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You searched for subject:(impressionism). Showing records 1 – 30 of 124 total matches.

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University of Debrecen

1. Benedek, Nikolett. Artistic Representations in Woolf's 'To the Lighthouse' .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 American slang is a major physiognomy of American English and part of the American experience. It is one of the major characteristics that differentiate American… (more)

Subjects/Keywords: androgyny; art and writing; impressionism; post-impressionism

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APA (6th Edition):

Benedek, N. (2013). Artistic Representations in Woolf's 'To the Lighthouse' . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/160276

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Benedek, Nikolett. “Artistic Representations in Woolf's 'To the Lighthouse' .” 2013. Thesis, University of Debrecen. Accessed January 26, 2020. http://hdl.handle.net/2437/160276.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Benedek, Nikolett. “Artistic Representations in Woolf's 'To the Lighthouse' .” 2013. Web. 26 Jan 2020.

Vancouver:

Benedek N. Artistic Representations in Woolf's 'To the Lighthouse' . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/2437/160276.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Benedek N. Artistic Representations in Woolf's 'To the Lighthouse' . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/160276

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Temple University

2. DiMarco, Christa Rose. Painting in Paris: Vincent van Gogh, 1886-1888.

Degree: PhD, 2015, Temple University

Art History

In Painting in Paris: Vincent Van Gogh, 1886-1888, Christa DiMarco explores the two-year period Van Gogh lived and worked in Paris. The paintings… (more)

Subjects/Keywords: Art history;

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APA (6th Edition):

DiMarco, C. R. (2015). Painting in Paris: Vincent van Gogh, 1886-1888. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,350384

Chicago Manual of Style (16th Edition):

DiMarco, Christa Rose. “Painting in Paris: Vincent van Gogh, 1886-1888.” 2015. Doctoral Dissertation, Temple University. Accessed January 26, 2020. http://digital.library.temple.edu/u?/p245801coll10,350384.

MLA Handbook (7th Edition):

DiMarco, Christa Rose. “Painting in Paris: Vincent van Gogh, 1886-1888.” 2015. Web. 26 Jan 2020.

Vancouver:

DiMarco CR. Painting in Paris: Vincent van Gogh, 1886-1888. [Internet] [Doctoral dissertation]. Temple University; 2015. [cited 2020 Jan 26]. Available from: http://digital.library.temple.edu/u?/p245801coll10,350384.

Council of Science Editors:

DiMarco CR. Painting in Paris: Vincent van Gogh, 1886-1888. [Doctoral Dissertation]. Temple University; 2015. Available from: http://digital.library.temple.edu/u?/p245801coll10,350384


University of Hong Kong

3. 黃秀梅; Wong, Sau-mui, Alice. Fashioning food in impressionist painting.

Degree: M. Phil., 2011, University of Hong Kong

 This thesis explores the various roles of food in Impressionism by examining paintings of food so as to sort out their relationship with one… (more)

Subjects/Keywords: Food in art.; Impressionism (Art); Painting, Modern.

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APA (6th Edition):

黃秀梅; Wong, Sau-mui, A. (2011). Fashioning food in impressionist painting. (Masters Thesis). University of Hong Kong. Retrieved from Wong, S. A. [黃秀梅]. (2011). Fashioning food in impressionist painting. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4659905 ; http://dx.doi.org/10.5353/th_b4659905 ; http://hdl.handle.net/10722/183323

Chicago Manual of Style (16th Edition):

黃秀梅; Wong, Sau-mui, Alice. “Fashioning food in impressionist painting.” 2011. Masters Thesis, University of Hong Kong. Accessed January 26, 2020. Wong, S. A. [黃秀梅]. (2011). Fashioning food in impressionist painting. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4659905 ; http://dx.doi.org/10.5353/th_b4659905 ; http://hdl.handle.net/10722/183323.

MLA Handbook (7th Edition):

黃秀梅; Wong, Sau-mui, Alice. “Fashioning food in impressionist painting.” 2011. Web. 26 Jan 2020.

Vancouver:

黃秀梅; Wong, Sau-mui A. Fashioning food in impressionist painting. [Internet] [Masters thesis]. University of Hong Kong; 2011. [cited 2020 Jan 26]. Available from: Wong, S. A. [黃秀梅]. (2011). Fashioning food in impressionist painting. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4659905 ; http://dx.doi.org/10.5353/th_b4659905 ; http://hdl.handle.net/10722/183323.

Council of Science Editors:

黃秀梅; Wong, Sau-mui A. Fashioning food in impressionist painting. [Masters Thesis]. University of Hong Kong; 2011. Available from: Wong, S. A. [黃秀梅]. (2011). Fashioning food in impressionist painting. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b4659905 ; http://dx.doi.org/10.5353/th_b4659905 ; http://hdl.handle.net/10722/183323


University of Arizona

4. Montgomery III, Erwin B. Specters of Marks: Elements of Derridean Hauntology and Benjaminian Politico-Historical Eschatology in Frankenstein, Heart of Darkness, and The French Lieutenant's Woman .

Degree: 2010, University of Arizona

 The present work explicates the concept of "the messianic" as it figures in the work of Jacques Derrida and Walter Benjamin in order to establish… (more)

Subjects/Keywords: Benjamin; Conrad; Derrida; Fowles; Literary Impressionism; Shelley

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APA (6th Edition):

Montgomery III, E. B. (2010). Specters of Marks: Elements of Derridean Hauntology and Benjaminian Politico-Historical Eschatology in Frankenstein, Heart of Darkness, and The French Lieutenant's Woman . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/194105

Chicago Manual of Style (16th Edition):

Montgomery III, Erwin B. “Specters of Marks: Elements of Derridean Hauntology and Benjaminian Politico-Historical Eschatology in Frankenstein, Heart of Darkness, and The French Lieutenant's Woman .” 2010. Doctoral Dissertation, University of Arizona. Accessed January 26, 2020. http://hdl.handle.net/10150/194105.

