Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

You searched for subject:(medieval music). Showing records 1 – 30 of 56 total matches.

[1] [2]

Search Limiters

Last 2 Years | English Only

Levels

▼ Search Limiters


University of Exeter

1. Smilansky, Uri. Rethinking Ars subtilior : context, language, study and performance.

Degree: PhD, 2010, University of Exeter

 This dissertation attempts to re-contextualise the late fourteenth and early fifteenth century musical phenomenon now referred to as the Ars subtilior, in terms of our… (more)

Subjects/Keywords: 780; Ars Subtilior : medieval music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smilansky, U. (2010). Rethinking Ars subtilior : context, language, study and performance. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10036/3006

Chicago Manual of Style (16th Edition):

Smilansky, Uri. “Rethinking Ars subtilior : context, language, study and performance.” 2010. Doctoral Dissertation, University of Exeter. Accessed October 21, 2019. http://hdl.handle.net/10036/3006.

MLA Handbook (7th Edition):

Smilansky, Uri. “Rethinking Ars subtilior : context, language, study and performance.” 2010. Web. 21 Oct 2019.

Vancouver:

Smilansky U. Rethinking Ars subtilior : context, language, study and performance. [Internet] [Doctoral dissertation]. University of Exeter; 2010. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10036/3006.

Council of Science Editors:

Smilansky U. Rethinking Ars subtilior : context, language, study and performance. [Doctoral Dissertation]. University of Exeter; 2010. Available from: http://hdl.handle.net/10036/3006

2. McNellis, Rachel. Imitating Christ in Ars Subtilior Picture Music: Intersections with Theological Symbolism and Visual Traditions.

Degree: PhD, Musicology, 2019, Case Western Reserve University School of Graduate Studies

 Four works within the extant repertoire of the Ars Subtilior, which thrived during the later fourteenth and fifteenth centuries, are distinctive because they were notated… (more)

Subjects/Keywords: Music; music; ars subtilior; medieval music; music theory; music notation; medieval art; visual culture; interdisciplinary

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McNellis, R. (2019). Imitating Christ in Ars Subtilior Picture Music: Intersections with Theological Symbolism and Visual Traditions. (Doctoral Dissertation). Case Western Reserve University School of Graduate Studies. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=case1554293604378994

Chicago Manual of Style (16th Edition):

McNellis, Rachel. “Imitating Christ in Ars Subtilior Picture Music: Intersections with Theological Symbolism and Visual Traditions.” 2019. Doctoral Dissertation, Case Western Reserve University School of Graduate Studies. Accessed October 21, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=case1554293604378994.

MLA Handbook (7th Edition):

McNellis, Rachel. “Imitating Christ in Ars Subtilior Picture Music: Intersections with Theological Symbolism and Visual Traditions.” 2019. Web. 21 Oct 2019.

Vancouver:

McNellis R. Imitating Christ in Ars Subtilior Picture Music: Intersections with Theological Symbolism and Visual Traditions. [Internet] [Doctoral dissertation]. Case Western Reserve University School of Graduate Studies; 2019. [cited 2019 Oct 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1554293604378994.

Council of Science Editors:

McNellis R. Imitating Christ in Ars Subtilior Picture Music: Intersections with Theological Symbolism and Visual Traditions. [Doctoral Dissertation]. Case Western Reserve University School of Graduate Studies; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=case1554293604378994


UCLA

3. Gower, Gillian Lucinda. The Iconography of Queenship: Sacred Music and Female Exemplarity in Late Medieval Britain.

Degree: Musicology, 2016, UCLA

 This dissertation investigates the relational, representative, and most importantly, constitutive functions of sacred music composed on behalf of and at the behest of British queen-consorts… (more)

Subjects/Keywords: Music; Medieval history; Medieval literature; gender; medieval england; musicology; queenship; sacred music; singularis laudis digna

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gower, G. L. (2016). The Iconography of Queenship: Sacred Music and Female Exemplarity in Late Medieval Britain. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/0vs062zv

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gower, Gillian Lucinda. “The Iconography of Queenship: Sacred Music and Female Exemplarity in Late Medieval Britain.” 2016. Thesis, UCLA. Accessed October 21, 2019. http://www.escholarship.org/uc/item/0vs062zv.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gower, Gillian Lucinda. “The Iconography of Queenship: Sacred Music and Female Exemplarity in Late Medieval Britain.” 2016. Web. 21 Oct 2019.

Vancouver:

Gower GL. The Iconography of Queenship: Sacred Music and Female Exemplarity in Late Medieval Britain. [Internet] [Thesis]. UCLA; 2016. [cited 2019 Oct 21]. Available from: http://www.escholarship.org/uc/item/0vs062zv.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gower GL. The Iconography of Queenship: Sacred Music and Female Exemplarity in Late Medieval Britain. [Thesis]. UCLA; 2016. Available from: http://www.escholarship.org/uc/item/0vs062zv

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

4. Wood, Leslee Veora. Love and War: Troubadour Songs as Propaganda, Protest, and Politics in the Albigensian Crusade.

Degree: M.M., Music, 2017, University of Kansas

 From the eleventh through the thirteenth century, the troubadours flourished in the Occitan courts of southern France. As the artistic and political voices of their… (more)

Subjects/Keywords: Music; Medieval literature; Religious history; Albigensian Crusade; Catharism; Langue d'Oc; Medieval France; Medieval Music; Troubadours

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wood, L. V. (2017). Love and War: Troubadour Songs as Propaganda, Protest, and Politics in the Albigensian Crusade. (Masters Thesis). University of Kansas. Retrieved from http://hdl.handle.net/1808/25234

Chicago Manual of Style (16th Edition):

Wood, Leslee Veora. “Love and War: Troubadour Songs as Propaganda, Protest, and Politics in the Albigensian Crusade.” 2017. Masters Thesis, University of Kansas. Accessed October 21, 2019. http://hdl.handle.net/1808/25234.

