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You searched for subject:(festivalisation). Showing records 1 – 3 of 3 total matches.

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1. Han, Sohee. La festivalisation : approche du Festival d’Avignon par l’anthropologie de la communication : Festivalisation : an anthropological approach of the communication.

Degree: Docteur es, Communication, 2018, Avignon

De nos jours, nombre de villes ont développé leur propre festival. Un festival est un événement qui transforme la ville et constitue un atout qui contribue à la distinguer. Dans cette situation, l’analyse d’une ville ne peut ainsi faire abstraction de l’événement festivalier et de la relation qui l’unit à la société de la ville. Cette relation est examinée à partir de la notion de festivalisation et conduit à envisager conjointement deux points de vue, celui des habitants et celui des visiteurs. On analyse ainsi ce qui se passe autour des habitants qui vivent au rythme du festival et autour des visiteurs, à la fois pendant le festival et pendant le reste de l’année. A travers ces points de vue dits « endogène » et « exogène », la festivalisation amène à se poser la question du « rassemblement » au niveau international à l’ère du numérique en privilégiant l’approche de l’anthropologie de la communication. Dans cette thèse, on analyse la festivalisation en s’appuyant sur la société avignonnaise : le Festival d’Avignon, les Avignonnais et les visiteurs asiatiques avec, en miroir, le Festival d’Édimbourg et les Écossais.

Nowadays many towns have developed their own festival. A festival is an event that transforms the town and establishes an asset which goes towards distinguishing it from others. In this situation the analysis of a town cannot ignore the festival event and the relationship which links it to the community of the town. This relationship is examined from the notion of festivalisation and brings about the consideration of two points of view simultaneously, that of the inhabitants and that of the visitors. We thus analyse what happens around the inhabitants who live to the rhythm of the festival and around the visitors, both during the festival and throughout the rest of the year. Through these points of view called « endogenous » and « exogenous », festivalisation leads us to ask the question of « gathering » on an international level in the digital era, favouring the approach of the anthropology of communication. In this dissertation, we are analysing festivalisation based on the community of Avignon : the Avignon Festival, the inhabitants and Asian visitors, in comparison with the Festival of Edinburgh and the Scots.

Advisors/Committee Members: Winkin, Yves (thesis director), Malinas, Damien (thesis director).

Subjects/Keywords: Festivals d’Avignon et d’Édimbourg; Public des festivals; Société avignonnaise; Ville et tourisme; Visiteurs asiatiques; Festivalisation; Asian visitor; Town and tourisme; Avignon's society; Festivals of Avignon and Edinburgh; Festivalisation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Han, S. (2018). La festivalisation : approche du Festival d’Avignon par l’anthropologie de la communication : Festivalisation : an anthropological approach of the communication. (Doctoral Dissertation). Avignon. Retrieved from http://www.theses.fr/2018AVIG1193

Chicago Manual of Style (16th Edition):

Han, Sohee. “La festivalisation : approche du Festival d’Avignon par l’anthropologie de la communication : Festivalisation : an anthropological approach of the communication.” 2018. Doctoral Dissertation, Avignon. Accessed December 15, 2019. http://www.theses.fr/2018AVIG1193.

MLA Handbook (7th Edition):

Han, Sohee. “La festivalisation : approche du Festival d’Avignon par l’anthropologie de la communication : Festivalisation : an anthropological approach of the communication.” 2018. Web. 15 Dec 2019.

Vancouver:

Han S. La festivalisation : approche du Festival d’Avignon par l’anthropologie de la communication : Festivalisation : an anthropological approach of the communication. [Internet] [Doctoral dissertation]. Avignon; 2018. [cited 2019 Dec 15]. Available from: http://www.theses.fr/2018AVIG1193.

Council of Science Editors:

Han S. La festivalisation : approche du Festival d’Avignon par l’anthropologie de la communication : Festivalisation : an anthropological approach of the communication. [Doctoral Dissertation]. Avignon; 2018. Available from: http://www.theses.fr/2018AVIG1193


University of Otago

2. Booth, Alison Stevens. Performance networks: Indian cultural production in Aotearoa/New Zealand .

Degree: 2014, University of Otago

In the globalised environment of the twenty-first century, sustainable/successful event production requires a variety of interacting relationships that link producers to the range of resources necessary for their events. These resources may include local and/or international artists, audiences, sponsorship, media, and technical support. These event production networks may last no longer than a single event, or they may persist across multiple events and years. They usually involve a wide range of cultural actors and production relationships. The manner in which individual producers, organisations and cultures construct, use, rearrange and maintain production networks offers insight into how cultures market and represent themselves. This research identifies the processes through which local and global network formations shape Indian cultural performance events in Aotearoa and the consequent images of India that are received/consumed by the wider New Zealand audience. The central research question asks: What are the processes and relationships that support the production of cultural events, with specific reference to events that are of interest to and/or produced by Aotearoa’s Indian communities? This ethnographic study begins with an investigation of a wide range of local and international socio-economic and cultural relationships generated by a number of different kinds of shared interests and identities that determine not only the nature of the events but their relevance to various audiences. Subsequently, it goes on to identify how local and global network formations in Indian culture and the performing arts interact so as to allow the development of events from their conceptual stages into actual productions. Finally, this research develops a model for the graphic representation of stakeholder and resource production networks that analyses the underlying structures and complex socio-economic interactions that enable cultural performances. Taken as a whole, this research demonstrates the centrality of relationship networks as the key to the relative success or failure of the events studied. From the perspective of event production needs, the flexibility and event-specific nature of those networks is made clear. At the same time, it is apparent that there are a range of culturally driven factors that affect event production practice as well as network formation, utilisation and maintenance. Identity and community, feasibility and power emerge as explanatory and analytical themes that help understand the relationships activated to create the networks that are central to the production of events. This study focuses on the pragmatic business of cultural production, often within the context of the music industry. Methodologically, it draws from ethnomusicology, event management, social science and industry practice to achieve a multidisciplinary approach to this applied research project. The rich, thick descriptions provide insight into how Indian communities are represented locally and globally by producers internal… Advisors/Committee Members: Johnson, Henry (advisor).