MLA Handbook (7th Edition):

Montgomery III, Erwin B. “Specters of Marks: Elements of Derridean Hauntology and Benjaminian Politico-Historical Eschatology in Frankenstein, Heart of Darkness, and The French Lieutenant's Woman .” 2010. Web. 26 Jan 2020.

Vancouver:

Montgomery III EB. Specters of Marks: Elements of Derridean Hauntology and Benjaminian Politico-Historical Eschatology in Frankenstein, Heart of Darkness, and The French Lieutenant's Woman . [Internet] [Doctoral dissertation]. University of Arizona; 2010. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/10150/194105.

Council of Science Editors:

Montgomery III EB. Specters of Marks: Elements of Derridean Hauntology and Benjaminian Politico-Historical Eschatology in Frankenstein, Heart of Darkness, and The French Lieutenant's Woman . [Doctoral Dissertation]. University of Arizona; 2010. Available from: http://hdl.handle.net/10150/194105


University of North Texas

5. Waldroup, William Allan. Jacques Ibert: an Analytical Study of Three Movements From Histoires.

Degree: 2012, University of North Texas

 Although many biographical studies are available on Jacques Ibert, few contain significant analytical commentary. In this study I examine three movements from Ibert’s Histoires for… (more)

Subjects/Keywords: Jacques Ibert; Schenkerian analysis; Impressionism; Histoires

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APA (6th Edition):

Waldroup, W. A. (2012). Jacques Ibert: an Analytical Study of Three Movements From Histoires. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc149681/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Waldroup, William Allan. “Jacques Ibert: an Analytical Study of Three Movements From Histoires.” 2012. Thesis, University of North Texas. Accessed January 26, 2020. https://digital.library.unt.edu/ark:/67531/metadc149681/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Waldroup, William Allan. “Jacques Ibert: an Analytical Study of Three Movements From Histoires.” 2012. Web. 26 Jan 2020.

Vancouver:

Waldroup WA. Jacques Ibert: an Analytical Study of Three Movements From Histoires. [Internet] [Thesis]. University of North Texas; 2012. [cited 2020 Jan 26]. Available from: https://digital.library.unt.edu/ark:/67531/metadc149681/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Waldroup WA. Jacques Ibert: an Analytical Study of Three Movements From Histoires. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc149681/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

6. Zdanovec, Aubree. Seduction: A Feminist Reading of Berthe Morisot's Paintings .

Degree: 2016, University of Arizona

 Berthe Morisot was one of the founders of the French Impressionist movement in the nineteenth century. However, she is not researched with the same level… (more)

Subjects/Keywords: France; Impressionism; Sexuality; Art History; Femininity

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APA (6th Edition):

Zdanovec, A. (2016). Seduction: A Feminist Reading of Berthe Morisot's Paintings . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/620716

Chicago Manual of Style (16th Edition):

Zdanovec, Aubree. “Seduction: A Feminist Reading of Berthe Morisot's Paintings .” 2016. Masters Thesis, University of Arizona. Accessed January 26, 2020. http://hdl.handle.net/10150/620716.

MLA Handbook (7th Edition):

Zdanovec, Aubree. “Seduction: A Feminist Reading of Berthe Morisot's Paintings .” 2016. Web. 26 Jan 2020.

Vancouver:

Zdanovec A. Seduction: A Feminist Reading of Berthe Morisot's Paintings . [Internet] [Masters thesis]. University of Arizona; 2016. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/10150/620716.

Council of Science Editors:

Zdanovec A. Seduction: A Feminist Reading of Berthe Morisot's Paintings . [Masters Thesis]. University of Arizona; 2016. Available from: http://hdl.handle.net/10150/620716

7. Wegberg, Emil. Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat.

Degree: Classical Music, 2016, Royal College of Music in Stockholm

Claude Debussy Cellosonat Dimitrij Shostakowitch Cellosonat op.40 Felix Mendelssohn-Barthodly Pianotrio nr.1 D-moll op.49 Medeverkande musiker: Emil Wegberg, Cello Katarina Abbas, Violin Leo Gavel, Piano Gerog Öquist, Piano

Subjects/Keywords: Claude Debussy; Impressionism; Cellosonat; Musikanalys; Interpretation

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APA (6th Edition):

Wegberg, E. (2016). Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2058

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wegberg, Emil. “Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat.” 2016. Thesis, Royal College of Music in Stockholm. Accessed January 26, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2058.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wegberg, Emil. “Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat.” 2016. Web. 26 Jan 2020.

Vancouver:

Wegberg E. Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat. [Internet] [Thesis]. Royal College of Music in Stockholm; 2016. [cited 2020 Jan 26]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2058.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wegberg E. Sonate pour Violoncelle et Piano : musikanalys och interpretation av Debussys cellosonat. [Thesis]. Royal College of Music in Stockholm; 2016. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2058

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

8. Ties, Bo Michael. An orchestral approach to the piano works of Gabriel Dupont: remembering and recording a forgotten musician.

