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You searched for subject:(live art). Showing records 1 – 30 of 36 total matches.

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University of New South Wales

1. Bacon, Sean. The live camera in performance : the Bland Project, this kind of ruckus and measure for measure.

Degree: Media Arts, 2013, University of New South Wales

 This exegesis details the development and execution of three pieces of work that incorporate the use of live camera in performance / theatre. Each work… (more)

Subjects/Keywords: Theatre; Performance; Live camera; Video art; Performance video art; Live art; Interactive installation; Interactive

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APA (6th Edition):

Bacon, S. (2013). The live camera in performance : the Bland Project, this kind of ruckus and measure for measure. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/53313 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12008/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Bacon, Sean. “The live camera in performance : the Bland Project, this kind of ruckus and measure for measure.” 2013. Masters Thesis, University of New South Wales. Accessed January 19, 2020. http://handle.unsw.edu.au/1959.4/53313 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12008/SOURCE02?view=true.

MLA Handbook (7th Edition):

Bacon, Sean. “The live camera in performance : the Bland Project, this kind of ruckus and measure for measure.” 2013. Web. 19 Jan 2020.

Vancouver:

Bacon S. The live camera in performance : the Bland Project, this kind of ruckus and measure for measure. [Internet] [Masters thesis]. University of New South Wales; 2013. [cited 2020 Jan 19]. Available from: http://handle.unsw.edu.au/1959.4/53313 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12008/SOURCE02?view=true.

Council of Science Editors:

Bacon S. The live camera in performance : the Bland Project, this kind of ruckus and measure for measure. [Masters Thesis]. University of New South Wales; 2013. Available from: http://handle.unsw.edu.au/1959.4/53313 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12008/SOURCE02?view=true


Université du Québec à Montréal

2. Liberovskaya, Katherine. Improvisatory live visuals : playing images like a musical instrument.

Degree: 2014, Université du Québec à Montréal

 L'inspiration pour cette étude découle de ma pratique artistique de Visuels Live improvisés en collaboration avec musique ou art sonore en temps réel. Depuis que… (more)

Subjects/Keywords: Art médiatique; Interdisciplinarité; Musique expérimentale; Cinéma live; Visuels live

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APA (6th Edition):

Liberovskaya, K. (2014). Improvisatory live visuals : playing images like a musical instrument. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/6764/1/D2709.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Liberovskaya, Katherine. “Improvisatory live visuals : playing images like a musical instrument.” 2014. Thesis, Université du Québec à Montréal. Accessed January 19, 2020. http://archipel.uqam.ca/6764/1/D2709.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Liberovskaya, Katherine. “Improvisatory live visuals : playing images like a musical instrument.” 2014. Web. 19 Jan 2020.

Vancouver:

Liberovskaya K. Improvisatory live visuals : playing images like a musical instrument. [Internet] [Thesis]. Université du Québec à Montréal; 2014. [cited 2020 Jan 19]. Available from: http://archipel.uqam.ca/6764/1/D2709.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Liberovskaya K. Improvisatory live visuals : playing images like a musical instrument. [Thesis]. Université du Québec à Montréal; 2014. Available from: http://archipel.uqam.ca/6764/1/D2709.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Kuburovic, Branislava. Performance of wit(h)nessing : trauma and affect in contemporary live art.

Degree: PhD, 2011, Roehampton University

 This thesis investigates traumatic affectivity and a complex mesh of artistic strategies in contemporary live art and performance that allow a certain material renegotiation and… (more)

Subjects/Keywords: 616.89; contemporary live art; traumatic affectivity

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APA (6th Edition):

Kuburovic, B. (2011). Performance of wit(h)nessing : trauma and affect in contemporary live art. (Doctoral Dissertation). Roehampton University. Retrieved from http://hdl.handle.net/10142/277352

Chicago Manual of Style (16th Edition):

Kuburovic, Branislava. “Performance of wit(h)nessing : trauma and affect in contemporary live art.” 2011. Doctoral Dissertation, Roehampton University. Accessed January 19, 2020. http://hdl.handle.net/10142/277352.

MLA Handbook (7th Edition):

Kuburovic, Branislava. “Performance of wit(h)nessing : trauma and affect in contemporary live art.” 2011. Web. 19 Jan 2020.

Vancouver:

Kuburovic B. Performance of wit(h)nessing : trauma and affect in contemporary live art. [Internet] [Doctoral dissertation]. Roehampton University; 2011. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/10142/277352.

Council of Science Editors:

Kuburovic B. Performance of wit(h)nessing : trauma and affect in contemporary live art. [Doctoral Dissertation]. Roehampton University; 2011. Available from: http://hdl.handle.net/10142/277352

4. Kuburović, Branislava. Performance of wit(h)nessing : trauma and affect in contemporary live art.

Degree: PhD, 2011, University of Roehampton

 This thesis investigates traumatic affectivity and a complex mesh of artistic strategies in contemporary live art and performance that allow a certain material renegotiation and… (more)

Subjects/Keywords: 616.89; contemporary live art; traumatic affectivity

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APA (6th Edition):

Kuburović, B. (2011). Performance of wit(h)nessing : trauma and affect in contemporary live art. (Doctoral Dissertation). University of Roehampton. Retrieved from https://pure.roehampton.ac.uk/portal/en/studentthesis/performance-of-withnessing(06f45b21-bbbb-4d1f-a767-5de5469c736c).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.558267

Chicago Manual of Style (16th Edition):

Kuburović, Branislava. “Performance of wit(h)nessing : trauma and affect in contemporary live art.” 2011. Doctoral Dissertation, University of Roehampton. Accessed January 19, 2020. https://pure.roehampton.ac.uk/portal/en/studentthesis/performance-of-withnessing(06f45b21-bbbb-4d1f-a767-5de5469c736c).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.558267.

MLA Handbook (7th Edition):

Kuburović, Branislava. “Performance of wit(h)nessing : trauma and affect in contemporary live art.” 2011. Web. 19 Jan 2020.

