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Rutgers University
1.
Wade, Erik Ian.
Significant others: gender, race, and english identity in early medieval English eroticism.
Degree: PhD, Literatures in English, 2018, Rutgers University
URL: https://rucore.libraries.rutgers.edu/rutgers-lib/57746/ 
► My research considers how early medieval authors used representations of sexuality to produce English understandings of race and nation. While medievalists have written a great…
(more)
▼ My research considers how early medieval authors used representations of sexuality to produce English understandings of race and nation. While medievalists have written a great deal about how sexual practices, particularly sex between men, were used to form individual sexual identities, scholars have paid far less attention to how English authors used such practices to catalogue and classify people into larger group identities, such as races or nations. I argue that both clerical and secular authors adopted sexual moralization for nationalist purposes, often pressing into service literary genres initially formed outside of England, such as elegy, penitential literature, theology, biography, and riddles. English authors martialed the “foreignness” of texts and genres from Irish, Welsh, Byzantine, Northern European, and Continental sources to license their own designations of sexual practices as markers of racial identity that indicated where one fell on the imagined hierarchy running from sinner to saved. Consequently, sexual practice became a shorthand for designating who deserved to be included in the English nation—a category commensurate with being saved—and who needed to be cast out. In a period where British, Welsh, Anglo-Saxon, and Danish forces staged competing claims to the British Isles, authors sorted out these claims by fabricating a race called “Anglo-Saxon” out of the various invading tribes of Angles, Saxons, and Jutes and then framing the Anglo-Saxon race as coterminous with the English nation. Using sexual practice as a marker of this race made the race divinely sanctioned and moral; race was an essential trait – yet one located in the condition of the soul rather than in the color of the body.
Advisors/Committee Members: Klein, Stacy S (chair), Scanlon, Lawrence (internal member), Novacich, Sarah (internal member), Momma, Haruko (outside member), School of Graduate Studies.
Subjects/Keywords: Eroticism in literature
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APA (6th Edition):
Wade, E. I. (2018). Significant others: gender, race, and english identity in early medieval English eroticism. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/57746/
Chicago Manual of Style (16th Edition):
Wade, Erik Ian. “Significant others: gender, race, and english identity in early medieval English eroticism.” 2018. Doctoral Dissertation, Rutgers University. Accessed December 10, 2019.
https://rucore.libraries.rutgers.edu/rutgers-lib/57746/.
MLA Handbook (7th Edition):
Wade, Erik Ian. “Significant others: gender, race, and english identity in early medieval English eroticism.” 2018. Web. 10 Dec 2019.
Vancouver:
Wade EI. Significant others: gender, race, and english identity in early medieval English eroticism. [Internet] [Doctoral dissertation]. Rutgers University; 2018. [cited 2019 Dec 10].
Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/57746/.
Council of Science Editors:
Wade EI. Significant others: gender, race, and english identity in early medieval English eroticism. [Doctoral Dissertation]. Rutgers University; 2018. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/57746/
University of Debrecen
2.
Molnár, Ágnes.
The Self as Envisaged in Virginia Woolf's The Waves
.
Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen
URL: http://hdl.handle.net/2437/160664
► In my thesis I shall elaborate on how the self is constructed in Modernism. Based on Virginia Woolf’s novel The Waves my inquiry adresses the…
(more)
▼ In my thesis I shall elaborate on how the self is constructed in Modernism. Based on Virginia Woolf’s novel The Waves my inquiry adresses the question: according to Woolf, is there a coherent Modern identity or, instead of complete structures, we should rather search for deconstructed, constantly fluctuating and dissipating ones? Drawing upon Bataille’s notion of
eroticism, I will investigate in Woolf’s novel the primordial forces from which the self originates and I will also examine how the self is modulated in relation with ’the other’. Mainly through an examination of Bernard’s inner voice, sensations and impressions will lead us to explore Woolf’s concept of the world, its layered existence and the motif of ’singularity’ versus ’alterity’. Besides the question of an autonomous self, the book makes us focus on the notion of human relationships and on how identity is modulated along and together with them. Woolf applies several metaphors throught the narrative, from among which I will look at only the most prominent ones. Apart from the motif of the sea, the fish, the drop and the waves, Woolf’s colour-symbolism and recurring passages also provide us with an insight into her vision of the self. Finally, to give a clearer understanding of Woolf’s notion of the self as presented in The Waves I will also juxtapose Woolf’s approach with Georges Bataille’s theory of closure, T. S. Eliot’s concept of tradition and with J. Hillis Miller’s image of anastomosis.
Advisors/Committee Members: Bényei, Tamás (advisor).
Subjects/Keywords: individuality;
continuity;
eroticism;
death
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APA (6th Edition):
Molnár, . (2013). The Self as Envisaged in Virginia Woolf's The Waves
. (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/160664
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Molnár, Ágnes. “The Self as Envisaged in Virginia Woolf's The Waves
.” 2013. Thesis, University of Debrecen. Accessed December 10, 2019.
http://hdl.handle.net/2437/160664.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Molnár, Ágnes. “The Self as Envisaged in Virginia Woolf's The Waves
.” 2013. Web. 10 Dec 2019.
Vancouver:
Molnár . The Self as Envisaged in Virginia Woolf's The Waves
. [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Dec 10].
Available from: http://hdl.handle.net/2437/160664.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Molnár . The Self as Envisaged in Virginia Woolf's The Waves
. [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/160664
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Florida International University
3.
Gil, Wenceslao.
The (Ab)use of Politics and Eroticism in the Culture of the Spanish Transition to Democracy (1975-1982).
Degree: PhD, Spanish, 2011, Florida International University
URL: http://digitalcommons.fiu.edu/etd/477
;
10.25148/etd.FI11120207
;
FI11120207
► This dissertation analyzes the (ab)use of politics and eroticism within the framework of the Transition to democracy in Spain, its social and cultural impact—on…
(more)
▼ This dissertation analyzes the (ab)use of politics and
eroticism within the framework of the Transition to democracy in Spain, its social and cultural impact—on literature, film, music, and popular media—, and its consequences. After a period of nearly four decades, when the country was subjected to a totalitarian regime, Spanish society underwent a process of democratic restoration. As a result, the two topics considered taboo during almost forty years of repression—i.e., politics and sexuality/eroticism—, gushed out fiercely. Every aspect of culture was influenced by and intrinsically linked to them. However, while we have been offered a more or less global approach to the Transition—the Transition as a whole—, and some studies have focused on diverse areas, no research to date has covered in depth the significance of those issues during that historical moment.
Considering the facts stated above, it was imperative to conduct a more detailed analysis of the influence of both
eroticism and politics on the cultural production of the Transition from different perspectives. Although the academic intelligentsia has often rejected them as expressions of mass culture, we must consider Pierre Bourdieu’s theories—in line with the tradition of classical sociology, that includes science, law, and religion, together with artistic activities—, Michel Foucault’s ideas on sexuality, and New Historicism, examining texts and their contexts.
This work concludes that the (ab)use of both subjects during the Spanish Transition was a reaction to a repressive condition. It led to extremes, to societal transgression and, in most cases, to the objectification of women because of the impositions of a patriarchal society. It was, however, part of a learning and, in a sense, cathartic process that led, eventually, to the reestablishment of the status quo, to a more equitable and multicultural society where men, women, and any political or sexual tendencies are respected—at least, in theory.
Advisors/Committee Members: Santiago Juan-Navarro, María Asunción Gómez, Ricardo Castells, Aurora Morcillo.
Subjects/Keywords: Culture; Spanish Transition; Politics; Eroticism
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APA (6th Edition):
Gil, W. (2011). The (Ab)use of Politics and Eroticism in the Culture of the Spanish Transition to Democracy (1975-1982). (Doctoral Dissertation). Florida International University. Retrieved from http://digitalcommons.fiu.edu/etd/477 ; 10.25148/etd.FI11120207 ; FI11120207
Chicago Manual of Style (16th Edition):
Gil, Wenceslao. “The (Ab)use of Politics and Eroticism in the Culture of the Spanish Transition to Democracy (1975-1982).” 2011. Doctoral Dissertation, Florida International University. Accessed December 10, 2019.
http://digitalcommons.fiu.edu/etd/477 ; 10.25148/etd.FI11120207 ; FI11120207.
MLA Handbook (7th Edition):
Gil, Wenceslao. “The (Ab)use of Politics and Eroticism in the Culture of the Spanish Transition to Democracy (1975-1982).” 2011. Web. 10 Dec 2019.
Vancouver:
Gil W. The (Ab)use of Politics and Eroticism in the Culture of the Spanish Transition to Democracy (1975-1982). [Internet] [Doctoral dissertation]. Florida International University; 2011. [cited 2019 Dec 10].
Available from: http://digitalcommons.fiu.edu/etd/477 ; 10.25148/etd.FI11120207 ; FI11120207.
Council of Science Editors:
Gil W. The (Ab)use of Politics and Eroticism in the Culture of the Spanish Transition to Democracy (1975-1982). [Doctoral Dissertation]. Florida International University; 2011. Available from: http://digitalcommons.fiu.edu/etd/477 ; 10.25148/etd.FI11120207 ; FI11120207
4.
Jefferson Wilke Kielwagem.
Abismos superficiais: antinomias do ornamento.
Degree: 2010, Universidade do Estado de Santa Catarina
URL: http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=2064
► The ornament in visual arts a pictorial element that functions as a complement or beauty enhancement in a visual composition - is considered the most…
(more)
▼ The ornament in visual arts a pictorial element that functions as a complement or beauty enhancement in a visual composition - is considered the most banal, and even disposable aspect of images. But this superficiality is only apparent, masking a complexity that unfolds in a series of formal, symbolic and theoretical questions. In this way, the ornament can be thought of as a superficial abbyss, and the questions it raises may be suggested in pairs of conceptual oppositions, which can only be resolved through paradox. Thus, this work consists of a series of essays, each starting out with an image whose ornaments referr to the conceptual opposition in question. The discussions are then illustrated and enriched with the addition of other images, forming anachronic series. Through these ornaments, issues of art history are explored, like that of the ornament as filling - based on the theoretical literature produced in this respect, particularly in the second half of the nineteenth century, by authors such as Riegl, Wornum and Goodyear - of luxury and expenditure - based on literature produced in first half of the twentieth century by names such as Bataille, Caillois and Loos - and eroticism - point of confluence of the previous discussions
O ornamento nas artes visuais elemento pictórico que funciona como complemento ou acessório de beleza numa composição visual - é tido como aspecto mais banal, e mesmo dispensável, das imagens. Mas essa superficialidade é apenas aparente, encobrindo uma complexidade que se desdobra numa série de questões formais, simbólicas e teóricas. Por essa via, o ornamento pode ser pensado como um abismo superficial, e as questões que ele evoca podem ser sugeridas em forma de pares conceituais cujas oposições só podem ser resolvidas no paradoxo. Assim, esse trabalho é constituído de uma série de ensaios, cada qual iniciando com uma imagem cujos ornamentos remetam à oposição conceitual em questão. As discussões são então enriquecidas e ilustradas com a adição de outras imagens, formando séries anacrônicas em que os problemas são potencializados. A partir destes ornamentos são exploradas questões da história da arte e do ornamento como preenchimento com base na literatura teórica produzida a esse respeito, em especial na segunda metade do século XIX, por autores como Riegl, Wornum e Goodyear do luxo e do dispêndio com base na literatura produzida na primeira metade do século XX por nomes como Bataille, Caillois e Loos e do erotismo ponto de confluência das discussões anteriores
Advisors/Committee Members: Rosângela Miranda Cherem.
Subjects/Keywords: Ornament; Erotismo; Expenditure; ARTES; Eroticism; Dispêndio; Ornamento
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APA (6th Edition):
Kielwagem, J. W. (2010). Abismos superficiais: antinomias do ornamento. (Thesis). Universidade do Estado de Santa Catarina. Retrieved from http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=2064
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Kielwagem, Jefferson Wilke. “Abismos superficiais: antinomias do ornamento.” 2010. Thesis, Universidade do Estado de Santa Catarina. Accessed December 10, 2019.
http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=2064.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Kielwagem, Jefferson Wilke. “Abismos superficiais: antinomias do ornamento.” 2010. Web. 10 Dec 2019.
Vancouver:
Kielwagem JW. Abismos superficiais: antinomias do ornamento. [Internet] [Thesis]. Universidade do Estado de Santa Catarina; 2010. [cited 2019 Dec 10].
