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You searched for subject:(mass ornament). Showing records 1 – 3 of 3 total matches.

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1. Baniya, Deepak. Digital process : integration of digital fabrication in architectural craft of Nepal.

Degree: Thesis (M. Arch), 2011, Ball State University

Nepalese architectural craft production still relies on traditional hand tools and an ancient process, despite the intense labor and time requirements to produce traditional craft. This thesis examines the underlying issues inherent in the making of traditional crafts, and proposes an integration of modern digital fabrication tools and production processes that support a fast, economical process from design to production and integrating contemporary digital practices in the creation of ornamentation and carvings. Advisors/Committee Members: Klinger, Kevin R. (advisor).

Subjects/Keywords: Vernacular architecture – Nepal.; Decoration and ornament, Architectural – Computer-aided design – Nepal.; Mass customization – Nepal.

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APA (6th Edition):

Baniya, D. (2011). Digital process : integration of digital fabrication in architectural craft of Nepal. (Masters Thesis). Ball State University. Retrieved from http://cardinalscholar.bsu.edu/handle/123456789/194725

Chicago Manual of Style (16th Edition):

Baniya, Deepak. “Digital process : integration of digital fabrication in architectural craft of Nepal.” 2011. Masters Thesis, Ball State University. Accessed October 17, 2019. http://cardinalscholar.bsu.edu/handle/123456789/194725.

MLA Handbook (7th Edition):

Baniya, Deepak. “Digital process : integration of digital fabrication in architectural craft of Nepal.” 2011. Web. 17 Oct 2019.

Vancouver:

Baniya D. Digital process : integration of digital fabrication in architectural craft of Nepal. [Internet] [Masters thesis]. Ball State University; 2011. [cited 2019 Oct 17]. Available from: http://cardinalscholar.bsu.edu/handle/123456789/194725.

Council of Science Editors:

Baniya D. Digital process : integration of digital fabrication in architectural craft of Nepal. [Masters Thesis]. Ball State University; 2011. Available from: http://cardinalscholar.bsu.edu/handle/123456789/194725

2. Grignard, Éline. La dynamique ornementale des images : enjeux critiques, formels et perceptifs de l'ornement au cinéma : The ornamental dynamics of images : critical, formal and perceptual issues of the ornament in cinema.

Degree: Docteur es, Études cinématographiques et audiovisuelles, 2017, Sorbonne Paris Cité

En s’emparant de la question ornementale, le cinéma s’inscrit dans une réflexion reliant les territoires balkaniques de l’art, au-delà de l’opposition entre les beaux-arts, les arts décoratifs et le design. La pensée de l’ornement au cinéma ne relève pas de l’évidence, tant il est vrai que l’histoire de la notion est marquée par sa relégation au seuil de la création artistique. Pourtant, il semble bien que l’ornement soit présent partout où il faut combler du vide, décorer un objet, embellir le corps. À quoi tient l’attrait de l’ornement au cinéma ? Quelles sont les relations qu’entretient le cinéma avec la pensée ornementale des images ? Contre le préjugé qui frappe l’ornement d’insignifiance, il semble nécessaire d’éclairer ses implications morales, sociales et politiques. À travers un corpus circonstancié qui se déploie à l’entour du cinéma, de l’histoire de l’art et de la culture visuelle, ce travail de recherche entend cartographier les enjeux critiques, formels et perceptifs du régime visuel de l’ornement. Penser l’ornement aujourd’hui, c’est opérer un basculement dans l’ordre des valeurs dont il se fait l’héritier. Il s’agit non seulement de faire retour sur son histoire et son élaboration conceptuelle, mais également d’emmener l’ornement vers un au-delà du discours de la subsidiarité pour établir une pensée dynamique de l’ornemental au cinéma. À travers différentes propositions théoriques, se formulent autant de constellations articulant les enjeux esthétiques, historiques et politiques de l’ornement : le régime de la dépense et le corps féminin en exercice, le processus de réification de « l’ornement de la masse » dans la modernité, le discours sur la couleur ornementale et la hantise cosmétique, les formes naturelles et abstraites, le paradigme du tapis et la texture des images, les états altérés de la perception. Les questions ornementales adressées au cinéma s’intègrent dans une pensée rénovée du style – point vif de la tension qui anime l’art et la vie – en tant que procédure de qualification des formes.

As it seized the ornamental issue, cinema has become part of a reflection process relating the scattered territories of arts, beyond the opposition between fine arts, decorative arts and design. Thinking the ornament in cinema is far from obvious, since this notion, throughout its evolution, has always been marginalized at the threshold of artistic creation. Yet, it does seem that the ornament is present wherever a void needs to be filled, an object to be adorned or a body to be embellished. What makes the ornament appealing in cinema? What relationships does the cinema hold with the ornamental visual thinking? To counter prejudices confining the ornament within insignificance, it appears necessary to clarify its moral, social and political implications. Through a detailed corpus spreading around cinema, history of art and visual culture, this research paper aims at mapping the critical, formal and perceptual issues of the visual regime of the ornament. Thinking the ornament today means swaying the…

Advisors/Committee Members: Dubois, Philippe (thesis director).