MLA Handbook (7th Edition):

Wood, Leslee Veora. “Love and War: Troubadour Songs as Propaganda, Protest, and Politics in the Albigensian Crusade.” 2017. Web. 21 Oct 2019.

Vancouver:

Wood LV. Love and War: Troubadour Songs as Propaganda, Protest, and Politics in the Albigensian Crusade. [Internet] [Masters thesis]. University of Kansas; 2017. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/1808/25234.

Council of Science Editors:

Wood LV. Love and War: Troubadour Songs as Propaganda, Protest, and Politics in the Albigensian Crusade. [Masters Thesis]. University of Kansas; 2017. Available from: http://hdl.handle.net/1808/25234


University of Oxford

5. Hope, Henry. Constructing Minnesang musically.

Degree: PhD, 2013, University of Oxford

 While troubadour and trouvère repertoires have recently received fresh attention from music scholars, the study of medieval German vernacular song—Minnesang—continues to be located firmly outside… (more)

Subjects/Keywords: 782.421640943; Medieval music; German; Minnesang; medieval song; manuscripts; historiography; musicology

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hope, H. (2013). Constructing Minnesang musically. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:1fe51d00-5f31-4a6f-8420-9533a3a07ed6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669833

Chicago Manual of Style (16th Edition):

Hope, Henry. “Constructing Minnesang musically.” 2013. Doctoral Dissertation, University of Oxford. Accessed October 21, 2019. http://ora.ox.ac.uk/objects/uuid:1fe51d00-5f31-4a6f-8420-9533a3a07ed6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669833.

MLA Handbook (7th Edition):

Hope, Henry. “Constructing Minnesang musically.” 2013. Web. 21 Oct 2019.

Vancouver:

Hope H. Constructing Minnesang musically. [Internet] [Doctoral dissertation]. University of Oxford; 2013. [cited 2019 Oct 21]. Available from: http://ora.ox.ac.uk/objects/uuid:1fe51d00-5f31-4a6f-8420-9533a3a07ed6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669833.

Council of Science Editors:

Hope H. Constructing Minnesang musically. [Doctoral Dissertation]. University of Oxford; 2013. Available from: http://ora.ox.ac.uk/objects/uuid:1fe51d00-5f31-4a6f-8420-9533a3a07ed6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669833

6. Dunnahoe, Sean D. The Long Beach codex| An unexamined Italian Dominican missal from the fifteenth century.

Degree: 2012, California State University, Long Beach

  While the fifteenth-century Italian missal CSULB MS Cat. BX2015 .A2 1450 might not be liturgically normative, close inspection of the manuscript can still unveil… (more)

Subjects/Keywords: Religion, History of; Music; History, Medieval

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dunnahoe, S. D. (2012). The Long Beach codex| An unexamined Italian Dominican missal from the fifteenth century. (Thesis). California State University, Long Beach. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1507656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dunnahoe, Sean D. “The Long Beach codex| An unexamined Italian Dominican missal from the fifteenth century.” 2012. Thesis, California State University, Long Beach. Accessed October 21, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=1507656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dunnahoe, Sean D. “The Long Beach codex| An unexamined Italian Dominican missal from the fifteenth century.” 2012. Web. 21 Oct 2019.

Vancouver:

Dunnahoe SD. The Long Beach codex| An unexamined Italian Dominican missal from the fifteenth century. [Internet] [Thesis]. California State University, Long Beach; 2012. [cited 2019 Oct 21]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1507656.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dunnahoe SD. The Long Beach codex| An unexamined Italian Dominican missal from the fifteenth century. [Thesis]. California State University, Long Beach; 2012. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1507656

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

7. Levitsky, Anne Adele. The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric.

Degree: 2018, Columbia University

 This dissertation explores the relationship of the act of singing to being a human in the lyric poetry of the troubadours, traveling poet-musicians who frequented… (more)

Subjects/Keywords: Music; Literature, Medieval; Troubadours; Singing; Troubadour songs

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Levitsky, A. A. (2018). The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D80G52JR

Chicago Manual of Style (16th Edition):

Levitsky, Anne Adele. “The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric.” 2018. Doctoral Dissertation, Columbia University. Accessed October 21, 2019. https://doi.org/10.7916/D80G52JR.

MLA Handbook (7th Edition):

Levitsky, Anne Adele. “The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric.” 2018. Web. 21 Oct 2019.

Vancouver:

Levitsky AA. The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric. [Internet] [Doctoral dissertation]. Columbia University; 2018. [cited 2019 Oct 21]. Available from: https://doi.org/10.7916/D80G52JR.

Council of Science Editors:

Levitsky AA. The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric. [Doctoral Dissertation]. Columbia University; 2018. Available from: https://doi.org/10.7916/D80G52JR


University of Connecticut

8. da Rosa Guimaraes, Veronica Maria. Hidden Meanings: Troubadour Contrafacta in the Provencal Drama "Tragedia de Sancta Agnetis".

Degree: MA, Music, 2015, University of Connecticut

  The drama Tragedia de Santa Agnetis (Rome, Biblioteca Apostolica Vaticana, Chigi C.V. 151) is a tantalizing medieval manuscript. It is a para-liturgical drama focused… (more)

Subjects/Keywords: Medieval Music; troubadours; vernacular drama; Provence; intertextuality

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

da Rosa Guimaraes, V. M. (2015). Hidden Meanings: Troubadour Contrafacta in the Provencal Drama "Tragedia de Sancta Agnetis". (Masters Thesis). University of Connecticut. Retrieved from https://opencommons.uconn.edu/gs_theses/755

Chicago Manual of Style (16th Edition):

da Rosa Guimaraes, Veronica Maria. “Hidden Meanings: Troubadour Contrafacta in the Provencal Drama "Tragedia de Sancta Agnetis".” 2015. Masters Thesis, University of Connecticut. Accessed October 21, 2019. https://opencommons.uconn.edu/gs_theses/755.

