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You searched for subject:(music evolution). Showing records 1 – 30 of 35 total matches.

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University of Melbourne

1. Horsley, Matthew Scott. Evolution, not revolution: tradition and innovation in Afro-Cuban music.

Degree: 2012, University of Melbourne

 This research is an investigation into of the mechanics of experimentation and innovation within Afro-Cuban musical idioms. It explores aesthetic concepts derived from works of… (more)

Subjects/Keywords: Afro-Cuban music; innovation; evolution; aesthetics

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APA (6th Edition):

Horsley, M. S. (2012). Evolution, not revolution: tradition and innovation in Afro-Cuban music. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/37673

Chicago Manual of Style (16th Edition):

Horsley, Matthew Scott. “Evolution, not revolution: tradition and innovation in Afro-Cuban music.” 2012. Masters Thesis, University of Melbourne. Accessed August 15, 2020. http://hdl.handle.net/11343/37673.

MLA Handbook (7th Edition):

Horsley, Matthew Scott. “Evolution, not revolution: tradition and innovation in Afro-Cuban music.” 2012. Web. 15 Aug 2020.

Vancouver:

Horsley MS. Evolution, not revolution: tradition and innovation in Afro-Cuban music. [Internet] [Masters thesis]. University of Melbourne; 2012. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/11343/37673.

Council of Science Editors:

Horsley MS. Evolution, not revolution: tradition and innovation in Afro-Cuban music. [Masters Thesis]. University of Melbourne; 2012. Available from: http://hdl.handle.net/11343/37673


University of California – Irvine

2. PAYNE, JOHN. The Neuroanatomical and Evolutionary Basis of Music.

Degree: Psychology, 2016, University of California – Irvine

Music exists in a variety of forms and is nearly ubiquitous in modern society but the reasons for its prevalence are poorly understood. Current attempts… (more)

Subjects/Keywords: Cognitive psychology; Neurosciences; Music; Auditory Processing; Emotion; Evolution; Language; Music; Neuroimaging

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APA (6th Edition):

PAYNE, J. (2016). The Neuroanatomical and Evolutionary Basis of Music. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/5996s3r3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

PAYNE, JOHN. “The Neuroanatomical and Evolutionary Basis of Music.” 2016. Thesis, University of California – Irvine. Accessed August 15, 2020. http://www.escholarship.org/uc/item/5996s3r3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

PAYNE, JOHN. “The Neuroanatomical and Evolutionary Basis of Music.” 2016. Web. 15 Aug 2020.

Vancouver:

PAYNE J. The Neuroanatomical and Evolutionary Basis of Music. [Internet] [Thesis]. University of California – Irvine; 2016. [cited 2020 Aug 15]. Available from: http://www.escholarship.org/uc/item/5996s3r3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

PAYNE J. The Neuroanatomical and Evolutionary Basis of Music. [Thesis]. University of California – Irvine; 2016. Available from: http://www.escholarship.org/uc/item/5996s3r3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Bispham, John Christopher. The human faculty for music : what's special about it?.

Degree: PhD, 2018, University of Cambridge

 This thesis presents a model of a narrow faculty for music - qualities that are at once universally present and operational in music across cultures… (more)

Subjects/Keywords: Music; Music Psychology; Comparative Cognition; Human Evolution; Communication; Anthropology

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APA (6th Edition):

Bispham, J. C. (2018). The human faculty for music : what's special about it?. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/284459 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763671

Chicago Manual of Style (16th Edition):

Bispham, John Christopher. “The human faculty for music : what's special about it?.” 2018. Doctoral Dissertation, University of Cambridge. Accessed August 15, 2020. https://www.repository.cam.ac.uk/handle/1810/284459 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763671.

MLA Handbook (7th Edition):

Bispham, John Christopher. “The human faculty for music : what's special about it?.” 2018. Web. 15 Aug 2020.

Vancouver:

Bispham JC. The human faculty for music : what's special about it?. [Internet] [Doctoral dissertation]. University of Cambridge; 2018. [cited 2020 Aug 15]. Available from: https://www.repository.cam.ac.uk/handle/1810/284459 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763671.

Council of Science Editors:

Bispham JC. The human faculty for music : what's special about it?. [Doctoral Dissertation]. University of Cambridge; 2018. Available from: https://www.repository.cam.ac.uk/handle/1810/284459 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.763671

4. Emmery, Laura. Evolution and Process in Elliott Carter's String Quartets.

Degree: 2014, University of California – eScholarship, University of California

 My dissertation examines compositional process in Elliott Carter's five string quartets. Because Carter composed five quartets over a period of five decades (1951-1995), it creates… (more)

Subjects/Keywords: Music; Compositional process; Elliott Carter; Historical evolution; Sketch study; String Quartets; Twentieth-century music

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APA (6th Edition):

Emmery, L. (2014). Evolution and Process in Elliott Carter's String Quartets. (Thesis). University of California – eScholarship, University of California. Retrieved from http://www.escholarship.org/uc/item/61j9f72g

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Emmery, Laura. “Evolution and Process in Elliott Carter's String Quartets.” 2014. Thesis, University of California – eScholarship, University of California. Accessed August 15, 2020. http://www.escholarship.org/uc/item/61j9f72g.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Emmery, Laura. “Evolution and Process in Elliott Carter's String Quartets.” 2014. Web. 15 Aug 2020.

Vancouver:

Emmery L. Evolution and Process in Elliott Carter's String Quartets. [Internet] [Thesis]. University of California – eScholarship, University of California; 2014. [cited 2020 Aug 15]. Available from: http://www.escholarship.org/uc/item/61j9f72g.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Emmery L. Evolution and Process in Elliott Carter's String Quartets. [Thesis]. University of California – eScholarship, University of California; 2014. Available from: http://www.escholarship.org/uc/item/61j9f72g

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Kent State University

5. Smith, Heather Noelle. Rock Music: The Sounds of Flintknapping.

Degree: MA, College of Arts and Sciences / Department of Anthropology, 2020, Kent State University

 Heather Noelle Smith, May 2020, Department of Anthropology, Rock Music: The Sounds of Flintknapping, Metin I. Erin advisor Flintknapping, or stone tool making, has been… (more)

Subjects/Keywords: Archaeology; Music; Neurosciences; archaeology; flintknapping; early music; human evolution; vocal ranges; harmonic series; auditory neuroscience

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APA (6th Edition):

Smith, H. N. (2020). Rock Music: The Sounds of Flintknapping. (Masters Thesis). Kent State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=kent1586714709929574

Chicago Manual of Style (16th Edition):

Smith, Heather Noelle. “Rock Music: The Sounds of Flintknapping.” 2020. Masters Thesis, Kent State University. Accessed August 15, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1586714709929574.

