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You searched for subject:(film AND video criticism). Showing records 1 – 30 of 419 total matches.

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Leiden University

1. Richards, Clair. Through the Looking Glass: Videographic Criticism and Activism in Transformers: The Premake.

Degree: 2020, Leiden University

 ABSTRACT: Videographic criticism has emerged as an innovative form of critical analysis of film since the digital innovation brought about by the online film sharing… (more)

Subjects/Keywords: videographic criticism, video essay; contemporary film criticism; condensation, compactness

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Richards, C. (2020). Through the Looking Glass: Videographic Criticism and Activism in Transformers: The Premake. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/136444

Chicago Manual of Style (16th Edition):

Richards, Clair. “Through the Looking Glass: Videographic Criticism and Activism in Transformers: The Premake.” 2020. Masters Thesis, Leiden University. Accessed December 01, 2020. http://hdl.handle.net/1887/136444.

MLA Handbook (7th Edition):

Richards, Clair. “Through the Looking Glass: Videographic Criticism and Activism in Transformers: The Premake.” 2020. Web. 01 Dec 2020.

Vancouver:

Richards C. Through the Looking Glass: Videographic Criticism and Activism in Transformers: The Premake. [Internet] [Masters thesis]. Leiden University; 2020. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/1887/136444.

Council of Science Editors:

Richards C. Through the Looking Glass: Videographic Criticism and Activism in Transformers: The Premake. [Masters Thesis]. Leiden University; 2020. Available from: http://hdl.handle.net/1887/136444

2. Patterson, Hannah McGhee. We Are All In This To Get Here.

Degree: 2014, University of Washington

 I was raised practicing Hinduism from birth in the unlikely environment of the Bible Belt of the South East. Eventually my art practice became an… (more)

Subjects/Keywords: Beyoncé; Film; Performance; Photography; Pop Culture; Video; Art criticism; Film studies; Fine arts; fine arts

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Patterson, H. M. (2014). We Are All In This To Get Here. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/26381

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Patterson, Hannah McGhee. “We Are All In This To Get Here.” 2014. Thesis, University of Washington. Accessed December 01, 2020. http://hdl.handle.net/1773/26381.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Patterson, Hannah McGhee. “We Are All In This To Get Here.” 2014. Web. 01 Dec 2020.

Vancouver:

Patterson HM. We Are All In This To Get Here. [Internet] [Thesis]. University of Washington; 2014. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/1773/26381.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Patterson HM. We Are All In This To Get Here. [Thesis]. University of Washington; 2014. Available from: http://hdl.handle.net/1773/26381

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. Patterson, Hannah McGhee. We Are All In This To Get Here.

Degree: 2014, University of Washington

 I was raised practicing Hinduism from birth in the unlikely environment of the Bible Belt of the South East. Eventually my art practice became an… (more)

Subjects/Keywords: Beyoncé; Film; Performance; Photography; Pop Culture; Video; Art criticism; Film studies; Fine arts; fine arts

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Patterson, H. M. (2014). We Are All In This To Get Here. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/26737

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Patterson, Hannah McGhee. “We Are All In This To Get Here.” 2014. Thesis, University of Washington. Accessed December 01, 2020. http://hdl.handle.net/1773/26737.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Patterson, Hannah McGhee. “We Are All In This To Get Here.” 2014. Web. 01 Dec 2020.

Vancouver:

Patterson HM. We Are All In This To Get Here. [Internet] [Thesis]. University of Washington; 2014. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/1773/26737.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Patterson HM. We Are All In This To Get Here. [Thesis]. University of Washington; 2014. Available from: http://hdl.handle.net/1773/26737

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Patterson, Hannah McGhee. We Are All In This To Get Here.

Degree: 2014, University of Washington

 I was raised practicing Hinduism from birth in the unlikely environment of the Bible Belt of the South East. Eventually my art practice became an… (more)

Subjects/Keywords: Beyoncé; Film; Performance; Photography; Pop Culture; Video; Art criticism; Film studies; Fine arts; fine arts

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Patterson, H. M. (2014). We Are All In This To Get Here. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/26881

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Patterson, Hannah McGhee. “We Are All In This To Get Here.” 2014. Thesis, University of Washington. Accessed December 01, 2020. http://hdl.handle.net/1773/26881.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Patterson, Hannah McGhee. “We Are All In This To Get Here.” 2014. Web. 01 Dec 2020.

