subject:(futurism)

1. Marth, Stephen. Ethereal Avant-garde. The Body in 20th Century Italian Literature, Visual Culture and Science.

Degree: PhD, Italian Studies, 2013, Brown University

URL: https://repository.library.brown.edu/studio/item/bdr:320572/

► Inspired by our present historical moment in which science and technologies are radically changing how we envision our bodies, this dissertation weighs the aesthetic and… (more)

Subjects/Keywords: Futurism

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APA (6^th Edition):

Marth, S. (2013). Ethereal Avant-garde. The Body in 20th Century Italian Literature, Visual Culture and Science. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:320572/

Chicago Manual of Style (16^th Edition):

Marth, Stephen. “Ethereal Avant-garde. The Body in 20th Century Italian Literature, Visual Culture and Science.” 2013. Doctoral Dissertation, Brown University. Accessed April 12, 2021. https://repository.library.brown.edu/studio/item/bdr:320572/.

MLA Handbook (7^th Edition):

Marth, Stephen. “Ethereal Avant-garde. The Body in 20th Century Italian Literature, Visual Culture and Science.” 2013. Web. 12 Apr 2021.

Vancouver:

Marth S. Ethereal Avant-garde. The Body in 20th Century Italian Literature, Visual Culture and Science. [Internet] [Doctoral dissertation]. Brown University; 2013. [cited 2021 Apr 12]. Available from: https://repository.library.brown.edu/studio/item/bdr:320572/.

Council of Science Editors:

Marth S. Ethereal Avant-garde. The Body in 20th Century Italian Literature, Visual Culture and Science. [Doctoral Dissertation]. Brown University; 2013. Available from: https://repository.library.brown.edu/studio/item/bdr:320572/

University of New South Wales

2. Dunstan, Belinda. The plastic dynamism of the human aesthetic : employing futurist methodologies in the cross-disciplinary design of social robot morphologies.

Degree: Art, 2019, University of New South Wales

URL: http://handle.unsw.edu.au/1959.4/64862 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:62813/SOURCE02?view=true

► “The Plastic Dynamism of the Human Aesthetic” is a critical anatomisation of the aesthetics at play in the morphological design of social robots. The thesis… (more)

▼ “The Plastic Dynamism of the Human Aesthetic” is a critical anatomisation of the aesthetics at play in the morphological design of social robots. The thesis argues for a knowing and consciously engaged approach to the matter and materialisation of non-human bodies in a technologically-driven discipline that is rapidly shaping, and being shaped, by society.Through a survey of social robot morphologies from the last 25 years, it is shown that roboticists are designing robots for increasingly complex and nuanced social roles. A key aim of designers is to blend intangible human and machine qualities within their designs, yet a lack of formal methodologies for designing social robots is evident. A theoretical analysis of the prominent and problematic aesthetic trends within social robotics challenges the iterated and largely uncontested normative typologies that exist today. Employing methodological practices from fine art, a visual analysis comparing the sculptural work of the Italian Futurists (1900–1916) with contemporary social robot morphologies illuminates remarkable similarities and a prevailing ‘futuristic’ aesthetic developed by the Futurists that is still largely present in contemporary social robots. By consciously returning to the practices of the Futurists—from which so much futuristic inspiration has been drawn—methods from this period are appropriated to contribute a practice-based methodology for generating new robot morphologies.It is shown that adopting a diagrammatic approach in the planning stages of social robot morphology design, such as that demonstrated by the Futurists, allows for the hardware, movement and aesthetics of the robot to be considered concurrently. Further, this diagrammatic approach is shown to be both generative and transactional, fostering the codification and transfer of tacit knowledge from within creative disciplines to aid in collaborative multidisciplinary design practices, and generative of designs open to multiple interpretations and potential new morphologies. Reflective practice is engaged to evaluate the artefacts produced as exemplars of the developed design methodology and to argue the importance of interdisciplinary attentiveness to the designed intersection of humans and machines. Advisors/Committee Members: Velonaki, Mari, Fine Arts, Faculty of Art & Design, UNSW, Rye, David, University of Sydney.

Subjects/Keywords: Futurism; Futurism; Social robotics; Sculpture; Robot morphology; Art

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APA (6^th Edition):

Dunstan, B. (2019). The plastic dynamism of the human aesthetic : employing futurist methodologies in the cross-disciplinary design of social robot morphologies. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/64862 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:62813/SOURCE02?view=true

Chicago Manual of Style (16^th Edition):

Dunstan, Belinda. “The plastic dynamism of the human aesthetic : employing futurist methodologies in the cross-disciplinary design of social robot morphologies.” 2019. Doctoral Dissertation, University of New South Wales. Accessed April 12, 2021. http://handle.unsw.edu.au/1959.4/64862 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:62813/SOURCE02?view=true.

MLA Handbook (7^th Edition):

Dunstan, Belinda. “The plastic dynamism of the human aesthetic : employing futurist methodologies in the cross-disciplinary design of social robot morphologies.” 2019. Web. 12 Apr 2021.

Vancouver:

Dunstan B. The plastic dynamism of the human aesthetic : employing futurist methodologies in the cross-disciplinary design of social robot morphologies. [Internet] [Doctoral dissertation]. University of New South Wales; 2019. [cited 2021 Apr 12]. Available from: http://handle.unsw.edu.au/1959.4/64862 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:62813/SOURCE02?view=true.

Council of Science Editors:

Dunstan B. The plastic dynamism of the human aesthetic : employing futurist methodologies in the cross-disciplinary design of social robot morphologies. [Doctoral Dissertation]. University of New South Wales; 2019. Available from: http://handle.unsw.edu.au/1959.4/64862 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:62813/SOURCE02?view=true

University of Georgia

3. Pritchard, Shannon N. Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915.

Degree: 2014, University of Georgia

URL: http://hdl.handle.net/10724/20892

► This thesis examines Gino Severini’s dance imagery produced between 1910 and 1915 and its relationship to late nineteenth- and early twentieth-century Symbolism. It is proposed… (more)

Subjects/Keywords: Gino Severini; Severini; Futurism; Symbolism; Dance

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APA (6^th Edition):

Pritchard, S. N. (2014). Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/20892

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pritchard, Shannon N. “Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915.” 2014. Thesis, University of Georgia. Accessed April 12, 2021. http://hdl.handle.net/10724/20892.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pritchard, Shannon N. “Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915.” 2014. Web. 12 Apr 2021.

Vancouver:

Pritchard SN. Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Apr 12]. Available from: http://hdl.handle.net/10724/20892.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pritchard SN. Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/20892

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Arizona State University

4. Hardman, Katherine Jane. I Wanna Hold Your Hand: Touch, Intimacy and Equality in Christopher Marlowe's "Hero and Leander" and George Chapman's "Continuation".

Degree: MA, English, 2012, Arizona State University

URL: http://repository.asu.edu/items/15985

► This thesis examines Christopher Marlowe's poem Hero and Leander and George Chapman's Continuation thereof through a theoretical lens that includes theories of intimacy, sexuality and… (more)

Subjects/Keywords: Literature; chapman; couple; futurism; intimacy; marlowe; queer

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APA (6^th Edition):

Hardman, K. J. (2012). I Wanna Hold Your Hand: Touch, Intimacy and Equality in Christopher Marlowe's "Hero and Leander" and George Chapman's "Continuation". (Masters Thesis). Arizona State University. Retrieved from http://repository.asu.edu/items/15985

Chicago Manual of Style (16^th Edition):

Hardman, Katherine Jane. “I Wanna Hold Your Hand: Touch, Intimacy and Equality in Christopher Marlowe's "Hero and Leander" and George Chapman's "Continuation".” 2012. Masters Thesis, Arizona State University. Accessed April 12, 2021. http://repository.asu.edu/items/15985.

MLA Handbook (7^th Edition):

Hardman, Katherine Jane. “I Wanna Hold Your Hand: Touch, Intimacy and Equality in Christopher Marlowe's "Hero and Leander" and George Chapman's "Continuation".” 2012. Web. 12 Apr 2021.

Vancouver:

Hardman KJ. I Wanna Hold Your Hand: Touch, Intimacy and Equality in Christopher Marlowe's "Hero and Leander" and George Chapman's "Continuation". [Internet] [Masters thesis]. Arizona State University; 2012. [cited 2021 Apr 12]. Available from: http://repository.asu.edu/items/15985.