MLA Handbook (7th Edition):

Smith, Heather Noelle. “Rock Music: The Sounds of Flintknapping.” 2020. Web. 15 Aug 2020.

Vancouver:

Smith HN. Rock Music: The Sounds of Flintknapping. [Internet] [Masters thesis]. Kent State University; 2020. [cited 2020 Aug 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1586714709929574.

Council of Science Editors:

Smith HN. Rock Music: The Sounds of Flintknapping. [Masters Thesis]. Kent State University; 2020. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1586714709929574


McMaster University

6. Savage, Patrick E. Musical Evolution and Human Migration: Classification, Quantification, and Application.

Degree: MSc, 2011, McMaster University

The cross-cultural study of music is important to our understanding of the evolution of human biological and cultural diversity. Early comparative musicologists failed to… (more)

Subjects/Keywords: Music; cultural evolution; migration; genetics; Taiwan; Cantometrics; Ethnomusicology; Ethnomusicology

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APA (6th Edition):

Savage, P. E. (2011). Musical Evolution and Human Migration: Classification, Quantification, and Application. (Masters Thesis). McMaster University. Retrieved from http://hdl.handle.net/11375/10988

Chicago Manual of Style (16th Edition):

Savage, Patrick E. “Musical Evolution and Human Migration: Classification, Quantification, and Application.” 2011. Masters Thesis, McMaster University. Accessed August 15, 2020. http://hdl.handle.net/11375/10988.

MLA Handbook (7th Edition):

Savage, Patrick E. “Musical Evolution and Human Migration: Classification, Quantification, and Application.” 2011. Web. 15 Aug 2020.

Vancouver:

Savage PE. Musical Evolution and Human Migration: Classification, Quantification, and Application. [Internet] [Masters thesis]. McMaster University; 2011. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/11375/10988.

Council of Science Editors:

Savage PE. Musical Evolution and Human Migration: Classification, Quantification, and Application. [Masters Thesis]. McMaster University; 2011. Available from: http://hdl.handle.net/11375/10988

7. Schulze, Dustin. CREATIVITY AND THE EVOLUTION OF MUSICAL IDEAS: PUTTING THE CREATIVE PRINCIPLES OF AUSTIN KLEON TO WORK.

Degree: MM, School of Music, 2020, Stephen F. Austin State University

  All composers internalize the musical ideas of other composers and infuse them into their own original work. But the fear of being labeled “derivative”… (more)

Subjects/Keywords: Kleon; creativity; musical ideas; music evolution; Steal Like an Artist; Composition

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APA (6th Edition):

Schulze, D. (2020). CREATIVITY AND THE EVOLUTION OF MUSICAL IDEAS: PUTTING THE CREATIVE PRINCIPLES OF AUSTIN KLEON TO WORK. (Masters Thesis). Stephen F. Austin State University. Retrieved from https://scholarworks.sfasu.edu/etds/290

Chicago Manual of Style (16th Edition):

Schulze, Dustin. “CREATIVITY AND THE EVOLUTION OF MUSICAL IDEAS: PUTTING THE CREATIVE PRINCIPLES OF AUSTIN KLEON TO WORK.” 2020. Masters Thesis, Stephen F. Austin State University. Accessed August 15, 2020. https://scholarworks.sfasu.edu/etds/290.

MLA Handbook (7th Edition):

Schulze, Dustin. “CREATIVITY AND THE EVOLUTION OF MUSICAL IDEAS: PUTTING THE CREATIVE PRINCIPLES OF AUSTIN KLEON TO WORK.” 2020. Web. 15 Aug 2020.

Vancouver:

Schulze D. CREATIVITY AND THE EVOLUTION OF MUSICAL IDEAS: PUTTING THE CREATIVE PRINCIPLES OF AUSTIN KLEON TO WORK. [Internet] [Masters thesis]. Stephen F. Austin State University; 2020. [cited 2020 Aug 15]. Available from: https://scholarworks.sfasu.edu/etds/290.

Council of Science Editors:

Schulze D. CREATIVITY AND THE EVOLUTION OF MUSICAL IDEAS: PUTTING THE CREATIVE PRINCIPLES OF AUSTIN KLEON TO WORK. [Masters Thesis]. Stephen F. Austin State University; 2020. Available from: https://scholarworks.sfasu.edu/etds/290


University of Colorado

8. Pelusch, Denise Cristina. Pianolatria in Cafelândia: Mário de Andrade's "Social Evolution of Music in Brazil," an Annotated Translation.

Degree: PhD, Musicology, 2011, University of Colorado

  This dissertation is an annotated translation from Portuguese to English of the essay "Evolução Social da Música no Brasil" ("Social Evolution of Music in… (more)

Subjects/Keywords: Brazil; Mário de Andrade; modernism; music; nationalism; "Social Evolution of Music in Brazil"; Latin American Studies; Music; Musicology

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APA (6th Edition):

Pelusch, D. C. (2011). Pianolatria in Cafelândia: Mário de Andrade's "Social Evolution of Music in Brazil," an Annotated Translation. (Doctoral Dissertation). University of Colorado. Retrieved from https://scholar.colorado.edu/muco_gradetds/9

Chicago Manual of Style (16th Edition):

Pelusch, Denise Cristina. “Pianolatria in Cafelândia: Mário de Andrade's "Social Evolution of Music in Brazil," an Annotated Translation.” 2011. Doctoral Dissertation, University of Colorado. Accessed August 15, 2020. https://scholar.colorado.edu/muco_gradetds/9.

