subject:(instantaneity)

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1. Bernand, Younes. Les temporalités en droit de la famille : Temporalities in family law.

Degree: Docteur es, Droit privé, 2015, Université Jean Moulin – Lyon III

URL: http://www.theses.fr/2015LYO30036

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Les temporalités désignent tout à la fois le caractère de ce qui s'inscrit dans le temps et une forme d’agencement du passé, du présent et… (more)

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Les temporalités désignent tout à la fois le caractère de ce qui s'inscrit dans le temps et une forme d’agencement du passé, du présent et du futur. L’évolution du droit de la famille marque le passage du modèle traditionnel, fondé sur l’idée d’un mariage perpétuel et source de pérennité des liens familiaux à un nouveau modèle, empreint de « présentisme », construit sur l’indissolubilité du couple parental. Devant le risque de dyschronie de la famille et de rupture du continuum de liens familiaux abandonnés à l’instabilité provoquée par la contraction du temps conjugal, le législateur a été amené à renforcer et à consolider la parenté. L’objectif parait de plus en plus de faire survivre le « couple parental » au « couple conjugal », au nom des intérêts bien compris de l’enfant. On observe, dès lors, un déplacement de la durée de la conjugalité à la parenté. Dans une logique de dissociation de la conjugalité et de la parenté, le temps subjectif, conditionnel et instantanéiste de la conjugalité - s’oppose au temps objectif, inconditionnel et perpétuel de la parenté.

Temporalities signify both all that which, by its nature, occurs in time, and an organization of the past, present and future. The evolution of family law has marked the passage from a traditional model, one based on the idea of perpetual marriage and a source of unending family ties, to a new model imprinted by “presentness”, one built on the indissolubility of the parental couple. Legislators are being led to reinforce and consolidate ideas of parenthood as they are faced with the risks presented by familial desynchronization and of the breakdown of the continuity of family ties abandoned due to the instability met by the shortened time of conjugal life. It would seem that the goal is to let the “parental couple” outlive the “conjugal couple” in order to serve the best interests of the child. Consequently, we can observe a shift in duration from conjugality to parenthood. Through a logical reasoning of disassociating the conjugal from the parental, the conditional, subjective and transitory time of conjugality becomes contradictory to the unconditional, objective and perpetual time of parenthood.

Advisors/Committee Members: Fulchiron, Hugues (thesis director).

Subjects/Keywords: Temporalités; Présentisme; Précarité; Instantanéité; Stabilité; Continuité; Conjugalité; Parenté; Temporalities; Presentness; Instability; Instantaneity; Stability; Continuity; Conjugality; Parenthood; 340

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APA (6^th Edition):

Bernand, Y. (2015). Les temporalités en droit de la famille : Temporalities in family law. (Doctoral Dissertation). Université Jean Moulin – Lyon III. Retrieved from http://www.theses.fr/2015LYO30036

Chicago Manual of Style (16^th Edition):

Bernand, Younes. “Les temporalités en droit de la famille : Temporalities in family law.” 2015. Doctoral Dissertation, Université Jean Moulin – Lyon III. Accessed March 06, 2021. http://www.theses.fr/2015LYO30036.

MLA Handbook (7^th Edition):

Bernand, Younes. “Les temporalités en droit de la famille : Temporalities in family law.” 2015. Web. 06 Mar 2021.

Vancouver:

Bernand Y. Les temporalités en droit de la famille : Temporalities in family law. [Internet] [Doctoral dissertation]. Université Jean Moulin – Lyon III; 2015. [cited 2021 Mar 06]. Available from: http://www.theses.fr/2015LYO30036.

Council of Science Editors:

Bernand Y. Les temporalités en droit de la famille : Temporalities in family law. [Doctoral Dissertation]. Université Jean Moulin – Lyon III; 2015. Available from: http://www.theses.fr/2015LYO30036

2. Cabrita, Joana Filipa Vaz. Jornalismo Digital : as práticas de produção dos conteúdos noticiosos no jornal Observador On Time.

Degree: 2018, RCAAP

URL: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ucp.pt:10400.14/24072

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O presente Relatório de Estágio propõe um debate acerca da temática do jornalismo digital, tendo como estudo de caso o jornal Observador On Time. As… (more)

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O presente Relatório de Estágio propõe um debate acerca da temática do jornalismo digital, tendo como estudo de caso o jornal Observador On Time. As plataformas digitais, nomeadamente o jornal em questão, começam cada vez mais a adquirir um lugar de relevo na forma como se consome e distribui informação. Deste modo, a partir do cruzamento de fatores relacionados ao tema, tais como as próprias características de produção de conteúdos para o online, tentámos verificar como é que, hoje em dia, o jornalismo funciona no seu novo habitat. Perspetivando neste ângulo, o objetivo deste estudo prende-se, particularmente, com a curiosidade sobre o fenómeno a ser estudado: perceber como é que é realizada a produção jornalística num jornal que nasceu em ambiente digital, nomeadamente quanto à exequibilidade das potencialidades da Web na sua produção noticiosa. Para tal, decidimos elaborar inquéritos por questionário aos jornalistas do Observador, de forma a tentar entender como se relacionam com o meio, complementando essa informação com uma análise de conteúdos informativos da secção Mundo do próprio jornal. Ainda que o Observador seja um nativo do ambiente digital, a verdade é que os dados recolhidos se mostraram bastante aquém do esperado. A implementação de características como a hipertextualidade, multimedialidade, interatividade e instantaneidade traduziram-se num valor não apenas reduzido como também mecanizado.