Available from: http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=2064.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Kielwagem JW. Abismos superficiais: antinomias do ornamento. [Thesis]. Universidade do Estado de Santa Catarina; 2010. Available from: http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=2064
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Sydney
5.
Kelly, Amelia.
Anxiety and Agency in Fashion, Beauty, and the Erotic Female Grotesque
.
Degree: 2018, University of Sydney
URL: http://hdl.handle.net/2123/18997
► This thesis considers anxieties and concepts of agency related to femininity as represented through the beautiful and the grotesque, and the tensions that manifest when…
(more)
▼ This thesis considers anxieties and concepts of agency related to femininity as represented through the beautiful and the grotesque, and the tensions that manifest when these two states coalesce. Reviewing dominant anti-fashion/beauty rhetoric that rose to prominence with second-wave feminism establishes a framework for understanding the persistence of Western culture’s fraught relationship with women’s cultivation of image and sexual appeal. Conversely, examining third and fourth-wave feminism’s more holistic embrace of fashion presents an alternate viewpoint that justifies the agential power of knowing engagement with contemporary systems of dress and beautification. This is supported by theories of performativity of gender. Similarly, highlighting Western culture’s historic belief that women’s bodies exist as innately abject provides insight into enduring anxieties towards the corporeal female form constituted as grotesque. In contrast, referencing scholarly theories that frame the carnivalesque female grotesque, including the active display of erotic will, as a mode of liberating female bodily expression, helps support arguments for the grotesque’s self-affirming potential. Consideration of philosophical arguments that demonstrate the value of the erotic and its connection with the abject assists in reasoning the link between personal sovereignty, erotic pleasure and transgression. Examination of select artistic examples helps draw even greater attention to the tensions that reside in dominant attitudes towards representations of femininity today.
The studio practice consists of two short films buttressed by a selection of photographic works. These artworks use the subject of the self to explore concerns of fantastical, performative self-transformation to reflect on the polymorphic nature of femininity. Like the work critiqued in the thesis, the studio research similarly evokes aesthetics of the sumptuous, alluring and repellent relating to style, location, materiality and the female body. Together, the written thesis and creative studio outcomes aid appreciation of the semiotic value of this ambiguous yet powerful mode of representation.
Subjects/Keywords: fashion;
grotesque;
eroticism;
photomedia;
agency;
feminism
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Manager
APA (6th Edition):
Kelly, A. (2018). Anxiety and Agency in Fashion, Beauty, and the Erotic Female Grotesque
. (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/18997
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Kelly, Amelia. “Anxiety and Agency in Fashion, Beauty, and the Erotic Female Grotesque
.” 2018. Thesis, University of Sydney. Accessed December 10, 2019.
http://hdl.handle.net/2123/18997.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Kelly, Amelia. “Anxiety and Agency in Fashion, Beauty, and the Erotic Female Grotesque
.” 2018. Web. 10 Dec 2019.
Vancouver:
Kelly A. Anxiety and Agency in Fashion, Beauty, and the Erotic Female Grotesque
. [Internet] [Thesis]. University of Sydney; 2018. [cited 2019 Dec 10].
Available from: http://hdl.handle.net/2123/18997.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Kelly A. Anxiety and Agency in Fashion, Beauty, and the Erotic Female Grotesque
. [Thesis]. University of Sydney; 2018. Available from: http://hdl.handle.net/2123/18997
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Sydney
6.
Fitzgerald, Aimee.
Photography as Gaze, Painting as Caress
.
Degree: 2016, University of Sydney
URL: http://hdl.handle.net/2123/15952
► Photography and painting have been posited as antagonistic mediums since the former’s inception in the 19th century, and despite generations of artists working across the…
(more)
▼ Photography and painting have been posited as antagonistic mediums since the former’s inception in the 19th century, and despite generations of artists working across the mediums and disavowing the divide, it still looms large in our cultural imagination. This paper discusses the history of photography and painting as critical adversaries and practical allies, from both a historical and conceptual perspective, with a final segue to the history of gendered looking in art, and the rarity of a ‘female gaze’.
My master’s work comprises a series of paintings that are in conversation with photographs I have taken of my partner sleeping. Using intimate portraits in a combination of painting and photography I attempt to draw out dissonant attitudes to authenticity, artistic value and the ‘reality content’ of images. The work interrogates our disparate reactions between photographs and paintings that recreate photographs, using the unique strengths of each to challenge and complicate our instinctive ‘reading’ of the image. They are diverse in style and presentation, while constant in subject. The examination/exhibition will take place in June at the SCA Galleries, and will consist of at least ten paintings on various media (including but not limited to paper, glass, aluminium, and wood).
Subjects/Keywords: photography;
painting;
eroticism;
sleep;
love;
masculinity
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APA (6th Edition):
Fitzgerald, A. (2016). Photography as Gaze, Painting as Caress
. (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/15952
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Fitzgerald, Aimee. “Photography as Gaze, Painting as Caress
.” 2016. Thesis, University of Sydney. Accessed December 10, 2019.
http://hdl.handle.net/2123/15952.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Fitzgerald, Aimee. “Photography as Gaze, Painting as Caress
.” 2016. Web. 10 Dec 2019.
Vancouver:
Fitzgerald A. Photography as Gaze, Painting as Caress
. [Internet] [Thesis]. University of Sydney; 2016. [cited 2019 Dec 10].
Available from: http://hdl.handle.net/2123/15952.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Fitzgerald A. Photography as Gaze, Painting as Caress
. [Thesis]. University of Sydney; 2016. Available from: http://hdl.handle.net/2123/15952
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
7.
Lígia Mychelle de Melo Silva.
O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor.
Degree: 2010, Universidade Federal do Rio Grande do Norte
URL: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=3579
► A poetisa Florbela Espanca (1984-1930) viveu e produziu sua obra literária em um período em que, se por um lado, estavam sendo fomentados os ideais…
(more)
▼ A poetisa Florbela Espanca (1984-1930) viveu e produziu sua obra literária em um período em que, se por um lado, estavam sendo fomentados os ideais de um movimento inovador e irreverente liderado por Fernando Pessoa, Almada Negreiros e Mário de Sá-Carneiro , por outro lado, o que predominava, em Portugal, era um pensamento conservador e autoritário, apoiado numa ideologia burguês-cristã. Inserida num contexto social em que nada favorecia a expressão dos impulsos sexuais femininos, a poesia de Florbela surge, então, como um discurso inovador, na medida em que põe em xeque a organização sexual da sociedade portuguesa em questão. Desse modo, considerando as relações entre o texto poético e o contexto histórico-social, a proposta desta pesquisa é apresentar uma leitura do erótico na obra Charneca em flor (1931) como possibilidade de transgredir as limitações dadas à atividade sexual. Para tanto, recorremos aos conceitos desenvolvidos, principalmente, por Georges Bataille em O Erotismo (2004) e por Octavio Paz em A dupla chama: amor e erotismo (2001) sobre a temática abordada
Portuguese Poet Florbela Espanca (1984 1930) lived and produced her literary work during a period in which, on the one hand, the ideals of an innovative and irreverent movement were being fomented led by Fernando Pessoa, Almada Negreiros and Mário de Sá-Carneiro , on the other hand, Portugal was still dominated by a conservative and authoritarian thought, anchored in a bourgeois-christian ideology. Inserted in an unfavorable social context to the expression of the female sexual impulse, poet Florbela then appears with an innovative speech as threatening the sexual organization of the Portuguese society. This way, considering the relations between the poetic text and the historical-social context, the aim of this work is to present a reading upon the Eroticism in The Flowering Heath (2005) as a way to contravene the borders given to the sexual phenomenon. For this reason, we will mainly resort to the concepts developed on the approach of Georges Bataille The Eroticism (2004) and also by Octavio Paz The Double Flame: Love and Eroticism (2001)
Advisors/Committee Members: Rosilda Alves Bezerra, Derivaldo dos Santos, Valdenides Cabral de Araújo Dias.
Subjects/Keywords: LINGUISTICA; Eroticism; Transgression; Social interdicts; Erotismo; Transgressão; Interditos sociais
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APA ·
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Manager
APA (6th Edition):
Silva, L. M. d. M. (2010). O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor. (Thesis). Universidade Federal do Rio Grande do Norte. Retrieved from http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=3579
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Silva, Lígia Mychelle de Melo. “O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor.” 2010. Thesis, Universidade Federal do Rio Grande do Norte. Accessed December 10, 2019.
http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=3579.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Silva, Lígia Mychelle de Melo. “O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor.” 2010. Web. 10 Dec 2019.
Vancouver:
Silva LMdM. O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor. [Internet] [Thesis]. Universidade Federal do Rio Grande do Norte; 2010. [cited 2019 Dec 10].
Available from: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=3579.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Silva LMdM. O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor. [Thesis]. Universidade Federal do Rio Grande do Norte; 2010. Available from: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=3579
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
8.
Kalina Alessandra Rodrigues de Paiva Andrade.
Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira.
Degree: 2008, Universidade Federal do Rio Grande do Norte
URL: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=2231
► Olhar em terra de cego: viagens na visualidade do Ensaio sobre a Cegueira é um ensaio literário, fruto da experiência de alguns olhares a respeito…
(more)
▼ Olhar em terra de cego: viagens na visualidade do Ensaio sobre a Cegueira é um ensaio literário, fruto da experiência de alguns olhares a respeito do Ensaio sobre a Cegueira (1996), mostrando uma tendência estética moderna em diálogo com a barroca, discutindo temas ligados à História das Mentalidades. Os capítulos assim estão dispostos: o primeiro apresenta um breve excurso sobre o autor e sua obra; o segundo introduz o conceito de alegoria, exemplificando-o com imagens representativas do romance; o terceiro apresenta elementos do trágico em diálogo com o erotismo batailleano numa alegoria dos sentimentos; o quarto capítulo mostra a manifestação do cômico no romance, por meio de recursos estilísticos com vias à musicalidade, utilizados para provocar o riso; o quinto e último, tecerá considerações sobre a pertinência do estudo. Finalmente, em favor de uma educação do olhar, o estudo considerou, entre outros pensadores: Ariès (1977), Bataille (2003), Bakhtin (2002, 2000, 1999), Benjamin (2000, 1996), Chauí (2005, 2000), Foucault (2006, 2005, 2004, 2002), Freud (1970), Hansen (2006), Lino (2004), Sartre (2005), Vovelle (1996)
"Looking at earth from blind: travel in the visuality of the test on Blindness" is a literary Essay resulted from the experience of different points of view regarding the Essay on Blindness (1996), not only showing a Modern aesthetical tendency in dialog with the Baroque one, but also discussing subjects related to the History of Mentalities. The chapters are disposed as follows: The first one presents a short Excursus about the author and his work; the second one introduces the concept of Allegory exemplifying it with representative images of Romance; the third one presents tragic elements in dialog with the Bataille Eroticism in an Allegory of Feeling; the fourth one shows Stylistic Features used as a display mean of Comedy in Romance going towards the musicalness, being the features used to provoke laugh; the fifth and last one discusses about the study pertinence. To conclude, in favor of a Sight Education, the study considered authors such as: Ariès (1977), Bataille (2003), Bakhtin (2002, 2000, 1999), Benjamin (2000, 1996), Chauí (2005, 2000), Foucault (2006, 2005, 2004, 2002), Freud (1970), Hansen (2006), Lino (2004), Sartre (2005), Vovelle (1996)
Advisors/Committee Members: Maria da Conceição Crisóstomo de Medeiros Gonçalves Matos Flores, Joselita Bezerra da Silva Lino, Maria da Penha Casado Alves.
Subjects/Keywords: Alegoria; Erotismo; Modernidade; Neobarroco; LITERATURA COMPARADA; Allegory; Eroticism; Modernism; Newbaroque.
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APA (6th Edition):
Andrade, K. A. R. d. P. (2008). Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira. (Thesis). Universidade Federal do Rio Grande do Norte. Retrieved from http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=2231
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Andrade, Kalina Alessandra Rodrigues de Paiva. “Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira.” 2008. Thesis, Universidade Federal do Rio Grande do Norte. Accessed December 10, 2019.
http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=2231.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Andrade, Kalina Alessandra Rodrigues de Paiva. “Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira.” 2008. Web. 10 Dec 2019.