MLA Handbook (7th Edition):

Pelusch, Denise Cristina. “Pianolatria in Cafelândia: Mário de Andrade's "Social Evolution of Music in Brazil," an Annotated Translation.” 2011. Web. 15 Aug 2020.

Vancouver:

Pelusch DC. Pianolatria in Cafelândia: Mário de Andrade's "Social Evolution of Music in Brazil," an Annotated Translation. [Internet] [Doctoral dissertation]. University of Colorado; 2011. [cited 2020 Aug 15]. Available from: https://scholar.colorado.edu/muco_gradetds/9.

Council of Science Editors:

Pelusch DC. Pianolatria in Cafelândia: Mário de Andrade's "Social Evolution of Music in Brazil," an Annotated Translation. [Doctoral Dissertation]. University of Colorado; 2011. Available from: https://scholar.colorado.edu/muco_gradetds/9


University of Vienna

9. Mayer, Christine. Why is there music?.

Degree: 2010, University of Vienna

Wie und warum Musik in der menschlichen Kultur entstanden ist, bleibt eine ungelöste Frage. Diese Frage hat in den betreffenden Wissenschaften eine große Diskussion ausgelöst.… (more)

Subjects/Keywords: 42.21 Evolution; 42.66 Ethologie; 42.88 Physische Anthropologie; Musik / menschliche Evolution / Selektionsmechanismen / evolutionäre Konzepte / menschliches Verhalten; music / Human Evolution / selection mechanisms / evolutionary concepts / Human Behavior

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APA (6th Edition):

Mayer, C. (2010). Why is there music?. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/11393/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mayer, Christine. “Why is there music?.” 2010. Thesis, University of Vienna. Accessed August 15, 2020. http://othes.univie.ac.at/11393/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mayer, Christine. “Why is there music?.” 2010. Web. 15 Aug 2020.

Vancouver:

Mayer C. Why is there music?. [Internet] [Thesis]. University of Vienna; 2010. [cited 2020 Aug 15]. Available from: http://othes.univie.ac.at/11393/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mayer C. Why is there music?. [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/11393/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University of Wellington

10. Killin, Anton. Music and philosophical naturalism.

Degree: 2016, Victoria University of Wellington

 The philosophical and scientific explication of music is a cutting-edge field in contemporary academia. This thesis develops a naturalistic framework for theorising about music. The… (more)

Subjects/Keywords: Music; Philosophical naturalism; Philosophy of music; Sound; Polysemy; Conceptual pluralism; Musical works; Ontology of music; Fictionalism; Evolution of music; Musicality; Philosophy of science; Philosophy of biology; Philosophy of nature; Hominin evolution; Music archaeology; Ethnomusicology

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APA (6th Edition):

Killin, A. (2016). Music and philosophical naturalism. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/8788

Chicago Manual of Style (16th Edition):

Killin, Anton. “Music and philosophical naturalism.” 2016. Doctoral Dissertation, Victoria University of Wellington. Accessed August 15, 2020. http://hdl.handle.net/10063/8788.

MLA Handbook (7th Edition):

Killin, Anton. “Music and philosophical naturalism.” 2016. Web. 15 Aug 2020.

Vancouver:

Killin A. Music and philosophical naturalism. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2016. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/10063/8788.

Council of Science Editors:

Killin A. Music and philosophical naturalism. [Doctoral Dissertation]. Victoria University of Wellington; 2016. Available from: http://hdl.handle.net/10063/8788


Arizona State University

11. Camacho, Gustavo. Three Early Twentieth Century Tango Songs Arranged for Brass Quintet.

Degree: DMA, Music, 2011, Arizona State University

 Despite a quickly growing repertoire list for the brass quintet, the music of the early Argentine tango has remained relatively neglected by brass quintet arrangers… (more)

Subjects/Keywords: Music; Arrangement; Bandoneon; Brass Quintet; History and Evolution; Tango; Victor Talking Machine Company

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APA (6th Edition):

Camacho, G. (2011). Three Early Twentieth Century Tango Songs Arranged for Brass Quintet. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/14317

Chicago Manual of Style (16th Edition):

Camacho, Gustavo. “Three Early Twentieth Century Tango Songs Arranged for Brass Quintet.” 2011. Doctoral Dissertation, Arizona State University. Accessed August 15, 2020. http://repository.asu.edu/items/14317.

MLA Handbook (7th Edition):

Camacho, Gustavo. “Three Early Twentieth Century Tango Songs Arranged for Brass Quintet.” 2011. Web. 15 Aug 2020.

Vancouver:

Camacho G. Three Early Twentieth Century Tango Songs Arranged for Brass Quintet. [Internet] [Doctoral dissertation]. Arizona State University; 2011. [cited 2020 Aug 15]. Available from: http://repository.asu.edu/items/14317.

Council of Science Editors:

Camacho G. Three Early Twentieth Century Tango Songs Arranged for Brass Quintet. [Doctoral Dissertation]. Arizona State University; 2011. Available from: http://repository.asu.edu/items/14317


The Ohio State University

12. Cheong, Yong Jeon. Worlds of Musics: Cognitive Ethnomusicological Inquiries on Experience of Time and Space in Human Music-making.

Degree: PhD, Music, 2019, The Ohio State University

 This dissertation is a cognitive ethnomusicological investigation regarding how each individual creates his or her own world via different musical behaviors. The goal of this… (more)

Subjects/Keywords: Music; Cognitive Psychology; Philosophy of Science; Evolution and Development; Comparative; music-making; time; space; specific music training; cultural factor; spatiotemporal processing; multisensory integration; audio-tactile; temporal order judgment; simple reaction time; peripersonal space; music evolution; design features; speech surrogates

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APA (6th Edition):

Cheong, Y. J. (2019). Worlds of Musics: Cognitive Ethnomusicological Inquiries on Experience of Time and Space in Human Music-making. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1555598154844572

Chicago Manual of Style (16th Edition):

Cheong, Yong Jeon. “Worlds of Musics: Cognitive Ethnomusicological Inquiries on Experience of Time and Space in Human Music-making.” 2019. Doctoral Dissertation, The Ohio State University. Accessed August 15, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555598154844572.