MLA Handbook (7th Edition):

da Rosa Guimaraes, Veronica Maria. “Hidden Meanings: Troubadour Contrafacta in the Provencal Drama "Tragedia de Sancta Agnetis".” 2015. Web. 21 Oct 2019.

Vancouver:

da Rosa Guimaraes VM. Hidden Meanings: Troubadour Contrafacta in the Provencal Drama "Tragedia de Sancta Agnetis". [Internet] [Masters thesis]. University of Connecticut; 2015. [cited 2019 Oct 21]. Available from: https://opencommons.uconn.edu/gs_theses/755.

Council of Science Editors:

da Rosa Guimaraes VM. Hidden Meanings: Troubadour Contrafacta in the Provencal Drama "Tragedia de Sancta Agnetis". [Masters Thesis]. University of Connecticut; 2015. Available from: https://opencommons.uconn.edu/gs_theses/755


Rice University

9. Dawson-Marsh, Brandylee. The Naples L'homme arme masses, Burgundy and the Order of the Golden Fleece: The origins of the L'homme arme tradition.

Degree: MM, Music, 2004, Rice University

 This study discusses the L'Homme arme tradition in Burgundy and places the six Naples L'Homme arme masses in that tradition. The first part of the… (more)

Subjects/Keywords: Music; Medieval history

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dawson-Marsh, B. (2004). The Naples L'homme arme masses, Burgundy and the Order of the Golden Fleece: The origins of the L'homme arme tradition. (Masters Thesis). Rice University. Retrieved from http://hdl.handle.net/1911/17666

Chicago Manual of Style (16th Edition):

Dawson-Marsh, Brandylee. “The Naples L'homme arme masses, Burgundy and the Order of the Golden Fleece: The origins of the L'homme arme tradition.” 2004. Masters Thesis, Rice University. Accessed October 21, 2019. http://hdl.handle.net/1911/17666.

MLA Handbook (7th Edition):

Dawson-Marsh, Brandylee. “The Naples L'homme arme masses, Burgundy and the Order of the Golden Fleece: The origins of the L'homme arme tradition.” 2004. Web. 21 Oct 2019.

Vancouver:

Dawson-Marsh B. The Naples L'homme arme masses, Burgundy and the Order of the Golden Fleece: The origins of the L'homme arme tradition. [Internet] [Masters thesis]. Rice University; 2004. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/1911/17666.

Council of Science Editors:

Dawson-Marsh B. The Naples L'homme arme masses, Burgundy and the Order of the Golden Fleece: The origins of the L'homme arme tradition. [Masters Thesis]. Rice University; 2004. Available from: http://hdl.handle.net/1911/17666


Eastern Illinois University

10. Pearcy, Sharon S. Guillaume de Machaut: Musician and Poet.

Degree: MA, Music, 1999, Eastern Illinois University

  The life of Guillaume de Machaut (c. 1300-1377) is examined in light of his loyalty to his king, patriotism toward his country, and his… (more)

Subjects/Keywords: Medieval Studies; Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pearcy, S. S. (1999). Guillaume de Machaut: Musician and Poet. (Masters Thesis). Eastern Illinois University. Retrieved from https://thekeep.eiu.edu/theses/1697

Chicago Manual of Style (16th Edition):

Pearcy, Sharon S. “Guillaume de Machaut: Musician and Poet.” 1999. Masters Thesis, Eastern Illinois University. Accessed October 21, 2019. https://thekeep.eiu.edu/theses/1697.

MLA Handbook (7th Edition):

Pearcy, Sharon S. “Guillaume de Machaut: Musician and Poet.” 1999. Web. 21 Oct 2019.

Vancouver:

Pearcy SS. Guillaume de Machaut: Musician and Poet. [Internet] [Masters thesis]. Eastern Illinois University; 1999. [cited 2019 Oct 21]. Available from: https://thekeep.eiu.edu/theses/1697.

Council of Science Editors:

Pearcy SS. Guillaume de Machaut: Musician and Poet. [Masters Thesis]. Eastern Illinois University; 1999. Available from: https://thekeep.eiu.edu/theses/1697


University of Colorado

11. Hild, Elaine Stratton. Verse, Music, and Notation: Observations on Settings of Poetry in Sankt Gallen's Ninth- and Tenth-Century Manuscripts.

Degree: PhD, 2014, University of Colorado

  Included in both liturgical services and pedagogical instruction, verse was performed daily at the medieval abbey of Sankt Gallen. Documents created in the abbey… (more)

Subjects/Keywords: neumatic notation; Sankt Gallen; verse; medieval; abbey; liturgical; pedagogy; Medieval History; Medieval Studies; Music; Musicology; Music Pedagogy

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hild, E. S. (2014). Verse, Music, and Notation: Observations on Settings of Poetry in Sankt Gallen's Ninth- and Tenth-Century Manuscripts. (Doctoral Dissertation). University of Colorado. Retrieved from http://scholar.colorado.edu/muco_gradetds/5

Chicago Manual of Style (16th Edition):

Hild, Elaine Stratton. “Verse, Music, and Notation: Observations on Settings of Poetry in Sankt Gallen's Ninth- and Tenth-Century Manuscripts.” 2014. Doctoral Dissertation, University of Colorado. Accessed October 21, 2019. http://scholar.colorado.edu/muco_gradetds/5.

MLA Handbook (7th Edition):

Hild, Elaine Stratton. “Verse, Music, and Notation: Observations on Settings of Poetry in Sankt Gallen's Ninth- and Tenth-Century Manuscripts.” 2014. Web. 21 Oct 2019.

Vancouver:

Hild ES. Verse, Music, and Notation: Observations on Settings of Poetry in Sankt Gallen's Ninth- and Tenth-Century Manuscripts. [Internet] [Doctoral dissertation]. University of Colorado; 2014. [cited 2019 Oct 21]. Available from: http://scholar.colorado.edu/muco_gradetds/5.