Vancouver:

Patterson HM. We Are All In This To Get Here. [Internet] [Thesis]. University of Washington; 2014. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/1773/26881.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Patterson HM. We Are All In This To Get Here. [Thesis]. University of Washington; 2014. Available from: http://hdl.handle.net/1773/26881

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

5. RODRIGUEZ,DAVID W. The Thought and Action of 'The First Sail' Notes on Editing Documentary.

Degree: MA, English, 2011, University of Florida

 This thesis is a practice in applying the critical theories of documentary film to the processes and practices of actual production. This paper begins with… (more)

Subjects/Keywords: Documentary films; Film criticism; Film editing; Lighthouses; Motion picture industry; Movies; Narratives; Sailing; Sails; Viewers; DOCUMENTARY  – FILM  – PRODUCTION  – THEORY  – VIDEO

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

W, R. (2011). The Thought and Action of 'The First Sail' Notes on Editing Documentary. (Masters Thesis). University of Florida. Retrieved from https://ufdc.ufl.edu/UFE0042953

Chicago Manual of Style (16th Edition):

W, RODRIGUEZ,DAVID. “The Thought and Action of 'The First Sail' Notes on Editing Documentary.” 2011. Masters Thesis, University of Florida. Accessed December 01, 2020. https://ufdc.ufl.edu/UFE0042953.

MLA Handbook (7th Edition):

W, RODRIGUEZ,DAVID. “The Thought and Action of 'The First Sail' Notes on Editing Documentary.” 2011. Web. 01 Dec 2020.

Vancouver:

W R. The Thought and Action of 'The First Sail' Notes on Editing Documentary. [Internet] [Masters thesis]. University of Florida; 2011. [cited 2020 Dec 01]. Available from: https://ufdc.ufl.edu/UFE0042953.

Council of Science Editors:

W R. The Thought and Action of 'The First Sail' Notes on Editing Documentary. [Masters Thesis]. University of Florida; 2011. Available from: https://ufdc.ufl.edu/UFE0042953


University of the Arts London

6. Fowler, Rosalind. Embodied Film and Experimental Ethnography: Place, Belonging and Performative Folk Traditions in England.

Degree: 2013, University of the Arts London

 This research addresses the ways in which film might be used to investigate senses of place and representations of place and ritual. It focuses on… (more)

Subjects/Keywords: Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fowler, R. (2013). Embodied Film and Experimental Ethnography: Place, Belonging and Performative Folk Traditions in England. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/7768/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fowler, Rosalind. “Embodied Film and Experimental Ethnography: Place, Belonging and Performative Folk Traditions in England.” 2013. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/7768/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fowler, Rosalind. “Embodied Film and Experimental Ethnography: Place, Belonging and Performative Folk Traditions in England.” 2013. Web. 01 Dec 2020.

Vancouver:

Fowler R. Embodied Film and Experimental Ethnography: Place, Belonging and Performative Folk Traditions in England. [Internet] [Thesis]. University of the Arts London; 2013. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7768/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fowler R. Embodied Film and Experimental Ethnography: Place, Belonging and Performative Folk Traditions in England. [Thesis]. University of the Arts London; 2013. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7768/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

7. Andersdotter, Sara. Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice.

Degree: 2015, University of the Arts London

 This practice-based thesis proposes radical, critical, creative reconsiderations of memory and how the mnemic may be expressed in art practice. The research took place through… (more)

Subjects/Keywords: Film & Video

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APA (6th Edition):

Andersdotter, S. (2015). Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/7841/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Andersdotter, Sara. “Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice.” 2015. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/7841/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Andersdotter, Sara. “Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice.” 2015. Web. 01 Dec 2020.