MLA Handbook (7th Edition):

Cheong, Yong Jeon. “Worlds of Musics: Cognitive Ethnomusicological Inquiries on Experience of Time and Space in Human Music-making.” 2019. Web. 15 Aug 2020.

Vancouver:

Cheong YJ. Worlds of Musics: Cognitive Ethnomusicological Inquiries on Experience of Time and Space in Human Music-making. [Internet] [Doctoral dissertation]. The Ohio State University; 2019. [cited 2020 Aug 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1555598154844572.

Council of Science Editors:

Cheong YJ. Worlds of Musics: Cognitive Ethnomusicological Inquiries on Experience of Time and Space in Human Music-making. [Doctoral Dissertation]. The Ohio State University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1555598154844572


University of Melbourne

13. Viggers, Elisabeth. Connections: nothing exists in isolation.

Degree: 2011, University of Melbourne

 Connections: Nothing Exists in Isolation explores interrelationships between performance and computer-based technologies, investigating connections between the past and the present. Research concentrates on the evolution(more)

Subjects/Keywords: sound design; music; composition; theatre; performance; gesture; Wii; controller; derivative; art; music technology; connections; computer music; computer performance; wacom; evolution; dance; mime; flute; original; interactive; show; live; isolation; narrative; creative

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APA (6th Edition):

Viggers, E. (2011). Connections: nothing exists in isolation. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/36861

Chicago Manual of Style (16th Edition):

Viggers, Elisabeth. “Connections: nothing exists in isolation.” 2011. Masters Thesis, University of Melbourne. Accessed August 15, 2020. http://hdl.handle.net/11343/36861.

MLA Handbook (7th Edition):

Viggers, Elisabeth. “Connections: nothing exists in isolation.” 2011. Web. 15 Aug 2020.

Vancouver:

Viggers E. Connections: nothing exists in isolation. [Internet] [Masters thesis]. University of Melbourne; 2011. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/11343/36861.

Council of Science Editors:

Viggers E. Connections: nothing exists in isolation. [Masters Thesis]. University of Melbourne; 2011. Available from: http://hdl.handle.net/11343/36861

14. Gardent, Jérémy. Mesurer les musiques pour parler du passé : la comparaison des musiques du Gabon comme source d'informations historiques : Measuring music to grasp the past : a formal comparison of Gabonese music as a way of inferring historical information.

Degree: Docteur es, Evolution culturelle, 2017, Paris, Muséum national d'histoire naturelle

Les musiques du Gabon semblent se distinguer par certains aspects importants des autres musiques d'Afrique centrale, en particulier du Cameroun et de Centrafrique. Cette singularité… (more)

Subjects/Keywords: Musiques du Gabon; Inférence historique; Comparaison musicale; Interdisciplinarité; Transposition de méthodes; Evolution culturelle; Gabon music; Historical inference; Musical comparison; Interdisciplinarity; Method transposition; Cultural evolution

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APA (6th Edition):

Gardent, J. (2017). Mesurer les musiques pour parler du passé : la comparaison des musiques du Gabon comme source d'informations historiques : Measuring music to grasp the past : a formal comparison of Gabonese music as a way of inferring historical information. (Doctoral Dissertation). Paris, Muséum national d'histoire naturelle. Retrieved from http://www.theses.fr/2017MNHN0003

Chicago Manual of Style (16th Edition):

Gardent, Jérémy. “Mesurer les musiques pour parler du passé : la comparaison des musiques du Gabon comme source d'informations historiques : Measuring music to grasp the past : a formal comparison of Gabonese music as a way of inferring historical information.” 2017. Doctoral Dissertation, Paris, Muséum national d'histoire naturelle. Accessed August 15, 2020. http://www.theses.fr/2017MNHN0003.

MLA Handbook (7th Edition):

Gardent, Jérémy. “Mesurer les musiques pour parler du passé : la comparaison des musiques du Gabon comme source d'informations historiques : Measuring music to grasp the past : a formal comparison of Gabonese music as a way of inferring historical information.” 2017. Web. 15 Aug 2020.

Vancouver:

Gardent J. Mesurer les musiques pour parler du passé : la comparaison des musiques du Gabon comme source d'informations historiques : Measuring music to grasp the past : a formal comparison of Gabonese music as a way of inferring historical information. [Internet] [Doctoral dissertation]. Paris, Muséum national d'histoire naturelle; 2017. [cited 2020 Aug 15]. Available from: http://www.theses.fr/2017MNHN0003.

Council of Science Editors:

Gardent J. Mesurer les musiques pour parler du passé : la comparaison des musiques du Gabon comme source d'informations historiques : Measuring music to grasp the past : a formal comparison of Gabonese music as a way of inferring historical information. [Doctoral Dissertation]. Paris, Muséum national d'histoire naturelle; 2017. Available from: http://www.theses.fr/2017MNHN0003

15. Varella, Marco Antonio Corrêa. Evolução da musicalidade humana: seleção sexual e coesão de grupo.

Degree: PhD, Psicologia Experimental, 2011, University of São Paulo

 A musicalidade, concebida como o conjunto da capacidade cognitiva subjacente à dança e à comunicação sonora por meio de melodias harmonizadas e ritmadas, satisfaz vários… (more)

Subjects/Keywords: Adaptação; Adaptation; Artes; Arts; Dança; Dance; Evolução humana; Human evolution; Music; Música; Seleção sexual; Sexual selection; Student admission criteria; Vestibular

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Varella, M. A. C. (2011). Evolução da musicalidade humana: seleção sexual e coesão de grupo. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/47/47132/tde-07112011-123856/ ;

Chicago Manual of Style (16th Edition):

Varella, Marco Antonio Corrêa. “Evolução da musicalidade humana: seleção sexual e coesão de grupo.” 2011. Doctoral Dissertation, University of São Paulo. Accessed August 15, 2020. http://www.teses.usp.br/teses/disponiveis/47/47132/tde-07112011-123856/ ;.