Vancouver:

Kuburović B. Performance of wit(h)nessing : trauma and affect in contemporary live art. [Internet] [Doctoral dissertation]. University of Roehampton; 2011. [cited 2020 Jan 19]. Available from: https://pure.roehampton.ac.uk/portal/en/studentthesis/performance-of-withnessing(06f45b21-bbbb-4d1f-a767-5de5469c736c).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.558267.

Council of Science Editors:

Kuburović B. Performance of wit(h)nessing : trauma and affect in contemporary live art. [Doctoral Dissertation]. University of Roehampton; 2011. Available from: https://pure.roehampton.ac.uk/portal/en/studentthesis/performance-of-withnessing(06f45b21-bbbb-4d1f-a767-5de5469c736c).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.558267


University of Sydney

5. Olivieri, Jessica Ann. A Conversational Assemblage: New Ways of Framing Contemporary Art .

Degree: 2017, University of Sydney

 The creation of artwork that has multiple outcomes is not a new phenomenon. This mode of presenting projects or bodies of work that include live,… (more)

Subjects/Keywords: Performance; documentation; live; theatre; dance; visual art

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APA (6th Edition):

Olivieri, J. A. (2017). A Conversational Assemblage: New Ways of Framing Contemporary Art . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/18615

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Olivieri, Jessica Ann. “A Conversational Assemblage: New Ways of Framing Contemporary Art .” 2017. Thesis, University of Sydney. Accessed January 19, 2020. http://hdl.handle.net/2123/18615.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Olivieri, Jessica Ann. “A Conversational Assemblage: New Ways of Framing Contemporary Art .” 2017. Web. 19 Jan 2020.

Vancouver:

Olivieri JA. A Conversational Assemblage: New Ways of Framing Contemporary Art . [Internet] [Thesis]. University of Sydney; 2017. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/2123/18615.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Olivieri JA. A Conversational Assemblage: New Ways of Framing Contemporary Art . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/18615

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Nunes, Gabriel Brito. f l æ s h - corpo e/é imagem.

Degree: Mestrado, Poéticas Visuais, 2012, University of São Paulo

Considerando o corpo o elemento central da performance arte, o texto a seguir procura compreender que tipo de espaço se reserva nesse campo artístico para… (more)

Subjects/Keywords: Arte contemporânea; artes visuais; body art; body art; contemporary art; live art; live art; performance; performance; visual arts

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APA (6th Edition):

Nunes, G. B. (2012). f l æ s h - corpo e/é imagem. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21052013-092230/ ;

Chicago Manual of Style (16th Edition):

Nunes, Gabriel Brito. “f l æ s h - corpo e/é imagem.” 2012. Masters Thesis, University of São Paulo. Accessed January 19, 2020. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21052013-092230/ ;.

MLA Handbook (7th Edition):

Nunes, Gabriel Brito. “f l æ s h - corpo e/é imagem.” 2012. Web. 19 Jan 2020.

Vancouver:

Nunes GB. f l æ s h - corpo e/é imagem. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2020 Jan 19]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21052013-092230/ ;.

Council of Science Editors:

Nunes GB. f l æ s h - corpo e/é imagem. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-21052013-092230/ ;

7. Roqueplo, Anne. Rencontres de l'art et de l'architecture : le projet d'habiter des artistes : Art and architecture encounter : artistic living project.

Degree: Docteur es, Architecture, 2012, Université Paris-Est

La recherche interroge le statut d'une production singulière apparue dans l'art contemporain des années 1990 autour du thème de l'habiter. Notre hypothèse est que cette… (more)

Subjects/Keywords: Art; Architecture; Habiter; Espace; Limite; Art; Architecture; Live; Space; Boundary

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APA (6th Edition):

Roqueplo, A. (2012). Rencontres de l'art et de l'architecture : le projet d'habiter des artistes : Art and architecture encounter : artistic living project. (Doctoral Dissertation). Université Paris-Est. Retrieved from http://www.theses.fr/2012PEST1184

Chicago Manual of Style (16th Edition):

Roqueplo, Anne. “Rencontres de l'art et de l'architecture : le projet d'habiter des artistes : Art and architecture encounter : artistic living project.” 2012. Doctoral Dissertation, Université Paris-Est. Accessed January 19, 2020. http://www.theses.fr/2012PEST1184.

MLA Handbook (7th Edition):

Roqueplo, Anne. “Rencontres de l'art et de l'architecture : le projet d'habiter des artistes : Art and architecture encounter : artistic living project.” 2012. Web. 19 Jan 2020.

Vancouver:

Roqueplo A. Rencontres de l'art et de l'architecture : le projet d'habiter des artistes : Art and architecture encounter : artistic living project. [Internet] [Doctoral dissertation]. Université Paris-Est; 2012. [cited 2020 Jan 19]. Available from: http://www.theses.fr/2012PEST1184.

Council of Science Editors:

Roqueplo A. Rencontres de l'art et de l'architecture : le projet d'habiter des artistes : Art and architecture encounter : artistic living project. [Doctoral Dissertation]. Université Paris-Est; 2012. Available from: http://www.theses.fr/2012PEST1184


University of Southern California

8. Gregg, Samantha. The plausible, ongoing, and disappearing acts of James Lee Byars: early performance works (1955-1967).

Degree: MA, Art and Curatorial Practices in the Public Sphere, 2015, University of Southern California

 By identifying three key developmental shifts in the early performances (1955-1967) of American artist James Lee Byars this paper argues for the significance of this… (more)

Subjects/Keywords: James Lee Byars; performance art; 1960s; conceptual art; fluxus; live art; documentation

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APA (6th Edition):

Gregg, S. (2015). The plausible, ongoing, and disappearing acts of James Lee Byars: early performance works (1955-1967). (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/568039/rec/7082

Chicago Manual of Style (16th Edition):

Gregg, Samantha. “The plausible, ongoing, and disappearing acts of James Lee Byars: early performance works (1955-1967).” 2015. Masters Thesis, University of Southern California. Accessed January 19, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/568039/rec/7082.

MLA Handbook (7th Edition):

Gregg, Samantha. “The plausible, ongoing, and disappearing acts of James Lee Byars: early performance works (1955-1967).” 2015. Web. 19 Jan 2020.

