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You searched for subject:(generative art). Showing records 1 – 29 of 29 total matches.

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Rochester Institute of Technology

1. Baish, Nicholas G. Neuronic sonic.

Degree: School of Film and Animation (CIAS), 2009, Rochester Institute of Technology

 The production, Neuronic Sonic, partially fulfills the requirements for the degree of Masters of Fine Arts in Imaging Arts/ Computer Animation from the School of… (more)

Subjects/Keywords: Animation; Generative art; Processing; Visualization

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APA (6th Edition):

Baish, N. G. (2009). Neuronic sonic. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baish, Nicholas G. “Neuronic sonic.” 2009. Thesis, Rochester Institute of Technology. Accessed November 11, 2019. https://scholarworks.rit.edu/theses/4775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baish, Nicholas G. “Neuronic sonic.” 2009. Web. 11 Nov 2019.

Vancouver:

Baish NG. Neuronic sonic. [Internet] [Thesis]. Rochester Institute of Technology; 2009. [cited 2019 Nov 11]. Available from: https://scholarworks.rit.edu/theses/4775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baish NG. Neuronic sonic. [Thesis]. Rochester Institute of Technology; 2009. Available from: https://scholarworks.rit.edu/theses/4775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Tech

2. Kim, Alison Sujin. Writing Images: Blending Drawings and Code.

Degree: MFA, Art and Art History, 2014, Virginia Tech

 Drawing has long been known to show the thought process of the artist because of its physical immediacy and the way it encourages fast, informal… (more)

Subjects/Keywords: generative art rule-based

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APA (6th Edition):

Kim, A. S. (2014). Writing Images: Blending Drawings and Code. (Thesis). Virginia Tech. Retrieved from http://hdl.handle.net/10919/49026

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Alison Sujin. “Writing Images: Blending Drawings and Code.” 2014. Thesis, Virginia Tech. Accessed November 11, 2019. http://hdl.handle.net/10919/49026.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Alison Sujin. “Writing Images: Blending Drawings and Code.” 2014. Web. 11 Nov 2019.

Vancouver:

Kim AS. Writing Images: Blending Drawings and Code. [Internet] [Thesis]. Virginia Tech; 2014. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10919/49026.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim AS. Writing Images: Blending Drawings and Code. [Thesis]. Virginia Tech; 2014. Available from: http://hdl.handle.net/10919/49026

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Waikato

3. Connors, Teresa Marie. Master of Music in Composition .

Degree: 2013, University of Waikato

 This portfolio of compositions involved the creation of multimedia works within the context of collaborative artistic practice. This interest has resulted from my increasing participation… (more)

Subjects/Keywords: Multimedia Collaboration; Generative art and Music

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APA (6th Edition):

Connors, T. M. (2013). Master of Music in Composition . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/7855

Chicago Manual of Style (16th Edition):

Connors, Teresa Marie. “Master of Music in Composition .” 2013. Masters Thesis, University of Waikato. Accessed November 11, 2019. http://hdl.handle.net/10289/7855.

MLA Handbook (7th Edition):

Connors, Teresa Marie. “Master of Music in Composition .” 2013. Web. 11 Nov 2019.

Vancouver:

Connors TM. Master of Music in Composition . [Internet] [Masters thesis]. University of Waikato; 2013. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10289/7855.

Council of Science Editors:

Connors TM. Master of Music in Composition . [Masters Thesis]. University of Waikato; 2013. Available from: http://hdl.handle.net/10289/7855


Texas A&M University

4. Guinski, Rodrigo 1980-. Phasing Loops.

Degree: 2012, Texas A&M University

 This work consists of a set of eight vector graphics animations exploring phasing loops, intended to be displayed on televisions and monitors, for home use… (more)

Subjects/Keywords: phasing; loop; animation; generative art; art; installation; video; cinema

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APA (6th Edition):

Guinski, R. 1. (2012). Phasing Loops. (Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/148297

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Guinski, Rodrigo 1980-. “Phasing Loops.” 2012. Thesis, Texas A&M University. Accessed November 11, 2019. http://hdl.handle.net/1969.1/148297.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Guinski, Rodrigo 1980-. “Phasing Loops.” 2012. Web. 11 Nov 2019.

Vancouver:

Guinski R1. Phasing Loops. [Internet] [Thesis]. Texas A&M University; 2012. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/1969.1/148297.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guinski R1. Phasing Loops. [Thesis]. Texas A&M University; 2012. Available from: http://hdl.handle.net/1969.1/148297

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Koutsomichalis, Marinos G. A hypermedia and project-based approach to music, sound and media art.

Degree: PhD, 2015, De Montfort University

 This thesis describes my artistic practice as essentially project-based, site-responsive and hypermediating. Hypermediacy—i.e. the tendency of certain media or objects to keep their various constituents… (more)

Subjects/Keywords: 600; sound art; Media Art; aesthetics; hypermedia; generative art; art research; research through design; algorithmic art; annotated portfolio

Page 1 Page 2 Page 3

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APA (6th Edition):

Koutsomichalis, M. G. (2015). A hypermedia and project-based approach to music, sound and media art. (Doctoral Dissertation). De Montfort University. Retrieved from http://hdl.handle.net/2086/11432

Chicago Manual of Style (16th Edition):

Koutsomichalis, Marinos G. “A hypermedia and project-based approach to music, sound and media art.” 2015. Doctoral Dissertation, De Montfort University. Accessed November 11, 2019. http://hdl.handle.net/2086/11432.

MLA Handbook (7th Edition):

Koutsomichalis, Marinos G. “A hypermedia and project-based approach to music, sound and media art.” 2015. Web. 11 Nov 2019.

