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You searched for subject:(minstrelsy). Showing records 1 – 19 of 19 total matches.

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Penn State University

1. Randall, Dorian Clarissa. FROM THE BIRTH OF A NATION TO HAVOC: THE EVOLUTION OF.

Degree: MA, Media Studies, 2009, Penn State University

 Race is a complicated and debatable term in the United States today. Film is one venue in which the construction, deconstruction, and reconstruction of race… (more)

Subjects/Keywords: minstrelsy; racial passing; cinema

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APA (6th Edition):

Randall, D. C. (2009). FROM THE BIRTH OF A NATION TO HAVOC: THE EVOLUTION OF. (Masters Thesis). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/9364

Chicago Manual of Style (16th Edition):

Randall, Dorian Clarissa. “FROM THE BIRTH OF A NATION TO HAVOC: THE EVOLUTION OF.” 2009. Masters Thesis, Penn State University. Accessed October 21, 2019. https://etda.libraries.psu.edu/catalog/9364.

MLA Handbook (7th Edition):

Randall, Dorian Clarissa. “FROM THE BIRTH OF A NATION TO HAVOC: THE EVOLUTION OF.” 2009. Web. 21 Oct 2019.

Vancouver:

Randall DC. FROM THE BIRTH OF A NATION TO HAVOC: THE EVOLUTION OF. [Internet] [Masters thesis]. Penn State University; 2009. [cited 2019 Oct 21]. Available from: https://etda.libraries.psu.edu/catalog/9364.

Council of Science Editors:

Randall DC. FROM THE BIRTH OF A NATION TO HAVOC: THE EVOLUTION OF. [Masters Thesis]. Penn State University; 2009. Available from: https://etda.libraries.psu.edu/catalog/9364


University of Southern California

2. Clark, Jennifer J. OmegaKondre and horseface minstrelsy in the western.

Degree: PhD, Literature and Creative Writing, 2011, University of Southern California

 Both the critical and the creative elements of my dissertation propose a re-examination of conventional literary tropes and stereotypes central to the popular western. Likewise,… (more)

Subjects/Keywords: westerns; horses; minstrelsy; Africanist Presence

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APA (6th Edition):

Clark, J. J. (2011). OmegaKondre and horseface minstrelsy in the western. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/663943/rec/4511

Chicago Manual of Style (16th Edition):

Clark, Jennifer J. “OmegaKondre and horseface minstrelsy in the western.” 2011. Doctoral Dissertation, University of Southern California. Accessed October 21, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/663943/rec/4511.

MLA Handbook (7th Edition):

Clark, Jennifer J. “OmegaKondre and horseface minstrelsy in the western.” 2011. Web. 21 Oct 2019.

Vancouver:

Clark JJ. OmegaKondre and horseface minstrelsy in the western. [Internet] [Doctoral dissertation]. University of Southern California; 2011. [cited 2019 Oct 21]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/663943/rec/4511.

Council of Science Editors:

Clark JJ. OmegaKondre and horseface minstrelsy in the western. [Doctoral Dissertation]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/663943/rec/4511


Louisiana State University

3. Lyons-Fontenot, Florence. Beyond boundaries: political dictates found in minstrelsy.

Degree: PhD, Theatre and Performance Studies, 2003, Louisiana State University

 Nineteenth-century white minstrels portrayed white abolitionists, suffragists, and temperance advocates in blackface, in order discriminate against them in the same way that blacks were discriminated… (more)

Subjects/Keywords: minstrelsy; blackface; minstrel

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APA (6th Edition):

Lyons-Fontenot, F. (2003). Beyond boundaries: political dictates found in minstrelsy. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-1112103-140654 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1873

Chicago Manual of Style (16th Edition):

Lyons-Fontenot, Florence. “Beyond boundaries: political dictates found in minstrelsy.” 2003. Doctoral Dissertation, Louisiana State University. Accessed October 21, 2019. etd-1112103-140654 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1873.

MLA Handbook (7th Edition):

Lyons-Fontenot, Florence. “Beyond boundaries: political dictates found in minstrelsy.” 2003. Web. 21 Oct 2019.

Vancouver:

Lyons-Fontenot F. Beyond boundaries: political dictates found in minstrelsy. [Internet] [Doctoral dissertation]. Louisiana State University; 2003. [cited 2019 Oct 21]. Available from: etd-1112103-140654 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1873.