The present internship Report proposes a debate on the subject of digital journalism, having as a case study the location of the internship itself, the journal Observador On Time. Digital platforms, notably the newspaper in question, are increasingly beginning to gain prominence in the way that information is nowadays consumed and distributed. Therefore, by using the cross-referencing of factors related to the theme, as well as the characteristics of online content production, we will try to verify how today’s journalism works in its new habitat. From this point of view, the goal of this study is, in particular, based on the curiosity about the phenomenon to be studied: to perceive how journalistic production is carried out in a newspaper that was born in a digital environment, namely as to the feasibility of the Web's potentialities in its news production. Considering this, we decided to carry out questionnaire surveys on the journalists in order to understand how they relate to the medium, complementing this information with an analysis of the journal's own information content. Although the Observador is a native of the digital environment, the truth is that the data collected proved to be much less than expected, as the values of implementation of characteristics such as hypertextuality, multimedia, interactivity and instantaneity were very reduced and mechanized.

Advisors/Committee Members: Ferreira, Cátia Sofia Afonso.

Subjects/Keywords: Jornalismo digital; Multimedialidade; Hipertextualidade; Instantaneidade; Interatividade; Digital journalism; Multimedia; Hypertextuality; Interactivity; Instantaneity; Domínio/Área Científica::Ciências Sociais::Ciências da Comunicação

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APA (6^th Edition):

Cabrita, J. F. V. (2018). Jornalismo Digital : as práticas de produção dos conteúdos noticiosos no jornal Observador On Time. (Thesis). RCAAP. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ucp.pt:10400.14/24072

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Cabrita, Joana Filipa Vaz. “Jornalismo Digital : as práticas de produção dos conteúdos noticiosos no jornal Observador On Time.” 2018. Thesis, RCAAP. Accessed March 06, 2021. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ucp.pt:10400.14/24072.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Cabrita, Joana Filipa Vaz. “Jornalismo Digital : as práticas de produção dos conteúdos noticiosos no jornal Observador On Time.” 2018. Web. 06 Mar 2021.

Vancouver:

Cabrita JFV. Jornalismo Digital : as práticas de produção dos conteúdos noticiosos no jornal Observador On Time. [Internet] [Thesis]. RCAAP; 2018. [cited 2021 Mar 06]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ucp.pt:10400.14/24072.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cabrita JFV. Jornalismo Digital : as práticas de produção dos conteúdos noticiosos no jornal Observador On Time. [Thesis]. RCAAP; 2018. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ucp.pt:10400.14/24072

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Stirling

3. Mai, Nadin. The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz.

Degree: PhD, 2015, University of Stirling

URL: http://hdl.handle.net/1893/22990

► Aiming to make an intervention in both emerging Slow Cinema and classical Trauma Cinema scholarship, this thesis demonstrates the ways in which the post-trauma cinema… (more)

▼ Aiming to make an intervention in both emerging Slow Cinema and classical Trauma Cinema scholarship, this thesis demonstrates the ways in which the post-trauma cinema of Filipino filmmaker Lav Diaz merges aesthetics of cinematic slowness with narratives of post-trauma in his films Melancholia (2008), Death in the Land of Encantos (2007) and Florentina Hubaldo, CTE (2012). Diaz has been repeatedly considered as representative of what Jonathan Romney termed in 2004 “Slow Cinema”. The director uses cinematic slowness for an alternative approach to an on-screen representation of post-trauma. Contrary to popular trauma cinema, Diaz’s portrait of individual and collective trauma focuses not on the instantenaeity but on the duration of trauma. In considering trauma as a condition and not as an event, Diaz challenges the standard aesthetical techniques used in contemporary Trauma Cinema, as highlighted by Janet Walker (2001, 2005), Susannah Radstone (2001), Roger Luckhurst (2008) and others. Diaz’s films focus instead on trauma’s latency period, the depletion of a survivor’s resources, and a character’s slow psychological breakdown. Slow Cinema scholarship has so far focused largely on the films’ aesthetics and their alleged opposition to mainstream cinema. Little work has been done in connecting the films’ form to their content. Furthermore, Trauma Cinema scholarship, as trauma films themselves, has been based on the immediate and most radical signs of post-trauma, which are characterised by instantaneity; flashbacks, sudden fears of death and sensorial overstimulation. Following Lutz Koepnick’s argument that slowness offers “intriguing perspectives” (Koepnick, 2014: 191) on how trauma can be represented in art, this thesis seeks to consider the equally important aspects of trauma duration, trauma’s latency period and the slow development of characteristic symptoms. With the present work, I expand on current notions of Trauma Cinema, which places emphasis on speed and the unpredictability of intrusive memories. Furthermore, I aim to broaden the area of Slow Cinema studies, which has so far been largely focused on the films’ respective aesthetics, by bridging form and content of the films under investigation. Rather than seeing Diaz’s slow films in isolation as a phenomenon of Slow Cinema, I seek to connect them to the existing scholarship of Trauma Cinema studies, thereby opening up a reading of his films.