MLA Handbook (7th Edition):

Varella, Marco Antonio Corrêa. “Evolução da musicalidade humana: seleção sexual e coesão de grupo.” 2011. Web. 15 Aug 2020.

Vancouver:

Varella MAC. Evolução da musicalidade humana: seleção sexual e coesão de grupo. [Internet] [Doctoral dissertation]. University of São Paulo; 2011. [cited 2020 Aug 15]. Available from: http://www.teses.usp.br/teses/disponiveis/47/47132/tde-07112011-123856/ ;.

Council of Science Editors:

Varella MAC. Evolução da musicalidade humana: seleção sexual e coesão de grupo. [Doctoral Dissertation]. University of São Paulo; 2011. Available from: http://www.teses.usp.br/teses/disponiveis/47/47132/tde-07112011-123856/ ;

16. Baptista, Paulo Cesar. Metodologia de estudo para trompete.

Degree: Mestrado, Processos de Criação Musical, 2010, University of São Paulo

Devido à longa tradição da arte de tocar trompete e da evolução que ocorreu com o instrumento ao longo dos séculos, o trompete passou a… (more)

Subjects/Keywords: Classical; Erudito; Evolution; Formação e evolução; Methodology; Metodologia; Music; Música popular; Pop; Qualification; Technique; Técnica; Trompete; Trumpet

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Baptista, P. C. (2010). Metodologia de estudo para trompete. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-16022011-115328/ ;

Chicago Manual of Style (16th Edition):

Baptista, Paulo Cesar. “Metodologia de estudo para trompete.” 2010. Masters Thesis, University of São Paulo. Accessed August 15, 2020. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-16022011-115328/ ;.

MLA Handbook (7th Edition):

Baptista, Paulo Cesar. “Metodologia de estudo para trompete.” 2010. Web. 15 Aug 2020.

Vancouver:

Baptista PC. Metodologia de estudo para trompete. [Internet] [Masters thesis]. University of São Paulo; 2010. [cited 2020 Aug 15]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-16022011-115328/ ;.

Council of Science Editors:

Baptista PC. Metodologia de estudo para trompete. [Masters Thesis]. University of São Paulo; 2010. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-16022011-115328/ ;


Université Toulouse II – Le Mirail

17. Stervinou, Adeline. La perception structurelle et temporelle d'extraits de musiques contemporaines par les adolescents musiciens et non-musiciens : Structural and temporal perception of contemporary music excerpts by musician and non-musician adolescents.

Degree: Docteur es, Musicologie, 2011, Université Toulouse II – Le Mirail

Ce travail propose d'observer l’effet de différentes structures musicales, extraites du courant musical minimaliste, sur la perception auditive temporelle d'adolescents musiciens et non-musiciens. Pour entreprendre… (more)

Subjects/Keywords: Perception auditive; Structures musicales; Extraits musicaux; Musique contemporaine; Expérimentations; Auditive perception; Musical structures; Temporal evolution; Contemporary music

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APA (6th Edition):

Stervinou, A. (2011). La perception structurelle et temporelle d'extraits de musiques contemporaines par les adolescents musiciens et non-musiciens : Structural and temporal perception of contemporary music excerpts by musician and non-musician adolescents. (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2011TOU20041

Chicago Manual of Style (16th Edition):

Stervinou, Adeline. “La perception structurelle et temporelle d'extraits de musiques contemporaines par les adolescents musiciens et non-musiciens : Structural and temporal perception of contemporary music excerpts by musician and non-musician adolescents.” 2011. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed August 15, 2020. http://www.theses.fr/2011TOU20041.

MLA Handbook (7th Edition):

Stervinou, Adeline. “La perception structurelle et temporelle d'extraits de musiques contemporaines par les adolescents musiciens et non-musiciens : Structural and temporal perception of contemporary music excerpts by musician and non-musician adolescents.” 2011. Web. 15 Aug 2020.

Vancouver:

Stervinou A. La perception structurelle et temporelle d'extraits de musiques contemporaines par les adolescents musiciens et non-musiciens : Structural and temporal perception of contemporary music excerpts by musician and non-musician adolescents. [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2011. [cited 2020 Aug 15]. Available from: http://www.theses.fr/2011TOU20041.

Council of Science Editors:

Stervinou A. La perception structurelle et temporelle d'extraits de musiques contemporaines par les adolescents musiciens et non-musiciens : Structural and temporal perception of contemporary music excerpts by musician and non-musician adolescents. [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2011. Available from: http://www.theses.fr/2011TOU20041

18. Krutasaen, Watanapun. Symbolic design for the chorus group of the music department of the Texas Woman's University "The Choraliers".

Degree: MA, Fine Arts, 1983, Texas Woman's University

Subjects/Keywords: Advertising design; Symbolism in music; Symbol evolution

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Krutasaen, W. (1983). Symbolic design for the chorus group of the music department of the Texas Woman's University "The Choraliers". (Masters Thesis). Texas Woman's University. Retrieved from http://hdl.handle.net/11274/10835

Chicago Manual of Style (16th Edition):

Krutasaen, Watanapun. “Symbolic design for the chorus group of the music department of the Texas Woman's University "The Choraliers".” 1983. Masters Thesis, Texas Woman's University. Accessed August 15, 2020. http://hdl.handle.net/11274/10835.

MLA Handbook (7th Edition):

Krutasaen, Watanapun. “Symbolic design for the chorus group of the music department of the Texas Woman's University "The Choraliers".” 1983. Web. 15 Aug 2020.

Vancouver:

Krutasaen W. Symbolic design for the chorus group of the music department of the Texas Woman's University "The Choraliers". [Internet] [Masters thesis]. Texas Woman's University; 1983. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/11274/10835.