Degree: DMA, Music, 2018, University of Iowa

  Throughout the history of music there have been numerous composers who were well-known in their lifetimes yet faded from public performance and memory after… (more)

Subjects/Keywords: french; Gabriel Dupont; impressionism; piano; romanticism; Music

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APA (6th Edition):

Ties, B. M. (2018). An orchestral approach to the piano works of Gabriel Dupont: remembering and recording a forgotten musician. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/6312

Chicago Manual of Style (16th Edition):

Ties, Bo Michael. “An orchestral approach to the piano works of Gabriel Dupont: remembering and recording a forgotten musician.” 2018. Doctoral Dissertation, University of Iowa. Accessed January 26, 2020. https://ir.uiowa.edu/etd/6312.

MLA Handbook (7th Edition):

Ties, Bo Michael. “An orchestral approach to the piano works of Gabriel Dupont: remembering and recording a forgotten musician.” 2018. Web. 26 Jan 2020.

Vancouver:

Ties BM. An orchestral approach to the piano works of Gabriel Dupont: remembering and recording a forgotten musician. [Internet] [Doctoral dissertation]. University of Iowa; 2018. [cited 2020 Jan 26]. Available from: https://ir.uiowa.edu/etd/6312.

Council of Science Editors:

Ties BM. An orchestral approach to the piano works of Gabriel Dupont: remembering and recording a forgotten musician. [Doctoral Dissertation]. University of Iowa; 2018. Available from: https://ir.uiowa.edu/etd/6312


University of California – Berkeley

9. Hidalgo, Monica Susana. (Dis)orienting the Reader: Literary Impressionism and the Case of Herman Bang.

Degree: Scandinavian Languages & Literatures, 2015, University of California – Berkeley

 This dissertation examines the ethical stakes of Herman Bang’s (1857–1912) literary impressionism using both his critical and fictional writings. Against previous scholarship, which argues that… (more)

Subjects/Keywords: Scandinavian studies; Comparative literature; Herman Bang; Impressionism; Literary Impressionism; Modern Breakthrough; Reader; Scandinavia

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APA (6th Edition):

Hidalgo, M. S. (2015). (Dis)orienting the Reader: Literary Impressionism and the Case of Herman Bang. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/4kz4b1p2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hidalgo, Monica Susana. “(Dis)orienting the Reader: Literary Impressionism and the Case of Herman Bang.” 2015. Thesis, University of California – Berkeley. Accessed January 26, 2020. http://www.escholarship.org/uc/item/4kz4b1p2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hidalgo, Monica Susana. “(Dis)orienting the Reader: Literary Impressionism and the Case of Herman Bang.” 2015. Web. 26 Jan 2020.

Vancouver:

Hidalgo MS. (Dis)orienting the Reader: Literary Impressionism and the Case of Herman Bang. [Internet] [Thesis]. University of California – Berkeley; 2015. [cited 2020 Jan 26]. Available from: http://www.escholarship.org/uc/item/4kz4b1p2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hidalgo MS. (Dis)orienting the Reader: Literary Impressionism and the Case of Herman Bang. [Thesis]. University of California – Berkeley; 2015. Available from: http://www.escholarship.org/uc/item/4kz4b1p2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

10. Marre, Oriane. La réception de l’avant-garde artistique dans la presse politique en France, de l’impressionnisme au fauvisme (1874-1905) : The Reception of the avant-garde in the Political Press in France, from Impressionism to Fauvism (1874-1905).

Degree: Docteur es, Histoire de l'art, 2016, Université Paris-Sorbonne – Paris IV

Cette thèse a pour objet la réception de l’avant-garde artistique dans la presse politique pendant les trente premières années de la Troisième République en France.… (more)

Subjects/Keywords: Avant-garde; Presse politique; Impressionnisme; Post-impressionnisme; Troisième République; Critique d’art; Néo-impressionnisme; Symbolisme; Avant-garde; Political press; Impressionism; Post-Impressionism; Third Republic; Art critic; Neo-Impressionism; Symbolism

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APA (6th Edition):

Marre, O. (2016). La réception de l’avant-garde artistique dans la presse politique en France, de l’impressionnisme au fauvisme (1874-1905) : The Reception of the avant-garde in the Political Press in France, from Impressionism to Fauvism (1874-1905). (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2016PA040074

Chicago Manual of Style (16th Edition):

Marre, Oriane. “La réception de l’avant-garde artistique dans la presse politique en France, de l’impressionnisme au fauvisme (1874-1905) : The Reception of the avant-garde in the Political Press in France, from Impressionism to Fauvism (1874-1905).” 2016. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed January 26, 2020. http://www.theses.fr/2016PA040074.

MLA Handbook (7th Edition):

Marre, Oriane. “La réception de l’avant-garde artistique dans la presse politique en France, de l’impressionnisme au fauvisme (1874-1905) : The Reception of the avant-garde in the Political Press in France, from Impressionism to Fauvism (1874-1905).” 2016. Web. 26 Jan 2020.

Vancouver:

Marre O. La réception de l’avant-garde artistique dans la presse politique en France, de l’impressionnisme au fauvisme (1874-1905) : The Reception of the avant-garde in the Political Press in France, from Impressionism to Fauvism (1874-1905). [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2016. [cited 2020 Jan 26]. Available from: http://www.theses.fr/2016PA040074.