Council of Science Editors:

Hardman KJ. I Wanna Hold Your Hand: Touch, Intimacy and Equality in Christopher Marlowe's "Hero and Leander" and George Chapman's "Continuation". [Masters Thesis]. Arizona State University; 2012. Available from: http://repository.asu.edu/items/15985

Montana State University

5. Carey, Katherine Elizabeth. Architecture and the motion of life.

Degree: M Arch, College of Arts & Architecture, 2009, Montana State University

URL: https://scholarworks.montana.edu/xmlui/handle/1/1040

► We experience our world through the mobile unit that is our body. As we move through space we are experiencing the riches that make up… (more)

Subjects/Keywords: Motion; Futurism (Architecture)

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APA (6^th Edition):

Carey, K. E. (2009). Architecture and the motion of life. (Thesis). Montana State University. Retrieved from https://scholarworks.montana.edu/xmlui/handle/1/1040

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Carey, Katherine Elizabeth. “Architecture and the motion of life.” 2009. Thesis, Montana State University. Accessed April 12, 2021. https://scholarworks.montana.edu/xmlui/handle/1/1040.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Carey, Katherine Elizabeth. “Architecture and the motion of life.” 2009. Web. 12 Apr 2021.

Vancouver:

Carey KE. Architecture and the motion of life. [Internet] [Thesis]. Montana State University; 2009. [cited 2021 Apr 12]. Available from: https://scholarworks.montana.edu/xmlui/handle/1/1040.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carey KE. Architecture and the motion of life. [Thesis]. Montana State University; 2009. Available from: https://scholarworks.montana.edu/xmlui/handle/1/1040

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Florida Atlantic University

6. Patel, Erin. Bar splendor: Francesco Meriano e la (ri)illuminizaione delle parole in libertáa.

Degree: MA, 2012, Florida Atlantic University

URL: http://purl.flvc.org/FAU/3358752

►

Summary: This thesis focuses on the translation of parole in libertáa, an early twentieth century poetic styling that combines a visual and written code proposed… (more)

Subjects/Keywords: Meriano, Francesco , 1896-1934; Futurism (Art); Futurism (Literary movement); Graphic design (Typography)

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APA (6^th Edition):

Patel, E. (2012). Bar splendor: Francesco Meriano e la (ri)illuminizaione delle parole in libertáa. (Masters Thesis). Florida Atlantic University. Retrieved from http://purl.flvc.org/FAU/3358752

Chicago Manual of Style (16^th Edition):

Patel, Erin. “Bar splendor: Francesco Meriano e la (ri)illuminizaione delle parole in libertáa.” 2012. Masters Thesis, Florida Atlantic University. Accessed April 12, 2021. http://purl.flvc.org/FAU/3358752.

MLA Handbook (7^th Edition):

Patel, Erin. “Bar splendor: Francesco Meriano e la (ri)illuminizaione delle parole in libertáa.” 2012. Web. 12 Apr 2021.

Vancouver:

Patel E. Bar splendor: Francesco Meriano e la (ri)illuminizaione delle parole in libertáa. [Internet] [Masters thesis]. Florida Atlantic University; 2012. [cited 2021 Apr 12]. Available from: http://purl.flvc.org/FAU/3358752.

Council of Science Editors:

Patel E. Bar splendor: Francesco Meriano e la (ri)illuminizaione delle parole in libertáa. [Masters Thesis]. Florida Atlantic University; 2012. Available from: http://purl.flvc.org/FAU/3358752

University of Colorado

7. Wardlaw, Shelby Ruth. Embodied Word, Disembodied Woman: The Ethics and Aesthetics of Elena Guro.

Degree: MA, 2016, University of Colorado

URL: https://scholar.colorado.edu/coml_gradetds/32

► Russian poet, painter, and playwright Elena Guro builds on the Futurist concept of the liberation of the word, extending it to the sphere of… (more)

Subjects/Keywords: avant garde poetry; Elena Guro; Futurism; Russian Futurism; Sadok Sudei; Troe; Comparative Literature; Modern Literature; Russian Literature

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APA (6^th Edition):

Wardlaw, S. R. (2016). Embodied Word, Disembodied Woman: The Ethics and Aesthetics of Elena Guro. (Masters Thesis). University of Colorado. Retrieved from https://scholar.colorado.edu/coml_gradetds/32

Chicago Manual of Style (16^th Edition):

Wardlaw, Shelby Ruth. “Embodied Word, Disembodied Woman: The Ethics and Aesthetics of Elena Guro.” 2016. Masters Thesis, University of Colorado. Accessed April 12, 2021. https://scholar.colorado.edu/coml_gradetds/32.

MLA Handbook (7^th Edition):

Wardlaw, Shelby Ruth. “Embodied Word, Disembodied Woman: The Ethics and Aesthetics of Elena Guro.” 2016. Web. 12 Apr 2021.

Vancouver:

Wardlaw SR. Embodied Word, Disembodied Woman: The Ethics and Aesthetics of Elena Guro. [Internet] [Masters thesis]. University of Colorado; 2016. [cited 2021 Apr 12]. Available from: https://scholar.colorado.edu/coml_gradetds/32.

Council of Science Editors:

Wardlaw SR. Embodied Word, Disembodied Woman: The Ethics and Aesthetics of Elena Guro. [Masters Thesis]. University of Colorado; 2016. Available from: https://scholar.colorado.edu/coml_gradetds/32

UCLA

8. Baranello, Adriana Marie. Fillia's Futurism Writing, Politics, Gender and Art after the First World War.

Degree: Italian, 2014, UCLA

URL: http://www.escholarship.org/uc/item/2r47405v

► Fillia (Luigi Colombo, 1904-1936) is one of the most significant and intriguing protagonists of the Italian futurist avant-garde in the period between the two World… (more)

▼ Fillia (Luigi Colombo, 1904-1936) is one of the most significant and intriguing protagonists of the Italian futurist avant-garde in the period between the two World Wars, though his body of work has yet to be considered in any depth. My dissertation uses a variety of critical methods (socio-political, historical, philological, narratological and feminist), along with the stylistic analysis and close reading of individual works, to study and assess the importance of Fillia's literature, theater, art, political activism, and beyond. Far from being derivative and reactionary in form and content, as interwar futurism has often been characterized, Fillia's works deploy subtler, but no less innovative forms of experimentation. For most of his brief but highly productive life, Fillia lived and worked in Turin, where in the early 1920s he came into contact with Antonio Gramsci and his factory councils. This led to a period of extreme left-wing communist-futurism. In the mid-1920s, following Marinetti's lead, Fillia moved toward accommodation with the fascist regime. This shift to the right eventually even led to a phase dominated by Catholic mysticism, from which emerged in his idiosyncratic and highly original futurist sacred art. The purposes of my study are the following: to analyze and contextualize Fillia's oeuvre; to highlight his importance for a more nuanced and comprehensive understanding of the futurist movement and the European avant-garde; to demonstrate his crucial aesthetic contributions to late futurism; and to bring critical attention to his radical political ideology. I also draw out the influence that his early communist activities continued to have even in his later fascist years, as well as his unprecedented interest in questions of gender and feminism.Based on the evidence that emerges from my reading of Fillia's oeuvre, in my conclusions I show how my work contributes to a more thorough and nuanced understanding of futurism's complexity, and I discuss Fillia's importance to Italian intellectual life immediately before and under the fascist regime. Studying Fillia's ideological swing from left-wing radical to right-leaning conservative provides crucial clues about the intellectual and cultural climate in interwar Italy, and forwards scholarly understanding of the pressures and constraints that led so many Italian intellectuals to active participation in Mussolini's regime. Finally, using the evidence presented in the dissertation, I suggest some possible new perspectives for the comparative study of modernism and the avant-garde in Europe.

Subjects/Keywords: Romance literature; History; Art history; communism; fascism; Fillia; futurism; Marinetti

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APA (6^th Edition):

Baranello, A. M. (2014). Fillia's Futurism Writing, Politics, Gender and Art after the First World War. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/2r47405v

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Baranello, Adriana Marie. “Fillia's Futurism Writing, Politics, Gender and Art after the First World War.” 2014. Thesis, UCLA. Accessed April 12, 2021. http://www.escholarship.org/uc/item/2r47405v.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Baranello, Adriana Marie. “Fillia's Futurism Writing, Politics, Gender and Art after the First World War.” 2014. Web. 12 Apr 2021.

Vancouver:

Baranello AM. Fillia's Futurism Writing, Politics, Gender and Art after the First World War. [Internet] [Thesis]. UCLA; 2014. [cited 2021 Apr 12]. Available from: http://www.escholarship.org/uc/item/2r47405v.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baranello AM. Fillia's Futurism Writing, Politics, Gender and Art after the First World War. [Thesis]. UCLA; 2014. Available from: http://www.escholarship.org/uc/item/2r47405v

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Leiden University

9. Liere, Sil van. Cityscapes and the urban environment in contemporary art from China.

Degree: 2016, Leiden University

URL: http://hdl.handle.net/1887/42308

► Today, art from China is very different from that of the 1980s and 1990s. Contemporary Chinese urban art is critical of the modernization China has… (more)

Subjects/Keywords: China; city; urban space; cityscape; contemporary art; urbanization; futurism; globalization; sinification

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APA (6^th Edition):

Liere, S. v. (2016). Cityscapes and the urban environment in contemporary art from China. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/42308

Chicago Manual of Style (16^th Edition):

Liere, Sil van. “Cityscapes and the urban environment in contemporary art from China.” 2016. Masters Thesis, Leiden University. Accessed April 12, 2021. http://hdl.handle.net/1887/42308.