Council of Science Editors:

Krutasaen W. Symbolic design for the chorus group of the music department of the Texas Woman's University "The Choraliers". [Masters Thesis]. Texas Woman's University; 1983. Available from: http://hdl.handle.net/11274/10835

19. Le Covec, Mathilde. Influence de la musique, préférences musicales et production sonore et rythmique chez les perruches calopsittes et les corbeaux à gros becs : Influence of music, musical preferences and rhythm and sound production in cockatiels and jungle crows.

Degree: Docteur es, Ethologie et cognition comparée, 2019, Université Paris X – Nanterre

De nombreuses hypothèses ont tenté d’expliquer l’émergence de la musique au sein de l’humanité. Des études ont montré que les animaux non-humains, et notamment les… (more)

Subjects/Keywords: Musique; Oiseau; Rythme; Bien-Être; Évolution; Cognition comparée; Music; Bird; Rhythm; Welfare; Evolution; Comparative cognition; 590

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APA (6th Edition):

Le Covec, M. (2019). Influence de la musique, préférences musicales et production sonore et rythmique chez les perruches calopsittes et les corbeaux à gros becs : Influence of music, musical preferences and rhythm and sound production in cockatiels and jungle crows. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2019PA100115

Chicago Manual of Style (16th Edition):

Le Covec, Mathilde. “Influence de la musique, préférences musicales et production sonore et rythmique chez les perruches calopsittes et les corbeaux à gros becs : Influence of music, musical preferences and rhythm and sound production in cockatiels and jungle crows.” 2019. Doctoral Dissertation, Université Paris X – Nanterre. Accessed August 15, 2020. http://www.theses.fr/2019PA100115.

MLA Handbook (7th Edition):

Le Covec, Mathilde. “Influence de la musique, préférences musicales et production sonore et rythmique chez les perruches calopsittes et les corbeaux à gros becs : Influence of music, musical preferences and rhythm and sound production in cockatiels and jungle crows.” 2019. Web. 15 Aug 2020.

Vancouver:

Le Covec M. Influence de la musique, préférences musicales et production sonore et rythmique chez les perruches calopsittes et les corbeaux à gros becs : Influence of music, musical preferences and rhythm and sound production in cockatiels and jungle crows. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2019. [cited 2020 Aug 15]. Available from: http://www.theses.fr/2019PA100115.

Council of Science Editors:

Le Covec M. Influence de la musique, préférences musicales et production sonore et rythmique chez les perruches calopsittes et les corbeaux à gros becs : Influence of music, musical preferences and rhythm and sound production in cockatiels and jungle crows. [Doctoral Dissertation]. Université Paris X – Nanterre; 2019. Available from: http://www.theses.fr/2019PA100115


University of Michigan

20. Parsons, Jani. Summary of Dissertation Materials.

Degree: AMU, Music: Performance, 2013, University of Michigan

 In lieu of a dissertation, a lecture recital, pedagogy workshop, and recital were presented Lecture Recital. “Mazurkas Through Time”. Friday, February 1, 2013 at 8:00pm… (more)

Subjects/Keywords: Lecture-Recital on the evolution of the Mazurka.; Pedagogy Workshop on best practices for studio development.; Recital of solo and chamber music of living composers.; Music and Dance; Arts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Parsons, J. (2013). Summary of Dissertation Materials. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/147640

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Parsons, Jani. “Summary of Dissertation Materials.” 2013. Thesis, University of Michigan. Accessed August 15, 2020. http://hdl.handle.net/2027.42/147640.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Parsons, Jani. “Summary of Dissertation Materials.” 2013. Web. 15 Aug 2020.

Vancouver:

Parsons J. Summary of Dissertation Materials. [Internet] [Thesis]. University of Michigan; 2013. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/2027.42/147640.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Parsons J. Summary of Dissertation Materials. [Thesis]. University of Michigan; 2013. Available from: http://hdl.handle.net/2027.42/147640

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

21. Kush, Jason Matthew. François Louis: The Invention of the Aulochrome and Contributions to the Development of the Saxophone.

Degree: DMA, Instrumental Performance (Music), 2009, University of Miami

  The purpose of this study is to present the biographical data and major accomplishments of craftsman François Louis (b. 1954, Belgium) and offer insight… (more)

Subjects/Keywords: Music History; Music; Woodwind; Saxophone; Evolution; Aulochrome; Spherical Chamber; Mouthpiece; Musical Instruments

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APA (6th Edition):

Kush, J. M. (2009). François Louis: The Invention of the Aulochrome and Contributions to the Development of the Saxophone. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/216

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kush, Jason Matthew. “François Louis: The Invention of the Aulochrome and Contributions to the Development of the Saxophone.” 2009. Thesis, University of Miami. Accessed August 15, 2020. https://scholarlyrepository.miami.edu/oa_dissertations/216.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kush, Jason Matthew. “François Louis: The Invention of the Aulochrome and Contributions to the Development of the Saxophone.” 2009. Web. 15 Aug 2020.

Vancouver:

Kush JM. François Louis: The Invention of the Aulochrome and Contributions to the Development of the Saxophone. [Internet] [Thesis]. University of Miami; 2009. [cited 2020 Aug 15]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/216.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kush JM. François Louis: The Invention of the Aulochrome and Contributions to the Development of the Saxophone. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/216

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

22. Gray, Michael Alan. Experiencing Music.

Degree: MFA, Communication Design, 2005, Virginia Commonwealth University

 I am exploring the way music alters or enhances the perception of our environment. This creative project allows me to explore and visualize several issues… (more)

Subjects/Keywords: visual mapping; mapping music; music and emotions; music interface; vj; dj; evolution of music; psychology of music; digital video; experimental film; aural; music and environments; music perception; Art and Design; Arts and Humanities

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APA (6th Edition):

Gray, M. A. (2005). Experiencing Music. (Thesis). Virginia Commonwealth University. Retrieved from https://doi.org/10.25772/7PTQ-AD12 ; https://scholarscompass.vcu.edu/etd/1307

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gray, Michael Alan. “Experiencing Music.” 2005. Thesis, Virginia Commonwealth University. Accessed August 15, 2020. https://doi.org/10.25772/7PTQ-AD12 ; https://scholarscompass.vcu.edu/etd/1307.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gray, Michael Alan. “Experiencing Music.” 2005. Web. 15 Aug 2020.