Council of Science Editors:

Hild ES. Verse, Music, and Notation: Observations on Settings of Poetry in Sankt Gallen's Ninth- and Tenth-Century Manuscripts. [Doctoral Dissertation]. University of Colorado; 2014. Available from: http://scholar.colorado.edu/muco_gradetds/5


University of Oregon

12. Purcell-Joiner, Lauren. Veil and Tonsure: Stuttgart 95, Devotional Music, and the Discursive Construction of Gender in Thirteenth-Century Double Houses.

Degree: 2017, University of Oregon

 This dissertation provides the first full-scale musicological study of Stuttgart 95, a thirteenth-century song book, formerly thought to be from the abbey of Weingarten. Upon… (more)

Subjects/Keywords: Chant; Feminist musicology; Manuscript studies; Medieval music; Refrains; Sacred music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Purcell-Joiner, L. (2017). Veil and Tonsure: Stuttgart 95, Devotional Music, and the Discursive Construction of Gender in Thirteenth-Century Double Houses. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/22304

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Purcell-Joiner, Lauren. “Veil and Tonsure: Stuttgart 95, Devotional Music, and the Discursive Construction of Gender in Thirteenth-Century Double Houses.” 2017. Thesis, University of Oregon. Accessed October 21, 2019. http://hdl.handle.net/1794/22304.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Purcell-Joiner, Lauren. “Veil and Tonsure: Stuttgart 95, Devotional Music, and the Discursive Construction of Gender in Thirteenth-Century Double Houses.” 2017. Web. 21 Oct 2019.

Vancouver:

Purcell-Joiner L. Veil and Tonsure: Stuttgart 95, Devotional Music, and the Discursive Construction of Gender in Thirteenth-Century Double Houses. [Internet] [Thesis]. University of Oregon; 2017. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/1794/22304.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Purcell-Joiner L. Veil and Tonsure: Stuttgart 95, Devotional Music, and the Discursive Construction of Gender in Thirteenth-Century Double Houses. [Thesis]. University of Oregon; 2017. Available from: http://hdl.handle.net/1794/22304

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Edinburgh

13. Kato, Yuri. The role of music in the politics and performing arts as evidenced in a crucial musical treatise of the Japanese medieval period, the Kyōkunshō 教訓抄.

Degree: PhD, 2018, University of Edinburgh

 Gagaku, ancient Japanese court music and dance, known today as a traditional performing art, has over a thousand years of history since its introduction from… (more)

Subjects/Keywords: Japanese court music; Gagaku; Kyo¯kunsho¯; Japanese medieval music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kato, Y. (2018). The role of music in the politics and performing arts as evidenced in a crucial musical treatise of the Japanese medieval period, the Kyōkunshō 教訓抄. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/31011

Chicago Manual of Style (16th Edition):

Kato, Yuri. “The role of music in the politics and performing arts as evidenced in a crucial musical treatise of the Japanese medieval period, the Kyōkunshō 教訓抄.” 2018. Doctoral Dissertation, University of Edinburgh. Accessed October 21, 2019. http://hdl.handle.net/1842/31011.

MLA Handbook (7th Edition):

Kato, Yuri. “The role of music in the politics and performing arts as evidenced in a crucial musical treatise of the Japanese medieval period, the Kyōkunshō 教訓抄.” 2018. Web. 21 Oct 2019.

Vancouver:

Kato Y. The role of music in the politics and performing arts as evidenced in a crucial musical treatise of the Japanese medieval period, the Kyōkunshō 教訓抄. [Internet] [Doctoral dissertation]. University of Edinburgh; 2018. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/1842/31011.

Council of Science Editors:

Kato Y. The role of music in the politics and performing arts as evidenced in a crucial musical treatise of the Japanese medieval period, the Kyōkunshō 教訓抄. [Doctoral Dissertation]. University of Edinburgh; 2018. Available from: http://hdl.handle.net/1842/31011


University of California – Berkeley

14. Curran, Sean Paul. Vernacular Book Production, Vernacular Polyphony, and the Motets of the "La Clayette" Manuscript (Paris, Bibliothèque nationale de France, nouvelles acquisitions françaises 13521).

Degree: Music, 2013, University of California – Berkeley

 The "La Clayette" manuscript (Paris, Bibliothèque nationale de France, nouv. acq. fr. 13521) is large codex of 419 folios, unique among surviving books of thirteenth-century… (more)

Subjects/Keywords: Music; Medieval literature; Medieval history; Codicology; Devotion; La Clayette; Motet; Thirteenth century

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Curran, S. P. (2013). Vernacular Book Production, Vernacular Polyphony, and the Motets of the "La Clayette" Manuscript (Paris, Bibliothèque nationale de France, nouvelles acquisitions françaises 13521). (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/9559757k

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Curran, Sean Paul. “Vernacular Book Production, Vernacular Polyphony, and the Motets of the "La Clayette" Manuscript (Paris, Bibliothèque nationale de France, nouvelles acquisitions françaises 13521).” 2013. Thesis, University of California – Berkeley. Accessed October 21, 2019. http://www.escholarship.org/uc/item/9559757k.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Curran, Sean Paul. “Vernacular Book Production, Vernacular Polyphony, and the Motets of the "La Clayette" Manuscript (Paris, Bibliothèque nationale de France, nouvelles acquisitions françaises 13521).” 2013. Web. 21 Oct 2019.

Vancouver:

Curran SP. Vernacular Book Production, Vernacular Polyphony, and the Motets of the "La Clayette" Manuscript (Paris, Bibliothèque nationale de France, nouvelles acquisitions françaises 13521). [Internet] [Thesis]. University of California – Berkeley; 2013. [cited 2019 Oct 21]. Available from: http://www.escholarship.org/uc/item/9559757k.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Curran SP. Vernacular Book Production, Vernacular Polyphony, and the Motets of the "La Clayette" Manuscript (Paris, Bibliothèque nationale de France, nouvelles acquisitions françaises 13521). [Thesis]. University of California – Berkeley; 2013. Available from: http://www.escholarship.org/uc/item/9559757k

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

15. Chami, Hicham. Deconstructing a mediæval legend Guido d'Arezzo, the "Arabian influence," and the role of "historical imagination".