Vancouver:
Andrade KARdP. Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira. [Internet] [Thesis]. Universidade Federal do Rio Grande do Norte; 2008. [cited 2019 Dec 10].
Available from: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=2231.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Andrade KARdP. Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira. [Thesis]. Universidade Federal do Rio Grande do Norte; 2008. Available from: http://bdtd.bczm.ufrn.br/tedesimplificado//tde_busca/arquivo.php?codArquivo=2231
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
9.
Ronilson Ferreira dos Santos.
A construção do sentido no gênero canção: Cazuza - uma voz singular no meio plural.
Degree: 2008, Universidade Federal da Paraíba
URL: http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=724
► Esta pesquisa tem como objeto de estudo averiguar a construção do sentido do erotismo na canção de Cazuza, especificamente, pela voz do sujeito enunciador. A…
(more)
▼ Esta pesquisa tem como objeto de estudo averiguar a construção do sentido do erotismo na canção de Cazuza, especificamente, pela voz do sujeito enunciador. A escassez de trabalhos sobre a obra desse artista dentro de um contexto lingüístico é o que torna esta pesquisa pioneira no campo musical brasileiro. O corpus se compõe de dez canções que marcam, numa ordem cronológica, todo o trabalho de Cazuza. O repertório selecionado traduz o tom singular do erotismo revelado pelo poeta que se destaca no cenário da época. O objetivo primeiro é desenvolver uma análise lingüístico-discursiva sobre as formas de construção do sentido do erotismo, pelo sujeito, nas canções para, então, desmembrarmos os seguintes fins: identificar a importância do sujeito no processo dialógico da linguagem; reconhecer a relevância das vozes na construção do sentido do erotismo e apreender a interferência ideológica nas canções selecionadas. O eixo teórico fundamenta-se no sócio-interacionismo de Bakhtin (1997) que trabalha com o sujeito dialógico dentro de uma perspectiva social, na qual se pontuam as vozes que dizem nos discursos proferidos pelos sujeitos. Em face à análise, os valores familiares e pessoais, intrínsecos no homem e na sociedade são revelados como uma verdade dos seres. A conclusão aponta um novo direcionamento de análise lingüística a partir do gênero canção como também revela o papel do sujeito no momento em que o erotismo é enunciado nos discursos.
This research aims at investigating the eroticism construction sense in Cazuzas song, especially, thorough the enunciator subject. The shortage of studies concerning the work of this artist in a linguistic context is what makes this research pioneer in the Brazilian musical field. The corpus is composed of 10 songs, in a chronological order of Cazuzas productions. All this production translates the singular tone of the eroticism revealed by the poet who stands up in the scene of the epoch. The first objective is to develop a linguistic-discursive analysis about the construction forms of the eroticism sense, by the subject, in Cazuzas songs to, then, separate the following ends: to identify the subject importance in the dialogic process of language; to admit the relevance of the voices in the eroticism construction sense and assimilate the ideological interference in the selected songs. The theoretical axis is based in Bakhtins socio-interactionism (1997) that works with the dialogical subject in a purely social perspective, in which characterizes the voices that speak in the discourses pronounced by the subject. The analysis demonstrates that the eroticism present in this artists songs naked familiar and personal values intrinsic in man and society, putting them as one beings truth. The conclusion points to a new direction of linguistic analysis from the song gender as also reveals the subject role in the moment that the eroticism is announced in the discourses, as to personal or social order.
Advisors/Committee Members: Maria de Fátima Almeida.
Subjects/Keywords: Sujeito; Dialogismo; Erotismo; Ideologia; LINGUISTICA; Subject; Dialogism; Eroticism; Ideology
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APA ·
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APA (6th Edition):
Santos, R. F. d. (2008). A construção do sentido no gênero canção: Cazuza - uma voz singular no meio plural. (Thesis). Universidade Federal da Paraíba. Retrieved from http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=724
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Santos, Ronilson Ferreira dos. “A construção do sentido no gênero canção: Cazuza - uma voz singular no meio plural.” 2008. Thesis, Universidade Federal da Paraíba. Accessed December 10, 2019.
http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=724.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Santos, Ronilson Ferreira dos. “A construção do sentido no gênero canção: Cazuza - uma voz singular no meio plural.” 2008. Web. 10 Dec 2019.
Vancouver:
Santos RFd. A construção do sentido no gênero canção: Cazuza - uma voz singular no meio plural. [Internet] [Thesis]. Universidade Federal da Paraíba; 2008. [cited 2019 Dec 10].
Available from: http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=724.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Santos RFd. A construção do sentido no gênero canção: Cazuza - uma voz singular no meio plural. [Thesis]. Universidade Federal da Paraíba; 2008. Available from: http://bdtd.biblioteca.ufpb.br/tde_busca/arquivo.php?codArquivo=724
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
10.
Soares, Marina Juliana de Oliveira.
Erótica sem véu: o corpóreo-sexual na sociedade árabe-islâmica clássica (século XII - XIII).
Degree: Mestrado, Língua, Literatura e Cultura Árabe, 2009, University of São Paulo
URL: http://www.teses.usp.br/teses/disponiveis/8/8154/tde-27072009-151856/
;
► Num momento em que os livros sobre as sociedades árabe-islâmicas colocam mulheres com burquc e véus em suas capas, impõe-se buscar elementos que amparem a…
(more)
▼ Num momento em que os livros sobre as sociedades árabe-islâmicas colocam mulheres com burquc e véus em suas capas, impõe-se buscar elementos que amparem a discussão sobre sexualidade e misoginia. Este trabalho pretende discutir de que forma as fontes sexuais e eróticas da sociedade árabe-islâmica clássica, nos séculos XII e XIII, relacionam-se e respondem à religião, e como pensam o feminino. Após sistematização das prescrições corânicas quanto à sexualidade e à mulher, dois textos erótico-sexuais serão analisados: As Fontes do Prazer, de Al-Sayyid Hrn Ibn ©usayn Al-Maæzm provavelmente escrito no século XII d.C./VI H. , e As Delícias dos Corações com o que não se encontra em livro algum, de A¬mad Al-Tf, elaborado no século XIII d.C./VII H. Por ser a medicina um lugar de diálogo para estas obras, as indicações médicas sobre o corpo serão questionadas a partir da obra (Al-Qnn f Al-Æibb), O Cânone de Medicina, de Ibn Sn
At a time when the books about the Arab-Islamic societies show women with burquc and veils in their covers, it is necessary to seek for subsidies that sustain the discussion about sexuality and misogyny. This paper will discuss how the sexual and erotic sources of the classic Arab-Islamic society (XII and XIII centuries) think about the religion and the feminine. After a systematising of the premisses of the Koran about the sexuality and about the woman, two erotic-sexuals texts will be analyzed, As Fontes do Prazer, from Al-Sayyid Hrn Ibn ©usayn Al-Maæzmi - probably written in the XII century AD/VI H. -, and Les Delices des coeurs, Ce que lon ne trouve en aucun livre, from A¬mad al-Tf - produced in the XIII century AD/VII H. Being the medicine a place of dialogue for these works, the medicals indications about the body will be questioned from the work (Al-Qnn f Al-Æibb), The Canon of Medicine of Ibn Sina
Advisors/Committee Members: Jarouche, Mamede Mustafa.
Subjects/Keywords: Body; Corpo; Eroticism; Erotismo; Female; Feminino; Medicina; Medicine; Sexualidade; Sexuality
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APA ·
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MLA ·
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APA (6th Edition):
Soares, M. J. d. O. (2009). Erótica sem véu: o corpóreo-sexual na sociedade árabe-islâmica clássica (século XII - XIII). (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8154/tde-27072009-151856/ ;
Chicago Manual of Style (16th Edition):
Soares, Marina Juliana de Oliveira. “Erótica sem véu: o corpóreo-sexual na sociedade árabe-islâmica clássica (século XII - XIII).” 2009. Masters Thesis, University of São Paulo. Accessed December 10, 2019.
http://www.teses.usp.br/teses/disponiveis/8/8154/tde-27072009-151856/ ;.
MLA Handbook (7th Edition):
Soares, Marina Juliana de Oliveira. “Erótica sem véu: o corpóreo-sexual na sociedade árabe-islâmica clássica (século XII - XIII).” 2009. Web. 10 Dec 2019.
Vancouver:
Soares MJdO. Erótica sem véu: o corpóreo-sexual na sociedade árabe-islâmica clássica (século XII - XIII). [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2019 Dec 10].
Available from: http://www.teses.usp.br/teses/disponiveis/8/8154/tde-27072009-151856/ ;.
Council of Science Editors:
Soares MJdO. Erótica sem véu: o corpóreo-sexual na sociedade árabe-islâmica clássica (século XII - XIII). [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/8/8154/tde-27072009-151856/ ;
11.
Souza, Thais Torres de.
Uma vaga promessa: aspectos do erotismo em contos de Caio Fernando Abreu.
Degree: PhD, Literatura Brasileira, 2014, University of São Paulo
URL: http://www.teses.usp.br/teses/disponiveis/8/8149/tde-08012015-123038/
;
► O erotismo é um tema central na obra de Caio Fernando Abreu. Em grande parte de seus livros, o autor apresenta personagens que lidam com…
(more)
▼ O erotismo é um tema central na obra de Caio Fernando Abreu. Em grande parte de seus livros, o autor apresenta personagens que lidam com um desejo impositivo, mas que se deparam com diversas impossibilidades para que o gozo efetivamente aconteça. Essa tese propõe um olhar sobre esse tema na obra do autor, mediante a análise de quatro contos do escritor gaúcho, publicados em Morangos Mofados, de 1982 e em Os dragões não conhecem o paraíso, de 1988. Para buscar uma compreensão a respeito do modo como o erotismo aparece nas narrativas escolhidas, as interpretações são dividas em duas partes. Na primeira, analiso dois contos que tematizam a iniciação erótica: Sargento Garcia e Uma praiazinha de areia bem clara, ali, na beira da sanga. Na segunda, exponho o modo como o erotismo e a morte se relacionam em outros dois textos do autor gaúcho: Os sapatinhos vermelhos e Terça-feira gorda. Nestes últimos, é possível notar que a morte determina a finitude do sujeito e do prazer. Defendo aqui que o erotismo aparece nesses contos mais como uma promessa de gozo do que como prazer propriamente dito. Mesmo quando o prazer se realiza, o gozo é cerceado, quer seja devido a fatores externos aos sujeitos, como o preconceito da sociedade; ou pela condição intrínseca dos indivíduos e do próprio desejo: a incompletude
Eroticism is the main theme in Caio Fernando Abreus works. In most of his books, the author presents characters that deal with a dominant desire, but also face the impossibility of its total fruition. This dissertation proposes an analysis of this theme, as addressed by Abreu, by focusing on the review of four of his short stories from Morangos Mofados (1982) and Os dragões não conhecem o paraíso (1988). In order to understand how eroticism pervades the selected narratives, the analyses are divided in two parts. In the first one, I analyze two short stories focused on erotic initiation: Sargento Garcia and Uma praiazinha de areia bem clara, ali, na beira da sanga. In the second part, I present the ways by which eroticism and death are intertwined in two other Abreus short stories: Os sapatinhos vermelhos and Terça-feira gorda. These last ones reveal the idea that death establishes the subject and pleasure finitude. I argue that, in these short stories, eroticism appears more as a promise of fulfillment than a total fruition. Even when accomplished, pleasure is restricted by elements that are external to the subjects, such as societys prejudice, or by the intrinsic condition of individuals and of the self: incompleteness
Advisors/Committee Members: Rosenbaum, Yudith.
Subjects/Keywords: Caio Fernando Abreu; Caio Fernando Abreu; Contos; Eroticism; Erotismo; Short stories
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APA ·
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APA (6th Edition):
Souza, T. T. d. (2014). Uma vaga promessa: aspectos do erotismo em contos de Caio Fernando Abreu. (Doctoral Dissertation). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8149/tde-08012015-123038/ ;
Chicago Manual of Style (16th Edition):
Souza, Thais Torres de. “Uma vaga promessa: aspectos do erotismo em contos de Caio Fernando Abreu.” 2014. Doctoral Dissertation, University of São Paulo. Accessed December 10, 2019.
http://www.teses.usp.br/teses/disponiveis/8/8149/tde-08012015-123038/ ;.