Council of Science Editors:

Lyons-Fontenot F. Beyond boundaries: political dictates found in minstrelsy. [Doctoral Dissertation]. Louisiana State University; 2003. Available from: etd-1112103-140654 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1873


UCLA

4. Shiovitz, Brynn Wein. Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950.

Degree: Culture & Performance Studies, 2016, UCLA

 ABSTRACT OF THE DISSERTATIONMasks in Disguise:Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950byBrynn Wein ShiovitzDoctor… (more)

Subjects/Keywords: Dance; African American studies; Theater history; blackface; disguise; masking; minstrelsy; performance; tap dance

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APA (6th Edition):

Shiovitz, B. W. (2016). Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/1023p0b6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shiovitz, Brynn Wein. “Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950.” 2016. Thesis, UCLA. Accessed October 21, 2019. http://www.escholarship.org/uc/item/1023p0b6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shiovitz, Brynn Wein. “Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950.” 2016. Web. 21 Oct 2019.

Vancouver:

Shiovitz BW. Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950. [Internet] [Thesis]. UCLA; 2016. [cited 2019 Oct 21]. Available from: http://www.escholarship.org/uc/item/1023p0b6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shiovitz BW. Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950. [Thesis]. UCLA; 2016. Available from: http://www.escholarship.org/uc/item/1023p0b6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kentucky

5. Ward, Perry K. A SELECT SURVEY OF CHORAL ARRANGEMENTS BASED ON THE SONGS OF STEPHEN FOSTER TRACING DEVELOPMENTS IN MUSIC AND TEXTUAL CHANGES THROUGH THE TWENTIETH AND TWENTY-FIRST CENTURIES.

Degree: 2017, University of Kentucky

 Stephen Foster is acknowledged as America’s first composer of popular music. His legacy can be seen in the number of songs that are embedded in… (more)

Subjects/Keywords: Stephen Foster; Racism; Blackface Minstrelsy; American popular culture; choral arrangements; African American Studies; Music; Musicology; Music Performance

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APA (6th Edition):

Ward, P. K. (2017). A SELECT SURVEY OF CHORAL ARRANGEMENTS BASED ON THE SONGS OF STEPHEN FOSTER TRACING DEVELOPMENTS IN MUSIC AND TEXTUAL CHANGES THROUGH THE TWENTIETH AND TWENTY-FIRST CENTURIES. (Doctoral Dissertation). University of Kentucky. Retrieved from https://uknowledge.uky.edu/music_etds/103

Chicago Manual of Style (16th Edition):

Ward, Perry K. “A SELECT SURVEY OF CHORAL ARRANGEMENTS BASED ON THE SONGS OF STEPHEN FOSTER TRACING DEVELOPMENTS IN MUSIC AND TEXTUAL CHANGES THROUGH THE TWENTIETH AND TWENTY-FIRST CENTURIES.” 2017. Doctoral Dissertation, University of Kentucky. Accessed October 21, 2019. https://uknowledge.uky.edu/music_etds/103.

MLA Handbook (7th Edition):

Ward, Perry K. “A SELECT SURVEY OF CHORAL ARRANGEMENTS BASED ON THE SONGS OF STEPHEN FOSTER TRACING DEVELOPMENTS IN MUSIC AND TEXTUAL CHANGES THROUGH THE TWENTIETH AND TWENTY-FIRST CENTURIES.” 2017. Web. 21 Oct 2019.

Vancouver:

Ward PK. A SELECT SURVEY OF CHORAL ARRANGEMENTS BASED ON THE SONGS OF STEPHEN FOSTER TRACING DEVELOPMENTS IN MUSIC AND TEXTUAL CHANGES THROUGH THE TWENTIETH AND TWENTY-FIRST CENTURIES. [Internet] [Doctoral dissertation]. University of Kentucky; 2017. [cited 2019 Oct 21]. Available from: https://uknowledge.uky.edu/music_etds/103.