Vancouver:

Gregg S. The plausible, ongoing, and disappearing acts of James Lee Byars: early performance works (1955-1967). [Internet] [Masters thesis]. University of Southern California; 2015. [cited 2020 Jan 19]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/568039/rec/7082.

Council of Science Editors:

Gregg S. The plausible, ongoing, and disappearing acts of James Lee Byars: early performance works (1955-1967). [Masters Thesis]. University of Southern California; 2015. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/568039/rec/7082


Brunel University

9. Sanchez-Camus, Roberto. Applied live art : co-authorship in socially engaged and site-responsive performance practice.

Degree: 2011, Brunel University

 This thesis looks at the ways in which performance can integrate participants and local context into the development of new devised work. This practice-led research… (more)

Subjects/Keywords: 708; Live art; Applied drama; Performance; Site-specific; Community engagement

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APA (6th Edition):

Sanchez-Camus, R. (2011). Applied live art : co-authorship in socially engaged and site-responsive performance practice. (Doctoral Dissertation). Brunel University. Retrieved from http://bura.brunel.ac.uk/handle/2438/6027 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542864

Chicago Manual of Style (16th Edition):

Sanchez-Camus, Roberto. “Applied live art : co-authorship in socially engaged and site-responsive performance practice.” 2011. Doctoral Dissertation, Brunel University. Accessed January 19, 2020. http://bura.brunel.ac.uk/handle/2438/6027 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542864.

MLA Handbook (7th Edition):

Sanchez-Camus, Roberto. “Applied live art : co-authorship in socially engaged and site-responsive performance practice.” 2011. Web. 19 Jan 2020.

Vancouver:

Sanchez-Camus R. Applied live art : co-authorship in socially engaged and site-responsive performance practice. [Internet] [Doctoral dissertation]. Brunel University; 2011. [cited 2020 Jan 19]. Available from: http://bura.brunel.ac.uk/handle/2438/6027 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542864.

Council of Science Editors:

Sanchez-Camus R. Applied live art : co-authorship in socially engaged and site-responsive performance practice. [Doctoral Dissertation]. Brunel University; 2011. Available from: http://bura.brunel.ac.uk/handle/2438/6027 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542864


RMIT University

10. Croft, G. The human body as an instrument: an investigation into its music.

Degree: 2015, RMIT University

 This project has involved investigating how the history and practice of music which incorporates the sounds of the internal body can be used as a… (more)

Subjects/Keywords: Fields of Research; Sound Art; Improvised Performance; Soundscape Composition; Body sounds; Live art

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APA (6th Edition):

Croft, G. (2015). The human body as an instrument: an investigation into its music. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161278

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Croft, G. “The human body as an instrument: an investigation into its music.” 2015. Thesis, RMIT University. Accessed January 19, 2020. http://researchbank.rmit.edu.au/view/rmit:161278.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Croft, G. “The human body as an instrument: an investigation into its music.” 2015. Web. 19 Jan 2020.

Vancouver:

Croft G. The human body as an instrument: an investigation into its music. [Internet] [Thesis]. RMIT University; 2015. [cited 2020 Jan 19]. Available from: http://researchbank.rmit.edu.au/view/rmit:161278.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Croft G. The human body as an instrument: an investigation into its music. [Thesis]. RMIT University; 2015. Available from: http://researchbank.rmit.edu.au/view/rmit:161278

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

11. Kerr, Thorin. Performing composition : developing a computer assisted composition system through live coding performance.

Degree: 2009, Queensland University of Technology

 This thesis maps the author's journey from a music composition practice to a composition and performance practice. The work involves the development of a software… (more)

Subjects/Keywords: music; composition; performance; live coding; live programming; computer music; computer assisted composition; algorithmic music; generative art; Impromptu; Csound

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APA (6th Edition):

Kerr, T. (2009). Performing composition : developing a computer assisted composition system through live coding performance. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/32175/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kerr, Thorin. “Performing composition : developing a computer assisted composition system through live coding performance.” 2009. Thesis, Queensland University of Technology. Accessed January 19, 2020. https://eprints.qut.edu.au/32175/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kerr, Thorin. “Performing composition : developing a computer assisted composition system through live coding performance.” 2009. Web. 19 Jan 2020.

Vancouver:

Kerr T. Performing composition : developing a computer assisted composition system through live coding performance. [Internet] [Thesis]. Queensland University of Technology; 2009. [cited 2020 Jan 19]. Available from: https://eprints.qut.edu.au/32175/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kerr T. Performing composition : developing a computer assisted composition system through live coding performance. [Thesis]. Queensland University of Technology; 2009. Available from: https://eprints.qut.edu.au/32175/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Plymouth

12. Buzz, Lu La. The states and status of clay : material, metamorphic and metaphorical values.

Degree: PhD, 2018, University of Plymouth

 This doctoral project combines a performance-led practice with contextual research in order to demonstrate how arts practice can challenge historical perceptions of clay and enhance… (more)

Subjects/Keywords: Raw Clay; Performance Art; Live Art; Site-specific Art; Installation; Ephemeral Art; Transitory Art; Body Art; Earth Art; Ball Clay; China Clay; Photography; Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Buzz, L. L. (2018). The states and status of clay : material, metamorphic and metaphorical values. (Doctoral Dissertation). University of Plymouth. Retrieved from http://hdl.handle.net/10026.1/11639

Chicago Manual of Style (16th Edition):

Buzz, Lu La. “The states and status of clay : material, metamorphic and metaphorical values.” 2018. Doctoral Dissertation, University of Plymouth. Accessed January 19, 2020. http://hdl.handle.net/10026.1/11639.

MLA Handbook (7th Edition):

Buzz, Lu La. “The states and status of clay : material, metamorphic and metaphorical values.” 2018. Web. 19 Jan 2020.

Vancouver:

Buzz LL. The states and status of clay : material, metamorphic and metaphorical values. [Internet] [Doctoral dissertation]. University of Plymouth; 2018. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/10026.1/11639.