MLA Handbook (7th Edition):
Souza, Thais Torres de. “Uma vaga promessa: aspectos do erotismo em contos de Caio Fernando Abreu.” 2014. Web. 10 Dec 2019.
Vancouver:
Souza TTd. Uma vaga promessa: aspectos do erotismo em contos de Caio Fernando Abreu. [Internet] [Doctoral dissertation]. University of São Paulo; 2014. [cited 2019 Dec 10].
Available from: http://www.teses.usp.br/teses/disponiveis/8/8149/tde-08012015-123038/ ;.
Council of Science Editors:
Souza TTd. Uma vaga promessa: aspectos do erotismo em contos de Caio Fernando Abreu. [Doctoral Dissertation]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/8/8149/tde-08012015-123038/ ;
12.
Luduvice, Ruy Lewgoy.
Espelhos e abismos: autoria, erotismo e primitivismo em Louise Bourgeois.
Degree: Mestrado, Filosofia, 2013, University of São Paulo
URL: http://www.teses.usp.br/teses/disponiveis/8/8133/tde-14022014-123340/
;
► O presente estudo pretende abrir três caminhos possíveis para a compreensão da obra da artista franco-americana Louise Bourgeois (1911-2010). Para isso, primeiramente aborda a relação…
(more)
▼ O presente estudo pretende abrir três caminhos possíveis para a compreensão da obra da artista franco-americana Louise Bourgeois (1911-2010). Para isso, primeiramente aborda a relação entre vida e obra em seu trabalho, percorrendo escritos, obras visuais e retratos, rediscutindo o estatuto da noção de autoria em seu trabalho. Em seguida, busca mostrar a peculiaridade da erótica da artista, elemento chave para o estabelecimento entre público e obra. Por fim, examina a inserção de Bourgeois na vaga primitivista presente na implantação do modernismo em solo norte-americano.
This study intends to open three possible approaches to the understanding of the work of the French-American artist Louise Bourgeois (1911-2010). To do this, first it discusses the relationship between life and art in her work, traversing her writtens, visual works and portraits, revisiting the status of the of authorship in her work. Then seeks to show the peculiarity of the artist s erotica, key to her comprehension of the relacionship between art and public. Finally, it examines her integration in the deploying of primitivist modernism in United States.
Advisors/Committee Members: Fabbrini, Ricardo Nascimento.
Subjects/Keywords: Authorship; Autoria; Eroticism; Erotismo; Louise Bourgeois; Louise Bourgeois; Primitivism; Primitivismo
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APA (6th Edition):
Luduvice, R. L. (2013). Espelhos e abismos: autoria, erotismo e primitivismo em Louise Bourgeois. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8133/tde-14022014-123340/ ;
Chicago Manual of Style (16th Edition):
Luduvice, Ruy Lewgoy. “Espelhos e abismos: autoria, erotismo e primitivismo em Louise Bourgeois.” 2013. Masters Thesis, University of São Paulo. Accessed December 10, 2019.
http://www.teses.usp.br/teses/disponiveis/8/8133/tde-14022014-123340/ ;.
MLA Handbook (7th Edition):
Luduvice, Ruy Lewgoy. “Espelhos e abismos: autoria, erotismo e primitivismo em Louise Bourgeois.” 2013. Web. 10 Dec 2019.
Vancouver:
Luduvice RL. Espelhos e abismos: autoria, erotismo e primitivismo em Louise Bourgeois. [Internet] [Masters thesis]. University of São Paulo; 2013. [cited 2019 Dec 10].
Available from: http://www.teses.usp.br/teses/disponiveis/8/8133/tde-14022014-123340/ ;.
Council of Science Editors:
Luduvice RL. Espelhos e abismos: autoria, erotismo e primitivismo em Louise Bourgeois. [Masters Thesis]. University of São Paulo; 2013. Available from: http://www.teses.usp.br/teses/disponiveis/8/8133/tde-14022014-123340/ ;
Universidade do Rio Grande do Norte
13.
Andrade, Kalina Alessandra Rodrigues de Paiva.
Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira
.
Degree: 2008, Universidade do Rio Grande do Norte
URL: http://repositorio.ufrn.br/handle/123456789/16149
► "Looking at earth from blind: travel in the visuality of the test on Blindness" is a literary Essay resulted from the experience of different points…
(more)
▼ "Looking at earth from blind: travel in the visuality of the test on Blindness" is a literary Essay resulted from the experience of different points of view regarding the Essay on Blindness (1996), not only showing a Modern aesthetical tendency in
dialog with the Baroque one, but also discussing subjects related to the History of Mentalities. The chapters are disposed as follows: The first one presents a short
Excursus about the author and his work; the second one introduces the concept of Allegory exemplifying it with representative images of Romance; the third one presents tragic elements in dialog with the Bataille
Eroticism in an Allegory of Feeling; the fourth one shows Stylistic Features used as a display mean of Comedy in Romance going towards the musicalness, being the features used to provoke laugh; the fifth and last one discusses about the study pertinence. To conclude, in favor of a Sight Education, the study considered authors such as: Ariès (1977), Bataille (2003), Bakhtin (2002, 2000, 1999), Benjamin (2000, 1996), Chauí (2005, 2000), Foucault (2006, 2005, 2004, 2002), Freud (1970), Hansen (2006), Lino (2004), Sartre (2005), Vovelle (1996)
Advisors/Committee Members: Lino, Joselita Bezerra da Silva (advisor), CPF:15491374415 (advisor), http://lattes.cnpq.br/4048330649545791 (advisor).
Subjects/Keywords: Alegoria;
Erotismo;
Modernidade;
Neobarroco;
Allegory;
Eroticism;
Modernism;
Newbaroque.
Record Details
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Share »
Record Details
Similar Records
Cite
« Share
❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Andrade, K. A. R. d. P. (2008). Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira
. (Masters Thesis). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/16149
Chicago Manual of Style (16th Edition):
Andrade, Kalina Alessandra Rodrigues de Paiva. “Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira
.” 2008. Masters Thesis, Universidade do Rio Grande do Norte. Accessed December 10, 2019.
http://repositorio.ufrn.br/handle/123456789/16149.
MLA Handbook (7th Edition):
Andrade, Kalina Alessandra Rodrigues de Paiva. “Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira
.” 2008. Web. 10 Dec 2019.
Vancouver:
Andrade KARdP. Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira
. [Internet] [Masters thesis]. Universidade do Rio Grande do Norte; 2008. [cited 2019 Dec 10].
Available from: http://repositorio.ufrn.br/handle/123456789/16149.
Council of Science Editors:
Andrade KARdP. Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira
. [Masters Thesis]. Universidade do Rio Grande do Norte; 2008. Available from: http://repositorio.ufrn.br/handle/123456789/16149
Universidade do Rio Grande do Norte
14.
Silva, Lígia Mychelle de Melo.
O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor
.
Degree: 2010, Universidade do Rio Grande do Norte
URL: http://repositorio.ufrn.br/handle/123456789/16177
► Portuguese Poet Florbela Espanca (1984 1930) lived and produced her literary work during a period in which, on the one hand, the ideals of an…
(more)
▼ Portuguese Poet Florbela Espanca (1984 1930) lived and produced her literary work during a period in which, on the one hand, the ideals of an innovative and irreverent movement were being fomented led by Fernando Pessoa, Almada Negreiros and Mário de Sá-Carneiro , on the other hand, Portugal was still dominated by a conservative and authoritarian thought, anchored in a bourgeois-christian ideology. Inserted in an unfavorable social context to the expression of the female sexual impulse, poet Florbela then appears with an innovative speech as threatening the sexual organization of the Portuguese society. This way, considering the relations between the poetic text and the historical-social context, the aim of this work is to present a reading upon the
Eroticism in The Flowering Heath (2005) as a way to contravene the borders given to the sexual phenomenon. For this reason, we will mainly resort to the concepts developed on the approach of Georges Bataille The
Eroticism (2004) and also by Octavio Paz The Double Flame: Love and
Eroticism (2001)
Advisors/Committee Members: Santos, Derivaldo dos (advisor), CPF:65158598487 (advisor), http://lattes.cnpq.br/8615666365895204 (advisor).
Subjects/Keywords: Erotismo;
Transgressão;
Interditos sociais;
Eroticism;
Transgression;
Social interdicts
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APA (6th Edition):
Silva, L. M. d. M. (2010). O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor
. (Masters Thesis). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/16177
Chicago Manual of Style (16th Edition):
Silva, Lígia Mychelle de Melo. “O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor
.” 2010. Masters Thesis, Universidade do Rio Grande do Norte. Accessed December 10, 2019.
http://repositorio.ufrn.br/handle/123456789/16177.
MLA Handbook (7th Edition):
Silva, Lígia Mychelle de Melo. “O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor
.” 2010. Web. 10 Dec 2019.
Vancouver:
Silva LMdM. O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor
. [Internet] [Masters thesis]. Universidade do Rio Grande do Norte; 2010. [cited 2019 Dec 10].
Available from: http://repositorio.ufrn.br/handle/123456789/16177.
Council of Science Editors:
Silva LMdM. O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor
. [Masters Thesis]. Universidade do Rio Grande do Norte; 2010. Available from: http://repositorio.ufrn.br/handle/123456789/16177
Universidade do Rio Grande do Norte
15.
Barros, Lindinês Gomes de.
O erotismo mítico da ninfeta
.
Degree: 2007, Universidade do Rio Grande do Norte
URL: http://repositorio.ufrn.br/handle/123456789/13522
► This dissertation establishes a viewpoint in the Social Cience Field of the Nymphs image in the romanesque construction of the twentieth century based in modern…
(more)
▼ This dissertation establishes a viewpoint in the Social Cience Field of the Nymphs image in the romanesque construction of the twentieth century based in modern archaeology. Our literary corpus is constitututed by the book of the russian author callled Wladimir Nabokov entlited Lolita and the book Presença de Anita, from a brazilian author called Mario Donato. Both works had a singular repercussion involving an erotic conception wich was faced as pornographic and baffling. We appeal to Georges Bataille‟s and Foucault‟s discussion in order to observe it through an erotic viewpoint from an inner experience not submitted to normalizations. Such experiences provoke a feeling of something unknown and it reflects wild singularities proposed by Foucault and related with many misunderstanding things presented in institutions and cultures. Furthemore Bataille‟s conception about erotism will give us conditions to analyze nymphs‟ bodies in order to see themselves from their main characteristics, such as seduction and tempting and maligning forces. We still aim to focus the paradigm of mankind and nature in the direction presented by Edgar Morin. He analyzes some feelings that nymphs provoke and their relation between men and death. In adittion, we present in this issue some questions between culture and biology, focusing on the initial period of larva (wich means the beggining), bringing up what is ready to be born, a mythical and significant body shown in the media. Lolita in the cinema and A Presença de Anita in the TV was disturbing in society and it projected the possibility of a syntaxes of desire. It can has a symbolic purpose or it can be a kind of social and cultural phenomenon, wich is an object of representation. Our purpose is to immersion/emerge in the Nimphs‟s body with adventure and its risks at the same time in wich we are crossing frontiers
Advisors/Committee Members: Dantas, Alexsandro Galeno Araújo (advisor), CPF:59670886449 (advisor), http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4703941Y0 (advisor).
Subjects/Keywords: Erotismo;
Ninfeta;
Transgressão;
Sedução;
Eroticism;
Transgression;
Nymphettes;
Seduction
Record Details
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Record Details
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APA ·
Chicago ·
MLA ·
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CSE |
Export
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Manager
APA (6th Edition):
Barros, L. G. d. (2007). O erotismo mítico da ninfeta
. (Thesis). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/13522
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Barros, Lindinês Gomes de. “O erotismo mítico da ninfeta
.” 2007. Thesis, Universidade do Rio Grande do Norte. Accessed December 10, 2019.
http://repositorio.ufrn.br/handle/123456789/13522.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Barros, Lindinês Gomes de. “O erotismo mítico da ninfeta
.” 2007. Web. 10 Dec 2019.
Vancouver:
Barros LGd. O erotismo mítico da ninfeta
. [Internet] [Thesis]. Universidade do Rio Grande do Norte; 2007. [cited 2019 Dec 10].
Available from: http://repositorio.ufrn.br/handle/123456789/13522.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Barros LGd. O erotismo mítico da ninfeta
. [Thesis]. Universidade do Rio Grande do Norte; 2007. Available from: http://repositorio.ufrn.br/handle/123456789/13522
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Universidade do Rio Grande do Norte
16.