Subjects/Keywords: Ornement; Arts décoratifs; Cinéma abstrait; Cinéma des premiers temps; Figure féminine; Couleur; Cosmétique; Vitalisme; Ornement de la masse; Textures; Paradigme du tapis; Style; Ornament; Decorative arts; Abstract cinema; Early cinema; Feminine figure; Color; Cosmetic; Vitalism; Mass ornament; Textures; Carpet paradigm; Style

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APA (6th Edition):

Grignard, . (2017). La dynamique ornementale des images : enjeux critiques, formels et perceptifs de l'ornement au cinéma : The ornamental dynamics of images : critical, formal and perceptual issues of the ornament in cinema. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2017USPCA107

Chicago Manual of Style (16th Edition):

Grignard, Éline. “La dynamique ornementale des images : enjeux critiques, formels et perceptifs de l'ornement au cinéma : The ornamental dynamics of images : critical, formal and perceptual issues of the ornament in cinema.” 2017. Doctoral Dissertation, Sorbonne Paris Cité. Accessed October 17, 2019. http://www.theses.fr/2017USPCA107.

MLA Handbook (7th Edition):

Grignard, Éline. “La dynamique ornementale des images : enjeux critiques, formels et perceptifs de l'ornement au cinéma : The ornamental dynamics of images : critical, formal and perceptual issues of the ornament in cinema.” 2017. Web. 17 Oct 2019.

Vancouver:

Grignard . La dynamique ornementale des images : enjeux critiques, formels et perceptifs de l'ornement au cinéma : The ornamental dynamics of images : critical, formal and perceptual issues of the ornament in cinema. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2017. [cited 2019 Oct 17]. Available from: http://www.theses.fr/2017USPCA107.

Council of Science Editors:

Grignard . La dynamique ornementale des images : enjeux critiques, formels et perceptifs de l'ornement au cinéma : The ornamental dynamics of images : critical, formal and perceptual issues of the ornament in cinema. [Doctoral Dissertation]. Sorbonne Paris Cité; 2017. Available from: http://www.theses.fr/2017USPCA107


The Ohio State University

3. Oehlers, Adrienne M. Spectacular Women: The Radio City Rockettes from 1925 to 1971.

Degree: MA, Theatre, 2017, The Ohio State University

The Radio City Rockettes are one of the most famous dance troupes in the United States, having performed at Radio City Music Hall since 1932. This thesis serves as the first stand-alone, expansive history about who they are, what they represent, and how they developed under the leadership of founder Russell Markert (1899-1990). This study will trace how the Rockettes began as an emblem of modernity and developed into a symbol of nostalgia under the leadership of one man from their Missouri inception in 1925 through his retirement in 1971. Intrinsically linked to the design and vision of Radio City Music Hall, the company was a symbol of American ingenuity and national pride. As an embodiment of industry, precision dance was first introduced by the British Tiller Girls, and codified by Markert into a technique that Rockettes still carry on today. Besides their iconic status, Rockettes also benefitted from the familial environment of Radio City Music Hall and paternal affections of Markert, both which contributed to a workplace that offered stability, safety, and a dependable income to the women who sought an independent life in the dance world. This line of thirty-six dancers who perform as one unit will reach its centennial anniversary in 2025, and their longevity demands a closer look at why they remain beloved despite fluctuations in popularity and what they have represented to the American people throughout the decades. Advisors/Committee Members: Schlueter, Jennifer (Advisor).

Subjects/Keywords: Theater Studies; Theater History; Dance; Radio City Rockettes; Radio City; Russell Markert; precision dance; mass ornament; women dancers; dance; dance theatre; popular culture

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APA (6th Edition):

Oehlers, A. M. (2017). Spectacular Women: The Radio City Rockettes from 1925 to 1971. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1503321546482266

Chicago Manual of Style (16th Edition):

Oehlers, Adrienne M. “Spectacular Women: The Radio City Rockettes from 1925 to 1971.” 2017. Masters Thesis, The Ohio State University. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1503321546482266.

MLA Handbook (7th Edition):

Oehlers, Adrienne M. “Spectacular Women: The Radio City Rockettes from 1925 to 1971.” 2017. Web. 17 Oct 2019.

Vancouver:

Oehlers AM. Spectacular Women: The Radio City Rockettes from 1925 to 1971. [Internet] [Masters thesis]. The Ohio State University; 2017. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1503321546482266.

Council of Science Editors:

Oehlers AM. Spectacular Women: The Radio City Rockettes from 1925 to 1971. [Masters Thesis]. The Ohio State University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1503321546482266

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