Vancouver:

Koutsomichalis MG. A hypermedia and project-based approach to music, sound and media art. [Internet] [Doctoral dissertation]. De Montfort University; 2015. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/2086/11432.

Council of Science Editors:

Koutsomichalis MG. A hypermedia and project-based approach to music, sound and media art. [Doctoral Dissertation]. De Montfort University; 2015. Available from: http://hdl.handle.net/2086/11432


Victoria University of Wellington

6. Jack, Benjamin. Generative Meditations: Exploring Generative Art From the Perspective of Tibetan Buddhist Philosophy.

Degree: 2016, Victoria University of Wellington

 the purpose of this thesis is to document and explore the subjective struggles I have encountered in my own practise as a generative artist rather… (more)

Subjects/Keywords: Generative art; Computer graphics; Tibetan Buddhism; Madhyamika-Prasangika

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APA (6th Edition):

Jack, B. (2016). Generative Meditations: Exploring Generative Art From the Perspective of Tibetan Buddhist Philosophy. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/5164

Chicago Manual of Style (16th Edition):

Jack, Benjamin. “Generative Meditations: Exploring Generative Art From the Perspective of Tibetan Buddhist Philosophy.” 2016. Masters Thesis, Victoria University of Wellington. Accessed November 11, 2019. http://hdl.handle.net/10063/5164.

MLA Handbook (7th Edition):

Jack, Benjamin. “Generative Meditations: Exploring Generative Art From the Perspective of Tibetan Buddhist Philosophy.” 2016. Web. 11 Nov 2019.

Vancouver:

Jack B. Generative Meditations: Exploring Generative Art From the Perspective of Tibetan Buddhist Philosophy. [Internet] [Masters thesis]. Victoria University of Wellington; 2016. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10063/5164.

Council of Science Editors:

Jack B. Generative Meditations: Exploring Generative Art From the Perspective of Tibetan Buddhist Philosophy. [Masters Thesis]. Victoria University of Wellington; 2016. Available from: http://hdl.handle.net/10063/5164


University of California – San Diego

7. Nelson, Blair Robert. Generative Audio Design: Emergent Sound Art for an Open World Interface.

Degree: Theatre, 2012, University of California – San Diego

 Clink. Clank clink. Ink cling clong clang. Cank ling. Ang clang. Clink. Clink. Clink. Clink. Clock clink. Click. Click. Click click. Cling. Clink. Clink clock… (more)

Subjects/Keywords: Design; Music; Dance; adaptable; emergent; generative; interactive; sound art; videogames

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APA (6th Edition):

Nelson, B. R. (2012). Generative Audio Design: Emergent Sound Art for an Open World Interface. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/4vp5p8kk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nelson, Blair Robert. “Generative Audio Design: Emergent Sound Art for an Open World Interface.” 2012. Thesis, University of California – San Diego. Accessed November 11, 2019. http://www.escholarship.org/uc/item/4vp5p8kk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nelson, Blair Robert. “Generative Audio Design: Emergent Sound Art for an Open World Interface.” 2012. Web. 11 Nov 2019.

Vancouver:

Nelson BR. Generative Audio Design: Emergent Sound Art for an Open World Interface. [Internet] [Thesis]. University of California – San Diego; 2012. [cited 2019 Nov 11]. Available from: http://www.escholarship.org/uc/item/4vp5p8kk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nelson BR. Generative Audio Design: Emergent Sound Art for an Open World Interface. [Thesis]. University of California – San Diego; 2012. Available from: http://www.escholarship.org/uc/item/4vp5p8kk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

8. Pemberton, Mark Russell. The Creative Imperfect: An Ecological Approach to Music and Contemporary Artistic Practice .

Degree: 2018, University of Sydney

 Using musical examples, this research examines the function of generative structures in the creation and reception of artistic works and seeks to identify a dynamic… (more)

Subjects/Keywords: generative aesthetics; music and contemporary art; affordance theory; ecological psychology; creative dynamics; algorithmic art

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APA (6th Edition):

Pemberton, M. R. (2018). The Creative Imperfect: An Ecological Approach to Music and Contemporary Artistic Practice . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/21196

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pemberton, Mark Russell. “The Creative Imperfect: An Ecological Approach to Music and Contemporary Artistic Practice .” 2018. Thesis, University of Sydney. Accessed November 11, 2019. http://hdl.handle.net/2123/21196.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pemberton, Mark Russell. “The Creative Imperfect: An Ecological Approach to Music and Contemporary Artistic Practice .” 2018. Web. 11 Nov 2019.

Vancouver:

Pemberton MR. The Creative Imperfect: An Ecological Approach to Music and Contemporary Artistic Practice . [Internet] [Thesis]. University of Sydney; 2018. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/2123/21196.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pemberton MR. The Creative Imperfect: An Ecological Approach to Music and Contemporary Artistic Practice . [Thesis]. University of Sydney; 2018. Available from: http://hdl.handle.net/2123/21196

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

9. Magnus, Cristyn. Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms.

Degree: Music, 2010, University of California – San Diego

 The goal of this research is to explore the use of genetic algorithms to evolve waveforms. Genetic algorithms are introduced with a simple application that… (more)

Subjects/Keywords: Music; Computer Science; Artificial Intelligence; algorithmic composition; computer music; generative algorithm; generative art; genetic algorithm; music technology

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APA (6th Edition):

Magnus, C. (2010). Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/0mq5z85r

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Magnus, Cristyn. “Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms.” 2010. Thesis, University of California – San Diego. Accessed November 11, 2019. http://www.escholarship.org/uc/item/0mq5z85r.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Magnus, Cristyn. “Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms.” 2010. Web. 11 Nov 2019.