Council of Science Editors:

Marre O. La réception de l’avant-garde artistique dans la presse politique en France, de l’impressionnisme au fauvisme (1874-1905) : The Reception of the avant-garde in the Political Press in France, from Impressionism to Fauvism (1874-1905). [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2016. Available from: http://www.theses.fr/2016PA040074


University of Florida

11. Iglesias, Christina. Intimacy Like a Minuet: The Impact of Music in Literary Impressionism.

Degree: 2011, University of Florida

 My honors thesis, “‘Intimacy Like a Minuet’: The Impact of Music on Literary Impressionism,” as its title suggests, aims to rectify the lack of attention… (more)

Subjects/Keywords: Impressionism; Music criticism; Musical aesthetics; Musical forms; Musical modes; Musical phrases; Musical rhythm; Novels; Poetry; Writing; English letters; Impressionism; Music

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APA (6th Edition):

Iglesias, C. (2011). Intimacy Like a Minuet: The Impact of Music in Literary Impressionism. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00057457

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Iglesias, Christina. “Intimacy Like a Minuet: The Impact of Music in Literary Impressionism.” 2011. Thesis, University of Florida. Accessed January 26, 2020. http://ufdc.ufl.edu/AA00057457.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Iglesias, Christina. “Intimacy Like a Minuet: The Impact of Music in Literary Impressionism.” 2011. Web. 26 Jan 2020.

Vancouver:

Iglesias C. Intimacy Like a Minuet: The Impact of Music in Literary Impressionism. [Internet] [Thesis]. University of Florida; 2011. [cited 2020 Jan 26]. Available from: http://ufdc.ufl.edu/AA00057457.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Iglesias C. Intimacy Like a Minuet: The Impact of Music in Literary Impressionism. [Thesis]. University of Florida; 2011. Available from: http://ufdc.ufl.edu/AA00057457

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

12. Volkmar, Karl Franklin. Camille Pissarro's Jardinière (1884-1885) in the context of his early genre paintings: 1872-1886.

Degree: PhD, Graduate School, 1985, The Ohio State University

Subjects/Keywords: Fine Arts; Pissarro; Painters; Impressionism

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APA (6th Edition):

Volkmar, K. F. (1985). Camille Pissarro's Jardinière (1884-1885) in the context of his early genre paintings: 1872-1886. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262513410213

Chicago Manual of Style (16th Edition):

Volkmar, Karl Franklin. “Camille Pissarro's Jardinière (1884-1885) in the context of his early genre paintings: 1872-1886.” 1985. Doctoral Dissertation, The Ohio State University. Accessed January 26, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262513410213.

MLA Handbook (7th Edition):

Volkmar, Karl Franklin. “Camille Pissarro's Jardinière (1884-1885) in the context of his early genre paintings: 1872-1886.” 1985. Web. 26 Jan 2020.

Vancouver:

Volkmar KF. Camille Pissarro's Jardinière (1884-1885) in the context of his early genre paintings: 1872-1886. [Internet] [Doctoral dissertation]. The Ohio State University; 1985. [cited 2020 Jan 26]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262513410213.

Council of Science Editors:

Volkmar KF. Camille Pissarro's Jardinière (1884-1885) in the context of his early genre paintings: 1872-1886. [Doctoral Dissertation]. The Ohio State University; 1985. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1487262513410213


Rochester Institute of Technology

13. Sayler, Claudia. The Terrain of our Country and the Structures of our Cities.

Degree: School of Art (CIAS), 1965, Rochester Institute of Technology

None provided. Advisors/Committee Members: Williams, Lawrence.

Subjects/Keywords: Canvas; Colors; Impressionism; Landscape; Materials

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APA (6th Edition):

Sayler, C. (1965). The Terrain of our Country and the Structures of our Cities. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/3622

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sayler, Claudia. “The Terrain of our Country and the Structures of our Cities.” 1965. Thesis, Rochester Institute of Technology. Accessed January 26, 2020. https://scholarworks.rit.edu/theses/3622.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sayler, Claudia. “The Terrain of our Country and the Structures of our Cities.” 1965. Web. 26 Jan 2020.

Vancouver:

Sayler C. The Terrain of our Country and the Structures of our Cities. [Internet] [Thesis]. Rochester Institute of Technology; 1965. [cited 2020 Jan 26]. Available from: https://scholarworks.rit.edu/theses/3622.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sayler C. The Terrain of our Country and the Structures of our Cities. [Thesis]. Rochester Institute of Technology; 1965. Available from: https://scholarworks.rit.edu/theses/3622

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

14. Benzel, John. The Spatial Installation of Painting.

Degree: School of Art (CIAS), 1976, Rochester Institute of Technology

None provided. Advisors/Committee Members: Vogelaar, Peter, Lipp, Fred, Ortwein, William.

Subjects/Keywords: Illusionism; Impressionism; Painting; Renaissance; Spatial

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Benzel, J. (1976). The Spatial Installation of Painting. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/3595

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Benzel, John. “The Spatial Installation of Painting.” 1976. Thesis, Rochester Institute of Technology. Accessed January 26, 2020. https://scholarworks.rit.edu/theses/3595.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Benzel, John. “The Spatial Installation of Painting.” 1976. Web. 26 Jan 2020.

Vancouver:

Benzel J. The Spatial Installation of Painting. [Internet] [Thesis]. Rochester Institute of Technology; 1976. [cited 2020 Jan 26]. Available from: https://scholarworks.rit.edu/theses/3595.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Benzel J. The Spatial Installation of Painting. [Thesis]. Rochester Institute of Technology; 1976. Available from: https://scholarworks.rit.edu/theses/3595

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

15. Su, Ning. Visual inspiration from modern art- My reflections on symbolism, surrealism, and impressionism.

Degree: School of Design (CIAS), 2010, Rochester Institute of Technology

 My thesis project is a digital graphics book demonstrating my reflections on three schools of Modern Art: Symbolism, Surrealism, and Impressionism. I was inspired by… (more)

Subjects/Keywords: Computer 3D; Graphics design; Impressionism; Modern art; Surrealism; Symbolism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Su, N. (2010). Visual inspiration from modern art- My reflections on symbolism, surrealism, and impressionism. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/6150

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Su, Ning. “Visual inspiration from modern art- My reflections on symbolism, surrealism, and impressionism.” 2010. Thesis, Rochester Institute of Technology. Accessed January 26, 2020. https://scholarworks.rit.edu/theses/6150.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Su, Ning. “Visual inspiration from modern art- My reflections on symbolism, surrealism, and impressionism.” 2010. Web. 26 Jan 2020.