MLA Handbook (7^th Edition):

Liere, Sil van. “Cityscapes and the urban environment in contemporary art from China.” 2016. Web. 12 Apr 2021.

Vancouver:

Liere Sv. Cityscapes and the urban environment in contemporary art from China. [Internet] [Masters thesis]. Leiden University; 2016. [cited 2021 Apr 12]. Available from: http://hdl.handle.net/1887/42308.

Council of Science Editors:

Liere Sv. Cityscapes and the urban environment in contemporary art from China. [Masters Thesis]. Leiden University; 2016. Available from: http://hdl.handle.net/1887/42308

Texas Tech University

10. -0815-3664. Subversive realities: Magical realism as a decolonial agent in speculative fiction.

Degree: MA, English, 2018, Texas Tech University

URL: http://hdl.handle.net/2346/73795

► Speculative fiction has been a genre that is traditionally seen as a Western endeavor, reinforcing colonial ideas since its Golden Age. On the other hand,… (more)

Subjects/Keywords: Magical Realism; Science Fiction; Speculative Fiction; Scifi; SF; Magic Realism; Futurism

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APA (6^th Edition):

-0815-3664. (2018). Subversive realities: Magical realism as a decolonial agent in speculative fiction. (Masters Thesis). Texas Tech University. Retrieved from http://hdl.handle.net/2346/73795

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16^th Edition):

-0815-3664. “Subversive realities: Magical realism as a decolonial agent in speculative fiction.” 2018. Masters Thesis, Texas Tech University. Accessed April 12, 2021. http://hdl.handle.net/2346/73795.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7^th Edition):

-0815-3664. “Subversive realities: Magical realism as a decolonial agent in speculative fiction.” 2018. Web. 12 Apr 2021.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-0815-3664. Subversive realities: Magical realism as a decolonial agent in speculative fiction. [Internet] [Masters thesis]. Texas Tech University; 2018. [cited 2021 Apr 12]. Available from: http://hdl.handle.net/2346/73795.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-0815-3664. Subversive realities: Magical realism as a decolonial agent in speculative fiction. [Masters Thesis]. Texas Tech University; 2018. Available from: http://hdl.handle.net/2346/73795

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

University of California – Irvine

11. Colbert, Eric Anthony. Umberto Boccioni's Unique Forms of Continuity in Space: How materiality obfuscates originality, intent, and ethics.

Degree: Visual Studies, 2018, University of California – Irvine

URL: http://www.escholarship.org/uc/item/7rm4878b

► After Umberto Boccioni’s death in 1916 one of his most famous works, the plaster sculpture Unique Forms of Continuity in Space, was cast in bronze… (more)

Subjects/Keywords: Art history; Boccioni; Ethics; Futurism; Materiality; Original; Plaster

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APA (6^th Edition):

Colbert, E. A. (2018). Umberto Boccioni's Unique Forms of Continuity in Space: How materiality obfuscates originality, intent, and ethics. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/7rm4878b

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Colbert, Eric Anthony. “Umberto Boccioni's Unique Forms of Continuity in Space: How materiality obfuscates originality, intent, and ethics.” 2018. Thesis, University of California – Irvine. Accessed April 12, 2021. http://www.escholarship.org/uc/item/7rm4878b.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Colbert, Eric Anthony. “Umberto Boccioni's Unique Forms of Continuity in Space: How materiality obfuscates originality, intent, and ethics.” 2018. Web. 12 Apr 2021.

Vancouver:

Colbert EA. Umberto Boccioni's Unique Forms of Continuity in Space: How materiality obfuscates originality, intent, and ethics. [Internet] [Thesis]. University of California – Irvine; 2018. [cited 2021 Apr 12]. Available from: http://www.escholarship.org/uc/item/7rm4878b.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Colbert EA. Umberto Boccioni's Unique Forms of Continuity in Space: How materiality obfuscates originality, intent, and ethics. [Thesis]. University of California – Irvine; 2018. Available from: http://www.escholarship.org/uc/item/7rm4878b

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Wayne State University

12. Figg, Travis Matthew. How To Understand The Debate Over Presentism And Eternalism.

Degree: PhD, Philosophy, 2017, Wayne State University

URL: https://digitalcommons.wayne.edu/oa_dissertations/1802

► Presentism is the view that, with the possible exception of things outside of time, everything that exists, exists at the present time. It is… (more)

Subjects/Keywords: eternalism; metaphysics; no-futurism; presentism; temporal logic; time; Philosophy

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APA (6^th Edition):

Figg, T. M. (2017). How To Understand The Debate Over Presentism And Eternalism. (Doctoral Dissertation). Wayne State University. Retrieved from https://digitalcommons.wayne.edu/oa_dissertations/1802

Chicago Manual of Style (16^th Edition):

Figg, Travis Matthew. “How To Understand The Debate Over Presentism And Eternalism.” 2017. Doctoral Dissertation, Wayne State University. Accessed April 12, 2021. https://digitalcommons.wayne.edu/oa_dissertations/1802.

MLA Handbook (7^th Edition):

Figg, Travis Matthew. “How To Understand The Debate Over Presentism And Eternalism.” 2017. Web. 12 Apr 2021.

Vancouver:

Figg TM. How To Understand The Debate Over Presentism And Eternalism. [Internet] [Doctoral dissertation]. Wayne State University; 2017. [cited 2021 Apr 12]. Available from: https://digitalcommons.wayne.edu/oa_dissertations/1802.

Council of Science Editors:

Figg TM. How To Understand The Debate Over Presentism And Eternalism. [Doctoral Dissertation]. Wayne State University; 2017. Available from: https://digitalcommons.wayne.edu/oa_dissertations/1802

13. Cook, C. Towards a Greater Britain : a political biography of Oswald Mosley, 1918-1947.

Degree: PhD, 2000, Oxford Brookes University

URL: http://radar.brookes.ac.uk/radar/items/4c1e5ac3-156c-9d67-8ab9-f05ab3c7acdc/1 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325440

► This thesis examines the major stages in the political career of Oswald Mosley and argues that a continuity existed in his diagnosis of contemporary history… (more)

▼ This thesis examines the major stages in the political career of Oswald Mosley and argues that a continuity existed in his diagnosis of contemporary history from the moment he entered political life at the end of the First World War as a zealous parliamentarian till his last days as an unrepentant fascist. An ideal type of the 'esoteric' core of Mosley's ideology is used to identify a consistent thread which resolves the contradictions in Mosley's political agitations into paradoxes. Drawing on a theory of ideology which distinguishes between its fundamental and operative dimensions, Mosley's core (fundamental) ideology is depicted ideal typically as the ambition to realize Bntain's potential for national greatness conceived in a future oriented, modernizing rather than a nostalgic or conservative perspective. The structure of the biography follows the chronological narrative of Mosley's life, episodically, illuminating it through pivotal moments in his career. Through a textual and contextual analysis of these moments it identifies the performance of the operative dimension of Mosley's fundamental ideology in order to bring out its internal consistency. Each chapter highlights a theme which may have manifested itself at other moments in Nlosley's life but is especially distinct at one stage of Nlosley's career. These themes are the myth of the airman, leadership, economics, unemployment, the New Party, the nation and Greater Britain, anti-Semitism and violence, philosophical idealism and the philosophy of apologia. The thesis draws on the vast published textual output from Mosley along with reports of his speeches, supported by many contemporary writings relating to chapter topic. These resources are used to demonstrate and shed light on the esoteric mainspring of Mosley's politics. In addition the thesis demonstrates and argues in favour of a biographic methodology which does not construct the inner machinations of the subject's psychology or 'mind' as an explanation of behaviour but looks pragmatically to the significant products of the subject and constructs, ideal typically, a consistent ideological matrix the centre of the subjects politics. This thesis contributes to knowledge of the subject by presenting a pragmatic understanding of Mosley's political motivations and identifying a consistent core to his political pronouncements. The thesis also brings to biographical studies a phenomenological methodology which dispenses with the postulation of a knowable core personality or 'real' psychological life in order to demonstrate the inner coherence of the subject's personality for the purpose of historical reconstruction.