Vancouver:

Magnus C. Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms. [Internet] [Thesis]. University of California – San Diego; 2010. [cited 2019 Nov 11]. Available from: http://www.escholarship.org/uc/item/0mq5z85r.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Magnus C. Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms. [Thesis]. University of California – San Diego; 2010. Available from: http://www.escholarship.org/uc/item/0mq5z85r

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Omine, Eduardo Hiroshi. Design gráfico computacional: computação aplicada no projeto e na produção de imagens dinâmicas e interativas.

Degree: Mestrado, Design e Arquitetura, 2014, University of São Paulo

Esta pesquisa objetiva investigar o design computacional, explorando a aplicação de ferramentas conceituais da computação no projeto e na produção de imagens dinâmicas e interativas.… (more)

Subjects/Keywords: Arte generativa; Computação; Computation; Computational design; Design; Design; Design computacional; Generative art

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APA (6th Edition):

Omine, E. H. (2014). Design gráfico computacional: computação aplicada no projeto e na produção de imagens dinâmicas e interativas. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/16/16134/tde-12092014-122450/ ;

Chicago Manual of Style (16th Edition):

Omine, Eduardo Hiroshi. “Design gráfico computacional: computação aplicada no projeto e na produção de imagens dinâmicas e interativas.” 2014. Masters Thesis, University of São Paulo. Accessed November 11, 2019. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-12092014-122450/ ;.

MLA Handbook (7th Edition):

Omine, Eduardo Hiroshi. “Design gráfico computacional: computação aplicada no projeto e na produção de imagens dinâmicas e interativas.” 2014. Web. 11 Nov 2019.

Vancouver:

Omine EH. Design gráfico computacional: computação aplicada no projeto e na produção de imagens dinâmicas e interativas. [Internet] [Masters thesis]. University of São Paulo; 2014. [cited 2019 Nov 11]. Available from: http://www.teses.usp.br/teses/disponiveis/16/16134/tde-12092014-122450/ ;.

Council of Science Editors:

Omine EH. Design gráfico computacional: computação aplicada no projeto e na produção de imagens dinâmicas e interativas. [Masters Thesis]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/16/16134/tde-12092014-122450/ ;


Stellenbosch University

11. Staple, Jessica. The story of how it was made : an investigation of artistic practice.

Degree: Visual Arts, 2018, Stellenbosch University

Thesis (MA(VA)) – Stellenbosch University, 2018.

ENGLISH ABSTRACT: This book is centred on the very act of artistic creation, in other words making. I aim to… (more)

Subjects/Keywords: Artistic creation; Artistic practice investigation; Art making is generative and transformative; UCTD

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APA (6th Edition):

Staple, J. (2018). The story of how it was made : an investigation of artistic practice. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/103392

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Staple, Jessica. “The story of how it was made : an investigation of artistic practice.” 2018. Thesis, Stellenbosch University. Accessed November 11, 2019. http://hdl.handle.net/10019.1/103392.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Staple, Jessica. “The story of how it was made : an investigation of artistic practice.” 2018. Web. 11 Nov 2019.

Vancouver:

Staple J. The story of how it was made : an investigation of artistic practice. [Internet] [Thesis]. Stellenbosch University; 2018. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10019.1/103392.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Staple J. The story of how it was made : an investigation of artistic practice. [Thesis]. Stellenbosch University; 2018. Available from: http://hdl.handle.net/10019.1/103392

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

12. Malik, Aamina Karim. Mass Customization! An approach through Generative Design.

Degree: MFA, Design, 2014, Virginia Commonwealth University

 Abstract Historically, design has been associated with unique, handmade products and utilities; however, the advent of the Industrial Revolution introduced the system of mass-production, which… (more)

Subjects/Keywords: Mass Customisation; Generative Design; Natural Processes; Programming; Uniqueness; Art and Design; Arts and Humanities

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APA (6th Edition):

Malik, A. K. (2014). Mass Customization! An approach through Generative Design. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/3467

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Malik, Aamina Karim. “Mass Customization! An approach through Generative Design.” 2014. Thesis, Virginia Commonwealth University. Accessed November 11, 2019. https://scholarscompass.vcu.edu/etd/3467.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Malik, Aamina Karim. “Mass Customization! An approach through Generative Design.” 2014. Web. 11 Nov 2019.

Vancouver:

Malik AK. Mass Customization! An approach through Generative Design. [Internet] [Thesis]. Virginia Commonwealth University; 2014. [cited 2019 Nov 11]. Available from: https://scholarscompass.vcu.edu/etd/3467.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Malik AK. Mass Customization! An approach through Generative Design. [Thesis]. Virginia Commonwealth University; 2014. Available from: https://scholarscompass.vcu.edu/etd/3467

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Heijer, E. den. Autonomous Evolutionary Art .

Degree: 2013, Vrije Universiteit Amsterdam

Subjects/Keywords: Evolutionary Art; Evolutionary Computation; Digital Art; Genetic Programming; Generative Art

…prerequisite for any generative art system. 1 This thesis uses the term ‘autonomous’ evolutionary… …issues and ideas with a new theory of generative/ evolutionary art. In any case, no artist or… …foundations of generative art, and stresses the importance of complexity theory as a basis for a… …theory for generative art [Gal03]. In another paper, Galanter stresses the importance… …output. An interesting attempt using generative art was published by Krzeczkowska et al [… 

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APA (6th Edition):

Heijer, E. d. (2013). Autonomous Evolutionary Art . (Doctoral Dissertation). Vrije Universiteit Amsterdam. Retrieved from http://hdl.handle.net/1871/49193

Chicago Manual of Style (16th Edition):

Heijer, E den. “Autonomous Evolutionary Art .” 2013. Doctoral Dissertation, Vrije Universiteit Amsterdam. Accessed November 11, 2019. http://hdl.handle.net/1871/49193.