Vancouver:

Su N. Visual inspiration from modern art- My reflections on symbolism, surrealism, and impressionism. [Internet] [Thesis]. Rochester Institute of Technology; 2010. [cited 2020 Jan 26]. Available from: https://scholarworks.rit.edu/theses/6150.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Su N. Visual inspiration from modern art- My reflections on symbolism, surrealism, and impressionism. [Thesis]. Rochester Institute of Technology; 2010. Available from: https://scholarworks.rit.edu/theses/6150

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

16. Geer, Andrea. The Non-representational language.

Degree: School of Art (CIAS), 1990, Rochester Institute of Technology

None provided. Advisors/Committee Members: Miller, Ed, Bornarth, Philip, Lipp, Fred.

Subjects/Keywords: Abstract painting; Abstract impressionism

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APA (6th Edition):

Geer, A. (1990). The Non-representational language. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4297

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Geer, Andrea. “The Non-representational language.” 1990. Thesis, Rochester Institute of Technology. Accessed January 26, 2020. https://scholarworks.rit.edu/theses/4297.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Geer, Andrea. “The Non-representational language.” 1990. Web. 26 Jan 2020.

Vancouver:

Geer A. The Non-representational language. [Internet] [Thesis]. Rochester Institute of Technology; 1990. [cited 2020 Jan 26]. Available from: https://scholarworks.rit.edu/theses/4297.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Geer A. The Non-representational language. [Thesis]. Rochester Institute of Technology; 1990. Available from: https://scholarworks.rit.edu/theses/4297

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Rochester

17. Leary, Erin. Decorating for discrimination : nativism and eugenics in American decorative arts and design, 1893-1924.

Degree: PhD, 2016, University of Rochester

 At the turn of the twentieth century, women antisuffragists argued not only against the right to vote, but against the very need. Reconfiguring the concept… (more)

Subjects/Keywords: American Wing; Immigration restriction; Impressionism; Material culture; Museum studies; Wild garden.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leary, E. (2016). Decorating for discrimination : nativism and eugenics in American decorative arts and design, 1893-1924. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/30618

Chicago Manual of Style (16th Edition):

Leary, Erin. “Decorating for discrimination : nativism and eugenics in American decorative arts and design, 1893-1924.” 2016. Doctoral Dissertation, University of Rochester. Accessed January 26, 2020. http://hdl.handle.net/1802/30618.

MLA Handbook (7th Edition):

Leary, Erin. “Decorating for discrimination : nativism and eugenics in American decorative arts and design, 1893-1924.” 2016. Web. 26 Jan 2020.

Vancouver:

Leary E. Decorating for discrimination : nativism and eugenics in American decorative arts and design, 1893-1924. [Internet] [Doctoral dissertation]. University of Rochester; 2016. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/1802/30618.

Council of Science Editors:

Leary E. Decorating for discrimination : nativism and eugenics in American decorative arts and design, 1893-1924. [Doctoral Dissertation]. University of Rochester; 2016. Available from: http://hdl.handle.net/1802/30618


University of Southern California

18. Trenev, Adriana. Degas and his dance images as a form of New Media journalism.

Degree: MA, Journalism (Broadcast Journalism), 2008, University of Southern California

 Throughout the history of journalism, there has been an argument between complete objectivity versus including a clear perspective in journalistic news pieces. New Media journalism… (more)

Subjects/Keywords: impressionism; Degas; dance; Paris; blogger

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APA (6th Edition):

Trenev, A. (2008). Degas and his dance images as a form of New Media journalism. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/59774/rec/1823

Chicago Manual of Style (16th Edition):

Trenev, Adriana. “Degas and his dance images as a form of New Media journalism.” 2008. Masters Thesis, University of Southern California. Accessed January 26, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/59774/rec/1823.

MLA Handbook (7th Edition):

Trenev, Adriana. “Degas and his dance images as a form of New Media journalism.” 2008. Web. 26 Jan 2020.

Vancouver:

Trenev A. Degas and his dance images as a form of New Media journalism. [Internet] [Masters thesis]. University of Southern California; 2008. [cited 2020 Jan 26]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/59774/rec/1823.

Council of Science Editors:

Trenev A. Degas and his dance images as a form of New Media journalism. [Masters Thesis]. University of Southern California; 2008. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/59774/rec/1823


University of Cincinnati

19. Ko, Eunbyol. Music and Image: A Performer’s Guide to Maurice Ravel’s <i>Miroirs</i>.

Degree: DMA, College-Conservatory of Music : Piano, 2007, University of Cincinnati

  Ravel’s Miroirs is a complex work for piano, full of rich expressive and suggestive qualities, as well as unique and challenging keyboard techniques. It… (more)

Subjects/Keywords: Music; Ravel; Miroirs; Performer's Guide; Image; Impressionism; Symbolism; Eunbyol Ko

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ko, E. (2007). Music and Image: A Performer’s Guide to Maurice Ravel’s <i>Miroirs</i>. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172781745

Chicago Manual of Style (16th Edition):

Ko, Eunbyol. “Music and Image: A Performer’s Guide to Maurice Ravel’s <i>Miroirs</i>.” 2007. Doctoral Dissertation, University of Cincinnati. Accessed January 26, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172781745.