Subjects/Keywords: 900; Fascism; Nationalism; Futurism

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APA (6^th Edition):

Cook, C. (2000). Towards a Greater Britain : a political biography of Oswald Mosley, 1918-1947. (Doctoral Dissertation). Oxford Brookes University. Retrieved from http://radar.brookes.ac.uk/radar/items/4c1e5ac3-156c-9d67-8ab9-f05ab3c7acdc/1 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325440

Chicago Manual of Style (16^th Edition):

Cook, C. “Towards a Greater Britain : a political biography of Oswald Mosley, 1918-1947.” 2000. Doctoral Dissertation, Oxford Brookes University. Accessed April 12, 2021. http://radar.brookes.ac.uk/radar/items/4c1e5ac3-156c-9d67-8ab9-f05ab3c7acdc/1 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325440.

MLA Handbook (7^th Edition):

Cook, C. “Towards a Greater Britain : a political biography of Oswald Mosley, 1918-1947.” 2000. Web. 12 Apr 2021.

Vancouver:

Cook C. Towards a Greater Britain : a political biography of Oswald Mosley, 1918-1947. [Internet] [Doctoral dissertation]. Oxford Brookes University; 2000. [cited 2021 Apr 12]. Available from: http://radar.brookes.ac.uk/radar/items/4c1e5ac3-156c-9d67-8ab9-f05ab3c7acdc/1 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325440.

Council of Science Editors:

Cook C. Towards a Greater Britain : a political biography of Oswald Mosley, 1918-1947. [Doctoral Dissertation]. Oxford Brookes University; 2000. Available from: http://radar.brookes.ac.uk/radar/items/4c1e5ac3-156c-9d67-8ab9-f05ab3c7acdc/1 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325440

Royal Holloway, University of London

14. Davies, James. Luigi Russolo's imagination of sound and music.

Degree: PhD, 2017, Royal Holloway, University of London

URL: https://pure.royalholloway.ac.uk/portal/en/publications/luigi-russolos-imagination-of-sound-and-music(a17b7886-0afd-4f9d-ae48-9f16ceacb3b9).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792751

► This thesis examines the imagination and function of noise within the Futurist movement, specifically within the work of Luigi Russolo. It starts from the publication… (more)

Subjects/Keywords: Futurism; Russolo; Marinetti; Intonarumori; Words in Freedom; Art of Noises; Serate

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APA (6^th Edition):

Davies, J. (2017). Luigi Russolo's imagination of sound and music. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/luigi-russolos-imagination-of-sound-and-music(a17b7886-0afd-4f9d-ae48-9f16ceacb3b9).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792751

Chicago Manual of Style (16^th Edition):

Davies, James. “Luigi Russolo's imagination of sound and music.” 2017. Doctoral Dissertation, Royal Holloway, University of London. Accessed April 12, 2021. https://pure.royalholloway.ac.uk/portal/en/publications/luigi-russolos-imagination-of-sound-and-music(a17b7886-0afd-4f9d-ae48-9f16ceacb3b9).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792751.

MLA Handbook (7^th Edition):

Davies, James. “Luigi Russolo's imagination of sound and music.” 2017. Web. 12 Apr 2021.

Vancouver:

Davies J. Luigi Russolo's imagination of sound and music. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2017. [cited 2021 Apr 12]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/luigi-russolos-imagination-of-sound-and-music(a17b7886-0afd-4f9d-ae48-9f16ceacb3b9).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792751.

Council of Science Editors:

Davies J. Luigi Russolo's imagination of sound and music. [Doctoral Dissertation]. Royal Holloway, University of London; 2017. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/luigi-russolos-imagination-of-sound-and-music(a17b7886-0afd-4f9d-ae48-9f16ceacb3b9).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792751

Université Paris-Sorbonne – Paris IV

15. Fantino, Luca. F.-T. Marinetti : une avant-garde entre la France et l’Italie : F.-T. Marinetti : an avant-garde between France and Italy.

Degree: Docteur es, Littératures françaises et comparée, 2011, Université Paris-Sorbonne – Paris IV

URL: http://www.theses.fr/2011PA040227

►

Le futurisme aurait pu n’être qu’une école littéraire parmi les autres, fort nombreuses au début du XXème siècle. Il devient, par contre, un mouvement artistique… (more)

Subjects/Keywords: Marinetti; Futurisme; Avant-garde; Italie; France; Futurism; Italy; France

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APA (6^th Edition):

Fantino, L. (2011). F.-T. Marinetti : une avant-garde entre la France et l’Italie : F.-T. Marinetti : an avant-garde between France and Italy. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2011PA040227

Chicago Manual of Style (16^th Edition):

Fantino, Luca. “F.-T. Marinetti : une avant-garde entre la France et l’Italie : F.-T. Marinetti : an avant-garde between France and Italy.” 2011. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed April 12, 2021. http://www.theses.fr/2011PA040227.

MLA Handbook (7^th Edition):

Fantino, Luca. “F.-T. Marinetti : une avant-garde entre la France et l’Italie : F.-T. Marinetti : an avant-garde between France and Italy.” 2011. Web. 12 Apr 2021.

Vancouver:

Fantino L. F.-T. Marinetti : une avant-garde entre la France et l’Italie : F.-T. Marinetti : an avant-garde between France and Italy. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2011. [cited 2021 Apr 12]. Available from: http://www.theses.fr/2011PA040227.

Council of Science Editors:

Fantino L. F.-T. Marinetti : une avant-garde entre la France et l’Italie : F.-T. Marinetti : an avant-garde between France and Italy. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2011. Available from: http://www.theses.fr/2011PA040227

Duke University

16. Jones, Zoe Marie. A Transnational Bohemia: Dandyism and the Dance in the Futurist Art of Gino Severini, 1909-1914 .

Degree: 2011, Duke University

URL: http://hdl.handle.net/10161/4995

► ABSTRACT My dissertation studies the intersection of popular entertainment and the visual arts in Paris during the first decades of the twentieth century and… (more)

▼ ABSTRACT My dissertation studies the intersection of popular entertainment and the visual arts in Paris during the first decades of the twentieth century and the dialogue that formed between this subculture and the avant-garde factions of Paris and Italy. While this project will focus on the Italian Futurist Gino Severini (1883-1966), it is not conceived of as a monograph. Instead I will use Severini as a case study to help make sense of a complicated world in which the boundaries between bohemia and the bourgeoisie, masculinity and femininity, and art and popular culture are transgressed and blurred. Severini is particularly well suited to this discussion because nearly all of the 170 paintings, sketches, and pastels that he produced between the time that he arrived in Paris and the outbreak of the First World War take as their subject a prime example of Parisian popular culture – Montmartre's dance-halls. My study will address how form and content interrelate in these works, analyzing the ongoing evolution of his style and the manner in which he developed his imagery to cater to both commercial and avant-garde audiences. It will also seek to make sense of the reception of Severini's work both in France and elsewhere. In order to make sense of his artistic career and to divine the importance of his life and work to the greater political and cultural environment of early twentieth-century Europe, I will also explore Severini's actual participation in dance-hall culture, his self-fashioning as a dandy and a foreigner, and his attempt to find a niche for himself in Paris while still maintaining a foothold in the Italian avant-garde. Gino Severini's unique posturing within the culture of Bohemian Paris and the rich visual record that he left behind provide a perfect platform from which to deepen our understanding of the multitude of factors influencing the Parisian avant-garde and its subsequent impact on avant-gardes throughout the rest of the Western world. Advisors/Committee Members: Antliff, Mark (advisor).

Subjects/Keywords: Art history; Avant-Garde; Bohemia; Dance; Dandyism; Futurism; Gino Severini

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APA (6^th Edition):

Jones, Z. M. (2011). A Transnational Bohemia: Dandyism and the Dance in the Futurist Art of Gino Severini, 1909-1914 . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/4995

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Jones, Zoe Marie. “A Transnational Bohemia: Dandyism and the Dance in the Futurist Art of Gino Severini, 1909-1914 .” 2011. Thesis, Duke University. Accessed April 12, 2021. http://hdl.handle.net/10161/4995.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Jones, Zoe Marie. “A Transnational Bohemia: Dandyism and the Dance in the Futurist Art of Gino Severini, 1909-1914 .” 2011. Web. 12 Apr 2021.