MLA Handbook (7th Edition):

Heijer, E den. “Autonomous Evolutionary Art .” 2013. Web. 11 Nov 2019.

Vancouver:

Heijer Ed. Autonomous Evolutionary Art . [Internet] [Doctoral dissertation]. Vrije Universiteit Amsterdam; 2013. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/1871/49193.

Council of Science Editors:

Heijer Ed. Autonomous Evolutionary Art . [Doctoral Dissertation]. Vrije Universiteit Amsterdam; 2013. Available from: http://hdl.handle.net/1871/49193


RMIT University

14. Mowson, B. Sound and video installation art: existence as a state of immanence.

Degree: 2008, RMIT University

 This project aims to produce new material and understandings about audio/visual installation art and immanence. Immanence describes a subjective state that emphasises an embodied sense… (more)

Subjects/Keywords: Fields of Research; audio/visual; installation; art; immanence; embodiment; listening; generative; becoming; being; time; sound; video; affect; sensation; phenomenology

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APA (6th Edition):

Mowson, B. (2008). Sound and video installation art: existence as a state of immanence. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161944

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mowson, B. “Sound and video installation art: existence as a state of immanence.” 2008. Thesis, RMIT University. Accessed November 11, 2019. http://researchbank.rmit.edu.au/view/rmit:161944.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mowson, B. “Sound and video installation art: existence as a state of immanence.” 2008. Web. 11 Nov 2019.

Vancouver:

Mowson B. Sound and video installation art: existence as a state of immanence. [Internet] [Thesis]. RMIT University; 2008. [cited 2019 Nov 11]. Available from: http://researchbank.rmit.edu.au/view/rmit:161944.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mowson B. Sound and video installation art: existence as a state of immanence. [Thesis]. RMIT University; 2008. Available from: http://researchbank.rmit.edu.au/view/rmit:161944

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

15. Kerr, Thorin. Performing composition : developing a computer assisted composition system through live coding performance.

Degree: 2009, Queensland University of Technology

 This thesis maps the author's journey from a music composition practice to a composition and performance practice. The work involves the development of a software… (more)

Subjects/Keywords: music; composition; performance; live coding; live programming; computer music; computer assisted composition; algorithmic music; generative art; Impromptu; Csound

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kerr, T. (2009). Performing composition : developing a computer assisted composition system through live coding performance. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/32175/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kerr, Thorin. “Performing composition : developing a computer assisted composition system through live coding performance.” 2009. Thesis, Queensland University of Technology. Accessed November 11, 2019. https://eprints.qut.edu.au/32175/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kerr, Thorin. “Performing composition : developing a computer assisted composition system through live coding performance.” 2009. Web. 11 Nov 2019.

Vancouver:

Kerr T. Performing composition : developing a computer assisted composition system through live coding performance. [Internet] [Thesis]. Queensland University of Technology; 2009. [cited 2019 Nov 11]. Available from: https://eprints.qut.edu.au/32175/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kerr T. Performing composition : developing a computer assisted composition system through live coding performance. [Thesis]. Queensland University of Technology; 2009. Available from: https://eprints.qut.edu.au/32175/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Waikato

16. Denny, Dacre Eliakim. Interactive Video Game Content Authoring using Procedural Methods .

Degree: 2010, University of Waikato

 This thesis explores avenues for improving the quality and detail of game graphics, in the context of constraints that are common to most game development… (more)

Subjects/Keywords: computer graphics; video games; 3D modeling; GPU; geometry shader; content pipeline; real-time; authoring; procedural methods; generative; content; interaction; art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Denny, D. E. (2010). Interactive Video Game Content Authoring using Procedural Methods . (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/5055

Chicago Manual of Style (16th Edition):

Denny, Dacre Eliakim. “Interactive Video Game Content Authoring using Procedural Methods .” 2010. Masters Thesis, University of Waikato. Accessed November 11, 2019. http://hdl.handle.net/10289/5055.

MLA Handbook (7th Edition):

Denny, Dacre Eliakim. “Interactive Video Game Content Authoring using Procedural Methods .” 2010. Web. 11 Nov 2019.

Vancouver:

Denny DE. Interactive Video Game Content Authoring using Procedural Methods . [Internet] [Masters thesis]. University of Waikato; 2010. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10289/5055.

Council of Science Editors:

Denny DE. Interactive Video Game Content Authoring using Procedural Methods . [Masters Thesis]. University of Waikato; 2010. Available from: http://hdl.handle.net/10289/5055


Iowa State University

17. Suh, Joori. IGATY: an archetype-based interactive generative abstraction system focusing on museum interior archetypes.

Degree: 2015, Iowa State University

 Archetype in Greek means an original model that prevails in all later forms of variations, combinations, and transformations. In the field of design, types and… (more)

Subjects/Keywords: Human Computer Interaction; Creativity; Generative Abstraction; Ideation Process; Museum Interior Archetypes; Art and Design; Instructional Media Design; Other History of Art, Architecture, and Archaeology

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APA (6th Edition):

Suh, J. (2015). IGATY: an archetype-based interactive generative abstraction system focusing on museum interior archetypes. (Thesis). Iowa State University. Retrieved from https://lib.dr.iastate.edu/etd/14730

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Suh, Joori. “IGATY: an archetype-based interactive generative abstraction system focusing on museum interior archetypes.” 2015. Thesis, Iowa State University. Accessed November 11, 2019. https://lib.dr.iastate.edu/etd/14730.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Suh, Joori. “IGATY: an archetype-based interactive generative abstraction system focusing on museum interior archetypes.” 2015. Web. 11 Nov 2019.