Council of Science Editors:

Buzz LL. The states and status of clay : material, metamorphic and metaphorical values. [Doctoral Dissertation]. University of Plymouth; 2018. Available from: http://hdl.handle.net/10026.1/11639


Virginia Commonwealth University

13. Vollmer, Phillip. LIVE ART: A Positive Change in this World.

Degree: MFA, Theatre, 2013, Virginia Commonwealth University

LIVE ART is a program for students with special needs and students who are typically developed. They work collaboratively, with integrated forms of performance and… (more)

Subjects/Keywords: Live Art; LIVE ART; Vollmer; SPARC; Special Education; Performing Arts Education; Arts Education; Cross disciplinary; Cross disciplinary Education; Arts and Humanities; Theatre and Performance Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vollmer, P. (2013). LIVE ART: A Positive Change in this World. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/3026

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vollmer, Phillip. “LIVE ART: A Positive Change in this World.” 2013. Thesis, Virginia Commonwealth University. Accessed January 19, 2020. https://scholarscompass.vcu.edu/etd/3026.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vollmer, Phillip. “LIVE ART: A Positive Change in this World.” 2013. Web. 19 Jan 2020.

Vancouver:

Vollmer P. LIVE ART: A Positive Change in this World. [Internet] [Thesis]. Virginia Commonwealth University; 2013. [cited 2020 Jan 19]. Available from: https://scholarscompass.vcu.edu/etd/3026.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vollmer P. LIVE ART: A Positive Change in this World. [Thesis]. Virginia Commonwealth University; 2013. Available from: https://scholarscompass.vcu.edu/etd/3026

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Tordino, Daniela Mantovani. Vjing - relações híbridas das imagens ao vivo na cultura contemporânea.

Degree: Mestrado, Poéticas Visuais, 2008, University of São Paulo

Este trabalho analisa a projeção e manipulação de imagens ao vivo no contexto da arte e tecnologia. As performances dos VJs - visual jockeys -… (more)

Subjects/Keywords: ao vivo; art; arte; imagens; images; live; video; video; vj; vj; vjing; vjing

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APA (6th Edition):

Tordino, D. M. (2008). Vjing - relações híbridas das imagens ao vivo na cultura contemporânea. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27159/tde-31052008-180808/ ;

Chicago Manual of Style (16th Edition):

Tordino, Daniela Mantovani. “Vjing - relações híbridas das imagens ao vivo na cultura contemporânea.” 2008. Masters Thesis, University of São Paulo. Accessed January 19, 2020. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-31052008-180808/ ;.

MLA Handbook (7th Edition):

Tordino, Daniela Mantovani. “Vjing - relações híbridas das imagens ao vivo na cultura contemporânea.” 2008. Web. 19 Jan 2020.

Vancouver:

Tordino DM. Vjing - relações híbridas das imagens ao vivo na cultura contemporânea. [Internet] [Masters thesis]. University of São Paulo; 2008. [cited 2020 Jan 19]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-31052008-180808/ ;.

Council of Science Editors:

Tordino DM. Vjing - relações híbridas das imagens ao vivo na cultura contemporânea. [Masters Thesis]. University of São Paulo; 2008. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-31052008-180808/ ;


Victoria University of Wellington

15. Lamb, Naomi. VJing: A New Zealand Case Study.

Degree: 2010, Victoria University of Wellington

 This thesis analyses some key factors of what is often considered a marginalised cultural and creative practice, VJing. The term VJ historically refers to Video… (more)

Subjects/Keywords: Remix; VJ content; Live video performance; Kiwi VJs; Video art; Video jockeys

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APA (6th Edition):

Lamb, N. (2010). VJing: A New Zealand Case Study. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/2202

Chicago Manual of Style (16th Edition):

Lamb, Naomi. “VJing: A New Zealand Case Study.” 2010. Masters Thesis, Victoria University of Wellington. Accessed January 19, 2020. http://hdl.handle.net/10063/2202.

MLA Handbook (7th Edition):

Lamb, Naomi. “VJing: A New Zealand Case Study.” 2010. Web. 19 Jan 2020.

Vancouver:

Lamb N. VJing: A New Zealand Case Study. [Internet] [Masters thesis]. Victoria University of Wellington; 2010. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/10063/2202.

Council of Science Editors:

Lamb N. VJing: A New Zealand Case Study. [Masters Thesis]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/2202

16. Kountouriotis, Pavlos. Techniques of training pain in performance : somatic practices and altered states of consciousness.

Degree: PhD, 2017, University of Roehampton

 This practice-as-research project (a) invents, examines and self-reflects upon two techniques - 'Whirling in Pain' and 'Neurobreathing' - that the author has developed for dealing… (more)

Subjects/Keywords: 792.8; Pain; somatic practices; altered states of consciousness; Performance art; live art; whirling dervishes; dance; training; immanence; transcendence

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APA (6th Edition):

Kountouriotis, P. (2017). Techniques of training pain in performance : somatic practices and altered states of consciousness. (Doctoral Dissertation). University of Roehampton. Retrieved from https://pure.roehampton.ac.uk/portal/en/studentthesis/techniques-of-training-pain-in-performance(2a27dd8a-e452-4c97-bdd8-4f24f05b39dc).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722729

Chicago Manual of Style (16th Edition):

Kountouriotis, Pavlos. “Techniques of training pain in performance : somatic practices and altered states of consciousness.” 2017. Doctoral Dissertation, University of Roehampton. Accessed January 19, 2020. https://pure.roehampton.ac.uk/portal/en/studentthesis/techniques-of-training-pain-in-performance(2a27dd8a-e452-4c97-bdd8-4f24f05b39dc).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722729.

MLA Handbook (7th Edition):

Kountouriotis, Pavlos. “Techniques of training pain in performance : somatic practices and altered states of consciousness.” 2017. Web. 19 Jan 2020.

Vancouver:

Kountouriotis P. Techniques of training pain in performance : somatic practices and altered states of consciousness. [Internet] [Doctoral dissertation]. University of Roehampton; 2017. [cited 2020 Jan 19]. Available from: https://pure.roehampton.ac.uk/portal/en/studentthesis/techniques-of-training-pain-in-performance(2a27dd8a-e452-4c97-bdd8-4f24f05b39dc).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722729.