Vancouver:

Andersdotter S. Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7841/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Andersdotter S. Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice. [Thesis]. University of the Arts London; 2015. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7841/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

8. Carden, Jessica. The black body in Arctic space : revisioning racialised landscapes in the films of John Akomfrah and Isaac Julien.

Degree: PhD, 2018, University of the Arts London

 This thesis explores constructions of the Arctic as a literal and symbolic white space through an investigation of two films: John Akomfrah's The Nine Muses… (more)

Subjects/Keywords: Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carden, J. (2018). The black body in Arctic space : revisioning racialised landscapes in the films of John Akomfrah and Isaac Julien. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/14791/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782018

Chicago Manual of Style (16th Edition):

Carden, Jessica. “The black body in Arctic space : revisioning racialised landscapes in the films of John Akomfrah and Isaac Julien.” 2018. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/14791/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782018.

MLA Handbook (7th Edition):

Carden, Jessica. “The black body in Arctic space : revisioning racialised landscapes in the films of John Akomfrah and Isaac Julien.” 2018. Web. 01 Dec 2020.

Vancouver:

Carden J. The black body in Arctic space : revisioning racialised landscapes in the films of John Akomfrah and Isaac Julien. [Internet] [Doctoral dissertation]. University of the Arts London; 2018. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/14791/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782018.

Council of Science Editors:

Carden J. The black body in Arctic space : revisioning racialised landscapes in the films of John Akomfrah and Isaac Julien. [Doctoral Dissertation]. University of the Arts London; 2018. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/14791/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.782018


University of the Arts London

9. Carden, Jessica. The Black Body in Arctic Space: Revisioning Racialised Landscapes in the Films of John Akomfrah and Isaac Julien.

Degree: 2018, University of the Arts London

 This thesis explores constructions of the Arctic as a literal and symbolic white space through an investigation of two films: John Akomfrah’s The Nine Muses… (more)

Subjects/Keywords: Film & Video

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carden, J. (2018). The Black Body in Arctic Space: Revisioning Racialised Landscapes in the Films of John Akomfrah and Isaac Julien. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/14791/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carden, Jessica. “The Black Body in Arctic Space: Revisioning Racialised Landscapes in the Films of John Akomfrah and Isaac Julien.” 2018. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/14791/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carden, Jessica. “The Black Body in Arctic Space: Revisioning Racialised Landscapes in the Films of John Akomfrah and Isaac Julien.” 2018. Web. 01 Dec 2020.

Vancouver:

Carden J. The Black Body in Arctic Space: Revisioning Racialised Landscapes in the Films of John Akomfrah and Isaac Julien. [Internet] [Thesis]. University of the Arts London; 2018. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/14791/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carden J. The Black Body in Arctic Space: Revisioning Racialised Landscapes in the Films of John Akomfrah and Isaac Julien. [Thesis]. University of the Arts London; 2018. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/14791/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


York University

10. Lozano, Jorge. The Importance of the Non-Important Re-Orientations.

Degree: PhD, Visual Arts, 2019, York University

 A multi-layered exploration of three central issues regarding the production of my artistic works. The combination of chance, non-conscious cognition combined with biological, social, and… (more)

Subjects/Keywords: Art criticism; Arts; experimental; installations; video; film; philosophy; expanded cinema; interactivity; poetry; literature; documentary; fiction

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APA (6th Edition):

Lozano, J. (2019). The Importance of the Non-Important Re-Orientations. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/35810

Chicago Manual of Style (16th Edition):

Lozano, Jorge. “The Importance of the Non-Important Re-Orientations.” 2019. Doctoral Dissertation, York University. Accessed December 01, 2020. http://hdl.handle.net/10315/35810.

MLA Handbook (7th Edition):

Lozano, Jorge. “The Importance of the Non-Important Re-Orientations.” 2019. Web. 01 Dec 2020.

Vancouver:

Lozano J. The Importance of the Non-Important Re-Orientations. [Internet] [Doctoral dissertation]. York University; 2019. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/10315/35810.