Andrade, Kalina Alessandra Rodrigues de Paiva.
Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira
.
Degree: 2008, Universidade do Rio Grande do Norte
URL: http://repositorio.ufrn.br/handle/123456789/16149
► "Looking at earth from blind: travel in the visuality of the test on Blindness" is a literary Essay resulted from the experience of different points…
(more)
▼ "Looking at earth from blind: travel in the visuality of the test on Blindness" is a literary Essay resulted from the experience of different points of view regarding the Essay on Blindness (1996), not only showing a Modern aesthetical tendency in
dialog with the Baroque one, but also discussing subjects related to the History of Mentalities. The chapters are disposed as follows: The first one presents a short
Excursus about the author and his work; the second one introduces the concept of Allegory exemplifying it with representative images of Romance; the third one presents tragic elements in dialog with the Bataille
Eroticism in an Allegory of Feeling; the fourth one shows Stylistic Features used as a display mean of Comedy in Romance going towards the musicalness, being the features used to provoke laugh; the fifth and last one discusses about the study pertinence. To conclude, in favor of a Sight Education, the study considered authors such as: Ariès (1977), Bataille (2003), Bakhtin (2002, 2000, 1999), Benjamin (2000, 1996), Chauí (2005, 2000), Foucault (2006, 2005, 2004, 2002), Freud (1970), Hansen (2006), Lino (2004), Sartre (2005), Vovelle (1996)
Advisors/Committee Members: Lino, Joselita Bezerra da Silva (advisor), CPF:15491374415 (advisor), http://lattes.cnpq.br/4048330649545791 (advisor).
Subjects/Keywords: Alegoria;
Erotismo;
Modernidade;
Neobarroco;
Allegory;
Eroticism;
Modernism;
Newbaroque.
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APA (6th Edition):
Andrade, K. A. R. d. P. (2008). Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira
. (Thesis). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/16149
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Andrade, Kalina Alessandra Rodrigues de Paiva. “Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira
.” 2008. Thesis, Universidade do Rio Grande do Norte. Accessed December 10, 2019.
http://repositorio.ufrn.br/handle/123456789/16149.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Andrade, Kalina Alessandra Rodrigues de Paiva. “Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira
.” 2008. Web. 10 Dec 2019.
Vancouver:
Andrade KARdP. Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira
. [Internet] [Thesis]. Universidade do Rio Grande do Norte; 2008. [cited 2019 Dec 10].
Available from: http://repositorio.ufrn.br/handle/123456789/16149.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Andrade KARdP. Olhar em terra de cego: a visualidade em Ensaio sobre a Cegueira
. [Thesis]. Universidade do Rio Grande do Norte; 2008. Available from: http://repositorio.ufrn.br/handle/123456789/16149
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Universidade do Rio Grande do Norte
17.
Silva, Lígia Mychelle de Melo.
O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor
.
Degree: 2010, Universidade do Rio Grande do Norte
URL: http://repositorio.ufrn.br/handle/123456789/16177
► Portuguese Poet Florbela Espanca (1984 1930) lived and produced her literary work during a period in which, on the one hand, the ideals of an…
(more)
▼ Portuguese Poet Florbela Espanca (1984 1930) lived and produced her literary work during a period in which, on the one hand, the ideals of an innovative and irreverent movement were being fomented led by Fernando Pessoa, Almada Negreiros and Mário de Sá-Carneiro , on the other hand, Portugal was still dominated by a conservative and authoritarian thought, anchored in a bourgeois-christian ideology. Inserted in an unfavorable social context to the expression of the female sexual impulse, poet Florbela then appears with an innovative speech as threatening the sexual organization of the Portuguese society. This way, considering the relations between the poetic text and the historical-social context, the aim of this work is to present a reading upon the
Eroticism in The Flowering Heath (2005) as a way to contravene the borders given to the sexual phenomenon. For this reason, we will mainly resort to the concepts developed on the approach of Georges Bataille The
Eroticism (2004) and also by Octavio Paz The Double Flame: Love and
Eroticism (2001)
Advisors/Committee Members: Santos, Derivaldo dos (advisor), CPF:65158598487 (advisor), http://lattes.cnpq.br/8615666365895204 (advisor).
Subjects/Keywords: Erotismo;
Transgressão;
Interditos sociais;
Eroticism;
Transgression;
Social interdicts
Record Details
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Cite
Share »
Record Details
Similar Records
Cite
« Share
❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Silva, L. M. d. M. (2010). O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor
. (Thesis). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/16177
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Silva, Lígia Mychelle de Melo. “O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor
.” 2010. Thesis, Universidade do Rio Grande do Norte. Accessed December 10, 2019.
http://repositorio.ufrn.br/handle/123456789/16177.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Silva, Lígia Mychelle de Melo. “O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor
.” 2010. Web. 10 Dec 2019.
Vancouver:
Silva LMdM. O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor
. [Internet] [Thesis]. Universidade do Rio Grande do Norte; 2010. [cited 2019 Dec 10].
Available from: http://repositorio.ufrn.br/handle/123456789/16177.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Silva LMdM. O retrato de Eros em Florbela Espanca: um estudo sobre a escrita erótica em Charneca em Flor
. [Thesis]. Universidade do Rio Grande do Norte; 2010. Available from: http://repositorio.ufrn.br/handle/123456789/16177
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
18.
CARMEN BARRETO LOPES.
ENCONTROS E DESENCONTROS NA EDUCAÇÃO FÍSICA ESCOLAR: UM ESTUDO SOBRE O CORPO E O EROTISMO FEMININO.
Degree: 2009, Universidade Metodista de São Paulo
URL: http://ibict.metodista.br/tedeSimplificado/tde_busca/arquivo.php?codArquivo=2273
► O presente trabalho tem como objetivo central examinar os espaços do corpo feminino na Educação Física, na sua modalidade escolar e sua dimensão erótica, à…
(more)
▼ O presente trabalho tem como objetivo central examinar os espaços do corpo feminino na Educação Física, na sua modalidade escolar e sua dimensão erótica, à medida que este tema esclarece a prática docente na Educação Física. Com essa abordagem foi possível perceber com maior clareza a relação feminino-masculino no âmbito da prática e da formação docente. A partir do papel que o erotismo possui na relação homem-mulher, levantamos a seguinte hipótese: o componente erótico ressalta a contextualização masculinizada e masculinizadora da área da Educação Física. De natureza bibliográfica, a pesquisa retoma o momento de cientifização da Educação Física e passa pela institucionalização escolar em busca da caracterização de suas práticas escolares. Todo esse percurso visa mostrar a concepção e estruturação masculinizada da Educação Física e mostrar a inclusão da mulher num universo já definido previamente. O tema do erotismo mostra sua importância em nossa análise, pois permite perceber o quanto a mulher docente cede a essa masculinização massiva. Não somente assimila, mas a transmite por meio de sua prática escolar. O trabalho é composto de três capítulos: o primeiro trata da cientificidade da Educação Física, o segundo da sua institucionalização e o terceiro capítulo, mais teórico, analisa os dois momentos desta área.(AU)
Advisors/Committee Members: Danilo Di Manno de Almeida, JOSE CARLOS DE FREITAS BATISTA, JANE SOARES DE ALMEIDA.
Subjects/Keywords: Feminino; Mulher; Fitness; Gymnastics; Eroticism; Educação Física; Corpo; Erotismo; EDUCACAO; Body
Record Details
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APA ·
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MLA ·
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APA (6th Edition):
LOPES, C. B. (2009). ENCONTROS E DESENCONTROS NA EDUCAÇÃO FÍSICA ESCOLAR: UM ESTUDO SOBRE O CORPO E O EROTISMO FEMININO. (Thesis). Universidade Metodista de São Paulo. Retrieved from http://ibict.metodista.br/tedeSimplificado/tde_busca/arquivo.php?codArquivo=2273
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
LOPES, CARMEN BARRETO. “ENCONTROS E DESENCONTROS NA EDUCAÇÃO FÍSICA ESCOLAR: UM ESTUDO SOBRE O CORPO E O EROTISMO FEMININO.” 2009. Thesis, Universidade Metodista de São Paulo. Accessed December 10, 2019.
http://ibict.metodista.br/tedeSimplificado/tde_busca/arquivo.php?codArquivo=2273.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
LOPES, CARMEN BARRETO. “ENCONTROS E DESENCONTROS NA EDUCAÇÃO FÍSICA ESCOLAR: UM ESTUDO SOBRE O CORPO E O EROTISMO FEMININO.” 2009. Web. 10 Dec 2019.
Vancouver:
LOPES CB. ENCONTROS E DESENCONTROS NA EDUCAÇÃO FÍSICA ESCOLAR: UM ESTUDO SOBRE O CORPO E O EROTISMO FEMININO. [Internet] [Thesis]. Universidade Metodista de São Paulo; 2009. [cited 2019 Dec 10].
Available from: http://ibict.metodista.br/tedeSimplificado/tde_busca/arquivo.php?codArquivo=2273.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
LOPES CB. ENCONTROS E DESENCONTROS NA EDUCAÇÃO FÍSICA ESCOLAR: UM ESTUDO SOBRE O CORPO E O EROTISMO FEMININO. [Thesis]. Universidade Metodista de São Paulo; 2009. Available from: http://ibict.metodista.br/tedeSimplificado/tde_busca/arquivo.php?codArquivo=2273
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
19.
Carla Lilian Gulka.
A CONSTRUÇÃO DO EROTISMO EM CRIME DELICADO.
Degree: 2009, UNIVERSIDADE TUIUTI DO PARANÁ
URL: http://tede.utp.br/tde_busca/arquivo.php?codArquivo=310
;
http://tede.utp.br/tde_busca/arquivo.php?codArquivo=311
► This thesis aims to analyze the construction of the eroticism in the movie Crime Delicado(by Beto Brant, 2005).George Bataille ideas have contributed a lot with…
(more)
▼ This thesis aims to analyze the construction of the eroticism in the movie Crime Delicado(by Beto Brant, 2005).George Bataille ideas have contributed a lot with this research while he understands eroticism as being the rupture of interdicts and the search for continuity. Among all the ways the eroticism has being dealt in the movies, Crime Delicado peculiarity is to show both, the construction and the deconstruction of the eroticism based on the fusion and dissolution of the bodies. Starting from the analysis of Crime Delicado scenes, the problem of research aims to investigate how the construction of eroticism happens in the movie. The hypothesis here conceived is that some elements added to the narrative, lightening, framing and the intermediation with arts can construct an erotic or antierotic scene. From arts, specially, it will be addressed how the pictorial dialogues with the movie and helps to create the eroticism. The research methodology will comprehend the film analysis and the comparison of the movie with other movies, indicating the relationship between eroticism and painting. Therefore, the bibliography is based mainly in Bataille, Keesey &Duncan, Aumont and Dubois.
A presente dissertação objetiva examinar a construção do erotismo no filme Crime Delicado (Beto Brant, 2005). O pensamento de Georges Bataille em muito contribui para essa pesquisa, ao conceber o erotismo como quebra de interditos e busca da continuidade. Entre as diversas formas de como o erotismo vem sendo tratado pelo cinema, a particularidade de Crime Delicado é retratar tanto a construção quanto a desconstrução do mesmo, baseado na fusão ou dissolução dos corpos. O problema de pesquisa objetiva investigar, partindo da análise de cenas de Crime Delicado, como se dá esse processo de construção do erotismo fílmico. A hipótese aqui levantada é a de que determinados elementos agregados à narrativa - iluminação, enquadramentos e a intermidialidade com as artes possam construir uma cena erótica ou antierótica. Das artes, em especial, abordar-se-á o modo como o pictórico dialoga com o cinema e ajuda na criação do erotismo. A metodologia de pesquisa será composta pela análise fílmica e a comparação com outras obras cinematográficas, apontando nelas a relação entre erotismo e pintura. Para isso, a bibliografia baseia-se principalmente em Bataille, Keesey &Duncan, Aumont e Dubois.
Advisors/Committee Members: Renato Luiz Pucci Junior.