Vancouver:

Jones ZM. A Transnational Bohemia: Dandyism and the Dance in the Futurist Art of Gino Severini, 1909-1914 . [Internet] [Thesis]. Duke University; 2011. [cited 2021 Apr 12]. Available from: http://hdl.handle.net/10161/4995.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jones ZM. A Transnational Bohemia: Dandyism and the Dance in the Futurist Art of Gino Severini, 1909-1914 . [Thesis]. Duke University; 2011. Available from: http://hdl.handle.net/10161/4995

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Louisiana State University

17. Rigling, Savanna. Song and Russian Futurism: The Early Vocal Works of Nikolay Roslavets and Arthur Lourié.

Degree: MM, Music, 2017, Louisiana State University

URL: etd-05202017-123705 ; https://digitalcommons.lsu.edu/gradschool_theses/4578

► This thesis analyzes Nikolay Roslavets’s Four Compositions for Voice and Piano and Ar-thur Lourié’s Azbuka and Corona Carminum Sacrorum, all works written during the height… (more)

Subjects/Keywords: Nikolay Roslavets; Arthur Lourié; Russian music theory; Russian Futurism

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APA (6^th Edition):

Rigling, S. (2017). Song and Russian Futurism: The Early Vocal Works of Nikolay Roslavets and Arthur Lourié. (Masters Thesis). Louisiana State University. Retrieved from etd-05202017-123705 ; https://digitalcommons.lsu.edu/gradschool_theses/4578

Chicago Manual of Style (16^th Edition):

Rigling, Savanna. “Song and Russian Futurism: The Early Vocal Works of Nikolay Roslavets and Arthur Lourié.” 2017. Masters Thesis, Louisiana State University. Accessed April 12, 2021. etd-05202017-123705 ; https://digitalcommons.lsu.edu/gradschool_theses/4578.

MLA Handbook (7^th Edition):

Rigling, Savanna. “Song and Russian Futurism: The Early Vocal Works of Nikolay Roslavets and Arthur Lourié.” 2017. Web. 12 Apr 2021.

Vancouver:

Rigling S. Song and Russian Futurism: The Early Vocal Works of Nikolay Roslavets and Arthur Lourié. [Internet] [Masters thesis]. Louisiana State University; 2017. [cited 2021 Apr 12]. Available from: etd-05202017-123705 ; https://digitalcommons.lsu.edu/gradschool_theses/4578.

Council of Science Editors:

Rigling S. Song and Russian Futurism: The Early Vocal Works of Nikolay Roslavets and Arthur Lourié. [Masters Thesis]. Louisiana State University; 2017. Available from: etd-05202017-123705 ; https://digitalcommons.lsu.edu/gradschool_theses/4578

Georgia State University

18. Snyder, Charles D, Jr. Fracture: Failure as a Path to Utopia in Queer Art and Life.

Degree: MFA, Art and Design, 2015, Georgia State University

URL: https://scholarworks.gsu.edu/art_design_theses/175

► Reproductive Futurism is the pervasive structuring of politics and society around securing of the future through fealty to a figurative Child. The primary means… (more)

Subjects/Keywords: queer; heteronormativity; failure; reproductive futurism; photography; conceptual art

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APA (6^th Edition):

Snyder, Charles D, J. (2015). Fracture: Failure as a Path to Utopia in Queer Art and Life. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/art_design_theses/175

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Snyder, Charles D, Jr. “Fracture: Failure as a Path to Utopia in Queer Art and Life.” 2015. Thesis, Georgia State University. Accessed April 12, 2021. https://scholarworks.gsu.edu/art_design_theses/175.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Snyder, Charles D, Jr. “Fracture: Failure as a Path to Utopia in Queer Art and Life.” 2015. Web. 12 Apr 2021.

Vancouver:

Snyder, Charles D J. Fracture: Failure as a Path to Utopia in Queer Art and Life. [Internet] [Thesis]. Georgia State University; 2015. [cited 2021 Apr 12]. Available from: https://scholarworks.gsu.edu/art_design_theses/175.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Snyder, Charles D J. Fracture: Failure as a Path to Utopia in Queer Art and Life. [Thesis]. Georgia State University; 2015. Available from: https://scholarworks.gsu.edu/art_design_theses/175

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

The Ohio State University

19. Glenn, Max D. Baby's First Steps: A Microhistory of The Chicago Neo-Futurists.

Degree: MA, Theatre, 2014, The Ohio State University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=osu1417526782

► This thesis is a microhistory of the first years of the The Neo-Futurists. While The Neo-Futurists have been a well-regarded mainstay of the Chicago theatre… (more)

Subjects/Keywords: Theater Studies; neo-futurism, gregallen, chicago theatre, neo-futurists, microhistory

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APA (6^th Edition):

Glenn, M. D. (2014). Baby's First Steps: A Microhistory of The Chicago Neo-Futurists. (Masters Thesis). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1417526782

Chicago Manual of Style (16^th Edition):

Glenn, Max D. “Baby's First Steps: A Microhistory of The Chicago Neo-Futurists.” 2014. Masters Thesis, The Ohio State University. Accessed April 12, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1417526782.

MLA Handbook (7^th Edition):

Glenn, Max D. “Baby's First Steps: A Microhistory of The Chicago Neo-Futurists.” 2014. Web. 12 Apr 2021.

Vancouver:

Glenn MD. Baby's First Steps: A Microhistory of The Chicago Neo-Futurists. [Internet] [Masters thesis]. The Ohio State University; 2014. [cited 2021 Apr 12]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1417526782.

Council of Science Editors:

Glenn MD. Baby's First Steps: A Microhistory of The Chicago Neo-Futurists. [Masters Thesis]. The Ohio State University; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1417526782

20. Lee, Sookwang. Research of future furniture design : exploring trends and aesthetics in futurism.

Degree: 2017, NC Docks

URL: http://libres.uncg.edu/ir/uncg/f/Lee_uncg_0154M_12401.pdf

► Conceptual furniture that appear in many movies can be a great source of inspiration. Unique artifacts are intended to create a sense of place within… (more)

Subjects/Keywords: Futurism (Architecture); Furniture, Futurist; Furniture design; Industrial design; Product design

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APA (6^th Edition):

Lee, S. (2017). Research of future furniture design : exploring trends and aesthetics in futurism. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/Lee_uncg_0154M_12401.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lee, Sookwang. “Research of future furniture design : exploring trends and aesthetics in futurism.” 2017. Thesis, NC Docks. Accessed April 12, 2021. http://libres.uncg.edu/ir/uncg/f/Lee_uncg_0154M_12401.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lee, Sookwang. “Research of future furniture design : exploring trends and aesthetics in futurism.” 2017. Web. 12 Apr 2021.

Vancouver:

Lee S. Research of future furniture design : exploring trends and aesthetics in futurism. [Internet] [Thesis]. NC Docks; 2017. [cited 2021 Apr 12]. Available from: http://libres.uncg.edu/ir/uncg/f/Lee_uncg_0154M_12401.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee S. Research of future furniture design : exploring trends and aesthetics in futurism. [Thesis]. NC Docks; 2017. Available from: http://libres.uncg.edu/ir/uncg/f/Lee_uncg_0154M_12401.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

San Jose State University

21. Gardini, Ashley. The Legacy of Antonio Sant'Elia: An Analysis of Sant'Elia's Posthumous Role in the Development of Italian Futurism during the Fascist Era.

Degree: MA, Art and Art History, 2014, San Jose State University

URL: https://doi.org/10.31979/etd.vezv-6nq2 ; https://scholarworks.sjsu.edu/etd_theses/4414

► This thesis is an examination of the posthumous legacy of Antonio Sant'Elia propagated by F.T. Marinetti during the 1920s and `30s in Fascist Italy.… (more)

Subjects/Keywords: Antonio Sant'Elia; Cult of the Fallen; Fascist mythology; F.T. Marinetti; Italian Fascism; Italian Futurism

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APA (6^th Edition):

Gardini, A. (2014). The Legacy of Antonio Sant'Elia: An Analysis of Sant'Elia's Posthumous Role in the Development of Italian Futurism during the Fascist Era. (Masters Thesis). San Jose State University. Retrieved from https://doi.org/10.31979/etd.vezv-6nq2 ; https://scholarworks.sjsu.edu/etd_theses/4414

Chicago Manual of Style (16^th Edition):

Gardini, Ashley. “The Legacy of Antonio Sant'Elia: An Analysis of Sant'Elia's Posthumous Role in the Development of Italian Futurism during the Fascist Era.” 2014. Masters Thesis, San Jose State University. Accessed April 12, 2021. https://doi.org/10.31979/etd.vezv-6nq2 ; https://scholarworks.sjsu.edu/etd_theses/4414.

MLA Handbook (7^th Edition):

Gardini, Ashley. “The Legacy of Antonio Sant'Elia: An Analysis of Sant'Elia's Posthumous Role in the Development of Italian Futurism during the Fascist Era.” 2014. Web. 12 Apr 2021.

Vancouver:

Gardini A. The Legacy of Antonio Sant'Elia: An Analysis of Sant'Elia's Posthumous Role in the Development of Italian Futurism during the Fascist Era. [Internet] [Masters thesis]. San Jose State University; 2014. [cited 2021 Apr 12]. Available from: https://doi.org/10.31979/etd.vezv-6nq2 ; https://scholarworks.sjsu.edu/etd_theses/4414.