Subjects/Keywords: Diaspora; Festivalisation; Event production; “Producer identity”; Cultural representation; “Aotearoa New Zealand”; “Indian communities

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Booth, A. S. (2014). Performance networks: Indian cultural production in Aotearoa/New Zealand . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/4826

Chicago Manual of Style (16th Edition):

Booth, Alison Stevens. “Performance networks: Indian cultural production in Aotearoa/New Zealand .” 2014. Doctoral Dissertation, University of Otago. Accessed December 15, 2019. http://hdl.handle.net/10523/4826.

MLA Handbook (7th Edition):

Booth, Alison Stevens. “Performance networks: Indian cultural production in Aotearoa/New Zealand .” 2014. Web. 15 Dec 2019.

Vancouver:

Booth AS. Performance networks: Indian cultural production in Aotearoa/New Zealand . [Internet] [Doctoral dissertation]. University of Otago; 2014. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10523/4826.

Council of Science Editors:

Booth AS. Performance networks: Indian cultural production in Aotearoa/New Zealand . [Doctoral Dissertation]. University of Otago; 2014. Available from: http://hdl.handle.net/10523/4826

3. Bartolec, Leo. Changes brought about by the Ultra Europe festival to the destination management and marketing of the city of Split.

Degree: 2019, Univerza v Mariboru

Nowadays, youth and event tourism are new specific types of tourism that have been given more attention in the academic literature. They are gaining in importance in the tourism industry in Croatia. This thesis aims to analyse the importance and impact that is brought by the Ultra Europe music festival to the city of Split, Croatia. The impact that is brought to a destination by a music festival is observed through three areas of analysis

(a) destination image, (b) creation of new products and services in a destination and (c) segmentation of visitors. Through these three dimensions, this thesis aims to see whether the “festivalisation” phenomena happened to the city of Split and how destination management and marketing stakeholders observe changes and use them for their business activities for the tourism market.

Danes sta mladinski turizem in turizem prireditev specifični obliki turizma, ki se jima v strokovni literaturi posveča vedno več pozornosti. Vedno bolj pomembno vlogo imata tudi v hrvaškem turizmu. S to tezo bo analizirana pomembnost in vpliv festivala Ultra Europe na Split. Vpliv glasbenega festivala na to hrvaško mesto bo proučevan skozi: a) podobo turistične destinacije, b) ponudbo novih produktov in dejavnosti in c) členitev obiskovalcev. Skozi te segmente bo raziskano, ali se je v Splitu zgodil fenomen festivalizacije, kako nosilci interesov v menedžmentu in oglaševanju gledajo na te spremembe in kako jih uporabljajo v poslovnih procesih na področju turizma.

Advisors/Committee Members: Turnšek, Maja.

Subjects/Keywords: podoba turistične destinacije; mladinski turizem; dogodkovni turizem; oglaševanje; menedžment; festivalizacija; destination image; youth tourism; event tourism; marketing; management; festivalisation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bartolec, L. (2019). Changes brought about by the Ultra Europe festival to the destination management and marketing of the city of Split. (Masters Thesis). Univerza v Mariboru. Retrieved from https://dk.um.si/IzpisGradiva.php?id=74486 ; https://dk.um.si/Dokument.php?id=138714&dn= ; https://plus.si.cobiss.net/opac7/bib/2048330835 ?lang=sl

Chicago Manual of Style (16th Edition):

Bartolec, Leo. “Changes brought about by the Ultra Europe festival to the destination management and marketing of the city of Split.” 2019. Masters Thesis, Univerza v Mariboru. Accessed December 15, 2019. https://dk.um.si/IzpisGradiva.php?id=74486 ; https://dk.um.si/Dokument.php?id=138714&dn= ; https://plus.si.cobiss.net/opac7/bib/2048330835 ?lang=sl.

MLA Handbook (7th Edition):

Bartolec, Leo. “Changes brought about by the Ultra Europe festival to the destination management and marketing of the city of Split.” 2019. Web. 15 Dec 2019.

Vancouver:

Bartolec L. Changes brought about by the Ultra Europe festival to the destination management and marketing of the city of Split. [Internet] [Masters thesis]. Univerza v Mariboru; 2019. [cited 2019 Dec 15]. Available from: https://dk.um.si/IzpisGradiva.php?id=74486 ; https://dk.um.si/Dokument.php?id=138714&dn= ; https://plus.si.cobiss.net/opac7/bib/2048330835 ?lang=sl.

Council of Science Editors:

Bartolec L. Changes brought about by the Ultra Europe festival to the destination management and marketing of the city of Split. [Masters Thesis]. Univerza v Mariboru; 2019. Available from: https://dk.um.si/IzpisGradiva.php?id=74486 ; https://dk.um.si/Dokument.php?id=138714&dn= ; https://plus.si.cobiss.net/opac7/bib/2048330835 ?lang=sl

.