Vancouver:

Gray MA. Experiencing Music. [Internet] [Thesis]. Virginia Commonwealth University; 2005. [cited 2020 Aug 15]. Available from: https://doi.org/10.25772/7PTQ-AD12 ; https://scholarscompass.vcu.edu/etd/1307.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gray MA. Experiencing Music. [Thesis]. Virginia Commonwealth University; 2005. Available from: https://doi.org/10.25772/7PTQ-AD12 ; https://scholarscompass.vcu.edu/etd/1307

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

23. Journet, Gwénaëlle. Les origines biologiques de la musique.

Degree: 2013, Université de Montréal

Subjects/Keywords: Musique; Évolution; Anthropologie; Music; Evolution; Anthropology; Anthropology - Cultural / Anthropologie - Culturelle (UMI : 0326)

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APA (6th Edition):

Journet, G. (2013). Les origines biologiques de la musique. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/8973

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Journet, Gwénaëlle. “Les origines biologiques de la musique.” 2013. Thesis, Université de Montréal. Accessed August 15, 2020. http://hdl.handle.net/1866/8973.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Journet, Gwénaëlle. “Les origines biologiques de la musique.” 2013. Web. 15 Aug 2020.

Vancouver:

Journet G. Les origines biologiques de la musique. [Internet] [Thesis]. Université de Montréal; 2013. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/1866/8973.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Journet G. Les origines biologiques de la musique. [Thesis]. Université de Montréal; 2013. Available from: http://hdl.handle.net/1866/8973

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Mathews, Vinay A. The Correlative Relationship Between Music and Architecture.

Degree: M. Arch., Design, Architecture, Art and Planning: Architecture, 2012, University of Cincinnati

  It is troubling to think that Music has the potential to be so completely engaging to a vast number of people, while Architecture often… (more)

Subjects/Keywords: Architecture; Architecture; Music; Systematic Evolution; Proportion; Emotional Impact; Merida

…engagements. vii THE CORRELATIVE RELATIONSHIP BETWEEN MUSIC AND ARCHITECTURE An exploration by… …Vinay Mathews 1 CHAPTER 1 MUSIC AND ARCHITECTURE 2 S1 | BACKGROUND I love all the forms… …of art, whether its music, architecture, paintings, sculpture, film, or even dance, but in… …particular I admire music and architecture. There have been dances, music, and movies that have all… …literally “touched” my heart. I don’t know how to explain it, but I can tell you music that I… 

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APA (6th Edition):

Mathews, V. A. (2012). The Correlative Relationship Between Music and Architecture. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337289151

Chicago Manual of Style (16th Edition):

Mathews, Vinay A. “The Correlative Relationship Between Music and Architecture.” 2012. Masters Thesis, University of Cincinnati. Accessed August 15, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337289151.

MLA Handbook (7th Edition):

Mathews, Vinay A. “The Correlative Relationship Between Music and Architecture.” 2012. Web. 15 Aug 2020.

Vancouver:

Mathews VA. The Correlative Relationship Between Music and Architecture. [Internet] [Masters thesis]. University of Cincinnati; 2012. [cited 2020 Aug 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337289151.

Council of Science Editors:

Mathews VA. The Correlative Relationship Between Music and Architecture. [Masters Thesis]. University of Cincinnati; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337289151


National University of Ireland – Galway

25. Breen, Aidan. Art and analogy through evolutionary computation .

Degree: 2019, National University of Ireland – Galway

 In this thesis the development of a computer system capable of generating art through the process of analogy is presented. A visual display is generated… (more)

Subjects/Keywords: grammatical evolution; evolutionary algorithm; evolutionary computation; artificial intelligence; machine learning; computer science; art; analogy; computational intelligence; graphsort; music; mapping expression; Engineering and Informatics; Information technology

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APA (6th Edition):

Breen, A. (2019). Art and analogy through evolutionary computation . (Thesis). National University of Ireland – Galway. Retrieved from http://hdl.handle.net/10379/15106

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Breen, Aidan. “Art and analogy through evolutionary computation .” 2019. Thesis, National University of Ireland – Galway. Accessed August 15, 2020. http://hdl.handle.net/10379/15106.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Breen, Aidan. “Art and analogy through evolutionary computation .” 2019. Web. 15 Aug 2020.

Vancouver:

Breen A. Art and analogy through evolutionary computation . [Internet] [Thesis]. National University of Ireland – Galway; 2019. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/10379/15106.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Breen A. Art and analogy through evolutionary computation . [Thesis]. National University of Ireland – Galway; 2019. Available from: http://hdl.handle.net/10379/15106

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Kveberg, Gregory. Moscow by night: musical subcultures, identity formation, and cultural evolution in Russia, 1977—2008.

Degree: PhD, 0342, 2013, University of Illinois – Urbana-Champaign

 This dissertation examines the history of musical subcultures in Moscow from 1977 to 2008. It argues that subcultures were not forces for revolutionary change, or… (more)

Subjects/Keywords: subculture; goth; Komsomol; music; identity; Moscow; cultural evolution

…musical subcultures in Moscow also casts light on the ongoing process of cultural evolution… …Kristen Roth-Ey, have chronicled the evolution of this bifurcated cultural system in the Soviet… …writing on the 50s and 60s, has observed a similar process of cultural negotiation and evolution… …popular music, a product of unresolved tensions from earlier in the cultural history of the… …subcultural images and goods can form part of a natural, dialectical process of cultural evolution… 

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APA (6th Edition):

Kveberg, G. (2013). Moscow by night: musical subcultures, identity formation, and cultural evolution in Russia, 1977—2008. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/42317

Chicago Manual of Style (16th Edition):

Kveberg, Gregory. “Moscow by night: musical subcultures, identity formation, and cultural evolution in Russia, 1977—2008.” 2013. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed August 15, 2020. http://hdl.handle.net/2142/42317.