Degree: M.M., Music, 2014, University of Florida

Music history is replete with unchallenged legends. Some of these legends stay alive because they serve a purpose for a particular population; others bolster ideological… (more)

Subjects/Keywords: Medieval music; Monasteries; Music education; Music theory; Musical aesthetics; Musical modes; Muslims; Renaissance music; Solmization; Vocal music; history

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chami, H. (2014). Deconstructing a mediæval legend Guido d'Arezzo, the "Arabian influence," and the role of "historical imagination". (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0046810

Chicago Manual of Style (16th Edition):

Chami, Hicham. “Deconstructing a mediæval legend Guido d'Arezzo, the "Arabian influence," and the role of "historical imagination".” 2014. Masters Thesis, University of Florida. Accessed October 21, 2019. http://ufdc.ufl.edu/UFE0046810.

MLA Handbook (7th Edition):

Chami, Hicham. “Deconstructing a mediæval legend Guido d'Arezzo, the "Arabian influence," and the role of "historical imagination".” 2014. Web. 21 Oct 2019.

Vancouver:

Chami H. Deconstructing a mediæval legend Guido d'Arezzo, the "Arabian influence," and the role of "historical imagination". [Internet] [Masters thesis]. University of Florida; 2014. [cited 2019 Oct 21]. Available from: http://ufdc.ufl.edu/UFE0046810.

Council of Science Editors:

Chami H. Deconstructing a mediæval legend Guido d'Arezzo, the "Arabian influence," and the role of "historical imagination". [Masters Thesis]. University of Florida; 2014. Available from: http://ufdc.ufl.edu/UFE0046810

16. Iacob, Octavian. Considering Tuning: From Bach to 21st Century Trends.

Degree: MA -MA, Music, 2018, York University

 This thesis is an exploration of instrumental tuning trends from Bach to 21st Century, considering different areas of musicological and acoustical studies. While the introduction… (more)

Subjects/Keywords: Acoustics; Music; Music history; Acoustics; Instrumental tuning and temperament; Music theory; Musicology; Medieval theory history; Baroque music theory

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Iacob, O. (2018). Considering Tuning: From Bach to 21st Century Trends. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/34285

Chicago Manual of Style (16th Edition):

Iacob, Octavian. “Considering Tuning: From Bach to 21st Century Trends.” 2018. Masters Thesis, York University. Accessed October 21, 2019. http://hdl.handle.net/10315/34285.

MLA Handbook (7th Edition):

Iacob, Octavian. “Considering Tuning: From Bach to 21st Century Trends.” 2018. Web. 21 Oct 2019.

Vancouver:

Iacob O. Considering Tuning: From Bach to 21st Century Trends. [Internet] [Masters thesis]. York University; 2018. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10315/34285.

Council of Science Editors:

Iacob O. Considering Tuning: From Bach to 21st Century Trends. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/34285


University of Southampton

17. Maschke, Eva. Notre Dame manuscripts and their history case-studies on reception and reuse.

Degree: PhD, 2015, University of Southampton

 This dissertation focuses on fragments of Notre Dame manuscripts that made their way to German speaking Europe during the medieval period. The first chapter focuses… (more)

Subjects/Keywords: 091; D111 Medieval History; M Music; Z004 Books. Writing. Paleography

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Maschke, E. (2015). Notre Dame manuscripts and their history case-studies on reception and reuse. (Doctoral Dissertation). University of Southampton. Retrieved from https://eprints.soton.ac.uk/381803/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.668810

Chicago Manual of Style (16th Edition):

Maschke, Eva. “Notre Dame manuscripts and their history case-studies on reception and reuse.” 2015. Doctoral Dissertation, University of Southampton. Accessed October 21, 2019. https://eprints.soton.ac.uk/381803/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.668810.

MLA Handbook (7th Edition):

Maschke, Eva. “Notre Dame manuscripts and their history case-studies on reception and reuse.” 2015. Web. 21 Oct 2019.

Vancouver:

Maschke E. Notre Dame manuscripts and their history case-studies on reception and reuse. [Internet] [Doctoral dissertation]. University of Southampton; 2015. [cited 2019 Oct 21]. Available from: https://eprints.soton.ac.uk/381803/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.668810.

Council of Science Editors:

Maschke E. Notre Dame manuscripts and their history case-studies on reception and reuse. [Doctoral Dissertation]. University of Southampton; 2015. Available from: https://eprints.soton.ac.uk/381803/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.668810


Rice University

18. Batts, James Boyd. A rhymed office for the feast of the visitation by John of Jenstein.

Degree: MM, Music, 1995, Rice University

 Of several rhymed offices written for the Feast of the Visitation in the late fourteenth century, John of Jenstein's Office, Exurgens autem Maria, is possibly… (more)

Subjects/Keywords: Music; Religious history; Medieval history

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Batts, J. B. (1995). A rhymed office for the feast of the visitation by John of Jenstein. (Masters Thesis). Rice University. Retrieved from http://hdl.handle.net/1911/13925

Chicago Manual of Style (16th Edition):

Batts, James Boyd. “A rhymed office for the feast of the visitation by John of Jenstein.” 1995. Masters Thesis, Rice University. Accessed October 21, 2019. http://hdl.handle.net/1911/13925.

MLA Handbook (7th Edition):

Batts, James Boyd. “A rhymed office for the feast of the visitation by John of Jenstein.” 1995. Web. 21 Oct 2019.

Vancouver:

Batts JB. A rhymed office for the feast of the visitation by John of Jenstein. [Internet] [Masters thesis]. Rice University; 1995. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/1911/13925.