MLA Handbook (7th Edition):

Ko, Eunbyol. “Music and Image: A Performer’s Guide to Maurice Ravel’s <i>Miroirs</i>.” 2007. Web. 26 Jan 2020.

Vancouver:

Ko E. Music and Image: A Performer’s Guide to Maurice Ravel’s <i>Miroirs</i>. [Internet] [Doctoral dissertation]. University of Cincinnati; 2007. [cited 2020 Jan 26]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172781745.

Council of Science Editors:

Ko E. Music and Image: A Performer’s Guide to Maurice Ravel’s <i>Miroirs</i>. [Doctoral Dissertation]. University of Cincinnati; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172781745


NSYSU

20. Yen, Ying-Fang. A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque.

Degree: Master, Music, 2016, NSYSU

 This study is an extension of the authorâs lecture recital which focuses on the piano solo work âSuite Bergamasqueâ consisting of the "Prelude," "Minuet," "Clair… (more)

Subjects/Keywords: Impressionism; Symbolism; French Piano Music; Claude Debussy; Suite Bergamasque

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yen, Y. (2016). A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701116-151221

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yen, Ying-Fang. “A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque.” 2016. Thesis, NSYSU. Accessed January 26, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701116-151221.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yen, Ying-Fang. “A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque.” 2016. Web. 26 Jan 2020.

Vancouver:

Yen Y. A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque. [Internet] [Thesis]. NSYSU; 2016. [cited 2020 Jan 26]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701116-151221.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yen Y. A Study of Claude Debussyâs Piano Music Illustrated in the Suite Bergamasque. [Thesis]. NSYSU; 2016. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0701116-151221

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


NSYSU

21. Chung, Ching-ju. An Analysis on Two Bassoon Pieces by Engène Bozza.

Degree: Master, Music, 2016, NSYSU

 Eugène Joseph Bozzaï¼1905-1991ï¼was a French composer and conductor in the twentieth century. His composing style was principally influenced by the Impressionism and Neo-Classicism. His music… (more)

Subjects/Keywords: The twentieth century; Eugène Bozza; Neo-Classicism; Impressionism; Bassoon

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chung, C. (2016). An Analysis on Two Bassoon Pieces by Engène Bozza. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0515116-021735

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chung, Ching-ju. “An Analysis on Two Bassoon Pieces by Engène Bozza.” 2016. Thesis, NSYSU. Accessed January 26, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0515116-021735.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chung, Ching-ju. “An Analysis on Two Bassoon Pieces by Engène Bozza.” 2016. Web. 26 Jan 2020.

Vancouver:

Chung C. An Analysis on Two Bassoon Pieces by Engène Bozza. [Internet] [Thesis]. NSYSU; 2016. [cited 2020 Jan 26]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0515116-021735.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chung C. An Analysis on Two Bassoon Pieces by Engène Bozza. [Thesis]. NSYSU; 2016. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0515116-021735

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Pieri, Angela. Ο Ιμπρεσιονισμός του αισθητισμού:: η αναπαράσταση (της εντύπωσης) στα νεοελληνικά αισθητιστικά έργα (τέλος 19ου-αρχή 20ου αι.).

Degree: 2018, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

In this thesis, we attempted an interdisciplinary approach between the prose of Modern Greek Literature of Aestheticism and the paintings of Impressionism, as these developed… (more)

Subjects/Keywords: Αισθητισμός; Εντύπωση; Αναπαράσταση; Ιμπρεσσιονισμός; Aestheticism; Impression; Representation; Impressionism

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APA (6th Edition):

Pieri, A. (2018). Ο Ιμπρεσιονισμός του αισθητισμού:: η αναπαράσταση (της εντύπωσης) στα νεοελληνικά αισθητιστικά έργα (τέλος 19ου-αρχή 20ου αι.). (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/44454

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pieri, Angela. “Ο Ιμπρεσιονισμός του αισθητισμού:: η αναπαράσταση (της εντύπωσης) στα νεοελληνικά αισθητιστικά έργα (τέλος 19ου-αρχή 20ου αι.).” 2018. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed January 26, 2020. http://hdl.handle.net/10442/hedi/44454.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pieri, Angela. “Ο Ιμπρεσιονισμός του αισθητισμού:: η αναπαράσταση (της εντύπωσης) στα νεοελληνικά αισθητιστικά έργα (τέλος 19ου-αρχή 20ου αι.).” 2018. Web. 26 Jan 2020.

Vancouver:

Pieri A. Ο Ιμπρεσιονισμός του αισθητισμού:: η αναπαράσταση (της εντύπωσης) στα νεοελληνικά αισθητιστικά έργα (τέλος 19ου-αρχή 20ου αι.). [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2018. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/10442/hedi/44454.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pieri A. Ο Ιμπρεσιονισμός του αισθητισμού:: η αναπαράσταση (της εντύπωσης) στα νεοελληνικά αισθητιστικά έργα (τέλος 19ου-αρχή 20ου αι.). [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2018. Available from: http://hdl.handle.net/10442/hedi/44454

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Clemson University

23. Rose, Michela. Impressionist Rendering of an Animated Painting.

Degree: MFA, Digital Production Arts, 2012, Clemson University

 The following thesis documents the development of a non-traditional rendering technique, that of classic impressionist painting, and its use to create an animated three-dimensional painting.… (more)

Subjects/Keywords: 3D; animation; digital; graphic; impressionism; rendering; Computer Sciences

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rose, M. (2012). Impressionist Rendering of an Animated Painting. (Thesis). Clemson University. Retrieved from https://tigerprints.clemson.edu/all_theses/1405

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rose, Michela. “Impressionist Rendering of an Animated Painting.” 2012. Thesis, Clemson University. Accessed January 26, 2020. https://tigerprints.clemson.edu/all_theses/1405.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rose, Michela. “Impressionist Rendering of an Animated Painting.” 2012. Web. 26 Jan 2020.

