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1. Carponi, Cecilia. Michel Saint-Denis, dal Théâtre du Vieux-Colombier al London Theatre Studio. Premises to the Training : Michel Saint-Denis, du Théâtre du Vieux-Colombier au London Theatre Studio. Premises to the Training.

Degree: Docteur es, Études théâtrales, 2018, Sorbonne Paris Cité; Università degli studi La Sapienza (Rome)

Au cours d’une longue carrière, Michel Saint-Denis a développé un système de pratiques pédagogiques pour le training de l’acteur qui contribue à la formation des nouvelles générations d’acteurs anglophones et francophones. La recherche menée pour cette thèse a donc coïncidé avec une enquête sur la genèse et les transformations de cette pédagogie de l’acteur, organisée en un ensemble d’enseignements, au sein des écoles d’art dramatique fondées par Saint-Denis, à partir du London Theatre Studio. Sa formation auprès de Jacques Copeau méritait sans doute un examen approfondi et détaillé, car les techniques pour acteurs assimilées à l’École du Vieux-Colombier et avec les Copiaus en Bourgogne ont contribué à la composition des principes pédagogiques et conceptuels au sein desquels son training a été construit. L’œuvre de Saint-Denis apparaît exemplaire, justement parce qu’à son arrivée en Angleterre dans les années 1930, tout d’abord en tant que directeur de la Compagnie des Quinze puis en tant que pédagogue d’acteurs, il se propose comme porteur de nouvelles pratiques au sein d’une culture théâtrale dans laquelle la formation de l’acteur - telle que considérée par Copeau et ses héritiers élèves - n’était pas envisagée. Cette thèse vise donc à retracer le training de l’acteur par Saint-Denis en tant que méthode pédagogique, et donc la normalisation des pratiques développées par Copeau au sein de l’École du Vieux-Colombier et avec les Copiaus, et leur inclusion dans le contexte théâtral anglophone. Saint- Denis a été le premier à traduire les chemins de recherche pédagogique de Copeau en une méthode figée et définie.

The transmission of acting training is a complex and often controversial topic within theatre studies. Within this scholarly discourse, Michel Saint-Denis’s actor pedagogy, often neglected by theatre historians, is an exemplary case study for two main reasons: Saint-Denis (Jacques Copeau’s nephew, student and one of his major heirs) was the first who translated the acting practices rediscovered in the École du Vieux-Colombier and by the Copiaus group into a fixed and defined method; he led and adapted Copeau’s teachings in the anglophone theatrical world. This dissertation explores the first institutional context created by Saint-Denis, that also constitutes the prototype of his pedagogy: the London Theatre Studio, founded in 1935 and active until the outbreak of World War II. What I wish to investigate is the transition from an entirely experimental practice – that is, the research undertaken by Copeau with his pupils at the École du Vieux Colombier and in Burgundy – to a proper method. This system was conceived for being transmitted, and therefore systematized, in a fixed and strictly normative structure – In other words, standardised. Saint-Denis appears to be the custodian of Copeau’s legacy, responsible for translating a combination of experimental workshops into a structured method and for their further development in acting schools programs. Furthermore, upon his relocation from France to England,…

Advisors/Committee Members: Consolini, Marco (thesis director), Di Palma, Guido (thesis director).

Subjects/Keywords: Théâtre; Mime; Acteur; Improvisation; Archives; Entraînement; Formation de l’acteur; Masque; Theatre; Mime; Actor; Improvisation; Archives; Training; Acting Program; Mask; Teatro; Mimo; Attore; Improvvisazione; Archivi; Allenamento; Formazione dell’attore; Maschera

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carponi, C. (2018). Michel Saint-Denis, dal Théâtre du Vieux-Colombier al London Theatre Studio. Premises to the Training : Michel Saint-Denis, du Théâtre du Vieux-Colombier au London Theatre Studio. Premises to the Training. (Doctoral Dissertation). Sorbonne Paris Cité; Università degli studi La Sapienza (Rome). Retrieved from http://www.theses.fr/2018USPCA135

Chicago Manual of Style (16th Edition):

Carponi, Cecilia. “Michel Saint-Denis, dal Théâtre du Vieux-Colombier al London Theatre Studio. Premises to the Training : Michel Saint-Denis, du Théâtre du Vieux-Colombier au London Theatre Studio. Premises to the Training.” 2018. Doctoral Dissertation, Sorbonne Paris Cité; Università degli studi La Sapienza (Rome). Accessed October 18, 2019. http://www.theses.fr/2018USPCA135.

MLA Handbook (7th Edition):

Carponi, Cecilia. “Michel Saint-Denis, dal Théâtre du Vieux-Colombier al London Theatre Studio. Premises to the Training : Michel Saint-Denis, du Théâtre du Vieux-Colombier au London Theatre Studio. Premises to the Training.” 2018. Web. 18 Oct 2019.

Vancouver:

Carponi C. Michel Saint-Denis, dal Théâtre du Vieux-Colombier al London Theatre Studio. Premises to the Training : Michel Saint-Denis, du Théâtre du Vieux-Colombier au London Theatre Studio. Premises to the Training. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; Università degli studi La Sapienza (Rome); 2018. [cited 2019 Oct 18]. Available from: http://www.theses.fr/2018USPCA135.