Council of Science Editors:

Gardini A. The Legacy of Antonio Sant'Elia: An Analysis of Sant'Elia's Posthumous Role in the Development of Italian Futurism during the Fascist Era. [Masters Thesis]. San Jose State University; 2014. Available from: https://doi.org/10.31979/etd.vezv-6nq2 ; https://scholarworks.sjsu.edu/etd_theses/4414

University of Helsinki

22. Löfström, Anna. Koneen kontemplaatio. Hirato Renkichin futurismista.

Degree: Department of Philosophy, History, Culture and Art Studies; Helsingfors universitet, Humanistiska fakulteten, Institutionen för filosofi, historia, kultur- och konstforskning, 2017, University of Helsinki

URL: http://hdl.handle.net/10138/191083

► Tutkielma käsittelee japanilaista futuristirunoilijaa Hirato Renkichiä (平戸廉吉, 1893–1922). Hirato tunnetaan erityisesti manifestistaan ”Nihon miraiha sengen undō – Mouvement futuriste japonais”, jota hän jakoi kadulla Tokiossa… (more)

▼ Tutkielma käsittelee japanilaista futuristirunoilijaa Hirato Renkichiä (平戸廉吉, 1893–1922). Hirato tunnetaan erityisesti manifestistaan ”Nihon miraiha sengen undō – Mouvement futuriste japonais”, jota hän jakoi kadulla Tokiossa 1921. Hiratosta on olemassa hyvin vähän tutkimusta, kuten japanilaisesta avantgarderunoudesta yleensäkin. Laajemmin japanilaista kirjallisuutta käsittelevissä teksteissä Hirato mainitaan korkeintaan vain ohimennen. Hiraton tekstejä ei ole aiemmin suomennetu, ja englanninkielisiä käännöksiäkään ei löyty, paitsi Miryam Sasin käännös hänen manifestistaan ja sen yhteydessä olevasta ”Gangu” -runosta. Tähän tutkielmaan olen suomentanut muutamia Hiraton runoja sekä katkelmia hänen esseistään. Pyrin tässä tutkielmassa liittämään Hiraton runollisen tuotannon toisaalta sekä japanilaisen runouden laajempaan kontekstiin, että osaksi kansainvälistä futurismia. Selvitin erilaisista japanilaisista ja länsimaisista lähteistä modernin japanilaisen runouden kehitystä 1900-luvun alkupuolella, jotta pystyin liittämään Hiraton ja hänen tuotantonsa tähän kontekstiin osana gendaishi-runoutta ja sen kokeellista alalajia taishō-avantgardea. Samalla olen punonut tähän aikajanaan japanin yleistä modernisaatiota koskevia seikkoja. Japanissa tunnettiin tuolloin sekä italialaista että venäläistä futurismia, ja Hirato ehti myös tavata venäläisen futuristitaiteilijan David Burliukin tämän kaksivuotisen Japanin-vierailun aikana. Japanilaista futurismia pidetään siinä mielessä erityislaatuisena, että se yhdistää sekä italialaisen että venäläisen futurismin vaikutteita. Marinetti oli kuitenkin Hiratolle selkeästi tärkein futuristinen inspiroija, ja pyrin tässä työssä tuomaan esiin tapoja, joilla Hirato käyttää Marinettin taiteellisia innovaatioita hyväkseen, muokkaa niitä tarkoituksiinsa sopiviksi ja kommentoi niiden avulla sekä futurismia että japanilaista todellisuutta 1910–1920-luvulla. Yhdeksi keskeiseksi kysymykseksi nousee kysymys maantieteellisistä ja kulttuurisista etäisyyksistä: italialaisella futurismilla on vahva yhteys aikansa italialaiseen kulttuuriin ja poliittiseen todellisuuteen, ja kun tässä kontekstissa kehittyneitä keinoja käyttää japanilainen runoilija, runollisten keinojen ja niiden alla kytevien kontekstien välille syntyy säröisyyttä. Erityisen voimakkaasti tämä näkyy tavassa, millä futuristiset uudistukset ja innovaatiot kommentoivat antagonistisella otteella aiempaa taiteellista traditiota. Kutsun tätä katkosta metaesteettiseksi repeämäksi, koska kyse on nimenomaan poeettisten keinojen metatasolla tapahtuvasta katkoksesta, jossa vieras ja kaukainen kulttuurinen myllerrys tunkeutuu japanilaiseen runouteen, ja toisaalta taishō-japanin todellisuus muuttaa kansainvälisen futurismin kokonaiskuvaa metaesteettisen repeämän manifestaatioiden kautta. Hiratolla oli 1920-luvulla torjuttavanaan sekä japanilaisen taiteen pitkä traditio, että muutaman edellisen vuosikymmenen aikana toteutettu monella tapaa länsimaistava modernisaatio. Pyrin tässä tutkielmassa osoittamaan, miten Hirato futuristien keinojen…

Subjects/Keywords: Comparative Literature; Yleinen kirjallisuustiede; Allmän litteraturvetenskap; futurismi; japaninkielinen kirjallisuus; avantgarde; futurism; japansk litteratur; avantgarde

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Löfström, A. (2017). Koneen kontemplaatio. Hirato Renkichin futurismista. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/191083

Chicago Manual of Style (16^th Edition):

Löfström, Anna. “Koneen kontemplaatio. Hirato Renkichin futurismista.” 2017. Masters Thesis, University of Helsinki. Accessed April 12, 2021. http://hdl.handle.net/10138/191083.

MLA Handbook (7^th Edition):

Löfström, Anna. “Koneen kontemplaatio. Hirato Renkichin futurismista.” 2017. Web. 12 Apr 2021.

Vancouver:

Löfström A. Koneen kontemplaatio. Hirato Renkichin futurismista. [Internet] [Masters thesis]. University of Helsinki; 2017. [cited 2021 Apr 12]. Available from: http://hdl.handle.net/10138/191083.

Council of Science Editors:

Löfström A. Koneen kontemplaatio. Hirato Renkichin futurismista. [Masters Thesis]. University of Helsinki; 2017. Available from: http://hdl.handle.net/10138/191083

23. Russo, Serena. Relações metafóricas entre o design e o teatro : um caso de estudo de design de cenários no âmbito do Teatro do Noroeste - CDV.

Degree: 2018, RCAAP

URL: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipvc.pt:20.500.11960/2026

►

Mestrado em Design Integrado na Escola Superior de Tecnologia e Gestão do Instituto Politécnico de Viana do Castelo

A presente investigação tem o intuito de… (more)

▼

Mestrado em Design Integrado na Escola Superior de Tecnologia e Gestão do Instituto Politécnico de Viana do Castelo

A presente investigação tem o intuito de refletir sobre o papel do Design na construção de novas soluções e aplicações de cenários e adereços, em parceria com o Teatro do Noroeste – CDV de Viana do Castelo, nomeadamente, revisitando e interpretando a peça “Antes de Começar” de José de Almada Negreiros, encenação que tem o intuito de homenagear o próprio autor por ocasião do seu 125º aniversário de nascimento. Tendo em vista a importância da ligação entre o Teatro e o Design no âmbito da criação teatral, o foco principal do pensamento que se seguirá abrange um processo criativo que utiliza o espaço do Teatro como um lugar para a experimentação na criação de cenários e adereços, e busca refletir sobre a importancia do espaço teatral, considerando-o como um elemento mediador de sensações e conhecimento sobre a figura de José de Almada Negreiros. A cenografia constitui de facto uma ferramenta útil, fruto da síntese da cultura estudada ao longo da fase preliminar de projeto, e quer mediatizar o publico a perceção desta cultura. A utilização de uma metodologia baseada no Meta-projeto revela-se uma possibilidade para o Design representar um novo critério de ação dentro de um processo aberto, nomeadamente, um sistema capaz de atingir uma dimensão mais versátil, importando novos conhecimentos nas lides teatrais. Com esta investigação, os autores pretendem provar que o Design pode contribuir positivamente para solucionar problemas práticos e concretos da companhia Teatro do Noroeste – CDV, contribuindo quer para dignificar o papel do desenho, quer para contibuir para a inovação da cultura teatral - tendo o cuidado de não perder os seus valores tradicionais - através um método projetual de carácter crítico e experimental, orientado para a evolução de diferentes fases diretas de criação. Neste estudo, o desenho não pode prescindir da base metodológica, pois representa o instrumento principal e constitui a expressão direta do pensamento que levou à sua realização. Durante a fase de desenho, de fato, reuniu-se uma componente criativa - associada ao estudo do período histórico do Movimento do Futurismo e dos seus protagonistas - e uma componente racional - fruto da necessidade de responder aos critérios da peça teatral e às diretrizes da sua encenadora. Entre a formulação das propostas de projeto e a sua construção real, o desenho permitiu dar forma à consciência crítica do designer, tornando-se o testemunho da sua legitimidade de ação no âmbito da criação de cenografia e adereços para um espetáculo de Teatro. Esta investigação objetiva pensar ao espaço cénico como um centro dinâmico, como lugar de reorganização de signos e como espaço de mediação de cultura. Com este estudo, pretende-se provar que a figura do designer pode ser capaz de se mover dentro de um sistema aberto e flexível, adaptando-se às diferentes necessidades de projeto e aos processos de transformação de um espaço cênico a partir de simples…

Advisors/Committee Members: Soares, Liliana, Simões, Ricardo.