Council of Science Editors:

Ward PK. A SELECT SURVEY OF CHORAL ARRANGEMENTS BASED ON THE SONGS OF STEPHEN FOSTER TRACING DEVELOPMENTS IN MUSIC AND TEXTUAL CHANGES THROUGH THE TWENTIETH AND TWENTY-FIRST CENTURIES. [Doctoral Dissertation]. University of Kentucky; 2017. Available from: https://uknowledge.uky.edu/music_etds/103


University of Newcastle

6. Wye, Stephen. An extravgagant burlesque: 19th century blackface minstrelsy and its contemporary revival.

Degree: PhD, 2018, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

This project investigates the contextual and aesthetic frameworks for a creative work inspired by the practice and reception… (more)

Subjects/Keywords: burlesque; neo-burlesque; blackface minstrelsy; ethnic tranvestism; musical composition; composition; G.W. Rusden; Ned Faning; Hunter Valley, (NSW)

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APA (6th Edition):

Wye, S. (2018). An extravgagant burlesque: 19th century blackface minstrelsy and its contemporary revival. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/1385312

Chicago Manual of Style (16th Edition):

Wye, Stephen. “An extravgagant burlesque: 19th century blackface minstrelsy and its contemporary revival.” 2018. Doctoral Dissertation, University of Newcastle. Accessed October 21, 2019. http://hdl.handle.net/1959.13/1385312.

MLA Handbook (7th Edition):

Wye, Stephen. “An extravgagant burlesque: 19th century blackface minstrelsy and its contemporary revival.” 2018. Web. 21 Oct 2019.

Vancouver:

Wye S. An extravgagant burlesque: 19th century blackface minstrelsy and its contemporary revival. [Internet] [Doctoral dissertation]. University of Newcastle; 2018. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/1959.13/1385312.

Council of Science Editors:

Wye S. An extravgagant burlesque: 19th century blackface minstrelsy and its contemporary revival. [Doctoral Dissertation]. University of Newcastle; 2018. Available from: http://hdl.handle.net/1959.13/1385312


University of Louisville

7. Bryan, Emma Christine. "A trained and trustful soul" : life and literature of a black Louisville artist in minstrel America.

Degree: MA, 2019, University of Louisville

  This thesis explores the century-long theatrical expression of blackface minstrelsy within the larger context of the United States, but specifically studies its popularity in… (more)

Subjects/Keywords: race; white supremacy; blackface minstrelsy; Joseph Seamon Cotter, Sr.; literature; theater; Cultural History; History; Public History; United States History

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APA (6th Edition):

Bryan, E. C. (2019). "A trained and trustful soul" : life and literature of a black Louisville artist in minstrel America. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/3197 ; https://ir.library.louisville.edu/etd/3197

Chicago Manual of Style (16th Edition):

Bryan, Emma Christine. “"A trained and trustful soul" : life and literature of a black Louisville artist in minstrel America.” 2019. Masters Thesis, University of Louisville. Accessed October 21, 2019. 10.18297/etd/3197 ; https://ir.library.louisville.edu/etd/3197.

MLA Handbook (7th Edition):

Bryan, Emma Christine. “"A trained and trustful soul" : life and literature of a black Louisville artist in minstrel America.” 2019. Web. 21 Oct 2019.

Vancouver:

Bryan EC. "A trained and trustful soul" : life and literature of a black Louisville artist in minstrel America. [Internet] [Masters thesis]. University of Louisville; 2019. [cited 2019 Oct 21]. Available from: 10.18297/etd/3197 ; https://ir.library.louisville.edu/etd/3197.

Council of Science Editors:

Bryan EC. "A trained and trustful soul" : life and literature of a black Louisville artist in minstrel America. [Masters Thesis]. University of Louisville; 2019. Available from: 10.18297/etd/3197 ; https://ir.library.louisville.edu/etd/3197


University of Kentucky

8. Skeen, Collin A. Recontextualizing Pudd'nhead: Minstrelsy, Race, and the Performance of Progress.

Degree: 2015, University of Kentucky

 This thesis examines how Twain’s Pudd’nhead Wilson does much more than simply bridge the recurring racial and cultural behaviors of the antebellum South with the… (more)

Subjects/Keywords: Mark Twain; performativity; minstrelsy; World's Fair; eugenics; English Language and Literature; Literature in English, North America; Literature in English, North America, Ethnic and Cultural Minority

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APA (6th Edition):

Skeen, C. A. (2015). Recontextualizing Pudd'nhead: Minstrelsy, Race, and the Performance of Progress. (Masters Thesis). University of Kentucky. Retrieved from http://uknowledge.uky.edu/english_etds/20

Chicago Manual of Style (16th Edition):

Skeen, Collin A. “Recontextualizing Pudd'nhead: Minstrelsy, Race, and the Performance of Progress.” 2015. Masters Thesis, University of Kentucky. Accessed October 21, 2019. http://uknowledge.uky.edu/english_etds/20.