Council of Science Editors:

Kountouriotis P. Techniques of training pain in performance : somatic practices and altered states of consciousness. [Doctoral Dissertation]. University of Roehampton; 2017. Available from: https://pure.roehampton.ac.uk/portal/en/studentthesis/techniques-of-training-pain-in-performance(2a27dd8a-e452-4c97-bdd8-4f24f05b39dc).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722729


Virginia Commonwealth University

17. Robinson, Jason. Resolution.

Degree: MFA, Fine Arts - Kinetic imaging, 2011, Virginia Commonwealth University

 This paper is an exploration of the concepts and motivations behind the video installation and performance that made up my MFA Thesis Exhibition. My primary… (more)

Subjects/Keywords: VHS; found footage; video art; remix; appropriation; spaghetti western; landscape; live cinema; Arts and Humanities; Fine Arts

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APA (6th Edition):

Robinson, J. (2011). Resolution. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/2475

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Robinson, Jason. “Resolution.” 2011. Thesis, Virginia Commonwealth University. Accessed January 19, 2020. https://scholarscompass.vcu.edu/etd/2475.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Robinson, Jason. “Resolution.” 2011. Web. 19 Jan 2020.

Vancouver:

Robinson J. Resolution. [Internet] [Thesis]. Virginia Commonwealth University; 2011. [cited 2020 Jan 19]. Available from: https://scholarscompass.vcu.edu/etd/2475.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robinson J. Resolution. [Thesis]. Virginia Commonwealth University; 2011. Available from: https://scholarscompass.vcu.edu/etd/2475

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Wollongong

18. Heywood, Nicola. Undoing Discomfort: being real/becoming other in an embodied performance practice.

Degree: Doctor of Creative Arts, Department of Creative Arts, 2016, University of Wollongong

  Undoing Discomfort: being real/ becoming other in an embodied performance practice contextualises new creative research within an interdisciplinary field crossing performance, live art and… (more)

Subjects/Keywords: Somatics; performance; live art; dance theatre; embodiment; sublime; feminist performance; animal studies; Grotowski; Body Weather; BMC; authentic movement; discomfort; becoming

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APA (6th Edition):

Heywood, N. (2016). Undoing Discomfort: being real/becoming other in an embodied performance practice. (Doctoral Dissertation). University of Wollongong. Retrieved from 0904 CHEMICAL ENGINEERING, 0905 CIVIL ENGINEERING ; https://ro.uow.edu.au/theses/4816

Chicago Manual of Style (16th Edition):

Heywood, Nicola. “Undoing Discomfort: being real/becoming other in an embodied performance practice.” 2016. Doctoral Dissertation, University of Wollongong. Accessed January 19, 2020. 0904 CHEMICAL ENGINEERING, 0905 CIVIL ENGINEERING ; https://ro.uow.edu.au/theses/4816.

MLA Handbook (7th Edition):

Heywood, Nicola. “Undoing Discomfort: being real/becoming other in an embodied performance practice.” 2016. Web. 19 Jan 2020.

Vancouver:

Heywood N. Undoing Discomfort: being real/becoming other in an embodied performance practice. [Internet] [Doctoral dissertation]. University of Wollongong; 2016. [cited 2020 Jan 19]. Available from: 0904 CHEMICAL ENGINEERING, 0905 CIVIL ENGINEERING ; https://ro.uow.edu.au/theses/4816.

Council of Science Editors:

Heywood N. Undoing Discomfort: being real/becoming other in an embodied performance practice. [Doctoral Dissertation]. University of Wollongong; 2016. Available from: 0904 CHEMICAL ENGINEERING, 0905 CIVIL ENGINEERING ; https://ro.uow.edu.au/theses/4816


Iowa State University

19. Ganesuni, Satya Charan. Work-Homes.

Degree: 2018, Iowa State University

 Work homes have been used by the people since ancient times but, today people are preferring more to use work-home ideology because of technological advantages,… (more)

Subjects/Keywords: Design Elements; Integrated spaces; interior components; live/work; Mobile homes; Work-homes; Architecture; Art and Design

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ganesuni, S. C. (2018). Work-Homes. (Thesis). Iowa State University. Retrieved from https://lib.dr.iastate.edu/etd/16354

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ganesuni, Satya Charan. “Work-Homes.” 2018. Thesis, Iowa State University. Accessed January 19, 2020. https://lib.dr.iastate.edu/etd/16354.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ganesuni, Satya Charan. “Work-Homes.” 2018. Web. 19 Jan 2020.

Vancouver:

Ganesuni SC. Work-Homes. [Internet] [Thesis]. Iowa State University; 2018. [cited 2020 Jan 19]. Available from: https://lib.dr.iastate.edu/etd/16354.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ganesuni SC. Work-Homes. [Thesis]. Iowa State University; 2018. Available from: https://lib.dr.iastate.edu/etd/16354

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


AUT University

20. Harvey, Mark Robert Gordon. Performance Test Labour .

Degree: 2011, AUT University

 Performance: Test: Labour is a practice-led PhD research project that systematically engages the fields of performance art and dance choreography. The research aims to offer… (more)

Subjects/Keywords: Performance; Visual Arts; Choreography; Idiocy; Nietzsche; Practice led research; Performance art; Live art; Labour; Testing; Post-minimalism; Derrida; Foucault; Judith Butler; Vito Acconci; Bruce Nauman; Jerome Bel; La Ribot

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APA (6th Edition):

Harvey, M. R. G. (2011). Performance Test Labour . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/2018

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harvey, Mark Robert Gordon. “Performance Test Labour .” 2011. Thesis, AUT University. Accessed January 19, 2020. http://hdl.handle.net/10292/2018.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harvey, Mark Robert Gordon. “Performance Test Labour .” 2011. Web. 19 Jan 2020.