Council of Science Editors:

Lozano J. The Importance of the Non-Important Re-Orientations. [Doctoral Dissertation]. York University; 2019. Available from: http://hdl.handle.net/10315/35810


University of California – San Diego

11. Boyd, Ela. Instances Instantiate.

Degree: Visual Arts, 2013, University of California – San Diego

 ABSTRACT OF THE THESISINSTANCES INSTANTIATEbyElanor BoydMaster of Fine Arts in Visual ArtsUniversity of California, San Diego, 2013Professor Sheldon Brown, ChairEla Boyd's video installation work explores… (more)

Subjects/Keywords: Art criticism; Film studies; Philosophy; Film theory; Giles Deleuze; Light and Space Art; Phenomenology; Video Installation; Visual Art

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APA (6th Edition):

Boyd, E. (2013). Instances Instantiate. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/5k37f7pq

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Boyd, Ela. “Instances Instantiate.” 2013. Thesis, University of California – San Diego. Accessed December 01, 2020. http://www.escholarship.org/uc/item/5k37f7pq.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Boyd, Ela. “Instances Instantiate.” 2013. Web. 01 Dec 2020.

Vancouver:

Boyd E. Instances Instantiate. [Internet] [Thesis]. University of California – San Diego; 2013. [cited 2020 Dec 01]. Available from: http://www.escholarship.org/uc/item/5k37f7pq.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boyd E. Instances Instantiate. [Thesis]. University of California – San Diego; 2013. Available from: http://www.escholarship.org/uc/item/5k37f7pq

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

12. McGill, Genevieve. Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.

Degree: 2013, University of the Arts London

 The main aim of this thesis is to provide a voice to a marginalised community on the island of Inishbofin off the North West coast… (more)

Subjects/Keywords: Film studies; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McGill, G. (2013). Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5888/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McGill, Genevieve. “Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5888/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McGill, Genevieve. “Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Web. 01 Dec 2020.

Vancouver:

McGill G. Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Internet] [Thesis]. University of the Arts London; 2013. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5888/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McGill G. Moving Image, Montage and Memory: The development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Thesis]. University of the Arts London; 2013. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5888/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

13. Mackay, Jem. www.swarmtv.net: non-­hierarchy through open source approaches to distributed filmmaking.

Degree: 2015, University of the Arts London

 An increasing number of filmmaking projects borrow approaches from open source programming methodologies in the practical process of film production. The potential benefits of open… (more)

Subjects/Keywords: Film Production; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mackay, J. (2015). www.swarmtv.net: non-­hierarchy through open source approaches to distributed filmmaking. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/8756/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mackay, Jem. “www.swarmtv.net: non-­hierarchy through open source approaches to distributed filmmaking.” 2015. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/8756/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mackay, Jem. “www.swarmtv.net: non-­hierarchy through open source approaches to distributed filmmaking.” 2015. Web. 01 Dec 2020.

Vancouver:

Mackay J. www.swarmtv.net: non-­hierarchy through open source approaches to distributed filmmaking. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/8756/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mackay J. www.swarmtv.net: non-­hierarchy through open source approaches to distributed filmmaking. [Thesis]. University of the Arts London; 2015. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/8756/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

14. McGill, Genevieve. Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.

Degree: PhD, 2013, University of the Arts London

 The main aim of this thesis is to provide a voice to a marginalised community on the island of Inishbofin off the North West coast… (more)

Subjects/Keywords: 791.43; Film studies; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McGill, G. (2013). Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5888/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881

Chicago Manual of Style (16th Edition):

McGill, Genevieve. “Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5888/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881.

MLA Handbook (7th Edition):

McGill, Genevieve. “Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory.” 2013. Web. 01 Dec 2020.

Vancouver:

McGill G. Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Internet] [Doctoral dissertation]. University of the Arts London; 2013. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5888/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881.

Council of Science Editors:

McGill G. Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory. [Doctoral Dissertation]. University of the Arts London; 2013. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5888/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.570881


University of the Arts London

15. Pelling, Kate. Select Reject Reconfigure: Editing Speech in Artists’ Direct Address to Camera.

Degree: 2016, University of the Arts London

 This practice-based thesis offers a new approach to editing processes that take place during the recording and subsequent editing of an individual speaking directly to… (more)

Subjects/Keywords: Film & Video; Film & Sound Recording

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pelling, K. (2016). Select Reject Reconfigure: Editing Speech in Artists’ Direct Address to Camera. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/10825/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pelling, Kate. “Select Reject Reconfigure: Editing Speech in Artists’ Direct Address to Camera.” 2016. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/10825/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pelling, Kate. “Select Reject Reconfigure: Editing Speech in Artists’ Direct Address to Camera.” 2016. Web. 01 Dec 2020.