MLA Handbook (7th Edition):

Skeen, Collin A. “Recontextualizing Pudd'nhead: Minstrelsy, Race, and the Performance of Progress.” 2015. Web. 21 Oct 2019.

Vancouver:

Skeen CA. Recontextualizing Pudd'nhead: Minstrelsy, Race, and the Performance of Progress. [Internet] [Masters thesis]. University of Kentucky; 2015. [cited 2019 Oct 21]. Available from: http://uknowledge.uky.edu/english_etds/20.

Council of Science Editors:

Skeen CA. Recontextualizing Pudd'nhead: Minstrelsy, Race, and the Performance of Progress. [Masters Thesis]. University of Kentucky; 2015. Available from: http://uknowledge.uky.edu/english_etds/20

9. Partica, Harvey E. Blackface and Pale Gaze: Racialist Sentiment in Stowe, Melville, and London.

Degree: 2016, University of Illinois – Chicago

 This dissertation examines the role of minstrelsy and romantic racialism in three American writers, Harriet Beecher Stowe, Herman Melville, and Jack London. While Melville’s fiction… (more)

Subjects/Keywords: Racialism; Minstrelsy; Harriet Beecher Stowe; Herman Melville; Jack London

…recognition … In antebellum America it was minstrelsy that performed this crucial hegemonic function… …characters in blackface. Minstrelsy is a regular feature of their work. Of interest is the manner… …furs 2 enact the political limits of his racial imaginary. For each, minstrelsy performs the… …Minstrelsy is a potentially dangerous genre predicated upon subversive antecedents. Lott argues… …blackface minstrelsy less a sign of absolute white power and control than of panic, anxiety… 

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APA (6th Edition):

Partica, H. E. (2016). Blackface and Pale Gaze: Racialist Sentiment in Stowe, Melville, and London. (Thesis). University of Illinois – Chicago. Retrieved from http://hdl.handle.net/10027/21562

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Partica, Harvey E. “Blackface and Pale Gaze: Racialist Sentiment in Stowe, Melville, and London.” 2016. Thesis, University of Illinois – Chicago. Accessed October 21, 2019. http://hdl.handle.net/10027/21562.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Partica, Harvey E. “Blackface and Pale Gaze: Racialist Sentiment in Stowe, Melville, and London.” 2016. Web. 21 Oct 2019.

Vancouver:

Partica HE. Blackface and Pale Gaze: Racialist Sentiment in Stowe, Melville, and London. [Internet] [Thesis]. University of Illinois – Chicago; 2016. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10027/21562.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Partica HE. Blackface and Pale Gaze: Racialist Sentiment in Stowe, Melville, and London. [Thesis]. University of Illinois – Chicago; 2016. Available from: http://hdl.handle.net/10027/21562

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Moeijes, Annemarie. Character vs. Caricature: The Construction of Blackness in Carl Van Vechten's Nigger Heaven and Claude McKay's Home to Harlem.

Degree: 2017, Leiden University

 This thesis applies Du Bois's and Fanon's theoretical concepts about the construction of black identity in a white-dominated and postcolonial context to Van Vechten's Nigger… (more)

Subjects/Keywords: blackness; whiteness; fanon; minstrelsy; Harlem Renaissance; van vechten; mckay

…consciousness through the field of minstrelsy and have become code for social pretension and… …allegory, even minstrelsy. As Huggins points out, “Negro dialect was commercial” (197)… …pronunciations that likely reflect linguistic minstrelsy rather than any authentic dialect” (137… …minstrelsy; it becomes a “cloak of travesty for the Stage Negro” (Huggins 265). Fanon’s… …project, however lofty his ideals may have been, never escapes the taint of minstrelsy. Through… 

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APA (6th Edition):

Moeijes, A. (2017). Character vs. Caricature: The Construction of Blackness in Carl Van Vechten's Nigger Heaven and Claude McKay's Home to Harlem. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/51517

Chicago Manual of Style (16th Edition):

Moeijes, Annemarie. “Character vs. Caricature: The Construction of Blackness in Carl Van Vechten's Nigger Heaven and Claude McKay's Home to Harlem.” 2017. Masters Thesis, Leiden University. Accessed October 21, 2019. http://hdl.handle.net/1887/51517.

