-Ting. “An empirical analysis on how concert promoters influence concert demands.” 2018. Thesis, NSYSU. Accessed January 17, 2021. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0605118-160448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wu, Yin-Ting. “An empirical analysis on how concert promoters influence concert demands.” 2018. Web. 17 Jan 2021.

Vancouver:

Wu Y. An empirical analysis on how concert promoters influence concert demands. [Internet] [Thesis]. NSYSU; 2018. [cited 2021 Jan 17]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0605118-160448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wu Y. An empirical analysis on how concert promoters influence concert demands. [Thesis]. NSYSU; 2018. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0605118-160448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Burgess, Richard James. Structural change in the music industry : the evolving role of the musician.

Degree: PhD, 2010, University of South Wales

 The recording industry is little more than one hundred years old. In its short history there have been many changes that have redefined roles, enabled… (more)

Subjects/Keywords: 338.4; music industry; musicians; recording industry

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APA (6th Edition):

Burgess, R. J. (2010). Structural change in the music industry : the evolving role of the musician. (Doctoral Dissertation). University of South Wales. Retrieved from https://pure.southwales.ac.uk/en/studentthesis/structural-change-in-the-music-industry(9bc91707-aa31-4037-a303-0b0116b7d163).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666378

Chicago Manual of Style (16th Edition):

Burgess, Richard James. “Structural change in the music industry : the evolving role of the musician.” 2010. Doctoral Dissertation, University of South Wales. Accessed January 17, 2021. https://pure.southwales.ac.uk/en/studentthesis/structural-change-in-the-music-industry(9bc91707-aa31-4037-a303-0b0116b7d163).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666378.

MLA Handbook (7th Edition):

Burgess, Richard James. “Structural change in the music industry : the evolving role of the musician.” 2010. Web. 17 Jan 2021.

Vancouver:

Burgess RJ. Structural change in the music industry : the evolving role of the musician. [Internet] [Doctoral dissertation]. University of South Wales; 2010. [cited 2021 Jan 17]. Available from: https://pure.southwales.ac.uk/en/studentthesis/structural-change-in-the-music-industry(9bc91707-aa31-4037-a303-0b0116b7d163).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666378.

Council of Science Editors:

Burgess RJ. Structural change in the music industry : the evolving role of the musician. [Doctoral Dissertation]. University of South Wales; 2010. Available from: https://pure.southwales.ac.uk/en/studentthesis/structural-change-in-the-music-industry(9bc91707-aa31-4037-a303-0b0116b7d163).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666378


University of New South Wales

26. Kim, Joseph. Interactive relationship between firms' activities and their environment: the case study of Korean music industry.

Degree: Management, 2014, University of New South Wales

 This thesis analyses historical development of the interactive relationship between firms’ activities and their environment in the Korean music industry since the 1960s. It argues… (more)

Subjects/Keywords: Korean music industry; Firm-environment relationship; Strategies of firms in cultural industry

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APA (6th Edition):

Kim, J. (2014). Interactive relationship between firms' activities and their environment: the case study of Korean music industry. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/54121 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:13163/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Kim, Joseph. “Interactive relationship between firms' activities and their environment: the case study of Korean music industry.” 2014. Doctoral Dissertation, University of New South Wales. Accessed January 17, 2021. http://handle.unsw.edu.au/1959.4/54121 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:13163/SOURCE02?view=true.

MLA Handbook (7th Edition):

Kim, Joseph. “Interactive relationship between firms' activities and their environment: the case study of Korean music industry.” 2014. Web. 17 Jan 2021.

Vancouver:

Kim J. Interactive relationship between firms' activities and their environment: the case study of Korean music industry. [Internet] [Doctoral dissertation]. University of New South Wales; 2014. [cited 2021 Jan 17]. Available from: http://handle.unsw.edu.au/1959.4/54121 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:13163/SOURCE02?view=true.

Council of Science Editors:

Kim J. Interactive relationship between firms' activities and their environment: the case study of Korean music industry. [Doctoral Dissertation]. University of New South Wales; 2014. Available from: http://handle.unsw.edu.au/1959.4/54121 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:13163/SOURCE02?view=true


University of Georgia

27. Terry, Joseph Leigh. State of independence?.

Degree: 2014, University of Georgia

 This study questions the conceptualization of independent record labels in the popular music industry as providing a cultural and economic alternative to the major label… (more)

Subjects/Keywords: Independent labels; Major labels; Record labels; Music industry; Recording industry; Popular music; Political economy; Cultural industries; Spatialization

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APA (6th Edition):

Terry, J. L. (2014). State of independence?. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/21999

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Terry, Joseph Leigh. “State of independence?.” 2014. Thesis, University of Georgia. Accessed January 17, 2021. http://hdl.handle.net/10724/21999.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Terry, Joseph Leigh. “State of independence?.” 2014. Web. 17 Jan 2021.