Vancouver:

Pelling K. Select Reject Reconfigure: Editing Speech in Artists’ Direct Address to Camera. [Internet] [Thesis]. University of the Arts London; 2016. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/10825/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pelling K. Select Reject Reconfigure: Editing Speech in Artists’ Direct Address to Camera. [Thesis]. University of the Arts London; 2016. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/10825/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Victoria University of Wellington

16. Anderson, Duncan. Film and Video Censorship in New Zealand, 1976-1994.

Degree: 2017, Victoria University of Wellington

 This thesis is an historical analysis of cinema and video censorship in New Zealand focusing on the period from 1976 to 1994. This is bookended… (more)

Subjects/Keywords: Film; Video; Censorship

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APA (6th Edition):

Anderson, D. (2017). Film and Video Censorship in New Zealand, 1976-1994. (Doctoral Dissertation). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/6756

Chicago Manual of Style (16th Edition):

Anderson, Duncan. “Film and Video Censorship in New Zealand, 1976-1994.” 2017. Doctoral Dissertation, Victoria University of Wellington. Accessed December 01, 2020. http://hdl.handle.net/10063/6756.

MLA Handbook (7th Edition):

Anderson, Duncan. “Film and Video Censorship in New Zealand, 1976-1994.” 2017. Web. 01 Dec 2020.

Vancouver:

Anderson D. Film and Video Censorship in New Zealand, 1976-1994. [Internet] [Doctoral dissertation]. Victoria University of Wellington; 2017. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/10063/6756.

Council of Science Editors:

Anderson D. Film and Video Censorship in New Zealand, 1976-1994. [Doctoral Dissertation]. Victoria University of Wellington; 2017. Available from: http://hdl.handle.net/10063/6756


University of the Arts London

17. Fowler, Rosalind. Embodied film and experimental ethnography : place, belonging and performative folk traditions in England.

Degree: PhD, 2013, University of the Arts London

 This research addresses the ways in which film might be used to investigate senses of place and representations of place and ritual. It focuses on… (more)

Subjects/Keywords: 791.43; Film & Video

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APA (6th Edition):

Fowler, R. (2013). Embodied film and experimental ethnography : place, belonging and performative folk traditions in England. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/7768/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.587499

Chicago Manual of Style (16th Edition):

Fowler, Rosalind. “Embodied film and experimental ethnography : place, belonging and performative folk traditions in England.” 2013. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/7768/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.587499.

MLA Handbook (7th Edition):

Fowler, Rosalind. “Embodied film and experimental ethnography : place, belonging and performative folk traditions in England.” 2013. Web. 01 Dec 2020.

Vancouver:

Fowler R. Embodied film and experimental ethnography : place, belonging and performative folk traditions in England. [Internet] [Doctoral dissertation]. University of the Arts London; 2013. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7768/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.587499.

Council of Science Editors:

Fowler R. Embodied film and experimental ethnography : place, belonging and performative folk traditions in England. [Doctoral Dissertation]. University of the Arts London; 2013. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7768/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.587499


Brno University of Technology

18. Marie, Lukáčová. Dokument: Document.

Degree: 2019, Brno University of Technology

 Mocumentary movie which is mapping the area of Czech border fortification, its quality and the current social situation. Movie consists of two parts, the first… (more)

Subjects/Keywords: Mokument; Video; Film; Mocumentary; Video art; movie

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Marie, L. (2019). Dokument: Document. (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/41242

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marie, Lukáčová. “Dokument: Document.” 2019. Thesis, Brno University of Technology. Accessed December 01, 2020. http://hdl.handle.net/11012/41242.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marie, Lukáčová. “Dokument: Document.” 2019. Web. 01 Dec 2020.