Subjects/Keywords: Cenário; Teatro; Meta-projeto; Futurismo; Desenho; Scenery; Theater; Meta-project; Futurism; Drawing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Russo, S. (2018). Relações metafóricas entre o design e o teatro : um caso de estudo de design de cenários no âmbito do Teatro do Noroeste - CDV. (Thesis). RCAAP. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipvc.pt:20.500.11960/2026

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Russo, Serena. “Relações metafóricas entre o design e o teatro : um caso de estudo de design de cenários no âmbito do Teatro do Noroeste - CDV.” 2018. Thesis, RCAAP. Accessed April 12, 2021. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipvc.pt:20.500.11960/2026.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Russo, Serena. “Relações metafóricas entre o design e o teatro : um caso de estudo de design de cenários no âmbito do Teatro do Noroeste - CDV.” 2018. Web. 12 Apr 2021.

Vancouver:

Russo S. Relações metafóricas entre o design e o teatro : um caso de estudo de design de cenários no âmbito do Teatro do Noroeste - CDV. [Internet] [Thesis]. RCAAP; 2018. [cited 2021 Apr 12]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipvc.pt:20.500.11960/2026.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Russo S. Relações metafóricas entre o design e o teatro : um caso de estudo de design de cenários no âmbito do Teatro do Noroeste - CDV. [Thesis]. RCAAP; 2018. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ipvc.pt:20.500.11960/2026

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Wayne State University

24. Abouzahr, Mohammed. Future Contingents, Freedom, And Foreknowledge.

Degree: PhD, Philosophy, 2013, Wayne State University

URL: https://digitalcommons.wayne.edu/oa_dissertations/824

► This essay is a contribution to the new trend and old tradition of analyzing theological fatalism in light of its relationship to logical fatalism.… (more)

▼ This essay is a contribution to the new trend and old tradition of analyzing theological fatalism in light of its relationship to logical fatalism. All results pertain to branching temporal systems that use the A-theory and assume presentism. The project focuses on two kinds of views about branching time. One position is true futurism, which designates what will occur regardless of contingency. The opposing view is open futurism, by which no possible course of events is privileged over others; that is, there are no soft facts. A contextualist theory of temporal standpoints, standpoint inheritance, is designed to enhance Priorian temporal logics. The proposal helps all branching time systems, not only those with an open future. Even though an account of temporal standpoints goes a long way towards aiding various analyses from a linguistic standpoint, theories that designate a true future ultimately succumb to philosophical difficulties. Under open futurism, standpoint inheritance commandeers the best semantic evidence for true futurism. Standpoint inheritance accounts for the evidence, but the evidence does not support true futurism's stronger claims. Furthermore, attempts to explain why one timeline is privileged as the actual future lead to fatalism. Open futurism and a related kind of open theism are the only viable alternatives under dynamic, branching time. If true futurism is feasible at all, it is so only with a static or eternalist basis. Standpoint inheritance is very general. It is applied to every system discussed in this analysis to handle damning linguistic shortcomings of traditional logics. Standpoint inheritance yields several other fruitful results, too. The theory helps clarify what it is for characterizations of God's beliefs to be soft and how his beliefs must differ from normal beliefs to retain softness. For open futurism, all strings of consecutive will's and was's can be reduced to at most two such operators under standpoint inheritance, but not under traditional theories. The open futurist distinction between will and will-inevitably is clarified, too. Standpoint inheritance allows for a supervaluationist semantics using open futurism as its basis instead of the usual true futurism. The theory of standpoint inheritance enhances dynamic, branching accounts of time to better compete with their static correlates. Advisors/Committee Members: John Corvino.

Subjects/Keywords: branching temporal logic; future contingents; logical fatalism; open futurism; standpoint inheritance; theological fatalism; Linguistics; Philosophy

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APA (6^th Edition):

Abouzahr, M. (2013). Future Contingents, Freedom, And Foreknowledge. (Doctoral Dissertation). Wayne State University. Retrieved from https://digitalcommons.wayne.edu/oa_dissertations/824

Chicago Manual of Style (16^th Edition):

Abouzahr, Mohammed. “Future Contingents, Freedom, And Foreknowledge.” 2013. Doctoral Dissertation, Wayne State University. Accessed April 12, 2021. https://digitalcommons.wayne.edu/oa_dissertations/824.

MLA Handbook (7^th Edition):

Abouzahr, Mohammed. “Future Contingents, Freedom, And Foreknowledge.” 2013. Web. 12 Apr 2021.

Vancouver:

Abouzahr M. Future Contingents, Freedom, And Foreknowledge. [Internet] [Doctoral dissertation]. Wayne State University; 2013. [cited 2021 Apr 12]. Available from: https://digitalcommons.wayne.edu/oa_dissertations/824.

Council of Science Editors:

Abouzahr M. Future Contingents, Freedom, And Foreknowledge. [Doctoral Dissertation]. Wayne State University; 2013. Available from: https://digitalcommons.wayne.edu/oa_dissertations/824

Universidade Nova

25. Abreu, Edward Valeriano de Luiz Gonçalves Ayres de. Ruy Coelho (1889-1986): o compositor da geração d’Orpheu.

Degree: 2014, Universidade Nova

URL: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14321

►

Ficheiros em falta: anexo 4,5,6 só legíveis presencialmente

Ruy Coelho (1889-1986) é um dos compositores mais obscuros da História da Música do século XX. Aproveitando… (more)

Subjects/Keywords: Modernismo; Futurismo; Saudosismo; Neo-romantismo; Pantonalidade; Bailado moderno; Modernism; Futurism; Neo-romanticism; Pantonality; Modern ballet

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Abreu, E. V. d. L. G. A. d. (2014). Ruy Coelho (1889-1986): o compositor da geração d’Orpheu. (Thesis). Universidade Nova. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14321

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Abreu, Edward Valeriano de Luiz Gonçalves Ayres de. “Ruy Coelho (1889-1986): o compositor da geração d’Orpheu.” 2014. Thesis, Universidade Nova. Accessed April 12, 2021. http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14321.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Abreu, Edward Valeriano de Luiz Gonçalves Ayres de. “Ruy Coelho (1889-1986): o compositor da geração d’Orpheu.” 2014. Web. 12 Apr 2021.

Vancouver:

Abreu EVdLGAd. Ruy Coelho (1889-1986): o compositor da geração d’Orpheu. [Internet] [Thesis]. Universidade Nova; 2014. [cited 2021 Apr 12]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14321.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Abreu EVdLGAd. Ruy Coelho (1889-1986): o compositor da geração d’Orpheu. [Thesis]. Universidade Nova; 2014. Available from: http://www.rcaap.pt/detail.jsp?id=oai:run.unl.pt:10362/14321

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Stockholm University

26. Korpskog, Adam. Vissnande verklighet: maskulina och feminina markörer i Axel Törnemans sena konstnärskap.

Degree: Art History, 2014, Stockholm University

URL: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-105716

► Den här uppsatsen behandlar genusmarkörer i Axel Törnemans sena konstnärskap. Syftet är att undersöka maskulina och feminina markörer i fyra av konstnärens målningar: Gatans… (more)

Subjects/Keywords: Axel Törneman; Maskulinitet; Femininitet; Det första världskriget; Mazeppa; Gudrun; Gatans rytm; Ungdom; Expressionism; Futurism; Genusmarkörer

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Korpskog, A. (2014). Vissnande verklighet: maskulina och feminina markörer i Axel Törnemans sena konstnärskap. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-105716

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Korpskog, Adam. “Vissnande verklighet: maskulina och feminina markörer i Axel Törnemans sena konstnärskap.” 2014. Thesis, Stockholm University. Accessed April 12, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-105716.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Korpskog, Adam. “Vissnande verklighet: maskulina och feminina markörer i Axel Törnemans sena konstnärskap.” 2014. Web. 12 Apr 2021.