Vancouver:

Suh J. IGATY: an archetype-based interactive generative abstraction system focusing on museum interior archetypes. [Internet] [Thesis]. Iowa State University; 2015. [cited 2019 Nov 11]. Available from: https://lib.dr.iastate.edu/etd/14730.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Suh J. IGATY: an archetype-based interactive generative abstraction system focusing on museum interior archetypes. [Thesis]. Iowa State University; 2015. Available from: https://lib.dr.iastate.edu/etd/14730

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


AUT University

18. Konings, Nick. The transformative mirror: contemplating the self as an emergent being through active reflection .

Degree: 2011, AUT University

 This creative-production project is framed as an active reflection on the process of self-transformation. This process has been developed through a personal investigation into the… (more)

Subjects/Keywords: Creative-production project; Emergence and identity; Impermanence and spatio-temporal design; Telematic art, generative art and interactive multimedia design; Heuristic self-search; Self-transformation

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APA (6th Edition):

Konings, N. (2011). The transformative mirror: contemplating the self as an emergent being through active reflection . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/1195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Konings, Nick. “The transformative mirror: contemplating the self as an emergent being through active reflection .” 2011. Thesis, AUT University. Accessed November 11, 2019. http://hdl.handle.net/10292/1195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Konings, Nick. “The transformative mirror: contemplating the self as an emergent being through active reflection .” 2011. Web. 11 Nov 2019.

Vancouver:

Konings N. The transformative mirror: contemplating the self as an emergent being through active reflection . [Internet] [Thesis]. AUT University; 2011. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10292/1195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Konings N. The transformative mirror: contemplating the self as an emergent being through active reflection . [Thesis]. AUT University; 2011. Available from: http://hdl.handle.net/10292/1195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Univerzitet u Beogradu

19. Krčadinac, Uroš Lj., 1984-. Dinamičko povezivanje i vizuelizacija semantički anotiranog sadržaja.

Degree: Fakultet organizacionih nauka, 2017, Univerzitet u Beogradu

Računarstvo - Softversko inženjerstvo / Computer science - Software engineering

Ljudska interakcija na Vebu sadrži emocije često nepristupačne računarima...

Advisors/Committee Members: Jovanović, Jelena, 1978-.

Subjects/Keywords: software engineering; natural language processiong; data visualization; human-computer interaction; affective computing; textual emotion recognition; semantic annotation; applied artifical intelligence; digital generative animation; new media art

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APA (6th Edition):

Krčadinac, Uroš Lj., 1. (2017). Dinamičko povezivanje i vizuelizacija semantički anotiranog sadržaja. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:16787/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Krčadinac, Uroš Lj., 1984-. “Dinamičko povezivanje i vizuelizacija semantički anotiranog sadržaja.” 2017. Thesis, Univerzitet u Beogradu. Accessed November 11, 2019. https://fedorabg.bg.ac.rs/fedora/get/o:16787/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Krčadinac, Uroš Lj., 1984-. “Dinamičko povezivanje i vizuelizacija semantički anotiranog sadržaja.” 2017. Web. 11 Nov 2019.

Vancouver:

Krčadinac, Uroš Lj. 1. Dinamičko povezivanje i vizuelizacija semantički anotiranog sadržaja. [Internet] [Thesis]. Univerzitet u Beogradu; 2017. [cited 2019 Nov 11]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:16787/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Krčadinac, Uroš Lj. 1. Dinamičko povezivanje i vizuelizacija semantički anotiranog sadržaja. [Thesis]. Univerzitet u Beogradu; 2017. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:16787/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Flores, Fernando Miguel Santos. A influência das tecnologias digitais, no processo de pensar/desenhar Arquitetura.

Degree: 2015, Universidade Fernando Pessoa

Dissertação apresentada à Universidade Fernando Pessoa como parte dos requisitos para obtenção do grau de Mestre em Arquitetura e Urbanismo

A presente dissertação de mestrado… (more)

Subjects/Keywords: Arquitetura; Ferramentas Digitais; Desenho; Arte; CAD; CAM; BIM; Parametricismo; Arquitetura Generativa; Ferramentas de Optimização; Modernismo; Fabricação Digital; Architecture; Digital Tools; Design; Art; Parametricism; Generative architecture; Optimization tools; Modernism; Digital Fabrication

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APA (6th Edition):

Flores, F. M. S. (2015). A influência das tecnologias digitais, no processo de pensar/desenhar Arquitetura. (Thesis). Universidade Fernando Pessoa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:bdigital.ufp.pt:10284/4800

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Flores, Fernando Miguel Santos. “A influência das tecnologias digitais, no processo de pensar/desenhar Arquitetura.” 2015. Thesis, Universidade Fernando Pessoa. Accessed November 11, 2019. http://www.rcaap.pt/detail.jsp?id=oai:bdigital.ufp.pt:10284/4800.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Flores, Fernando Miguel Santos. “A influência das tecnologias digitais, no processo de pensar/desenhar Arquitetura.” 2015. Web. 11 Nov 2019.