Vancouver:

Marie L. Dokument: Document. [Internet] [Thesis]. Brno University of Technology; 2019. [cited 2020 Dec 01]. Available from: http://hdl.handle.net/11012/41242.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marie L. Dokument: Document. [Thesis]. Brno University of Technology; 2019. Available from: http://hdl.handle.net/11012/41242

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

19. Hogan, Romeal. Above the flesh.

Degree: School of Film and Animation (CIAS), 2012, Rochester Institute of Technology

 The goal of this paper is to outline the production of the film "Above the Flesh", from conceptualization to completion. Also included in this paper… (more)

Subjects/Keywords: Film; Horror; Pyschological; Twins; Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hogan, R. (2012). Above the flesh. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4959

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hogan, Romeal. “Above the flesh.” 2012. Thesis, Rochester Institute of Technology. Accessed December 01, 2020. https://scholarworks.rit.edu/theses/4959.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hogan, Romeal. “Above the flesh.” 2012. Web. 01 Dec 2020.

Vancouver:

Hogan R. Above the flesh. [Internet] [Thesis]. Rochester Institute of Technology; 2012. [cited 2020 Dec 01]. Available from: https://scholarworks.rit.edu/theses/4959.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hogan R. Above the flesh. [Thesis]. Rochester Institute of Technology; 2012. Available from: https://scholarworks.rit.edu/theses/4959

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

20. Valenti, John. Tech service.

Degree: School of Film and Animation (CIAS), 2012, Rochester Institute of Technology

 The graduate thesis film Tech Service is a 21- minute surreal memoir-parody of its creator's day at work in a tech support call center. Having… (more)

Subjects/Keywords: Artist statement; Film; Production; Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Valenti, J. (2012). Tech service. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/4960

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Valenti, John. “Tech service.” 2012. Thesis, Rochester Institute of Technology. Accessed December 01, 2020. https://scholarworks.rit.edu/theses/4960.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Valenti, John. “Tech service.” 2012. Web. 01 Dec 2020.

Vancouver:

Valenti J. Tech service. [Internet] [Thesis]. Rochester Institute of Technology; 2012. [cited 2020 Dec 01]. Available from: https://scholarworks.rit.edu/theses/4960.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Valenti J. Tech service. [Thesis]. Rochester Institute of Technology; 2012. Available from: https://scholarworks.rit.edu/theses/4960

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Royal Holloway, University of London

21. Raspi, Eleonora. Antonioni in the 1980s : between art historical tradition and innovation.

Degree: PhD, 2016, Royal Holloway, University of London

 Key critical accounts on Michelangelo Antonioni's career continue to be carried out within various disciplines, spanning film studies, art history and cultural studies. While much… (more)

Subjects/Keywords: Antonioni; film; painting; video; interdisciplinary

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Raspi, E. (2016). Antonioni in the 1980s : between art historical tradition and innovation. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/antonioni-in-the-1980s-between-art-historical-tradition-and-innovation(d6332ae6-be0e-4bae-a9bd-387ddd600687).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792494

Chicago Manual of Style (16th Edition):

Raspi, Eleonora. “Antonioni in the 1980s : between art historical tradition and innovation.” 2016. Doctoral Dissertation, Royal Holloway, University of London. Accessed December 01, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/antonioni-in-the-1980s-between-art-historical-tradition-and-innovation(d6332ae6-be0e-4bae-a9bd-387ddd600687).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792494.

MLA Handbook (7th Edition):

Raspi, Eleonora. “Antonioni in the 1980s : between art historical tradition and innovation.” 2016. Web. 01 Dec 2020.

Vancouver:

Raspi E. Antonioni in the 1980s : between art historical tradition and innovation. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2016. [cited 2020 Dec 01]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/antonioni-in-the-1980s-between-art-historical-tradition-and-innovation(d6332ae6-be0e-4bae-a9bd-387ddd600687).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792494.