Vancouver:

Harvey MRG. Performance Test Labour . [Internet] [Thesis]. AUT University; 2011. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/10292/2018.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harvey MRG. Performance Test Labour . [Thesis]. AUT University; 2011. Available from: http://hdl.handle.net/10292/2018

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


De Montfort University

21. Spowage, Neal. Physical interaction with electronic instruments in devised performance.

Degree: PhD, 2016, De Montfort University

 This thesis describes how I took part in a series of collaborations with dancers Danai Pappa and Katie Hall, musician George Williams and video artist… (more)

Subjects/Keywords: 621.3815; Collaborations; Sculptural Instruments; Bricolage; Subversion; Skip Diving; Appropriation; Negotiating Varying Levels of Expertise; Video Documentation; Video Art; Work; Labour; Effort; Gender Dynamics in Performance; Intimacy; Democratic Roles; Live Art; Music; Performance Art; Noise Music; D.I.Y. Elecronics; Junk Sculpture; Hardware Hacking; Gender Stereotypes; Gender; Musical Instrument; Interaction; Serendipity; Community; Commensality; Live Performance; Sound; Artecacts; Electronic Music; Creativity

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APA (6th Edition):

Spowage, N. (2016). Physical interaction with electronic instruments in devised performance. (Doctoral Dissertation). De Montfort University. Retrieved from http://hdl.handle.net/2086/13237

Chicago Manual of Style (16th Edition):

Spowage, Neal. “Physical interaction with electronic instruments in devised performance.” 2016. Doctoral Dissertation, De Montfort University. Accessed January 19, 2020. http://hdl.handle.net/2086/13237.

MLA Handbook (7th Edition):

Spowage, Neal. “Physical interaction with electronic instruments in devised performance.” 2016. Web. 19 Jan 2020.

Vancouver:

Spowage N. Physical interaction with electronic instruments in devised performance. [Internet] [Doctoral dissertation]. De Montfort University; 2016. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/2086/13237.

Council of Science Editors:

Spowage N. Physical interaction with electronic instruments in devised performance. [Doctoral Dissertation]. De Montfort University; 2016. Available from: http://hdl.handle.net/2086/13237

22. Fisk, Jennifer N. Performing Boundaries: An Expansion of the One to One Performance Framework.

Degree: MA, Art History (Fine Arts), 2013, Ohio University

 This thesis outlines performance art and the One to One framework used by Stephanie Fisk during her time at Ohio University. There is a brief… (more)

Subjects/Keywords: Art History; Fine Arts; Performing Arts; performance art; One to One; Live Art

…statements about the work. I started to become more interested and involved in live art, also… …fascinated by performance after attending the National Review of Live Art in Glasgow, Scotland… …performances rooted in the aesthetics of live art. This structure allows the spectator an opportunity… …of the frameworks and history of live art that my work responds to, I provide a historical… …narrative of performance art in Chapter 1, “Live Art: Movements, Artists, and Pieces Relevant to… 

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APA (6th Edition):

Fisk, J. N. (2013). Performing Boundaries: An Expansion of the One to One Performance Framework. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1368184817

Chicago Manual of Style (16th Edition):

Fisk, Jennifer N. “Performing Boundaries: An Expansion of the One to One Performance Framework.” 2013. Masters Thesis, Ohio University. Accessed January 19, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1368184817.

MLA Handbook (7th Edition):

Fisk, Jennifer N. “Performing Boundaries: An Expansion of the One to One Performance Framework.” 2013. Web. 19 Jan 2020.

Vancouver:

Fisk JN. Performing Boundaries: An Expansion of the One to One Performance Framework. [Internet] [Masters thesis]. Ohio University; 2013. [cited 2020 Jan 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1368184817.

Council of Science Editors:

Fisk JN. Performing Boundaries: An Expansion of the One to One Performance Framework. [Masters Thesis]. Ohio University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1368184817


Southern Cross University

23. O'Dempsey, Kellie Anne. The spectacle of performance drawing.

Degree: 2011, Southern Cross University

 This exegesis addresses a series of Performance Drawing events staged between March 2008 and March 2011. Collectively, the series is titled The Spectacle of Performance… (more)

Subjects/Keywords: Performance art; visual arts; fine arts; live drawing; aleatoric process; drawing; performance drawing; drawing performance; multi-disciplinary emergent practice; cultural interaction; site-specific practice; Art and Design; Art Practice; Interactive Arts; Performance Studies

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APA (6th Edition):

O'Dempsey, K. A. (2011). The spectacle of performance drawing. (Thesis). Southern Cross University. Retrieved from http://epubs.scu.edu.au/theses/248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

O'Dempsey, Kellie Anne. “The spectacle of performance drawing.” 2011. Thesis, Southern Cross University. Accessed January 19, 2020. http://epubs.scu.edu.au/theses/248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

O'Dempsey, Kellie Anne. “The spectacle of performance drawing.” 2011. Web. 19 Jan 2020.

Vancouver:

O'Dempsey KA. The spectacle of performance drawing. [Internet] [Thesis]. Southern Cross University; 2011. [cited 2020 Jan 19]. Available from: http://epubs.scu.edu.au/theses/248.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

O'Dempsey KA. The spectacle of performance drawing. [Thesis]. Southern Cross University; 2011. Available from: http://epubs.scu.edu.au/theses/248

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Università Cattolica del Sacro Cuore

24. FORNASARI, ELEONORA CLAUDIA MIRELLA. PICCOLE DONNE CRESCONO: STORIE AL FEMMINILE DALLA LETTERATURA PER L'INFANZIA ALLA SERIALITA' TELEVISIVA. TRE CASE STUDIES.