Vancouver:

Flores FMS. A influência das tecnologias digitais, no processo de pensar/desenhar Arquitetura. [Internet] [Thesis]. Universidade Fernando Pessoa; 2015. [cited 2019 Nov 11]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:bdigital.ufp.pt:10284/4800.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Flores FMS. A influência das tecnologias digitais, no processo de pensar/desenhar Arquitetura. [Thesis]. Universidade Fernando Pessoa; 2015. Available from: http://www.rcaap.pt/detail.jsp?id=oai:bdigital.ufp.pt:10284/4800

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

21. JAWAD, MOHAMMAD. Manufactured by Nature: Growing Generatively Designed Products.

Degree: MFA, Dean's Office Qatar, 2019, Virginia Commonwealth University

  Mass production and assembly lines are yesterday’s manufacturing methods. They have exhausted Earth’s resources and limited the possibilities of design in terms of both… (more)

Subjects/Keywords: 3D printing; Generative design; Additive manufacturing; Biomimicry; Product design; Natural materials; Art and Design; Biology; Earth Sciences; Industrial and Product Design; Interdisciplinary Arts and Media; Mineral Physics

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APA (6th Edition):

JAWAD, M. (2019). Manufactured by Nature: Growing Generatively Designed Products. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/5898

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

JAWAD, MOHAMMAD. “Manufactured by Nature: Growing Generatively Designed Products.” 2019. Thesis, Virginia Commonwealth University. Accessed November 11, 2019. https://scholarscompass.vcu.edu/etd/5898.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

JAWAD, MOHAMMAD. “Manufactured by Nature: Growing Generatively Designed Products.” 2019. Web. 11 Nov 2019.

Vancouver:

JAWAD M. Manufactured by Nature: Growing Generatively Designed Products. [Internet] [Thesis]. Virginia Commonwealth University; 2019. [cited 2019 Nov 11]. Available from: https://scholarscompass.vcu.edu/etd/5898.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

JAWAD M. Manufactured by Nature: Growing Generatively Designed Products. [Thesis]. Virginia Commonwealth University; 2019. Available from: https://scholarscompass.vcu.edu/etd/5898

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Aida Rosa Dieguez Sábio. O texto crítico em artes visuais na Revista Bravo!: análise estrutural.

Degree: 2012, Federal University of Uberlândia

 O tema da pesquisa teve como ponto de partida a linha de pesquisa Fundamentos e Reflexões em Artes, voltado principalmente para a Teoria e Crítica… (more)

Subjects/Keywords: Revista Bravo!; Textos críticos de arte; Semiótica greimasiana; Percurso gerativo; Interioridade e exterioridade; ARTES; Arte História e crítica; Revista Bravo Crítica textual; Bravo!; Critical art; Semiotics greimasiana; Generative way; Interiority and exteriority

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APA (6th Edition):

Sábio, A. R. D. (2012). O texto crítico em artes visuais na Revista Bravo!: análise estrutural. (Thesis). Federal University of Uberlândia. Retrieved from http://www.bdtd.ufu.br//tde_busca/arquivo.php?codArquivo=4164

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sábio, Aida Rosa Dieguez. “O texto crítico em artes visuais na Revista Bravo!: análise estrutural.” 2012. Thesis, Federal University of Uberlândia. Accessed November 11, 2019. http://www.bdtd.ufu.br//tde_busca/arquivo.php?codArquivo=4164.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sábio, Aida Rosa Dieguez. “O texto crítico em artes visuais na Revista Bravo!: análise estrutural.” 2012. Web. 11 Nov 2019.

Vancouver:

Sábio ARD. O texto crítico em artes visuais na Revista Bravo!: análise estrutural. [Internet] [Thesis]. Federal University of Uberlândia; 2012. [cited 2019 Nov 11]. Available from: http://www.bdtd.ufu.br//tde_busca/arquivo.php?codArquivo=4164.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sábio ARD. O texto crítico em artes visuais na Revista Bravo!: análise estrutural. [Thesis]. Federal University of Uberlândia; 2012. Available from: http://www.bdtd.ufu.br//tde_busca/arquivo.php?codArquivo=4164

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


The Ohio State University

23. Ung, Teresa. Idea-Generation: Exploring a Co-creation Methodology Using Online Subject Matter Experts, Generative Tools, Free Association, and Storytelling During the Pre-Design Phase.

Degree: MFA, Art, 2009, The Ohio State University

  This research explores a new methodology for idea-generation with multi-disciplinary design teams demonstrating alternative ideation techniques and brainstorming facilitation. Innovators may use this methodology… (more)

Subjects/Keywords: Art Education; Business Community; Communication; Fine Arts; Higher Education; Management; Social Psychology; Teaching; idea-generation; ideation; brainstorming; innovation; co-creation; methodology; online subject matter experts; wikis; generative tools; free association; storytelling; pre-design phase; crowdsourcing; creativity; co-designing; design team; moderating

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APA (6th Edition):

Ung, T. (2009). Idea-Generation: Exploring a Co-creation Methodology Using Online Subject Matter Experts, Generative Tools, Free Association, and Storytelling During the Pre-Design Phase. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1236829537

Chicago Manual of Style (16th Edition):

Ung, Teresa. “Idea-Generation: Exploring a Co-creation Methodology Using Online Subject Matter Experts, Generative Tools, Free Association, and Storytelling During the Pre-Design Phase.” 2009. Masters Thesis, The Ohio State University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1236829537.

MLA Handbook (7th Edition):

Ung, Teresa. “Idea-Generation: Exploring a Co-creation Methodology Using Online Subject Matter Experts, Generative Tools, Free Association, and Storytelling During the Pre-Design Phase.” 2009. Web. 11 Nov 2019.

Vancouver:

Ung T. Idea-Generation: Exploring a Co-creation Methodology Using Online Subject Matter Experts, Generative Tools, Free Association, and Storytelling During the Pre-Design Phase. [Internet] [Masters thesis]. The Ohio State University; 2009. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1236829537.