Council of Science Editors:

Raspi E. Antonioni in the 1980s : between art historical tradition and innovation. [Doctoral Dissertation]. Royal Holloway, University of London; 2016. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/antonioni-in-the-1980s-between-art-historical-tradition-and-innovation(d6332ae6-be0e-4bae-a9bd-387ddd600687).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792494


University of the Arts London

22. Kelland, Dean. Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice.

Degree: PhD, 2016, University of the Arts London

 This practice-based PhD has at its core six short films, made by and featuring the author (Dean Kelland), which take as their inspiration certain male… (more)

Subjects/Keywords: 791.45; Television studies; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kelland, D. (2016). Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/9189/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683491

Chicago Manual of Style (16th Edition):

Kelland, Dean. “Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice.” 2016. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/9189/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683491.

MLA Handbook (7th Edition):

Kelland, Dean. “Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice.” 2016. Web. 01 Dec 2020.

Vancouver:

Kelland D. Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice. [Internet] [Doctoral dissertation]. University of the Arts London; 2016. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/9189/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683491.

Council of Science Editors:

Kelland D. Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice. [Doctoral Dissertation]. University of the Arts London; 2016. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/9189/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683491


University of the Arts London

23. Bal, Gulsen. Negation of Complicated Mirrors: An Examination of Differential Structures within the “Production of Subject” Realised through Creative Practice.

Degree: 2010, University of the Arts London

 This research explores new methods for practice-based research in fine art (video and multi-media installation) and in curatorial practices, residing in specific readings of Deleuze.… (more)

Subjects/Keywords: Film & Video

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APA (6th Edition):

Bal, G. (2010). Negation of Complicated Mirrors: An Examination of Differential Structures within the “Production of Subject” Realised through Creative Practice. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/7766/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bal, Gulsen. “Negation of Complicated Mirrors: An Examination of Differential Structures within the “Production of Subject” Realised through Creative Practice.” 2010. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/7766/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bal, Gulsen. “Negation of Complicated Mirrors: An Examination of Differential Structures within the “Production of Subject” Realised through Creative Practice.” 2010. Web. 01 Dec 2020.

Vancouver:

Bal G. Negation of Complicated Mirrors: An Examination of Differential Structures within the “Production of Subject” Realised through Creative Practice. [Internet] [Thesis]. University of the Arts London; 2010. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7766/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bal G. Negation of Complicated Mirrors: An Examination of Differential Structures within the “Production of Subject” Realised through Creative Practice. [Thesis]. University of the Arts London; 2010. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/7766/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

24. Kirkham, Neil. Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative.

Degree: 2011, University of the Arts London

 In The Secret Museum: Pornography and Modern Culture, Walter Kendrick demonstrates that whilst the term pornography remains a battleground of ideas and representations, its origins… (more)

Subjects/Keywords: French Literature; Film & Video

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APA (6th Edition):

Kirkham, N. (2011). Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5137/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kirkham, Neil. “Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative.” 2011. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5137/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kirkham, Neil. “Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative.” 2011. Web. 01 Dec 2020.

Vancouver:

Kirkham N. Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5137/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kirkham N. Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative. [Thesis]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5137/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

25. Millett, Joanna. Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry.

Degree: 2013, University of the Arts London

 This thesis addresses temporal experience in moving image from the perspective of artists’ film and video and asks: "if material qualities are implicated in memory… (more)

Subjects/Keywords: Fine Art; Film & Video

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APA (6th Edition):

Millett, J. (2013). Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5649/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Millett, Joanna. “Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry.” 2013. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5649/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Millett, Joanna. “Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry.” 2013. Web. 01 Dec 2020.

Vancouver:

Millett J. Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry. [Internet] [Thesis]. University of the Arts London; 2013. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5649/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Millett J. Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry. [Thesis]. University of the Arts London; 2013. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5649/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

26. fitzPatrick, Edwina. Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age.

Degree: 2014, University of the Arts London

40,000 word paper accompanying an AHRC funded collaborative PhD with the Forestry Commission at Grizedale and Glasgow School of Art

Subjects/Keywords: Fine Art; Sculpture; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

fitzPatrick, E. (2014). Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age. (Thesis). University of the Arts London. Retrieved from https://www.grizedalearchive.org

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

fitzPatrick, Edwina. “Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age.” 2014. Thesis, University of the Arts London. Accessed December 01, 2020. https://www.grizedalearchive.org.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

fitzPatrick, Edwina. “Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age.” 2014. Web. 01 Dec 2020.