MLA Handbook (7th Edition):

Kveberg, Gregory. “Moscow by night: musical subcultures, identity formation, and cultural evolution in Russia, 1977—2008.” 2013. Web. 15 Aug 2020.

Vancouver:

Kveberg G. Moscow by night: musical subcultures, identity formation, and cultural evolution in Russia, 1977—2008. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2013. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/2142/42317.

Council of Science Editors:

Kveberg G. Moscow by night: musical subcultures, identity formation, and cultural evolution in Russia, 1977—2008. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2013. Available from: http://hdl.handle.net/2142/42317

27. Jackson, Stephanie. Music Cover Design in the Digital Age.

Degree: MDES, Design, Architecture, Art and Planning: Design, 2019, University of Cincinnati

 The digital age has affected the whole music industry and has become a part of cultural evolution. The music industry has continued to transform over… (more)

Subjects/Keywords: Design; Design; Graphic Design; Music Design; Visual Narrative; Music Album Cover; Cultural Evolution

…identifying that there has been a significant changes and evolution due to the digital era… …Technology is always changing and affecting different aspects of the music industry such as live… …music, concerts, how it’s produced, the way music is bought, and so much more. It’s especially… …has changed the way we interact and listen to music. Currently, music streaming, social… …share and distribute music and interact with their fans. Music streaming applications such as… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jackson, S. (2019). Music Cover Design in the Digital Age. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin156327401366013

Chicago Manual of Style (16th Edition):

Jackson, Stephanie. “Music Cover Design in the Digital Age.” 2019. Masters Thesis, University of Cincinnati. Accessed August 15, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin156327401366013.

MLA Handbook (7th Edition):

Jackson, Stephanie. “Music Cover Design in the Digital Age.” 2019. Web. 15 Aug 2020.

Vancouver:

Jackson S. Music Cover Design in the Digital Age. [Internet] [Masters thesis]. University of Cincinnati; 2019. [cited 2020 Aug 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin156327401366013.

Council of Science Editors:

Jackson S. Music Cover Design in the Digital Age. [Masters Thesis]. University of Cincinnati; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin156327401366013


Ohio University

28. Dambrink, Amanda M. To Tell the Story.

Degree: MA, English (Arts and Sciences), 2011, Ohio University

 The following is a compilation of personal essays I have written while studying creative nonfiction at Ohio University. Each essay contains elements of personal reflection,… (more)

Subjects/Keywords: American Literature; Bible; Biblical Studies; Evolution and Development; Families and Family Life; Fine Arts; Folklore; Language; Literature; Music; Performing Arts; Religion; Spirituality; Womens Studies; World History; Zoology; Improvisation; associative; blood; sacrament; story; home; faith; goat; whistle; whistling

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dambrink, A. M. (2011). To Tell the Story. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307036415

Chicago Manual of Style (16th Edition):

Dambrink, Amanda M. “To Tell the Story.” 2011. Masters Thesis, Ohio University. Accessed August 15, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307036415.

MLA Handbook (7th Edition):

Dambrink, Amanda M. “To Tell the Story.” 2011. Web. 15 Aug 2020.

Vancouver:

Dambrink AM. To Tell the Story. [Internet] [Masters thesis]. Ohio University; 2011. [cited 2020 Aug 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307036415.

Council of Science Editors:

Dambrink AM. To Tell the Story. [Masters Thesis]. Ohio University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1307036415

29. Leblanc, Sébastien. Musique et intégration à Montréal : le cas de l’Orchestra Rapsodia Româna.

Degree: 2019, Université de Montréal

Subjects/Keywords: Migration; évolution culturelle; musique; roumanité; Montréal; cultural evolution; romanity; music; Anthropology - Cultural / Anthropologie - Culturelle (UMI : 0326)

…Collective in Music » (2011) : 5 Nous pourrions aussi parler ici de nationalité ou… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leblanc, S. (2019). Musique et intégration à Montréal : le cas de l’Orchestra Rapsodia Româna. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/21874

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leblanc, Sébastien. “Musique et intégration à Montréal : le cas de l’Orchestra Rapsodia Româna.” 2019. Thesis, Université de Montréal. Accessed August 15, 2020. http://hdl.handle.net/1866/21874.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leblanc, Sébastien. “Musique et intégration à Montréal : le cas de l’Orchestra Rapsodia Româna.” 2019. Web. 15 Aug 2020.

Vancouver:

Leblanc S. Musique et intégration à Montréal : le cas de l’Orchestra Rapsodia Româna. [Internet] [Thesis]. Université de Montréal; 2019. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/1866/21874.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leblanc S. Musique et intégration à Montréal : le cas de l’Orchestra Rapsodia Româna. [Thesis]. Université de Montréal; 2019. Available from: http://hdl.handle.net/1866/21874

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université de Montréal

30. Campeau, Roxane. Musiquer : plaidoyer évolutionniste transdisciplinaire.

Degree: 2012, Université de Montréal

Subjects/Keywords: Philosophie; Musique; Langage; Neurones miroirs; Évolution; Transdisciplinarité; Philosophy; Music; Language; Mirror neurons; Evolution; Transdisciplinarity; Philosophy / Philosophie (UMI : 0422)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Campeau, R. (2012). Musiquer : plaidoyer évolutionniste transdisciplinaire. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/8430

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Campeau, Roxane. “Musiquer : plaidoyer évolutionniste transdisciplinaire.” 2012. Thesis, Université de Montréal. Accessed August 15, 2020. http://hdl.handle.net/1866/8430.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Campeau, Roxane. “Musiquer : plaidoyer évolutionniste transdisciplinaire.” 2012. Web. 15 Aug 2020.

Vancouver:

Campeau R. Musiquer : plaidoyer évolutionniste transdisciplinaire. [Internet] [Thesis]. Université de Montréal; 2012. [cited 2020 Aug 15]. Available from: http://hdl.handle.net/1866/8430.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Campeau R. Musiquer : plaidoyer évolutionniste transdisciplinaire. [Thesis]. Université de Montréal; 2012. Available from: http://hdl.handle.net/1866/8430

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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