Council of Science Editors:

Batts JB. A rhymed office for the feast of the visitation by John of Jenstein. [Masters Thesis]. Rice University; 1995. Available from: http://hdl.handle.net/1911/13925


Rice University

19. Flusche, Anna Marie. Organa doctorum: Gerbert of Aurillac, organbuilder?.

Degree: DMA, Music, 1995, Rice University

 Gerbert of Aurillac lived at the end of the millenium preceding our own. He was born an obscure peasant. But by virtue of his excellent… (more)

Subjects/Keywords: Biographies; Music; Medieval history

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Flusche, A. M. (1995). Organa doctorum: Gerbert of Aurillac, organbuilder?. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/19103

Chicago Manual of Style (16th Edition):

Flusche, Anna Marie. “Organa doctorum: Gerbert of Aurillac, organbuilder?.” 1995. Doctoral Dissertation, Rice University. Accessed October 21, 2019. http://hdl.handle.net/1911/19103.

MLA Handbook (7th Edition):

Flusche, Anna Marie. “Organa doctorum: Gerbert of Aurillac, organbuilder?.” 1995. Web. 21 Oct 2019.

Vancouver:

Flusche AM. Organa doctorum: Gerbert of Aurillac, organbuilder?. [Internet] [Doctoral dissertation]. Rice University; 1995. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/1911/19103.

Council of Science Editors:

Flusche AM. Organa doctorum: Gerbert of Aurillac, organbuilder?. [Doctoral Dissertation]. Rice University; 1995. Available from: http://hdl.handle.net/1911/19103


University of Melbourne

20. Nowotnik, Piotr. Hurdy-gurdy: new articulations.

Degree: 2016, University of Melbourne

 The purpose of this thesis is to expand existing literature concerning the hurdy-gurdy as a contemporary musical instrument. Notably, it addresses the lack of hurdy-gurdy… (more)

Subjects/Keywords: hurdy; gurdy; hurdy-gurdy; vielle; music; instruments; ethnomusicology; world music; performance; ethnic; period; traditional; musicology; lira; korbowa; renaissance; medieval, medieval, contemporary; new

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nowotnik, P. (2016). Hurdy-gurdy: new articulations. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/191325

Chicago Manual of Style (16th Edition):

Nowotnik, Piotr. “Hurdy-gurdy: new articulations.” 2016. Masters Thesis, University of Melbourne. Accessed October 21, 2019. http://hdl.handle.net/11343/191325.

MLA Handbook (7th Edition):

Nowotnik, Piotr. “Hurdy-gurdy: new articulations.” 2016. Web. 21 Oct 2019.

Vancouver:

Nowotnik P. Hurdy-gurdy: new articulations. [Internet] [Masters thesis]. University of Melbourne; 2016. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/11343/191325.

Council of Science Editors:

Nowotnik P. Hurdy-gurdy: new articulations. [Masters Thesis]. University of Melbourne; 2016. Available from: http://hdl.handle.net/11343/191325


Montana Tech

21. Bigley, Michael Erik. Musicality, Subjectivity, and the Canterbury Tales.

Degree: MA, 2007, Montana Tech

 This thesis is concerned with musicality as an interpretive category in the reading of Middle English literature in both lyric and narrative texts. The anonymous… (more)

Subjects/Keywords: Chaucer; medieval music; Middle English lyrics

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bigley, M. E. (2007). Musicality, Subjectivity, and the Canterbury Tales. (Masters Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/691

Chicago Manual of Style (16th Edition):

Bigley, Michael Erik. “Musicality, Subjectivity, and the Canterbury Tales.” 2007. Masters Thesis, Montana Tech. Accessed October 21, 2019. https://scholarworks.umt.edu/etd/691.

MLA Handbook (7th Edition):

Bigley, Michael Erik. “Musicality, Subjectivity, and the Canterbury Tales.” 2007. Web. 21 Oct 2019.

Vancouver:

Bigley ME. Musicality, Subjectivity, and the Canterbury Tales. [Internet] [Masters thesis]. Montana Tech; 2007. [cited 2019 Oct 21]. Available from: https://scholarworks.umt.edu/etd/691.

Council of Science Editors:

Bigley ME. Musicality, Subjectivity, and the Canterbury Tales. [Masters Thesis]. Montana Tech; 2007. Available from: https://scholarworks.umt.edu/etd/691


University of St. Andrews

22. Swarbrick, Elizabeth Joy. The medieval art and architecture of Scottish collegiate churches .

Degree: 2017, University of St. Andrews

 Collegiate churches were founded for two essential aims: the augmentation of divine worship, and the salvation of souls. This thesis brings to light just how… (more)

Subjects/Keywords: Art; Architecture; Scotland; Medieval; Churches; Colleges; Music; Liturgy; Church furnishings; Commemoration; Tombs; Piety; Patronage; Chantries

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Swarbrick, E. J. (2017). The medieval art and architecture of Scottish collegiate churches . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/12210

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Swarbrick, Elizabeth Joy. “The medieval art and architecture of Scottish collegiate churches .” 2017. Thesis, University of St. Andrews. Accessed October 21, 2019. http://hdl.handle.net/10023/12210.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Swarbrick, Elizabeth Joy. “The medieval art and architecture of Scottish collegiate churches .” 2017. Web. 21 Oct 2019.

Vancouver:

Swarbrick EJ. The medieval art and architecture of Scottish collegiate churches . [Internet] [Thesis]. University of St. Andrews; 2017. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10023/12210.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Swarbrick EJ. The medieval art and architecture of Scottish collegiate churches . [Thesis]. University of St. Andrews; 2017. Available from: http://hdl.handle.net/10023/12210

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. McFarland, Jason James. Cantus ad introitum: The Entrance Song in Roman Catholic Worship.