Subjects/Keywords: film; Slow Cinema; cinema; Lav Diaz; Philippines; history; memory; trauma; PTSD; concentrationary; terror; extrajudicial killings; torture; rape; post-trauma; Death in the Land of Encantos; Melancholia; Florentina Hubaldo CTE; Trauma Cinema; Janet Walker; Roger Luckhurst; Susannah Radstone; aesthetics; duration; absence; latency period; instantaneity; flashbacks; anxiety; Cathy Caruth; Raya Morag; failed witnessing; Trauma Studies; Philippine Cinema; trauma therapy; sound; silence; framing; ghosts; haunting; Béla Tarr; Tsai Ming-liang; Apichatpong Weerasethakul; Ari Folman; Rithy Panh; Waltz with Bashir; time; long-take; colonialism; oppression; psyche; poverty; Martial Law; l’univers concentrationnaire; hamlets; speed; off-screen space; temporality; power; psychological warfare; mental paralysis; the disappeared; chronic trauma; backstory wounds; repetition; circularity; post-traumatic cinema; death; depletion; ethics; atrocity; painting; landscape painting; Rückenfigur; Chinese painting; accousmêtre; accousmatic; mourning; grief; Slow cinema; Diaz, Lav, 1958- Filmmaker; Motion picture producers and directors Philippines

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Mai, N. (2015). The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz. (Doctoral Dissertation). University of Stirling. Retrieved from http://hdl.handle.net/1893/22990

Chicago Manual of Style (16^th Edition):

Mai, Nadin. “The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz.” 2015. Doctoral Dissertation, University of Stirling. Accessed March 06, 2021. http://hdl.handle.net/1893/22990.

MLA Handbook (7^th Edition):

Mai, Nadin. “The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz.” 2015. Web. 06 Mar 2021.

Vancouver:

Mai N. The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz. [Internet] [Doctoral dissertation]. University of Stirling; 2015. [cited 2021 Mar 06]. Available from: http://hdl.handle.net/1893/22990.

Council of Science Editors:

Mai N. The aesthetics of absence and duration in the post-trauma cinema of Lav Diaz. [Doctoral Dissertation]. University of Stirling; 2015. Available from: http://hdl.handle.net/1893/22990

4. Bergeron, Catherine. Témoins de l'horreur, images de terreur : pour un portrait du sujet actuel.

Degree: 2019, Université de Montréal

URL: http://hdl.handle.net/1866/21954

Subjects/Keywords: actualité; modernité; hypermodernité; éthique; ontologie; photographie; amateurisme; témoin; vérité; numérique; téléphone intelligent; instantanéité; existence; terrorisme; terreur; altérité; mort; brutalité; atrocité; fin; vulnérabilité; précarité; humain; actuality; modernity; hypermodernity; ethics; ontology; photography; amateurism; witness; truth; digital; smartphone; instantaneity; terrorism; terror; alterity; death; brutality; atrocity; end; vulnerability; precarity; humanness; Communications and the Arts - Mass Communications / Communications et les arts - Communications (UMI : 0708)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bergeron, C. (2019). Témoins de l'horreur, images de terreur : pour un portrait du sujet actuel. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/21954

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bergeron, Catherine. “Témoins de l'horreur, images de terreur : pour un portrait du sujet actuel.” 2019. Thesis, Université de Montréal. Accessed March 06, 2021. http://hdl.handle.net/1866/21954.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bergeron, Catherine. “Témoins de l'horreur, images de terreur : pour un portrait du sujet actuel.” 2019. Web. 06 Mar 2021.

Vancouver:

Bergeron C. Témoins de l'horreur, images de terreur : pour un portrait du sujet actuel. [Internet] [Thesis]. Université de Montréal; 2019. [cited 2021 Mar 06]. Available from: http://hdl.handle.net/1866/21954.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bergeron C. Témoins de l'horreur, images de terreur : pour un portrait du sujet actuel. [Thesis]. Université de Montréal; 2019. Available from: http://hdl.handle.net/1866/21954

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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