MLA Handbook (7th Edition):

Moeijes, Annemarie. “Character vs. Caricature: The Construction of Blackness in Carl Van Vechten's Nigger Heaven and Claude McKay's Home to Harlem.” 2017. Web. 21 Oct 2019.

Vancouver:

Moeijes A. Character vs. Caricature: The Construction of Blackness in Carl Van Vechten's Nigger Heaven and Claude McKay's Home to Harlem. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/1887/51517.

Council of Science Editors:

Moeijes A. Character vs. Caricature: The Construction of Blackness in Carl Van Vechten's Nigger Heaven and Claude McKay's Home to Harlem. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/51517

11. Rosby, Amy. SUBVERTING BLACKFACE AND THE EPISTEMOLOGY OF AMERICAN IDENTITY IN JOHN BERRYMAN'S 77 DREAM SONGS.

Degree: MAin English, College of Liberal Arts and Social Sciences, 2008, Cleveland State University

 John Berryman has been criticized for his employment of white performance of blackface minstrelsy's conventions and dialect in 77 Dream Songs because of the complex… (more)

Subjects/Keywords: American Literature; Literature; John Berryman; 77 Dream Songs; blackface minstrelsy

…and even the decline of actual minstrelsy. In addition to the highly problematic nature of a… …the idea or, at least, commit to the use of minstrelsy until 1958, when he writes “NEW: the… …minstrelsy‟s significance to the poems. Some critics, such as Robert Phillips, go so far as to… …suggest that Berryman‟s use of minstrelsy actually impairs the poems (93). However… …blackface minstrelsy: “I don‟t contradict madmen. When William Blake says something, I say thank… 

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APA (6th Edition):

Rosby, A. (2008). SUBVERTING BLACKFACE AND THE EPISTEMOLOGY OF AMERICAN IDENTITY IN JOHN BERRYMAN'S 77 DREAM SONGS. (Masters Thesis). Cleveland State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=csu1216665711

Chicago Manual of Style (16th Edition):

Rosby, Amy. “SUBVERTING BLACKFACE AND THE EPISTEMOLOGY OF AMERICAN IDENTITY IN JOHN BERRYMAN'S 77 DREAM SONGS.” 2008. Masters Thesis, Cleveland State University. Accessed October 21, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=csu1216665711.

MLA Handbook (7th Edition):

Rosby, Amy. “SUBVERTING BLACKFACE AND THE EPISTEMOLOGY OF AMERICAN IDENTITY IN JOHN BERRYMAN'S 77 DREAM SONGS.” 2008. Web. 21 Oct 2019.

Vancouver:

Rosby A. SUBVERTING BLACKFACE AND THE EPISTEMOLOGY OF AMERICAN IDENTITY IN JOHN BERRYMAN'S 77 DREAM SONGS. [Internet] [Masters thesis]. Cleveland State University; 2008. [cited 2019 Oct 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=csu1216665711.

Council of Science Editors:

Rosby A. SUBVERTING BLACKFACE AND THE EPISTEMOLOGY OF AMERICAN IDENTITY IN JOHN BERRYMAN'S 77 DREAM SONGS. [Masters Thesis]. Cleveland State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=csu1216665711


SUNY College at Brockport

12. Bailey, Danisha Nicole. TheROOTS : Bridging the Gap Between Africa, Minstrelsy and Hip Hop.

Degree: MFA, Dance, 2006, SUNY College at Brockport

  TheROOTS: Bridging the Gap between Afi"ica, Minstrelsy and Hip Hop IS a thesis project written to look at the effects minstrelsy had on the… (more)

Subjects/Keywords: Dance; hip hop; minstrelsy; African culture; slave culture; black music; black dance; Dance

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APA (6th Edition):

Bailey, D. N. (2006). TheROOTS : Bridging the Gap Between Africa, Minstrelsy and Hip Hop. (Thesis). SUNY College at Brockport. Retrieved from https://digitalcommons.brockport.edu/dns_theses/6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bailey, Danisha Nicole. “TheROOTS : Bridging the Gap Between Africa, Minstrelsy and Hip Hop.” 2006. Thesis, SUNY College at Brockport. Accessed October 21, 2019. https://digitalcommons.brockport.edu/dns_theses/6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bailey, Danisha Nicole. “TheROOTS : Bridging the Gap Between Africa, Minstrelsy and Hip Hop.” 2006. Web. 21 Oct 2019.