Council of Science Editors:

Ung T. Idea-Generation: Exploring a Co-creation Methodology Using Online Subject Matter Experts, Generative Tools, Free Association, and Storytelling During the Pre-Design Phase. [Masters Thesis]. The Ohio State University; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1236829537

24. Willett, Alice A. A generative methodology for reframing visual culture.

Degree: MFA, Design, 2013, University of Texas – Austin

 The purpose of my experimental research in the MFA Design Program has been to develop a working methodology to transfer into a professional graphic design… (more)

Subjects/Keywords: Graphic design; Generative processes; Conceptual art; Methodology; Systems approach; Experimental practice

…researched generative systems in greater depth, I realized that many of my favorite works of art… …between design and art, are consumers of image and pop culture in the field, gallery, and public… …break apart iconic images in order to analyze them. For each project, I set up a generative… …unlikely art hub in the West Texas desert, I wanted to understand how the shapes and visual forms… …variations on a predetermined theme. The inherent unpredictability of generative processes allows… 

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APA (6th Edition):

Willett, A. A. (2013). A generative methodology for reframing visual culture. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/22476

Chicago Manual of Style (16th Edition):

Willett, Alice A. “A generative methodology for reframing visual culture.” 2013. Masters Thesis, University of Texas – Austin. Accessed November 11, 2019. http://hdl.handle.net/2152/22476.

MLA Handbook (7th Edition):

Willett, Alice A. “A generative methodology for reframing visual culture.” 2013. Web. 11 Nov 2019.

Vancouver:

Willett AA. A generative methodology for reframing visual culture. [Internet] [Masters thesis]. University of Texas – Austin; 2013. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/2152/22476.

Council of Science Editors:

Willett AA. A generative methodology for reframing visual culture. [Masters Thesis]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/22476

25. Benoit, Francis Philippe. The Web Browser as a Tool: A Programmatic Approach to Graphic Design on the Web.

Degree: Design, 2018, York University

 In recent years, the web browsers rendering capabilities have grown considerably. However, it remains a window through which design is seen rather than being used… (more)

Subjects/Keywords: Fine arts; Design; Graphic design; Web; Web browser; Creative process; Process; Programmatic approach; Gerstner; Karl Gerstner; Processing; p5.js; Art; Arts; Conceptual art; Logic; Web design; Rules; Rule; Parameters; Iteration; Iterative process; Content; Context; John Caserta; Caserta; Method; Methodology; Programming language; Coding; Generative design; Design tool; Conditional design; If-then; Blauvelt; Andrew Blauvelt; Browser

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APA (6th Edition):

Benoit, F. P. (2018). The Web Browser as a Tool: A Programmatic Approach to Graphic Design on the Web. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/34260

Chicago Manual of Style (16th Edition):

Benoit, Francis Philippe. “The Web Browser as a Tool: A Programmatic Approach to Graphic Design on the Web.” 2018. Masters Thesis, York University. Accessed November 11, 2019. http://hdl.handle.net/10315/34260.

MLA Handbook (7th Edition):

Benoit, Francis Philippe. “The Web Browser as a Tool: A Programmatic Approach to Graphic Design on the Web.” 2018. Web. 11 Nov 2019.

Vancouver:

Benoit FP. The Web Browser as a Tool: A Programmatic Approach to Graphic Design on the Web. [Internet] [Masters thesis]. York University; 2018. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10315/34260.

Council of Science Editors:

Benoit FP. The Web Browser as a Tool: A Programmatic Approach to Graphic Design on the Web. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/34260

26. Snake-Beings, Emit. The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement .

Degree: 2016, University of Waikato

 Do it Yourself (DiY) is a participatory culture which exemplifies a particular ethos in its approach to technology and materials. Rather than engage with ‘complete’… (more)

Subjects/Keywords: Material agency; Techno-Animism; Animism; Multi-Author; Do it Yourself culture; DiY; Do-it-yourself; music; robotics and sound; noise music; New Zealand sound culture; Extended mind; extended agency; machines; re-functioning; participatory culture; garbage and new media; recycling; upcycling; trash; re-use; machine talk; Material Entanglement; SteamPunk; de-territorialisation; insider research; error and inefficiency; negative identity; tacit knowledge; dominant discourse of technology; intra-action; non-idiomatic music; random aleatory sound; generative art; generative sound; Bingodisiac machine; The Trons: Robot garage band; Oscillators; electronic music; electronic sound; perpetual prototype; The Womble ethic; material engagement; non-human actants; DiY politics and the avant-garde; Practice-based theory; non-totalising assemblage; insider researcher; DiY electronics; community of difference; material practices; material analysis; actants; community of practice; Hamilton music; Hamilton sound culture; distributive agency; tinkering and tinkerers; xtreme waste; material environment; human and the material environment; re-functioned materials; recycled art; digital analogue; electroacoustic music; sonic art; computer music; digital music aesthetics and practice

Page 1 Page 2

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APA (6th Edition):

Snake-Beings, E. (2016). The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement . (Doctoral Dissertation). University of Waikato. Retrieved from http://hdl.handle.net/10289/9973

Chicago Manual of Style (16th Edition):

Snake-Beings, Emit. “The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement .” 2016. Doctoral Dissertation, University of Waikato. Accessed November 11, 2019. http://hdl.handle.net/10289/9973.

MLA Handbook (7th Edition):

Snake-Beings, Emit. “The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement .” 2016. Web. 11 Nov 2019.