Council of Science Editors:

Carponi C. Michel Saint-Denis, dal Théâtre du Vieux-Colombier al London Theatre Studio. Premises to the Training : Michel Saint-Denis, du Théâtre du Vieux-Colombier au London Theatre Studio. Premises to the Training. [Doctoral Dissertation]. Sorbonne Paris Cité; Università degli studi La Sapienza (Rome); 2018. Available from: http://www.theses.fr/2018USPCA135

2. A. Sciuto. FERRAVILLA AUTORE, FERRAVILLA ATTORE. LA PAROLA DI EDOARDO FERRAVILLA TRA ORALITÀ E DRAMMATURGIA.

Degree: 2013, Università degli Studi di Milano

Il testo indaga il rapporto tra messinscena e scrittura nell'opera di Edoardo Ferravilla, commediografo e capocomico milanese attivo nell'ultimo quarto del XIX secolo. Dopo un primo capitolo che introduce vita e opere di Ferravilla, capitolo nel quale ha un certo peso il problema della definizione di un corpus ferravilliano, il lavoro entra nel vivo nel secondo capitolo, che studia la questione del personaggio nell’opera di Ferravilla: problema fondamentale nel teatro ottocentesco, e che viene affrontato sia con una serie di considerazioni generali sia analizzando singolarmente i principali personaggi creati da Ferravilla. Nel terzo capitolo, più espressamente letterario, si identificano due filoni differenti nell’opera di Ferravilla, e li si studia mettendo a confronto due opere, una per ciascun filone. Il quarto capitolo interroga la modernità dell’opera di Ferravilla, basandosi sulle categorie proposte da Peter Szondi nella "Teoria del dramma moderno". Il quinto capitolo, infine, analizza la lingua dell’opera di Ferravilla. Dopo le conclusioni, una breve appendice raccoglie alcune citazioni che testimoniano i rapporti di Ferravilla con alcuni grandi autori dell’Otto e Novecento italiano.

In this research I explore the work of Edoardo Ferravilla, a playwright and capocomico operating in Milan in the last quarter of the nineteenth century; the focus is on the relationship between writing and staging. After introducing Ferravilla's life and works in the first chapter, in which the problem of the definition of a Ferravilla's corpus is relevant, my work gets to the heart in the second chapter, where I analyze the question of the character creation in Ferravilla's work; this is a key problem in nineteenth-century theater, that I address both singling out the main characters Ferravilla created and delivering general remarks. In the third chapter, I identify two different strands of Ferravilla's works from a more literary perspective, and I study them by comparing two works, one for each strand. The fourth chapter queries the modernity of Ferravilla, employing Peter Szondi's categories issued in his "Theory of modern drama". In the fifth chapter I analyze the language in Ferravilla's works. After the Finding chapter, a brief appendix collects some quotes that testify the relationships between Ferravilla and several great italian authors of the nineteenth and twentieth century.

Advisors/Committee Members: tutor: M. Marazzi, coordinatore: F. Spera, MARAZZI, MARTINO, SPERA, FRANCESCO.

Subjects/Keywords: ferravila; scapigliatura; milano; arrighi; jarro; fo; class di asen; brugnell; massineli; tecoppa; gigione; scena a soggetto musicale; verismo; opera; parodia; improvvisazione; valera; commedia; vaudeville; teatro; teatro all'antica; maschere; szondi; modernità; ivon; giraud; sbodio; dialetto; fontana; scarpetta; l'amis del papà; l'amico e' papà; Settore L-FIL-LET/10 - Letteratura Italiana; Settore L-FIL-LET/11 - Letteratura Italiana Contemporanea; Settore L-FIL-LET/12 - Linguistica Italiana; Settore L-ART/05 - Discipline Dello Spettacolo

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sciuto, A. (2013). FERRAVILLA AUTORE, FERRAVILLA ATTORE. LA PAROLA DI EDOARDO FERRAVILLA TRA ORALITÀ E DRAMMATURGIA. (Thesis). Università degli Studi di Milano. Retrieved from http://hdl.handle.net/2434/218731

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sciuto, A.. “FERRAVILLA AUTORE, FERRAVILLA ATTORE. LA PAROLA DI EDOARDO FERRAVILLA TRA ORALITÀ E DRAMMATURGIA.” 2013. Thesis, Università degli Studi di Milano. Accessed October 18, 2019. http://hdl.handle.net/2434/218731.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sciuto, A.. “FERRAVILLA AUTORE, FERRAVILLA ATTORE. LA PAROLA DI EDOARDO FERRAVILLA TRA ORALITÀ E DRAMMATURGIA.” 2013. Web. 18 Oct 2019.

Vancouver:

Sciuto A. FERRAVILLA AUTORE, FERRAVILLA ATTORE. LA PAROLA DI EDOARDO FERRAVILLA TRA ORALITÀ E DRAMMATURGIA. [Internet] [Thesis]. Università degli Studi di Milano; 2013. [cited 2019 Oct 18]. Available from: http://hdl.handle.net/2434/218731.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sciuto A. FERRAVILLA AUTORE, FERRAVILLA ATTORE. LA PAROLA DI EDOARDO FERRAVILLA TRA ORALITÀ E DRAMMATURGIA. [Thesis]. Università degli Studi di Milano; 2013. Available from: http://hdl.handle.net/2434/218731

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.