Vancouver:

Terry JL. State of independence?. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Jan 17]. Available from: http://hdl.handle.net/10724/21999.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Terry JL. State of independence?. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/21999

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cambridge

28. Colbourne, Rick. Practice, power and learning in UK recorded music companies.

Degree: PhD, 2011, University of Cambridge

 This thesis adopts a practice-based approach to understanding how power, knowledge and knowing intermingle in organizations to facilitate/constrain individual access to opportunities for knowing-in-practice (learning).… (more)

Subjects/Keywords: Organizational learning; Power; Music industry; Major record label; Music industry career; Practice based theorizing; Social learning; Case study

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APA (6th Edition):

Colbourne, R. (2011). Practice, power and learning in UK recorded music companies. (Doctoral Dissertation). University of Cambridge. Retrieved from http://www.dspace.cam.ac.uk/handle/1810/240608https://www.repository.cam.ac.uk/bitstream/1810/240608/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/5/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/6/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.jpg

Chicago Manual of Style (16th Edition):

Colbourne, Rick. “Practice, power and learning in UK recorded music companies.” 2011. Doctoral Dissertation, University of Cambridge. Accessed January 17, 2021. http://www.dspace.cam.ac.uk/handle/1810/240608https://www.repository.cam.ac.uk/bitstream/1810/240608/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/5/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/6/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.jpg.

MLA Handbook (7th Edition):

Colbourne, Rick. “Practice, power and learning in UK recorded music companies.” 2011. Web. 17 Jan 2021.

Vancouver:

Colbourne R. Practice, power and learning in UK recorded music companies. [Internet] [Doctoral dissertation]. University of Cambridge; 2011. [cited 2021 Jan 17]. Available from: http://www.dspace.cam.ac.uk/handle/1810/240608https://www.repository.cam.ac.uk/bitstream/1810/240608/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/5/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/6/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.jpg.

Council of Science Editors:

Colbourne R. Practice, power and learning in UK recorded music companies. [Doctoral Dissertation]. University of Cambridge; 2011. Available from: http://www.dspace.cam.ac.uk/handle/1810/240608https://www.repository.cam.ac.uk/bitstream/1810/240608/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/5/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/240608/6/Colbourne%20PhD%20Thesis%202010%20AW%20FINAL.pdf.jpg


University of Cambridge

29. Colbourne, Rick. Practice, power and learning in UK recorded music companies.

Degree: PhD, 2011, University of Cambridge

 This thesis adopts a practice-based approach to understanding how power, knowledge and knowing intermingle in organizations to facilitate/constrain individual access to opportunities for knowing-in-practice (learning).… (more)

Subjects/Keywords: 658.3; Organizational learning; Power; Music industry; Major record label; Music industry career; Practice based theorizing; Social learning; Case study

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Colbourne, R. (2011). Practice, power and learning in UK recorded music companies. (Doctoral Dissertation). University of Cambridge. Retrieved from https://doi.org/10.17863/CAM.16456 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541935

Chicago Manual of Style (16th Edition):

Colbourne, Rick. “Practice, power and learning in UK recorded music companies.” 2011. Doctoral Dissertation, University of Cambridge. Accessed January 17, 2021. https://doi.org/10.17863/CAM.16456 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541935.

MLA Handbook (7th Edition):

Colbourne, Rick. “Practice, power and learning in UK recorded music companies.” 2011. Web. 17 Jan 2021.

Vancouver:

Colbourne R. Practice, power and learning in UK recorded music companies. [Internet] [Doctoral dissertation]. University of Cambridge; 2011. [cited 2021 Jan 17]. Available from: https://doi.org/10.17863/CAM.16456 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541935.

Council of Science Editors:

Colbourne R. Practice, power and learning in UK recorded music companies. [Doctoral Dissertation]. University of Cambridge; 2011. Available from: https://doi.org/10.17863/CAM.16456 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541935


Universiteit Utrecht

30. Burcáková, B. Witch house, 'a digital neo-tribe': digitalization of a postmodern theroy.

Degree: 2014, Universiteit Utrecht

 The field of youth cultures’ studies has experienced intense academic discussions in the last three decades, notably because of the increasing importance of the leisure… (more)

Subjects/Keywords: youth culture; neo-tribes; witch house; digital music; participatory culture; DIY music industry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Burcáková, B. (2014). Witch house, 'a digital neo-tribe': digitalization of a postmodern theroy. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/290223

Chicago Manual of Style (16th Edition):

Burcáková, B. “Witch house, 'a digital neo-tribe': digitalization of a postmodern theroy.” 2014. Masters Thesis, Universiteit Utrecht. Accessed January 17, 2021. http://dspace.library.uu.nl:8080/handle/1874/290223.

MLA Handbook (7th Edition):

Burcáková, B. “Witch house, 'a digital neo-tribe': digitalization of a postmodern theroy.” 2014. Web. 17 Jan 2021.

Vancouver:

Burcáková B. Witch house, 'a digital neo-tribe': digitalization of a postmodern theroy. [Internet] [Masters thesis]. Universiteit Utrecht; 2014. [cited 2021 Jan 17]. Available from: http://dspace.library.uu.nl:8080/handle/1874/290223.

Council of Science Editors:

Burcáková B. Witch house, 'a digital neo-tribe': digitalization of a postmodern theroy. [Masters Thesis]. Universiteit Utrecht; 2014. Available from: http://dspace.library.uu.nl:8080/handle/1874/290223

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