Subjects/Keywords: Crime Delicado; pintura; cinema; erotismo; COMUNICACAO; eroticism; cinema; painting; Crime Delicado
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APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Gulka, C. L. (2009). A CONSTRUÇÃO DO EROTISMO EM CRIME DELICADO. (Thesis). UNIVERSIDADE TUIUTI DO PARANÁ. Retrieved from http://tede.utp.br/tde_busca/arquivo.php?codArquivo=310 ; http://tede.utp.br/tde_busca/arquivo.php?codArquivo=311
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Gulka, Carla Lilian. “A CONSTRUÇÃO DO EROTISMO EM CRIME DELICADO.” 2009. Thesis, UNIVERSIDADE TUIUTI DO PARANÁ. Accessed December 10, 2019.
http://tede.utp.br/tde_busca/arquivo.php?codArquivo=310 ; http://tede.utp.br/tde_busca/arquivo.php?codArquivo=311.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Gulka, Carla Lilian. “A CONSTRUÇÃO DO EROTISMO EM CRIME DELICADO.” 2009. Web. 10 Dec 2019.
Vancouver:
Gulka CL. A CONSTRUÇÃO DO EROTISMO EM CRIME DELICADO. [Internet] [Thesis]. UNIVERSIDADE TUIUTI DO PARANÁ; 2009. [cited 2019 Dec 10].
Available from: http://tede.utp.br/tde_busca/arquivo.php?codArquivo=310 ; http://tede.utp.br/tde_busca/arquivo.php?codArquivo=311.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Gulka CL. A CONSTRUÇÃO DO EROTISMO EM CRIME DELICADO. [Thesis]. UNIVERSIDADE TUIUTI DO PARANÁ; 2009. Available from: http://tede.utp.br/tde_busca/arquivo.php?codArquivo=310 ; http://tede.utp.br/tde_busca/arquivo.php?codArquivo=311
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Universidade do Estado do Rio de Janeiro
20.
Vivian Martins Ligeiro.
Viver o amor como o desespero: a angústia e a mulher.
Degree: Master, 2010, Universidade do Estado do Rio de Janeiro
URL: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=3709
;
► O presente trabalho tem como intuito investigar as possíveis implicações entre a angústia e a mulher. Nosso objetivo principal é pesquisar de que maneira a…
(more)
▼ O presente trabalho tem como intuito investigar as possíveis implicações entre a angústia e a mulher. Nosso objetivo principal é pesquisar de que maneira a mulher experimenta a angústia e como este estado afetivo irrompe na vida psíquica feminina. Para tanto, recorremos a uma pesquisa na bibliografia psicanalítica sobre o tema, sobretudo na obra de Freud e no ensino de Lacan. Partimos da indicação daquele autor de que a angústia de castração, que se demonstra estruturante da vida psíquica do homem, não se apresenta como a base da angústia no outro sexo. O correlato da angústia de castração é o medo de perder o amor, que nos remete à investigação de um período arcaico da história da mulher: sua relação pré-edipiana com a mãe. Este primeiro enlace amoroso, que a mulher reeditará constantemente a cada novo encontro amoroso, servirá de base para toda sua vida erótica. Serviremo-nos, a fim de ilustrar esta questão, do romance O Amante, de Marguerite Duras, e da obra de Camille Claudel que demonstram a intrínseca relação devastadora entre a mulher, a angústia, o amor e a mãe.
The present work aims to investigate the possible implications between the woman and anguish. Our main focus is to research the ways that the woman experiences anguish and how such an affective state bursts out in the psychic feminine life. In order to conduct the research, a psychoanalytical bibliography about the topic was revisited, especially in Freuds work and Lacans studies. The research was based upon Freuds indication that castration anguish, shown as structuring in a mans psychic life, does not present itself as the basis of anguish in the other sex. The correlate to the anguish of castration, for a woman, is the fear of the loss of love, which leads to the investigation of an archaic period in a womans history: her pre-oedipal relation with the mother. This first love bond, which the woman will re-edit several times in each new love encounter, will serve as a basis throughout all her erotic life. In order to illustrate such an issue, Marguerite Durass novel,The Lover, and Camille Claudels works have been chosen to show the intrinsic devastating relation among the woman, anguish, love and the mother.
Advisors/Committee Members: Heloisa Fernandes Caldas Ribeiro, Rita Maria Manso de Barros, Tania Coelho dos Santos.
Subjects/Keywords: PSICOLOGIA; Mulher; Angústia; Devastação; Erotismo; Woman; Anguish; Devastation; Eroticism
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APA (6th Edition):
Ligeiro, V. M. (2010). Viver o amor como o desespero: a angústia e a mulher. (Masters Thesis). Universidade do Estado do Rio de Janeiro. Retrieved from http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=3709 ;
Chicago Manual of Style (16th Edition):
Ligeiro, Vivian Martins. “Viver o amor como o desespero: a angústia e a mulher.” 2010. Masters Thesis, Universidade do Estado do Rio de Janeiro. Accessed December 10, 2019.
http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=3709 ;.
MLA Handbook (7th Edition):
Ligeiro, Vivian Martins. “Viver o amor como o desespero: a angústia e a mulher.” 2010. Web. 10 Dec 2019.
Vancouver:
Ligeiro VM. Viver o amor como o desespero: a angústia e a mulher. [Internet] [Masters thesis]. Universidade do Estado do Rio de Janeiro; 2010. [cited 2019 Dec 10].
Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=3709 ;.
Council of Science Editors:
Ligeiro VM. Viver o amor como o desespero: a angústia e a mulher. [Masters Thesis]. Universidade do Estado do Rio de Janeiro; 2010. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=3709 ;
Université de Montréal
21.
Avarguès, Marion.
Les limites du champ de l'extase chez Bataille
.
Degree: 2012, Université de Montréal
URL: http://hdl.handle.net/1866/8339
► Le sujet de ce mémoire s'attache à circonscrire le champ de l'extase chez Georges Bataille. Il s’agit de délimiter les frontières d’un concept qui, a…
(more)
▼ Le sujet de ce mémoire s'attache à circonscrire le champ de l'extase chez Georges Bataille. Il s’agit de délimiter les frontières d’un concept qui, a priori, ne peut en avoir, d’où un paradoxe à résoudre : comment parvenir à poser des limites à ce qui est illimité par essence ?
Nous verrons que l’extase bataillienne rompt de façon radicale avec la tradition mystique en créant un concept qui, au lieu d’embrasser l’absolu, le tout, demeure une expérience purement intérieure. Nous nous focaliserons ensuite sur le caractère érotique de ses fondations. Bataille revendique en effet l’essence érotique, et non mystique, de l’extase. Parce que pour Georges Bataille, la mystique c’est l’impossible, nous analyserons enfin l’impasse apparente de son extase. Car si le champ de ce dernier se borne au seuil du mystique, il en résulte une puissance et portée moindres que celles de l’extase proprement mystique. Dès lors, nous nous interrogerons sur les failles d’un tel concept. Étant donné que l’extase bataillienne rejette toute mystique de son champ, il nous faudra nous pencher sur la possibilité de la définir comme un échec. Georges Bataille a-t-il conceptualisé l'extase du drogué ? Ou les débris laissés par le mort de Dieu ? A moins que l'extase bataillienne ne concrétise simplement l'agonie du spirituel...
Dans cette recherche, nous définirons des notions batailliennes telles que : « nudité », « angoisse », « dépense improductive », « souveraineté » ou « petite mort ». Et pour ce faire, nous nous concentrerons en priorité sur ces ouvrages : L’expérience intérieure, Ma mère, L’histoire de l’œil, Le bleu du ciel et L’Érotisme.
Advisors/Committee Members: Dumouchel, Daniel (advisor).
Subjects/Keywords: Philosophie;
Philosophy;
Bataille;
Bataille;
mystique;
mystic;
extase;
ecstasy;
érotisme;
eroticism
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APA ·
Chicago ·
MLA ·
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Manager
APA (6th Edition):
Avarguès, M. (2012). Les limites du champ de l'extase chez Bataille
. (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/8339
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Avarguès, Marion. “Les limites du champ de l'extase chez Bataille
.” 2012. Thesis, Université de Montréal. Accessed December 10, 2019.
http://hdl.handle.net/1866/8339.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Avarguès, Marion. “Les limites du champ de l'extase chez Bataille
.” 2012. Web. 10 Dec 2019.
Vancouver:
Avarguès M. Les limites du champ de l'extase chez Bataille
. [Internet] [Thesis]. Université de Montréal; 2012. [cited 2019 Dec 10].
Available from: http://hdl.handle.net/1866/8339.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Avarguès M. Les limites du champ de l'extase chez Bataille
. [Thesis]. Université de Montréal; 2012. Available from: http://hdl.handle.net/1866/8339
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Universidade do Rio Grande do Sul
22.
Nunes, Claudio Ricardo Freitas.
Trazendo a noite para o dia : apontamentos sobre erotismo, strip tease masculino, pedagogias de gênero e sexualidade.
Degree: 2012, Universidade do Rio Grande do Sul
URL: http://hdl.handle.net/10183/56472
► Esta pesquisa de doutorado em Educação, realizada com recorte etnográfico, analisa um determinado lugar na cidade de Porto Alegre, reconhecido como um lugar de sociabilidades…
(more)
▼ Esta pesquisa de doutorado em Educação, realizada com recorte etnográfico, analisa um determinado lugar na cidade de Porto Alegre, reconhecido como um lugar de sociabilidades e práticas homossexuais, mas que se diferencia ao acolher qualquer público adulto (homens heterossexuais, travestis, mulheres). Mesmo se tratando de lugar reconhecidamente gay, paradoxalmente se percebem indicações eróticas e hierarquizações a partir de comportamentos e práticas heterossexuais. Inspirado na obra do Marques de Sade, Os 120 dias de Sodoma ou a Escola de Libertinagem, penso nesse local com a ajuda da metáfora do Castelo de Silling, que sofreu inúmeras adaptações para comportar tantas atuações a partir de manifestações eróticas e das próprias práticas sexuais. O ‘castelo’ pesquisado também possibilitou a análise de uma específica prática corporal, o strip tease masculino, a partir de variados investimentos no substrato corporal de homens jovens, masculinos, que diariamente exibem-se para uma plateia predominantemente homossexual. Nesses shows foram percebidos elementos pedagógicos relacionados a gênero e sexualidade, pautados em uma possível supremacia da heterossexualidade que se apresenta no palco, ao mesmo tempo em que se desvalorizam as próprias homossexualidades dos clientes, o gênero feminino e a condição travesti. Portanto, tal ‘castelo’ pode ser também analisado a partir de referenciais heteronormativos percebidos em alguns espaços e nesses shows com o rechaço das homossexualidades e feminilidades ali representadas.
This qualitative doctoral research in education, conducted with ethnographic inspiration, examines a particular place in the city of Porto Alegre, recognised as a place of homosexual sociabilities and practices, but that also excepts any adult audience (heterosexual men, transvestites, women). Even if it came to be recognized as a gay place, paradoxically it is possible to notice some hierarchies based upon heterosexual practices and behaviors. Inspired by the work of Marquis de Sade, The 120 days of Sodom, or the School of Licentiouness, I see this particular research field as he metaphor of the Silling castle, which suffered numerous adaptations to accommodate several performances and erotic practices. The ' Castle ' that was researched also enabled the analysis of a specific bodily practice, the male strip tease. The analysis problematized the various investments in the body young masculine men who, daily entertain an audience that is predominantly homosexual. In these shows pedagogical elements related to gender and sexuality were perceived. These elements presented on stage were mosty based on a possible supremacy of heterosexuality, which at the same time that devalues the homosexuality of the customers, the feminine and transvestite conditions. Therefore, though being mostly dedicated to gay customers the shows presented in this “castle” also have heteronormative referentials like the rejection of feminine traits and homosexuality.
Advisors/Committee Members: Seffner, Fernando.
Subjects/Keywords: Eroticism; Erotismo; Gender; Gênero; Performance; Strip tease; Masculinidade; Performance; Masculinity
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APA ·
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Manager
APA (6th Edition):
Nunes, C. R. F. (2012). Trazendo a noite para o dia : apontamentos sobre erotismo, strip tease masculino, pedagogias de gênero e sexualidade. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/56472
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Nunes, Claudio Ricardo Freitas. “Trazendo a noite para o dia : apontamentos sobre erotismo, strip tease masculino, pedagogias de gênero e sexualidade.” 2012. Thesis, Universidade do Rio Grande do Sul. Accessed December 10, 2019.
http://hdl.handle.net/10183/56472.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Nunes, Claudio Ricardo Freitas. “Trazendo a noite para o dia : apontamentos sobre erotismo, strip tease masculino, pedagogias de gênero e sexualidade.” 2012. Web. 10 Dec 2019.