Vancouver:

Korpskog A. Vissnande verklighet: maskulina och feminina markörer i Axel Törnemans sena konstnärskap. [Internet] [Thesis]. Stockholm University; 2014. [cited 2021 Apr 12]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-105716.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Korpskog A. Vissnande verklighet: maskulina och feminina markörer i Axel Törnemans sena konstnärskap. [Thesis]. Stockholm University; 2014. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-105716

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Oregon

27. Barth, Rachel. Photographing the "Phantoms of the Living": The Fotodinamismo Futurista of Anton Giulio and Arturo Bragaglia, 1911-1913.

Degree: MA, Department of the History of Art and Architecture, 2014, University of Oregon

URL: http://hdl.handle.net/1794/17877

► Between 1911 and 1913, two Italian brothers named Anton Giulio Bragaglia and Arturo Bragaglia produced Futurist photography which they termed "photodynamism." These images, together with… (more)

Subjects/Keywords: Anton Giulio Bragaglia; History of Photography; Italian Futurism; Italian Futurist Photography; Modern Art; Photodynamism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Barth, R. (2014). Photographing the "Phantoms of the Living": The Fotodinamismo Futurista of Anton Giulio and Arturo Bragaglia, 1911-1913. (Masters Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/17877

Chicago Manual of Style (16^th Edition):

Barth, Rachel. “Photographing the "Phantoms of the Living": The Fotodinamismo Futurista of Anton Giulio and Arturo Bragaglia, 1911-1913.” 2014. Masters Thesis, University of Oregon. Accessed April 12, 2021. http://hdl.handle.net/1794/17877.

MLA Handbook (7^th Edition):

Barth, Rachel. “Photographing the "Phantoms of the Living": The Fotodinamismo Futurista of Anton Giulio and Arturo Bragaglia, 1911-1913.” 2014. Web. 12 Apr 2021.

Vancouver:

Barth R. Photographing the "Phantoms of the Living": The Fotodinamismo Futurista of Anton Giulio and Arturo Bragaglia, 1911-1913. [Internet] [Masters thesis]. University of Oregon; 2014. [cited 2021 Apr 12]. Available from: http://hdl.handle.net/1794/17877.

Council of Science Editors:

Barth R. Photographing the "Phantoms of the Living": The Fotodinamismo Futurista of Anton Giulio and Arturo Bragaglia, 1911-1913. [Masters Thesis]. University of Oregon; 2014. Available from: http://hdl.handle.net/1794/17877

Universidad de Extremadura

28. Fernández Campón, Miguel, 1981-. El concepto de tiempo en las vanguardias históricas: Futurismo, Pintura metafísica y Dadaísmo .

Degree: 2014, Universidad de Extremadura

URL: http://hdl.handle.net/10662/1626

► La presente tesis, que lleva por título El concepto de tiempo en las vanguardias históricas: Futurismo, Pintura metafísica y Dadaísmo, propone esclarecer cuáles son las… (more)

Subjects/Keywords: Concepto de tiempo; Futurismo; Pintura metafísica; Dadaísmo; Concept of time; Futurism; Metaphysical Painting; Dadaism

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APA (6^th Edition):

Fernández Campón, Miguel, 1. (2014). El concepto de tiempo en las vanguardias históricas: Futurismo, Pintura metafísica y Dadaísmo . (Thesis). Universidad de Extremadura. Retrieved from http://hdl.handle.net/10662/1626

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Fernández Campón, Miguel, 1981-. “El concepto de tiempo en las vanguardias históricas: Futurismo, Pintura metafísica y Dadaísmo .” 2014. Thesis, Universidad de Extremadura. Accessed April 12, 2021. http://hdl.handle.net/10662/1626.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Fernández Campón, Miguel, 1981-. “El concepto de tiempo en las vanguardias históricas: Futurismo, Pintura metafísica y Dadaísmo .” 2014. Web. 12 Apr 2021.

Vancouver:

Fernández Campón, Miguel 1. El concepto de tiempo en las vanguardias históricas: Futurismo, Pintura metafísica y Dadaísmo . [Internet] [Thesis]. Universidad de Extremadura; 2014. [cited 2021 Apr 12]. Available from: http://hdl.handle.net/10662/1626.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fernández Campón, Miguel 1. El concepto de tiempo en las vanguardias históricas: Futurismo, Pintura metafísica y Dadaísmo . [Thesis]. Universidad de Extremadura; 2014. Available from: http://hdl.handle.net/10662/1626

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Melbourne

29. GRACE, JUSTINE. The return to religion: Italian modernism under the auspices of French Thomism (1924-1944).

Degree: 2013, University of Melbourne

URL: http://hdl.handle.net/11343/38355

► This thesis investigates Jacques Maritain’s influence on the Italian cultural scene during the interwar period. Jacques Maritain was a French Thomist philosopher who published, in… (more)

▼ This thesis investigates Jacques Maritain’s influence on the Italian cultural scene during the interwar period. Jacques Maritain was a French Thomist philosopher who published, in 1920, the influential aesthetic tract Art et Scholastique. The text called for a renewal of sacred art—a modern sacred art—and sought to reconcile the fields of religion and art. As this thesis demonstrates, Maritain’s Thomist philosophy had a significant impact on art and architecture in Italy during the interwar period in Italy, and in particular on modernism, leading to the emergence of a modern sacred art in that country. As modernism is conventionally defined in contradistinction to religion, the thesis puts forward a dialectical model that conceptualises modernist art in relation to the traits and concepts shared with its perceived others, namely religion and tradition. Two concepts are developed to approach the phenomenon of modern sacred art: spiritual formalism and Catholic avant-gardism. The former is used as a framework for understanding the way traditionally formalist concerns in Italy could also have religious significance. The latter concept is used to demonstrate that Church art and architecture of the 1930s intersected with many aims of the historical avant-garde. The results of the archival and primary research reveal a widespread interest in renewing the forms of sacred art in Italy. A survey of newspapers and journals and an examination of personal correspondence between the protagonists reveals that artists and architects were aware of and influenced by the ideas of Maritain. This is further demonstrated through visual analyses of the paintings, sculpture and architecture executed at the time. A principal finding of the research is that artists and groups united by their common source of inspiration⎯the ideas of Maritain—formed the basis of a Movimento d’Arte Sacra in Italy. The study provides a more nuanced understanding of interwar cultural aesthetics and demonstrates that religion and modernism are not diametically opposed.

Subjects/Keywords: modernism; avant-garde; religious art; twentieth century art; Gino Severini; Jacques Maritain; Futurism; Edoardo Persico

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

GRACE, J. (2013). The return to religion: Italian modernism under the auspices of French Thomism (1924-1944). (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/38355

Chicago Manual of Style (16^th Edition):

GRACE, JUSTINE. “The return to religion: Italian modernism under the auspices of French Thomism (1924-1944).” 2013. Doctoral Dissertation, University of Melbourne. Accessed April 12, 2021. http://hdl.handle.net/11343/38355.

MLA Handbook (7^th Edition):

GRACE, JUSTINE. “The return to religion: Italian modernism under the auspices of French Thomism (1924-1944).” 2013. Web. 12 Apr 2021.

Vancouver:

GRACE J. The return to religion: Italian modernism under the auspices of French Thomism (1924-1944). [Internet] [Doctoral dissertation]. University of Melbourne; 2013. [cited 2021 Apr 12]. Available from: http://hdl.handle.net/11343/38355.

Council of Science Editors:

GRACE J. The return to religion: Italian modernism under the auspices of French Thomism (1924-1944). [Doctoral Dissertation]. University of Melbourne; 2013. Available from: http://hdl.handle.net/11343/38355

University of Georgia

30. Bockel, Sarah Carrison. Man Ray and futurism.

Degree: 2014, University of Georgia

URL: http://hdl.handle.net/10724/21431

► Man Ray is commonly recognized as an American artist who associated with the Parisian Dadaists and Surrealists in the 1920s and ‘30s. Many of his… (more)

Subjects/Keywords: Anarchism; Avant-garde; Dada; Dynamism; Emak Bakia; Ferrer Center; Futurism; Man Ray; Modern School

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bockel, S. C. (2014). Man Ray and futurism. (Thesis). University of Georgia. Retrieved from http://hdl.handle.net/10724/21431

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bockel, Sarah Carrison. “Man Ray and futurism.” 2014. Thesis, University of Georgia. Accessed April 12, 2021. http://hdl.handle.net/10724/21431.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bockel, Sarah Carrison. “Man Ray and futurism.” 2014. Web. 12 Apr 2021.

Vancouver:

Bockel SC. Man Ray and futurism. [Internet] [Thesis]. University of Georgia; 2014. [cited 2021 Apr 12]. Available from: http://hdl.handle.net/10724/21431.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bockel SC. Man Ray and futurism. [Thesis]. University of Georgia; 2014. Available from: http://hdl.handle.net/10724/21431

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Open Access Theses and Dissertations