Vancouver:

Rose M. Impressionist Rendering of an Animated Painting. [Internet] [Thesis]. Clemson University; 2012. [cited 2020 Jan 26]. Available from: https://tigerprints.clemson.edu/all_theses/1405.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rose M. Impressionist Rendering of an Animated Painting. [Thesis]. Clemson University; 2012. Available from: https://tigerprints.clemson.edu/all_theses/1405

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of British Columbia

24. Crooker, Mervyn John Arthur. The Influence of French impressionism on Canadian painting .

Degree: 1965, University of British Columbia

 French Impressionism, the earliest vital and progressive modern art movement, was developed in France between 1870 and 1890. It was soon recognized as revolutionary, and… (more)

Subjects/Keywords: Painting  – Canada; Impressionism (Art)

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APA (6th Edition):

Crooker, M. J. A. (1965). The Influence of French impressionism on Canadian painting . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/37382

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crooker, Mervyn John Arthur. “The Influence of French impressionism on Canadian painting .” 1965. Thesis, University of British Columbia. Accessed January 26, 2020. http://hdl.handle.net/2429/37382.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crooker, Mervyn John Arthur. “The Influence of French impressionism on Canadian painting .” 1965. Web. 26 Jan 2020.

Vancouver:

Crooker MJA. The Influence of French impressionism on Canadian painting . [Internet] [Thesis]. University of British Columbia; 1965. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/2429/37382.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crooker MJA. The Influence of French impressionism on Canadian painting . [Thesis]. University of British Columbia; 1965. Available from: http://hdl.handle.net/2429/37382

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vilnius Pedagogical University

25. Krestaliova, Viktorija. Символизм и импрессионизм в лирике Бальмонта.

Degree: Master, Philology, 2009, Vilnius Pedagogical University

В данной магистерской работе сопоставляются два литературных направления в поэзии Бальмонта - символизм и импрессионизм. Анализируя лирику поэта, следует отметить взаимосвязь этих двух литературных течений.… (more)

Subjects/Keywords: Символизм; Импрессионизм; Бальмонт; Simbolizmas; Impresionizmas; Balmontas; Symbolism; Impressionism; Poetry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Krestaliova, Viktorija. (2009). Символизм и импрессионизм в лирике Бальмонта. (Masters Thesis). Vilnius Pedagogical University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090629_123057-37739 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

Krestaliova, Viktorija. “Символизм и импрессионизм в лирике Бальмонта.” 2009. Masters Thesis, Vilnius Pedagogical University. Accessed January 26, 2020. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090629_123057-37739 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

Krestaliova, Viktorija. “Символизм и импрессионизм в лирике Бальмонта.” 2009. Web. 26 Jan 2020.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

Krestaliova, Viktorija. Символизм и импрессионизм в лирике Бальмонта. [Internet] [Masters thesis]. Vilnius Pedagogical University; 2009. [cited 2020 Jan 26]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090629_123057-37739 ;.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

Krestaliova, Viktorija. Символизм и импрессионизм в лирике Бальмонта. [Masters Thesis]. Vilnius Pedagogical University; 2009. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2009~D_20090629_123057-37739 ;

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


University of Dundee

26. Harland, Faye. Katherine Mansfield and visual culture.

Degree: PhD, 2017, University of Dundee

 The relationship between modernist fiction and visual culture has received substantial critical attention in recent years. However, many of the studies on this intermediality focus… (more)

Subjects/Keywords: 823; Modernism; Visual culture; Katherine Mansfield; Impressionism; Early cinema; Women's Literature

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APA (6th Edition):

Harland, F. (2017). Katherine Mansfield and visual culture. (Doctoral Dissertation). University of Dundee. Retrieved from https://discovery.dundee.ac.uk/en/studentTheses/e2872ae4-1cb3-4efb-980f-01407629a6b1 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.716237

Chicago Manual of Style (16th Edition):

Harland, Faye. “Katherine Mansfield and visual culture.” 2017. Doctoral Dissertation, University of Dundee. Accessed January 26, 2020. https://discovery.dundee.ac.uk/en/studentTheses/e2872ae4-1cb3-4efb-980f-01407629a6b1 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.716237.

MLA Handbook (7th Edition):

Harland, Faye. “Katherine Mansfield and visual culture.” 2017. Web. 26 Jan 2020.

Vancouver:

Harland F. Katherine Mansfield and visual culture. [Internet] [Doctoral dissertation]. University of Dundee; 2017. [cited 2020 Jan 26]. Available from: https://discovery.dundee.ac.uk/en/studentTheses/e2872ae4-1cb3-4efb-980f-01407629a6b1 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.716237.

Council of Science Editors:

Harland F. Katherine Mansfield and visual culture. [Doctoral Dissertation]. University of Dundee; 2017. Available from: https://discovery.dundee.ac.uk/en/studentTheses/e2872ae4-1cb3-4efb-980f-01407629a6b1 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.716237


University of Edinburgh

27. Kisiel, Marine. La peinture impressionniste et la décoration dans les années 1870.

Degree: PhD, 2017, University of Edinburgh

 Throughout their careers the Impressionists demonstrated a strong, but rarely examined, interest for decoration. A careful examination of both archival material and well-known artworks produced… (more)

Subjects/Keywords: 759.05; Impressionism; décor; decoration; decorative; Pissarro; Monest; Renoir; painting; wall panels

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APA (6th Edition):

Kisiel, M. (2017). La peinture impressionniste et la décoration dans les années 1870. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/22985

Chicago Manual of Style (16th Edition):

Kisiel, Marine. “La peinture impressionniste et la décoration dans les années 1870.” 2017. Doctoral Dissertation, University of Edinburgh. Accessed January 26, 2020. http://hdl.handle.net/1842/22985.