Vancouver:

Bailey DN. TheROOTS : Bridging the Gap Between Africa, Minstrelsy and Hip Hop. [Internet] [Thesis]. SUNY College at Brockport; 2006. [cited 2019 Oct 21]. Available from: https://digitalcommons.brockport.edu/dns_theses/6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bailey DN. TheROOTS : Bridging the Gap Between Africa, Minstrelsy and Hip Hop. [Thesis]. SUNY College at Brockport; 2006. Available from: https://digitalcommons.brockport.edu/dns_theses/6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Smith, Amanda Kate. The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly.

Degree: MM, Music, 2013, University of Wisconsin – Milwaukee

  In this study, the Kingston Trio's 1958 recording of "Tom Dooley" is used as a starting point to explore the recording industry's commercialization of… (more)

Subjects/Keywords: Folk; Minstrelsy; Recording; Tom Dooley; Vaudeville; Vernacular; Music

minstrelsy were formative in the creation of popular blues and in the life of Smith. Literature… …leads towards a brief examination of blackface minstrelsy, highlighting the ways in which… …coon songs,” ragtime, and even minstrelsy. In this chapter, I will examine the ways in which… …minstrelsy. Vaudeville is important to this study in revealing African American folk traditions… 

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APA (6th Edition):

Smith, A. K. (2013). The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/162

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Amanda Kate. “The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly.” 2013. Thesis, University of Wisconsin – Milwaukee. Accessed October 21, 2019. https://dc.uwm.edu/etd/162.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Amanda Kate. “The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly.” 2013. Web. 21 Oct 2019.

Vancouver:

Smith AK. The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2013. [cited 2019 Oct 21]. Available from: https://dc.uwm.edu/etd/162.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith AK. The Recording Industry's Influence on Vernacular Traditions 1920-1960: Illustrated Case Studies of Mamie Smith, the Carter Family, and Leadbelly. [Thesis]. University of Wisconsin – Milwaukee; 2013. Available from: https://dc.uwm.edu/etd/162

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

14. Mohammed-Grant, Saqqara A. The crossover: an exploration of the success and influence of African-American music in the face of systematic discrimination.

Degree: MA, Communication Management, 2011, University of Southern California

 The success of African-American music has consistently been predicated on America’s racial climate. African-American musicians and performers have struggled to gain acceptance into America’s mainstream… (more)

Subjects/Keywords: African-American music; music industry; Civil War; music; blackface minstrelsy; slavery; Motown; The Supremes; Destiny'; s Child; girl groups; Race Records; The Hyers Sisters; Scott Joplin; music marketing; The Four P'; s of Marketing

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APA (6th Edition):

Mohammed-Grant, S. A. (2011). The crossover: an exploration of the success and influence of African-American music in the face of systematic discrimination. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/653027/rec/6530

Chicago Manual of Style (16th Edition):

Mohammed-Grant, Saqqara A. “The crossover: an exploration of the success and influence of African-American music in the face of systematic discrimination.” 2011. Masters Thesis, University of Southern California. Accessed October 21, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/653027/rec/6530.

MLA Handbook (7th Edition):

Mohammed-Grant, Saqqara A. “The crossover: an exploration of the success and influence of African-American music in the face of systematic discrimination.” 2011. Web. 21 Oct 2019.

Vancouver:

Mohammed-Grant SA. The crossover: an exploration of the success and influence of African-American music in the face of systematic discrimination. [Internet] [Masters thesis]. University of Southern California; 2011. [cited 2019 Oct 21]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/653027/rec/6530.

Council of Science Editors:

Mohammed-Grant SA. The crossover: an exploration of the success and influence of African-American music in the face of systematic discrimination. [Masters Thesis]. University of Southern California; 2011. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/653027/rec/6530

15. Wittmann, Matthew W. Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890.

Degree: PhD, American Culture, 2010, University of Michigan

 During the mid-nineteenth century, the ongoing development of a robust and expansive U.S. culture industry dovetailed with the emergence of a recognizable Pacific world shaped… (more)

Subjects/Keywords: Transnational; Circus; Blackface Minstrelsy; Culture Industry; Pacific; Popular Culture; American and Canadian Studies; History (General); Humanities

…masses. The exponential growth of blackface minstrelsy, the proliferation of theatrical venues… …Minstrelsy and the American Working Class (New York: Oxford University Press, 1993)… …particular product or performance is received.31 Blackface minstrelsy, for one, engendered a… …Minstrelsy, and Transatlantic Culture in the 1850s (Athens: University of Georgia Press, 2005… 

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APA (6th Edition):

Wittmann, M. W. (2010). Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/75991

Chicago Manual of Style (16th Edition):

Wittmann, Matthew W. “Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890.” 2010. Doctoral Dissertation, University of Michigan. Accessed October 21, 2019. http://hdl.handle.net/2027.42/75991.