Vancouver:
Nunes CRF. Trazendo a noite para o dia : apontamentos sobre erotismo, strip tease masculino, pedagogias de gênero e sexualidade. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2012. [cited 2019 Dec 10].
Available from: http://hdl.handle.net/10183/56472.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Nunes CRF. Trazendo a noite para o dia : apontamentos sobre erotismo, strip tease masculino, pedagogias de gênero e sexualidade. [Thesis]. Universidade do Rio Grande do Sul; 2012. Available from: http://hdl.handle.net/10183/56472
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Edinburgh
23.
Khanna, Akshay.
Refracted subject : sexualness in the realms of law and epidemiology.
Degree: PhD, 2009, University of Edinburgh
URL: http://hdl.handle.net/1842/4213
► There are many ways in which gender diversity and sexualness are experienced, spoken of and transacted in India. Recent activism against marginalisation related to sexual…
(more)
▼ There are many ways in which gender diversity and sexualness are experienced, spoken of and transacted in India. Recent activism against marginalisation related to sexual and gender nonconformity has led to transformation of some of these idioms into objects that circulate in particular registers of governmentality. In the process, something quite else is created, and this something else portends to speak the truth of 'sexuality in India'. Based on fieldwork carried out between 2005 and 2007 in cities, towns and villages around India, this thesis tells a story of this emergence of 'sexuality' as an aspect of personhood, a political object, a basis for social mobility, a mode of connectedness between people and as a legitimate cause for a movement. The term 'Queer', used variously in India, is a shorthand in some contexts for people who identify as Lesbian, Gay, Bisexual, Transgender, and with South Asian identities such as Hijra, Kothi and Aravani. In others, it refers to a political project challenging norms of heterosexual monogamy, marking a conscious move away from identity-based politics premised on a bio-medical presumption that desire defines personhood. Evoking both these meanings, I examine queer activism as the negotiation of terms of entry of Queer bodies into epidemiological and juridical registers. In relation to the first, I examine interventions of the transnational HIV/AIDS industry that target 'men who have sex with men' – or 'MSM' – the category through which the industry apprehends sexualness between male subjects. I focus on the political-economic conditions of epidemiological knowledge, and on the transformation of idioms of gender and sexualness that its production draws upon. The industry, I argue, is involved in establishing availability of socio-economically marginalised bodies for intervention and research. These relationships of availability are possible because of their promise of social mobility and respectability for queer folk, hitherto despised in masculinist political economies. This mobility is contingent upon the creation and adoption of epidemiologically overdetermined identities which ironically find political significance in being seen as timeless and 'traditional'. The dichotomous being of the 'MSM' - simultaneously the producer and the object of this epidemiological knowledge, implies that the production of this knowledge is predicated upon the ability of queer folk to perform their place in the 'community'. The relationships in the 'field' are already written into the data, and thus the knowledge. Epidemiological knowledge, and the subjects it speaks of, I thus argue, are best understood as articulations of the conditions of their production. The second theme, of Law and the juridical register, opens with an examination of the tensions involved in the production of 'homophobia' as a political object. The disavowal of erotic dimensions in the naming of experiences as 'homophobic violence' is situated in the context of a popular imagination of a worthy juridical subject, and in…
Subjects/Keywords: 306; sexuality; India; queer; law; HIV/AIDS; epidemiology; subjectivity; eroticism; gender
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Manager
APA (6th Edition):
Khanna, A. (2009). Refracted subject : sexualness in the realms of law and epidemiology. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/4213
Chicago Manual of Style (16th Edition):
Khanna, Akshay. “Refracted subject : sexualness in the realms of law and epidemiology.” 2009. Doctoral Dissertation, University of Edinburgh. Accessed December 10, 2019.
http://hdl.handle.net/1842/4213.
MLA Handbook (7th Edition):
Khanna, Akshay. “Refracted subject : sexualness in the realms of law and epidemiology.” 2009. Web. 10 Dec 2019.
Vancouver:
Khanna A. Refracted subject : sexualness in the realms of law and epidemiology. [Internet] [Doctoral dissertation]. University of Edinburgh; 2009. [cited 2019 Dec 10].
Available from: http://hdl.handle.net/1842/4213.
Council of Science Editors:
Khanna A. Refracted subject : sexualness in the realms of law and epidemiology. [Doctoral Dissertation]. University of Edinburgh; 2009. Available from: http://hdl.handle.net/1842/4213
University of California – Irvine
24.
Palomar, Ana.
Recuperating the Bildungsroman in Women's Contemporary Spanish Narratives and Film.
Degree: Spanish, 2015, University of California – Irvine
URL: http://www.escholarship.org/uc/item/0k00z8rs
► The coming-of-age novel or story exhibits a search for the individual’s meaningful existence within society in conjunction with the attainment of one’s true self. In…
(more)
▼ The coming-of-age novel or story exhibits a search for the individual’s meaningful existence within society in conjunction with the attainment of one’s true self. In the years following the Spanish Civil War, Carmen Laforet, Ana María Matute, Mercè Rodoreda, Esther Tusquets and others, published novels of female development that enriched the canon of the Spanish literature. The recent decades have witnessed the publication of a growing number of female formation novels by Lucía Etxebarría, Almudena Grandes, Rosa Montero, as well as many other leading female writers in Spain. This dissertation examines the silenced voice in women’s narrative fiction characterized by modules of the Bildungsroman and aided through cinematic representations. It provides an investigation of patterns in women’s narrative trajectory revolving around configurations of the novel of self-formation and theoretical perspectives on love and eroticism as seen in the novels Nada, El mismo mar de todos los veranos, Julia, Las edades de Lulú, Beatriz y los cuerpos celestes, Primera memoria and the film Elegy. Additionally, I question the interchangeability and reversibility of masculine and feminine traits as demonstrated in the novel Te trataré como a una reina and the films Carmen and Lucía y el sexo, proposing that these notions manifest a discord that subverts the hierarchy of hegemonic discourses. I also focus on exploring connections between women’s marginal standing and the overall sense of displacement and uneasiness that trickled into the Spanish Transition period as seen in the novels Cielo nocturno, La plaza del diamante and the film Las trece rosas. Ultimately, the texts and films I have chosen formulate evocations of this relationship in order to explore factual/fiction dividends of the novel of self-discovery. All works have a common divergent interest in the interplay between the attainment of the self that is aided through political or social conflict, while the others deal tangentially with relationships involving gender based perspectives in conjunction with desire and intimacy.
Subjects/Keywords: Literature; Film studies; Bildungsroman; Eroticism; Gender; Post-Franco; Spectatorship; Women
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APA (6th Edition):
Palomar, A. (2015). Recuperating the Bildungsroman in Women's Contemporary Spanish Narratives and Film. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/0k00z8rs
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Palomar, Ana. “Recuperating the Bildungsroman in Women's Contemporary Spanish Narratives and Film.” 2015. Thesis, University of California – Irvine. Accessed December 10, 2019.
http://www.escholarship.org/uc/item/0k00z8rs.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Palomar, Ana. “Recuperating the Bildungsroman in Women's Contemporary Spanish Narratives and Film.” 2015. Web. 10 Dec 2019.
Vancouver:
Palomar A. Recuperating the Bildungsroman in Women's Contemporary Spanish Narratives and Film. [Internet] [Thesis]. University of California – Irvine; 2015. [cited 2019 Dec 10].
Available from: http://www.escholarship.org/uc/item/0k00z8rs.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Palomar A. Recuperating the Bildungsroman in Women's Contemporary Spanish Narratives and Film. [Thesis]. University of California – Irvine; 2015. Available from: http://www.escholarship.org/uc/item/0k00z8rs
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
25.
Morris, Madeleine.
Journeys into the void : reformulations of eroticism in contemporary fictions.
Degree: PhD, 2017, University of Roehampton
URL: https://pure.roehampton.ac.uk/portal/en/studentthesis/Journeys-Into-The-Void(3c889b92-6515-4b18-8b70-e9860d274f3c).html
;
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.736275
► This collection of short stories and the accompanying critical exegesis interrogates whether eroticism, as defined by Georges Bataille, is possible in contemporary erotic writing. The…
(more)
▼ This collection of short stories and the accompanying critical exegesis interrogates whether eroticism, as defined by Georges Bataille, is possible in contemporary erotic writing. The project employs a Lacanian lens through which to examine the notions of transgression, selfhood, transcendence and language as aspects of Bataillean eroticism. It argues that works in the erotica genre such as 'Fifty Shades of Grey' rely on nostalgia for the transgression of prohibitions that no longer hold moral authority. This project argues, theoretically and creatively, that we must discover and define what constitutes contemporary taboos and prohibitions in mainstream society if we are to formulate new erotic works that explore their transgression.
Subjects/Keywords: Creative Writing; Eroticism; Erotica; Erotic Fiction; Bataille, Lacan
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APA ·
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MLA ·
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Export
to Zotero / EndNote / Reference
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APA (6th Edition):
Morris, M. (2017). Journeys into the void : reformulations of eroticism in contemporary fictions. (Doctoral Dissertation). University of Roehampton. Retrieved from https://pure.roehampton.ac.uk/portal/en/studentthesis/Journeys-Into-The-Void(3c889b92-6515-4b18-8b70-e9860d274f3c).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.736275
Chicago Manual of Style (16th Edition):
Morris, Madeleine. “Journeys into the void : reformulations of eroticism in contemporary fictions.” 2017. Doctoral Dissertation, University of Roehampton. Accessed December 10, 2019.
https://pure.roehampton.ac.uk/portal/en/studentthesis/Journeys-Into-The-Void(3c889b92-6515-4b18-8b70-e9860d274f3c).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.736275.
MLA Handbook (7th Edition):
Morris, Madeleine. “Journeys into the void : reformulations of eroticism in contemporary fictions.” 2017. Web. 10 Dec 2019.
Vancouver:
Morris M. Journeys into the void : reformulations of eroticism in contemporary fictions. [Internet] [Doctoral dissertation]. University of Roehampton; 2017. [cited 2019 Dec 10].
Available from: https://pure.roehampton.ac.uk/portal/en/studentthesis/Journeys-Into-The-Void(3c889b92-6515-4b18-8b70-e9860d274f3c).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.736275.
Council of Science Editors:
Morris M. Journeys into the void : reformulations of eroticism in contemporary fictions. [Doctoral Dissertation]. University of Roehampton; 2017. Available from: https://pure.roehampton.ac.uk/portal/en/studentthesis/Journeys-Into-The-Void(3c889b92-6515-4b18-8b70-e9860d274f3c).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.736275
Columbia University
26.
Wright, Daniel.
Bad Logic: Reasoning about Desire in the Victorian Novel.
Degree: 2013, Columbia University
URL: https://doi.org/10.7916/D8F76BZF
► How do Victorian novels, those detailed imaginative records of psychic interiority and social life, put into language the aspect of our interior lives that seems…
(more)
▼ How do Victorian novels, those detailed imaginative records of psychic interiority and social life, put into language the aspect of our interior lives that seems most stubbornly nonlinguistic: that is, the insistent claims and impulses of erotic desire? If Victorian culture valued reason and accountability over sheer erotic fulfillment, and at the same time represented love and desire as important social experiences, then how did the Victorian novel represent the process of reasoning about desire without diluting its intensity or making it mechanical? In "Bad Logic," I argue that a surprising array of novelists, including Jane Austen, Charlotte Brontë, Anthony Trollope, George Eliot, George Meredith, and Henry James, registered the troublesome opacity of erotic life by experimenting with forms of "bad logic," from hasty conclusions to contradictions to tautologies, and finally to the ethical and erotic possibilities of vagueness. These forms bring into view the limitations of logic as a rubric for moral accountability, while at the same time they work as ironic and tacit ways of speaking and thinking about erotic desire. In other words, in the Victorian novel, the singular, embodied feelings of erotic life are imagined not as ineffable, nonsocial, or fully beyond the explanatory powers of logic and the rational mind. Rather, erotic desires represent a profound depth of psychic and affective life that, even in its resistance to sound propositional language, wants to be understood. The resurgence of interest in theories of logic in nineteenth-century England was in fact intimately related to the philosophical problem of the deep, idiosyncratic self that seems to exceed scientific knowledge about thought and its structures, but which nonetheless guides so much of psychic, ethical, and erotic life. Philosophers and social critics as diverse as Thomas Carlyle, John Stuart Mill, George Boole, and George Eliot took up the stubborn problem of logic and its complex relationship to character. But it was the realist novel, I argue, that allowed for the fullest development of this problem through its own strategies for developing fictional character and representing the fullness of psychic and affective life and its often difficult social expression. That the Victorians talked and wrote endlessly about sex and sexuality, in a variety of medical, scientific, sociological, and psychological vocabularies, has been taken for granted since Foucault provided us with our most enduring account of the Victorian "logic of sex." With "Bad Logic," I enter into an ongoing reappraisal of Foucault's influence on the study of sexuality by suggesting that the Victorian impulse toward talking about and representing sexuality and desire may have had a more complex rationale than a utilitarian desire to manage and regulate sexual behaviors. Foucault's late work turned to sexual practice or ethos as a potentially utopian alternative to the "discourse" of sexuality, and yet I argue that novelistic representations of eroticism in language can extend…
Subjects/Keywords: British literature; Irish literature; Eroticism in literature; Fiction; Desire in literature
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APA ·
Chicago ·
MLA ·
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CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Wright, D. (2013). Bad Logic: Reasoning about Desire in the Victorian Novel. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8F76BZF
Chicago Manual of Style (16th Edition):
Wright, Daniel. “Bad Logic: Reasoning about Desire in the Victorian Novel.” 2013. Doctoral Dissertation, Columbia University. Accessed December 10, 2019.
https://doi.org/10.7916/D8F76BZF.