Degree: PhD, Liturgical Studies/Sacramental Theology, 2010, The Catholic University of America

Degree awarded: Ph.D. Liturgical Studies/Sacramental Theology. The Catholic University of America

This study explores the history and theology of the entrance song by means of… (more)

Subjects/Keywords: Theology; Music; History, Medieval; entrance song; gregorian chant; introit; liturgical law; liturgy; models (theological)

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McFarland, J. J. (2010). Cantus ad introitum: The Entrance Song in Roman Catholic Worship. (Doctoral Dissertation). The Catholic University of America. Retrieved from http://hdl.handle.net/1961/9212

Chicago Manual of Style (16th Edition):

McFarland, Jason James. “Cantus ad introitum: The Entrance Song in Roman Catholic Worship.” 2010. Doctoral Dissertation, The Catholic University of America. Accessed October 21, 2019. http://hdl.handle.net/1961/9212.

MLA Handbook (7th Edition):

McFarland, Jason James. “Cantus ad introitum: The Entrance Song in Roman Catholic Worship.” 2010. Web. 21 Oct 2019.

Vancouver:

McFarland JJ. Cantus ad introitum: The Entrance Song in Roman Catholic Worship. [Internet] [Doctoral dissertation]. The Catholic University of America; 2010. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/1961/9212.

Council of Science Editors:

McFarland JJ. Cantus ad introitum: The Entrance Song in Roman Catholic Worship. [Doctoral Dissertation]. The Catholic University of America; 2010. Available from: http://hdl.handle.net/1961/9212


University of Pennsylvania

24. Bude, Tekla. Musica Celestis: Mystical Song In Late Medieval England.

Degree: 2013, University of Pennsylvania

Medieval music is difficult. When performed, its harmonies are often pretonal, its rhythms obscure, and its language frequenly Latin and religious. Its theoretical framework is… (more)

Subjects/Keywords: Music; Mysticism; Piers Plowman; Rolle; English Language and Literature; Medieval Studies; Religion

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bude, T. (2013). Musica Celestis: Mystical Song In Late Medieval England. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/838

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bude, Tekla. “Musica Celestis: Mystical Song In Late Medieval England.” 2013. Thesis, University of Pennsylvania. Accessed October 21, 2019. https://repository.upenn.edu/edissertations/838.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bude, Tekla. “Musica Celestis: Mystical Song In Late Medieval England.” 2013. Web. 21 Oct 2019.

Vancouver:

Bude T. Musica Celestis: Mystical Song In Late Medieval England. [Internet] [Thesis]. University of Pennsylvania; 2013. [cited 2019 Oct 21]. Available from: https://repository.upenn.edu/edissertations/838.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bude T. Musica Celestis: Mystical Song In Late Medieval England. [Thesis]. University of Pennsylvania; 2013. Available from: https://repository.upenn.edu/edissertations/838

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Kurtz, Jaclyn. An Aural Skills Handbook for Modal Music.

Degree: MA, College of the Arts / School of Music, 2014, Kent State University

 Many existing aural skills textbooks and anthologies emphasize tonal music, while others focus on post-tonal materials. When modal examples are included in these books, they… (more)

Subjects/Keywords: Music; aural skills; modal music; medieval music; renaissance music

…8 vii INTRODUCTION When studying Medieval and Renaissance music, one must choose… …from musicians of the time. If a student were to the study Medieval music under this method… …x28;17th – 19th century), the modes supplied the framework for music in the Medieval Period… …corresponding plagal mode. The final is analogous to the tonic in tonal music; a medieval chant… …75 vi LIST OF FIGURES Figure Page 1-1 The eight Medieval modes… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kurtz, J. (2014). An Aural Skills Handbook for Modal Music. (Masters Thesis). Kent State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=kent1406587993

Chicago Manual of Style (16th Edition):

Kurtz, Jaclyn. “An Aural Skills Handbook for Modal Music.” 2014. Masters Thesis, Kent State University. Accessed October 21, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1406587993.

MLA Handbook (7th Edition):

Kurtz, Jaclyn. “An Aural Skills Handbook for Modal Music.” 2014. Web. 21 Oct 2019.

Vancouver:

Kurtz J. An Aural Skills Handbook for Modal Music. [Internet] [Masters thesis]. Kent State University; 2014. [cited 2019 Oct 21]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1406587993.

Council of Science Editors:

Kurtz J. An Aural Skills Handbook for Modal Music. [Masters Thesis]. Kent State University; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1406587993

26. C. Malatesta. EARLY MUSIC NEL NOVECENTO ITALIANO.

Degree: 2018, Università degli Studi di Milano

 My Ph.D. dissertation focuses on the Early Music movement in Italy between the second post-war period and the end of the seventies in a historic-cultural… (more)

Subjects/Keywords: Early Music; Early music revival; medieval music; Post-war Italy; Music and politics; PCI; folk revival; Settore L-ART/07 - Musicologia e Storia della Musica; Settore L-ART/08 - Etnomusicologia

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Malatesta, C. (2018). EARLY MUSIC NEL NOVECENTO ITALIANO. (Thesis). Università degli Studi di Milano. Retrieved from http://hdl.handle.net/2434/543226

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Malatesta, C.. “EARLY MUSIC NEL NOVECENTO ITALIANO.” 2018. Thesis, Università degli Studi di Milano. Accessed October 21, 2019. http://hdl.handle.net/2434/543226.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Malatesta, C.. “EARLY MUSIC NEL NOVECENTO ITALIANO.” 2018. Web. 21 Oct 2019.