MLA Handbook (7th Edition):

Wittmann, Matthew W. “Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890.” 2010. Web. 21 Oct 2019.

Vancouver:

Wittmann MW. Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890. [Internet] [Doctoral dissertation]. University of Michigan; 2010. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/2027.42/75991.

Council of Science Editors:

Wittmann MW. Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890. [Doctoral Dissertation]. University of Michigan; 2010. Available from: http://hdl.handle.net/2027.42/75991

16. Rued, Nichole M. Remolding the Minstrel Mask: Linguistic Violence and Resistance in Charles Chesnutt's Dialect Fiction.

Degree: MA, English/Literature, 2015, Bowling Green State University

 When Charles Chesnutt entered the American literary sphere in the late 1800s, the nation was rife with racial turmoil following the Civil War. Both North… (more)

Subjects/Keywords: Literature; Chesnutt; Charles Chesnutt; signifying; minstrelsy; dialect; dialect fiction; literature; African American literature; slavery; blackness; vernacular; plantation fiction; conjure tales

minstrelsy allowed white performers to demonstrate benevolent paternalism and imitate what… …of American minstrelsy,” Rice invented the character—or rather, caricature—of Jim Crow, who… …became common in blackface minstrelsy and after whom Jim Crow laws were named (Green 389… …Green 391). Blackface minstrelsy increasingly gained popularity in both the North and the… …of the ‘nigger (395). Green reveals an important point: blackface minstrelsy… 

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APA (6th Edition):

Rued, N. M. (2015). Remolding the Minstrel Mask: Linguistic Violence and Resistance in Charles Chesnutt's Dialect Fiction. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1431971758

Chicago Manual of Style (16th Edition):

Rued, Nichole M. “Remolding the Minstrel Mask: Linguistic Violence and Resistance in Charles Chesnutt's Dialect Fiction.” 2015. Masters Thesis, Bowling Green State University. Accessed October 21, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1431971758.

MLA Handbook (7th Edition):

Rued, Nichole M. “Remolding the Minstrel Mask: Linguistic Violence and Resistance in Charles Chesnutt's Dialect Fiction.” 2015. Web. 21 Oct 2019.

Vancouver:

Rued NM. Remolding the Minstrel Mask: Linguistic Violence and Resistance in Charles Chesnutt's Dialect Fiction. [Internet] [Masters thesis]. Bowling Green State University; 2015. [cited 2019 Oct 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1431971758.

Council of Science Editors:

Rued NM. Remolding the Minstrel Mask: Linguistic Violence and Resistance in Charles Chesnutt's Dialect Fiction. [Masters Thesis]. Bowling Green State University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1431971758

17. Brellenthin, Jacqueline. William Grant Still and the Balance of Popular Vs. Classical: Pace & Handy, Black Swan, and Shuffle Along.

Degree: MM, Music, 2014, University of Wisconsin – Milwaukee

  Although known for his classical compositions, the African American composer William Grant Still worked in the popular music market at Pace & Handy Music… (more)

Subjects/Keywords: Black Swan; Minstrelsy; Pace & Handy; Publishing; Shuffle Along; William Grant Still; African American Studies; Music; United States History

…War. From blackface to all-black minstrelsy, circus sideshows, and vaudeville, African… …This overview of the transition from blackface minstrelsy to all-black minstrel shows as… …context of the songs and songwriters spanning the era of minstrelsy through the coon song and… …Century Blackface Minstrelsy (Hanover CT: Wesleyan University Press, 1996), and Robert… …Press, 1997) outline forms of entertainment that influenced blackface minstrelsy and… 

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APA (6th Edition):

Brellenthin, J. (2014). William Grant Still and the Balance of Popular Vs. Classical: Pace & Handy, Black Swan, and Shuffle Along. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/354

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brellenthin, Jacqueline. “William Grant Still and the Balance of Popular Vs. Classical: Pace & Handy, Black Swan, and Shuffle Along.” 2014. Thesis, University of Wisconsin – Milwaukee. Accessed October 21, 2019. https://dc.uwm.edu/etd/354.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brellenthin, Jacqueline. “William Grant Still and the Balance of Popular Vs. Classical: Pace & Handy, Black Swan, and Shuffle Along.” 2014. Web. 21 Oct 2019.