MLA Handbook (7th Edition):
Wright, Daniel. “Bad Logic: Reasoning about Desire in the Victorian Novel.” 2013. Web. 10 Dec 2019.
Vancouver:
Wright D. Bad Logic: Reasoning about Desire in the Victorian Novel. [Internet] [Doctoral dissertation]. Columbia University; 2013. [cited 2019 Dec 10].
Available from: https://doi.org/10.7916/D8F76BZF.
Council of Science Editors:
Wright D. Bad Logic: Reasoning about Desire in the Victorian Novel. [Doctoral Dissertation]. Columbia University; 2013. Available from: https://doi.org/10.7916/D8F76BZF
Rochester Institute of Technology
27.
Mosher, Eric.
The eroticism of presence (allusion to the essence of an object).
Degree: School of Photographic Arts and Sciences (CIAS), 1986, Rochester Institute of Technology
URL: https://scholarworks.rit.edu/theses/5381
Subjects/Keywords: Eroticism; Figure; Form; Nude; Shape
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APA (6th Edition):
Mosher, E. (1986). The eroticism of presence (allusion to the essence of an object). (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/5381
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Mosher, Eric. “The eroticism of presence (allusion to the essence of an object).” 1986. Thesis, Rochester Institute of Technology. Accessed December 10, 2019.
https://scholarworks.rit.edu/theses/5381.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Mosher, Eric. “The eroticism of presence (allusion to the essence of an object).” 1986. Web. 10 Dec 2019.
Vancouver:
Mosher E. The eroticism of presence (allusion to the essence of an object). [Internet] [Thesis]. Rochester Institute of Technology; 1986. [cited 2019 Dec 10].
Available from: https://scholarworks.rit.edu/theses/5381.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Mosher E. The eroticism of presence (allusion to the essence of an object). [Thesis]. Rochester Institute of Technology; 1986. Available from: https://scholarworks.rit.edu/theses/5381
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of North Texas
28.
Skebe, Carolyn Alifair.
Bird Bones and a Hatched Egg.
Degree: 2000, University of North Texas
URL: https://digital.library.unt.edu/ark:/67531/metadc2667/
► A fifty page manuscript of poetry and a critical introduction detailing the poet's aesthetics. Using the idea of the double-image and eroticism, the poet places…
(more)
▼ A fifty page manuscript of poetry and a critical introduction detailing the poet's aesthetics. Using the idea of the double-image and
eroticism, the poet places her work in the category of the surreal. She describes the process of writing poetry born of fragmentary elements as a feminist emergence of agency. The manuscript is composed of four sections, each an element in the inevitable breakdown of a love relationship: meeting, love-making, birth of a child, death. Quotes from various authors of anthropological and fictional texts begin each section to reinforce thematic structure in a process of unveiling the agency of the narrator. The poems are organized as a series, beginning and ending with sequence poems.
Advisors/Committee Members: Bond, Bruce, Rodman, Barbara, Perez, Ramona.
Subjects/Keywords: Love poetry.; Feminist; Eroticism; Surrealism
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Edith Cowan University
29.
Studsor, Robbie.
Alive in death : Bataillean eroticism in the 60s gothic cinema of Mario Bava.
Degree: 2011, Edith Cowan University
URL: https://ro.ecu.edu.au/theses/454
► In the opening of Eroticism, Geroges Bataille’s seminal text on the relationship between death and sensuality, he chose a quote from the Marques De Sade:…
(more)
▼ In the opening of Eroticism, Geroges Bataille’s seminal text on the relationship between death and sensuality, he chose a quote from the Marques De Sade: ‘There is no better way to know death than to tie it to some licentious image’. It is my contention in this thesis that few filmmakers understand such a sentiment as profoundly as Mario Bava did, and although he is often regarded as one of the foremost directors of Gothic, I argue that he was one of the great cinematic practitioners of eroticism. Transgression pervades Bava’s Gothic works as a means to a paradoxical state of terror and passion whereby neither one is resolved but rather they meet in a kind of jouissance, intermingling iconic binaries such as pleasure and pain, beauty and the grotesque, and order and disorder. However, although he often does displace sexuality into the domains of the dangerous, grotesque and violent through strong symbolic and metaphorical use of objectification, he also has powerful metaphors of romance. These two themes, the ‘normal’ homogenous pursuit of desire and its dangerous, primal, heterogeneous ‘other’, are often viewed as contrasting binaries, yet when viewed from the position of Georges Bataille’s theory of eroticism the oneiric imagery, themes and narratives of Bava’s Gothic films become intricate examinations of guilt, desire and death. Bava, in the spirit of Bataille, refuses to privilege the transgression over the taboo (and vice versa) instead using each to ‘complete and reinforce’ the other. He also ironically exemplifies this dialectic of horror and beauty by making the beauty fit for Douglas Sirk and the horror fit for the Grand Guignol. This thesis examines Bava’s continual fascination with death and desire by concentrating purely on his 60s Gothic Revivalist works Black Sunday, Black Sabbath (The Wurdalak segment), The Whip and the Body and Kill, Baby Kill!, and his 60s Modern Gothic works The Telephone, The Girl who Knew Too Much and Blood and Black Lace. In order to achieve this the thesis also examines important influences, socio-economic factors and culturally specific trends that not only shaped Bava’s Gothic style but also contributed to the evolution of the Gothic style in the cinema. It seeks to apply Bataillian theory (and occasionally various Bataille-informed psychoanalytic principles) to scrutinise both the reoccurring and exclusive ways Bava has situated death and desire within the framework of the Gothic genre.Throughout the writing of this thesis I also concurrently worked on various feature length screenplays as a means of amalgamating the ideas of Bataille and the cinematic language of Bava into an artistic practicum (in the spirit of how Bataille exorcised his own ideas into creative works such as Story of the Eye). The eventual result (a feature length screenplay) stands as an amalgamation between a written interpretation of Bava’s visual and thematic concerns, Bataille’s fiction, and the incorporation of the theoretical framework I established in the thesis. Although I resist the notion of…
Subjects/Keywords: Georges Bataille; Mario Bava; Eroticism; 60s Cinema; Film and Media Studies
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Record Details
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❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
Studsor, R. (2011). Alive in death : Bataillean eroticism in the 60s gothic cinema of Mario Bava. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/454
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
Studsor, Robbie. “Alive in death : Bataillean eroticism in the 60s gothic cinema of Mario Bava.” 2011. Thesis, Edith Cowan University. Accessed December 10, 2019.
https://ro.ecu.edu.au/theses/454.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
Studsor, Robbie. “Alive in death : Bataillean eroticism in the 60s gothic cinema of Mario Bava.” 2011. Web. 10 Dec 2019.
Vancouver:
Studsor R. Alive in death : Bataillean eroticism in the 60s gothic cinema of Mario Bava. [Internet] [Thesis]. Edith Cowan University; 2011. [cited 2019 Dec 10].
Available from: https://ro.ecu.edu.au/theses/454.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
Studsor R. Alive in death : Bataillean eroticism in the 60s gothic cinema of Mario Bava. [Thesis]. Edith Cowan University; 2011. Available from: https://ro.ecu.edu.au/theses/454
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
University of Sydney
30.
McBurnie, Jonathan.
Collisions: drawing in the digital age
.
Degree: 2014, University of Sydney
URL: http://hdl.handle.net/2123/13133
► This research outlines the reconfiguration of the creative act of drawing through physical practice as a response to mass culture. This practice takes place in…
(more)
▼ This research outlines the reconfiguration of the creative act of drawing through physical practice as a response to mass culture. This practice takes place in the context of developing digital technologies, culminating in metadrawing. Metadrawing is defined as the integration of the post-digital collapse of media specificity in the visual arts. This research posits metadrawing as a descriptor for the paradigm shift between the physical act of drawing in pre-digital mass culture and the principles of drawing incorporated into digital technologies.
Through this shift, drawing has become an artistic act that is no longer working to collapse media divisions, and now operates within and without these divisions, destabilised by digital technologies. This research examines drawing as a history of innovations and responses to shifts in technologies and their applications. Questions of genre, form and medium are subsequently downplayed for an interdisciplinary approach. High and low are no longer distinct, as the internet search engine is adopted into the artist's toolbox, alongside the digital camera and animation software. The many accessible and disposable images are integrated as raw matter, to fossick and sift through.
Accompanying studio research operates within the interdisciplinary freedoms of the metadrawing. Approaches to quotation, appropriation, pastiche, irony, detachment and sincerity are explored through a rigorous drawing practice, resulting in a vast, multilayered body of work. This self-reflexive and intuitive practice incorporates numerous ciphers into its many suspended, but interrelated narratives. Beyond the physical level, the work operates on an intertextual level, moving between the metaphysics of genre and previously separated art forms to create a reconfigured history, unhampered by previous distinctions and boundaries of media and form. This research posits the act of drawing as a reaction to, or divergence from, the dominant techno-capitalist status quo, treating the tactile experiences of studio practice as subversive, transgressive, and erotic. This research explores the subjectivity and the subjective agency of the artist. Drawing is therefore defined as a process of unrepeatability, a process that, while no longer necessary for picture making, still forms a crucial and engaging tier of the visual arts. Drawing’s divergence from the commercialised intangibility of the digital has revitalized its practitioners, demanding a reconsideration of what is means to draw today. This tension is explored through the different methods of studio practice, on the level of the personal-biological, the erotic, and in terms of collision and materiality. Specific images are selected through criteria directly linked with the subjective agency of the artist, and reconfigured through artistic practice, creating a new imbrication of the raw image matter.
Subjects/Keywords: Drawing;
Metadrawing;
Eroticism;
Film;
Graphic;
Narrative;
Visual art;
Contemporary art
Record Details
Similar Records
Cite
Share »
Record Details
Similar Records
Cite
« Share
❌
APA ·
Chicago ·
MLA ·
Vancouver ·
CSE |
Export
to Zotero / EndNote / Reference
Manager
APA (6th Edition):
McBurnie, J. (2014). Collisions: drawing in the digital age
. (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/13133
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Chicago Manual of Style (16th Edition):
McBurnie, Jonathan. “Collisions: drawing in the digital age
.” 2014. Thesis, University of Sydney. Accessed December 10, 2019.
http://hdl.handle.net/2123/13133.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
MLA Handbook (7th Edition):
McBurnie, Jonathan. “Collisions: drawing in the digital age
.” 2014. Web. 10 Dec 2019.
Vancouver:
McBurnie J. Collisions: drawing in the digital age
. [Internet] [Thesis]. University of Sydney; 2014. [cited 2019 Dec 10].
Available from: http://hdl.handle.net/2123/13133.
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
Council of Science Editors:
McBurnie J. Collisions: drawing in the digital age
. [Thesis]. University of Sydney; 2014. Available from: http://hdl.handle.net/2123/13133
Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
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Open Access Theses and Dissertations