Degree: 2018, Università Cattolica del Sacro Cuore

La presente tesi di dottorato ha come oggetto la trasposizione televisiva di tre romanzi character driven: Heidi, Pippi Calzelunghe e The Story of Tracy Beaker.… (more)

Subjects/Keywords: M-PED/02: STORIA DELLA PEDAGOGIA; M-FIL/05: FILOSOFIA E TEORIA DEI LINGUAGGI; L-ART/06: CINEMA, FOTOGRAFIA E TELEVISIONE; adattamento, letteratura per l'infanzia, Heidi, Pippi Calzelunghe, Tracy Beaker, serialità televisiva, personaggio femminile, storie character driven, animazione, live action, adaptation, children's literature, Heidi, Pippi Longstockings, Tracy Beaker, television serialisation, female character, character driven stories, animation, live action

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APA (6th Edition):

FORNASARI, E. C. M. (2018). PICCOLE DONNE CRESCONO: STORIE AL FEMMINILE DALLA LETTERATURA PER L'INFANZIA ALLA SERIALITA' TELEVISIVA. TRE CASE STUDIES. (Doctoral Dissertation). Università Cattolica del Sacro Cuore. Retrieved from http://hdl.handle.net/10280/42961

Chicago Manual of Style (16th Edition):

FORNASARI, ELEONORA CLAUDIA MIRELLA. “PICCOLE DONNE CRESCONO: STORIE AL FEMMINILE DALLA LETTERATURA PER L'INFANZIA ALLA SERIALITA' TELEVISIVA. TRE CASE STUDIES.” 2018. Doctoral Dissertation, Università Cattolica del Sacro Cuore. Accessed January 19, 2020. http://hdl.handle.net/10280/42961.

MLA Handbook (7th Edition):

FORNASARI, ELEONORA CLAUDIA MIRELLA. “PICCOLE DONNE CRESCONO: STORIE AL FEMMINILE DALLA LETTERATURA PER L'INFANZIA ALLA SERIALITA' TELEVISIVA. TRE CASE STUDIES.” 2018. Web. 19 Jan 2020.

Vancouver:

FORNASARI ECM. PICCOLE DONNE CRESCONO: STORIE AL FEMMINILE DALLA LETTERATURA PER L'INFANZIA ALLA SERIALITA' TELEVISIVA. TRE CASE STUDIES. [Internet] [Doctoral dissertation]. Università Cattolica del Sacro Cuore; 2018. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/10280/42961.

Council of Science Editors:

FORNASARI ECM. PICCOLE DONNE CRESCONO: STORIE AL FEMMINILE DALLA LETTERATURA PER L'INFANZIA ALLA SERIALITA' TELEVISIVA. TRE CASE STUDIES. [Doctoral Dissertation]. Università Cattolica del Sacro Cuore; 2018. Available from: http://hdl.handle.net/10280/42961

25. Simmons, Josh C. Fukushima Meltdown Reactor: Burn Everything.

Degree: MM, Music Composition, 2015, Bowling Green State University

 Elainie Lillios, Advisor Fukushima Meltdown Reactor: Burn Everything is a six-movement, fifteen-minutemultimedia work composed for performance by the multimedia trio, Netmoire, whoseperforming forces include saxophone,… (more)

Subjects/Keywords: Music; Fine Arts; Performing Arts; multimedia; digital art; nuclear; performance art; MaxMSP; Ableton Live

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APA (6th Edition):

Simmons, J. C. (2015). Fukushima Meltdown Reactor: Burn Everything. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428239598

Chicago Manual of Style (16th Edition):

Simmons, Josh C. “Fukushima Meltdown Reactor: Burn Everything.” 2015. Masters Thesis, Bowling Green State University. Accessed January 19, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428239598.

MLA Handbook (7th Edition):

Simmons, Josh C. “Fukushima Meltdown Reactor: Burn Everything.” 2015. Web. 19 Jan 2020.

Vancouver:

Simmons JC. Fukushima Meltdown Reactor: Burn Everything. [Internet] [Masters thesis]. Bowling Green State University; 2015. [cited 2020 Jan 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428239598.

Council of Science Editors:

Simmons JC. Fukushima Meltdown Reactor: Burn Everything. [Masters Thesis]. Bowling Green State University; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428239598


Bowling Green State University

26. Salerno, Stephanie. True Loves, Dark Nights: Queer Performativity and Grieving Through Music in the Work of Rufus Wainwright.

Degree: PhD, American Culture Studies, 2016, Bowling Green State University

 This dissertation studies the cultural significance of Canadian-American singer/songwriter Rufus Wainwright’s (b. 1973) album <i>All Days Are Nights: Songs for Lulu</i> (Decca, 2010). <i>Lulu</i> was… (more)

Subjects/Keywords: Music; American Studies; Gender; Gender Studies; Performing Arts; Glbt Studies; Affect; Classical Art Song; Concept Album; Death; Emotion; Fan Studies; Genre; Grief; Kate McGarrigle; LGBT; Live Performance; Performativity; Popular Music; Public Mourning; Queer; Rhizome; Rufus Wainwright; Song Cycle; Textual Analysis; Trauma; Vocality

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APA (6th Edition):

Salerno, S. (2016). True Loves, Dark Nights: Queer Performativity and Grieving Through Music in the Work of Rufus Wainwright. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1476645017261653

Chicago Manual of Style (16th Edition):

Salerno, Stephanie. “True Loves, Dark Nights: Queer Performativity and Grieving Through Music in the Work of Rufus Wainwright.” 2016. Doctoral Dissertation, Bowling Green State University. Accessed January 19, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1476645017261653.

MLA Handbook (7th Edition):

Salerno, Stephanie. “True Loves, Dark Nights: Queer Performativity and Grieving Through Music in the Work of Rufus Wainwright.” 2016. Web. 19 Jan 2020.

Vancouver:

Salerno S. True Loves, Dark Nights: Queer Performativity and Grieving Through Music in the Work of Rufus Wainwright. [Internet] [Doctoral dissertation]. Bowling Green State University; 2016. [cited 2020 Jan 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1476645017261653.

Council of Science Editors:

Salerno S. True Loves, Dark Nights: Queer Performativity and Grieving Through Music in the Work of Rufus Wainwright. [Doctoral Dissertation]. Bowling Green State University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1476645017261653

27. Schuette, Paul W. untitled.

Degree: MM, College-Conservatory of Music : Composition, 2010, University of Cincinnati

for bass drum, tam-tam and live electronics Advisors/Committee Members: Hoffman, Joel (Committee Chair).

Subjects/Keywords: Music; live electronics; electronic music; multimedia; musical mandala; graphic score; performance art

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APA (6th Edition):

Schuette, P. W. (2010). untitled. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276997689

Chicago Manual of Style (16th Edition):

Schuette, Paul W. “untitled.” 2010. Masters Thesis, University of Cincinnati. Accessed January 19, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276997689.