MLA Handbook (7th Edition):

Kisiel, Marine. “La peinture impressionniste et la décoration dans les années 1870.” 2017. Web. 26 Jan 2020.

Vancouver:

Kisiel M. La peinture impressionniste et la décoration dans les années 1870. [Internet] [Doctoral dissertation]. University of Edinburgh; 2017. [cited 2020 Jan 26]. Available from: http://hdl.handle.net/1842/22985.

Council of Science Editors:

Kisiel M. La peinture impressionniste et la décoration dans les années 1870. [Doctoral Dissertation]. University of Edinburgh; 2017. Available from: http://hdl.handle.net/1842/22985


University of South Florida

28. Smith, Barbara Peters. From White City to Green Acres: Bertha Palmer and the Gendering of Space in the Gilded Age.

Degree: 2015, University of South Florida

 Throughout an adult life that witnessed drastic cultural upheaval between the Civil War and World War I, Bertha Honoré Palmer (1849-1918) was continually called on… (more)

Subjects/Keywords: Bertha Palmer; World’s Columbian Exposition; Impressionism; Sarasota; neurasthenia; American Studies

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APA (6th Edition):

Smith, B. P. (2015). From White City to Green Acres: Bertha Palmer and the Gendering of Space in the Gilded Age. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/5775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Barbara Peters. “From White City to Green Acres: Bertha Palmer and the Gendering of Space in the Gilded Age.” 2015. Thesis, University of South Florida. Accessed January 26, 2020. https://scholarcommons.usf.edu/etd/5775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Barbara Peters. “From White City to Green Acres: Bertha Palmer and the Gendering of Space in the Gilded Age.” 2015. Web. 26 Jan 2020.

Vancouver:

Smith BP. From White City to Green Acres: Bertha Palmer and the Gendering of Space in the Gilded Age. [Internet] [Thesis]. University of South Florida; 2015. [cited 2020 Jan 26]. Available from: https://scholarcommons.usf.edu/etd/5775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith BP. From White City to Green Acres: Bertha Palmer and the Gendering of Space in the Gilded Age. [Thesis]. University of South Florida; 2015. Available from: https://scholarcommons.usf.edu/etd/5775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

29. Manning, Mary, 1986-. Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870.

Degree: PhD, Art History, 2015, Rutgers University

The Early Impressionist painter Frédéric Bazille, who moved frequently between Paris and his hometown of Montpellier, attended medical school for four years before deciding to… (more)

Subjects/Keywords: Impressionism (Art) – France – Paris; Masculinity; Bazille, Frédéric, 1841-1870

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Manning, Mary, 1. (2015). Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/47741/

Chicago Manual of Style (16th Edition):

Manning, Mary, 1986-. “Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870.” 2015. Doctoral Dissertation, Rutgers University. Accessed January 26, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/47741/.

MLA Handbook (7th Edition):

Manning, Mary, 1986-. “Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870.” 2015. Web. 26 Jan 2020.

Vancouver:

Manning, Mary 1. Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870. [Internet] [Doctoral dissertation]. Rutgers University; 2015. [cited 2020 Jan 26]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47741/.

Council of Science Editors:

Manning, Mary 1. Frédéric Bazille and masculinity between Paris and Montpellier, 1841-1870. [Doctoral Dissertation]. Rutgers University; 2015. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/47741/


University of Oxford

30. Etheridge, Kate. Dynamic reflections : mirrors in the poetic and visual culture of Paris from 1850 to 1900.

Degree: PhD, 2016, University of Oxford

 This thesis explores the transformation of the mirror's symbolic role in the poetry and visual art of late nineteenth-century Paris. For centuries the mirror has… (more)

Subjects/Keywords: 821; Paris; Mirrors; Impressionism; Poetry; Self-reflexivity; Symbolism; Art; Nineteenth century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Etheridge, K. (2016). Dynamic reflections : mirrors in the poetic and visual culture of Paris from 1850 to 1900. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:0ad79384-a85e-4fbd-93d5-d5b993844ffb ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730395

Chicago Manual of Style (16th Edition):

Etheridge, Kate. “Dynamic reflections : mirrors in the poetic and visual culture of Paris from 1850 to 1900.” 2016. Doctoral Dissertation, University of Oxford. Accessed January 26, 2020. http://ora.ox.ac.uk/objects/uuid:0ad79384-a85e-4fbd-93d5-d5b993844ffb ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730395.

MLA Handbook (7th Edition):

Etheridge, Kate. “Dynamic reflections : mirrors in the poetic and visual culture of Paris from 1850 to 1900.” 2016. Web. 26 Jan 2020.

Vancouver:

Etheridge K. Dynamic reflections : mirrors in the poetic and visual culture of Paris from 1850 to 1900. [Internet] [Doctoral dissertation]. University of Oxford; 2016. [cited 2020 Jan 26]. Available from: http://ora.ox.ac.uk/objects/uuid:0ad79384-a85e-4fbd-93d5-d5b993844ffb ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730395.

Council of Science Editors:

Etheridge K. Dynamic reflections : mirrors in the poetic and visual culture of Paris from 1850 to 1900. [Doctoral Dissertation]. University of Oxford; 2016. Available from: http://ora.ox.ac.uk/objects/uuid:0ad79384-a85e-4fbd-93d5-d5b993844ffb ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.730395

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