Vancouver:

Malatesta C. EARLY MUSIC NEL NOVECENTO ITALIANO. [Internet] [Thesis]. Università degli Studi di Milano; 2018. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/2434/543226.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Malatesta C. EARLY MUSIC NEL NOVECENTO ITALIANO. [Thesis]. Università degli Studi di Milano; 2018. Available from: http://hdl.handle.net/2434/543226

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Salamanca

27. Correa Pabón, Guillermo León. Numerus-Proportio en el de música De San Agustín (Libros I y Vi) .

Degree: 2010, Universidad de Salamanca

 [ES] Esta investigación desarrolla los conceptos de numerus / proportio en el diálogo De musica libri sex de San Agustín, en el contexto de la… (more)

Subjects/Keywords: Tesis y disertaciones académicas; Universidad de Salamanca (España); Academic Dissertations; Pitagorismo; Pythagoras and Pythagorean school; Música; Music; Filosofía antigua; Philosophy, Ancient; Filosofía medieval; Philosophy, Medieval

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Correa Pabón, G. L. (2010). Numerus-Proportio en el de música De San Agustín (Libros I y Vi) . (Thesis). Universidad de Salamanca. Retrieved from http://hdl.handle.net/10366/76465

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Correa Pabón, Guillermo León. “Numerus-Proportio en el de música De San Agustín (Libros I y Vi) .” 2010. Thesis, Universidad de Salamanca. Accessed October 21, 2019. http://hdl.handle.net/10366/76465.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Correa Pabón, Guillermo León. “Numerus-Proportio en el de música De San Agustín (Libros I y Vi) .” 2010. Web. 21 Oct 2019.

Vancouver:

Correa Pabón GL. Numerus-Proportio en el de música De San Agustín (Libros I y Vi) . [Internet] [Thesis]. Universidad de Salamanca; 2010. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10366/76465.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Correa Pabón GL. Numerus-Proportio en el de música De San Agustín (Libros I y Vi) . [Thesis]. Universidad de Salamanca; 2010. Available from: http://hdl.handle.net/10366/76465

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. McLeish, Claire E. “The Future is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture.

Degree: 2013, University of Western Ontario

 This thesis re-situates sampling and the mashup in a broader tradition of musical borrowing and oral practice. Musical creators in the West borrowed throughout history;… (more)

Subjects/Keywords: Music; Orality; Borrowing; Copyright; Mashup; Medieval; Musicology

…literate practice assumes that a piece of music is identical to… …While the score does successfully preserve music, it does not… …music tradition, melody is the most frequently borrowed element… …than an intellectual one. “ See Bridgeport Music v. Dimension… …groove, the elements that cannot be notated. In art music… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McLeish, C. E. (2013). “The Future is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/1237

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McLeish, Claire E. ““The Future is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture.” 2013. Thesis, University of Western Ontario. Accessed October 21, 2019. https://ir.lib.uwo.ca/etd/1237.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McLeish, Claire E. ““The Future is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture.” 2013. Web. 21 Oct 2019.

Vancouver:

McLeish CE. “The Future is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture. [Internet] [Thesis]. University of Western Ontario; 2013. [cited 2019 Oct 21]. Available from: https://ir.lib.uwo.ca/etd/1237.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McLeish CE. “The Future is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture. [Thesis]. University of Western Ontario; 2013. Available from: https://ir.lib.uwo.ca/etd/1237

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Tanner, Julie. ‘Continvaunce of remembraunce’: an edition and discussion of lyrics from the Findern Manuscript (CUL MS Ff.I.6).

Degree: m_rs, College of Arts & Law, 2015, University of Birmingham

 This edition and discussion of the Findern Manuscript (CUL MS Ff.I.6) presents the first time that its unique lyrics are edited as a whole. The… (more)

Subjects/Keywords: D111 Medieval History; ML Literature of music

…unter’ (f. 41v). 24. Short piece of music (f. 139v). 25. Longer piece… …of music (f. 143r). i List of Abbreviations CUL… …Text Society IMC - International Medieval Congress MED - Middle English Dictionary MS… …x29; is a late medieval medley of canonical and amateur poetry that documents the… 

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tanner, J. (2015). ‘Continvaunce of remembraunce’: an edition and discussion of lyrics from the Findern Manuscript (CUL MS Ff.I.6). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/5748/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tanner, Julie. “‘Continvaunce of remembraunce’: an edition and discussion of lyrics from the Findern Manuscript (CUL MS Ff.I.6).” 2015. Thesis, University of Birmingham. Accessed October 21, 2019. http://etheses.bham.ac.uk//id/eprint/5748/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tanner, Julie. “‘Continvaunce of remembraunce’: an edition and discussion of lyrics from the Findern Manuscript (CUL MS Ff.I.6).” 2015. Web. 21 Oct 2019.

Vancouver:

Tanner J. ‘Continvaunce of remembraunce’: an edition and discussion of lyrics from the Findern Manuscript (CUL MS Ff.I.6). [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Oct 21]. Available from: http://etheses.bham.ac.uk//id/eprint/5748/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tanner J. ‘Continvaunce of remembraunce’: an edition and discussion of lyrics from the Findern Manuscript (CUL MS Ff.I.6). [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk//id/eprint/5748/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

30. Pabotoy, Jeffery A. Crescendo.

Degree: Master of Interdisciplinary Studies, Interdisciplinary Studies, 2016, Virginia Commonwealth University

  Artist Statement I have always found comfort and warmth in my family. When I am not with them, I find myself clinging to the… (more)

Subjects/Keywords: Crescendo; War; Art; Music; Painting; Sculpture; Ancient, Medieval, Renaissance and Baroque Art and Architecture; Art Education; Education; Fine Arts

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pabotoy, J. A. (2016). Crescendo. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/4094

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pabotoy, Jeffery A. “Crescendo.” 2016. Thesis, Virginia Commonwealth University. Accessed October 21, 2019. https://scholarscompass.vcu.edu/etd/4094.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pabotoy, Jeffery A. “Crescendo.” 2016. Web. 21 Oct 2019.

Vancouver:

Pabotoy JA. Crescendo. [Internet] [Thesis]. Virginia Commonwealth University; 2016. [cited 2019 Oct 21]. Available from: https://scholarscompass.vcu.edu/etd/4094.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pabotoy JA. Crescendo. [Thesis]. Virginia Commonwealth University; 2016. Available from: https://scholarscompass.vcu.edu/etd/4094

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

.