Vancouver:

Snake-Beings E. The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement . [Internet] [Doctoral dissertation]. University of Waikato; 2016. [cited 2019 Nov 11]. Available from: http://hdl.handle.net/10289/9973.

Council of Science Editors:

Snake-Beings E. The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement . [Doctoral Dissertation]. University of Waikato; 2016. Available from: http://hdl.handle.net/10289/9973

27. Priestley, John. Poiesthetic play in generative music.

Degree: PhD, Media, Art, and Text, 2014, Virginia Commonwealth University

Generative music creates indeterminate systems from which music can emerge. It provides a particularly instructive field for problems of ontology, semiotics, aesthetics, and ethics addressed… (more)

Subjects/Keywords: music; generative music; experimental music; literary theory; philosophy; aesthetics; play; noise; presence; Art and Design; Arts and Humanities; Interdisciplinary Arts and Media

art as the context in which his approach to generative arts emerged, though he stipulates… …set of “Generative Art”. Wooler et al.’s own proposed definition of generative music is… …of music. Generative musicians extend this animism, imputing living intelligence behind… …from the encodings of notation and the approximate repetitions of aural tradition. Generative… …of generative systems, producing a kind of agoraphobia. As play is decentered from… 

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APA (6th Edition):

Priestley, J. (2014). Poiesthetic play in generative music. (Doctoral Dissertation). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/3403

Chicago Manual of Style (16th Edition):

Priestley, John. “Poiesthetic play in generative music.” 2014. Doctoral Dissertation, Virginia Commonwealth University. Accessed November 11, 2019. https://scholarscompass.vcu.edu/etd/3403.

MLA Handbook (7th Edition):

Priestley, John. “Poiesthetic play in generative music.” 2014. Web. 11 Nov 2019.

Vancouver:

Priestley J. Poiesthetic play in generative music. [Internet] [Doctoral dissertation]. Virginia Commonwealth University; 2014. [cited 2019 Nov 11]. Available from: https://scholarscompass.vcu.edu/etd/3403.

Council of Science Editors:

Priestley J. Poiesthetic play in generative music. [Doctoral Dissertation]. Virginia Commonwealth University; 2014. Available from: https://scholarscompass.vcu.edu/etd/3403

28. Bontrager, Nicholas A. The Conflation of Image Making and Image Fixation in Six Acts.

Degree: MFA, Art, 2011, The Ohio State University

 Questioning the disjunction which occurs between the real and virtual structure of the moving image, this selection of works and concepts explores the dissection of… (more)

Subjects/Keywords: Art Criticism; Design; Epistemology; Film Studies; Fine Arts; Motion Pictures; Museums; Performing Arts; Robotics; Robots; Technology; new media; film studies; survival; epistemology; narrative structure; time travel; image conflation; generative imagery

…practice of making art far too often revolves around the statement “I loved to draw as a child… …traveling. When my interest in art and image making became more serious, I was pursuing the study… …generative processes and custom software, the objects within the video are translated into… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bontrager, N. A. (2011). The Conflation of Image Making and Image Fixation in Six Acts. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1307722193

Chicago Manual of Style (16th Edition):

Bontrager, Nicholas A. “The Conflation of Image Making and Image Fixation in Six Acts.” 2011. Masters Thesis, The Ohio State University. Accessed November 11, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1307722193.

MLA Handbook (7th Edition):

Bontrager, Nicholas A. “The Conflation of Image Making and Image Fixation in Six Acts.” 2011. Web. 11 Nov 2019.

Vancouver:

Bontrager NA. The Conflation of Image Making and Image Fixation in Six Acts. [Internet] [Masters thesis]. The Ohio State University; 2011. [cited 2019 Nov 11]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1307722193.

Council of Science Editors:

Bontrager NA. The Conflation of Image Making and Image Fixation in Six Acts. [Masters Thesis]. The Ohio State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1307722193


Queensland University of Technology

29. Wooller, René William. Techniques for automated and interactive note sequence morphing of mainstream electronic music.

Degree: 2007, Queensland University of Technology

 Note sequence morphing is the combination of two note sequences to create a ‘hybrid transition’, or ‘morph’. The morph is a ‘hybrid’ in the sense… (more)

Subjects/Keywords: morph, morphing, interpolation, morphology, mutation, computer music, algorithmic composition, algorithmic music, interactive music, adaptive music, adaptive audio, game music, live electronic music, sound installation, compositional, key modulation; temporal modulation, metric modulation, modulation, topology, note-level, note sequence, MIDI, medley, transition, mash-up, mix, remix, DJ, evolutionary art, evolutionary computing, Markov, conditional probability, generative music, transformational; jMusic, Java, Midishare, realtime, reacTIVision, morph table

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wooller, R. W. (2007). Techniques for automated and interactive note sequence morphing of mainstream electronic music. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/20232/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wooller, René William. “Techniques for automated and interactive note sequence morphing of mainstream electronic music.” 2007. Thesis, Queensland University of Technology. Accessed November 11, 2019. https://eprints.qut.edu.au/20232/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wooller, René William. “Techniques for automated and interactive note sequence morphing of mainstream electronic music.” 2007. Web. 11 Nov 2019.

Vancouver:

Wooller RW. Techniques for automated and interactive note sequence morphing of mainstream electronic music. [Internet] [Thesis]. Queensland University of Technology; 2007. [cited 2019 Nov 11]. Available from: https://eprints.qut.edu.au/20232/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wooller RW. Techniques for automated and interactive note sequence morphing of mainstream electronic music. [Thesis]. Queensland University of Technology; 2007. Available from: https://eprints.qut.edu.au/20232/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.