Vancouver:

fitzPatrick E. Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age. [Internet] [Thesis]. University of the Arts London; 2014. [cited 2020 Dec 01]. Available from: https://www.grizedalearchive.org.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

fitzPatrick E. Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age. [Thesis]. University of the Arts London; 2014. Available from: https://www.grizedalearchive.org

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

27. Akça, Deniz. Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.

Degree: 2015, University of the Arts London

 This practice-led research investigates the problematic representations of women from ethnic minorities in the context of Turkey. It questions the ways in which Turkish cinema… (more)

Subjects/Keywords: History of Art; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Akça, D. (2015). Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/12373/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Akça, Deniz. “Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Thesis, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/12373/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Akça, Deniz. “Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Web. 01 Dec 2020.

Vancouver:

Akça D. Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/12373/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Akça D. Mapping Istanbul’s Istiklal Avenue. Uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Thesis]. University of the Arts London; 2015. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/12373/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

28. Millett, Joanna. Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry.

Degree: PhD, 2013, University of the Arts London

 This thesis addresses temporal experience in moving image from the perspective of artists’ film and video and asks: "if material qualities are implicated in memory… (more)

Subjects/Keywords: 777; Fine Art; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Millett, J. (2013). Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5649/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619202

Chicago Manual of Style (16th Edition):

Millett, Joanna. “Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry.” 2013. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5649/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619202.

MLA Handbook (7th Edition):

Millett, Joanna. “Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry.” 2013. Web. 01 Dec 2020.

Vancouver:

Millett J. Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry. [Internet] [Doctoral dissertation]. University of the Arts London; 2013. [cited 2020 Dec 01]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5649/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619202.

Council of Science Editors:

Millett J. Anticipated retrospection : manifesting pastness in moving image : an art practice enquiry. [Doctoral Dissertation]. University of the Arts London; 2013. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5649/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619202


University of the Arts London

29. Perry, Colin. Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990.

Degree: PhD, 2016, University of the Arts London

 This thesis looks at independent film and video cultures in Britain from the mid 1970s to late 1980s. It examines a period of time in… (more)

Subjects/Keywords: History of Art; Film & Video

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Perry, C. (2016). Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002

Chicago Manual of Style (16th Edition):

Perry, Colin. “Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990.” 2016. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002.

MLA Handbook (7th Edition):

Perry, Colin. “Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990.” 2016. Web. 01 Dec 2020.

Vancouver:

Perry C. Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990. [Internet] [Doctoral dissertation]. University of the Arts London; 2016. [cited 2020 Dec 01]. Available from: http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002.

Council of Science Editors:

Perry C. Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990. [Doctoral Dissertation]. University of the Arts London; 2016. Available from: http://ualresearchonline.arts.ac.uk/11999/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738002


University of the Arts London

30. Akça, Deniz. Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.

Degree: PhD, 2015, University of the Arts London

 This practice-led research investigates the problematic representations of women from ethnic minorities in the context of Turkey. It questions the ways in which Turkish cinema… (more)

Subjects/Keywords: History of Art; Film & Video

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Akça, D. (2015). Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000

Chicago Manual of Style (16th Edition):

Akça, Deniz. “Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Doctoral Dissertation, University of the Arts London. Accessed December 01, 2020. http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000.

MLA Handbook (7th Edition):

Akça, Deniz. “Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice.” 2015. Web. 01 Dec 2020.

Vancouver:

Akça D. Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Internet] [Doctoral dissertation]. University of the Arts London; 2015. [cited 2020 Dec 01]. Available from: http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000.

Council of Science Editors:

Akça D. Mapping Istanbul's Istiklal Avenue : uncovering the traces of female ethnicity in Turkish film, architecture and sound through fine art practice. [Doctoral Dissertation]. University of the Arts London; 2015. Available from: http://ualresearchonline.arts.ac.uk/12373/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738000

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