Vancouver:

Brellenthin J. William Grant Still and the Balance of Popular Vs. Classical: Pace & Handy, Black Swan, and Shuffle Along. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2014. [cited 2019 Oct 21]. Available from: https://dc.uwm.edu/etd/354.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brellenthin J. William Grant Still and the Balance of Popular Vs. Classical: Pace & Handy, Black Swan, and Shuffle Along. [Thesis]. University of Wisconsin – Milwaukee; 2014. Available from: https://dc.uwm.edu/etd/354

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


North Carolina State University

18. Lynch, Krystal Andrea. The Minstrelization of Hip Hop and Spoken Word Authenticity: Expressions of Postmodern Blackness.

Degree: MA, English, 2005, North Carolina State University

 Because of the need to preserve hip hop culture in postmodern American, a question that should be asked is, how is hip-hop music relevant to… (more)

Subjects/Keywords: authenticity; spoken word; authentic; real; post-soul; white; culture; hip hop; minstrelsy; blackface; appropriation; manhood; whiteness; minstrelization; expression; feminine; commercial; music; postmodernism; poetry; reality; blackness; black

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APA (6th Edition):

Lynch, K. A. (2005). The Minstrelization of Hip Hop and Spoken Word Authenticity: Expressions of Postmodern Blackness. (Thesis). North Carolina State University. Retrieved from http://www.lib.ncsu.edu/resolver/1840.16/2515

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lynch, Krystal Andrea. “The Minstrelization of Hip Hop and Spoken Word Authenticity: Expressions of Postmodern Blackness.” 2005. Thesis, North Carolina State University. Accessed October 21, 2019. http://www.lib.ncsu.edu/resolver/1840.16/2515.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lynch, Krystal Andrea. “The Minstrelization of Hip Hop and Spoken Word Authenticity: Expressions of Postmodern Blackness.” 2005. Web. 21 Oct 2019.

Vancouver:

Lynch KA. The Minstrelization of Hip Hop and Spoken Word Authenticity: Expressions of Postmodern Blackness. [Internet] [Thesis]. North Carolina State University; 2005. [cited 2019 Oct 21]. Available from: http://www.lib.ncsu.edu/resolver/1840.16/2515.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lynch KA. The Minstrelization of Hip Hop and Spoken Word Authenticity: Expressions of Postmodern Blackness. [Thesis]. North Carolina State University; 2005. Available from: http://www.lib.ncsu.edu/resolver/1840.16/2515

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New Orleans

19. Pult, Jon. Troupers: Essays in Three Rings.

Degree: M.F.A., Film, Theatre, and Communication Arts, 2009, University of New Orleans

 Troupers: Essays in Three Rings is a collection of fourteen essays focused mainly on variety entertainers (including the author). It leads the reader through a… (more)

Subjects/Keywords: Circus; Clowns; Radio; Ascona; Switzerland; Benny Goodman; Ukulele; Zoos; Elephants; Elephant executions; Paris; France; New Orleans Jazz; Lemon Nash; Vaudeville; Minstrelsy; Cliff Edwards

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pult, J. (2009). Troupers: Essays in Three Rings. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/931

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pult, Jon. “Troupers: Essays in Three Rings.” 2009. Thesis, University of New Orleans. Accessed October 21, 2019. https://scholarworks.uno.edu/td/931.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pult, Jon. “Troupers: Essays in Three Rings.” 2009. Web. 21 Oct 2019.

Vancouver:

Pult J. Troupers: Essays in Three Rings. [Internet] [Thesis]. University of New Orleans; 2009. [cited 2019 Oct 21]. Available from: https://scholarworks.uno.edu/td/931.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pult J. Troupers: Essays in Three Rings. [Thesis]. University of New Orleans; 2009. Available from: https://scholarworks.uno.edu/td/931

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.