MLA Handbook (7th Edition):

Schuette, Paul W. “untitled.” 2010. Web. 19 Jan 2020.

Vancouver:

Schuette PW. untitled. [Internet] [Masters thesis]. University of Cincinnati; 2010. [cited 2020 Jan 19]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276997689.

Council of Science Editors:

Schuette PW. untitled. [Masters Thesis]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1276997689


AUT University

28. Lyons, Marcia. Open limit: field as witness .

Degree: AUT University

 This PhD project is undertaken through a creative works process, culminating in a series of experiments produced during candidature, polyphonically named Open Limit; field as… (more)

Subjects/Keywords: Telepathic; Wild-track; Algo-cinema; Field-as-witness; Live-media; Network-fiction; Method-writing; Augmented reality; Performance Art; Digital media

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lyons, M. (n.d.). Open limit: field as witness . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/7415

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lyons, Marcia. “Open limit: field as witness .” Thesis, AUT University. Accessed January 19, 2020. http://hdl.handle.net/10292/7415.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lyons, Marcia. “Open limit: field as witness .” Web. 19 Jan 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Lyons M. Open limit: field as witness . [Internet] [Thesis]. AUT University; [cited 2020 Jan 19]. Available from: http://hdl.handle.net/10292/7415.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Lyons M. Open limit: field as witness . [Thesis]. AUT University; Available from: http://hdl.handle.net/10292/7415

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


Stockholm University

29. Göransson, Amanda. Förgängligt mode eller varaktig konst? : Mode, konst och förgänglighet i kollektionen Haute Papier av Bea Szenfeld.

Degree: Centre for Fashion Studies, 2014, Stockholm University

  Ephemerality is one of the most essential characteristics of fashion, since fashion by definition is existing in the present, in the fleeing moment. Also,… (more)

Subjects/Keywords: Ephemerality; fleeing moment; fashion and art; paper garments; object analysis; critique of the age in which we live; Bea Szenfeld; Haute Papier; Förgänglighet; flyktigt ögonblick; mode och konst; pappersplagg; Bea Szenfeld; Haute Papier

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Göransson, A. (2014). Förgängligt mode eller varaktig konst? : Mode, konst och förgänglighet i kollektionen Haute Papier av Bea Szenfeld. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-113202

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Göransson, Amanda. “Förgängligt mode eller varaktig konst? : Mode, konst och förgänglighet i kollektionen Haute Papier av Bea Szenfeld.” 2014. Thesis, Stockholm University. Accessed January 19, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-113202.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Göransson, Amanda. “Förgängligt mode eller varaktig konst? : Mode, konst och förgänglighet i kollektionen Haute Papier av Bea Szenfeld.” 2014. Web. 19 Jan 2020.

Vancouver:

Göransson A. Förgängligt mode eller varaktig konst? : Mode, konst och förgänglighet i kollektionen Haute Papier av Bea Szenfeld. [Internet] [Thesis]. Stockholm University; 2014. [cited 2020 Jan 19]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-113202.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Göransson A. Förgängligt mode eller varaktig konst? : Mode, konst och förgänglighet i kollektionen Haute Papier av Bea Szenfeld. [Thesis]. Stockholm University; 2014. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-113202

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat Politècnica de València

30. Bell, Graham. NATURAL HYSTERIA (a queer response to ecocide): An exercise in Living Art, Participatory Rituals and Queer Ecology -or- How I discovered Geyserbird, the Transgender Shaman within.

Degree: 2018, Universitat Politècnica de València

 Resumen Natural Hysteria... es una investigacio'n basada en una pra'ctica transdisciplinaria que documenta el proceso de produccio'n de un ciclo de performances basadas en el… (more)

Subjects/Keywords: performance; queer; cuir; ecology; ecofeminism; feminism; transfeminism; eco-transfeminism; cabaritual; antitainment; antittrenimiento; P.I.N.Q. Park; shamanism; Geyserbird; globalisation; ritual; live art; ecosex; ecosexuality; pansexuality; bisexuality; LGTB; trans; transgender; genderqueer; gender studies; queer theory; post colonialism; queer ecology; ecoqueer; Erreria; House of Bent; cabaret; music; multi-media; trans-disciplinary; experimental.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bell, G. (2018). NATURAL HYSTERIA (a queer response to ecocide): An exercise in Living Art, Participatory Rituals and Queer Ecology -or- How I discovered Geyserbird, the Transgender Shaman within. (Doctoral Dissertation). Universitat Politècnica de València. Retrieved from http://hdl.handle.net/10251/111925

Chicago Manual of Style (16th Edition):

Bell, Graham. “NATURAL HYSTERIA (a queer response to ecocide): An exercise in Living Art, Participatory Rituals and Queer Ecology -or- How I discovered Geyserbird, the Transgender Shaman within. ” 2018. Doctoral Dissertation, Universitat Politècnica de València. Accessed January 19, 2020. http://hdl.handle.net/10251/111925.

MLA Handbook (7th Edition):

Bell, Graham. “NATURAL HYSTERIA (a queer response to ecocide): An exercise in Living Art, Participatory Rituals and Queer Ecology -or- How I discovered Geyserbird, the Transgender Shaman within. ” 2018. Web. 19 Jan 2020.

Vancouver:

Bell G. NATURAL HYSTERIA (a queer response to ecocide): An exercise in Living Art, Participatory Rituals and Queer Ecology -or- How I discovered Geyserbird, the Transgender Shaman within. [Internet] [Doctoral dissertation]. Universitat Politècnica de València; 2018. [cited 2020 Jan 19]. Available from: http://hdl.handle.net/10251/111925.

Council of Science Editors:

Bell G. NATURAL HYSTERIA (a queer response to ecocide): An exercise in Living Art, Participatory Rituals and Queer Ecology -or- How I discovered Geyserbird, the Transgender Shaman within. [Doctoral Dissertation]. Universitat Politècnica de València; 2018. Available from: http://hdl.handle.net/10251/111925

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